Number |
Cover |
TextBook for Movies |
Author |
Edition |
0 |
|
Film and the Dream Screen: A Sleep and a Forgetting |
Robert T. Eberwein |
|
1 |
|
Adobe Animate Classroom in a Book® 2024 Release [1 ed.] |
Russell Chun |
1 |
2 |
|
Alfred Hitchcock's Psycho and Taxidermy: Fashioning Corpses |
Subarna Mondal |
|
3 |
|
Arab World Cinemas: A Reader and Guide [1 ed.] |
Marlé Hammond |
1 |
4 |
|
Beyond Realism: Naturalist Film in Theory and Practice [1 ed.] |
Robert Singer |
1 |
5 |
|
Cinema and Secularism |
Mark Cauchi (editor) |
|
6 |
|
Cinema, Culture, Scotland: Selected Essays [1 ed.] |
Colin McArthur, Jonathan Murray (editor) |
1 |
7 |
|
Cinemas of the Global South: Towards a Southern Aesthetics [1 ed.] |
Dilip M Menon, Amir Taha |
1 |
8 |
|
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
9 |
|
Heart Sister |
Michael F. Stewart |
|
10 |
|
Scenarios II: Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass |
Werner Herzog, Krishna Winston |
|
11 |
|
The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
Danny Draven |
|
12 |
|
A wonderful heart: the films of William Wyler |
Wyler, William, Wyler, William, Sinyard, Neil |
|
13 |
|
Canadian Cinema Since the 1980s: At the Heart of the World |
David L. Pike |
|
14 |
|
Every Night the Trees Disappear: Werner Herzog and the Making of Heart of Glass |
Alan Greenberg, Werner Herzog |
|
15 |
|
Ebert's essentials. 25 movies to mend a broken heart |
Ebert, Roger |
|
16 |
|
Heart Journey |
Robin D. Owens |
|
17 |
|
Home is Where the Heart Is: Studies in Melodrama and the Woman's Film |
Christine Gledhill |
|
18 |
|
Deep Focus: Reflection On Indian Cinema |
Ray, Satyajit |
|
19 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Saba Mahmood Bashir |
|
20 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Sathya Saran |
|
21 |
|
The Adventures of Amitabh Bachchan as Supremo: Vilupt Nagri (HINDI) |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
22 |
|
A Call To Action: The Films of Ousmane Sembene |
Sheila Petty |
|
23 |
|
Alternate Americas: Science Fiction Film and American Culture |
M. Keith Booker |
|
24 |
|
American Film and Society since 1945 |
Leonard Quart, Albert Auster |
|
25 |
|
Becoming Film Literate: The Art and Craft of Motion Pictures |
Vincent A. LoBrutto |
|
26 |
|
Chinese Film: The State of the Art in the People's Republic |
George S. Semsel |
|
27 |
|
Cinematic Savior: Hollywood's Making of the American Christ |
Stephenson Humphries-Brooks |
|
28 |
|
Classic American Films: Conversations with the Screenwriters |
William Baer |
|
29 |
|
Conspiracy Theory in Film, Television, and Politics |
Gordon B. Arnold |
|
30 |
|
Controversial Cinema: The Films That Outraged America |
Kendall R. Phillips |
|
31 |
|
Disney, Pixar, and the hidden messages of children's films |
Walt Disney Company.,Booker, M. Keith |
|
32 |
|
Dracula in the Dark: The Dracula Film Adaptations |
James C. Holte |
|
33 |
|
Drawn to Television: Prime-Time Animation from The Flintstones to Family Guy |
M. Keith Booker |
|
34 |
|
From Box Office to Ballot Box: The American Political Film |
M. Keith Booker |
|
35 |
|
Future imperfect: Philip K. Dick at the movies |
Jason P. Vest |
|
36 |
|
Gravity Fails - The Comic Jewish Shaping of Modern America |
James D. Bloom |
|
37 |
|
Literature and Film as Modern Mythology: |
William K. Ferrell |
|
38 |
|
Making the White Man's Indian: Native Americans and Hollywood Movies |
Angela Aleiss |
|
39 |
|
Movies and the Reagan Presidency: Success and Ethics |
Chris Jordan |
|
40 |
|
Noir, Now and Then: Film Noir Originals and Remakes, 1944-1999 |
Ronald Schwartz |
|
41 |
|
Onscreen and Undercover: The Ultimate Book of Movie Espionage |
Wesley Britton |
|
42 |
|
Outsider Features: American Independent Films of the 1980s |
Richard K. Ferncase |
|
43 |
|
Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange |
M. Keith Booker |
|
44 |
|
Post-Pop Cinema: The Search for Meaning in New American Film |
Jesse Fox Mayshark |
|
45 |
|
Screening the Past: Film and the Representaion of History |
Tony Barta |
|
46 |
|
Screens Fade to Black: Contemporary African American Cinema |
David J. Leonard |
|
47 |
|
Selected Takes: Film Editors on Editing |
Vincent LoBrutto |
|
48 |
|
Sound-On-Film: Interviews with Creators of Film Sound |
Vincent LoBrutto |
|
49 |
|
Space and Beyond: The Frontier Theme in Science Fiction |
Gary W. Westfahl (ed.) |
|
50 |
|
Spike Lee: finding the story and forcing the issue |
Lee, Spike,Vest, Jason P |
|
51 |
|
Splendors of Latin Cinema |
R. Hernandez-Rodriguez |
|
52 |
|
Sports on Television (The Praeger Television Collection) |
Alvin H. Marill |
|
53 |
|
Stanley Kubrick: A Narrative and Stylistic Analysis |
Mario Falsetto |
|
54 |
|
The Art of Nonfiction Movie Making |
Jeffrey Friedman, Rob Epstein, Sharon Wood |
|
55 |
|
The Coppolas: a family business |
Morrison, Harriet R.,LoBrutto, Vincent,Familie Coppola |
|
56 |
|
The Films of Terrence Malick |
James Morrison, Thomas Schur |
|
57 |
|
The Hidden Art of Hollywood: In Defense of the Studio Era Film |
John Fawell |
|
58 |
|
The History of Sex in American Film |
Jody W. Pennington |
|
59 |
|
The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983 |
Rodney Farnsworth |
|
60 |
|
This wounded cinema, this wounded life: violence and utopia in the films of Sam Peckinpah |
Peckinpah, Sam,Murray, Gabrielle |
|
61 |
|
Visions of Empire: Political Imagery in Contemporary American Film |
Stephen Prince |
|
62 |
|
Wes Anderson: Why His Movies Matter |
Mark Browning |
|
63 |
|
Women's film and female experience, 1940-1950 |
Walsh, Andrea S |
|
64 |
|
Recontextualizing Indian Shakespeare Cinema in the West: Familiar Strangers |
Varsha Panjwani (editor), Koel Chatterjee (editor) |
|
65 |
|
Gender, Sexuality, and Indian Cinema: Queer Visuals |
Srija Sanyal (editor) |
|
66 |
|
Racial Blackness and Indian Ocean Slavery |
Parisa Vaziri |
|
67 |
|
Women and Indian Shakespeares |
Thea Buckley (editor), Sangeeta Datta (editor), Rosa García-Periago (editor) |
|
68 |
|
Appreciating Melodrama: Theory and Practice in Indian Cinema and Television |
Piyush Roy |
|
69 |
|
Indian Documentary Film and Filmmakers: Independence in Practice |
Shweta Kishore |
|
70 |
|
Bollywood Does Battle: The War Movie and the Indian Popular Imagination |
Samir Chopra |
|
71 |
|
Indian Cinema and the Bahujan Spectatorship - Jyoti Nisha - Economic and Political Weekly |
Jyoti Nisha |
|
72 |
|
Indian Film Stars: New Critical Perspectives |
Michael Lawrence |
|
73 |
|
100 Essential Indian Films |
Rohit K. Dasgupta, Sangeeta Datta |
|
74 |
|
The Indian Partition in Literature and Films: History, Politics, and Aesthetics |
Rini Bhattacharya Mehta (editor), Debali Mookerjea-Leonard (editor) |
|
75 |
|
American Indian Image Makers of Hollywood |
Frank Javier Garcia Berumen |
|
76 |
|
Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution |
Ashvin Immanuel Devasundaram |
|
77 |
|
Indian Horror Cinema: (En)gendering the Monstrous |
Mithuraaj Dhusiya |
|
78 |
|
Same-Sex Desire in Indian Culture: Representations in Literature and Film, 1970–2015 |
Oliver Ross (auth.) |
|
79 |
|
Music in Contemporary Indian Film: Memory, Voice, Identity |
Jayson Beaster-Jones (editor), Natalie Sarrazin (editor) |
|
80 |
|
Studying Indian Cinema |
Omar Ahmed |
|
81 |
|
Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
Neelam Sidhar Wright |
|
82 |
|
Piracy in the Indian Film Industry: Copyright and Cultural Consonance |
Arul George Scaria |
|
83 |
|
Seeing Red: Hollywood’s Pixeled Skins: American Indians and Film |
LeAnne Howe, Harvey Markowitz, Denise K. Cummings |
|
84 |
|
Subaltern vision a study in postcolonial Indian English text |
De, Aparajita,Ghosh, Amrita,Jana, Ujjwal |
|
85 |
|
Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora (eds.) |
Rini Bhattacharya Mehta, Rajeshwari V. Pandharipande |
|
86 |
|
Film in Contemporary China: Critical Debates, 1979-1989 |
George S. Semsel, Xia Hong, Chen Xihe |
|
87 |
|
Killing the Indian Maiden: Images of Native American Women in Film |
M. Elise Marubbio |
|
88 |
|
Indian films in Soviet cinemas : the culture of movie-going after Stalin |
Sudha Rajagopalan |
|
89 |
|
Mourning the Nation: Indian Cinema in the Wake of Partition |
Bhaskar Sarkar |
|
90 |
|
Indian Literature and Popular Cinema: Recasting Classics (Routledge Contemporary South Asia Series) |
Heidi Pauwels |
|
91 |
|
Limiting Secularism: The Ethics of Coexistence in Indian Literature and Film |
Priya Kumar |
|
92 |
|
Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema |
M.K. Raghavendra |
|
93 |
|
The Indian Family in Transition |
Sanjukta Dasgupta |
|
94 |
|
Cinema of Prayoga: Indian Experimental Film & Video, 1913-2006 |
Brad Butler, Karen Mirza |
|
95 |
|
Emotion Pictures: Cinematic Journeys into the Indian Self |
Narendra Panjwani |
|
96 |
|
Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema |
Vinay Lal |
|
97 |
|
Indian Popular Cinema: A Narrative of Cultural Change |
K. Moti Gokulsing, Wimal Dissanayake |
|
98 |
|
The Cinematic Imagination: Indian Popular Films as Social History |
Jyotika Virdi |
|
99 |
|
Hollywood's Indian: The Portrayal of the Native American in Film |
Peter C. Rollins, John E. O'Connor |
|
100 |
|
Making Meaning in Indian Cinema |
Ravi S. Vasudevan |
|
101 |
|
The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema |
Ashis Nandy (editor) |
|
102 |
|
National Identity in Indian Popular Cinema, 1947-1987 |
Sumita S. Chakravarty |
|
103 |
|
The Indian Film |
Panna Shah |
|
104 |
|
Indian film |
Erik Barnouw, S Krishnaswamy |
|
105 |
|
Liberty and License in the Indian Cinema |
A. Vasudev |
|
106 |
|
Indian Cinema Today |
Chidananda Das Gupta |
|