| Number |
Cover |
TextBook for Criticism |
Author |
Edition |
| 0 |
|
Zizek's Jokes: Did You Hear the One About Hegel and Negation: |
Slavoj Zizek |
|
| 1 |
|
All We Have to Fear Psychiatry's Transformation of Natural Anxieties into Mental Disorders |
Allan V. Horwitz, Jerome C. Wakefi eld |
|
| 2 |
|
Deadly Psychiatry and Organised Denial |
Peter C. Gotzsche |
|
| 3 |
|
How To Become a Schizophrenic The Case Against Biological Psychiatry |
John Modrow |
|
| 4 |
|
Mad Science Psychiatric Coercion, Diagnosis, and Drugs |
Stuart A. Kirk, Tomi Gomory & David Cohen |
|
| 5 |
|
Prescriptions for the mind: a critical view of contemporary psychiatry [1 ed.] |
Joel Paris |
1 |
| 6 |
|
Warning Psychiatry Can Be Hazardous to Your Mental Health |
William Glasser |
|
| 7 |
|
A Critical Companion to Mel Gibson (Critical Companions to Contemporary Directors) |
Adam Barkman, Antonio Sanna |
|
| 8 |
|
An Honest Living: A Memoir of Peculiar Itineraries [1 ed.] |
Steven Salaita |
1 |
| 9 |
|
Attention Spans: Garrett Stewart, a Reader |
Garrett Stewart |
|
| 10 |
|
Beyond Realism: Naturalist Film in Theory and Practice [1 ed.] |
Robert Singer |
1 |
| 11 |
|
Black Sun: Depression and Melancholia (European Perspectives: A Series in Social Thought and Cultural Criticism) |
Julia Kristeva |
|
| 12 |
|
Superfan: How Pop Culture Broke My Heart |
Jen Sookfong Lee |
|
| 13 |
|
Critical Spirit: Confronting the Heart of a Critic |
June Hunt |
|
| 14 |
|
In the Land of Good Living: A Journey to the Heart of Florida |
Kent Russell |
|
| 15 |
|
Here a Captive Heart Busted: Studies in the Sentimental Journey of Modern Literature |
Howard Fulweiler |
|
| 16 |
|
A wonderful heart: the films of William Wyler |
Wyler, William, Wyler, William, Sinyard, Neil |
|
| 17 |
|
Ebert's essentials. 25 movies to mend a broken heart |
Ebert, Roger |
|
| 18 |
|
Heart of Darkness: Bruce Springsteen's Nebraska |
Burke, David |
|
| 19 |
|
Aim for the Heart: The Films of Clint Eastwood |
Howard Hughes (editor) |
|
| 20 |
|
The Passion of David Lynch: Wild at Heart in Hollywood |
Martha P. Nochimson |
|
| 21 |
|
Deep Focus: Reflection On Indian Cinema |
Ray, Satyajit |
|
| 22 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Saba Mahmood Bashir |
|
| 23 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Sathya Saran |
|
| 24 |
|
Gulzar’s Ijaazat: Insights into the Film |
Mira Hashmi |
|
| 25 |
|
Karma Cola: Marketing the Mystic East [First Edition] |
Gita Mehta |
1 |
| 26 |
|
On Being Indian: The Organic Intellectual, Mystical Poetry, and Lineages of Indian Rationalism |
Amit Chaudhuri |
|
| 27 |
|
Our Films, Their Films |
Satyajit Ray |
|
| 28 |
|
Satyajit Ray, an Intimate Master |
Santi Das (editor) |
|
| 29 |
|
Satyajit Ray: An Anthology of Statements on Ray and by Ray (Film India Series) |
Chidananda Dasgupta |
|
| 30 |
|
The Origins of Dislike [Second Edition] |
Chaudhuri, Amit, |
2 |
| 31 |
|
Top Secret: The Truth Behind Today's Pop Mysticisms |
Robert M. Price, Julia Sweeney, Rhonda Byrne, Deepak Chopra, Pema Chodron, Eckhart Tolle, Helen Schucman, Marianne Williamson, |
|
| 32 |
|
Kavita Ke Naye Pratiman |
Namvar Singh |
|
| 33 |
|
Understanding Muhammad | अंडरस्टैंडिंग मुहम्मद - मुहम्मद को समझिए - अल्लाह के रसूल का मनोविज्ञानिक जीवन वृत्त |
Ali Sina, अली सिना |
|
| 34 |
|
Understanding Muhammad: A Psychobiography of Allah's Prophet | अंडरस्टैंडिंग मुहम्मद ~ मुहम्मद को समझिए in Hindi |
Ali Sina, अली सिना |
|
| 35 |
|
David Fincher: Films That Scar |
Mark Browning |
|
| 36 |
|
From Box Office to Ballot Box: The American Political Film |
M. Keith Booker |
|
| 37 |
|
Late Modern: the Visual Arts Since 1945 |
Edward Lucie-Smith |
|
| 38 |
|
The Age of Criticism: The Late Renaissance in Italy |
Linda Murray |
|
| 39 |
|
Noir, Now and Then: Film Noir Originals and Remakes (1944-1999) |
Ronald Schwartz |
|
| 40 |
|
The Hidden Art of Hollywood: In Defense of the Studio Era Film |
John Fawell |
|
| 41 |
|
The Last Modernist: The Films of Theo Angelopoulos |
Andrew Horton |
|
| 42 |
|
Kriya Yoga Exposed: The Truth about Current Kriya Yoga Gurus, Organizations and Going Beyond Kriya, Contans the Explanation of a Special Technique Never Revealed Before in Kriya Literature |
SantataGamana |
|
| 43 |
|
Some Blunders of Indian Historical Research |
P. N. Oak |
|
| 44 |
|
100 Essential Indian Films |
Rohit K. Dasgupta, Sangeeta Datta |
|
| 45 |
|
A Fragile Inheritance: Radical Stakes in Contemporary Indian Art |
Saloni Mathur |
|
| 46 |
|
The Ugliness of the Indian Male and other Propositions |
Mukul Kesavan |
|
| 47 |
|
Indian Art & Connoisseurship - Essays in honour of Douglas Barrett |
John Guy |
|
| 48 |
|
Introduction to Indian Textual Criticism |
S.M. Katre |
|
| 49 |
|
50 Films That Changed Bollywood, 1995-2015 |
Gupta, Shubhra |
|
| 50 |
|
An Introduction to the Study of Literature |
William Henry Hudson |
|
| 51 |
|
Beyond Apu--20 Favourite Film Roles of Soumitra Chatterjee |
Amitava Nag |
|
| 52 |
|
Contemporary literary and cultural theory: from structuralism to ecocriticism |
Nayar, Pramod K |
|
| 53 |
|
Disenchanting India: Organized Rationalism and Criticism of Religion in India |
Johannes Quack |
|
| 54 |
|
Economists and the Powerful: Convenient Theories, Distorted Facts, Ample Rewards |
Douglas, Niall,Haring, Norbert |
|
| 55 |
|
Eminent Historians: Their Technology, Their Line, Their Fraud |
Arun Shourie |
|
| 56 |
|
Literary Theory and Criticism: Recent Writings from South Asia |
Arun Gupto |
|
| 57 |
|
Modi, a mistake - How Modi failed India |
A.Gopanna |
|
| 58 |
|
Prime Movers: Twelve Great Political Thinkers and What’s Wrong with Each of Them |
Ferdinand Mount |
|
| 59 |
|
Reclaiming Rāmāyaṇa: Disentangling the Discourses |
Manjushree Hegde, (Ed.) Dr. K. S. Kannan |
|
| 60 |
|
The Game's Not Over: In Defense of Football |
Gregg Easterbrook |
|
| 61 |
|
50 People Who Fouled Up Football |
Michael Henderson |
|
| 62 |
|
The Matters of Life, Death, and More: Writing on Soccer |
Aleksandar Hemon |
|
| 63 |
|
Unfinished business: notes of a chronic re-reader [First ed.] |
Gornick, Vivian |
|
| 64 |
|
Summary, Analysis, and Review of Holly Whitaker's Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol |
Start Publishing Notes |
|
| 65 |
|
US of AA: How the Twelve Steps Hijacked the Science of Alcoholism |
Joe Miller |
|
| 66 |
|
Columbus and Other Cannibals: The Wetiko Disease of Exploitation, Imperialism, and Terrorism |
Jack D. Forbes |
|
| 67 |
|
Coleridge's Play of Mind |
John Beer |
|
| 68 |
|
Brown Neon |
Raquel Gutiérrez |
|
| 69 |
|
I Take My Coffee Black: Reflections on Tupac, Musical Theater, Faith, and Being Black in America |
Tyler Merritt |
|
| 70 |
|
Borealis |
Aisha Sabatini Sloan |
|
| 71 |
|
The Breaks |
Julietta Singh |
|
| 72 |
|
Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema |
Shellie McMurdo |
|
| 73 |
|
ReFocus: The Films of Jane Campion |
Alexia Bowler (editor), Adele Jones (editor) |
|
| 74 |
|
ReFocus: The Films of William Wyler |
John Price (editor) |
|
| 75 |
|
The Films of Wes Craven |
Calum Waddell (editor) |
|
| 76 |
|
Looking Beyond Neoliberalism: French and Francophone Belgian Cinema and the Crisis |
Martin O'Shaughnessy |
|
| 77 |
|
ReFocus: The Films of Richard Linklater |
Kim Wilkins (editor) |
|
| 78 |
|
Harold Hobson: The Complete Catalogue |
Dominic Shellard |
|
| 79 |
|
The Cinema of Disorientation : Inviting Confusions |
Dominic Lash |
|
| 80 |
|
Readings: Acts of Close Reading in Literary Theory [1 ed.] |
Julian Wolfreys |
1 |
| 81 |
|
Literary Theories: A Reader and Guide |
Julian Wolfreys |
|
| 82 |
|
ReFocus: The Films of Pablo Larraín |
Laura Hatry |
|
| 83 |
|
ReFocus: The Films of Susanne Bier |
Missy Molloy, Mimi Nielsen, Meryl Shriver-Rice |
|
| 84 |
|
Close-Up: Great Cinematic Performances Volume 2: International |
Murray Pomerance, Kyle Stevens |
|
| 85 |
|
ReFocus: The Films of François Ozon |
Loïc Bourdeau |
|
| 86 |
|
ReFocus: The Films of John Hughes |
Timothy Shary, Frances Smith |
|
| 87 |
|
Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s [1 ed.] |
Noel Brown |
1 |
| 88 |
|
ReFocus: The Films of Amy Heckerling |
Frances Smith and Timothy Shary |
|
| 89 |
|
ReFocus: The Films of Delmer Daves |
Matthew Carter and Andrew Patrick Nelson |
|
| 90 |
|
Introducing Criticism in the 21st Century |
Julian Wolfreys |
2 |
| 91 |
|
Creative Criticism: An Anthology and Guide |
Stephen Benson, Clare Connors |
|
| 92 |
|
Key Concepts in Literary Theory |
Julian Wolfreys, Ruth Robbins, Kenneth Womack |
3 |
| 93 |
|
Volleys of Humanity: Essays 1972–2009 |
Hélène Cixous, Eric Prenowitz |
|
| 94 |
|
The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida |
Seán Burke |
|
| 95 |
|
Literary Criticism: A New History |
Gary Day |
|
| 96 |
|
Village And Its Discontents, The: Meaning And Criticism In Late Modernity |
Antonio L Rappa |
|
| 97 |
|
British Film Directors: A Critical Guide |
SHAIL. |
|
| 98 |
|
Key Concepts in Literary Theory [2nd ed.] |
Julian Wolfreys, Ruth Robbins, Kenneth Womack |
2 |
| 99 |
|
Ethnicity and Cultural Authority: From Arnold to Du Bois |
Daniel G. Williams |
|
| 100 |
|
Modern North American Criticism and Theory: A Critical Guide |
Julian Wolfreys |
|
| 101 |
|
Comparative Criticism: Lives of the Disciplines: comparative biography. Volume 25 |
Elinor Shaffer |
|
| 102 |
|
The J. Hillis Miller Reader |
Julian Wolfreys |
|
| 103 |
|
Glossalalia - An Alphabet of Critical Keywords |
Julian Wolfreys |
|
| 104 |
|
Edinburgh Encyclopaedia of Modern Criticism and Theory |
Julian Wolfreys |
|
| 105 |
|
Film Music: Critical Approaches |
Kevin J. Donnelly |
|
| 106 |
|
Shakespeare for students: critical interpretations of Shakespeare's plays and poetry [Vol 1, 2nd ed] |
Anne Marie Hacht, Cynthia Burnstein |
2 |
| 107 |
|
Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry [Vol 2, 2 ed.] |
Anne Marie Hacht |
2 |
| 108 |
|
Literary Newsmakers for Students, Volume 1: Presenting Analysis, Context, and Criticism on Newsmaking Novels, Nonfiction, and Poetry |
Anne Marie Hacht, Greg Wilson |
|
| 109 |
|
Encyclopedia of Literature and Criticism |
Coyle, Carside, Peck |
|
| 110 |
|
Gothic Literature: A Gale Critical Companion |
Jerrold E. Hogle, Jessica Bomarito |
3 |
| 111 |
|
On the Good Ship Lollipop: Frank O. Gehry's Fondation Louis Vuitton |
Horst Bredekamp (editor), James S. Ackerman (editor), Irving Lavin (editor), Kolja Thurner (editor) |
|
| 112 |
|
Comic Sense: Reading Robert Coover, Stanley Elkin, Philip Roth [1 ed.] |
Dr. Thomas Pughe (auth.) |
1 |
| 113 |
|
Critical Essays on Roland Barthes |
Diana Knight (Editor) |
|
| 114 |
|
The Rhetorical Power of Children's Literature |
John H. Saunders, Michael Warren Tumolo, Jennifer Beidendorf, Mary Elizabeth Bezanson, Lauren Rose Camacci, Joshua D. Hill, Lauren Lemley, Brett Lunceford, Deborah Lee Norland, Christopher J. Oldenburg |
|
| 115 |
|
Ford Madox Ford's the Good Soldier : Centenary Essays [1 ed.] |
Max Saunders, Sara Haslam |
1 |
| 116 |
|
A Concise Companion to Chaucer (Concise Companions to Literature and Culture) |
Corinne Saunders |
|
| 117 |
|
Cultural Criticism in Egyptian Women's Writing |
Caroline Seymour-Jorn |
|
| 118 |
|
On native grounds : an interpretation of modern American prose literature [1 ed.] |
Kazin, Alfred |
1 |
| 119 |
|
The Western Canon: the Books of the Ages |
Bloom, Harold |
|
| 120 |
|
Aesthetics, Problems in the Philosophy of Criticism |
Monroe C. Beardsley |
1 |
| 121 |
|
John Steinbeck's Short Stories (Bloom's Modern Critical Interpretations) |
Harold Bloom |
|
| 122 |
|
Critical Companion to J.r.r. Tolkien |
Jay Rudd |
|
| 123 |
|
Tropics of Discourse: Essays in Cultural Criticism |
Hayden White |
|
| 124 |
|
Being Cool: the Work of Elmore Leonard |
Leonard, Elmore,Rzepka, Charles J |
|
| 125 |
|
F. Scott Fitzgerald’s Fiction: “An Almost Theatrical Innocence” |
John T. Irwin |
|
| 126 |
|
Proust's Latin Americans |
Gallo, Rubén, Proust, Marcel |
|
| 127 |
|
The Lyric Theory Reader: A Critical Anthology |
Virginia Jackson, Yopie Prins (eds.) |
|
| 128 |
|
The Fairy Way of Writing: Shakespeare to Tolkien |
Shakespeare, William,Pask, Kevin |
|
| 129 |
|
Dead Women Talking: Figures of Injustice in American Literature |
Norman, Brian |
|
| 130 |
|
Blake's Agitation: Criticism and the Emotions |
Steven Goldsmith |
|
| 131 |
|
Hölderlin and the Romantic Tradition [DIACRITICS ed.] |
Paul de Man |
|
| 132 |
|
The Exceptionalist State and the State of Exception: Herman Melville's Billy Budd, Sailor [1 ed.] |
William V. Spanos |
1 |
| 133 |
|
Essential Cinema: On the Necessity of Film Canons |
Jonathan Rosenbaum |
|
| 134 |
|
Diacritics : A Review of Contemporary Criticism [34:1] |
Jonathan Culler |
341 |
| 135 |
|
Regarding film: criticism and comment |
Kauffmann, Stanley |
|
| 136 |
|
The Johns Hopkins Guide to Literary Theory and Criticism |
Michael Groden, Martin Kreiswirth, Imre Szeman |
|
| 137 |
|
The Structuralist Controversy: The Languages of Criticism and the Sciences of Man |
Richard Macksey, Eugenio Deodato |
|
| 138 |
|
A Companion to Faulkner Studies |
Charles Peek, Robert Hamblin, Robert Hamblin |
|
| 139 |
|
A Reading of the Canterbury Tales |
Bernard Felix Huppe |
|
| 140 |
|
Beautiful chaos: chaos theory and metachaotics in recent American fiction |
Gordon E. Slethaug |
|
| 141 |
|
Beyond Representational Correctness: Rethinking Criticism of Popular Media |
Edward Schiappa |
|
| 142 |
|
Desire of the Analysts: Psychoanalysis and Cultural Criticism (S U N Y Series in Psychoanalysis and Culture) |
Greg Forter, Paul Allen Miller |
|
| 143 |
|
Disciplining English : Alternative Histories, Critical Perspectives [1 ed.] |
David R. Shumway, Craig Dionne |
1 |
| 144 |
|
Emerson, Thoreau, and the Role of the Cultural Critic |
Sam McGuire Worley |
|
| 145 |
|
Environmental Evasion: The Literary, Critical, and Cultural Politics of "Nature's Nation" |
Lloyd Willis |
|
| 146 |
|
Good Entertainment: A Deconstruction of the Western Passion Narrative |
Byung-Chul Han |
|
| 147 |
|
Material Noise: Reading Theory as Artist's Book (Mit Press) [Illustrated] |
Anne M. Royston |
|
| 148 |
|
Medieval Literature. Texts and Interpretation |
Tim William Machan (ed.) |
|
| 149 |
|
Mexico’s Ruins: Juan Garcia Ponce And the Writing of Modernity |
Raul Rodriguez-hernandez |
|
| 150 |
|
No future for you : salvos from "the Baffler" |
Frank, Thomas, Lehmann, Chris, Summers, John |
|
| 151 |
|
Soundings on Cinema: Speaking to Film and Film Artists |
Bert Cardullo |
|
| 152 |
|
Taking a Stand in a Postfeminist World: Toward an Engaged Cultural Criticism |
Frances E. Mascia-Lees, Patricia Sharpe |
|
| 153 |
|
The face of immortality : physiognomy and criticism |
Stimilli, Davide |
|
| 154 |
|
Unit operations: an approach to videogame criticism |
Ian Bogost |
|
| 155 |
|
Danto and His Critics [2nd ed] |
Danto, Arthur C.,Rollins, Mark |
2 |
| 156 |
|
Literary theory a practical introduction [Third edition] |
Rivkin, Julie,Ryan, Michael |
|
| 157 |
|
The Literary Theory Toolkit: A Compendium of Concepts and Methods [1 ed.] |
Rapaport, Herman |
1 |
| 158 |
|
The New Conservatism: Cultural Criticism and the Historian's Debate |
Habermas, Jürgen |
1 |
| 159 |
|
Cultural Criticism in the Netherlands, 1933-1940: The Newspaper Columns of Menno Ter Braak |
Jacob Boas |
|
| 160 |
|
Frankly, My Dear: "Gone with the Wind" Revisited [1st ed.] |
Molly Haskell |
1 |
| 161 |
|
Retroland: A Reader's Guide to the Dazzling Diversity of Modern Fiction |
Peter Kemp |
|
| 162 |
|
Critical Revolutionaries: Five Critics Who Changed The Way We Read [1 ed.] |
Terry Eagleton |
1 |
| 163 |
|
In Plato's Cave |
Alvin Kernan |
|
| 164 |
|
Of Human Kindness: What Shakespeare Teaches Us About Empathy |
Paula Marantz Cohen |
|
| 165 |
|
Tragedy Terry Eagleton |
Terry Eagleton |
|
| 166 |
|
French, Italian, and Spanish Criticism, 1900-1950: Volume 8 |
René Wellek |
|
| 167 |
|
Anna Karenina in Our Time |
Sanford Budick |
|
| 168 |
|
Criticism in the Wilderness: The Study of Literature Today |
Geoffrey Hartman |
|
| 169 |
|
The International Novel [1 ed.] |
Annabel Patterson |
1 |
| 170 |
|
How to Read Literature [1ST ed.] |
Terry Eagleton |
1 |
| 171 |
|
Unpacking My Library: Writers and Their Books |
Leah Price (editor) |
|
| 172 |
|
Whose Freud?: The Place of Psychoanalysis in Contemporary Culture |
Professor Peter Brooks, Alex Woloch |
|
| 173 |
|
Psychoanalysis and Culture at the Millennium |
Prof. Nancy Ginsburg, Roy Ginsburg |
|
| 174 |
|
Literature Lost: Social Agendas and the Corruption of the Humanities |
John M. Ellis |
|
| 175 |
|
The Drama Is Coming Now: The Theater Criticism of Richard Gilman, 1961-1991 |
Richard Gilman |
|
| 176 |
|
Concepts of Criticism |
René Wellek, Stephen G. Nichols Jr. (editor) |
|
| 177 |
|
Contradictions et invraisemblances dans la Bible |
Messadié, Gerald |
|
| 178 |
|
Les paralittératures |
Boyer, Alain-Michel |
|
| 179 |
|
Teoría y crítica del cine |
|
|
| 180 |
|
Radio Benjamin |
Benjamin, Walter |
|
| 181 |
|
Dans le feu de la conversation : l'affirmation critique, in Sens Public, Revue internationale et espace commun d'action et d'écriture |
Jean Maurel |
|
| 182 |
|
Bible errors |
Al-Shiraida |
|
| 183 |
|
Rainer on Film |
Peter Rainer |
|
| 184 |
|
An Essay on Criticism |
Alexander Pope |
|
| 185 |
|
Portraits litteraires, Tome III |
C.-A. Sainte-Beuve |
|
| 186 |
|
Less Than Words Can Say |
Richard Mitchell |
|
| 187 |
|
Fashions in Literature |
Charles Dudley Warner |
|
| 188 |
|
Heretics by G. K. Chesterton |
G. K. Chesterton |
|
| 189 |
|
A Book |
Chuck Klosterman |
|
| 190 |
|
The Profits of Religion |
Upton Sinclair |
|
| 191 |
|
Let Me Tell You What I Mean |
Didion, Joan |
|
| 192 |
|
Barton Fink. Estudio crítico |
Fernando de Felipe |
|
| 193 |
|
Episodios del VölKitsch |
Fernando Navarro |
|
| 194 |
|
Un mundo sin ideas |
Foer, Franklin |
|
| 195 |
|
El cine según Hitchcock |
François Truffaut |
|
| 196 |
|
El placer de la mirada |
François Truffaut |
|
| 197 |
|
Las películas de mi vida |
François Truffaut |
|
| 198 |
|
50 razones para defender la corrida de toros |
Francis Wolff |
|
| 199 |
|
Anestesia social |
Francisco Murcia |
|
| 200 |
|
El cine y la imaginación romántica |
Frank D. McConnell |
|
| 201 |
|
Thoughts Out Of Season |
Friedrich Nietzsche |
|
| 202 |
|
On the Use and Abuse of History for Life |
FRIEDRICH NIETZSCHE |
|
| 203 |
|
Segunda consideración intempestiva |
Friedrich Nietzsche |
|
| 204 |
|
Nietzsche contra Wagner |
Friedrich Nietzsche |
|
| 205 |
|
The Analyst: a Discourse addressed to an Infidel Mathematician |
George Berkeley |
|
| 206 |
|
The English Novel |
George Saintsbury |
|
| 207 |
|
Palabras y sangre |
Giovanni Papini |
|
| 208 |
|
A Book of Prefaces |
H. L. Mencken |
|
| 209 |
|
La agonía del Eros |
Han, Byung-Chul |
|
| 210 |
|
Sightings |
Hollars, B. J. |
|
| 211 |
|
The Photoplay |
Hugo Muensterberg |
|
| 212 |
|
Aspects of Literature |
J. Middleton Murry |
|
| 213 |
|
Old Fogy |
James Huneker |
|
| 214 |
|
The Function Of The Poet And Other Essays |
James Russell Lowell |
|
| 215 |
|
The Present State of Wit (1711) |
John Gay |
|
| 216 |
|
Consejos del Diablo a los Jesuitas |
Jules Michelet |
|
| 217 |
|
Experiencia y otros ensayos |
Lu Xun |
|
| 218 |
|
Christian Science |
Mark Twain |
|
| 219 |
|
Critical Miscellanies (Vol. 1 of 3 |
Morley, John |
|
| 220 |
|
What's These Worlds Coming To? |
Nancy, Jean-Luc &, Barrau, Aurelien &, Holloway, Travis &, Mechain, Flor |
|
| 221 |
|
Tragically Speaking: On the Use and Abuse of Theory for Life |
Nikolopoulou, Kalliopi |
|
| 222 |
|
Intentions |
Oscar Wilde |
|
| 223 |
|
Miscellanies |
Oscar Wilde |
|
| 224 |
|
A la intemperie: Colaboraciones periodísticas, intervenciones públicas y ensayos |
Roberto Bolaño |
|
| 225 |
|
Hombres y Libros 27 |
Rufino Blanco Fombona |
|
| 226 |
|
Letter To A Christian Nation |
Sam Harris |
|
| 227 |
|
Discourse on Criticism and of Poetry (1707) |
Samuel Cobb |
|
| 228 |
|
Adventures in Criticism |
Sir Arthur Thomas Quiller-Couch |
|
| 229 |
|
Conversations with Zizek |
Slavoj Zizek |
|
| 230 |
|
Is Jazz Dead?: Or Has It Moved to a New Address |
Stuart Nicholson |
|
| 231 |
|
A Full Enquiry into the Nature of the Pastoral |
Thomas Purney |
|
| 232 |
|
I Would Be Doing This Anyway (Currency) |
Tolentino, Jia |
|
| 233 |
|
French Art |
W. C. Brownell |
|
| 234 |
|
Fantasyland: How America Went Haywire: A 500-Year History |
Kurt Andersen |
|
| 235 |
|
Action and Adventure Cinema |
Yvonne Tasker (edt) |
|
| 236 |
|
El más sublime de los histéricos |
Zizek, Slavoj |
|
| 237 |
|
English Literary Criticism |
|
|
| 238 |
|
Meditaciones de cine |
Quentin Tarantino |
|
| 239 |
|
Minor Feelings: An Asian American Reckoning |
Cathy Park Hong |
|
| 240 |
|
Art and technique |
Lewis Mumford |
|
| 241 |
|
The conduct of life |
Lewis Mumford |
|
| 242 |
|
Essential McLuhan |
McLuhan, Marshall, 1911-1980 |
|
| 243 |
|
Anatomy of criticism: four essays |
Northrop Frye |
|
| 244 |
|
Supergods: what masked vigilantes, miraculous mutants, and a sun god from smallville can teach us about being human |
Morrison, Grant |
|
| 245 |
|
Contra el fin de siglo (Biblioteca de Ensayo) |
de liaño, Ignacio Gómez |
|
| 246 |
|
El peligro de la historia única |
Ngozi Adichie, Chimamanda |
|
| 247 |
|
La poesía del pensamiento |
George Steiner |
|
| 248 |
|
Medicalizar la mente: ¿Sirven de algo los tratamientos psiquiátricos? |
Bentall, Richard P. |
|
| 249 |
|
Ante el dolor de los demás |
Sontag, Susan |
|
| 250 |
|
A paso de cangrejo: Artículos, reflexiones y decepciones 2000-2006 |
Eco, Umberto |
|
| 251 |
|
Decadencia: Vida y muerte de Occidente |
Onfray, Michel |
|
| 252 |
|
Dios salve el arte contemporáneo |
García García, Óscar |
|
| 253 |
|
El ocaso de occidente |
Rueda, Luis Sáez |
|
| 254 |
|
Iluminaciones |
Benjamin, Walter |
|
| 255 |
|
La vuelta al cine en cuarenta días |
Antin, Eduardo |
|
| 256 |
|
Nobleza de espíritu |
Riemen, Rob |
|
| 257 |
|
Reflexiones sobre un mundo líquido |
Zygmunt Bauman &, Antonio Francisco Rodríguez Esteban |
|
| 258 |
|
Contra la nueva educación |
Royo, Alberto |
|
| 259 |
|
Cuando la escuela pretende preparar para la vida (CRITICA Y FUNDAMENTOS) |
Perrenoud, Philippe |
|
| 260 |
|
Mitomanías de las educación argentina: crítica de las frases hechas, las medias verdades y las soluciones mágicas (Singular) |
Alejandro Grimson &, Emilio Tenti Fantani |
|
| 261 |
|
ENSAYOS RETROPROGRESIVOS |
Pániker, Salvador |
|
| 262 |
|
El libro negro del psicoanálisis |
|
|
| 263 |
|
Freud: El crepúsculo de un ídolo |
Onfray, Michel |
|
| 264 |
|
Contra los profesores. Libros I-VI (Biblioteca Clásica Gredos) |
Empírico, Sexto |
|
| 265 |
|
El aroma del tiempo: Un ensayo filosófico sobre el arte de demorarse |
Han, Byung-Chul |
|
| 266 |
|
"Etwas rast um den Erdball ... ": Martin Heidegger: ambivalente Existenz und Globalisierungskritik |
Silvio Vietta |
|
| 267 |
|
Figuraciones mías: Sobre el gozo de leer y el riesgo de pensar |
Savater, Fernando |
|
| 268 |
|
La otra orilla de la belleza: En torno al pensamiento de Eugenio Trías |
Pérez-Borbujo, Fernando |
|
| 269 |
|
La salvación de lo bello |
Han, Byung-Chul |
|
| 270 |
|
Por favor, cierra los ojos |
Han, Byung-Chul |
|
| 271 |
|
Noches insomnes |
Elizabeth Hardwick |
|
| 272 |
|
Adorno. Teoria crítica y pensamiento negativo |
Mario Farina |
|
| 273 |
|
La seule exactitude |
Alain Finkielkraut |
|
| 274 |
|
A Recipe for Discourse : Perspectives on Like Water for Chocolate [1 ed.] |
Eric Skipper |
1 |
| 275 |
|
Parce que je déteste la Corée |
Kang-myoung CHANG |
|
| 276 |
|
Barthes: A Very Short Introduction |
Culler, Jonathan |
|
| 277 |
|
Literary Theory: A Very Short Introduction |
Culler, Jonathan |
|
| 278 |
|
Criticism of Heaven |
Roland Boer |
|
| 279 |
|
Criticism of Earth : On Marx, Engels and Theology |
Roland Boer |
|
| 280 |
|
Formen der Kulturkritik |
Sebastian Baden, Christian Bauer, Daniel Hornuff (eds.) |
|
| 281 |
|
Alistair Cooke at the Movies |
Alistair Cooke |
|
| 282 |
|
The Scandal of the Evangelical Mind |
Mark A. Noll |
|
| 283 |
|
Better living through criticism : how to think about art, pleasure, beauty, and truth |
Scott, A. O |
|
| 284 |
|
Historia de la crítica del arte |
Venturi, Lionello |
|
| 285 |
|
Momentos literarios |
V. S. Naipaul |
|
| 286 |
|
Obra crítica 2: Edición a cargo de Jaime Alazraki |
Julio Cortázar |
|
| 287 |
|
Representaciones del intelectual: Ensayos sobre literatura cl©Øasica |
Said, Edward W |
|
| 288 |
|
Critical Studies |
Kathleen Parkinson |
|
| 289 |
|
Discontent and its Civilizations |
Hamid, Mohsin |
|
| 290 |
|
Beschimpft Österreich!: Der Skandal um die Staatspreisrede Thomas Bernhards im März 1968 |
Olaf Lahayne |
|
| 291 |
|
Cortijo's Wake / El entierro de Cortijo |
Edgardo Rodríguez Juliá, Juan Flores |
|
| 292 |
|
Criticism of heaven : on Marxism and theology |
Boer, Roland |
|
| 293 |
|
Criticism of religion : on Marxism and theology, II |
Boer, Roland |
|
| 294 |
|
Criticism of theology : on Marxism and theology III |
Boer, Roland |
|
| 295 |
|
Displacing Whiteness: Essays in Social and Cultural Criticism |
Ruth Frankenberg (ed.) |
|
| 296 |
|
Eating Well, Reading Well: Maryse Conde and the Ethics of Interpretation (Franco Poly Phonies, 7) |
Nicole Simek |
|
| 297 |
|
Edward Said and the Work of the Critic: Speaking Truth to Power [1 ed.] |
Paul A. Bové |
1 |
| 298 |
|
Edward Said and the Work of the Critic: Speaking Truth to Power |
Paul A. Bové (editor), W. J. T. Mitchell (editor), Gayatri Chakravorty Spivak (editor), Jonathan Arac (editor), Terry Cochran (editor) |
|
| 299 |
|
Eighteenth-Century Literary History: An MLQ Reader |
Marshall Brown, Leonard Tennenhouse, Catherine Gallagher, Jonathan Kramnick |
|
| 300 |
|
Entre Nous: Between the World Cup and Me |
Grant Farred |
|
| 301 |
|
Film writing and selected journalism |
James Agee |
|
| 302 |
|
Explorations in the Field of Nonsense [3, 1 ed.] |
Wim Tigges |
1 |
| 303 |
|
Hold It Against Me: Difficulty and Emotion in Contemporary Art |
Jennifer Doyle |
|
| 304 |
|
Lesbian Rule: Cultural Criticism and the Value of Desire |
Amy Villarejo |
|
| 305 |
|
Movie Bliss: A Hopeless Romantic Seeks Movies to Love |
Heidi Rice |
|
| 306 |
|
Other Planes of There: Selected Writings |
Renée Green |
|
| 307 |
|
Rock and Roll Always Forgets: A Quarter Century of Music Criticism |
Chuck Eddy |
|
| 308 |
|
Russian and American Poetry of Experiment: The Linguistic Avant-Garde (Avant-Garde Critical Studies, 34) |
Vladimir Feshchenko |
|
| 309 |
|
Sabine R. Ulibarri: Critical Essays (Paso Por Aqui : Series on the Nuevomexicano Literary Heritage) [1st ed.] |
Maria I. Duke DOS Santos, Patricia De LA Fuente |
1 |
| 310 |
|
SIGNALE AUS DER VERGANGENHEIT. Eine kleine Geschichtskritik |
Wolfgang Ernst |
|
| 311 |
|
Style in African Literature : Essays on Literary Stylistics and Narrative Styles [1 ed.] |
J. K. S. Makokha, Ogone John Obiero, Russell West-Pavlov |
1 |
| 312 |
|
The Anatomy of Despondency: European Socio-Cultural Criticism 1789 – 1939 |
Jaap Harskamp |
|
| 313 |
|
The Bible in Film, the Bible and Film |
J. Cheryl Exum |
|
| 314 |
|
The Hitchcock Romance: Love and Irony in Hitchcock's Films |
Lesley Brill |
|
| 315 |
|
The Intimate Critique: Autobiographical Literary Criticism |
Diane P. Freedman (editor), Olivia Frey (editor), Frances Murphy Zauhar (editor) |
|
| 316 |
|
The Uses of Literary History |
Marshall Brown (editor) |
|
| 317 |
|
Uncomfortable Television |
Hunter Hargraves |
|
| 318 |
|
Uses of Literary History. |
Marshall Brown |
|
| 319 |
|
Voicing Dissent in Seventeenth-Century Spain: Inquisition, Social Criticism and Theology in the Case of El Criticón |
Patricia W. Manning |
|
| 320 |
|
Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present |
Angelyn Mitchell (editor) |
|
| 321 |
|
The Greatest Story Ever Sold |
Frank Rich |
|
| 322 |
|
The Horrors and Absurdities of Religion |
Arthur Schopenhauer &, R. J. Hollingdale |
|
| 323 |
|
White Girls |
Als, Hilton |
|
| 324 |
|
Après l'histoire |
Muray, Philippe |
|
| 325 |
|
Ce que je peux dire de mieux sur la musique |
Walser, Robert |
|
| 326 |
|
Ce soir à Marienbad et autres chroniques cinématographiques |
Ollier, Claude |
|
| 327 |
|
Chroniques américaines |
Kael, Pauline |
|
| 328 |
|
Chroniques d'Arts-Spectacles (1954-1958) (HORS SERIE CONN) |
Truffaut, François |
|
| 329 |
|
Codicille |
Genette, Gérard |
|
| 330 |
|
Contre un Boileau |
Beck, Philippe |
|
| 331 |
|
El Libro de J |
Harold Bloom |
|
| 332 |
|
En finir avec Onfray |
Mayné, Gilles |
|
| 333 |
|
Encore cent ans pour Melville |
Minière, Claude |
|
| 334 |
|
Le feu et le récit |
Agamben Giorgio |
|
| 335 |
|
Leçons américaines |
Calvino, Italo |
|
| 336 |
|
L'effroyable imposture du Rap |
Cardet |
|
| 337 |
|
L'opium des lettres |
Muray, Philippe &, Sollers, Philippe |
|
| 338 |
|
My Year of Flops |
Rabin, Nathan |
|
| 339 |
|
My Year of Flops |
Nathan Rabin |
|
| 340 |
|
Palimpsestes |
Genette, Gérard |
|
| 341 |
|
Palimpsestes. La littérature au second degré |
Genette, Gérard |
|
| 342 |
|
The New Vichy Syndrome: Why European Intellectuals Surrender to Barbarism |
Dalrymple, Theodore |
|
| 343 |
|
Crepuscule sur l islam |
Naipaul, Vidiadhar Surajprasad |
|
| 344 |
|
Crépuscule sur l'Islam |
Naipaul, Vidiadhar Surajprasad |
|
| 345 |
|
Logics of television : essays in cultural criticism |
Patricia Mellencamp |
|
| 346 |
|
Victor Turner and the Construction of Cultural Criticism: Between Literature and Anthropology [1 ed.] |
Kathleen M. Ashley (editor) |
1 |
| 347 |
|
The Early Film Criticism of François Truffaut |
Wheeler Winston Dixon |
|
| 348 |
|
Dante's Inferno : the Indiana critical edition [1st THUS ed.] |
Dante Alighieri, Musa, Mark |
1 |
| 349 |
|
The Year’s Work in Lebowski Studies |
Edward P. Comentale, Aaron Jaffe |
|
| 350 |
|
Heidegger's Phenomenology of Religion: Realism and Cultural Criticism |
Benjamin D. Crowe |
|
| 351 |
|
Shakespeare’s Hamlet in an Era of Textual Exhaustion |
Sonya Freeman Loftis, Allison Kellar, Lisa Ulevich |
|
| 352 |
|
Love American Style: Divorce and the American Novel, 1881-1976 (Literary Criticism and Cultural Theory) |
Freeman |
|
| 353 |
|
The Feminine Sublime: Gender and Excess in Women's Fiction |
Barbara Claire Freeman |
|
| 354 |
|
Making Trifles of Terrors: Redistributing Complicities in Shakespeare [1 ed.] |
Harry Berger Jr. |
1 |
| 355 |
|
Rendering French Realism [1 ed.] |
Lawrence Schehr |
1 |
| 356 |
|
The Emperor’s Old Groove: Decolonizing Disney's Magic Kingdom [New ed.] |
Brenda Ayres (editor) |
|
| 357 |
|
The Mouse that Roared: Disney and the End of Innocence |
Henry A. Giroux |
|
| 358 |
|
Factes of modernity: avant-garde, decadence, kitsch |
Calinescu, Matei |
|
| 359 |
|
Kafka and the Contemporary Critical Performance: Centenary Readings |
Alan Udoff |
|
| 360 |
|
Writing Against Time |
Michael W. Clune |
|
| 361 |
|
The Work of Art in the Age of Deindustrialization |
Jasper Bernes |
|
| 362 |
|
Literary Primitivism |
Ben Etherington |
|
| 363 |
|
Thinking About ‘Beowulf’ |
James W. Earl |
|
| 364 |
|
Criticism and Politics |
Robbins, Bruce, |
|
| 365 |
|
The Future of Decline: Anglo-American Culture at Its Limits [1 ed.] |
Jed Esty |
1 |
| 366 |
|
Criticism and Politics: A Polemical Introduction |
Bruce Robbins |
|
| 367 |
|
Anuario calderoniano 8 (2015): Calderón en su laboratorio |
Wolfram Aichinger y Simon Kroll (editor) |
|
| 368 |
|
Congnitive Literary Studies: Current Themes and New Directions |
Isabel Jaén, Julien Jacques Simon |
|
| 369 |
|
Experimenting: Essays with Samuel Weber |
Simon Morgan Wortham (editor), Gary Hall (editor) |
|
| 370 |
|
Failure's Opposite : Listening to A. M. Klein [1 ed.] |
Norman Ravvin, Sherry Simon |
1 |
| 371 |
|
Guide for the Film Fanatic: A Critical Checklist of Over 1,500 Movies [Paperback ed.] |
Danny Peary |
|
| 372 |
|
Flyboy in the Buttermilk: Essays on Contemporary America [First Trade Paperback ed.] |
Greg Tate |
|
| 373 |
|
Le roman moderne: Le monologue intérieur, le point de vue et le discours indirect libre Marcel Proust, Claude Simon et Nathalie Sarraute |
BOUSLAHI HOUCINE |
|
| 374 |
|
The Romances of John Fowles [1 ed.] |
Simon Loveday (auth.) |
1 |
| 375 |
|
The Theatre of Simon Stephens |
Jacqueline Bolton |
|
| 376 |
|
Kingdom of fear: loathsome secrets of a star-crossed child in the final days of the American dream |
Thompson, Hunter S |
|
| 377 |
|
Now Playing At The Valencia: Pulitzer Prize-Winning Essays On Movies |
Stephen Hunter |
|
| 378 |
|
The Cambridge Companion to Dante's ‘Commedia' |
Zygmunt G. Barański, Simon Gilson |
|
| 379 |
|
The Decadent Society: How We Became the Victims of Our Own Success |
Ross Douthat |
|
| 380 |
|
The Great White Bard: Shakespeare, Race and the Future |
Farah Karim-Cooper |
|
| 381 |
|
The movie doctors [Paperback edition] |
Kermode, Mark, Mayo, Simon, Toseland, Martin, Toseland, Simon |
|
| 382 |
|
Wonderworks : The 25 Most Powerful Inventions in the History of Literature |
Angus Fletcher, |
|
| 383 |
|
The closing of the American mind: [how higher education has failed democracy and impoverished the souls of today's students] [Twenty-fifth anniversary edition ; Simon & Schuster trade pb] |
Bloom, Allan |
|
| 384 |
|
And yet{u2026}: essays [First Simon & Schuster hardcover edition] |
Hitchens, Christopher |
|
| 385 |
|
Greek Myths for a Post-Truth World |
Yiannis Gabriel |
|
| 386 |
|
Quentin Tarantino's Django unchained : the continuation of metacinema |
Speck, Oliver C |
|
| 387 |
|
Joseph Conrad’s Cultural Legacy: Centennial Essays |
Linda Dryden (editor), Robert Hampson (editor) |
|
| 388 |
|
The Palimpsest: Literature, Criticism, Theory |
Sarah Dillon |
|
| 389 |
|
Joyce and company [1 ed.] |
Joyce, James, Joyce, James, Pierce, David |
1 |
| 390 |
|
The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates |
|
|
| 391 |
|
Modern Culture [Paperback ed.] |
Roger Scruton |
|
| 392 |
|
Tragedy Since 9/11: Reading A World Out Of Joint [1st Edition] |
Jennifer Wallace |
1 |
| 393 |
|
Theory of African Literature: Implications for Practical Criticism |
Chidi Amuta |
|
| 394 |
|
The Work of Literature in an Age of Post-Truth [1 ed.] |
Dr. Christopher Schaberg |
1 |
| 395 |
|
Against Ambience and Other Essays |
Seth Kim-Cohen |
|
| 396 |
|
Fear and Loathing Worldwide: Gonzo Journalism Beyond Hunter S. Thompson |
Robert Alexander, Christine Isager (editors) |
|
| 397 |
|
Teen Film: A Critical Introduction |
Catherine Driscoll |
|
| 398 |
|
Ekphrasis, Memory and Narrative after Proust: Prose Pictures and Fictional Recollection [1 ed.] |
Leonid Bilmes |
1 |
| 399 |
|
The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood |
James Ley |
|
| 400 |
|
Beyond Ontological Blackness: An Essay on African American Religious and Cultural Criticism |
Victor Anderson |
|
| 401 |
|
The Critic as Amateur |
|
|
| 402 |
|
Science Fiction Film: A Critical Introduction |
Keith M. Johnston |
|
| 403 |
|
Between Hegel and Spinoza: A Volume of Critical Essays |
Hasana Sharp, Jason E. Smith |
|
| 404 |
|
The critic in the modern world : public criticism from Samuel Johnson to James Wood |
Ley, James |
|
| 405 |
|
The Great Dismissal: Memoir of the Cultural Demolition Derby, 2015-22 |
Henry Sussman |
|
| 406 |
|
Telling in Henry James: The Web of Experience and the Forms of Reality |
Lynda Zwinger |
|
| 407 |
|
The Fable as Literature |
H. J. Blackham |
|
| 408 |
|
Riefenstahl Screened: An Anthology of New Criticism |
Neil Christian Pages, Mary Rhiel, Ingeborg Majer-O’Sickey (editors) |
|
| 409 |
|
E.M.Forster: A Passage to India |
Malcolm Bradbury (editor) |
|
| 410 |
|
Salman Rushdie: Contemporary Critical Perspectives |
Robert Eaglestone, Martin McQuillan (editors) |
|
| 411 |
|
The late Walter Benjamin [1 ed.] |
Benjamin, Walter, Schad, John, Benjamin, Walter |
1 |
| 412 |
|
Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature |
Jennifer Cooke |
|
| 413 |
|
Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg |
James Kendrick |
|
| 414 |
|
Literary Theory: The Complete Guide |
Mary Klages |
|
| 415 |
|
Magical criticism : the recourse of savage philosophy |
Bracken, Christopher |
|
| 416 |
|
The meaning of Shakespeare [2] |
Goddard, Harold Clarke |
2 |
| 417 |
|
Odd Affinities: Virginia Woolf’s Shadow Genealogies [1 ed.] |
Professor Elizabeth Abel |
1 |
| 418 |
|
Salome and the Dance of Writing: Portraits of Mimesis in Literature [1 ed.] |
Françoise Meltzer |
1 |
| 419 |
|
A Mieke Bal reader |
Mieke Bal |
|
| 420 |
|
Shakespearean Territories |
Stuart Elden |
|
| 421 |
|
Two Thumbs Up: How Critics Aid Appreciation |
Stephanie Ross |
|
| 422 |
|
Ebert's Bests |
Ebert, Roger |
|
| 423 |
|
Scorsese by Ebert |
Ebert, Roger |
|
| 424 |
|
Awake in the Dark: The Best of Roger Ebert |
Ebert, Roger,Bordwell, David(Foreword by) |
|
| 425 |
|
Awake in the Dark: The Best of Roger Ebert: Second Edition |
Roger Ebert, David Bordwell |
|
| 426 |
|
Clement Greenberg between the lines : including a debate with Clement Greenberg [University of Chicago Press ed.] |
Greenberg, Clement, Duve, Thierry de |
|
| 427 |
|
The Great Movies IV |
Roger Ebert |
|
| 428 |
|
The Theory of Criticism: From Plato to the Present |
Raman Selden |
|
| 429 |
|
Selected Writings on Art |
Carl Einstein,, Charles W. Haxthausen |
|
| 430 |
|
Debating the Canon: A Reader from Addison to Nafisi [1 ed.] |
Lee Morrissey (eds.) |
1 |
| 431 |
|
Two Weeks in the Midday Sun: A Cannes Notebook |
Roger Ebert, Martin Scorsese |
|
| 432 |
|
Critical Terms for Art History [1 ed.] |
Robert S. Nelson, Richard Shiff |
1 |
| 433 |
|
A Sense of Things: The Object Matter of American Literature |
Bill Brown |
|
| 434 |
|
What Is Pastoral? |
Paul Alpers |
|
| 435 |
|
The Rhapsodes: How 1940s Critics Changed American Film Culture |
David Bordwell |
|
| 436 |
|
The ringers in the tower: Studies in Romantic tradition |
Harold Bloom |
|
| 437 |
|
The great movies. 3 [Paperback edition] |
Ebert, Roger |
|
| 438 |
|
When Movies Mattered: Reviews from a Transformative Decade |
Dave Kehr |
|
| 439 |
|
Petrarch: A Critical Guide to the Complete Works |
Victoria Kirkham (editor), Armando Maggi (editor) |
|
| 440 |
|
Lovable Racists, Magical Negroes, and White Messiahs |
David Ikard, T. Denean Sharpley-Whiting |
|
| 441 |
|
Critical and Historical Principles of Literary History |
R.S. Crane |
|
| 442 |
|
Throw Yourself Away: Writing and Masochism (Thinking Literature) [1 ed.] |
Professor Julia Jarcho |
1 |
| 443 |
|
Pitch of Poetry |
Charles Bernstein |
|
| 444 |
|
Chinese Theories of Literature |
James J. Y. Liu |
|
| 445 |
|
True Love Waits, and Other Essays and Criticism |
Wendy Kaminer |
|
| 446 |
|
The Collected Essays and Criticism, Volume 2: Arrogant Purpose, 1945-1949 |
Clement Greenberg (editor), John O'Brian (editor) |
|
| 447 |
|
Geoffrey Hill's Later Work : Radiance of Apprehension [1 ed.] |
Alex Wylie |
1 |
| 448 |
|
Reading Richard Matheson : A Critical Survey |
Cheyenne Mathews, Janet V. Haedicke |
|
| 449 |
|
Writing otherwise: Experiments in cultural criticism [Reprint ed.] |
Jackie Stacey (editor), Janet Wolff (editor) |
|
| 450 |
|
Constructing the Coens: from Blood simple to Inside Llewyn Davis |
Coen, Ethan, Coen, Ethan, Coen, Ethan / Criticism and interpretation, Coen, Joel, Coen, Joel, Coen, Joel / Criticism and interpretation, Redmon, Allen H |
|
| 451 |
|
The Life of Mise-en-scene: Visual style and British film criticism, 1946-78 [Illustrated] |
John Gibbs |
|
| 452 |
|
A Commentary on Jean-Paul Satre's Critique of Dialectical Reason |
Joseph S. Catalano |
|
| 453 |
|
Justice as Translation: An Essay in Cultural and Legal Criticism |
James Boyd White |
|
| 454 |
|
François Jullien's Unexceptional Thought: A Critical Introduction |
Arne de Boever |
|
| 455 |
|
Love, History and Emotion in Chaucer and Shakespeare: Troilus and Criseyde and Troilus and Cressida |
Andrew James Johnston (editor), Russell West-Pavlov (editor), Elisabeth Kempf (editor) |
|
| 456 |
|
Spenserian Satire: A Tradition of Indirection |
Rachel E. Hile |
|
| 457 |
|
Rohinton Mistry (Contemporary World Writers) |
Peter Morey |
|
| 458 |
|
The Arts of Angela Carter: A Cabinet of Curiosities |
Marie Mulvey-Roberts |
|
| 459 |
|
Mid-century gothic: The uncanny objects of modernity in British literature and culture after the Second World War |
Lisa Mullen |
|
| 460 |
|
The A to Z of Postmodernist Literature and Theater |
Fran Mason |
|
| 461 |
|
Five Directors: Auteurism from Assayas to Ozon |
Kate Ince (editor) |
|
| 462 |
|
A Critical Companion to Sofia Coppola |
Naaman Wood,Christopher Booth, |
|
| 463 |
|
A literature of restitution: Critical essays on W. G. Sebald |
Jeannette Baxter, Valerie Henitiuk, Ben Hutchinson (editors) |
|
| 464 |
|
Shakespeare's resources |
John Drakakis |
|
| 465 |
|
Haunted Historiographies : The Rhetoric of Ideology in Postcolonial Irish Fiction [1 ed.] |
Matthew Schultz |
1 |
| 466 |
|
J.D. Salinger's The catcher in the rye a cultural history |
Benson, Josef,Salinger, Jerome D |
|
| 467 |
|
Walter Benjamin for Children: An Essay on his Radio Years [1 ed.] |
Jeffrey Mehlman |
1 |
| 468 |
|
The Beautiful Animal: Sincerity, Charm, and the Fossilised Dialectic |
Michael Lewis |
|
| 469 |
|
Solvent form: Art and destruction |
Jared Pappas-Kelley |
|
| 470 |
|
Stephen King's Contemporary Classics : Reflections on the Modern Master of Horror |
Philip L. Simpson, Patrick McAleer |
|
| 471 |
|
Absorption and theatricality: painting and beholder in the age of Diderot [1st ed.] |
Michael Fried |
1 |
| 472 |
|
Alterity and Criticism: Tracing Time in Modern Literature |
William D. Melaney |
|
| 473 |
|
Talking about Pauline Kael: critics, filmmakers, and scholars remember an icon |
Kael, Pauline,Stengel, Wayne B |
|
| 474 |
|
Hélène Cixous: Dreamer, Realist, Analyst, Writing |
Nicholas Royle |
|
| 475 |
|
The Literature Of Exclusion: Dada, Data, And The Threshold Of Electronic Literature [1 ed.] |
Andrew C. Wenaus |
1 |
| 476 |
|
Chinua Achebe |
Jago Morrison |
|
| 477 |
|
On Narrative [2nd ed.] |
W. J. T. Mitchell |
2 |
| 478 |
|
Samuel Richardson and the theory of tragedy |
James Smith |
|
| 479 |
|
The ends of Ireland: Criticism, history, subjectivity |
Conor Carville |
|
| 480 |
|
Beckett's Dantes : Intertextuality in the fiction and criticism [annotated edition] |
Caselli, Daniela, Beckett, Samuel, Dante Alighieri |
|
| 481 |
|
Listening to Stanley Kubrick : the music in his films [1st paperback ed.] |
Gengaro, Christine Lee, Kubrick, Stanley |
1 |
| 482 |
|
Red Aesthetics: Rodchenko, Brecht, Eisenstein |
Todd Cronan |
|
| 483 |
|
Complicity: Criticism Between Collaboration and Commitment |
Thomas Docherty |
|
| 484 |
|
A Critical Handbook of Children's Literature [7 ed.] |
Rebecca J. Lukens |
7 |
| 485 |
|
Intertextuality: Theories and Practice |
Michael Worton, Judith Still (eds.) |
|
| 486 |
|
Beginning Theory: An Introduction to Literary and Cultural Theory [3rd ed.] |
Peter Barry |
3 |
| 487 |
|
A Literature of Restitution: Critical Essays on W.G. Sebald |
Jeannette Baxter, Valerie Henitiuk, Ben Hutchinson |
|
| 488 |
|
Spenser and Donne: Thinking poets |
Yulia Ryzhik (editor) |
|
| 489 |
|
Rereading Chaucer and Spenser: Dan Geffrey with the New Poete [1 ed.] |
Rachel Stenner (editor), Tamsin Badcoe (editor), Gareth Griffith (editor) |
1 |
| 490 |
|
The Ascetic Imperative in Culture and Criticism |
Geoffrey Galt Harpham |
|
| 491 |
|
Kant's Groundwork of the metaphysics of morals: critical essays |
Guyer, Paul,Kant, Immanuel |
|
| 492 |
|
Classical Listening : Two Decades of Reviews from The American Record Guide |
Rob Haskins |
|
| 493 |
|
Counterfactual Romanticism |
Damian Walford Davies (editor) |
|
| 494 |
|
The Rhetoric of Dystopia: Prophecies and Provocations in the Anthropocene |
Christopher Carter |
|
| 495 |
|
The life of mise-en-scène: Visual style and British film criticism, 1946–78 |
John Gibbs |
|
| 496 |
|
Art and objecthood: essays and reviews |
Michael Fried |
|
| 497 |
|
The Harvard Guide to Contemporary American Writing [Reprint 2014 ed.] |
|
2014 |
| 498 |
|
What Art Is Like, In Constant Reference to the Alice Books |
Miguel Tamen |
|
| 499 |
|
Resemblance and Disgrace: Alexander Pope and the Deformation of Culture [Reprint 2014 ed.] |
Helen Deutsch |
2014 |
| 500 |
|
Milton's Poetic Art: A Mask, Lycidas, and Paradise Lost [Reprint 2014 ed.] |
John Reesing |
2014 |
| 501 |
|
Poetry and the Criticism of Life [Reprint 2014 ed.] |
H. W. Garrod |
2014 |
| 502 |
|
The Logical Alien: Conant and His Critics |
Sofia Miguens |
|
| 503 |
|
Marquesan Encounters: Melville and the Meaning of Civilization [Reprint 2014 ed.] |
T. Walter Herbert, Jr. |
2014 |
| 504 |
|
Shakespeare and the Audience: A Study in the Technique of Exposition [Reprint 2014 ed.] |
Arthur Colby Sprague |
2014 |
| 505 |
|
Origin of the German Trauerspiel |
Walter Benjamin, Howard Eiland |
|
| 506 |
|
One way street |
Walter Benjamin |
|
| 507 |
|
On rereading [Apparent First Edition] |
Spacks, Patricia Meyer, Spacks, Patricia Ann Meyer |
|
| 508 |
|
Perspectives of Criticism [Reprint 2014 ed.] |
|
2014 |
| 509 |
|
Dostoevsky and romantic realism: a study of Dostoevsky in relation to Balzac, Dickens, and Gogol |
Donald Fanger |
|
| 510 |
|
Daniel Defoe: A Critical Study |
James Sutherland |
|
| 511 |
|
The Defense of the American Novel [Premier edition] |
John Farrell |
|
| 512 |
|
Music and Criticism: A Symposium [Reprint 2014 ed.] |
Richard F. French (editor) |
2014 |
| 513 |
|
Contexts of Criticism [Reprint 2014 ed.] |
Harry Levin |
2014 |
| 514 |
|
Andrei Bely: The Major Symbolist Fiction [Reprint 2013 ed.] |
Vladimir E. Alexandrov |
2013 |
| 515 |
|
Romantic Rebels: Essays on Shelley and His Circle [Reprint 2013 ed.] |
Kenneth Neill Cameron (editor) |
2013 |
| 516 |
|
Mirror on Mirror: Translation, Imitation, Parody [Reprint 2013 ed.] |
Reuben Arthur Brower |
2013 |
| 517 |
|
The Mass Ornament: Weimar Essays |
Siegfried Kracauer, Thomas Y. Levin |
|
| 518 |
|
The Book as World: James Joyce's Ulysses |
Marilyn French |
|
| 519 |
|
Balzac's <i>Le Message</i>: The Text with Variants and Critical Comments [Reprint 2014 ed.] |
George B. Raser (editor) |
2014 |
| 520 |
|
Poetry And The Criticism Of Life |
Garrod, H. W |
|
| 521 |
|
Proust and Literature: The Novelist as Critic [Reprint 2014 ed.] |
Walter A. Strauss |
2014 |
| 522 |
|
Blake's Night: William Blake and the Idea of Pastoral [Reprint 2014 ed.] |
David Wagenknecht |
2014 |
| 523 |
|
The Hatred of Literature |
William Marx, Nicholas Elliott |
|
| 524 |
|
Costly Monuments: Representations of the Self in George Herbert’s Poetry [Reprint 2014 ed.] |
Barbara Leah Harman |
2014 |
| 525 |
|
The Dream of the Great American Novel |
Lawrence Buell |
|
| 526 |
|
Imitation and Other Essays [Reprint 2014 ed.] |
Charles H. Grandgent |
2014 |
| 527 |
|
The Basis of Criticism in the Arts [2nd printing 1946. Reprint 2014 ed.] |
Stephen C. Pepper |
219462014 |
| 528 |
|
Dostoevsky and the Idiot: Author, Narrator, and the Reader [1 ed.] |
Robin Feuer Miller |
1 |
| 529 |
|
Delirious Milton : the fate of the poet in modernity |
Milton, John, Milton, John, Teskey, Gordon |
|
| 530 |
|
The Text, The World, The Critic |
Edward W. Said |
|
| 531 |
|
Discourses on Dante [Reprint 2014 ed.] |
Charles H. Grandgent |
2014 |
| 532 |
|
Tennyson and the Doom of Romanticism [Reprint 2014 ed.] |
Herbert F. Tucker |
2014 |
| 533 |
|
Praisers of Folly: Erasmus, Rabelais, Shakespeare [Reprint 2014 ed.] |
Walter Kaiser |
2014 |
| 534 |
|
Alternative Paradigms of Literary Realism [1 ed.] |
Don Adams |
1 |
| 535 |
|
Film Moments: Criticism, History, Theory |
Tom Brown, James Walters (editors) |
|
| 536 |
|
Beckett’s Proust/Deleuze’s Proust |
Mary Bryden, Margaret Topping (eds.) |
|
| 537 |
|
The Varieties of Authorial Intention: Literary Theory Beyond the Intentional Fallacy [1 ed.] |
John Farrell (auth.) |
1 |
| 538 |
|
Chaucer’s Feminine Subjects: Figures of Desire in the Canterbury Tales |
John A. Pitcher (auth.) |
|
| 539 |
|
Representation in Contemporary Criticism |
Ananta Charan Sukla (Ed.) |
|
| 540 |
|
W. B. Yeats: A Critical Introduction [1 ed.] |
Stan Smith (auth.) |
1 |
| 541 |
|
A Dictionary of Puns in Milton’s English Poetry [1 ed.] |
Edward Le Comte (auth.) |
1 |
| 542 |
|
The war against the intellect: episodes in the decline of discourse [1 ed.] |
Peter Shaw |
1 |
| 543 |
|
A Reader’s Guide to the Plays of W. B. Yeats [1 ed.] |
Richard Taylor (auth.) |
1 |
| 544 |
|
Brendan Behan: An Annotated Bibliography of Criticism [1 ed.] |
E. H. Mikhail (auth.) |
1 |
| 545 |
|
Visionary Closure in the Modern Novel |
William R. Thickstun (auth.) |
|
| 546 |
|
Epimodernism: Six Memos for Literature Today |
Emmanuel Bouju |
|
| 547 |
|
Procedures of Resistance: Contents, Positions and the 'Doings' of Literary Theory |
Davor Beganović, Zrinka Božić, Andrea Milanko, Ivana Perica |
|
| 548 |
|
A Critical Introduction to Henry Green’s Novels: The Living Vision [1 ed.] |
Oddvar Holmesland (auth.) |
1 |
| 549 |
|
Ambiguity and Film Criticism: Reasonable Doubt |
Hoi Lun Law |
|
| 550 |
|
5001 Nights at the Movies |
Pauline Kael |
|
| 551 |
|
The Long Take: Critical Approaches [1 ed.] |
John Gibbs,Douglas Pye (eds.) |
1 |
| 552 |
|
Urdu Literary Culture: Vernacular Modernity in the Writing of Muhammad Hasan Askari [1 ed.] |
Mehr Afshan Farooqi (auth.) |
1 |
| 553 |
|
A Critique of Judgment in Film and Television |
Silke Panse, Dennis Rothermel (eds.) |
|
| 554 |
|
Fundamentals of Literary Theory |
Klaus W. Hempfer |
|
| 555 |
|
Performing Against Annihilation: Identity and Consciousness in J.R.R. Tolkien, Richard Wagner and George R.R. Martin [1st ed. 2022] |
Lukas Schepp |
1 |
| 556 |
|
A History of Literary Criticism |
Harry Blamires (auth.) |
|
| 557 |
|
Theological Reflections on “Gangnam Style”: A Racial, Sexual, and Cultural Critique |
Joseph Cheah, Grace Ji-Sun Kim (auth.) |
|
| 558 |
|
Contemporary Literary Critics |
Elmer Borklund (auth.) |
|
| 559 |
|
Contemporary Literary Theory |
G. Douglas Atkins, Laura Morrow (eds.) |
|
| 560 |
|
Samuel Beckett and Catastrophe |
Michiko Tsushima, Yoshiki Tajiri, Mariko Hori Tanaka |
|
| 561 |
|
Thomas Hardy in Our Time |
Robert Langbaum |
|
| 562 |
|
Anthony Trollope and his Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction [1 ed.] |
David Skilton (auth.) |
1 |
| 563 |
|
Bernard Shaw and the Comic Sublime [1 ed.] |
David J. Gordon (auth.) |
1 |
| 564 |
|
Twentieth-Century Literary Theory: A Reader |
K. M. Newton (eds.) |
|
| 565 |
|
Chasing the White Whale: The Moby-Dick Marathon; or, What Melville Means Today [1 ed.] |
David Dowling |
1 |
| 566 |
|
Hyperobject Reading, Scale Variance, and American Fiction in the Anthropocene |
Chingshun J. Sheu |
|
| 567 |
|
Signs in culture: Roland Barthes today [1st ed.] |
Steven Ungar, Betty R. McGraw |
1 |
| 568 |
|
The Ethics of Horror: Spectral Alterity in Twenty-First-Century Horror Film |
Michael J. Burke |
|
| 569 |
|
Tom Stoppard: The Artist as Critic [1 ed.] |
Neil Sammells (auth.) |
1 |
| 570 |
|
And the Mirror Cracked: Feminist Cinema and Film Theory [1 ed.] |
Anneke Smelik (auth.) |
1 |
| 571 |
|
Luis Buñuel: New Readings |
Peter William Evans, Isabel Santaolalla (editors) |
|
| 572 |
|
Thomas Mann’s The Magic Mountain: A Case Book |
Hans Rudolf Vaget (Editor) |
|
| 573 |
|
Finding an ending: reflections on Wagner's Ring |
Schacht, Richard,Wagner, Richard,Kitcher, Philip |
|
| 574 |
|
The Art of Art History: A Critical Anthology, 2nd Editon |
Donald Preziosi |
|
| 575 |
|
This Thing We Call Literature |
Arthur Krystal |
|
| 576 |
|
Why is that art?: aesthetics and criticism of contemporary art [3rd edition] |
Barrett, Terry Michael |
3 |
| 577 |
|
The Reader in the Book: A Study of Spaces and Traces [1 ed.] |
Stephen Orgel |
1 |
| 578 |
|
A Fine Brush on Ivory: An Appreciation of Jane Austen [First Edition] |
Richard Jenkyns |
|
| 579 |
|
Yeats's poetic codes |
Grene, Nicholas |
|
| 580 |
|
Shakespeare’s Originality |
John Kerrigan |
|
| 581 |
|
If Not Critical |
Eric Griffiths, Freya Johnston (editor) |
|
| 582 |
|
The Oxford Handbook of British Romantic Prose |
Robert Morrison |
|
| 583 |
|
English Critical Texts: 16th Century to 20th Century |
Dennis Joseph Enright, Ernst De Chickera |
|
| 584 |
|
Agon: Towards a Theory of Revisionism |
Harold Bloom |
|
| 585 |
|
The Subject of Semiotics [1. issued as an Oxford UP pbk] |
Silverman, Kaja |
1 |
| 586 |
|
What is dance?: readings in theory and criticism |
Roger. Copeland, Marshall Cohen |
|
| 587 |
|
The Natural History of Make-Believe: A Guide to the Principal Works of Britain, Europe, and America [1 ed.] |
John Goldthwaite |
1 |
| 588 |
|
The Altering Eye |
Robert Phillip Kolker |
|
| 589 |
|
The Signifying Monkey: A Theory of African-American Literary Criticism [1ST ed.] |
Henry Louis Gates |
1 |
| 590 |
|
Loose Canons: Notes on the Culture Wars [First Printing ed.] |
Henry Louis Gates Jr. |
|
| 591 |
|
The Imperfect Art : Reflections on Jazz and Modern Culture |
Ted Gioia |
|
| 592 |
|
Culture of Complaint: The Fraying of America |
Robert Hughes |
|
| 593 |
|
The Lively Arts: Gilbert Seldes and the Transformation of Cultural Criticism in the United States [1ST ed.] |
Michael Kammen |
1 |
| 594 |
|
A Handbook of Critical Approaches to Literature [5 ed.] |
Wilfred L. Guerin, Earle Labor, Lee Morgan, Jeanne C. Reesman, John R. Willingham |
5 |
| 595 |
|
Vladimir Nabokov's Lolita : A Casebook |
Ellen Pifer |
|
| 596 |
|
Natural Selection: Gary Giddins on Comedy, Film, Music, and Books |
Gary Giddins |
|
| 597 |
|
Joyce's Kaleidoscope: An Invitation to Finnegans Wake |
Philip Kitcher |
|
| 598 |
|
New Directions in American Reception Study |
Philip Goldstein, James L. Machor |
|
| 599 |
|
Film Theory and Criticism [Seventh Edition] |
Leo Braudy, Marshall Cohen |
|
| 600 |
|
The Art of Poetry: How to Read a Poem |
Wolosky, Shira,Weiss, Shira Wolosky |
|
| 601 |
|
A Handbook of Critical Approaches to Literature [6 ed.] |
Wilfred Guerin, Earle Labor, Lee Morgan, Jeanne C. Reesman, John R. Willingham |
6 |
| 602 |
|
Metaphysical Exile: On J.M. Coetzee's Jesus Fictions |
Robert Pippin |
|
| 603 |
|
The Social Mission of English Criticism, 1848-1932 (Oxford English Monographs) |
Chris Baldick |
|
| 604 |
|
Ancient Literary Criticism: The Principal Texts in New Translations |
D. A. Russell, M. Winterbottom |
|
| 605 |
|
Everyday stories : the literary agenda [1 ed.] |
Bowlby, Rachel |
1 |
| 606 |
|
E.E. Cummings’ modernism and the classics : each imperishable stanza [1st ed.] |
Rosenblitt, Jennifer Alison |
1 |
| 607 |
|
Shakespeare: A Playgoer's & Reader's Guide |
Michael Dobson |
|
| 608 |
|
Remembered Words: Essays on Genre, Realism, and Emblems [Annotated] |
Alastair Fowler |
|
| 609 |
|
Wordsworth's Unremembered Pleasure |
Alexander Freer |
|
| 610 |
|
Oxford Guides to Chaucer: The Canterbury Tales |
Helen Cooper |
|
| 611 |
|
Oxford Guides to Chaucer: Troilus and Criseyde [2 ed.] |
Prof Barry Windeatt |
2 |
| 612 |
|
Literary Theory and Criticism: An Oxford Guide [1. ed.] |
Patricia Waugh |
1 |
| 613 |
|
Except When I Write: Reflections of a Recovering Critic |
Arthur Krystal |
|
| 614 |
|
Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture |
Epstein, Andrew |
|
| 615 |
|
How to Be an Intellectual: Essays on Criticism |
Williams, Jeffrey J |
|
| 616 |
|
A Theology of Criticism: Balthasar, Postmodernism, and the Catholic Imagination [1 ed.] |
Michael P. Murphy |
1 |
| 617 |
|
The Suffering Traveller and the Romantic Imagination (Oxford English Monographs) |
Carl Thompson |
|
| 618 |
|
A Preface to Paradise Lost |
C. S. Lewis |
|
| 619 |
|
101 Marvellous Movies You May Have Missed |
David Stratton |
|
| 620 |
|
The Columbia Guide to the Latin American Novel Since 1945 |
Williams, Raymond L |
|
| 621 |
|
An Odyssey of the Soul: Shelley’S Alastor |
Harold Leroy Hoffman |
|
| 622 |
|
Avengers Assemble!: Critical Perspectives on the Marvel Cinematic Universe |
Terence McSweeney (editor) |
|
| 623 |
|
Bayard Taylor’S Translation of Goethe’S Faust |
Juliana Haskell |
|
| 624 |
|
Baudelaire’s Le Spleen de Paris: Shifting Perspectives |
Maria C. Scott |
|
| 625 |
|
Beckett and Musicality [New edition] |
Bailes, Sara Jane, Beckett, Samuel, Till, Nicholas |
|
| 626 |
|
Beckett/philosophy |
Beckett, Samuel, Feldman, Matthew, Gungov, Alexander, Mamdani, Karim |
|
| 627 |
|
Beckett, Lacan, and the voice |
Beckett, Samuel,Brown, Llewellyn,Lacan, Jacques,Rabaté, Jean-Michel |
|
| 628 |
|
Beginnings: Intention and Method |
Edward W. Said. |
|
| 629 |
|
Blood: a critique of Christianity [Paperback edition] |
Anidjar, Gil |
|
| 630 |
|
Charles Dickens (Bloom's Modern Critical Views), Updated Edition [Updated] |
Harold Bloom (Editor) |
|
| 631 |
|
Contemporary Black American fiction writers |
Bloom, Harold |
|
| 632 |
|
Critical approaches to medieval literature: selected papers from the English Institute, 1958-1959 |
Dorothy Bethurum |
|
| 633 |
|
Critical genealogies: historical situations for postmodern literary studies |
Jonathan Arac |
|
| 634 |
|
Critique of the German Intelligentsia: Hugo Ball |
Brian L. Harris |
|
| 635 |
|
Critical Essays on Shakespeare's A Lover's Complaint: Suffering Ecstasy |
Shirley Sharon-Zisser |
|
| 636 |
|
Cultural Criticism, Literary Theory, Poststructuralism |
Vincent B. Leitch |
|
| 637 |
|
Death's Dream Kingdom: The American Psyche Since 9-11 |
Davis Walter |
|
| 638 |
|
Don Delillo (Bloom's Modern Critical Views) |
Harold Bloom (Editor) |
|
| 639 |
|
Dreams of an English Eden: Ruskin and His Tradition in Social Criticism |
Jeffrey L. Spear |
|
| 640 |
|
Dublin's Joyce [Columbia University Press morningside ed] |
Hugh Kenner |
|
| 641 |
|
Elie Wiesel's Night (Bloom's Guides) [1 ed.] |
Harold Bloom |
1 |
| 642 |
|
Emerson--prophecy, metamorphosis, and influence: Selected papers from the English Institute [1 ed.] |
English Institute |
1 |
| 643 |
|
Emile Zola (Bloom's Modern Critical Views) |
Harold Bloom (Editor) |
|
| 644 |
|
Enchantment The Seductress in Opera (European Perspectives: A Series in Social Thought and Cultural Criticism) [Illustrated] |
Jean Starobinski |
|
| 645 |
|
Eudora Welty (Bloom's Modern Critical Views), Updated Edition [2 Updated] |
Harold Bloom (Editor) |
2 |
| 646 |
|
F. Scott Fitzgerald (Bloom's Modern Critical Views), Updated Edition [2 ed.] |
Harold Bloom (Editor) |
2 |
| 647 |
|
Fictions of Resolution in Three Victorian Novels: North and South Our Mutual Friend Daniel Deronda |
Deirdre David |
|
| 648 |
|
Figures of Repetition in the Old Provencal Lyric |
Nathaniel Belknap Smith |
|
| 649 |
|
Film Performance: From Achievement to Appreciation |
Andrew Klevan |
|
| 650 |
|
Free Indirect: The Novel in a Postfictional Age |
Timothy Bewes |
|
| 651 |
|
Free Indirect: The Novel in a Postfictional Age (Literature Now) |
Timothy Bewes |
|
| 652 |
|
George Bernard Shaw (Bloom's Modern Critical Views) [New ed.] |
Harold Bloom |
|
| 653 |
|
George Orwell's 1984 (Bloom's Modern Critical Interpretations) [2 Updated] |
Harold Bloom |
2 |
| 654 |
|
Gender, Fantasy, and Realism in American Literature |
Alfred Habegger |
|
| 655 |
|
Hitchcock’S Films Revisited |
Robin Wood, Ken Venezio |
|
| 656 |
|
Hitchcock's Romantic Irony |
Richard Allen |
|
| 657 |
|
Hitchcock’s Films Revisited [Paperback ed.] |
Robin Wood |
|
| 658 |
|
Hitchcock's Magic |
Neil Badmington |
|
| 659 |
|
Infinite Greed: The Inhuman Selfishness of Capital (Insurrections: Critical Studies in Religion, Politics, and Culture) |
Adrian Johnston |
|
| 660 |
|
Language in Literature (Belknap Press) |
Roman Jakobson, Krystyna Pomorska (editor), Stephen Rudy (editor) |
|
| 661 |
|
Marcel Proust (Bloom's Modern Critical Views) [Revised] |
Harold Bloom (Editor) |
|
| 662 |
|
Margaret Atwood: Language, Text and System [1St Edition] |
Sherrill Grace |
1 |
| 663 |
|
Margaret Atwood's the Handmaid's Tale |
Harold Bloom, Margaret Atwood |
|
| 664 |
|
Music and Historical Critique: Selected Essays [1 ed.] |
Gary Tomlinson |
1 |
| 665 |
|
My Affair with Art House Cinema |
Phillip Lopate |
|
| 666 |
|
Mystifying Movies: Fads & Fallacies in Contemporary Film Theory |
Noël Carroll |
|
| 667 |
|
My Affair with Art House Cinema: Essays and Reviews |
Phillip Lopate |
|
| 668 |
|
Philip Roth (Bloom's Modern Critical Views) |
Harold Bloom (Editor) |
|
| 669 |
|
Playing Cowboys: Low Culture and High Art in the Western |
Robert Murray Davis |
|
| 670 |
|
Said on Opera |
Edward Said, Wouter Capitain (editor) |
|
| 671 |
|
Shakespeare on Love and Lust |
Maurice Charney |
|
| 672 |
|
Studying Fight Club |
Mark Ramey |
|
| 673 |
|
Studying Hot Fuzz |
Archer, Neil, Wright, Edgar |
|
| 674 |
|
Symbolism of the Divine Comedy |
Jefferson B. Fletcher |
|
| 675 |
|
T. S. Eliot: A Virgilian Poet [1 ed.] |
Gareth Reeves (auth.) |
1 |
| 676 |
|
T.S. Eliot (Bloom's Modern Critical Views) [New ed.] |
Harold Bloom |
|
| 677 |
|
The “Types Approach” to Literature |
Irvin Ehrenpreis |
|
| 678 |
|
The Columbia Guide to the Latin American Novel Since 1945 |
Raymond Williams |
|
| 679 |
|
The Complete Review Guide to Contemporary World Fiction |
M. A. Orthofer |
|
| 680 |
|
The Critical Pulse: Thirty-Six Credos by Contemporary Critics |
Jeffrey Williams, Heather Steffen |
|
| 681 |
|
The Foundations and Nature of Verse |
Cary F. Jacob |
|
| 682 |
|
The Imaginary Voyage in Prose: Fiction » » a History of Its Criticism and a Guide for Its Study, With an Annotated Check List of 215 Imaginary Voyages from 1700 to 1800 » »By Philip Babcock Gove » » New York: Morningside Heights Columbia University Press 1941 |
|
|
| 683 |
|
The New Beatrice or the Virtue That Counsels: A Study in Dante |
Gratia Eaton Baldwin |
|
| 684 |
|
The New Criticism: A Lecture |
J. E. Spingarn |
|
| 685 |
|
The Possibility of Discussion: Relativism, Truth And Criticism of Religious Beliefs (Ashgate New Critical Thinking in Philosophy) (Ashgate New Critical Thinking in Philosophy) |
Hugo Strandberg |
|
| 686 |
|
The Power of Positive Criticism [1 ed.] |
Hendrie Weisinger |
1 |
| 687 |
|
The Power of Positive Criticism |
Ph.D. Hendrie Weisinger |
|
| 688 |
|
The Truth Doesn't Have to Hurt: How to Use Criticism to Strengthen Relationships, Improve Performance, and Promote Change |
Deb Bright Ed.D |
|
| 689 |
|
The Ugly Chinaman and the Crisis of Chinese Culture (醜陋的中國人) [1 ed.] |
Bo Yang, Don J. Cohn, Jing Qing |
1 |
| 690 |
|
Tom Stoppard: A Comprehensive Research and Study Guide |
Harold Bloom |
|
| 691 |
|
Tom Wolfe (Modern Critical Views) |
Harold Bloom (Editor) |
|
| 692 |
|
We will not be silenced: the academic repression of Israel's critics |
Griffin, Maryam Susan,Robinson, William I |
|
| 693 |
|
Hugo von Hofmannsthal: The Theaters of Consciousness |
Benjamin Bennett |
|
| 694 |
|
The Cambridge Companion to Popular Fiction [1 ed.] |
David Glover (editor), Scott McCracken (editor) |
1 |
| 695 |
|
Spanish Romantic Literary Theory and Criticism |
Derek Flitter |
|
| 696 |
|
Analyzing Shakespeare's Action: Scene versus Sequence |
Charles A. Hallett, Elaine S. Hallett |
|
| 697 |
|
The Cambridge Companion to Aphra Behn (Cambridge Companions to Literature) |
Derek Hughes, Janet Todd |
|
| 698 |
|
Abstract expressionism as cultural critique : dissent during the McCarthy period |
David Craven |
|
| 699 |
|
The Rise of the Graphic Novel: Computational Criticism and the Evolution of Literary Value |
Alexander Dunst |
|
| 700 |
|
William Empson: The Critical Achievement |
Christopher Norris, Nigel Mapp |
|
| 701 |
|
Vindications: Essays on Romantic Music |
Deryck Cooke |
|
| 702 |
|
Shakespeare's Tragedies: An Introduction [1 ed.] |
Dieter Mehl |
1 |
| 703 |
|
The Cambridge Companion to Milton [2nd ed.] |
Dennis Danielson |
2 |
| 704 |
|
Vladimir Nabokov in Context |
David M. Bethea, Siggy Frank |
|
| 705 |
|
Experiment in Criticism |
C. S. Lewis |
|
| 706 |
|
The Cambridge History of Literary Criticism, Volume 9: Twentieth-Century Historical, Philosophical and Psychological Perspectives |
Christa Knellwolf, Christopher Norris |
|
| 707 |
|
Two cultures?: the significance of C. P. Snow |
Collini, Stefan,Leavis, Frank Raymond |
|
| 708 |
|
The Cambridge History of Literary Criticism. Vol. 6 The Nineteenth Century, c. 1830–1914 [6] |
M. A. R. Habib |
6 |
| 709 |
|
Swift’s Parody |
Robert Phiddian |
|
| 710 |
|
The Cambridge Companion to the Spanish Novel: From 1600 to the Present |
Harriet Turner, Adelaida López de Martínez |
|
| 711 |
|
Swift's parody |
Robert Phiddian |
|
| 712 |
|
The ’I’ of the Camera: Essays in Film Criticism, History, and Aesthetics [2 ed.] |
William Rothman |
2 |
| 713 |
|
Conrad's Fiction as Critical Discourse |
Richard Ambrosini |
|
| 714 |
|
The "I" of the camera: essays in film criticism, history, and aesthetics |
William Rothman |
|
| 715 |
|
The films of Paul Morrissey |
Maurice Yacowar |
|
| 716 |
|
The Cambridge introduction to Joseph Conrad |
John G Peters |
|
| 717 |
|
The Cambridge Introduction to Jane Austen (Cambridge Introductions to Literature) [2 ed.] |
Janet Todd |
2 |
| 718 |
|
The Ethnography of Manners: Hawthorne, James and Wharton |
Nancy Bentley |
|
| 719 |
|
The Cambridge Companion to English Literature, 1650-1740 [First Edition] |
Steven N. Zwicker |
|
| 720 |
|
The Cambridge companion to T.S. Eliot |
Eliot, Thomas Stearns,Moody, Anthony David |
|
| 721 |
|
After the human: culture, theory and criticism in the 21st century [2020 ed.] |
Sherryl Vint (Ed.) |
2020 |
| 722 |
|
The Cambridge Companion to Lyrical Ballads |
Sally Bushell |
|
| 723 |
|
The Cambridge Companion to Postmodern American Fiction |
Paula Geyh |
|
| 724 |
|
The Cambridge Introduction to the Novel |
Marina MacKay |
|
| 725 |
|
The Cambridge Companion to American Novelists |
Timothy L. Parrish |
|
| 726 |
|
The Cambridge Companion to Victorian Women's Poetry (Cambridge Companions to Literature) |
Linda K. Hughes (editor) |
|
| 727 |
|
Time and Literature [1 ed.] |
Thomas M. Allen |
1 |
| 728 |
|
The Cambridge companion to the Lied |
Parsons, James (ed.) |
|
| 729 |
|
Women Writers and National Identity: Bachmann, Duden, Ozdamar |
Stephanie Bird |
|
| 730 |
|
After Mahler: Britten, Weill, Henze and Romantic Redemption |
Stephen Downes |
|
| 731 |
|
Landscape, Liberty and Authority: Poetry, Criticism and Politics from Thomson to Wordsworth [Digitally Printed 1st Pbk. Version] |
Tim Fulford |
1 |
| 732 |
|
The Cambridge Introduction to Jean Rhys |
Rhys, Jean,Savory, Elaine |
|
| 733 |
|
The Cambridge Introduction to the American Short Story [1 ed.] |
Martin Scofield |
1 |
| 734 |
|
Experimentalism in Wordsworth's Later Poetry: Dialogues with the Dead (Cambridge Studies in Romanticism) |
Tim Fulford |
|
| 735 |
|
The Cambridge Companion to the Latin American Novel |
Efraín Kristal |
|
| 736 |
|
The Cambridge Introduction to Emily Dickinson (Cambridge Introductions to Literature) [1 ed.] |
Wendy Martin |
1 |
| 737 |
|
Literary criticism from Plato to postmodernism : the humanistic alternative |
Seaton, James |
|
| 738 |
|
The Critique of Judgment and the Unity of Kant's Critical System |
Lara Ostaric |
|
| 739 |
|
The Cambridge Companion To Science Fiction |
Edward James, Farah Mendlesohn |
|
| 740 |
|
Shakespeare and the Nature of Man [1 ed.] |
Theodore Spencer |
1 |
| 741 |
|
The Cambridge Companion to Dostoevskii (Cambridge Companions to Literature) |
W. J. Leatherbarrow |
|
| 742 |
|
Fyodor Dostoyevsky: The Brothers Karamazov [1 ed.] |
W. J. Leatherbarrow |
1 |
| 743 |
|
The Cambridge Introduction to Satire |
Jonathan Greenberg |
|
| 744 |
|
The Cambridge History of American Literature: Volume 5, Poetry and Criticism, 1900–1950 |
Sacvan Bercovitch (editor) |
|
| 745 |
|
The Cambridge Companion to the City in Literature |
McNamara. |
|
| 746 |
|
La critique |
Roger Fayolle |
|
| 747 |
|
Malignant Medical Myths : Why Medical Treatment Causes 200,000 Deaths in the Usa Each Year. |
Joel Kauffman PhD |
|
| 748 |
|
The Ultimate Prescription: What the Medical Profession Isn't Telling You |
James L. Marcum, Charles Mills |
|
| 749 |
|
Your Life is Their Toy: Merchants in Medicine |
Emanuel M. Josephson |
|
| 750 |
|
Medicine Out of Control: The Anatomy of a Malignant Technology |
Richard Taylor (auth.) |
|
| 751 |
|
Death by Medicine |
Null, Gary |
|
| 752 |
|
Bad Medicine: The Horrors of American Healthcare |
Dr. Stephen Soloway |
|
| 753 |
|
Bad pharma: how medicine is broken and how we can fix it [4th ed] |
Goldacre, Ben |
4 |
| 754 |
|
Feminist Literary and Cultural Criticism: An Analytical Approach to Space |
Java Singh |
|
| 755 |
|
L'intelligence de l'explication de texte : 30 modeles de commentaires, 40 clefs pour aller au coeur du texte |
Bruno Hongre |
|
| 756 |
|
What's Wrong With Mathematics and how to fix it |
Nir Strulovitz |
|
| 757 |
|
"We're All Infected": Essays on AMC's The Walking Dead and the Fate of the Human |
Dawn Keetley |
|
| 758 |
|
A Human Eye: Essays on Art 1997-2008 |
Adrienne Rich |
|
| 759 |
|
Anatomy of Criticism FOUR ESSAYS |
Northrop Frye |
|
| 760 |
|
William Hazlitt. Critic of Power |
John Kinnaird |
|
| 761 |
|
Why Psychoanalysis? (European Perspectives: A Series in Social Thought and Cultural Criticism) |
Elisabeth Roudinesco, Rachel Bowlby |
|
| 762 |
|
Women's Writing in Twenty-First-Century France : Life as Literature [1 ed.] |
Gill Rye, Amaleena Damlé |
1 |
| 763 |
|
World Literature in Motion : Institution, Recognition, Location |
Flair Donglai Shi, Lubabah Chowdhury, Gareth Guangming Tan, Janet Wilson, Chris Ringrose, Rivkah Brown, Katelyn Edwards, Meleesha Bardolia, Gareth Guangming Tan, Carmen Thong |
|
| 764 |
|
Negative Space: Manny Faber on the Movies [First Edition] |
Manny Farber |
|
| 765 |
|
The Winnowing Fan : Verse-Essays in Creative Criticism |
Christopher Norris |
|
| 766 |
|
Bad Movie Beware!: Over 100 Movies That No Human Being Should Watch. Ever. [Paperback ed.] |
Jason H Gilbert, Melissa Gilbert |
|
| 767 |
|
Philip Roth: American Pastoral, The Human Stain, The Plot Against America |
Debra Shostak (editor) |
|
| 768 |
|
Sex Trouble: Essays on Radical Feminism and the War Against Human Nature [Kindle Edition] |
Robert Stacy McCain |
|
| 769 |
|
The Anthropocene Reviewed: Essays on a Human-Centered Planet |
John Green |
|
| 770 |
|
The context of human discourse: a configurational criticism of rhetoric |
Eugene Edmond White |
|
| 771 |
|
Short Stories for Students: Volume 5 Presenting Analusis, Context and Criticism on Commonly Studied Short Stories |
Tim Akers |
|
| 772 |
|
Short Stories for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories (Volume 8) |
Ira Mark Milne |
|
| 773 |
|
Short Stories for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Short Stories, Volume 9 |
Ira Mark Milne |
|
| 774 |
|
Five Stars! How to Become a Film Critic, the World's Greatest Job |
Christopher Null |
|
| 775 |
|
Short Stories for Students: Presenting Analysis, Context & Criticism on Commonly Studied Short Stories (Volume 22) |
Ira MarK Milne |
|
| 776 |
|
The State of Play: Creators and Critics on Video Game Culture |
Daniel Goldberg |
|
| 777 |
|
From the third eye: the Evergreen review film reader [Seven Stories Press first edition] |
Halter, Ed,Rosset, Barney |
|
| 778 |
|
The Press Gang: Writings on Cinema from New York Press, 1991-2011 |
Godfrey Cheshire, Matt Zoller Seitz, Armond White |
|
| 779 |
|
Critical Perspectives on Resistance in 21st-Century British Literature |
Nilay Erdem Ayyıldız |
|
| 780 |
|
The Black American Short Story in the 20th Century: A Collection of Critical Essays |
Peter Bruck |
|
| 781 |
|
Taiwan Literature in the 21st Century: A Critical Reader |
Chia-rong Wu, Ming-ju Fan |
|
| 782 |
|
Unlikely couples: movie romance as social criticism |
Thomas E. Wartenberg |
|
| 783 |
|
Dante and Violence: Domestic, Civic, Cosmic (William and Katherine Devers Series in Dante and Medieval Italian Literature) [1 ed.] |
Brenda Deen Schildgen |
1 |
| 784 |
|
Story and Situation: Narrative Seduction and the Power of Fiction |
Ross Chambers |
|
| 785 |
|
The Short Story: A Critical Introduction [1 ed.] |
Valerie Shaw |
1 |
| 786 |
|
"The Nose": A Stylistic and Critical Companion to Nikolai Gogol’s Story |
Ksana Blank (editor) |
|
| 787 |
|
The Cambridge Introduction to the Short Story in English (Cambridge Introductions to Literature) [1 ed.] |
Adrian Hunter |
1 |
| 788 |
|
The Colonial Fortune in Contemporary Fiction in French |
Oana Panaïté |
|
| 789 |
|
The Keys of Middle-earth: Discovering Medieval Literature Through the Fiction of J. R. R. Tolkien [2 ed.] |
Stuart Lee, Elizabeth Solopova (auth.) |
2 |
| 790 |
|
The Earth Dies Streaming: Film Writing, 2002-2018 |
A. S. Hamrah |
|
| 791 |
|
Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in Hi story [1 ed.] |
Tom Pope |
1 |
| 792 |
|
The Humble Story of Don Quixote: Reflections on the Birth of the Modern Novel |
Cesareo Bandera |
|
| 793 |
|
The New short story theories |
Charles Edward May |
|
| 794 |
|
Ramsey Campbell and Modern Horror Fiction [First Edition] |
S. T. Joshi |
|
| 795 |
|
Play it Again, Sam: Retakes on Remakes [Reprint 2020 ed.] |
Andrew Horton (editor), Stuart Y. McDougal (editor), Leo Braudy (editor) |
2020 |
| 796 |
|
The literary analysis of the story Mr. Tennyson by William Trevor |
|
|
| 797 |
|
After Derrida: Literature, Theory and Criticism in the 21st Century (After Series) [1 ed.] |
Jean-Michel Rabaté (editor) |
1 |
| 798 |
|
I Lost it at the Movies [3rd Printing ed.] |
Pauline Kael |
3 |
| 799 |
|
Hinter dem Mond statt auf dem Mars |
David Graeber |
|
| 800 |
|
The Expression of Things: Themes in Thomas Hardy s Fiction and Poetry |
John Hughes |
|
| 801 |
|
The twentieth century Russian short story: a critical companion |
Parts, Lyudmila |
|
| 802 |
|
The Cambridge Introduction to the American Short Story (Cambridge Introductions to Literature) [1 ed.] |
Martin Scofield |
1 |
| 803 |
|
A Companion to the American Short Story |
Alfred Bendixen, James Nagel (eds.) |
|
| 804 |
|
The Story of Looking |
Mark Cousins |
|
| 805 |
|
After Foucault: Culture, Theory, and Criticism in the 21st Century [1 ed.] |
Lisa Downing (editor) |
1 |
| 806 |
|
Holy scripture : canon, authority, criticism ; the sprunt lectures delivered at Union Theological Seminary, Richmond, Virginia, Febr. 1982 |
Barr, James |
|
| 807 |
|
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture |
Charles Jencks |
|
| 808 |
|
A New Earth, an Old Deception: Awakening to the Dangers of Eckhart Tolle's #1 Bestseller |
Richard Abanes |
|
| 809 |
|
Handbook of the American Short Story |
Erik Redling (editor), Oliver Scheiding (editor) |
|
| 810 |
|
The Irish Short Story at the Turn of the Twenty-First Century |
Madalina Armie |
|
| 811 |
|
Viewing Positions: Ways of Seeing Film (Rutgers Depth of Field) |
Linda Williams (editor) |
|
| 812 |
|
Dante's Hermeneutics of Salvation: Passages to Freedom in <em>The Divine Comedy</em> |
Christine O'Connell Baur |
|
| 813 |
|
A Guide to What's Wrong with Economics |
Edward Fullbrook |
|
| 814 |
|
The TV Detective: Voice of Dissent in Contemporary Television |
Ben Campkin |
|
| 815 |
|
Before and after the fall: contrasting modes in Paradise lost |
Kathleen M. Swaim |
|
| 816 |
|
Why I Am Not a Hindu |
Ramendra, Createspace |
|
| 817 |
|
Necessity for Ruins and other Topics [1 ed.] |
John Brinckerhoff Jackson, J. B. Jackson |
1 |
| 818 |
|
Exploring Site-Specific Art: Issues of Space and Internationalism |
Judith Rugg |
|
| 819 |
|
Artwriting |
David Carrier |
|
| 820 |
|
The Afro-American novel and its tradition |
Bernard W. Bell |
|
| 821 |
|
Dante’s Hermeneutics of Salvation: Passages to Freedom in The Divine Comedy [1 ed.] |
Christine O’Connell Baur |
1 |
| 822 |
|
Notes for Joyce. An annotation for James Joyce's Ulysses. [1 ed.] |
GIFFORD, DON |
1 |
| 823 |
|
How The West Was Lost |
Alexander Boot |
|
| 824 |
|
The Reign of Anti-logos: Performance in Postmodernity [1st ed.] |
David Hawkes |
1 |
| 825 |
|
On Freedom and the Will to Adorn: The Art of the African American Essay |
Cheryl A. Wall |
|
| 826 |
|
A Reader's Guide to Japanese Literature |
J. Thomas Rimer |
|
| 827 |
|
Film Criticism and Digital Cultures: Journalism, Social Media and The Democratisation of Opinion |
Andrew McWhirter |
|
| 828 |
|
Above the American renaissance: David S. Reynolds and the spiritual imagination in American literary studies |
Bush, Harold Karl,Yothers, Brian |
|
| 829 |
|
Islam: Religion of Bigots |
Robert Spencer |
|
| 830 |
|
Film Criticism and Digital Cultures: Journalism, Social Media and the Democratization of Opinion |
Andrew McWhirter |
|
| 831 |
|
Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic [Illustrated] |
Adam Gordon |
|
| 832 |
|
The Worst Movies of All Time: Or : What Were They Thinking? [1st Printing ed.] |
Sauter, Michael |
1 |
| 833 |
|
TINTINNABULATION OF LITERARY THEORY : traversing genres to contemporary experience. |
NYONGESA, ANDREW |
|
| 834 |
|
The Politically Incorrect Guide<sup>TM</sup> to Western Civilization |
Esolen, Anthony M |
|
| 835 |
|
The Da Vinci code in the academy |
Bradley R Bowers |
|
| 836 |
|
In Search of Wonder [Revised] |
Damon Francis Knight |
|
| 837 |
|
Mediating Criticism: Literary Education Humanized |
Roger D. Sell |
|
| 838 |
|
The Issue at Hand. Studies in Contemporary Magazine Science Fiction [2nd ed.] |
James Blish (as William Atheling, Jr.) |
2 |
| 839 |
|
Golwalkar’s We or Our Nationhood Defined: A Critique by Shamsul Islam With the Full Text of the Book |
Golwalkar, Madhav Sadashiv, Islam, Shamsul |
|
| 840 |
|
The Reception of Northrop Frye [Annotated] |
Robert D. Denham |
|
| 841 |
|
Orientierung durch Kritik: Essays zum philosophischen Werk Pirmin Stekeler-Weithofers |
|
|
| 842 |
|
Incongruencias pseudointelectuales |
Diego Ruzzarín |
|
| 843 |
|
J. W. H. Atkins on Literary Criticism [1 ed.] |
J. W. H. Atkins |
1 |
| 844 |
|
L'art à l'épreuve de sa réception |
Dominique Berthet |
|
| 845 |
|
El nivel alcanzado: Notas sobre libros y autores extranjeros |
Ignacio Echevarría |
|
| 846 |
|
Poétique de la répétition chez Patrick Modiano: Style, symptômes, vestiges |
Didier Saillier |
|
| 847 |
|
Virtue and Vice in Popular Film |
Joseph H. Kupfer |
|
| 848 |
|
Wittgenstein and Modernist Fiction: The Language of Acknowledgment |
Greg Chase |
|
| 849 |
|
Sexualidades fronterizas. Nuevos materiales para la crítica cultural en Chile. |
Sebastian Reyes Gil |
|
| 850 |
|
La furia de la lectura |
Joaquín Rodríguez |
|
| 851 |
|
How to Destroy Western Civilization and Other Ideas from the Cultural Abyss [Kindle Edition] |
Peter Kreeft |
|
| 852 |
|
Rape-Revenge Films: A Critical Study, 2d ed. [2 ed.] |
Alexandra Heller-Nicholas |
2 |
| 853 |
|
10 by Geoff Andrew |
Geoff Andrew |
|
| 854 |
|
The Dark Side of Alice in Wonderland |
Angela Youngman |
|
| 855 |
|
The Rebirth of American Literary Theory and Criticism: Scholars Discuss Intellectual Origins and Turning Points |
H. Aram Veeser |
|
| 856 |
|
Réplica a las críticas de Carlos Madrid Casado al Materialismo Sistémico de Mario Bunge |
|
|
| 857 |
|
Rethinking Cultural Criticism: New Voices in the Digital Age |
Nete Nørgaard Kristensen, Unni From, Helle Kannik Haastrup (editors) |
|
| 858 |
|
Giving a Damn: Racism, Romance and Gone with the Wind |
Patricia Williams |
|
| 859 |
|
Rethinking Cultural Criticism: New Voices in the Digital Age [1st ed.] |
Nete Nørgaard Kristensen, Unni From, Helle Kannik Haastrup |
1 |
| 860 |
|
Philippe Jaccottet: Leçons et Hameau"" |
Paul Boschung |
|
| 861 |
|
La cena de los notables: Sobre lectura y crítica |
constantino Bértolo |
|
| 862 |
|
Photography: A Critical Introduction [6 ed.] |
Liz Wells |
6 |
| 863 |
|
El laberinto ensimismado de Franz Kafka |
Gabriel Jiménez Emán |
|
| 864 |
|
What Adults Don't Know About Architecture |
Alain de Botton |
|
| 865 |
|
A Little Devil in America: Notes in Praise of Black Performance [Random House ed.] |
Hanif Abdurraqib |
|
| 866 |
|
Gilles Deleuze und der postmoderne Autorenfilm: Versuch einer Taxonomie der Bilder und Zeichen im postmodernen Kino |
Aleksandar Nikucic |
|
| 867 |
|
Comedy A Critical Introduction |
Eli Rozik |
|
| 868 |
|
Grave of the Fireflies |
Alex Dudok de Wit |
|
| 869 |
|
Die Wahrheit Der Niederlandischen Malerei: Eine Archaologie Der Gegenwartskunst |
Helmut Draxler |
|
| 870 |
|
Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California |
Matthew Specktor |
|
| 871 |
|
Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond |
Işıl Tombul, Gülşah Sarı |
|
| 872 |
|
Handbook of Empirical Literary Studies |
Donald Kuiken (editor), Arthur M. Jacobs (editor) |
|
| 873 |
|
Orson Welles : a critical view [1st ed] |
André Bazin |
1 |
| 874 |
|
A Jacques Barzun Reader: Selections from His Works [Reprint ed.] |
Jacques Barzun |
|
| 875 |
|
Einführung in die fantastische Literatur (1975 [Ullstein], rebuild by DasNetz, Prince-export from Sigil-epub) |
Todorov, Tzvetan |
|
| 876 |
|
Historia criminal del cristianismo - tomo 6 |
Karlheinz Deschner |
|
| 877 |
|
No Judgment: Essays |
Lauren Oyler |
|
| 878 |
|
Endgame by Omid Scobie |
Omid Scobie |
|
| 879 |
|
Criticism and Truth: On Method in Literary Studies (Thinking Literature) [1 ed.] |
Jonathan Kramnick |
1 |
| 880 |
|
The Barthes Fantastic: Literature, Criticism, and the Practice of Language [1 ed.] |
Professor John Lurz |
1 |
| 881 |
|
Critical Revolutionaries: Five Critics Who Changed the Way We Read |
Terry Eagleton |
|
| 882 |
|
The New Puritans: How the Religion of Social Justice Captured the Western World |
Andrew Doyle |
|
| 883 |
|
Bama: Writer as Activist (Writer in Context) [1 ed.] |
Raj Kumar (editor), S. Armstrong (editor) |
1 |
| 884 |
|
The Twilight of American Culture |
Morris Berman |
|
| 885 |
|
Roger Ebert's Book of Film: From Tolstoy to Tarantino, the Finest Writing From a Century of Film [1st ed.] |
Roger Ebert |
1 |
| 886 |
|
How to See: Looking, Talking, and Thinking About Art |
David Salle |
|
| 887 |
|
The art of cruelty: a reckoning [1. ed] |
Nelson, Maggie |
1 |
| 888 |
|
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time [1 ed.] |
Nicolas Slonimsky |
1 |
| 889 |
|
The Culture of Narcissism: American Life in An Age of Diminishing Expectations [Paperback ed.] |
Christopher Lasch |
|
| 890 |
|
The Norton Anthology of Theory and Criticism |
William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan, Jeffrey L. Williams, Vincent B. Leitch |
|
| 891 |
|
The Norton Anthology of Theory and Criticism [3 ed.] |
Vincent B. Leitch (editor), William E. Cain (editor), Laurie A. Finke (editor), John McGowan (editor), T. Denean Sharpley-Whiting (editor), Jeffrey J. Williams (editor) |
3 |
| 892 |
|
The Blessing and the Curse |
Adam Kirsch |
|
| 893 |
|
Culture Made Stupid (Cvltvre Made Stvpid) [First Edition] |
Tom Weller |
|
| 894 |
|
Literary and Cultural Theory: From Basic Principles to Advanced Applications |
Donald E. Hall |
|
| 895 |
|
Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction [1 ed.] |
Benjamin Winters |
1 |
| 896 |
|
Against Creative Writing |
Andrew Cowan |
|
| 897 |
|
Satiric Catharsis in Shakespeare [Reprint 2020 ed.] |
Alice Lotvin Birney |
2020 |
| 898 |
|
What Film Is Good For: On the Values of Spectatorship |
Julian Hanich (editor) |
|
| 899 |
|
The Reception of English Literature in Germany [Reprint 2020 ed.] |
Lawrence Marsden Price |
2020 |
| 900 |
|
On Literature |
Umberto Eco |
|
| 901 |
|
Travels in hyper reality : essays [1 ed.] |
Umberto Eco, William Weaver |
1 |
| 902 |
|
Inventing the enemy and other occasional writings [1st American ed] |
Eco, Umberto, Dixon, Richard |
1 |
| 903 |
|
Illuminations: Essays and Reflections |
Walter Benjamin |
|
| 904 |
|
A Preface to Greene |
Cedric, M. A. Ph.d. (professor) Watts |
|
| 905 |
|
Anatomy of Criticism: Four Essays |
Northrop Frye (editor), David Damrosch (editor) |
|
| 906 |
|
You're Only as Good as Your Next One: 100 Great Films, 100 Good Films, and 100 for Which I Should Be Shot |
Mike Medavoy, Josh Young |
|
| 907 |
|
Ethos: A Critique of Eurocentric Modernity |
Ahmad Kasravi |
|
| 908 |
|
Refocusing Chaplin: a screen icon through critical lenses |
Howe, Lawrence,Chaplin, Charlie,Caron, James E.,Click, Benjamin |
|
| 909 |
|
Thinking with Balibar: A Lexicon of Conceptual Practice |
|
|
| 910 |
|
Couch City: Socrates against Simonides |
Harry Berger (editor), Ward Risvold (editor), J. Benjamin Fuqua (editor), Jill Frank (editor) |
|
| 911 |
|
Walter Benjamin, or, Towards a revolutionary criticism [First Edition] |
Terry Eagleton |
|
| 912 |
|
Critical Essays on the Drive |
Dan Collins,Eve Watson,, Eve Watson |
|
| 913 |
|
Literary Theory: The Basics |
Hans Bertens, |
|
| 914 |
|
The Literary Beach |
Carsten Meiner,Katrine Helene Andersen,, Katrine Helene Andersen |
|
| 915 |
|
Introduction to Literary Analysis: A Complete Methodology |
Louis Hébert |
|
| 916 |
|
An Introduction to Literature, Criticism and Theory [6 ed.] |
Andrew Bennett, Nicholas Royle |
6 |
| 917 |
|
Criticism After Theory from Shakespeare to Virginia Woolf |
Perry Meisel |
|
| 918 |
|
Attending to the Literary: The Distinctiveness of Literature [1 ed.] |
Alan Singer |
1 |
| 919 |
|
The House of Intellect: How Intellect, the Prime Force in Western Civilization, is Being Destroyed by Our Culture in the Name of Art, Science and Philanthropy [1st ed.] |
Jacques Barzun |
1 |
| 920 |
|
On Women |
Susan Sontag |
|
| 921 |
|
The Philosophy of Philip Rieff: Cultural Conflict, Religion and the Self |
William G. Batchelder IV, Michael P. Harding |
|