Number |
Cover |
TextBook for Drama |
Author |
Edition |
0 |
|
From Stereotype to Metaphor: Jew in Contemporary Drama |
Ellen Schiff |
|
1 |
|
Eyes of the Heart: Selected Plays |
Catherine Filloux (editor), Frank Stewart (editor) |
|
2 |
|
Endless Love 1 |
Tan, Cecilia |
|
3 |
|
Sleep deprivation chamber: a theatre piece [1st ed] |
Kennedy, Adrienne,Kennedy, Adam P |
1 |
4 |
|
A Owen Barfield’s Poetry, Drama, and Fiction: Rider on Pegasus (Routledge Studies in Twentieth-Century Literature) [1 ed.] |
Jeffrey Hipolito |
1 |
5 |
|
Aristophanes: Cavalry (Bloomsbury Ancient Comedy Companions) |
Robert Tordoff |
|
6 |
|
Complete Works of Eugene O'Neill |
Eugene O'Neill |
|
7 |
|
Coward the Dramatist: Morals and Manners (Bernard Shaw and His Contemporaries) |
Roger Kojecky |
|
8 |
|
Affair of the Heart: British Theatre from 1992 to 2020 |
Michael Billington |
|
9 |
|
Scenarios II: Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass |
Werner Herzog, Krishna Winston |
|
10 |
|
The American People Volume 1 Search for my Heart |
Larry Kramer |
|
11 |
|
Feydeau Plays: 1: Heart's Desire Hotel ; Sauce for the Goose ; The One That Got Away ; Now You See it ; Pig in a Poke |
Feydeau, Georges |
|
12 |
|
He Brought Her Heart Back in a Box and Other Plays |
Adrienne Kennedy |
|
13 |
|
The Duchess of Malfi, the white devil, the broken heart and 'Tis pity she's a whore |
Ford, John,Kingsley-Smith, Jane,Webster, John |
|
14 |
|
An Affair of the Heart |
Dilys Powell |
|
15 |
|
Stairs to the roof: a prayer for the wild of heart that are kept in cages |
Hale, Allean,Williams, Tennessee |
|
16 |
|
Heart of Stone |
Ahmed Yerima |
|
17 |
|
The Heart of Teaching : Empowering Students in the Performing Arts |
Stephen Wangh |
|
18 |
|
In the Heart of America and Other Plays |
Wallace, Naomi, |
|
19 |
|
’Tis Pity She’s a Whore and Other Plays: The Lover’s Melancholy; The Broken Heart; ’Tis Pity She’s a Whore; Perkin Warbeck |
John Ford |
|
20 |
|
White Hunter, Black Heart |
Peter Viertel |
|
21 |
|
Harvest |
Manjula Padmanabhan |
|
22 |
|
The Indian Theatre |
Mulk Raj Anand |
|
23 |
|
The Complete Works of Rabindranath Tagore |
Rabindranath Tagore |
|
24 |
|
Certificate in Performing Arts -Theatre Arts (CPATHA) |
IGNOU |
|
25 |
|
Collected plays in translation |
Vijay Dhondopant Tendulkar |
|
26 |
|
Rabindranath Tagore's Drama in the Perspective of Indian Theatre |
Mala Renganathan (editor), Arnab Bhattacharya (editor) |
|
27 |
|
Rabindranath Tagore's Theatre: From Page to Stage |
Abhijit Sen |
|
28 |
|
The Politics and Reception of Rabindranath Tagore's Drama: The Bard on the Stage |
Arnab Bhattacharya, Mala Renganathan |
|
29 |
|
Dharati Dhan Na Apana |
Jagdish Chandra Mathur |
|
30 |
|
Harshvardhan's Fracture / Movie Script / Hindi |
Harshvardhan |
|
31 |
|
Harshvardhan's Menthol / Movie Script / Hindi |
Harshvardhan |
|
32 |
|
Harshvardhan's Murder / Movie Script / Hindi |
Harshvardhan |
|
33 |
|
Harshvardhan's Roadside Romeø / Movie Script ( Hindi ) |
Harshvardhan |
|
34 |
|
Fathers and Daughters in Shakespeare and Shaw |
Lagretta Tallent Lenker |
|
35 |
|
Greek Tragedy on the American Stage: Ancient Drama in the Commercial Theater, 1882-1994 |
Karelisa Hartigan |
|
36 |
|
Samuel Beckett's Waiting for Godot: A Reference Guide |
William Hutchings |
|
37 |
|
Shakespeare's Criminals: Criminology, Fiction, and Drama |
Victoria M. Time |
|
38 |
|
Shakespearean Intertextuality: Studies in Selected Sources and Plays |
Stephen J. Lynch |
|
39 |
|
Sophocles and the tragedy of Athenian democracy |
D. G. Beer |
|
40 |
|
Thatcher's Theatre: British Theatre and Drama in the Eighties |
D. Keith Peacock |
|
41 |
|
Willis Richardson, Forgotten Pioneer of African-American Drama |
Christine R. Gray |
|
42 |
|
The changing language of theatre |
Badal Sarkar |
|
43 |
|
Shakespeare and Indian Theatre: The Politics of Performance |
Vikram Singh Thakur |
|
44 |
|
Works of John Dryden. Volume 9 Plays: The Indian Emperour, Secret Love, Sir Martin Mar-All |
John Loftis (editor), Vinton A. Dearing (editor) |
|
45 |
|
Contemporary Indian English Poetry and Drama: Changing Canons and Responses |
Arnab Kumar Sinha (editor), Sajalkumar Bhattacharya (editor), Himadri Lahiri (editor) |
|
46 |
|
Disparate Voices of Indian Women Playwrights: Creating a Profession |
Shirley Huston-Findley (editor) |
|
47 |
|
Getting married |
Bernard Shaw, William-Alan Landes |
|
48 |
|
Indian Play |
Lisa K. Neuman |
|
49 |
|
The Oxford Companion to Indian Theatre |
Ananda Lal |
|
50 |
|
Briefcase Warriors: Stories for the Stage (American Indian Literature and Critical Studies Series) |
E. Donald Two-Rivers |
|
51 |
|
Where the Pavement Ends: Five Native American Plays (American Indian Literature and Critical Studies Series) |
William S. Yellow Robe |
|
52 |
|
Indian Theatre: Theatre of Origin, Theatre of Freedom |
Ralph Yarrow |
|
53 |
|
Modern Indian Drama: An Anthology |
Govind P. Deshpande |
|
54 |
|
The Mahabharata: A Play based upon the Indian Classic Epic |
Jean-Claude Carriere, Peter Brook |
|
55 |
|
A Panorama of Theatre in India |
Som Benegal |
|
56 |
|
The Works of John Dryden, Volume VIII: Plays: The Wild Gallant, The Rival Ladies, The Indian Queen |
Dryden, John, Smith, John Harrington, Dryden, John, MacMillan, Dougald |
|
57 |
|
African Theatre 15: China, India & the Eastern World |
Edited by Martin Banham, Edited by James Gibbs, Edited by Femi Osofisan |
|
58 |
|
Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India |
Bihani Sarkar |
|
59 |
|
Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka |
Ashis Sengupta (eds.) |
|
60 |
|
Menoka has hanged herself |
Gooptu, Sharmistha |
|
61 |
|
Performance in a Time of Terror: Five Sinhala Plays from Sri Lanka |
Ranjini Obeyesekere, Kanchuka Dharmasiri |
|
62 |
|
Performing Shakespeare in India exploring Indianness, literatures and cultures |
Panja, Shormishtha,Saraf, Babli Moitra,Shakespeare, William |
|
63 |
|
Remember, Repeat, Inhabit: A Study of Antonin Artaud, Krzysztof Kieslowski and Nikhil Chopra |
Ronojoy Sircar |
|
64 |
|
The clay toy-cart = Mrchchakatikam |
Rajappa, Padmini,Śūdraka |
|
65 |
|
The Ocean of Mirth: Reading Hāsyārṇava-Prahasanaṁ of Jagadēśvara Bhaṭṭāchārya : a Political Satire for All Times |
Jyotirmaya Sharma |
|
66 |
|
World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890 |
Kedar Arun Kulkarni |
|
67 |
|
Disease, Diagnosis, and Cure on the Early Modern Stage [New edition] |
Stephanie Moss, Kaara L. Peterson |
|
68 |
|
Chinese Coffee - Acting Edition [Paperback ed.] |
Ira Lewis |
|
69 |
|
Generic Innovation in Shakespeare and His Contemporaries |
Edward Gieskes |
|
70 |
|
On the Threshold: Hospitality in Shakespeare's Drama |
Sophie Battell |
|
71 |
|
The Gentle Shepherd: A Pastoral Comedy |
Allan Ramsay |
|
72 |
|
Revenge Tragedy and Classical Philosophy on the Early Modern Stage |
Christopher Crosbie |
|
73 |
|
Sensation Drama, 1860–1880: An Anthology |
Joanna Hofer-Robinson, Beth Palmer |
|
74 |
|
Intelligence and Metadrama in the Early Modern Theatre |
Bill Angus |
|
75 |
|
Elizabeth Cary: The Tragedy of Mariam |
Stephanie Hodgson-Wright |
|
76 |
|
Jacobean Civic Pageants |
Richard Dutton |
|
77 |
|
The Origins of English Revenge Tragedy |
George Oppitz-Trotman |
|
78 |
|
Cosmetics in Shakespearean and Renaissance Drama |
Farah Karim-Cooper |
|
79 |
|
Breach of the Peace |
Pamela R. Ferguson |
|
80 |
|
Shakespeare’s Golden Ages: Resisting Nostalgia in Elizabethan Drama |
Kristine Johanson |
|
81 |
|
Beckett's Breath: Anti-Theatricality and the Visual Arts |
Sozita Goudouna |
|
82 |
|
Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War |
Patrick Gray |
|
83 |
|
Beckett Beyond the Normal |
Seán Kennedy |
|
84 |
|
The 3 Estaites: The Millennium Version |
Alan Spence, Angus Calder |
|
85 |
|
Shakespeare's Late Plays: New Readings |
Jennifer Richards, James Knowles |
|
86 |
|
Volpone's Bastards: Theorising Jonson's City Comedy |
Isaac Hui |
|
87 |
|
Hazarding All: Shakespeare and the Drama of Consciousness |
Sanford Budick |
|
88 |
|
Tragedies of the English Renaissance: An Introduction |
Goran Stanivukovic, John H. Cameron |
|
89 |
|
Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy |
Matthew James Smith, Julia Reinhard Lupton |
|
90 |
|
Biopolitics, Materiality and Meaning in Modern European Drama [1 ed.] |
Hedwig Fraunhofer |
1 |
91 |
|
Samuel Beckett and the Terror of Literature |
Christopher Langlois |
|
92 |
|
Beckett’s Breath: Anti-Theatricality and the Visual Arts |
Sozita Goudouna |
|
93 |
|
Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892-1964 |
Harris, Susan Cannon |
|
94 |
|
Theatrical Milton: Politics and Poetics of the Staged Body |
Brendan Prawdzik |
|
95 |
|
Worldly Shakespeare: the theatre of our good will |
Richard Wilson. |
|
96 |
|
Shakespeare and Judgment |
Kevin Curran (editor) |
|
97 |
|
Beckett's Thing: Painting and Theatre |
David Lloyd |
|
98 |
|
Metadrama and the Informer in Shakespeare and Jonson [1 ed.] |
Bill Angus |
1 |
99 |
|
Second Death: Theatricalities of the Soul in Shakespeare's Drama |
Donovan Sherman |
|
100 |
|
The Edinburgh Companion to Liz Lochhead |
Anne Varty |
|
101 |
|
The Speech-Gesture Complex: Modernism, Theatre, Cinema (Edinburgh Critical Studies in Modernism, Drama and Performance) |
Anthony Paraskeva |
|
102 |
|
Inventions of the Skin: The Painted Body in Early English Drama |
Andrea Stevens |
|
103 |
|
Samuel Beckett: Laughing Matters, Comic Timing |
Laura Salisbury |
|
104 |
|
The Beckett Critical Reader: Archives, Theories and Translations |
S.E. Gontarski |
|
105 |
|
Shakespeare's History Plays: Rethinking Historicism |
Neema Parvini |
|
106 |
|
Far from Heaven |
Glyn Davis |
|
107 |
|
Shakespeare |
Egan, Gabriel, Shakespeare, William |
|
108 |
|
The Edinburgh Companion to Scottish Drama |
Ian Brown |
|
109 |
|
Contemporary British Drama [1 ed.] |
David Lane |
1 |
110 |
|
John Webster, Renaissance Dramatist [1 ed.] |
David Coleman |
1 |
111 |
|
Thomas Middleton, Renaissance Dramatist |
Michelle O'Callaghan |
|
112 |
|
Christopher Marlowe, Renaissance Dramatist |
Lisa Hopkins |
|
113 |
|
Shakespeare in Theory and Practice |
Catherine Belsey |
|
114 |
|
Contemporary American Drama |
Annette Saddik |
|
115 |
|
War and Nation in the Theatre of Shakespeare and His Contemporaries |
Simon Barker |
|
116 |
|
Tragedy, Modernity and Mourning |
Taxidou, Olga |
|
117 |
|
Humana Festival 2019: The Complete Plays |
Amy Wegener |
|
118 |
|
Humana Festival 2018: The Complete Plays |
Amy Wegener |
|
119 |
|
Generals Of The Yang Family Four Early Plays |
W L Idema, Stephen H West |
|
120 |
|
Shakespeare for students: critical interpretations of Shakespeare's plays and poetry [Vol 1, 2nd ed] |
Anne Marie Hacht, Cynthia Burnstein |
2 |
121 |
|
Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry [Vol 2, 2 ed.] |
Anne Marie Hacht |
2 |
122 |
|
Bernard Shaw, The Man and the Mask |
Richard Burton |
|
123 |
|
The Herculean Hero: In Marlowe, Chapman, Shakespeare and Dryden |
Eugene M. Waith |
|
124 |
|
Anti-Black Racism in Early Modern English Drama: The Other “Other” |
Matthieu Chapman |
|
125 |
|
The Roots of African American Drama: An Anthology of Early Plays, 1858-1938 [First Edition] |
James V. Hatch, Leo Hamalian, George C Wolfe, William Wells Brown, Pauline Elizabeth Hopkins, Katherine D. Chapman Tillman, Mary Burrill, Jodie Edwards, Susie Edwards, Willis Richardson, Zora Neale Hurston, Joseph S. Mitchell, Shirley Graham, George A. Towns, May Miller, Owen Vincent Dodson, Abram Hill |
|
126 |
|
The York Corpus Christi Plays |
Margaret Rogerson |
|
127 |
|
A Study Guide for Doug Wright's "I Am My Own Wife" |
Gale, Cengage Learning |
|
128 |
|
A Study Guide for Alfred Jarry's "Ubu Roi" |
David M. Galens (editor) |
|
129 |
|
A Study Guide for Edward Albee's "Three Tall Women" |
Gale, Cengage Learning |
|
130 |
|
A Study Guide for Harvey Fierstein's "Torch Song Trilogy" |
Gale, Cengage Learning |
|
131 |
|
Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas |
Gale,Cengage Learning |
|
132 |
|
Drma for Stdnt 29 |
Gale,Cengage Learning |
|
133 |
|
Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas · Volume 3 |
Gale, Cengage Learning |
|
134 |
|
A Study Guide for Edward Bond's "Lear" |
Gale, Cengage Learning |
|
135 |
|
A Study Guide for Celeste Raspanti's "I Never Saw Another Butterfly" |
Gale, Cengage Learning |
|
136 |
|
A Study Guide for Theresa Rebeck's "Spike Heels" |
Gale, Cengage Learning |
|
137 |
|
A Study Guide for William Inge's "Picnic" |
Gale, Cengage Learning |
|
138 |
|
A Study Guide for Lanford Wilson's "Burn This" |
Gale, Cengage Learning |
|
139 |
|
A Study Guide for Alice Childress's "The Wedding Band" |
Gale, Cengage Learning |
|
140 |
|
A Study Guide for Agatha Christie's "Ten Little Indians (aka And Then There Were None)" |
Gale, Cengage Learning |
|
141 |
|
A Study Guide for John Osborne's "Inadmissible Evidence" |
Gale, Cengage Learning |
|
142 |
|
A Study Guide for August Wilson's "Ma Rainey's Black Bottom" |
Gale, Cengage Learning |
|
143 |
|
Drama for Students [v. 26]: Presenting Analysis, Context and Criticism on Commonly Studied Dramas |
Sara Constantakis |
|
144 |
|
Drama for Students, Volume 10 [Hardcover ed.] |
Michael L. Lablanc |
|
145 |
|
Representations of Policing in Northern Irish Theatre: 1921 – 2021 |
T. W. Saunders |
|
146 |
|
Elizabethan and Jacobean Reappropriation in Contemporary British Drama: 'Upstart Crows' [1 ed.] |
Graham Saunders (auth.) |
1 |
147 |
|
Patrick Marber’s Closer |
Graham Saunders (editor) |
|
148 |
|
The plays of Margaret Drabble: a critical edition [First edition] |
Drabble, Margaret,Fernández, José Francisco |
|
149 |
|
Irish women dramatists: 1908-2001 [First edition] |
Headrick, Charlotte J.,Kearney, Eileen |
|
150 |
|
Modernity, Community, and Place in Brian Friel’s Drama |
Richard Rankin Russell |
|
151 |
|
The story of Joseph : a fourteenth-century Turkish morality play [First edition] |
Hickman, Bill, (Son of Jacob) Joseph |
|
152 |
|
Utopian Negotiation: Aphra Behn and Margaret Cavendish |
Oddvar Holmesland |
|
153 |
|
Modern Irish Drama : W. B. Yeats to Marina Carr, Second Edition |
Sanford Sternlicht |
|
154 |
|
Brian Friel's (Post) Colonial Drama: Language, Illusion, and Politics |
Friel, Brian,McGrath, Francis Charles |
1 |
155 |
|
Newton's Darkness: Two Dramatic Views |
Carl Djerassi, David Pinner |
|
156 |
|
Caesar and Cleopatra : Antony and Cleopratra |
Shaw, George, Bernard |
|
157 |
|
Faust Adaptations from Marlowe to Aboudoma and Markland |
Lorna Fitzsimmons |
|
158 |
|
Shakespeare in Hollywood, Asia, and cyberspace |
Huang, Alexander Cheng-Yuan, Ross (eds.) |
|
159 |
|
The Broken Window : Beckett's Dramatic Perspective |
Jane Alison Hale |
|
160 |
|
Henry IV, Part I |
Harold Bloom,Neil Heims |
|
161 |
|
Hamlet: Bloom's shakespare through the ages |
Harold Bloom,Brett Foster,William Shakespeare |
|
162 |
|
The Drama 100: A Ranking of the Greatest Plays of All Time (Facts on File World of Literature) [1 ed.] |
Daniel S. Burt |
1 |
163 |
|
Banned Plays: Censorship Histories of 125 Stage Dramas (Facts on File Library of World Literature) |
Dawn B. Sova |
|
164 |
|
'Tis Pity She's a Whore |
John Ford |
|
165 |
|
Theorising Performance: Greek Drama, Cultural History and Critical Practice |
Edith Hall (Editor), Stephe Harrop (Editor) |
|
166 |
|
A Student Handbook to the Plays of Arthur Miller: All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass |
Alan Ackerman |
|
167 |
|
Enron |
Lucy Prebble |
|
168 |
|
Sus: by Keeffe, Barrie |
Keeffe, Barrie |
|
169 |
|
Katrina: a play of New Orleans |
Holmes, Jonathan |
|
170 |
|
Not Black and White: Category B, Seize the Day, Detaining Justice |
Kwei-Armah, Kwame,Williams, Roy,Agbaje, Bola |
|
171 |
|
Godfrey Plays: 1: Vol 1 |
Godfrey, Paul |
|
172 |
|
Saved: by Edward Bond |
Edward Bond |
|
173 |
|
The Field of Drama [Paperback ed.] |
Martin Esslin |
|
174 |
|
Lorca Plays: 1: Blood Wedding; Yerma; Dona Rosita the Spinster |
García Lorca, Federico,Edwards, Gwynne,Luke, Peter |
|
175 |
|
Pericles |
William Shakespeare |
|
176 |
|
Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama [1 ed.] |
Matthew S. Buckley |
1 |
177 |
|
Cellophane: Plays |
Professor Mac Wellman, Professor Marjorie Perloff |
|
178 |
|
A companion to modern British and Irish drama, 1880-2005 |
Luckhurst, Mary |
|
179 |
|
Ghostly Mysteries: A Mystery Of Love And The Posthumous Joke (Marquette Studies in Philosophy) |
Gabriel Marcel, Katharine Rose Hanley |
|
180 |
|
Gabriel Marcel's perspectives on the broken world : the broken world, a four-act play : followed by concrete approaches to investigating the ontological mystery |
Marcel, Gabriel, Hanley, Katharine Rose |
|
181 |
|
The definitive Shakespeare companion: overviews, documents, and analysis |
Rosenblum, Joseph,Shakespeare, William |
|
182 |
|
Masterpieces of Modern British and Irish Drama |
Sanford Sternlicht |
|
183 |
|
Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas |
Gale,Cengage Learning |
|
184 |
|
Drma for Stdnt 29 |
Gale,Cengage Learning |
|
185 |
|
Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas · Volume 3 |
Gale, Cengage Learning |
|
186 |
|
Drama for Students, Volume 26 [ebook ed.] |
Sara Constantakis |
|
187 |
|
To Read Literature: Fiction, Poetry, Drama |
Donald Hall |
|
188 |
|
Drama in the People's Republic of China |
Constantine Tung, Colin Mackerras |
|
189 |
|
Eternal Bonds, True Contracts: Law and Nature in Shakespeare's Problem Plays |
A. G. Harmon |
|
190 |
|
Five Comedies |
George Sand |
|
191 |
|
Indigenous North American Drama : A Multivocal History [1 ed.] |
Birgit Däwes |
1 |
192 |
|
Revolutions: A Batch from TDR (MIT Press Batches) |
Laster, Dominika,Hecht, Werner,Shank, Theodore,Martin, Randy,Lane, Jill,Moten, Fred,Kowal, Rebekah J.,Ahmen, Syed Jamil,Jawad, Rania,Mroue, Rabih |
|
193 |
|
The Medieval drama |
Sandro Sticca, State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies |
|
194 |
|
The Plays of Margaret Drabble: A Critical Edition |
Fernández, José Francisco(Editor) |
|
195 |
|
Treacherous Play |
Marcus Carter |
|
196 |
|
Whose Antigone?: The Tragic Marginalization of Slavery |
Tina Chanter |
|
197 |
|
Women Writing Women: An Anthology of Spanish-American Theater of the 1980s |
Teresa Cajiao Salas, Margarita Vargas |
|
198 |
|
Yiddish Plays for Reading and Performance |
Nahma Sandrow (editor) |
|
199 |
|
Julius Caesar |
William Shakespeare |
|
200 |
|
Blu |
Virginia Grise, David Hare |
|
201 |
|
The Merchant of Venice |
|
|
202 |
|
A Handbook to the Reception of Greek Drama [Enhanced Credo edition] |
Smit, Betine van Zyl |
|
203 |
|
A History of Modern Drama, Volume 1 [1 ed.] |
David Krasner |
1 |
204 |
|
Greek tragedies as plays for performance |
D. A. Raeburn |
|
205 |
|
Manifeste de la Jeune-Fille |
Olivier Choinière |
|
206 |
|
Médée protéiforme |
Marie Carrière |
|
207 |
|
Staging History Essays in Late Medieval and Humanist Drama |
Peter Happé |
|
208 |
|
Staging Vice |
Charlotte Steenbrugge |
|
209 |
|
Beyond Realism: Experimental and Unconventional Irish Drama Since the Revival [1st ed.] |
Joan FitzPatrick Dean, José Lanters |
1 |
210 |
|
Samuel Beckett and pain |
Beckett, Samuel, Tanaka, Mariko Hori, Tsushima, Michiko, Tajiri, Yoshiki, Beckett, Samuel |
|
211 |
|
Harold Pinter's The Dumb Waiter. (Dialogue) |
Mary F. Brewer |
|
212 |
|
Odun: Discourses, Strategies and Power in the Yoruba Play of Transformation |
Cristina Boscolo |
|
213 |
|
Becket Sans Frontières |
Minako Okamuro, Naoya Mori, Bruno Clément |
|
214 |
|
Presence in Play: A Critique of Theories of Presence in the Theatre |
Cormac Power |
|
215 |
|
Arthur Miller's Death of a Salesman (Dialogue) |
Eric J. Sterling |
|
216 |
|
Integral drama : culture, consciousness and identity |
William S. Haney II |
|
217 |
|
Samuel Beckett's Endgame |
Beckett, Samuel, Fin de partie, Byron, Mark S., Beckett, Samuel |
|
218 |
|
Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell |
Martha C. Carpentier, Barbara Ozieblo |
|
219 |
|
After Beckett - D'apres Beckett |
Edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clément |
|
220 |
|
Theatre of the arts : Wilson Harris and the Caribbean |
Hena Maes-Jelinek, Wilson Harris, Bénédicte Ledent |
|
221 |
|
South African Theatre As/and Intervention |
Marcia Shirley Blumberg, Dennis Walder |
|
222 |
|
Villon at Oxford: The drama of the text: Proceedings of the conference held at St. Hilda's College Oxford, March 1996 |
Michael Freeman, Jane H. M. Taylor |
|
223 |
|
Yeats And The Drama Of Sacred Space.(Costerus NS 116) |
Nicholas Meihuizen |
|
224 |
|
Rome and Rhetoric: Shakespeare's Julius Caesar |
Garry Wills |
|
225 |
|
Lidless |
Frances Ya-Chu Cowhig, David Hare |
|
226 |
|
Fuenteovejuna |
Lope de Vega, Roberto Gonzalez Echevarria, G. J. Racz |
|
227 |
|
Uncloseting drama: American modernism and queer performance |
Salvato, Nick |
|
228 |
|
Uncloseting Drama: American Modernism and Queer Performance |
Nick Salvato |
|
229 |
|
Grenadine |
Neil Wechsler, Edward Albee |
|
230 |
|
The tainted muse : prejudice and presumption in Shakespeare and his time [First Printing ed.] |
Shakespeare, William, Shakespeare, William, Brustein, Robert Sanford, Shakespeare, William |
|
231 |
|
Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age |
Alban K. Forcione |
|
232 |
|
Staging "The Mysterious Mother" |
Cynthia E. Roman, Jill Campbell, Jonathan Kramnick (editors) |
|
233 |
|
Apologies to Lorraine Hansberry (You too, August Wilson) |
Rachel Lynett, Paula Vogel |
|
234 |
|
Magnum Opus: The Cycle Plays of Eugene O’Neill |
Zander Brietzke |
|
235 |
|
Radical Vision: A Biography of Lorraine Hansberry |
Soyica Diggs Colbert |
|
236 |
|
Ibsen's Kingdom: The Man and His Works |
Evert Sprinchorn |
|
237 |
|
The Art of Dramaturgy |
Anne Cattaneo |
|
238 |
|
The Third Walpurgis Night: The Complete Text (The Margellos World Republic of Letters) |
Karl Kraus |
|
239 |
|
Hamlet's Choice: Religion and Resistance in Shakespeare's Revenge Tragedies |
Peter Lake |
|
240 |
|
Tragedy Terry Eagleton |
Terry Eagleton |
|
241 |
|
The Iceman Cometh [Critical Edition] |
Eugene O'Neill (editor), William Davies King (editor) |
|
242 |
|
Sentence to Hope: A Sa'dallah Wannous Reader |
Sa'dallah Wannous, Robert Myers, Nada Saab |
|
243 |
|
God Said This |
Leah Nanako Winkler, Ayad Akhtar |
|
244 |
|
Barbarians in Greek tragedy. |
Helen H. Bacon |
|
245 |
|
Eugene O`Neill and His Eleven-Play Cycle |
Edwin C. Hagenstein (editor), Brian Donahue (editor), Sara M. Gregg (editor) |
|
246 |
|
A moon for the misbegotten [1 ed.] |
Eugene O'Neill, Stephen A. Black |
1 |
247 |
|
Faust: A Tragedy, Part One |
Edward A. Purcell |
|
248 |
|
Oedipus at Thebes |
Bernard M. W. Knox |
|
249 |
|
Faust, Part Two |
Robin Feuer Miller |
|
250 |
|
Bottle Fly |
Jacqueline Goldfinger, Nicholas Wright |
|
251 |
|
Utility |
Emily Schwend, Nicholas Wright |
|
252 |
|
A Midsummer Night's Dream |
William Shakespeare, Burton Raffel |
|
253 |
|
What Playwrights Talk About When They Talk About Writing |
Jeffrey Sweet |
|
254 |
|
Hamlet: Fold on Fold |
Gabriel Josipovici |
|
255 |
|
Shakespeare's Tragic Skepticism [1st ptg. ed.] |
Millicent Bell |
1 |
256 |
|
The Last Days of Mankind: The Complete Text |
Karl Kraus, Fred Bridgham, Edward Timms |
|
257 |
|
A New Anthology of Early Modern Spanish Theater Play and Playtext |
Mujica, Bárbara |
|
258 |
|
Theater of the Avant-Garde, 1890-1950: A Critical Anthology |
Robert Knopf (editor), Julia Listengarten (editor) |
|
259 |
|
Serial Black Face |
Janine Nabers, Marsha Norman |
|
260 |
|
Long day's journey into night: critical edition [Critical ed.] |
Eugene O'Neill, Mr. William Davies King, Jessica Lange |
|
261 |
|
Walter Benjamin’s Hypothetical French Trauerspiel |
Hall Bjornstad, Katherine Ibbett |
|
262 |
|
Eugene O'Neill: A Life in Four Acts |
Robert M. Dowling |
|
263 |
|
Still: by Jen Silverman, Marsha Norman |
Jen Silverman, Marsha Norman |
|
264 |
|
Lord Strange's Men and Their Plays |
Lawrence Manley, Sally-Beth MacLean |
|
265 |
|
The Little Tragedies |
Alexander Pushkin |
|
266 |
|
Beautiful Province |
Clarence Coo, John Guare |
|
267 |
|
Exorcism : a play in one act [First Edition] |
Bernard, Louise, O'Neill, Eugene, Albee, Edward |
|
268 |
|
Strindberg: A Life [1st ed.] |
Sue Prideaux |
1 |
269 |
|
Othello |
William Shakespeare (editor), Burton Raffel (editor) |
|
270 |
|
The Taming of the Shrew |
William Shakespeare (editor), Burton Raffel (editor) |
|
271 |
|
The Merchant of Venice [First Edition] |
William Shakespeare (editor), Burton Raffel (editor), Harold Bloom (editor) |
|
272 |
|
Twelfth Night: Or, What You Will (The Annotated Shakespeare) [annotated edition] |
William Shakespeare, Burton Raffel |
|
273 |
|
King Lear |
William Shakespeare, Burton Raffel, Harold Bloom |
|
274 |
|
The Theban Plays of Sophocles |
Sophocles, David R. Slavitt |
|
275 |
|
Playwriting: The Structure of Action |
Sam Smiley, Norman Bert |
|
276 |
|
Hamlet by William Shakespeare |
William Shakespeare (editor), Burton Raffel (editor) |
|
277 |
|
Macbeth: Fully annotated, with an Introduction, by Burton Raffel With an essay by Harold Bloom |
William Shakespeare (editor), Burton Raffel (editor) |
|
278 |
|
Tennessee Williams: Everyone Else Is an Audience |
Ronald Hayman |
|
279 |
|
The Iceman Cometh |
Eugene O'Neill, Harold Bloom |
|
280 |
|
Playwriting: the Structure of Action, Volume 10 |
Prof. Sam Smiley |
|
281 |
|
Northrop Frye on Shakespeare |
Northrop Frye |
|
282 |
|
Long day's journey into night [2nd ed] |
Bloom, Harold, O'Neill, Eugene |
2 |
283 |
|
The Death of Tragedy |
George Steiner |
|
284 |
|
Chekhov, a Study of the Four Major Plays |
Richard Arthur Peace |
|
285 |
|
Homer to Brecht: The European epic and dramatic traditions [1 ed.] |
Michael Seidel, Edward Mendelson (editors) |
1 |
286 |
|
Dream in Shakespeare |
Shakespeare, William,Garber, Marjorie B |
|
287 |
|
Cyrano de Bergerac |
ROSTAND, Edmond |
|
288 |
|
Et qu'on n'en parle plus |
Sardou, Michel |
|
289 |
|
Quitte Rome ou meurt |
SARDOU, Romain |
|
290 |
|
Pardonnez nos offenses |
SARDOU, Romain |
|
291 |
|
Fräulein France |
SARDOU, Romain |
|
292 |
|
L'Éclat de Dieu ou Le Roman du Temps |
SARDOU, Romain |
|
293 |
|
Lorsque j'étais une œuvre d'art: roman |
Schmitt, Eric-Emmanuel |
|
294 |
|
Concerto à la mémoire d'un ange |
SCHMITT, Eric-Emmanuel |
|
295 |
|
El Malentendido: nueva versión |
Camus, Albert |
|
296 |
|
Teatro mexicano del siglo XX. |
|
|
297 |
|
Teatro de la Revolución Mexicana |
|
|
298 |
|
Teatro mexicano del siglo XX. |
|
|
299 |
|
Teatro de la Revolución Mexicana |
|
|
300 |
|
The Playwright |
Carolyn LeVine Topol |
|
301 |
|
Oedipe Reine |
Iacub, Marcella |
|
302 |
|
Les Mille et une définitions du théâtre |
Olivier Py |
|
303 |
|
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda |
Victor Hugo |
|
304 |
|
Ruy Blas: Drame |
Victor Hugo |
|
305 |
|
Cuentos basados en el teatro de Shakespeare |
Lamb, Charles &, Lamb, Mary |
|
306 |
|
Oeuvres: Bachmann, Ingeborg |
Bachmann, Ingeborg |
|
307 |
|
Macbeth #killingit |
William Shakespeare and Courtney Carbone |
|
308 |
|
A Midsummer Night #nofilter |
William Shakespeare and Brett Wright |
|
309 |
|
Les pires meilleures amies |
Sophie Laroche, Marie Olé |
|
310 |
|
Justice In The Plays And Films Of Martin Mcdonagh |
|
|
311 |
|
Tales of Desire |
Williams, Tennessee |
|
312 |
|
Baby Reindeer |
Richard Gadd |
|
313 |
|
La vie est un songe |
Barca, Pedro Calderón de la |
|
314 |
|
My Actor-Husband: A true story of American stage life |
|
|
315 |
|
The Interlude of Wealth and Health |
|
|
316 |
|
''Old Scrooge'': A Christmas Carol in Five Staves. / Dramatized from Charles Dickens' Celebrated Christmas Story. |
Charles Dickens &, Charles Augustus Scott |
|
317 |
|
Les sautes d'humour de Georges Feydeau |
Georges Feydeau, Ewan Pez |
|
318 |
|
Pennsylvania Dutch Rip Van Winkle: A romantic drama in two acts |
Washington Irving &, E. H. Rauch |
|
319 |
|
Wallstein ; précédée de quelques réflexions sur le théâtre allemand: tragédie en 5 actes et en vers |
Constant, Benjamin (1767-1830) |
|
320 |
|
Georges Courteline - Oeuvres: Classcompilé n° 83 - [Illustré] |
Courteline, Georges |
|
321 |
|
Shakespeare On Stage and Off |
|
|
322 |
|
A Book of Burlesque: Sketches of English Stage Travestie and Parody |
Adams, William Davenport |
|
323 |
|
Comic Tragedies / Written by 'Jo' and 'Meg' and Acted by The 'Little Women' |
Louisa May Alcott &, Anna Bronson Alcott Pratt |
|
324 |
|
The Emblems of Fidelity: A Comedy in Letters |
James Lane Allen |
|
325 |
|
The god of hell: a play |
Sam Shepard |
|
326 |
|
Teatro breve del Siglo de Oro |
|
|
327 |
|
Aké |
Wole Soyinka |
|
328 |
|
Balas sobre Broadway |
Woody Allen |
|
329 |
|
Contrabando |
Víctor Hugo Rascón Banda |
|
330 |
|
El hombre ha muerto |
Wole Soyinka |
|
331 |
|
Hernani |
Victor Hugo |
|
332 |
|
Julio Cesar |
William Shakespeare |
|
333 |
|
La chinche |
Vladímir Maiakovski |
|
334 |
|
La tragedia del Rey Ricardo III |
Shakespeare, William |
|
335 |
|
Los dos hidalgos de Verona |
Shakespeare, William |
|
336 |
|
No, mamá, no |
Verity Bargate |
|
337 |
|
Otelo, el moro de Venecia |
Shakespeare, William |
|
338 |
|
Romance-de-lobos-comedia-barbara |
valle-inclan Ramon |
|
339 |
|
Romeo y Julieta |
William Shakespeare |
|
340 |
|
The Lobster |
Yorgos Lanthimos &, Efthimis Filippou |
|
341 |
|
Tres versiones de la vida |
Yasmina Reza |
|
342 |
|
Un dios salvaje |
Yasmina Reza |
|
343 |
|
A choice of Shakespeare's verse |
Ted Hughes |
|
344 |
|
A Doll's House and Other Plays |
Ibsen, Henrik |
|
345 |
|
A Tender Attachment: A Farce |
George M. Baker |
|
346 |
|
À la folie |
Joy Sorman |
|
347 |
|
After Taps |
George M. Baker &, Rachel Baker Gale |
|
348 |
|
An Ideal husband |
Wilde, Oscar, 1854-1900 |
|
349 |
|
Ana en el Trópico |
Nilo Cruz |
|
350 |
|
Anathema |
Leonid Andreyev |
|
351 |
|
Antígona |
Bertolt Brecht |
|
352 |
|
Arte |
Yasmina Reza |
|
353 |
|
Auto de los Reyes Magos |
|
|
354 |
|
El desalojo |
Florencio Sánchez |
|
355 |
|
Chains: A Play, in Four Acts |
Elizabeth Baker |
|
356 |
|
CHARITRAHEEN |
CHATTOPADHYAYA, SHARAT CHANDRA |
|
357 |
|
The Complete Plays |
Christopher Marlowe, Frank Romany, Robert Lindsey |
|
358 |
|
Classical Monologues For Women |
Calderone, Marina |
|
359 |
|
Comrades: A Drama in Three Acts |
George M. Baker |
|
360 |
|
Conversaciones íntimas |
Bergman, Ingmar |
|
361 |
|
Conversations, 1975-1995 |
Heiner Müller |
|
362 |
|
Cuatro obras |
Bergman, Ingmar |
|
363 |
|
Die Laune des Verliebten |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
364 |
|
Die Mitschuldigen |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
365 |
|
Discursos |
Iseo |
|
366 |
|
El abanico de Lady Windermere |
Oscar Wilde |
|
367 |
|
El pasado |
Florencio Sánchez |
|
368 |
|
Les Sorcières de Salem |
Miller, Arthur |
|
369 |
|
En familia |
Sánchez, Florencio |
|
370 |
|
Entremeses |
Calderon de la Barca |
|
371 |
|
Exiles |
James Joyce |
|
372 |
|
Les Suprêmes |
Edward kelsey Moore |
|
373 |
|
Faust |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
374 |
|
Fully Committed |
Hiers, Dora &, Kayson, Tori |
|
375 |
|
Gentlemen of the Jury: A Farce |
George M. Baker |
|
376 |
|
Hamlet (Hindi) |
Shakespeare |
|
377 |
|
He Who Gets Slapped: A Play in Four Acts |
Leonid Andreyev |
|
378 |
|
Hollywood Drama: Love. Hate. Forgiveness |
Adams, Kristina |
|
379 |
|
Il re muore |
Ionesco, Eugene |
|
380 |
|
Intriga y amor |
Federico Schiller |
|
381 |
|
Iphigenie auf Tauris |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
382 |
|
La Comedie intime |
Bernard Noel |
|
383 |
|
La dama del mar |
Enrique Ibsen |
|
384 |
|
La extraña pareja |
Simon, Neil |
|
385 |
|
La gente honesta |
Florencio Sánchez |
|
386 |
|
La importancia de llamarse Ernesto |
Oscar Wilde |
|
387 |
|
la purpura de la rosa |
Pedro Calderon de la Barca |
|
388 |
|
La puta respetuosa. A puerta cerrada |
Sartre, Jean-Paul |
|
389 |
|
La Tempestad |
William Shakespeare |
|
390 |
|
La tigra |
Florencio Sánchez |
|
391 |
|
La tragedia de mi vida |
Oscar Wilde |
|
392 |
|
L'Amour médecin – Le Sicilien ou l'Amour peintre |
Molière |
|
393 |
|
Le jeu de l'amour et du théâtre |
Casadesus, Gisèle |
|
394 |
|
Le Médecin volant / l'Amour médecin |
Molière |
|
395 |
|
Le Théâtre Et Son Double |
Antonin Artaud |
|
396 |
|
Mort d'un commis voyageur |
Miller, Arthur |
|
397 |
|
Les Monologues du vagin (édition intégrale) |
Ensler, Eve |
|
398 |
|
Les Sonnets |
William Shakespeare |
|
399 |
|
Les sorcières de Salem, T.2 |
Millie Sydenier |
|
400 |
|
Les sorcières de Salem, T.5 |
Millie Sydenier |
|
401 |
|
Les sorcières de Salem, tome 6 |
Millie Sydenier |
|
402 |
|
Les Souhaits ridicules |
Pauline KLEIN |
|
403 |
|
Les Suprêmes chantent le blues |
Moore, Edward Kelsey |
|
404 |
|
L'Horloge enchantée |
Kristeva |
|
405 |
|
Linterna mágica |
Bergman, Ingmar |
|
406 |
|
Los curdas |
Florencio Sánchez |
|
407 |
|
Los Intereses Creados |
|
|
408 |
|
Lucrèce Borgia |
Victor Hugo |
|
409 |
|
Mangeront-ils ? |
Victor Hugo |
|
410 |
|
Marta Gruni |
Florencio Sánchez |
|
411 |
|
Mary Stuart (Oberon Classics) |
Schiller, Friedrich &, Oswald, Peter |
|
412 |
|
Meilleur ami / Meilleur ennemi |
James Kirkwood |
|
413 |
|
Mhijo el dotor |
Florencio Sánchez |
|
414 |
|
Mi hija Marie |
Nadine Trintignant |
|
415 |
|
Montserrat |
Emmanuel Roblès |
|
416 |
|
The Mimic Stage / A Series of Dramas, Comedies, Burlesques, and Farces for Public Exhibitions and Private Theatricals |
George M. Baker |
|
417 |
|
Nevada; or, The Lost Mine, A Drama in Three Acts |
George M. Baker |
|
418 |
|
Notre-Dame de Paris – Lyrics |
Luc Plamondon |
|
419 |
|
''Passion'' |
Jean Maurel |
|
420 |
|
Past Redemption: A Drama in Four Acts |
George M. Baker |
|
421 |
|
Persona |
Bergman, Ingmar |
|
422 |
|
Poison: A Farce |
George M. Baker |
|
423 |
|
Pompa y circunstancias |
Coward, Noel |
|
424 |
|
Pride and Prejudice, a play founded on Jane Austen's novel |
Jane Austen &, Mrs. Steele MacKaye |
|
425 |
|
Sainetes |
Arniches y Barrera, Carlos |
|
426 |
|
Santa Claus' Frolics |
George M. Baker |
|
427 |
|
Satyros oder Der vergötterte Waldteufel |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
428 |
|
Swetnam, the Woman-hater, arraigned by women / A new comedie, acted at the Red Bull, by the late Queenes seruants. |
|
|
429 |
|
Théâtre de guerre |
Paquin, Nicolas |
|
430 |
|
The Death of Tragedy (Faber Library) |
Steiner, George |
|
431 |
|
The Devils of Loudun |
Huxley, Aldous |
|
432 |
|
The Exhibition Drama / Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments |
George M. Baker |
|
433 |
|
The Fate of Us |
Parker, Brooke |
|
434 |
|
The Green Goddess |
William Archer &, Louise Jordan Miln |
|
435 |
|
The Importance of Being Earnest |
Oscar Wilde |
|
436 |
|
The Life of Man: A Play in Five Acts |
Leonid Andreyev |
|
437 |
|
The Perfect Nine |
Ngugi wa Thiong'o |
|
438 |
|
The Phoenix and the Turtle |
William Shakespeare |
|
439 |
|
The Robbers and Wallenstein |
Friedrich Schiller |
|
440 |
|
The Sorrows of Belgium: A Play in Six Scenes |
Leonid Andreyev |
|
441 |
|
Torquato Tasso |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
442 |
|
DOCTOR SCRATCH |
A Comedy Based on Crispin Medecin of Hautroche |
|
443 |
|
MADAME DE SEVIGNE |
A Comedy By J. N. Bouilly |
|
444 |
|
Un espíritu burlón |
Coward, Noel |
|
445 |
|
Un Héros De Notre Temps – Le Démon |
Mikhaïl Iourievitch Lermontov |
|
446 |
|
A ROUGH DIAMOND (LES PAVES DE L'OURS) |
A Comedy in One Act By Georges Feydeau |
|
447 |
|
Un rincón del corazón que nadie pisa |
Más, Nuria Espert |
|
448 |
|
JAMESIAN ELEGIES |
A Cycle of Plays Adapted from The Stories of Henry James |
|
449 |
|
Una partita a scacchi con Albert Einstein |
Dürrenmatt, Friedrich |
|
450 |
|
THE IDIOT |
A dramatization by Frank J. Morlock of the novel by F. Doestoevsky |
|
451 |
|
Under a Veil: A Comedietta in One Act |
George M. Baker &, Sir Randal H. Roberts |
|
452 |
|
Utopia: letters aux acteurs |
Krystian Lupa |
|
453 |
|
VENUS AND ADONIS |
|
|
454 |
|
NIGHT SESSION (Seance de Nuit) |
A One Act Comedy By Georges Feydeau |
|
455 |
|
Isle of Slaves |
A One Act Comedy by Marivaux |
|
456 |
|
THE SEVEN CREAM JUGS, OR, IT RUNS IN THE FAMILY |
A one act play based on a story by Saki |
|
457 |
|
PETER AND ALEXIS |
A play adapted from the novel of Dimitri Merejowski |
|
458 |
|
A PURELY DISINTERESTED MURDER |
A Play Based On A Novel By Hjalmar Soderberg |
|
459 |
|
THE ROSE PRINCESS |
A play by Frank J. Morlock Based on a fairy tale |
|
460 |
|
THE LONDONERS By Frank J. Morlock |
A Play in Five Acts Based on a novel by Robert Hichens |
|
461 |
|
LADY LIBERTY |
A PLAY IN ONE ACT BY FRANK J. MORLOCK |
|
462 |
|
EXPEDITION |
A play in one act Inspired by a story by Robert W. Chambers |
|
463 |
|
Second Plays |
A. A. Milne |
|
464 |
|
THE SEVEN CREAM JUGS: And other short stories |
A one act play based on a story by Saki |
|
465 |
|
THE GOLDEN GOBLIN |
A play by Frank J. Morlock |
|
466 |
|
THE STUMBLING BLOCK OF MORALS By Palissot |
Adapted &, Translated by Frank J. Morlock |
|
467 |
|
HONEST JOHN VANE |
Adapted by Frank J. Morlock From a Novel by William Deforest |
|
468 |
|
THE GREEN CARNATION |
Adapted by Frank J. Morlock From the novel by Robert Hichens |
|
469 |
|
CHRISTMAS AT THOMPSON HALL |
Adapted from a story by Anthony Trollope By Frank J. Morlock |
|
470 |
|
A YIDDISH HAMLET |
Adapted from a story by Israel Zangwill |
|
471 |
|
NOTES FROM THE UNDERGROUND |
Adapted from Feodor Doestoevski By FRANK J. MORLOCK |
|
472 |
|
The Red and the Black |
Adapted from Stendhal By F. J. MORLOCK |
|
473 |
|
OLD CREOLE DAYS |
Adapted from stories by George Washington Cable BY F. J. MORLOCK |
|
474 |
|
JESUS OF NAZARETH |
Adapted from the French of Paul Demasy by Frank Morlock |
|
475 |
|
Oblomov--Ivan Goncharov |
Adapted from the novel By F. J. MORLOCK |
|
476 |
|
LORD JIM A play by Frank J. Morlock |
Adapted from the novel by Joseph Conrad |
|
477 |
|
FATHERS AND SONS |
Adapted from the novel of Ivan Turgenev By F. J. Morlock |
|
478 |
|
The Storm: by Aleksandr Nicolaevich Ostrovsky |
Aleksandr Nicolaevich Ostrovsky |
|
479 |
|
Hamlet: by Alexander Kuprin |
Alexander Kuprin |
|
480 |
|
Boris Godunov |
Alexander Pushkin |
|
481 |
|
MADAME MOLIERE (1906) A Comedy in One Act |
By Andre Cremieux |
|
482 |
|
THE ECCLESIAZUSAE |
by Aristophanes |
|
483 |
|
Locos. Una comedia de gestos |
Alfau, Felipe |
|
484 |
|
No hay burlas con el amor & La noche veneciana |
Alfred de Musset |
|
485 |
|
Becket and other plays |
Alfred Lord Tennyson |
|
486 |
|
Locrine - A Tragedy |
Algernon Charles Swinburne |
|
487 |
|
Rosamund, Queen of the Lombards |
Algernon Charles Swinburne |
|
488 |
|
The Duke of Gandia |
Algernon Charles Swinburne |
|
489 |
|
Sonnets, and Sonnets on English Dramatic Poets |
Algernon Charles Swinburne |
|
490 |
|
The Age of Shakespeare |
Algernon Charles Swinburne |
|
491 |
|
A Study of Shakespeare |
Algernon Charles Swinburne, Edited by Edmund Gosse |
|
492 |
|
FOURTEEN |
Alice Gerstenberg |
|
493 |
|
THE ILLUMINATI IN DRAMA LIBRE |
Alice Gerstenberg |
|
494 |
|
The Gentle Shepherd, a Scotch Pastoral |
Allan Ramsay |
|
495 |
|
Frei Luís de Sousa |
Almeida Garrett |
|
496 |
|
BOHEMIA (Vie de Bohem): A Play in Five Acts |
By T. Barriere &, H. Murger |
|
497 |
|
A FALSE CONVERSION, Or Good Blood Never Lies |
By Theophile Gautier |
|
498 |
|
THE CONFIDENT CUCKOLDS A Parade |
By Thomas Gueulette |
|
499 |
|
THE COMEDY OF THE MASK |
An Anonymous 19th Century Play |
|
500 |
|
THE FARCE OF THE TWINS |
An Anonymous 19th Century Play |
|
501 |
|
Taller de juegos teatrales (Talleres) |
Cañas Torregrosa, José |
|
502 |
|
La gaviota |
Ant?n Ch?jov |
|
503 |
|
El jardín de los cerezos |
Antón Chéjov |
|
504 |
|
The Safety Match |
Anton Chekhoff |
|
505 |
|
Ivanoff |
Anton Chekhov |
|
506 |
|
ON THE HIGH ROAD |
Anton Chekhov |
|
507 |
|
The Boor |
Anton Chekhov |
|
508 |
|
The Cherry Orchard |
Anton Chekhov |
|
509 |
|
THE PROPOSAL |
Anton Chekhov |
|
510 |
|
The Three Sisters |
Anton Chekhov |
|
511 |
|
Uncle Vanya |
Anton Chekhov |
|
512 |
|
A TRAGEDIAN IN SPITE OF HIMSELF |
Anton Chekov |
|
513 |
|
THE ANNIVERSARY |
Anton Chekov |
|
514 |
|
THE BEAR |
Anton Chekhov |
|
515 |
|
The Swan Song |
Anton Chekhov |
|
516 |
|
THE WEDDING |
Anton Chekov |
|
517 |
|
ABDELAZER, OR THE Moor's Revenge |
Aphra Behn |
|
518 |
|
Emperor of the Moon |
Aphra Behn |
|
519 |
|
The Dutch Lover |
Aphra Behn |
|
520 |
|
THE FALSE COUNT, OR, A New Way to play AN OLD GAME |
Aphra Behn |
|
521 |
|
THE Feign'd Curtizans, OR, A Nights Intrigue |
Aphra Behn |
|
522 |
|
THE FORC'D MARRIAGE, OR THE Jealous Bridegroom |
Aphra Behn |
|
523 |
|
Sir Patient Fancy |
Aphra Behn |
|
524 |
|
THE Amorous Prince, OR, THE Curious Husband |
Aphra Behn |
|
525 |
|
The City Heiress |
Aphra Behn |
|
526 |
|
THE Debauchee: OR, THE Credulous Cuckold, A COMEDY |
Aphra Behn |
|
527 |
|
THE Luckey Chance, OR AN ALDERMAN'S Bargain |
Aphra Behn |
|
528 |
|
THE REVENGE: OR, A MATCH IN NEWGATE |
Aphra Behn |
|
529 |
|
The Rover; or, The Banish'd Cavaliers |
Aphra Behn |
|
530 |
|
THE TOWN-FOPP, OR Sir Timothy Tawdrey |
Aphra Behn |
|
531 |
|
THE Widdow Ranter OR, The HISTORY of Bacon in Virginia |
Aphra Behn |
|
532 |
|
THE Younger Brother: OR, THE Amorous Jilt |
Aphra Behn |
|
533 |
|
THE Young KING, OR, THE MISTAKE |
Aphra Behn |
|
534 |
|
The Revenge |
Aphra Behn |
|
535 |
|
The Works of Aphra Behn, Vol. II |
Aphra Behn |
|
536 |
|
The Young King |
Aphra Behn |
|
537 |
|
THE ROUNDHEADS OR, The Good Old Cause |
Aprah Behn |
|
538 |
|
The Birds |
Aristophanes |
|
539 |
|
The Frogs |
Aristophanes |
|
540 |
|
The Poetics |
Aristotle |
|
541 |
|
A Comedy on the Gold Coast |
ARNOLD BENNETT |
|
542 |
|
The Growth of English Drama |
Arnold Wynne |
|
543 |
|
La torre herida por el rayo |
Arrabal, Fernando |
|
544 |
|
Baal Babilonia |
Arrabal, Fernando |
|
545 |
|
The Parts Men Play |
Arthur Beverley Baxter, et al |
|
546 |
|
Bought and Paid For |
Arthur Hornblow |
|
547 |
|
The Big Drum |
Arthur Pinero |
|
548 |
|
The 'Mind the Paint' Girl |
Arthur Pinero |
|
549 |
|
REIGEN (Hands Around) |
Arthur Schnitzler |
|
550 |
|
The Squire |
Arthur W. Pinero |
|
551 |
|
The Gay Lord Quex |
Arthur W. Pinero |
|
552 |
|
The Notorious Mrs. Ebbsmith |
Arthur Wing Pinero |
|
553 |
|
The Lamentable Tragedy of Locrine |
attributed in part to William Shakespeare |
|
554 |
|
Creditors |
August Strindberg |
|
555 |
|
Master Olof: A Drama in Five Acts |
August Strindberg |
|
556 |
|
Pariah: by August Strindberg |
August Strindberg |
|
557 |
|
The Stranger |
August von Kotzebue |
|
558 |
|
Dramatic Studies |
Augusta Webster |
|
559 |
|
Falstaff: The Tavern Scene |
Auguste Vacquerie &, Paul Meurice |
|
560 |
|
Representative Plays by American Dramatists: 1856-1911: In Mizzoura |
Augustus Thomas |
|
561 |
|
Mercadet |
Balzac, Honore De &, Lives, Blackmask |
|
562 |
|
The Stepmother, A Drama in Five Acts |
Balzac, Honore De &, Lives, Blackmask |
|
563 |
|
Dear Brutus |
Barrie, J. M. |
|
564 |
|
The Little Minister |
Barrie, J.M. |
|
565 |
|
Ready to Catch Him Should He Fall |
Bartlett, Neil |
|
566 |
|
The Thirteenth Chair |
Bayard Veiller |
|
567 |
|
Every Man Out Of His Humour |
Ben Johson |
|
568 |
|
Every Man in his Humour |
Ben Johson |
|
569 |
|
The Alchemist |
Ben Jonson |
|
570 |
|
The Poetaster |
Ben Jonson |
|
571 |
|
Epicoene: Or, The Silent Woman |
Ben Jonson |
|
572 |
|
Sejanus |
Ben Jonson |
|
573 |
|
Volpone by Ben Jonson |
Ben Jonson |
|
574 |
|
El príncipe que todo lo aprendió en los libros |
Benavente, Jacinto |
|
575 |
|
Los intereses creados |
Benavente, Jacinto |
|
576 |
|
Rosas de otoño |
Benavente, Jacinto |
|
577 |
|
The Complete Talking Heads |
Bennett, Alan |
|
578 |
|
MAJOR BARBARA |
BERNARD SHAW |
|
579 |
|
The Miraculous Revenge |
Bernard Shaw |
|
580 |
|
Cinco dificultades para quien escribe la verdad |
Bertolt Brecht |
|
581 |
|
The Father |
Bjornstjerne Bjornson |
|
582 |
|
A GAUNTLET |
Bjornstjerne M. Bjornson |
|
583 |
|
LEONARDA |
Bjornstjerne M. Bjornson |
|
584 |
|
THE NEWLY-MARRIED COUPLE |
Bjornstjerne M. Bjornson |
|
585 |
|
Representation of the Impiety and Immorality of the English Stage (1704); Some Thoughts Concerning the Stage in a Letter to a Lady (1704) |
Blackmask Lives |
|
586 |
|
The Towneley plays |
Anonymous |
|
587 |
|
Behind the Arras |
Bliss Carman |
|
588 |
|
The Shawshank Redemption |
Darabont, Frank |
|
589 |
|
FANTASIO |
By Alfred de Musset |
|
590 |
|
THE BOUDOIR |
By Carmontelle |
|
591 |
|
THE DRESSING GOWN |
BY CARMONTELLE |
|
592 |
|
Moliere at Ninon's, or The Reading of Tartuffe |
By Chazet &, Dubois |
|
593 |
|
ALCESTIS |
by Euripides |
|
594 |
|
BETTER LUCK NEXT TIME: Adapted from a story by Arlo Bates |
By Frank J. Morlock |
|
595 |
|
TEASER A Drama in One Act |
By FRANK J. MORLOCK |
|
596 |
|
RESTORATION COMEDY: SHADWELL |
By Frank J. Morlock |
|
597 |
|
SAMSON AND DELILAH From a story by D. H. Lawrence |
By Frank J. Morlock |
|
598 |
|
THE PRINCESS CASAMASSIMA |
By Frank J. Morlock Based on a novel by Henry James |
|
599 |
|
JURGEN A play based on the novel of George Branch Cabell |
By Frank J. Morlock C 1980 |
|
600 |
|
Jurgen |
By Frank J. Morlock C 1980 |
|
601 |
|
THE CONGRESSMAN'S NIGHTMARE |
BY FRANK J. MORLOCK C 1986 |
|
602 |
|
UNDER WESTERN EYES |
By Frank J. Morlock--Based on the novel by Joseph Conrad |
|
603 |
|
WIDOW! |
By Henri Becque |
|
604 |
|
ORESTES or Visions of Crime |
By Mansard |
|
605 |
|
THE LOVE DOCTOR |
by Moliere |
|
606 |
|
ROLAND: A tragedy |
By Quinault |
|
607 |
|
The Double Widowing |
by Riviere Dufresny, translated by Frank J. Morlock |
|
608 |
|
LEANDER, FIACRE |
By Thomas Gueullette |
|
609 |
|
La vida es sueño |
Calderón de la Barca |
|
610 |
|
THE MODERN DRAMA |
Emma Goldman |
|
611 |
|
NO THOROUGHFARE |
Charles Dickens &, Wilkie Collins |
|
612 |
|
L'abime |
Charles Dickens &, Wilkie Collins |
|
613 |
|
The Lion and the Mouse |
Charles Klein |
|
614 |
|
The Music Master |
Charles Klein |
|
615 |
|
The Man Of The World (1792) |
Charles Macklin |
|
616 |
|
Tecumseh: A Drama |
Charles Mair |
|
617 |
|
Shakespeare Study Programs; The Comedies |
Charlotte Porter &, Helen A. Clarke |
|
618 |
|
The Sea-Gull |
Chekov |
|
619 |
|
Stories from the Greek Tragedians Stories from the Greek Tragedians |
Church, Alfred &, Lives, Blackmask |
|
620 |
|
Her Own Way |
Clyde Fitch |
|
621 |
|
The Climbers |
Clyde Fitch |
|
622 |
|
Preparación del actor |
Constantin Stanislavski |
|
623 |
|
Irish Plays and Playwrights |
Cornelius Weygandt |
|
624 |
|
The Path of a Star |
Cotes, Mrs. Everard |
|
625 |
|
En el último trago nos vamos |
Cozarinsky, Edgardo |
|
626 |
|
Siete minutos |
Criado, Francisco Rodríguez |
|
627 |
|
A Collier's Friday Night |
D. H. Lawrence |
|
628 |
|
The Widowing of Mrs Holroyd |
D. H. Lawrence |
|
629 |
|
La visita de la vieja dama |
Dürrenmatt, Friedrich |
|
630 |
|
The Girl of the Golden West |
David Belasco |
|
631 |
|
The Living Death |
Ferencz Molnar |
|
632 |
|
The Straw |
Eugene O'Neill |
|
633 |
|
Thirteen at Table |
Maurus Jokai |
|
634 |
|
SEVEN, SEVEN, SEVEN -- CITY |
JULIUS CHAMBERS |
|
635 |
|
A Chaste Maid in Cheapside |
Thomas Middleton |
|
636 |
|
A Florentine Tragedy--A Fragment (and other works) |
Oscar Wilde |
|
637 |
|
Anna Christie |
Eugene O’Neill |
|
638 |
|
Androcles and the Lion |
George Bernard Shaw |
|
639 |
|
Augustus Does His Bit |
George Bernard Shaw |
|
640 |
|
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida |
William Shakespeare |
|
641 |
|
Anything for a Quiet Life |
Thomas Middleton |
|
642 |
|
Annajanska, the Bolshevik Empress |
George Bernard Shaw |
|
643 |
|
Beyond The Horizon |
Eugene O'Neill |
|
644 |
|
Captain Brassbound's Conversion |
George Bernard Shaw |
|
645 |
|
Dawn O'hara, The Girl Who Laughed |
Edna Ferber |
|
646 |
|
Damaged Goods |
Upton Sinclair |
|
647 |
|
A Trick to Catch the Old One |
Thomas Middleton |
|
648 |
|
A Woman of No Importance |
Oscar Wilde |
|
649 |
|
An Ideal Husband |
Oscar Wilde |
|
650 |
|
Great Catherine |
George Bernard Shaw |
|
651 |
|
Heartbreak House |
George Bernard Shaw |
|
652 |
|
Hamlet, Antony and Cleopatra, King Lear, Othello, Macbeth |
William Shakepeare |
|
653 |
|
Lady Windermere's Fan |
Oscar Wilde |
|
654 |
|
John Bull's Other Island |
George Bernard Shaw |
|
655 |
|
Man and Superman |
George Bernard Shaw |
|
656 |
|
No Wit, No Help like a Woman's |
Thomas Middleton |
|
657 |
|
Mrs. Warren's Profession |
George Bernard Shaw |
|
658 |
|
O'Flaherty V.C. |
George Bernard Shaw |
|
659 |
|
Overruled |
George Bernard Shaw |
|
660 |
|
Preface to Androcles and the Lion |
George Bernard Shaw |
|
661 |
|
PASSING OF THE THIRD FLOOR BACK |
Jerome K. Jerome |
|
662 |
|
Pygmalion |
George Bernard Shaw |
|
663 |
|
The Adventure of the Black Lady |
Aphra Behn |
|
664 |
|
The Changeling |
Thomas Middleton |
|
665 |
|
The First Man |
Eugene O'Neill |
|
666 |
|
The Dark Lady of the Sonnets |
GEORGE BERNARD SHAW |
|
667 |
|
The Duchess of Padua |
Oscar Wilde |
|
668 |
|
The Devil's Disciple |
George Bernard Shaw |
|
669 |
|
The Honest Whore |
Thomas Middleton |
|
670 |
|
The Inca of Perusalem |
George Bernard Shaw |
|
671 |
|
THE LADY OF LYONS |
Edward Bulwer Lytton |
|
672 |
|
The Mock Doctor Or The Dumb Lady Cur'd |
Henry Fielding |
|
673 |
|
The Long Voyage Home |
Eugene O'Neill |
|
674 |
|
The New Inne |
Ben Jonson |
|
675 |
|
The Old Law |
Thomas Middleton |
|
676 |
|
THE MASTER OF MRS. CHILVERS |
Jerome K. Jerome |
|
677 |
|
The Revenger's Tragedy |
Thomas Middleton |
|
678 |
|
The Phoenix |
Thomas Middleton |
|
679 |
|
The Puritan |
Thomas Middleton |
|
680 |
|
The Witch |
Thomas Middleton |
|
681 |
|
Twelth Night, A Winter's Tale, The Tempest |
William Shakespeare |
|
682 |
|
Vera, or the Nihilists |
Oscar Wilde |
|
683 |
|
You Never Can Tell |
George Bernard Shaw |
|
684 |
|
THE PLAY AND THE PROLOGUE |
Denis Diderot |
|
685 |
|
Paradoja del comediante |
Denis Diderot |
|
686 |
|
La paradoja del comediante |
Denis Diderot |
|
687 |
|
Por una mujer |
Dennis, Fred |
|
688 |
|
The Octoroon |
Dion Boucicault |
|
689 |
|
Pétrole |
Dominique, Antoine |
|
690 |
|
THE WIDOW a la MODE |
Donneau de Vise |
|
691 |
|
PASTE |
Dramatized from a story by Henry James |
|
692 |
|
EUROPE |
Dramatized from a story by Henry James By Frank J. Morlock |
|
693 |
|
THE REAL SHERLOCK HOLMES |
Dramatized from an original story By Frank J. Morlock |
|
694 |
|
Plays of Near and Far |
Dunsany, Lord &, Lives, Blackmask |
|
695 |
|
Este pueblo es muy tranquilo |
Duque, Fidel Prado |
|
696 |
|
Volver a vivir |
Duque, Fidel Prado |
|
697 |
|
The Sad Shepherd |
Dyke, Henry Van &, Lives, Blackmask |
|
698 |
|
All the Wrong Moves |
Chapin, Sasha |
|
699 |
|
Then, Rabbit Heads Towards Purgatory |
Tatsunoko Tarou |
|
700 |
|
The Fruit of the Tree |
Edith Wharton |
|
701 |
|
Aria da Capo |
Edna St. Vincent Millay |
|
702 |
|
Juan Moreira |
Eduardo Guti?rrez |
|
703 |
|
MONEY: A Comedy IN FIVE ACTS |
Edward Bulwer Lytton |
|
704 |
|
Not So Bad As We Seem |
Edward Bulwer Lytton |
|
705 |
|
Walpole |
Edward Bulwer Lytton |
|
706 |
|
The Lady of Lyons |
Edward Bulwer Lytton |
|
707 |
|
In Old Kentucky |
Edward Marshall &, Charles T. Dazey |
|
708 |
|
The Old Flute-Player |
Edward Marshall &, Charles T. Dazey |
|
709 |
|
The Gamester |
Edward Moore |
|
710 |
|
Shakespeare and Music |
Edward W. Naylor |
|
711 |
|
Why the Chimes Rang: A Play in One Act |
Elizabeth Apthorp McFadden |
|
712 |
|
The Convert |
Elizabeth Robins |
|
713 |
|
An Ambitious Man |
Ella Wheeler Wilcox |
|
714 |
|
A Comedy of Masks |
Ernest Dowson &, Arthur Moore |
|
715 |
|
His Second Wife |
Ernest Poole |
|
716 |
|
Everyman and Other Old Religious Plays |
Ernest Rhys |
|
717 |
|
Ellas |
Esteban González Pons |
|
718 |
|
Le Roi des Etudiants |
Eugene Dick |
|
719 |
|
The Emperor Jones |
Eugene O'Neill |
|
720 |
|
The Easiest Way |
Eugene Walter |
|
721 |
|
The Electra of Euripides |
Euripides |
|
722 |
|
Million Dollar Baby |
F. X. Toole |
|
723 |
|
En la piscina vacía |
Félix Sabroso |
|
724 |
|
El amor que tuvimos y perdimos |
Fabián Tapia |
|
725 |
|
Títere sin cuerdas |
Fanny Koma |
|
726 |
|
Giulietta |
Federico Fellini |
|
727 |
|
La zapatera prodigiosa |
Federico Garc?a Lorca |
|
728 |
|
Doña Rosita la soltera o el lenguaje de las flores |
Federico García Lorca |
|
729 |
|
Mariana Pineda |
Federico García Lorca |
|
730 |
|
Los títeres de cachiporra |
Federico García Lorca |
|
731 |
|
Bodas de sangre |
Federico García Lorca |
|
732 |
|
La casa de Bernarda Alba |
Federico García Lorca |
|
733 |
|
Amor de don Perlimplín con Belisa en su jardín |
Federico García Lorca |
|
734 |
|
Yerma |
Federico García Lorca |
|
735 |
|
El público |
Federico García Lorca |
|
736 |
|
Obras completas II |
Federico Garcia Lorca |
|
737 |
|
De un solo trago |
Felipe Santa-Cruz Martínez-Alcalá |
|
738 |
|
Jarrapellejos |
Felipe Trigo |
|
739 |
|
A Life's Eclipse |
Fenn, George Manville &, Lives, Blackmask |
|
740 |
|
El cielo roto |
Fernando Barrejón |
|
741 |
|
Puentes y sombras |
Fernando de Cea Velasco |
|
742 |
|
La Celestina |
Fernando de Rojas |
|
743 |
|
El tiempo amarillo |
Fernando Fernán Gómez |
|
744 |
|
Las bicicletas son para el verano |
Fernando Fernán Gómez |
|
745 |
|
Capa y espada |
Fernando Fernán Gómez |
|
746 |
|
Nosotros, los mayores |
Fernando Fernán Gómez |
|
747 |
|
El mal amor |
Fernando Fernán Gómez |
|
748 |
|
El viaje a ninguna parte |
Fernando Fernán Gómez |
|
749 |
|
La sacudida |
Fernando Goitia |
|
750 |
|
El cuervo blanco |
Fernando Vallejo |
|
751 |
|
Así lo quiso el destino |
Fidel Prado |
|
752 |
|
Cría cuervos... |
Fidel Prado |
|
753 |
|
El derecho del más fuerte |
Fidel Prado |
|
754 |
|
El manantial trágico |
Fidel Prado |
|
755 |
|
El precio de una vida |
Fidel Prado |
|
756 |
|
La partida final |
Fidel Prado |
|
757 |
|
La vuelta del exiliado |
Fidel Prado |
|
758 |
|
Rivalidad trágica |
Fidel Prado |
|
759 |
|
Senda de perdición |
Fidel Prado |
|
760 |
|
Reza por tu alma |
Fidel Prado |
|
761 |
|
Una mujer y una horca |
Fidel Prado |
|
762 |
|
Un ranchero ambicioso |
Fidel Prado |
|
763 |
|
Dramático destino |
Fidel Prado |
|
764 |
|
Drama en las cumbres |
Fidel Prado |
|
765 |
|
El drama de una vida |
Fidel Prado |
|
766 |
|
Entre el amor y la muerte |
Fidel Prado |
|
767 |
|
Encrucijada de pasiones |
Fidel Prado |
|
768 |
|
La cizaña |
Fidel Prado |
|
769 |
|
La avaricia rompe el saco |
Fidel Prado |
|
770 |
|
La tea de la discordia |
Fidel Prado |
|
771 |
|
Las equivocaciones se pagan |
Fidel Prado |
|
772 |
|
Lo quiso el destino |
Fidel Prado |
|
773 |
|
Rancho quemado |
Fidel Prado |
|
774 |
|
Un amigo fiel |
Fidel Prado |
|
775 |
|
Un hombre encuentra su camino |
Fidel Prado |
|
776 |
|
Amarga lección |
Fidel Prado |
|
777 |
|
Three Plays by Clyde Fitch: The Stubborness of Geraldine, the Girl with the Green Eyes, and Her Own Way |
Fitch, Clyde &, Lives, Blackmask |
|
778 |
|
The Upas Tree |
Florence L. Barclay |
|
779 |
|
Vargas y Machuca |
Florencio Moreno Godino |
|
780 |
|
¡Nochebuena! |
Florencio Moreno Godino |
|
781 |
|
El clown lúgubre |
Florencio Moreno Godino |
|
782 |
|
El ciego de Bellver |
Florencio Moreno Godino |
|
783 |
|
El blasfemo |
Florencio Moreno Godino |
|
784 |
|
¡Sin corazón! |
Florencio Moreno Godino |
|
785 |
|
King Arthur's Socks and Other Village Plays |
Floyd Dell |
|
786 |
|
Ocho monólogos |
Franca Rame &, Dario Fo |
|
787 |
|
The Dupe, a comedy |
Frances Chamberlaine Sheridan |
|
788 |
|
The Discovery |
Frances Chamberlaine Sheridan |
|
789 |
|
Las últimas obras de Shakespeare |
Frances Yates |
|
790 |
|
Rule a Wife, and Have a Wife |
Francis Beaumont &, John Fletcher |
|
791 |
|
The Laws of Candy |
Francis Beaumont &, John Fletcher |
|
792 |
|
The False One |
Francis Beaumont &, John Fletcher, Edited by Arnold Glover |
|
793 |
|
If Only etc. |
Francis Clement Philips &, Augustus Harris |
|
794 |
|
When The Storm Breaks |
Hart, Avery Finley Sawyer |
|
795 |
|
El secreto de aquel teatrillo ambulante |
Francisco Campos Rojo |
|
796 |
|
El último sábado |
Francisco García Pavón |
|
797 |
|
Los carros vacíos |
Francisco García Pavón |
|
798 |
|
Dame tu corazón |
Francisco Merchán |
|
799 |
|
Argumentario clásico |
Francisco Nieva |
|
800 |
|
El viaje a Pantaélica |
Francisco Nieva |
|
801 |
|
Esposas de médicos |
Frank G. Slaughter |
|
802 |
|
En un jardín oscuro |
Frank G. Slaughter |
|
803 |
|
A RAW YOUTH: A dramatization of the Dostoevski novel |
FRANK J. MORLOCK |
|
804 |
|
Congreve's Comedy of Manners |
Frank J. Morlock |
|
805 |
|
HEROES AND ROMANTICS OF OUR TIMES: A Comedy in One Act |
FRANK J. MORLOCK C 1986 |
|
806 |
|
Matty, un vagabundo cualquiera |
Frank McFair |
|
807 |
|
The Comical History of Doctor Faustus |
Frank Morlock |
|
808 |
|
Demetrius (play) |
Frederich Schiller |
|
809 |
|
Fiesco |
Frederich Schiller |
|
810 |
|
Mary Stuart |
Frederich Schiller |
|
811 |
|
Guillermo Tell |
Friedrich Schiller |
|
812 |
|
Don Carlos, Infante de España |
Friedrich Schiller |
|
813 |
|
The Insulted and Injured |
Fyodor Dostoevsky |
|
814 |
|
L'ombre du doute |
David, Kay |
|
815 |
|
MAGIC A FANTASTIC COMEDY |
G.K. Chesterton |
|
816 |
|
The Hollow of Her Hand |
George Barr McCutcheon |
|
817 |
|
Candida |
George Bernard Shaw |
|
818 |
|
How He Lied to Her Husband |
George Bernard Shaw |
|
819 |
|
THE DARK LADY OF THE SONNETS |
GEORGE BERNARD SHAW |
|
820 |
|
The Doctor's Dilemma |
George Bernard Shaw |
|
821 |
|
The Shewing-up of Blanco Posnet |
George Bernard Shaw |
|
822 |
|
The Philanderer |
George Bernard Shaw |
|
823 |
|
Back to Methuselah |
George Bernard Shaw |
|
824 |
|
The Irrational Knot |
George Bernard Shaw |
|
825 |
|
Pigmalión |
George Bernard Shaw |
|
826 |
|
Bussy D'Ambois and The Revenge of Bussy D'Ambois |
George Chapman |
|
827 |
|
John Bull |
George Colman |
|
828 |
|
The Beaux-Stratagem |
George Farquhar |
|
829 |
|
Cain |
George Gordon, Lord Byron |
|
830 |
|
Heaven and Earth |
George Gordon, Lord Byron |
|
831 |
|
Sardanapalus |
George Gordon, Lord Byron |
|
832 |
|
The Deformed Transformed |
George Gordon, Lord Byron |
|
833 |
|
WERNER; OR, THE INHERITANCE: A TRAGEDY. |
George Gordon, Lord Byron |
|
834 |
|
Lucrezia Floriani |
George Sand |
|
835 |
|
The Pomp of the Lavilettes |
Gilbert Parker |
|
836 |
|
The Trespasser |
Gilbert Parker |
|
837 |
|
La Boheme |
Giuseppe Giacosa &, Luigi Illica, et al |
|
838 |
|
The Inspector-General |
Gogol, Nicolay |
|
839 |
|
The Female Gamester |
Gorges Edmond Howard |
|
840 |
|
Nathan the Wise |
Gotthold Ephraim Lessing |
|
841 |
|
Tess of the Storm Country |
Grace Miller White |
|
842 |
|
FRANKENSTEIN; OR, THE MAN AND THE MONSTER! |
H. M. MILNER |
|
843 |
|
Shakespeare: His Life, Art, And Characters, Volume I. |
H. N. Hudson |
|
844 |
|
The Drama Of Three Hundred and Sixty-Five Days |
Hall Caine |
|
845 |
|
Drama ! |
Harcourt, Maggie |
|
846 |
|
Hobson's Choice |
Harold Brighouse |
|
847 |
|
Upstairs, Downstairs |
Hawkesworth, John |
|
848 |
|
Gyges und sein Ring |
Hebbel, Friedrich |
|
849 |
|
Agnes Bernauer |
Hebbel, Friedrich |
|
850 |
|
An Enemy of the People |
Henrik Ibsen |
|
851 |
|
Little Eyolf |
Henrik Ibsen |
|
852 |
|
Ghosts: A Domestic Tragedy in Three Acts |
Henrik Ibsen |
|
853 |
|
Hedda Gabler |
Henrik Ibsen |
|
854 |
|
Henrik Ibsen's Prose Dramas Vol III |
Henrik Ibsen |
|
855 |
|
Rosmersholm |
Henrik Ibsen |
|
856 |
|
Peer Gynt |
Henrik Ibsen |
|
857 |
|
Pillars of Society |
Henrik Ibsen |
|
858 |
|
The Feast at Solhoug |
Henrik Ibsen |
|
859 |
|
When We Dead Awaken |
Henrik Ibsen |
|
860 |
|
The Lady From The Sea |
Henrik Ibsen |
|
861 |
|
The Master Builder |
Henrik Ibsen |
|
862 |
|
The Wild Duck |
Henrik Ibsen |
|
863 |
|
Gespenster |
Henrik Ibsen |
|
864 |
|
Love's Comedy |
Henrik Ibsen |
|
865 |
|
The Vikings of Helgeland |
Henrik Ibsen |
|
866 |
|
Chrononhotonthologos |
Henry Carey |
|
867 |
|
The Modern Husband |
Henry Fielding |
|
868 |
|
The Wedding Day |
Henry Fielding |
|
869 |
|
The Drama |
Henry Irving |
|
870 |
|
The Fatal Jealousie |
Henry Nevil Payne |
|
871 |
|
MORDRED, A TRAGEDY |
HENRY NEWBOLT |
|
872 |
|
The House Of Rimmon |
Henry Van Dyke |
|
873 |
|
Ya no sufro más |
Heras, Javier de las |
|
874 |
|
Cowboy de medianoche |
Herlihy, James Leo |
|
875 |
|
Makers of Madness |
Hermann Hagedorn |
|
876 |
|
El deseo |
Hermann Sudermann |
|
877 |
|
The Spinster |
Hichens, Robert &, Munsey's |
|
878 |
|
Scandal |
Holmes, Gianni |
|
879 |
|
Secrets: Secrets and Scandals Duology Book 1 |
Holmes, Gianni |
|
880 |
|
An Episode Under the Terror by Balzac |
Honore de Balzac |
|
881 |
|
Read-Aloud Plays |
Horace Holley |
|
882 |
|
Henrik Ibsen |
Ina Ten Eyck Firkins |
|
883 |
|
NONA VINCENT A play by Frank J. Morlock |
Inspired by Henry James' story of the same name |
|
884 |
|
Eugène Ionesco - La Cantatrice Chauve |
Ionesco, Eugène |
|
885 |
|
The Melting-Pot |
Israel Zangwill |
|
886 |
|
Merely Mary Ann |
Israel Zangwill |
|
887 |
|
Codine |
Istrati, Panait |
|
888 |
|
Athaliah |
J. Donkersley |
|
889 |
|
Peg O' My Heart |
J. Hartley Manners |
|
890 |
|
The Admirable Crichton |
J. M. Barrie |
|
891 |
|
Echoes of the War |
J. M. Barrie |
|
892 |
|
Deirdre of the Sorrows |
J. M. Synge |
|
893 |
|
Une place au soleil |
Jacobs, Anna |
|
894 |
|
What Every Woman Knows |
James M. Barrie |
|
895 |
|
THE PICTURE, OR, THE Cuckold in Conceit |
James Miller |
|
896 |
|
The Hunchback |
James Sheridan Knowles |
|
897 |
|
The Love-Chase |
James Sheridan Knowles |
|
898 |
|
Phaedra |
Jean Baptiste Racine |
|
899 |
|
Esther |
Jean Racine |
|
900 |
|
THE RIDICULOUS MERCHANT. A COMIC OPERA |
JEAN-FRANCOIS REGNARD |
|
901 |
|
The Unforseen Return |
Jean-Francois Regnard |
|
902 |
|
The Two McNaughtens |
Jean-Francois Regnard |
|
903 |
|
WAIT FOR ME UNDER THE ELM |
JEAN-FRANCOIS REGNARD |
|
904 |
|
WAIT FOR ME UNDER THE TREE |
JEAN-FRANCOIS REGNARD &, RIVIERE DUFRESNY |
|
905 |
|
Morphine |
Jean-Louis Dubut de Laforest |
|
906 |
|
The Master of Mrs. Chilvers |
Jerome K. Jerome |
|
907 |
|
Poems, and c. (1790) |
Joanna Baillie |
|
908 |
|
Turandot |
Johann Christoph Friedrich von Schiller |
|
909 |
|
Faust Part 1 |
Johann Wolfgang Von Goethe |
|
910 |
|
Iphigenia in Tauris |
Johann Wolfgang von Goethe |
|
911 |
|
All For Love |
John Dryden |
|
912 |
|
The Works of John Dryden, Vol. 6 |
John Dryden |
|
913 |
|
The Works of John Dryden, Volume 5 (of 18) |
John Dryden |
|
914 |
|
The Works of John Dryden, Volume XVI. |
John Dryden |
|
915 |
|
The Works Of John Dryden, Volume 4 |
John Dryden |
|
916 |
|
'TIS PITY SHE'S A WHORE |
John Ford |
|
917 |
|
A Bit O'Love |
John Galsworthy |
|
918 |
|
A Family Man |
John Galsworthy |
|
919 |
|
DEFEAT. A TINY DRAMA |
John Galsworthy |
|
920 |
|
HALL-MARKED. A SATIRIC TRIFLE |
John Galsworthy |
|
921 |
|
Joy by John Galsworthy |
John Galsworthy |
|
922 |
|
Loyalties |
John Galsworthy |
|
923 |
|
PUNCH AND GO. A LITTLE COMEDY |
John Galsworthy |
|
924 |
|
The Eldest Son |
John Galsworthy |
|
925 |
|
Strife |
John Galsworthy |
|
926 |
|
Windows by John Galsworthy |
John Galsworthy |
|
927 |
|
The Fugitive |
John Galsworthy |
|
928 |
|
THE FOUNDATIONS. (AN EXTRAVAGANT PLAY) |
John Galsworthy |
|
929 |
|
THE LITTLE DREAM: An Allegory in six Scenes |
John Galsworthy |
|
930 |
|
THE MOB. A Play in Four Acts |
John Galsworthy |
|
931 |
|
THE SKIN GAME |
John Galsworthy |
|
932 |
|
The Silver Box |
John Galsworthy |
|
933 |
|
THE SUN. A SCENE |
John Galsworthy |
|
934 |
|
THE PIGEON. A Fantasy in Three Acts |
John Galsworthy |
|
935 |
|
Beyond: by John Galsworthy |
John Galsworthy |
|
936 |
|
Defeat A Tiny Drama |
John Galsworthy |
|
937 |
|
Hall-Marked A Satiric Trifle |
John Galsworthy |
|
938 |
|
Punch And Go |
John Galsworthy |
|
939 |
|
The Foundations |
John Galsworthy |
|
940 |
|
The Mob |
John Galsworthy |
|
941 |
|
The Little Dream |
John Galsworthy |
|
942 |
|
The Little Man |
John Galsworthy |
|
943 |
|
The Pigeon |
John Galsworthy |
|
944 |
|
The Sun |
John Galsworthy |
|
945 |
|
The Distress'd Wife |
John Gay |
|
946 |
|
BOX AND COX |
John Maddison Morton, Esq. |
|
947 |
|
Milton's Comus |
John Milton |
|
948 |
|
The Black Cat |
John Todhunter |
|
949 |
|
The Duchess of Malfi |
John Webster |
|
950 |
|
The Brute |
Joseph Conrad |
|
951 |
|
'Way Down East |
Joseph R. Grismer |
|
952 |
|
ELEVEN DAYS OF SIEGE. A comedy in three acts |
Jules Verne &, Charles Wallut |
|
953 |
|
Translations of Shakuntala and Other Works |
Kaalidaasa |
|
954 |
|
ALLY. La historia de Allison y Robert |
KELLER, A.G. |
|
955 |
|
Six Characters in Search of an Author |
L. Pirandello |
|
956 |
|
It IS So! (If You Think So) |
L. Pirandello, 1917, 1922 |
|
957 |
|
Henry IV |
L. Pirandello, 1922 |
|
958 |
|
New Irish Comedies |
Lady Augusta Gregory |
|
959 |
|
Three Wonder Plays |
Lady I. A. Gregory |
|
960 |
|
Count Julian |
Landor, Walter Savage |
|
961 |
|
Angels and Ministers |
Laurence Housman |
|
962 |
|
El sí de las niñas |
Leandro Fernández de Moratín |
|
963 |
|
Savva and The Life of Man |
Leonid Andreyev |
|
964 |
|
THE OCEAN |
Leonid Andreyev |
|
965 |
|
Preface to the Works of Shakespeare (1734) |
Lewis Theobald |
|
966 |
|
What Necessity Knows |
Lily Dougall |
|
967 |
|
Plays of Gods and Men |
Lord Dunsany |
|
968 |
|
PAULINE'S PASSION AND PUNISHMENT |
Louisa May Alcott |
|
969 |
|
Behind a Mask: or, A Woman's Power |
Louisa May Alcott |
|
970 |
|
THE DIVORCE |
Lu Hsun |
|
971 |
|
VILLAGE OPERA |
Lu Hsun |
|
972 |
|
Shoot! (Si Gira) |
Luigi Pirandello, Translated from the Italian by C. K. Scott Moncrieff |
|
973 |
|
Lluvia fina |
Luis Landero |
|
974 |
|
The Longest Ride |
Sparks, Nicholas |
|
975 |
|
The Shield |
Maksim Gorky |
|
976 |
|
Pretty Broken Dreams 6 |
Mann, Jeana E. |
|
977 |
|
Assaulted and pursued Chastity |
Margaret Cavendish |
|
978 |
|
The Contract |
Margaret Cavendish |
|
979 |
|
Baby Mine |
Margaret Mayo |
|
980 |
|
Prisoners |
Mary Cholmondeley |
|
981 |
|
Giles Corey, Yeoman |
Mary E. Wilkins Freeman |
|
982 |
|
Les Filles de la pocharde |
Mary, Jules |
|
983 |
|
Dramas in Miniature |
Mathilde Blind |
|
984 |
|
Captive |
Matthews, Dani |
|
985 |
|
Pelleas and Melisande |
Maurice Maeterlinck |
|
986 |
|
THE MASSACRE OF THE INNOCENTS |
MAURICE MAETERLINCK |
|
987 |
|
Attraction fatale |
Meg, Cabot |
|
988 |
|
Irretrievably Broken |
Melissa F. Miller |
|
989 |
|
Clair de Lune |
Michael Strange |
|
990 |
|
Don Juan, ou le Festin de pierre |
Moliere |
|
991 |
|
Amphitryon |
Moliere |
|
992 |
|
Don Garcia of Navarre |
Moliere |
|
993 |
|
SGANARELLE: OR THE SELF-DECEIVED HUSBAND |
Moliere |
|
994 |
|
THE BLUNDERER: OR, THE COUNTERPLOTS. |
Moliere |
|
995 |
|
THE BORES. |
Moliere |
|
996 |
|
Dom Juan, ou le festin de pierre |
MoliΦre |
|
997 |
|
Lover's Vows |
Mrs. Inchbald |
|
998 |
|
Her Reputation |
Mundy, Talbot &, Lives, Blackmask |
|
999 |
|
Always the Rival |
Murdoch, Emily |
|
1000 |
|
L'illustre comedien, ou Le martyre de Sainct Genest |
Nicolas Mary |
|
1001 |
|
A Doll’s House and Other Plays (The New Penguin Ibsen) [Paperback ed.] |
Henrik Ibsen, Tore Rem, Deborah Dawkin, Erik Skuggevik |
|
1002 |
|
Led Astray and The Sphinx |
Octave Feuillet |
|
1003 |
|
Semiramis and Other Plays |
Olive Tilford Dargan |
|
1004 |
|
Pandore |
Opera, par Voltaire |
|
1005 |
|
For Love of the King |
Oscar Wilde |
|
1006 |
|
LA SAINTE COURTISANE, or, THE WOMAN COVERED WITH JEWELS |
Oscar Wilde |
|
1007 |
|
Salome |
Oscar Wilde |
|
1008 |
|
Three Plays |
Padraic Colum |
|
1009 |
|
Samson |
par Voltaire |
|
1010 |
|
The Purgatory of St. Patrick |
Pedro Calderon de la Barca |
|
1011 |
|
The Wonder-Working Magician |
Pedro Calderon de la Barca |
|
1012 |
|
Los pergaminos |
Pedro Mu?oz Seca |
|
1013 |
|
Sing You Home \( \).epub |
Picoult, Jodi |
|
1014 |
|
Lone Wolf: A Novel |
Picoult, Jodi |
|
1015 |
|
The Storyteller |
Picoult, Jodi |
|
1016 |
|
Polyeucte |
Pierre Corneille |
|
1017 |
|
The Cid |
Pierre Corneille |
|
1018 |
|
Tales from the Hindu Dramatists |
R. N. Dutta |
|
1019 |
|
The King of the Dark Chamber |
Rabindranath Tagore |
|
1020 |
|
The Post Office |
Rabindranath Tagore |
|
1021 |
|
EXCALIBUR: AN ARTHURIAN DRAMA |
RALPH ADAMS CRAM |
|
1022 |
|
Divinas palabras |
Ram?n M? del Valle-Incl?n |
|
1023 |
|
Cara de Plata |
Ram?n Mar?a del Valle-Incl?n |
|
1024 |
|
La Media Noche |
Ram?n Mar?a del Valle-Incl?n |
|
1025 |
|
Peg Woffington |
Reade, Charles |
|
1026 |
|
Mother's Rosary |
Reki Kawahara and abec |
|
1027 |
|
El Mercader de Venecia |
Riccardo Calimani |
|
1028 |
|
Story of Orestes |
Richard G. Moulton |
|
1029 |
|
The Forfeiture |
Riviere Dufresny |
|
1030 |
|
The Spirit of Contradiction |
Riviere Dufresny |
|
1031 |
|
A Blot In The 'Scutcheon |
Robert Browning |
|
1032 |
|
Dramatic Romances |
Robert Browning |
|
1033 |
|
The Statesmen Snowbound |
Robert Fitzgerald |
|
1034 |
|
Men of Affairs |
Roland Pertwee |
|
1035 |
|
Waiting for Godot |
Samuel Beckett |
|
1036 |
|
Preface to Shakespeare's Plays |
Samuel Johnson |
|
1037 |
|
Notes to Shakespeare, Volume III: The Tragedies |
Samuel Johnson |
|
1038 |
|
THE FALL OF ROBESPIERRE, AN HISTORIC DRAMA |
Samuel Taylor Coleridge |
|
1039 |
|
The Cry: A New Dramatic Fable. |
Sarah Fielding |
|
1040 |
|
Love and Intrigue |
Schiller |
|
1041 |
|
The Bride of Messina (play) |
Schiller |
|
1042 |
|
The Camp of Wallenstein (play) |
Schiller |
|
1043 |
|
The Maid of Orleans (play) |
Schiller |
|
1044 |
|
Waysiders |
Seumas O'Kelly |
|
1045 |
|
Classroom of the Elite - Volulme 09 |
Shōgo Kinugasa |
|
1046 |
|
The Complete Works of William Shakespeare |
Shakespeare, William |
|
1047 |
|
Cymbeline |
Shakespeare, William &, Lives, Blackmask |
|
1048 |
|
The Merry Wives of Windsor |
Shakespeare, William &, Munsey's |
|
1049 |
|
Secrets of a Kept Woman 2 |
Shani Greene-Dowdell |
|
1050 |
|
Tonbo |
Shimazaki, Aki |
|
1051 |
|
Apu Ollantay |
Sir Clements R. Markham |
|
1052 |
|
The Theater (1720) |
Sir John Falstaffe |
|
1053 |
|
Euripides: Alcestis |
Slater, Niall W. |
|
1054 |
|
The Fourth Gospel and the Manufacture of Minds in Ancient Historiography, Biography, Romance, and Drama |
Smith, Tyler |
|
1055 |
|
The Seven Plays in English Verse |
Sophocles |
|
1056 |
|
The Foolish Lovers |
St. John G. Ervine |
|
1057 |
|
The Gift |
Steel, Danielle |
|
1058 |
|
44 Charles Street |
Steel, Danielle |
|
1059 |
|
Pure Joy |
Steel, Danielle |
|
1060 |
|
Primavera |
Stephen Phillips |
|
1061 |
|
There are Crimes and Crimes |
Strindberg, August |
|
1062 |
|
Fraulein Julie |
Strindberg, August &, Munsey's |
|
1063 |
|
Dynasty of Deceit: A Showbiz Family Saga |
Stuart, Sarah |
|
1064 |
|
Dangerous Liaisons: A Showbiz Family Saga |
Stuart, Sarah |
|
1065 |
|
Illicit Passion: A Showbiz Family Saga |
Stuart, Sarah |
|
1066 |
|
Lifted Masks |
Susan Glaspell |
|
1067 |
|
The Man of Flesh and Blood |
Susan Glaspell |
|
1068 |
|
The Visioning |
Susan Glaspell |
|
1069 |
|
The Busie Body |
Susanna Centlivre |
|
1070 |
|
Platform Monologues |
T. G. Tucker |
|
1071 |
|
Les Trois Sœurs |
Tchekhov, Anton |
|
1072 |
|
The Fine Lady's Airs (1709) |
Thomas Baker |
|
1073 |
|
The Noble Spanish Soldier |
Thomas Dekker |
|
1074 |
|
Essays on the Stage |
Thomas D'Urfey &, Bossuet |
|
1075 |
|
The Family of Love |
Thomas Middleton |
|
1076 |
|
Speed the Plough |
Thomas Morton |
|
1077 |
|
Venice Preserved |
Thomas Otway |
|
1078 |
|
Proyecto conyugal |
Toscano, Mesías |
|
1079 |
|
French Lear or The Beggar King |
Translated &, adapted by F. J. Morlock |
|
1080 |
|
CYRANO AND MOLIERE by George Jubin |
Translated &, adapted by Frank J. Morlock |
|
1081 |
|
LADY MACBETH by J. Le Sire |
Translated &, adapted by Frank J. Morlock |
|
1082 |
|
SCENE ADDED FOR THE ANNIVERSARY OF MOLIERE |
Translated &, adapted by Frank J. Morlock |
|
1083 |
|
MOLIERE, A play in five acts by GEORGE SAND |
Translated &, adapted by Frank J. Morlock |
|
1084 |
|
OEDIPUS By Voltaire |
Translated &, adapted by Frank J. Morlock |
|
1085 |
|
PERE GORIOT (A Drama Vaudeville) |
Translated &, adapted by Frank J. Morlock |
|
1086 |
|
THE ADVANTAGES OF BEING UGLY By Legouve |
Translated &, adapted by Frank J. Morlock |
|
1087 |
|
ZENEIDA BY M. DE CAHUSAC |
Translated &, Adapted by Frank J. Morlock |
|
1088 |
|
THE MOONSHINE VINE |
Translated &, adapted by Frank J. Morlock |
|
1089 |
|
THE SCHOOL FOR LOVERS By ALAIN-RENE LE SAGE |
Translated &, adapted by Frank J. Morlock |
|
1090 |
|
THE STENDHAL HAMLET SCENARIOS |
Translated &, adapted by Frank J. Morlock |
|
1091 |
|
The Unforeseen Wager |
Translated &, adapted by Frank J. Morlock |
|
1092 |
|
PAINTING IN A CUL DE SAC BY CARMONTELLE |
Translated &, adapted by FRANK J. MORLOCK |
|
1093 |
|
COLIN AND COLETTE By Beaumarchais |
Translated &, adapted by Frank J. Morlock c 2002 |
|
1094 |
|
SAMSON An opera by Voltaire |
Translated &, adapted by Frank J. Morlock C 2002 |
|
1095 |
|
ISIS By Quinault |
Translated &, adapted by Frank J. Morlock C 2003 |
|
1096 |
|
SCANDERBERG A Tragedy |
Frank J. Morlock C 2003 |
|
1097 |
|
OBERON'S HORN |
Frank J. Morlock C 2003 |
|
1098 |
|
PERSEUS By QUINAULT |
FRANK J. MORLOCK C |
|
1099 |
|
THE DUKE D'ALENCON A Tragedy By Voltaire |
Translated &, adapted by Frank J. Morlock C 2003 |
|
1100 |
|
THE SOLDIER'S RETURN By Melanie Waldor 1863 |
Translated &, adapted by Frank J. Morlock C 2003 |
|
1101 |
|
The Death of Wallenstein (play) |
Translated by S. T. Coleridge |
|
1102 |
|
The Piccolomini (play) |
S. T. Coleridge |
|
1103 |
|
THE MESSENGER OF GOD: An anonymous Persian Play |
Alexandre Chodzko |
|
1104 |
|
The Torrent |
Vicente Blasco Ibanez |
|
1105 |
|
Heart and Soul |
Victor Mapes |
|
1106 |
|
Larawan |
Vincente Rama |
|
1107 |
|
SOCRATES |
VOLTAIRE |
|
1108 |
|
The Devil's Garden |
W. B. Maxwell |
|
1109 |
|
The Story of a Play |
W. D. Howells |
|
1110 |
|
The Countess Cathleen |
W.B. Yeats |
|
1111 |
|
The Hour Glass |
W.B. Yeats |
|
1112 |
|
Citation and Examination of William Shakspeare |
Walter Savage Landor |
|
1113 |
|
Imaginary Conversations and Poems |
Walter Savage Landor |
|
1114 |
|
The Land Of Heart's Desire |
William Butler Yeats |
|
1115 |
|
Love for Love |
William Congreve |
|
1116 |
|
The Double-Dealer |
William Congreve |
|
1117 |
|
The Way of the World |
William Congreve |
|
1118 |
|
The Tempest; or, The Enchanted Island |
William Davenant &, John Dryden |
|
1119 |
|
A Fairy Tale in Two Acts |
William Shakespeare |
|
1120 |
|
Fair Em |
William Shakespeare |
|
1121 |
|
Henry VI, Part I, Part II, Part III |
William Shakespeare |
|
1122 |
|
Measure for Measure |
William Shakespeare |
|
1123 |
|
The Merry Devil |
William Shakespeare |
|
1124 |
|
The Tempest |
William Shakespeare |
|
1125 |
|
Two Gentlemen of Verona |
William Shakespeare |
|
1126 |
|
Macbeth |
William Shakespeare SEM |
|
1127 |
|
Shadows of the Stage |
William Winter |
|
1128 |
|
The Plain Dealer |
William Wycherley |
|
1129 |
|
The Girl In Green |
Woodford, Jack &, Munsey's |
|
1130 |
|
The Mule-Bone |
Zora Hurston &, Langston Hughes |
|
1131 |
|
Alice Sit-By-The-Fire |
J. M. Barrie |
|
1132 |
|
A Night Out |
|
|
1133 |
|
The Han Koong Tsu |
|
|
1134 |
|
A COMEDY ON THE GOLD COAST |
|
|
1135 |
|
A Tragedian In Spite Of Himself |
Anton Chekhov, |
|
1136 |
|
The Theory of the Theatre |
Clayton Hamilton |
|
1137 |
|
Justice by John Galsworthy |
John Galsworthy |
|
1138 |
|
False Friends, and The Sailor's Resolve |
|
|
1139 |
|
How to Write a Play |
Various |
|
1140 |
|
A Midsummer Night's Dream |
McDonald, Russ,Shakespeare, William |
|
1141 |
|
Character Sketches of Romance, Fiction and the Drama, Vol 1 |
The Rev. E. Cobham Brewer, LL.D |
|
1142 |
|
On The High Road |
Anton Chekhov |
|
1143 |
|
Pasquin |
|
|
1144 |
|
PLUTUS |
Aristophanes |
|
1145 |
|
Washington Square Plays |
|
|
1146 |
|
The Atlantic Book of Modern Plays |
Sterling Andrus Leonard |
|
1147 |
|
Man of La Mancha: a musical play |
Wasserman, Dale,Leigh, Mitch,Darion, Joe |
|
1148 |
|
The Anniversary |
Anton Chekov |
|
1149 |
|
The Bear |
Anton Chekov |
|
1150 |
|
Tales of Shakespeare |
Charles and Mary Lamb |
|
1151 |
|
THE DUCHESS DE LA VALLIERE |
Edward Bulwer Lytton |
|
1152 |
|
Medea |
Robertson, Robin,Euripides |
|
1153 |
|
Mi Lenguaje Roto / My Broken Language |
Quiara Alegría Hudes |
|
1154 |
|
Mexican Hooker #1: Art, Love and Forgiveness After Trauma |
Carmen Aguirre |
|
1155 |
|
THE MADMAN |
|
|
1156 |
|
The Proposal |
Anton Chekhov |
|
1157 |
|
The Skin Game |
John Galsworthy |
|
1158 |
|
The Tragedy Of Tragedies Or The Life And Death Of Tom Thumb The Great |
Henry Fielding |
|
1159 |
|
L'Eventail de Lady Windermere, Lady Windermere's fan, édition bilingue |
|
|
1160 |
|
American Drama In The Age Of Film |
Zander brietzke |
|
1161 |
|
Querido Evan Hansen |
|
|
1162 |
|
Стихотворения и поэмы ; Павлинка / Янка Купала. Стихотворения и поэмы / Якуб Колас |
|
|
1163 |
|
Miss Lulu Bett |
|
|
1164 |
|
Polly of the Circus |
Margaret Mayo |
|
1165 |
|
CONTINGENCIA Y DRAMA (Minerva-Psicología) |
Pérez Álvarez, Marino |
|
1166 |
|
La vie de Galilée |
Bertol Brecht |
|
1167 |
|
It Never Touched Me |
Wells, Ann-Marie |
|
1168 |
|
Religious Conversion or Therapy: The Priestly Psychiatrist in T. S. Eliot's The Cocktail Party |
Berman, Jeffrey |
|
1169 |
|
Fronteras Americanas (American Borders) |
Guillermo Verdecchia |
|
1170 |
|
Five Short Plays - Oxford Bookworms Library Level 1 |
Ford Martyn |
|
1171 |
|
Nathan El Sabio |
Gotthold Ephraim Lessing |
|
1172 |
|
La Maquina De Abrazar |
Jose Sanchis Sinisterra |
|
1173 |
|
Brecht on Performance: Messingkauf and Modelbooks |
Brecht, Bertolt |
|
1174 |
|
The Business Affairs of Mr Julius Caesar |
Brecht, Bertolt |
|
1175 |
|
Collected Short Stories of Bertolt Brecht |
Brecht, Bertolt |
|
1176 |
|
The Rope and Other Plays (Penguin Classics) |
Plautus |
|
1177 |
|
The Wright's Chaste Wife / A Merry Tale (about 1462) |
of Cobsam Adam |
|
1178 |
|
Shakespearean Playhouses / A History of English Theatres from the Beginnings to the Restoration |
Joseph Quincy Adams |
|
1179 |
|
La obra |
Daniela Acher |
|
1180 |
|
El rey Lear: el manga |
Shakespeare, William |
|
1181 |
|
Hamlet: el manga |
Shakespeare, William |
|
1182 |
|
La Juventud |
Sorrentino, Paolo |
|
1183 |
|
Los melindres de Belisa (Doce uvas) |
de Vega, Lope |
|
1184 |
|
Misterio bufo y otras comedias (Nuevos Tiempos) |
Fo, Dario |
|
1185 |
|
Santa Juana |
Shaw, George Bernard |
|
1186 |
|
50 razones para amar a Shakespeare |
Shakespeare, William |
|
1187 |
|
Three One-Act Plays |
Allen, Woody |
|
1188 |
|
Madre coraje |
Sousa Costa, Paulo |
|
1189 |
|
La vida contra las cuerdas (Ficcion) |
Esteban Lezáun, Luis J. |
|
1190 |
|
Mi pie izquierdo (Narraciones y Novelas) |
Brown, Christy |
|
1191 |
|
A veces, las apariencias engañan (Escena y fiesta) |
Bellido Romanos, Nuria |
|
1192 |
|
Belén, siglo XXI (Escena y fiesta) |
Domingo del Prado Almanza |
|
1193 |
|
El arte dramático aplicado a la educación |
Baldwin, Patrice |
|
1194 |
|
El Mago de Oz (Escena y fiesta) |
Varios, autores |
|
1195 |
|
La estrella que se escapo del cielo (Escena y fiesta) |
Alcubilla, Mª Pilar Montoro |
|
1196 |
|
Los pequeños tamborileros (Escena y Fiesta) |
Fuertes, Mariano |
|
1197 |
|
Taller de teatro (Materiales para educadores) |
Lázaro, Julio |
|
1198 |
|
Teatro escolar (Escena y fiesta) |
Tejada, Antonio Salas |
|
1199 |
|
Teatro aplicado: Teatro del oprimido, teatro playback, dramaterapia (Recursos) |
Tomàs Motos Teruel &, Domingo Ferrandis |
|
1200 |
|
Texto dramático: La palabra en acción |
Poveda, Lola |
|
1201 |
|
Una de indios (Escena y fiesta) |
Dolz, Juan Ramón Barat |
|
1202 |
|
Comedias I. Los acarnienses. Los caballeros.: 1 |
Aristófanes |
|
1203 |
|
Comedias I: 1 |
Plauto |
|
1204 |
|
Comedias II. Las nubes - Las avispas - La paz - Las aves (Biblioteca Clásica Gredos) |
Aristófanes |
|
1205 |
|
Diálogos. Apocolocintosis. (Biblioteca Clásica Gredos) |
Séneca |
|
1206 |
|
Fragmentos de la comedia media (Biblioteca Clásica Gredos) |
|
|
1207 |
|
Mimiambos. Fragmentos mímicos. Sufrimientos de amor (Biblioteca Clásica Gredos) |
Herodas &, Partenio de Nicea |
|
1208 |
|
Nietzsche, excesivamente humano: Teatro filosófico sobre la creatividad (Proyecto Noria) |
Sátiro, Angélica |
|
1209 |
|
Obras (Biblioteca Clásica Gredos) |
Terencio |
|
1210 |
|
Tragedias I: Hercules loco, las troyanas, las fenicias, medea (Biblioteca Clásica Gredos) |
Séneca |
|
1211 |
|
Tragedias I: 1 |
Eurípides |
|
1212 |
|
Tragedias II. Fedra - Edipo - Agamenón - Tiestes Hércules en el Eta - Octavia (Biblioteca Clásica Gredos) |
Séneca |
|
1213 |
|
Tragedias III (Biblioteca Clásica Gredos) |
Eurípides |
|
1214 |
|
Las cuatro estaciones II: Otoño e invierno (Best Seller) |
King, Stephen |
|
1215 |
|
Las cuatro estaciones I: Primavera y verano (Best Seller) |
King, Stephen |
|
1216 |
|
Chitra, a Play in One Act |
Rabindranath Tagore |
|
1217 |
|
hamlet |
Jim |
|
1218 |
|
The Winter's Tale |
Jim Manis, ed., William Shakespeare |
|
1219 |
|
Timon of Athens |
Shakespeare, Jim Manis, ed. |
|
1220 |
|
As You Like It |
|
|
1221 |
|
comedy |
Jim Manis, Editor |
|
1222 |
|
Love's Labours Lost |
Jim Manis, ed., Shakespeare |
|
1223 |
|
Much Ado About Nothing |
Jim Manis, ed., William Shakespeare |
|
1224 |
|
Henry VI Part Three |
Jim Manis, ed., William Shakespeare |
|
1225 |
|
Love Trouble 2 |
Lewis, Julia |
|
1226 |
|
Silent Talk |
Amagi, Shousuke |
|
1227 |
|
Sentimental Voice |
Amagi, Shousuke |
|
1228 |
|
Confidential Call |
Amagi, Shousuke |
|
1229 |
|
Emotional Howl |
Amagi, Shousuke |
|
1230 |
|
Red Nocturne |
Amagi, Shousuke |
|
1231 |
|
White Opera |
Amagi, Shousuke |
|
1232 |
|
Blue Mazurka |
Amagi, Shousuke |
|
1233 |
|
Complex Days |
Amagi, Shousuke |
|
1234 |
|
Black Arabesque |
Amagi, Shousuke |
|
1235 |
|
Grey Concerto |
Amagi, Shousuke |
|
1236 |
|
Scarlet Oratorio |
Amagi, Shousuke |
|
1237 |
|
Next Bloom |
Amagi, Shousuke |
|
1238 |
|
Spring Burst |
Amagi, Shousuke |
|
1239 |
|
Summer Night Rave |
Amagi, Shousuke |
|
1240 |
|
Crying Autumn |
Amagi, Shousuke |
|
1241 |
|
Los árboles mueren de pie |
Alejandro Casona |
|
1242 |
|
La decisión de John |
Antiliados |
|
1243 |
|
Hamlet (Bilingüe) |
Shakespeare |
|
1244 |
|
Gambit de dama |
Walter Tevis |
|
1245 |
|
Corona de Sombra |
Rodolfo Usigli |
|
1246 |
|
Con los ojos del alma |
Araceli Samudio |
|
1247 |
|
Anohana - Part 1 |
|
|
1248 |
|
#Girltalk: Not an Ounce of Loyalty, for My Pound of Trust |
Brown, Dinasty |
|
1249 |
|
L'Acte inconnu |
Valère Novarina |
|
1250 |
|
L'Espace furieux |
Valère Novarina |
|
1251 |
|
Lumières du corps |
Valère Novarina |
|
1252 |
|
Nuit après nuit |
|
|
1253 |
|
Sur le ventre des veuves |
Obaldia, René de |
|
1254 |
|
Théâtre complet |
Obaldia, René de |
|
1255 |
|
Œdipe roi |
Lamaison, Didier &, Sophocle |
|
1256 |
|
Rita Hayworth and Shawshank Redemption |
King, Stephen |
|
1257 |
|
Watching Glory Die |
Judith Thompson |
|
1258 |
|
Tragédies |
Sophocle |
|
1259 |
|
Octobre. Sketchs et chœurs parlés pour le groupe Octobre (1932-1936) |
Jacques Prévert |
|
1260 |
|
Œdipe |
Voltaire |
|
1261 |
|
Oncle Vania |
|
|
1262 |
|
Acts of Desperation |
Shaw, Emerson |
|
1263 |
|
Reckless |
Rosado, Evelyn |
|
1264 |
|
Hamlet, Prince of Denmark (Collins edition) |
Shakespeare, William |
|
1265 |
|
Edipo Rey |
Sófocles |
|
1266 |
|
Os. La montagne blanche |
Steve Gagnon |
|
1267 |
|
Oscar et la dame rose |
Eric-Emmanuel Schmitt |
|
1268 |
|
Le Théâtre et la peur |
Thomas Ostermeier |
|
1269 |
|
Dies Irae |
Patrick, John |
|
1270 |
|
Rodaje |
Manuel Gutiérrez Aragón |
|
1271 |
|
Últimas sesiones con Marilyn |
Michel Schneider |
|
1272 |
|
Un hijo de nuestro tiempo |
Horváth, Ödön von |
|
1273 |
|
Aischylos: Dramen |
Aischylos |
|
1274 |
|
Ein Heiratsantrag / Scherz in einem Aufzug |
Chekhov, Anton Pavlovich |
|
1275 |
|
Shakespeare für Dummies |
Lischner, John Doyle und Ray |
|
1276 |
|
Edipo en Colono |
Sófocles |
|
1277 |
|
El prestamista |
Wallant, Edward Lewis |
|
1278 |
|
La Tortuga de Darwin |
Juan Mayorga |
|
1279 |
|
LA CAMISA |
Lauro Olmo |
|
1280 |
|
Un amour infaillible |
Ragde Anne B. |
|
1281 |
|
2 filles sur le toît |
Kuipers, Alice |
|
1282 |
|
L'héritage impossible |
Ragde, Anne B. |
|
1283 |
|
L'espoir des Neshov |
Ragde,Anne B. |
|
1284 |
|
[R.U.N] |
Jarry, Alexandre |
|
1285 |
|
On Regrettera Plus Tard |
Ledig, Agnes |
|
1286 |
|
De tes nouvelles |
Ledig, Agnès |
|
1287 |
|
Tango |
CESAR |
|
1288 |
|
Pareja Abierta |
Franca Rame, Dario Fo |
|
1289 |
|
El Hacha |
Wolf |
|
1290 |
|
Aguas turbulentas |
Higuchi, Ichiyo |
|
1291 |
|
A mi no se'm moren les plantes |
Burés, Silvia |
|
1292 |
|
Celos. La otra vida de Catherine M. |
Catherine Millet |
|
1293 |
|
Comedias |
Shakespeare |
|
1294 |
|
De rodillas |
Malenka Ramos |
|
1295 |
|
Corona de flores |
Javier Calvo |
|
1296 |
|
Defectos perfectos |
Chenoa |
|
1297 |
|
El perro del hortelano |
Lope de Vega |
|
1298 |
|
El Misántropo |
Molière |
|
1299 |
|
Una Giornata |
Pirandello, Luigi |
|
1300 |
|
Monólogos de la vagina |
Eve Ensler |
|
1301 |
|
Tartufo (Ed. Penhuén) |
Molière |
|
1302 |
|
Lento regreso |
Handke, Peter |
|
1303 |
|
Desgracia impeorable |
Handke, Peter |
|
1304 |
|
La doctrina del Sainte-Victoire |
Handke, Peter |
|
1305 |
|
Don Gil de las calzas verdes |
Tirso De Molina |
|
1306 |
|
Tragedy: A Very Short Introduction |
Poole, Adrian |
|
1307 |
|
Abhijñānashākuntalam: The Recognition of Shakuntala |
Kalidasa |
|
1308 |
|
Lui... |
Wood, A.B. |
|
1309 |
|
Blitz |
Trueba, David |
|
1310 |
|
Meredith |
Stankiewiez, Morgane &, Lake, Dorian |
|
1311 |
|
Faust I und II und Urfaust |
Goethe, Johann Wolfgang von |
|
1312 |
|
GOTT: Ein Theaterstück |
Schirach, Ferdinand von |
|
1313 |
|
Strafe |
Schirach, Ferdinand von |
|
1314 |
|
Die Fliegen / Die schmutzigen Hände |
Sartre, Jean-Paul |
|
1315 |
|
Aeschylus: The Persians and Other Plays |
Alan H. Sommerstein |
|
1316 |
|
Salomé |
Oscar Wilde |
|
1317 |
|
Pequeños fuegos por todas partes |
Celeste Ng |
|
1318 |
|
La piel que habito |
Pedro Almodóvar |
|
1319 |
|
Dolor y Gloria |
Pedro Almodóvar |
|
1320 |
|
Calderón de la Barca: los Cabellos de Absalón [1st ed.] |
Pedro Calderon de la Barca, Gwynne Edwards |
1 |
1321 |
|
Dance and Dance Drama in Education |
V. Bruce and P. Sebastian (Auth.) |
|
1322 |
|
Antony and Cleopatra |
Braunmuller, A, R,Shakespeare, William |
|
1323 |
|
Aristophanes: Lysistrata and Other Plays |
Sommerstein, Alan H |
|
1324 |
|
Aristophanes: The Birds and Other Plays |
David B. Barrett, Alan H. Sommerstein |
|
1325 |
|
The Languages of Theatre. Problems in the Translation and Transposition of Drama [1st ed.] |
O. Zuber |
1 |
1326 |
|
The Plays of Grillparzer [1st ed.] |
George A. Wells, C. V. Russell and W. D. Halls (Auth.) |
1 |
1327 |
|
A Horse Walks into a Bar |
David Grossman |
|
1328 |
|
Auto Da Fé |
Canetti, Elias |
|
1329 |
|
Comedias bárbaras: primeros dramas |
Echevarría, Ignacio,Valle-Inclán, Ramón del |
|
1330 |
|
Come Back, Little Sheba |
Inge, William |
|
1331 |
|
De Profundis [Modern Library pbk. ed] |
Douglas, Alfred Bruce,Wilde, Oscar |
|
1332 |
|
El comensal |
|
|
1333 |
|
Fleabag: the scriptures |
Waller-Bridge, Phoebe |
|
1334 |
|
Fried Green Tomatoes at the Whistle Stop Cafe |
Fannie Flagg |
|
1335 |
|
Harvey Fierstein's Torch song trilogy |
Harvey Fierstein |
|
1336 |
|
Henry IV (Part 1) |
William Shakespeare |
|
1337 |
|
Henry IV, Part 2 |
Shakespeare, William |
|
1338 |
|
By Women Possessed |
Gelb, Arthur,O'Neill, Eugene |
|
1339 |
|
Can I Go Now? |
Kellow, Brian |
|
1340 |
|
Mephisto |
Klaus Mann, Robin Smyth |
|
1341 |
|
Cat on a hot tin roof |
Williams, Tennessee |
|
1342 |
|
Picnic: a summer romance in three acts [Fireside Theatre book Club ed.] |
Inge, William |
|
1343 |
|
Prométhée enchaîné selon Alberto Kurapel, le Guanaco gaucho = Prometeo encadenado según Alberto Kurapel le Guanaco gaucho |
Kurapel, Alberto,Esquilo |
|
1344 |
|
Qué haréis con este libro: Teatro completo |
José Saramago |
|
1345 |
|
Shakespeare, Our Contemporary |
Kott, Jan, Shakespeare, William |
|
1346 |
|
Strindberg Ein Leben |
Reichel, Verena,Enquist, Per Olov,Strindberg, August |
|
1347 |
|
Talk to Me: Listening Between the Lines |
Anna Deavere Smith |
|
1348 |
|
Teatro breve del Siglo de Oro: Loas y entremeses |
Autores, Varios |
|
1349 |
|
The Age of Shakespeare [Modern Library ed] |
Shakespeare, William,Kermode, Frank |
|
1350 |
|
Classical Comedy |
Segal, Erich,Aristophanes |
|
1351 |
|
The complete plays of Aristophanes [Bantam classic reissue ed.] |
Aristophanes,Hadas, Moses |
|
1352 |
|
The Complete Greek Drama (2 volumes) |
Whitney J. Oates (editor) |
|
1353 |
|
The Cocktail Party |
Giuliani, Mary |
|
1354 |
|
The Duchess of Malfi: seven masterpieces of Jacobean drama |
Tourneur, Cyril,Fletcher, John,Middleton, Thomas,Jonson, Ben,Webster, John,Beaumont, Francis,Rowley, William,Kermode, Frank,Heywood, Thomas |
|
1355 |
|
The English patient: a novel [Deluxe video collector's set ; Wide screen collector's ed] |
Dafoe, Willem, Ondaatje, Michael, Minghella, Anthony, Binoche, Juliette, Tomas, Kristen Scott, Fiennes, Ralph, Zaentz, Saul |
|
1356 |
|
The guys: a play |
Nelson, Anne |
|
1357 |
|
Collected Plays |
Mahesh Dattani |
|
1358 |
|
The Merchant of Venice |
William Shakespeare, Jonathan Bate, Eric Rasmussen |
|
1359 |
|
Complete Plays, Lenz, and Other Writings |
Georg Buchner |
|
1360 |
|
The Taming of the Shrew [Modern Library pbk. ed.] |
William Shakespeare, Jonathan Bate, Eric Rasmussen |
|
1361 |
|
Three Plays |
Ayckbourn, Alan |
|
1362 |
|
Upstart Crow |
Ben Elton |
|
1363 |
|
Coriolanus |
Crewe, Jonathan,Shakespeare, William |
|
1364 |
|
William Shakespeare Complete Works [1 ed.] |
Rasmussen, Eric, Sénéchal, Héloïse, Bate, Jonathan, Shakespeare, William |
1 |
1365 |
|
A Companion to Early Modern Hispanic Theater [1 ed.] |
Hilaire Kallendorf |
1 |
1366 |
|
A Companion to Hrotsvit of Gandersheim (fl. 960): Contextual and Interpretive Approaches |
Phyllis R. Brown, Stephen L. Wailes (eds.) |
|
1367 |
|
Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem |
Arthur Miller |
|
1368 |
|
The Babylon Line |
Richard Greenberg |
|
1369 |
|
Aristophanes and His Tragic Muse: Comedy, Tragedy and the Polis in 5th Century Athens |
Stephanie Nelson |
|
1370 |
|
Aristophanes and Athenian Society of the Early Fourth Century B.C. |
Ephraim David |
|
1371 |
|
Aristophanes and Politics: New Studies |
Ralph M. Rosen (editor), Helene P. Foley (editor) |
|
1372 |
|
Aristotle Poetics: Editio Maior of the Greek Text with Historical Introductions and Philological Commentaries |
Leonardo Tarán, Dimitri Gutas |
|
1373 |
|
Early Plays |
O'Neill, Eugene |
|
1374 |
|
The birds and other plays: the knights, Peace, Wealth, the assemblywomen |
Aristophanes,Sommerstein, Alan H,Barrett, David |
|
1375 |
|
Conrad's Victory: The Play and Reviews [1 ed.] |
Richard J. Hand |
1 |
1376 |
|
Conrad's Drama : Contemporary Reviews and Observations [1 ed.] |
John G. Peters |
1 |
1377 |
|
Euripides three plays: Hippolytus, Iphigenia in Tauris, Alcestis |
Euripides |
|
1378 |
|
Die dramatische Zeit in Senecas Tragödien |
Andreas Heil |
|
1379 |
|
Die Unfähigkeit, sich zu erkennen: Sophokles’ Tragödien |
Lefèvre, Eckard |
|
1380 |
|
Exceptional |
|
|
1381 |
|
Dionysus on the Other Shore: Gao Xingjian's Theatre of the Tragic |
Letizia Fusini |
|
1382 |
|
Don Alvaro, or the Force of Fate (1835): A Play by Angel de Saavedra, Duke of Rivas |
Robert M. Fedorchek (translator) |
|
1383 |
|
Drama Research Methods: Provocations of Practice [1 ed.] |
Peter Duffy, Christine Hatton, Richard Sallis |
1 |
1384 |
|
Drama, Performance and Debate: Theatre and Public Opinion in the Early Modern Period |
Jan Bloemendal, Peter G.F. Eversmann, Elsa Strietman (eds.) |
|
1385 |
|
Edward Albee and Absurdism [1 ed.] |
Michael Y. Bennett |
1 |
1386 |
|
Edward Albee as Theatrical and Dramatic Innovator |
A. David Crespy |
|
1387 |
|
Faust [Pt. 2, Modern Library ed.] |
Johann Wolfgang von Goethe, Bayard Taylor |
2 |
1388 |
|
Faust: Part One |
Johann Wolfgang von Goethe, Philip Wayne |
|
1389 |
|
Faust: Part Two |
Johann Wolfgang von Goethe, Philip Wayne |
|
1390 |
|
Five Revenge Tragedies |
Emma Smith,Kyd,Shakespeare,Marston,Chettle,Middleton |
|
1391 |
|
Four Plays By Eugene O'Neill |
O'Neill, Eugene |
|
1392 |
|
Frogs and Other Plays |
Aristophanes,Barrett, David,Dutta, Shomit |
|
1393 |
|
Gao Xingjian's idea of theatre: from the word to the image |
Izabella Łabędzka. |
|
1394 |
|
Gender and Communication in Euripides' Plays: Between Song and Silence |
J. H. Kim On Chong-gossard |
|
1395 |
|
Groaning Tears: Ethical and Dramatic Aspects of Suicide in Greek Tragedy |
Elise P. Garrison |
|
1396 |
|
I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays |
Sonia Sanchez (editor), Jacqueline Wood (editor) |
|
1397 |
|
Greek Political Oratory (Penguin Classics) |
Various |
|
1398 |
|
Greek Tragedy |
Aeschylus, Euripides, Sophocles, Shomit Dutta, Simon Goldhill |
|
1399 |
|
Inscriptional Records for the Dramatic Festivals in Athens: IG II2 2318-2325 and Related Texts [Bilingual ed.] |
Benjamin W. Millis, S. Douglas Olson |
|
1400 |
|
Hamlet by William Shakespeare [Revised] |
William Shakespeare |
|
1401 |
|
Hamlet: A Screenplay Adaptation |
William Shakespeare, adapted by Michael Almereyda |
|
1402 |
|
Joost Van Den Vondel (1587-1679): Dutch Playwright in the Golden Age (Drama and Theatre in Early Modern Europe) |
Jan Bloemandal, Frans-willem Korsten |
|
1403 |
|
Modern and Contemporary Political Theater from the Levant : A Critical Anthology [1 ed.] |
Nada Saab, Robert Myers |
1 |
1404 |
|
Narrative in Drama: The Art of the Euripidean Messenger-Speech |
Irene J.F. de Jong |
|
1405 |
|
Narrative Setting and Dramatic Poetry |
Mary Kuntz |
|
1406 |
|
Neo-Latin Drama and Theatre in Early Modern Europe |
Jan Bloemendal, Howard B. Norland |
|
1407 |
|
New World Drama: The Performative Commons in the Atlantic World, 1649-1849 |
Elizabeth Maddock Dillon |
|
1408 |
|
Perspectives on Violence in Euripides&rsquo |
Simon Perris |
|
1409 |
|
Progressive Traditions: An Illustrated Study of Plot Repetition in Traditonal Japanese Theatre |
Helen S. E. Parker |
|
1410 |
|
Japanese No Dramas |
Various |
|
1411 |
|
Joe Turner's Come and Gone |
Wilson, August |
|
1412 |
|
Journey's End |
Sherriff, Robert Cedric |
|
1413 |
|
Racine’s Roman Tragedies: Essays on Britannicus and Bérénice [Bilingual ed.] |
Nicholas Hammond, Paul Hammond |
|
1414 |
|
Reclaiming Romeo and Juliet : Italian Translations for Page, Stage and Screen [1 ed.] |
Vincenza Minutella |
1 |
1415 |
|
Revenge, Agency, and Identity from European Drama to Asian Film : Agents of Vengeance [1 ed.] |
Eric Dodson-Robinson |
1 |
1416 |
|
Delphi Complete Works of Aeschylus (Illustrated) (Delphi Ancient Classics) |
Aeschylus |
|
1417 |
|
Delphi Complete Works of Sophocles (Illustrated) (Delphi Ancient Classics) |
Sophocles |
|
1418 |
|
Seven Contemporary Plays from the Korean Diaspora in the Americas |
Esther Kim Lee (editor) |
|
1419 |
|
Sex, Gender, and Sexualities in Edward Albee's Plays [1 ed.] |
John M. Clum, Cormac O'Brien |
1 |
1420 |
|
Shakespeare's Dramatic Transactions |
Michael Mooney |
|
1421 |
|
Syncretic Arenas : Essays on Postcolonial African Drama and Theatre for Esiaba Irobi [1 ed.] |
Isidore Diala |
1 |
1422 |
|
The Ajax |
Jan Coenraad Kamerbeek |
|
1423 |
|
The Antigone |
Jan Coenraad Kamerbeek |
|
1424 |
|
The Country Gentleman: A "Lost" Play and Its Background [Reprint 2016 ed.] |
Sir Robert Howard (editor), George Villers, Second Duke of Buckingham (editor), Arthur H. Scouten (editor), Robert D. Hume (editor) |
2016 |
1425 |
|
The Dramatic Oeuvre of Chu Yu-Tun (1379-1439) |
W. L. Idema |
|
1426 |
|
The Electra |
Jan Coenraad Kamerbeek |
|
1427 |
|
The Transformations of Tragedy (Studies in Religion and the Arts, 16) |
Fionnuala ONeill Tonning |
|
1428 |
|
The Works of John Dryden, Volume XIV: Plays; The Kind Keeper, The Spanish Fryar, The Duke of Guise, and The Vindication |
John Dryden |
|
1429 |
|
Theaterstücke für Musik II |
Richard Bletschacher |
|
1430 |
|
Much ado about nothing: with new and updated critical essays and a revised bibliography [2nd rev. ed] |
Shakespeare, William, Stevenson, David L., Shakespeare, William |
2 |
1431 |
|
Tom Stoppard's Plays : Patterns of Plenitude and Parsimony [1 ed.] |
Nigel Purse |
1 |
1432 |
|
Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; A Play in Three Acts |
C. L. R. James |
|
1433 |
|
Unphenomenal Shakespeare: Pending Critical Quarrels (Costerus New, 232) |
Julin Jimnez Heffernan |
|
1434 |
|
Orestes, and other plays |
Euripides,Vellacott, Philip |
|
1435 |
|
Othello (Penguin) |
William Shakespeare, Russ McDonald (editor) |
|
1436 |
|
Peer Gynt and Brand (The New Penguin Ibsen) [Penguin Classics ed.] |
Henrik Ibsen, Geoffrey Hill |
|
1437 |
|
Destins brisés |
Marine Chaparro |
|
1438 |
|
Plays and Fragments |
Menander |
|
1439 |
|
Plays political: the apple cart ; On the rocks ; Geneva |
Laurence, Dan H.,Shaw, Bernard |
|
1440 |
|
det Pactum salis |
Bourdeaut, Olivier |
|
1441 |
|
Seven Guitars |
Wilson, August |
|
1442 |
|
Shakespeare Basics for Grown-Ups: Everything You Need to Know About the Bard |
E. Foley, B. Coates |
|
1443 |
|
Shakespearean Tragedy: Lectures on ''Hamlet'', ''Othello'', ''King Lear'' and '' |
Bayley, John,Bradley, A |
|
1444 |
|
Shakespearean tragedy: lectures on Hamlet, Othello, King Lear, Macbeth |
Shakespeare, William,Bradley, Andrew Cecil |
|
1445 |
|
The Crucible |
Arthur Miller |
|
1446 |
|
The Importance of Being Earnest and Other Plays: Salome; Lady Windermere’s Fan |
Oscar Wilde |
|
1447 |
|
The Lion in Winter |
James Goldman |
|
1448 |
|
The Master Builder and Other Plays |
Henrik Ibsen |
|
1449 |
|
The Misanthrope and Other Plays |
Moliere, Jean-Baptiste,Wood, John,Coward, David |
|
1450 |
|
The Miser and Other Plays [2Rev Ed] |
Jean-Baptiste Moliere, David Coward, David Coward, David Wood |
2 |
1451 |
|
The Oresteia: Agamemnon, The Libation Bearers, The Eumenides [Paperback ed.] |
Robert Fagles, William Bedell Stanford |
|
1452 |
|
The Oresteia: Agamemnon; The Libation Bearers; The Eumenides |
Aeschylus, W. B. Stanford, Robert Fagles |
|
1453 |
|
The Portable Bernard Shaw [The Viking Portable Library #90 ed.] |
George Bernard Shaw, Stanley Weintraub |
90 |
1454 |
|
The Pot of Gold and Other Plays (Penguin Classics) |
Plautus |
|
1455 |
|
The rivals ; The critic ; The school for scandal |
Richard Brinsley Sheridan |
|
1456 |
|
The rocks |
Nichols, Peter |
|
1457 |
|
The shattered thigh and other plays |
Bhāsa.,Haksar, A. N. D |
|
1458 |
|
The Shattered Thigh and Other Plays [1st Ed.] |
A N Haksa |
1 |
1459 |
|
The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama [New ed.] |
Bentley, Eric |
|
1460 |
|
The third part of Henry the Sixth |
roi d'Angleterre Henri VI,Montgomery, William,Shakespeare, William |
|
1461 |
|
The Three Theban Plays |
Sophocles, Robert Fagles (translator) |
|
1462 |
|
The Tragedy of Hamlet: Prince of Denmark |
William Shakespeare (Edited by Sylvan Barnet) |
|
1463 |
|
The way of the world and other plays |
Congreve, William, Rump, Eric S |
|
1464 |
|
This Is Shakespeare |
Smith, Emma |
|
1465 |
|
Three Plays |
Euripides |
|
1466 |
|
Three Revenge Tragedies |
Cyril Tourneur |
|
1467 |
|
Three Sanskrit Plays |
Kālidāsa, Bhavabhūti, Viśākhadatta, Michael Coulson |
|
1468 |
|
Titus Andronicus |
McDonald, Russ,Shakespeare, William |
|
1469 |
|
To Be or Not to Be |
North, Ryan |
|
1470 |
|
Troilus and Cressida |
Crewe, Jonathan,Shakespeare, William |
|
1471 |
|
Twelfth Night |
William Shakespeare |
|
1472 |
|
37°2 le matin |
Djian, Philippe |
|
1473 |
|
800 mètres |
Obey, André |
|
1474 |
|
A mi chemin |
Shepard, Sam |
|
1475 |
|
À la vie à la mort |
Ceylac, Catherine &, Brugeille, Sophie |
|
1476 |
|
À la vie, à la mort ! |
Bryce, Celia |
|
1477 |
|
Électre |
Giraudoux Jean |
|
1478 |
|
Éloge du théâtre |
|
|
1479 |
|
Adriana Mater |
Maalouf, Amin |
|
1480 |
|
Jeu d'Acteur |
GONZALEZ, Alexandra |
|
1481 |
|
Jeu d'Acteur - 01 |
Gonzalez, Alexandra |
|
1482 |
|
J'me sens pas belle |
Gilles Abier |
|
1483 |
|
Amour et dérision |
Fo, Dario |
|
1484 |
|
Amphitryon 38 |
Giraudoux Jean |
|
1485 |
|
Amphitryon, L'Aululaire, Le Soldat fanfaron |
Plaute |
|
1486 |
|
Andromaque |
Racine, Jean |
|
1487 |
|
Antigone |
Cocteau, Jean |
|
1488 |
|
ANTIGONE |
Henry Bauchau |
|
1489 |
|
Antigone à vendre |
Ortlieb, Gilles |
|
1490 |
|
Art by Reza, Yasmina |
Reza, Yasmina |
|
1491 |
|
Athalie |
Jean Racine |
|
1492 |
|
Au delà du réel |
Chayefsky, Paddy |
|
1493 |
|
Audition |
Carrière, Jean-Claude |
|
1494 |
|
Bérénice |
Racine |
|
1495 |
|
Babylone |
Reza, Yasmina |
|
1496 |
|
Bajazet |
Racine, Jean |
|
1497 |
|
Bella figura |
Reza, Yasmina |
|
1498 |
|
Belle et bête |
Iacub Marcela |
|
1499 |
|
Britannicus |
Racine |
|
1500 |
|
Café Panique |
Topor, Roland |
|
1501 |
|
Cesar |
Pagnol, Marcel |
|
1502 |
|
Le solitaire |
Ionesco Eugene |
|
1503 |
|
Chatterton |
Vigny, Alfred de |
|
1504 |
|
Cinna ou la Clémence d'Auguste |
Corneille Pierre |
|
1505 |
|
Cinq pièces en un acte |
Alan Ball |
|
1506 |
|
Comédie et actes divers |
Beckett Samuel |
|
1507 |
|
Comédies tragiques |
Anne, Catherine |
|
1508 |
|
Comment je devins auteur dramatique |
Dumas, Alexandre |
|
1509 |
|
Comment je me suis noyé |
Quadruppani, Serge |
|
1510 |
|
Commode |
Eric, Teyssier |
|
1511 |
|
Compagnie |
Beckett, Samuel |
|
1512 |
|
Conversations dans le Loir-et-Cher |
Claudel, Paul |
|
1513 |
|
Corneille: Oeuvres complètes |
complètes, Oeuvres |
|
1514 |
|
Coup de grâce |
Steel, Danielle |
|
1515 |
|
Coup de sang: Splendeurs et misères de l'orgueil masculin |
Serna, Enrique |
|
1516 |
|
Coup de théatre |
Konsalik, Heinz G |
|
1517 |
|
Coup pour Coup |
Toole, F.X. |
|
1518 |
|
Coupée en deux |
Charlotte Erlih |
|
1519 |
|
Coups de vieux |
Forma, Dominique |
|
1520 |
|
Les Plaideurs |
Racine, Jean |
|
1521 |
|
Dans la solitude des champs de coton |
Koltès, Bernard-Marie |
|
1522 |
|
Les septs pièces |
Prévost, Guillaume |
|
1523 |
|
Les Serments indiscrets |
Marivaux |
|
1524 |
|
Les silencieuses |
Trintignant, Nadine |
|
1525 |
|
Djihad, la pièce |
Saidi, Ismaël |
|
1526 |
|
Edmond |
Michalik, Alexis |
|
1527 |
|
Eglantine |
Giraudoux Jean |
|
1528 |
|
Enchanté de vous connaître |
Miller, Arthur |
|
1529 |
|
Enrico IV |
Luigi Pirandello |
|
1530 |
|
Entreacto |
Vicki Baum |
|
1531 |
|
Episode 2 |
Céline Mancellon |
|
1532 |
|
Episode 3 |
Pellegrino, Bruno |
|
1533 |
|
Episode 3 |
Tijan |
|
1534 |
|
Episode 4 |
Iverson, Daniel |
|
1535 |
|
Episode 4 |
Tijan |
|
1536 |
|
Escurial |
Ghelderode Michel de |
|
1537 |
|
Euripides, Helen. Hrsg. und erkl. von R. Kannicht, vol. 2 2 |
Richard Kannicht |
|
1538 |
|
Euripides, Helen. Hrsg. und erkl. von Richard Kannicht, vol. 1 1 |
Richard Kannicht |
|
1539 |
|
''Everyman,'' with other interludes, including eight miracle plays |
|
|
1540 |
|
Freshwater by Virginia Woolf |
Virginia Woolf |
|
1541 |
|
Fuir Pénélope |
Podalydès Denis |
|
1542 |
|
Fukushima mon amour |
Raynal, Gérard |
|
1543 |
|
Gestes |
Jarry, Alfred |
|
1544 |
|
Golgotha picnic |
García, Rodrigo |
|
1545 |
|
Good night, Djerzi |
Glowacki Janusz |
|
1546 |
|
Grains |
Annabel Soutar |
|
1547 |
|
Grand-Guignol 36-88 - Kurt Steiner |
Gore |
|
1548 |
|
Histoire d'un malefice - La dernière année de Marie Dorval |
|
|
1549 |
|
Hommes qui ne savent pas etre aimes |
Reza, Yasmina |
|
1550 |
|
Huis clos |
Sartre, Jean-Paul |
|
1551 |
|
Iphigénie |
Racine, Jean |
|
1552 |
|
Ivo & Jorge |
Rotman, Patrick |
|
1553 |
|
Jean De Florette |
Pagnol, Marcel |
|
1554 |
|
Dramatising Disaster : Character, Event, Representation |
Christine Cornea, Rhys Owain Thomas, Christine Cornea, Rhys Owain Thomas |
|
1555 |
|
JOUE ET SÈCHE TES LARMES |
ROBINNE, ERIC |
|
1556 |
|
Kean ou Désordre et génie |
Dumas, Alexandre |
|
1557 |
|
K-Pax |
Brewer, Gene |
|
1558 |
|
Kyoko |
Murakami, Ryu |
|
1559 |
|
La Cantatrice Chauve |
Ionesco Eugene |
|
1560 |
|
La cruche cassée |
Kleist, Heinrich Von |
|
1561 |
|
La Double Inconstance |
Marivaux |
|
1562 |
|
La fausse suivante - L'école des mères - La mère confidente |
Marivaux |
|
1563 |
|
La Fuite à cheval très loin dans la ville |
Bernard-Marie Koltès |
|
1564 |
|
La Guerre de Troie n'aura pas lieu |
Giraudoux Jean |
|
1565 |
|
La maladroite |
Seurat, Alexandre |
|
1566 |
|
La Mante Polaire |
Rezvani, Serge |
|
1567 |
|
La mante religieuse |
Brice,Michel |
|
1568 |
|
La Maréchale |
Mirbeau, Octave |
|
1569 |
|
La marée du soir |
Vlérick, Colette |
|
1570 |
|
La mare aux crabes |
Roy, Irving Le |
|
1571 |
|
La Marge |
Goncourt, Prix |
|
1572 |
|
La Marge |
André Pieyre de Mandiargues |
|
1573 |
|
La menteuse |
Giraudoux Jean |
|
1574 |
|
La mise en scène contemporaine |
Pavis,Patrice |
|
1575 |
|
La mort de Pompée |
Corneille, Pierre |
|
1576 |
|
LA MOUCHE |
Musset, Alfred de |
|
1577 |
|
La nièce de Fellini |
Verdiani, Gilles |
|
1578 |
|
La poison |
Guitry Sacha |
|
1579 |
|
La Reine des Cipayes V2 |
Clément, Catherine |
|
1580 |
|
La souricière |
Ribes, F.-H. |
|
1581 |
|
La Ville |
Claudel, Paul |
|
1582 |
|
Là-bas |
|
|
1583 |
|
Lève-toi et marche |
Bazin, Hervé |
|
1584 |
|
L'épreuve - La dispute - Les acteurs de bonne foi |
Marivaux |
|
1585 |
|
L'éventail de Lady Windermere |
Wilde, Oscar |
|
1586 |
|
L'île des esclaves |
Marivaux, Pierre Carlet de |
|
1587 |
|
L'île des esclaves - La dispute |
Marivaux |
|
1588 |
|
L'Épreuve – La Dispute – Les Acteurs de bonne foi |
Marivaux |
|
1589 |
|
The English Teacher’s Drama Handbook: From theory to practice |
Nicholas McGuinn |
|
1590 |
|
La jeune fille Violaine |
Claudel, Paul |
|
1591 |
|
L'Apocalypse différée |
Fo, Dario |
|
1592 |
|
L'Attentat de Sarajevo |
Perec, Georges |
|
1593 |
|
L'Aube le soir ou la nuit |
Reza, Yasmina |
|
1594 |
|
Darrell Dennis: Two Plays: Tales of An Urban Indian / The Trickster of Third Avenue East |
Darrell Dennis |
|
1595 |
|
Emergent Trends and Issues in Indian English Drama |
Abha Shukla Kaushik |
|
1596 |
|
Indian Ink |
Tom Stoppard |
|
1597 |
|
L'Île des esclaves |
Marivaux |
|
1598 |
|
Le berceau |
Burgaud, Guylaine Guédou |
|
1599 |
|
Le bon gros géant (Théâtre) |
Dahl, Roald |
|
1600 |
|
Le Chandelier |
Musset, Alfred de |
|
1601 |
|
Le Cid |
Corneille Pierre |
|
1602 |
|
Le colis |
Irani, Anosh |
|
1603 |
|
Le Démon De Hannah |
Antoine Rault |
|
1604 |
|
Le Dieu du carnage |
Reza, Yasmina |
|
1605 |
|
Le feu est la flamme du feu |
Orsoni, Jérôme |
|
1606 |
|
Le festin de Salomé |
Beaulieu, Alain |
|
1607 |
|
Le festival n'aura pas lieu |
Jacob, Gilles |
|
1608 |
|
Le gardien |
Pinter, Harold |
|
1609 |
|
Le Legs |
Marivaux |
|
1610 |
|
Le livret rouge |
Pirandello, Luigi |
|
1611 |
|
Le Menteur |
|
|
1612 |
|
Le Neveu de Rameau |
Diderot |
|
1613 |
|
Le nuage qui vient de la mer |
Clauzel, Robert |
|
1614 |
|
Le père éternel |
Goy Philip |
|
1615 |
|
Le père éternel |
Goy, Philip |
|
1616 |
|
Le révizor |
Gogol Nikolai |
|
1617 |
|
Le Révizor |
Nikolaï Vassilievitch Gogol |
|
1618 |
|
Le retour |
Pinter, Harold |
|
1619 |
|
Le roi se meurt |
Ionesco Eugene |
|
1620 |
|
Le show de la vie |
Li, Chi |
|
1621 |
|
Le silence des femmes |
Vecchiali, Hélène |
|
1622 |
|
Women Making Shakespeare: Text, Reception, Performance |
Gordon McMullan, Lena Cowen Orlin, Virginia Mason Vaughan (editors) |
|
1623 |
|
Lectures pour une ombre |
Giraudoux Jean |
|
1624 |
|
Les caprices de Marianne |
Musset, Alfred de |
|
1625 |
|
Les comédiens |
Greene, Graham |
|
1626 |
|
Les comédiens |
Greene Graham |
|
1627 |
|
Les Fausses Confidences |
Marivaux, Pierre Carlet De |
|
1628 |
|
Rita Hayworth and Shawshank Redemption a Story from Different Seasons |
Stephen King |
|
1629 |
|
Les noces |
Annie, Jay |
|
1630 |
|
Les Orphée |
Metzger, Eric |
|
1631 |
|
Les Orphées |
Metzger, Éric |
|
1632 |
|
Les voeux stériles |
Musset, Alfred de |
|
1633 |
|
Leseh. A2. Faust. Leseheft (Lecturas Aleman) |
Specht, Franz |
|
1634 |
|
L'espace vide: Ecrits sur le théâtre |
Brook, Peter |
|
1635 |
|
L'esprit de l'escalier |
Ruiz, Raúl |
|
1636 |
|
L'Etat De Siège |
Camus, Albert |
|
1637 |
|
L'héritière des Diamond |
Collins, Jackie |
|
1638 |
|
L'Héritier |
Eyitayo, Iman |
|
1639 |
|
L'habitude d'amour |
Cars, Guy Des |
|
1640 |
|
L'Heritiere |
Feret-Fleury, Christine &, Madeleine |
|
1641 |
|
L'illusion comique |
Corneille Pierre |
|
1642 |
|
L'Interro de la surprise |
Poupard |
|
1643 |
|
Lorenzaccio |
Musset, Alfred De |
|
1644 |
|
L'otage suivi de Le pain dur et de Le père humilié |
Claudel, Paul |
|
1645 |
|
Louange de Port-Royal |
Racine, Jean |
|
1646 |
|
Mère anarchy |
Allen Woody |
|
1647 |
|
Mère Courage et ses enfants |
Brecht Bertolt |
|
1648 |
|
Mélite |
Corneille Pierre |
|
1649 |
|
Macbeth |
William Shakespeare |
|
1650 |
|
Marino Faliero Doge de Venise |
Byron George Gordon |
|
1651 |
|
Marius by Victor Hugo |
Victor Hugo |
|
1652 |
|
Marivaux |
complètes, Oeuvres |
|
1653 |
|
Marivaux: Oeuvres complètes |
Marivaux |
|
1654 |
|
King Henry V: A Critical Reader |
Britland, Karen (editor),Hiscock, Andrew (editor),Buccola, Regina (editor),Munson Deats, Sarah (editor),[...]Hiscock, Andrew (editor),Longstaffe, Stephen (editor),Hopkins, Lisa (editor),Hiscock, Andrew (editor),Steggle, Matthew (editor),Luckyj, Christina (editor),Julian, Erin (editor),Logan, Robert A. (editor),Drakakis, John (editor),Connolly, Annaliese (editor),Findlay, Alison (editor),Vaughan, Alden T. (editor),Lupton, Julia Reinhard (editor),Hartley, Andrew James (editor),Walsh, Brian (editor),Frazer, Paul (editor),Melnikoff, Kirk (editor),Cartmell, Deborah (editor),Cottegnies, Line (editor),Hopkins, Lisa (editor),Hopkins, Lisa (editor),Ostovich, Helen (editor),Townshend, Dale (editor),Oakley-Brown, Liz (editor),Vaughan, Virginia Mason (editor),Hansen, Adam (editor),Smith, Peter J. (editor) |
|
1655 |
|
Messaline |
Jarry, Alfred |
|
1656 |
|
Mise en scène |
Steel, Danielle |
|
1657 |
|
Mr Nobody |
Dormael, Jaco Van |
|
1658 |
|
Nathan le sage |
Lessing, Gotthold Ephraim |
|
1659 |
|
On ne badine pas avec l'amour |
Musset (de) |
|
1660 |
|
On y va tout droit |
Dessaint,Pascal |
|
1661 |
|
On y va tout droit |
Dessaint, Pascal |
|
1662 |
|
One Zéro Show - Du point à la ligne |
Guedj Denis |
|
1663 |
|
Orage |
Strindberg, August |
|
1664 |
|
Ouragan |
Steel, Danielle |
|
1665 |
|
Ouvrir son cœur |
Morin, Alexie |
|
1666 |
|
Pardon |
Ensler Eve |
|
1667 |
|
Soins intensifs |
Bennett, Alan |
|
1668 |
|
Plans rapprochés |
Bedos, Guy |
|
1669 |
|
Tu silencio |
Virginia Camacho |
|
1670 |
|
Ubu enchaîné |
Jarry, Alfred |
|
1671 |
|
Théâtre complet |
Masson, Arthur |
|
1672 |
|
Woman and Scarecrow |
Marina Carr |
|
1673 |
|
Romeo et Juliette |
William Shakespeare |
|
1674 |
|
Pour finir encore et autres foirades |
Beckett, Samuel |
|
1675 |
|
The Complete Works of William Shakespeare (37 plays, 160 sonnets and 5 Poetry Books With Active Table of Contents) |
William Shakespeare |
|
1676 |
|
SILENCE!THE COURT IS IN SESSION (REVISED EDITION) [Paperback] [Jan 01, 2017] VIJAY TENDULKAR, PRIYA ADARKAR |
Vijay Tendulkar |
|
1677 |
|
Ready On Set Drama |
Maisie Dean |
|
1678 |
|
Shakespeare for the wiser sort: Solving Shakespeare's riddles in The Comedy of Errors, Romeo and Juliet, King John, 1-2 Henry IV, The Merchant of Venice, Henry V, Julius Caesar, Othello, Macbeth, and Cymbeline |
Steve Sohmer |
|
1679 |
|
Henry V (Bloom's Shakespeare Through the Ages) [1 ed.] |
Harold Bloom, Albert Rolls |
1 |
1680 |
|
Henry V |
Charles Kingsford |
|
1681 |
|
Henry V |
Marcus Cowper, Illustrated by Graham Turner |
|
1682 |
|
The Cambridge Dover Wilson Shakespeare, Volume 10: King Henry V [1 ed.] |
William Shakespeare |
1 |
1683 |
|
King Henry V |
William Shakespeare |
|
1684 |
|
Shakespeare's History Plays : Richard II to Henry V, the Making of a King |
C.W.R.D. Moseley |
|
1685 |
|
Henry V (Shakespeare Handbooks) [2006 ed.] |
Kevin Ewert |
2006 |
1686 |
|
Henry V (New Swan Shakespeare Series) |
H. M. Hulme (editor) |
|
1687 |
|
1590s Drama and Militarism: Portrayals of War in Marlowe, Chapman and Shakespeare's Henry V [1 ed.] |
Nina Taunton |
1 |
1688 |
|
CliffsNotes on Shakespeare's Henry V |
Fisher Jeffery. |
|
1689 |
|
Utter Chaos |
Sammy Gronemann |
|
1690 |
|
Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre |
Marcia Noe |
|
1691 |
|
Latin American Women Dramatists: Theater, Texts, and Theories |
Catherine Larson, Margarita Vargas |
|
1692 |
|
Crosswinds: An Anthology of Black Dramatists in the Diaspora |
William B. Branch |
|
1693 |
|
The death of character : perspectives on theater after modernism |
Elinor Fuchs. |
|
1694 |
|
The Peony Pavilion: Mudan ting [2. ed] |
Tang, Xianzu,Birch, Cyril |
2 |
1695 |
|
Philosophy & comedy : Aristophanes, logos, and erōs |
Aristophanes., Aristophanes, Aristophanes., Freydberg, Bernard |
|
1696 |
|
Beyond Bollywood and Broadway: Plays from the South Asian Diaspora |
Neilesh Bose (editor) |
|
1697 |
|
The Comedy of Menander: Convention, Variation, and Originality |
Netta Zagagi |
|
1698 |
|
Once Upon a Time: Using Storytelling, Creative Drama, and Reader's Theater with Children in Grades PreK-6 |
Judy Freeman |
|
1699 |
|
Uncle Sam Presents: A Memoir of the Federal Theatre, 1935-1939 |
Tony Buttitta, Barry Witham, Harold Clurman, Malcolm Cowley, Don Freeman |
|
1700 |
|
The Play Called Corpus Christi |
Verdel A. Kolve |
|
1701 |
|
Public Theatres and Theatre Publics |
Robert Shimko, Robert Shimko, Sara Freeman |
|
1702 |
|
The 'd' Monologues |
Kaite O'Reilly, Phillip Zarrilli |
|
1703 |
|
Inclusive Shakespeares: Identity, Pedagogy, Performance |
Sonya Freeman Loftis (editor), Mardy Philippian (editor), Justin P. Shaw (editor) |
|
1704 |
|
Saint Joan of the stockyards: a drama |
Jones, Frank William,Brecht, Bertolt |
|
1705 |
|
Staging the War : American Drama and World War II |
Albert Wertheim |
|
1706 |
|
Measure for Measure |
Elizabeth O'Reilly (Auth.) |
|
1707 |
|
Staging Strangers: Theatre and Global Ethics |
Barry Freeman |
|
1708 |
|
Five Plays |
Anton Chekhov, Tobias Wolff, Marina Brodskaya |
|
1709 |
|
Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place |
Ridley, Philip |
|
1710 |
|
Shakespeare’s Surrogates: Rewriting Renaissance Drama |
Sonya Freeman Loftis (auth.) |
|
1711 |
|
Shakespeare's Mad Men: A Crisis of Authority |
Richard van Oort |
|
1712 |
|
Bernard Shaw: The Darker Side |
Arnold Silver |
|
1713 |
|
Atypical Plays for Atypical Actors : Selected Plays by Kaite O'Reilly |
Kaite O'Reilly |
|
1714 |
|
The peony pavilion—Mudan ting |
Tang Xianzu |
|
1715 |
|
20th-Century Drama |
Simon Trussler (auth.) |
|
1716 |
|
Aeschylus: The Oresteia (Landmarks of World Literature (New)) [2 ed.] |
Simon Goldhill |
2 |
1717 |
|
Baroque Lorca: An Archaist Playwright for the New Stage [1 ed.] |
Andrés Pérez-Simón |
1 |
1718 |
|
Cinnamon |
V. C. Andrews |
|
1719 |
|
Crossing the Line: Violence, Play, and Drama in Naval Equator Traditions |
Simon J. Bronner |
|
1720 |
|
Doing Shakespeare |
Simon Palfrey |
|
1721 |
|
Drama Theatre Performance (The New Critical Idiom) |
Simon Shepherd |
|
1722 |
|
Four screenplays of Ingmar Bergman : translated from the Swedish. |
Ingmar Bergman |
|
1723 |
|
Heartland: A Historical Drama about the Internment of German-Americans in the United States during World War II |
Lojo Simon, Anita Simons (auth.) |
|
1724 |
|
Lost in Yonkers: A New Play [A Samuel French Acting Edition] |
Neil Simon |
|
1725 |
|
Physical Theatres: A Critical Reader [1 ed.] |
John Keefe, Simon Murray |
1 |
1726 |
|
Physical Theatres: A Critical Introduction [2 ed.] |
Simon Murray, John Keefe |
2 |
1727 |
|
Poor Tom: Living "King Lear" |
Simon Palfrey |
|
1728 |
|
Shakespeare in parts |
Shakespeare, William, Palfrey, Simon, Stern, Tiffany, Shakespeare, William |
|
1729 |
|
Simon Stephens: A Working Diary |
Simon Stephens |
|
1730 |
|
Studying Plays |
Mick Wallis, Simon Shepherd |
|
1731 |
|
The art of dramatic writing: its basis in the creative interpretation of human motives [Revised] |
Lajos Egri |
|
1732 |
|
The Collected Plays of Neil Simon [1] |
Neil Simon |
1 |
1733 |
|
The English Theatrical Avant-Garde 1900-1925 |
Simon Shepherd |
|
1734 |
|
Tragedia del fin de Atawallpa/ Atau Wallpaj p'uchukakuyininpa wankan |
Jesús Lara, (ed.) |
|
1735 |
|
The Collected Plays of Neil Simon [2] |
Neil Simon |
2 |
1736 |
|
The Theatre of Medieval Europe: New Research in Early Drama [1 ed.] |
Eckehard Simon |
1 |
1737 |
|
The Theatre of Simon Stephens |
Jacqueline Bolton |
|
1738 |
|
Love is Where it Falls |
Simon Callow |
|
1739 |
|
The Art Of Dramatic Writing |
GILBERT MILLER |
|
1740 |
|
Casteel Family Saga 5 Web of Dreams |
V. C. Andrews |
|
1741 |
|
All's Well That Ends Well |
Mowat, Dr. Barbara A.,Shakespeare, William,Werstine, Paul |
|
1742 |
|
Macbeth: a dagger of the mind [First Scribner hardcover edition] |
Bloom, Harold,King of Scotland Macbeth,Shakespeare, William |
|
1743 |
|
Herons |
Simon Stephens |
|
1744 |
|
Morning by Stephens, Simon |
Stephens, Simon |
|
1745 |
|
I Am the Wind |
Fosse, Jon,Stephens, Simon |
|
1746 |
|
Noël Coward: a biography |
Coward, Noel,Hoare, Philip |
|
1747 |
|
Postcards From the Edge |
Fisher, Carrie |
|
1748 |
|
Stay, Illusion!: the Hamlet doctrine [1st ed] |
Shakespeare, William,Webster, Jamieson,Critchley, Simon |
1 |
1749 |
|
Stephens Plays: 2 |
Simon Stephens |
|
1750 |
|
Stephens Plays, 4 |
Simon Stephens |
|
1751 |
|
The Encounter |
McBurney, Simon,McIntyre, Loren,Popescu, Petru |
|
1752 |
|
The Routledge Anthology of Renaissance Drama [1 ed.] |
Simon Barker (editor) |
1 |
1753 |
|
The Routledge Anthology of Renaissance Drama [Reprint ed.] |
Simon Barker,Hilary Hinds |
|
1754 |
|
The revolution was televised : the cops, crooks, slingers, and slayers who changed TV drama forever [First Touchstone trade paperback edition] |
Sepinwall, Alan |
|
1755 |
|
Three Kingdoms |
Stephens, Simon |
|
1756 |
|
The Winter’s Tale |
William Shakespeare |
|
1757 |
|
To Be or Not to Be |
Bruster, Douglas,Palfrey, Simon,Fernie, Ewan |
|
1758 |
|
What's It All About, Geordie?: Drama, Comedy, Action! The Shooting Star Series |
Simon Northouse |
|
1759 |
|
WARHOLCAPOTE : A Non-Fiction Invention |
Rob Roth |
|
1760 |
|
The Empty Space |
Peter Brook |
|
1761 |
|
Simon Gray: Plays 4: Common Pursuit; Holy Terror; After Pilkington; Old Flames; They Never Slept |
Gray, Simon |
|
1762 |
|
Aeschylus: Agamemnon (Greek Texts) [Bilingual ed.] |
Leah Himmelhoch |
|
1763 |
|
Samuel Beckett: Waiting for Godot |
Ruby Cohn (editor) |
|
1764 |
|
Priestley: An Inspector Calls |
P. Gooden, Graham Handley (editor) |
|
1765 |
|
Shakespeare: Othello |
John Wain (editor) |
|
1766 |
|
Law and Drama in Ancient Greece |
Edward M. Harris, Delfim F. Leão, P.J. Rhodes (editors) |
|
1767 |
|
Aeschylus: Suppliants |
Thalia Papadopoulou |
|
1768 |
|
Looking at Ajax |
David Stuttard (editor) |
|
1769 |
|
Eliot: Murder in the Cathedral |
T Eliot |
|
1770 |
|
Shakespeare For All: The Primary School |
Maurice Gilmour (editor) |
|
1771 |
|
The Lost Plays of Greek Tragedy, Volume 2: Aeschylus, Sophocles and Euripides [2] |
Matthew Wright |
2 |
1772 |
|
Passion, Prudence, and Virtue in Shakespearean Drama |
Unhae Park Langis |
|
1773 |
|
The Strengths of Shakespeare's Shrew: Essays, Memoirs and Reviews |
William Empson, John Haffenden (editor) |
|
1774 |
|
Antigone |
(Mythological character) Antigone, Sophocles., Taylor, Don, (Mythological character) Antigone |
|
1775 |
|
Euripides, Electra |
Rush Rehm |
|
1776 |
|
Euripides: Iphigenia Among the Taurians (Companions to Greek and Roman Tragedy) [Illustrated] |
Isabelle Torrance |
|
1777 |
|
Aeschylus: The Oresteia |
Hugh Lloyd-Jones |
|
1778 |
|
The Lost Plays of Greek Tragedy, Volume 1: Neglected Authors [1] |
Matthew Wright |
1 |
1779 |
|
Aeschylus: Libation Bearers |
C. W. Marshall |
|
1780 |
|
Drama Criticism: Developments Since Ibsen: Developments Since Ibsen |
Arnold P. Hinchliffe (editor) |
|
1781 |
|
Sixteen Famous British Plays |
Bennett A. Cerf (ed.), Van H. Cartmell (ed.), Noel Coward, Somerset Maugham, A.A. Milne, William Archer, Laurence Housman, J.M. Barrie, Sutton Vane, Arthur Wing Pinero, Oscar Wilde, Arnold Bennett, Edward Knoblock, John Galsworthy, R. C. Sherriff, Rudolf Besier, J. B. Priestley, Mordaunt Shairp, Emlyn Williams |
|
1782 |
|
Julius Caesar's Self-Created Image and Its Dramatic Afterlife |
Miryana Dimitrova |
|
1783 |
|
Aeschylus: Eumenides |
Robin Mitchell-Boyask |
|
1784 |
|
An approach to Shakespeare [1 ed.] |
West, Gilian, Shakespeare, William |
1 |
1785 |
|
Arden Shakespeare Complete Works |
William Shakespeare &, Richard Proudfoot &, Ann Thompson &, David Scott Kastan |
|
1786 |
|
Artaud's theatre of cruelty |
Artaud, Antonin, Artaud, Antonin, Bermel, Albert, Artaud, Antonin |
|
1787 |
|
Shakespeare: Macbeth |
John Wain (editor) |
|
1788 |
|
Playwriting: A Writers’ and Artists’ Companion |
Fraser Grace |
|
1789 |
|
Seneca: Medea |
Helen Slaney |
|
1790 |
|
Philosophy as Drama: Plato’s Thinking through Dialogue |
Hallvard Fossheim, Vigdis Songe-Møller, Knut Ågotnes |
|
1791 |
|
Parody, Politics and the Populace in Greek Old Comedy |
Donald Sells |
|
1792 |
|
The Tempest: A Critical Reader |
Shakespeare, William, Vaughan, Alden T., Vaughan, Virginia Mason |
|
1793 |
|
Embodied Aesthetics in Drama Education: Theatre, Literature and Philosophy |
Matthew DeCoursey |
|
1794 |
|
Shakespeare: Henry IV, Part I |
A. J. P. Smith, Graham Handley (editor) |
|
1795 |
|
The Theatre of Caryl Churchill |
Churchill, Caryl, Gobert, R. Darren |
|
1796 |
|
This Island's Mine |
Philip Osment |
|
1797 |
|
The theatre of Tennessee Williams |
Brenda Murphy &, Annette J. Saddik &, Bruce McConachie &, Felicia Hardison Londre &, John S. Bak |
|
1798 |
|
Shakespeare: King Lear |
Frank Kermode (editor) |
|
1799 |
|
No Laughing Matter: Studies in Athenian Comedy |
C.W. Marshall, George Kovacs (editors) |
|
1800 |
|
Landscape with Skiproads/Book Burning: Two Plays |
Pieter DeBuysser |
|
1801 |
|
Tom Stoppard: Rosencrantz and Guildenstern are Dead, Jumpers and Travesties |
T. Bareham (editor) |
|
1802 |
|
Caryl Phillips: Plays One |
Caryl Phillips |
|
1803 |
|
Sarah Kane’s Blasted |
Helen Iball |
|
1804 |
|
Euripides: Cyclops: A Satyr Play (Companions to Greek and Roman Tragedy) |
Carl A. Shaw |
|
1805 |
|
A Cultural History of Tragedy in the Early Modern Age [3] |
Naomi Conn Liebler (ed.) |
3 |
1806 |
|
Becky Shaw |
Gina Gionfriddo |
|
1807 |
|
Aristophanes: Frogs |
C. W. Marshall |
|
1808 |
|
Hamlet's Dreams: The Robben Island Shakespeare (Shakespeare Now!) |
David Schalkwyk |
|
1809 |
|
The Need for Words: Voice and the Text [2 ed.] |
Patsy Rodenburg |
2 |
1810 |
|
31 hours |
Kieran Knowles |
|
1811 |
|
Blueberry Toast |
Mary Laws |
|
1812 |
|
Caryl Churchill’s Top Girls |
Alicia Tycer |
|
1813 |
|
'Tis pity she's a whore : a critical guide [1 ed.] |
Hopkins, Lisa, Ford, John |
1 |
1814 |
|
The Plays of Sophocles |
A.F. Garvie |
|
1815 |
|
Joy ride lives of the theatricals |
Lahr, John |
|
1816 |
|
Plautus: Mostellaria |
George Fredric Franko |
|
1817 |
|
Shakespeare and moral agency [1 ed.] |
Bristol, Michael D., Shakespeare, William |
1 |
1818 |
|
Shakespeare: Hamlet |
John D. Jump (editor) |
|
1819 |
|
Brecht on art and politics |
Brecht, Bertolt, Bradley, Laura J. R., Brecht, Bertolt, Giles, Steve, Kuhn, Tom |
|
1820 |
|
Tonight at 8.30: Ten one-act plays |
Coward, Noel, Day, Barry |
|
1821 |
|
Emotional Excess on the Shakespearean Stage: Passion's Slaves |
Escolme, Bridget, Shakespeare, William |
|
1822 |
|
Looking at Lysistrata : eight essays and a new version of Aristophanes' provocative comedy |
Aristophanes., Stuttard, David |
|
1823 |
|
The Curious Incident of the Dog in the Night-Time: The Play |
Moore, Ruth, Travers, Martin, Bunyan, Paul, Breslin, Theresa |
|
1824 |
|
Three Jacobean Revenge Tragedies: The Revenger's Tragedy, Women Beware Women, The Changeling |
R.V. Holdsworth (editor) |
|
1825 |
|
Shakespeare's Modern Collaborators |
Lukas Erne |
|
1826 |
|
Caryl Churchill's Top Girls |
Alicia Tycer |
|
1827 |
|
Marlowe: Tamburlaine, Edward II and The Jew of Malta |
John Russell Brown (editor) |
|
1828 |
|
The Irish Drama of Europe from Yeats to Beckett |
Katharine Worth |
|
1829 |
|
Albee: Who's Afraid of Virginia Woolf? |
Gavin Selerie, Graham Handley |
|
1830 |
|
The Translator on Stage |
Geraldine Brodie |
|
1831 |
|
Waiting for Godot: Character Studies [1st ed.] |
Paul Lawley |
1 |
1832 |
|
Dramatic Interactions in Education: Vygotskian and Sociocultural Approaches to Drama, Education and Research |
Susan Davis, Hannah Grainger Clemson, Beth Ferholt, Satu-Mari Jansson, Ana Marjanovic-Shane (editors) |
|
1833 |
|
Seneca: Oedipus |
Susanna Braund |
|
1834 |
|
Performing Gods in Classical Antiquity and the Age of Shakespeare |
Dustin W. Dixon, John S. Garrison |
|
1835 |
|
My White Best Friend |
Rachel De-lahay |
|
1836 |
|
Shakespeare for Young People: Productions, Versions and Adaptations |
Abigail Rokison |
|
1837 |
|
Shakespeare in the New Europe |
Michael Hattaway, Boika Sokolova, Derek Roper (editors) |
|
1838 |
|
Euripides: Andromache (Companions to Greek and Roman Tragedy) |
Hanna M. Roisman |
|
1839 |
|
Home, I'm Darling |
Laura Wade |
|
1840 |
|
O’Casey: The Dublin Trilogy |
Ronald Ayling |
|
1841 |
|
Two Tragedies: Hector La Reine d’Escosse |
Antoine de Montchrestien, C. N. Smith |
|
1842 |
|
The King and I [1 ed.] |
King of England (Legendary character) Lear, Kelly, Philippa, Shakespeare, William |
1 |
1843 |
|
How Drama Activates Learning: Contemporary Research and Practice |
Michael Anderson, Julie Dunn (editors) |
|
1844 |
|
Acting Companies and Their Plays in Shakespeare's London |
Keenan, Siobhan |
|
1845 |
|
Aeschylus: Seven Against Thebes |
Isabelle Torrance |
|
1846 |
|
Greek Tragedy: Themes and Contexts |
Laura Swift |
|
1847 |
|
Four Tudor Interludes |
J. A. B. Somerset (editor) |
|
1848 |
|
The Niceties |
Eleanor Burgess |
|
1849 |
|
The Methuen drama guide to contemporary British playwrights |
Middeke, Martin,Schnierer, Peter Paul,Sierz, Aleks |
|
1850 |
|
The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever [Original. ed.] |
Alan Sepinwall |
|
1851 |
|
Shakespeare's Shakespeare: How the Plays Were Made |
John C. Meagher |
|
1852 |
|
Victorian Classical Burlesques: A Critical Anthology |
Laura Monrós-Gaspar |
|
1853 |
|
Terence: Andria |
Sander M. Goldberg |
|
1854 |
|
The Methuen Drama Guide to Contemporary Irish Playwrights |
Middeke, Martin, Schnierer, Peter Paul |
|
1855 |
|
Devising Theatre with Stan’s Cafe |
Mark Crossley, James Yarker |
|
1856 |
|
Mise en Scene French Theatre Now |
Annie Sparks &, Annie Stephenson &, David Bradby |
|
1857 |
|
The Existential and its Exits: Literary and Philosophical Perspectives on the Works of Beckett, Ionesco, Genet and Pinter [Reprint ed.] |
L. A. C. Dobrez |
|
1858 |
|
Strindberg and the Five Senses: Studies in Strindberg's Chamber Plays [1 ed.] |
Hans-Goran Ekman |
1 |
1859 |
|
Shakespeare’s Shakespeare: How the Plays Were Made |
John C. Meagher |
|
1860 |
|
Euripides: Children of Heracles |
Florence Yoon |
|
1861 |
|
John Osborne’s Look Back in Anger |
Aleks Sierz |
|
1862 |
|
Coriolanus in Europe |
David Daniell |
|
1863 |
|
Euripides: Phoenician Women |
Thalia Papadopolou |
|
1864 |
|
Aristophanes: Lysistrata (Bloomsbury Ancient Comedy Companions) |
James Robson |
|
1865 |
|
Aristophanes: Peace |
Ian C. Storey |
|
1866 |
|
Performative Language Teaching in Early Education: Language Learning through Drama and the Arts for Children 3–7 |
Joe Winston |
|
1867 |
|
Henry Fielding: Tom Jones |
Neil Compton (editor) |
|
1868 |
|
Marlowe: Dr. Faustus |
W. S. Bunnell, Graham Handley (editor) |
|
1869 |
|
Lawrence: Sons and Lovers |
Graham Handley, Graham Handley (editor) |
|
1870 |
|
The Plays of Samuel Beckett |
Katherine Weiss |
|
1871 |
|
Shakespeare Only |
Jeffrey Knapp |
|
1872 |
|
Objects as Actors: Props and the Poetics of Performance in Greek Tragedy |
Melissa Mueller |
|
1873 |
|
William Shakespeare: The Complete Works, Deluxe Edition [Unabridg ed.] |
William Shakespeare |
|
1874 |
|
Shylock Is Shakespeare |
Kenneth Gross |
|
1875 |
|
Practical Cues and Social Spectacle in the Chester Plays |
Matthew Sergi |
|
1876 |
|
Sophocles I: Antigone, Oedipus the King, Oedipus at Colonus [Third Edition] |
Sophocles, Mark Griffith, Mark Griffith, Glenn W. Most, Glenn W. Most, David Grene, David Grene, Richmond Lattimore, Richmond Lattimore |
|
1877 |
|
Shakespeare's Lyric Stage: Myth, Music, and Poetry in the Last Plays [1 ed.] |
Seth Lerer |
1 |
1878 |
|
Macbeth (New Swan Shakespeare Series) |
William Shakespeare |
|
1879 |
|
Hamlet (New Swan Shakespeare. Advanced Series) |
William Shakespeare, Bernard Lott (editor) |
|
1880 |
|
Shylock is Shakespeare [annotated edition] |
Shakespeare, William, Gross, Kenneth, Shakespeare, William |
|
1881 |
|
Shakespeare’s Lyric Stage: Myth, Music, and Poetry in the Last Plays [Hardcover ed.] |
Seth Lerer |
|
1882 |
|
Not without Madness: Perspectives on Opera |
Fabrizio Della Seta, Mark Weir |
|
1883 |
|
Common Understandings, Poetic Confusion: Playhouses and Playgoers in Elizabethan England |
William N. West |
|
1884 |
|
Aeschylus II: The Oresteia (The Complete Greek Tragedies) [3 ed.] |
Aeschylus (Author), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator) |
3 |
1885 |
|
King Lear |
William Shakespeare |
|
1886 |
|
The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre |
Louis Montrose |
|
1887 |
|
Greek Tragedies 1: Aeschylus: Agamemnon, Prometheus Bound; Sophocles: Oedipus the King, Antigone; Euripides: Hippolytus [Third Edition] |
Mark Griffith, Glenn W. Most, David Grene, Richmond Lattimore |
|
1888 |
|
Plays Extravagant |
Dan Laurence |
|
1889 |
|
Flori, a Pastoral Drama: A Bilingual Edition |
Maddalena Campiglia (editor), Virginia Cox (editor), Lisa Sampson (editor), Virginia Cox (editor), Lisa Sampson (editor), Virginia Cox (editor) |
|
1890 |
|
Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama |
Eleanor Johnson |
|
1891 |
|
Florentine drama for convent and festival : seven sacred plays [1 ed.] |
Antonia Pulci, James Wyatt Cook, James Wyatt Cook, Barbara Collier Cook |
1 |
1892 |
|
Euripides III: The Complete Greek Tragedies, Third Edition [Third edition] |
Euripides., Most, Glenn W., Walker, Charles Rumford, Grene, David, Willetts, Ronald Frederick, Carson, Anne, Griffith, Mark, Wyckoff, Elizabeth, Jones, Frank William Oliver, Euripides, Euripides., Arrowsmith, William, Roberts, Deborah H., Taplin, Oliver, Vermeule, Emily, Lattimore, Richmond |
|
1893 |
|
Euripides IV: The Complete Greek Tragedies, Third Edition [Third edition] |
Euripides., Most, Glenn W., Walker, Charles Rumford, Grene, David, Willetts, Ronald Frederick, Carson, Anne, Griffith, Mark, Wyckoff, Elizabeth, Jones, Frank William Oliver, Euripides, Euripides., Arrowsmith, William, Roberts, Deborah H., Taplin, Oliver, Vermeule, Emily, Lattimore, Richmond |
|
1894 |
|
Euripides II: The Complete Greek Tragedies, Third Edition [Third edition] |
Euripides., Most, Glenn W., Walker, Charles Rumford, Grene, David, Willetts, Ronald Frederick, Carson, Anne, Griffith, Mark, Wyckoff, Elizabeth, Jones, Frank William Oliver, Euripides, Euripides., Arrowsmith, William, Roberts, Deborah H., Taplin, Oliver, Vermeule, Emily, Lattimore, Richmond |
|
1895 |
|
Euripides I: The Complete Greek Tragedies, Third Edition [Third edition] |
Euripides., Most, Glenn W., Walker, Charles Rumford, Grene, David, Willetts, Ronald Frederick, Carson, Anne, Griffith, Mark, Wyckoff, Elizabeth, Jones, Frank William Oliver, Euripides, Euripides., Arrowsmith, William, Roberts, Deborah H., Taplin, Oliver, Vermeule, Emily, Lattimore, Richmond |
|
1896 |
|
Humoring the Body: Emotions and the Shakespearean Stage |
Gail Kern Paster |
|
1897 |
|
Shakespeare's Freedom |
Greenblatt, Stephen |
|
1898 |
|
Eugene O'Neill's America: Desire Under Democracy |
John Patrick Diggins |
|
1899 |
|
Four Shakespearean Period Pieces |
Margreta de Grazia |
|
1900 |
|
Oedipus the King [1 ed.] |
(Greek mythological figure) Oedipus, Sophocles., Grene, David, (Greek mythological figure) Oedipus |
1 |
1901 |
|
Cato : A Tragedy, and Selected Essays [1 ed.] |
Joseph Addison, Christine Dunn Henderson, Mark E. Yellin, Forrest McDonald |
1 |
1902 |
|
The Theatricality of Greek Tragedy: Playing Space and Chorus |
Graham Ley |
|
1903 |
|
Old Masters: A Comedy |
Thomas Bernhard, Ewald Osers |
|
1904 |
|
Screen plays: Theatre plays on British television |
Amanda Wrigley, John Wyver (editors) |
|
1905 |
|
Beckett and Nothing: Trying to understand Beckett |
Daniela Caselli (editor) |
|
1906 |
|
The Nurses: A Year of Secrets, Drama, and Miracles with the Heroes of the Hospital |
Alexandra Robbins |
|
1907 |
|
As You Like It |
Robert Shaughnessy |
|
1908 |
|
Shakespeare's villains |
Shakespeare, William, Charney, Maurice, Shakespeare, William |
|
1909 |
|
The Catharsis of Comedy |
Dana F. Sutton |
|
1910 |
|
Enacting the Bible in medieval and early modern drama: . (Manchester Medieval Literature and Culture) |
|
|
1911 |
|
100 Greatest American Plays |
Hischak, Thomas S |
|
1912 |
|
The Wit and Wisdom of Shakespeare: 32 Sonnets Made Thoroughly Accessible |
Darrel Walters, Michael Schoenfeldt |
|
1913 |
|
Chartist drama |
Gregory Vargo (editor) |
|
1914 |
|
Play Time: Gender, Anti-Semitism and Temporality in Medieval Biblical Drama |
Daisy Black |
|
1915 |
|
Theatre as human action: an introduction to theatre arts [2nd edition] |
Hischak, Thomas S |
2 |
1916 |
|
Teaching Will: What Shakespeare and 10 Kids Gave Me That Hollywood Couldn't |
Mel Ryane |
|
1917 |
|
Playground Duty |
Ned Manning |
|
1918 |
|
Antony and Cleopatra |
Carol Chillington Rutter |
|
1919 |
|
The Shakespearean comic and tragicomic: French inflections |
Richard Hillman |
|
1920 |
|
Free Will: Art and power on Shakespeare's stage |
Richard Wilson |
|
1921 |
|
Nights at the Circus (York Notes Advanced) |
Ruth Robbins |
|
1922 |
|
Staging the revolution: drama, reinvention and history, 1647-72 |
Willie, Rachel Judith |
|
1923 |
|
State of play: Contemporary 'high-end' TV drama |
Robin Nelson |
|
1924 |
|
Paranoid visions: Spies, conspiracies and the secret state in British television drama [1 ed.] |
Joseph Oldham |
1 |
1925 |
|
Theatre and empire: Great Britain on the London stages under James VI and I |
Tristan Marshall |
|
1926 |
|
Howard Barker's Art of Theatre : Essays on His Plays, Poetry and Production Work [1 ed.] |
David Rabey, Sarah Goldingay |
1 |
1927 |
|
Chartist Drama [1 ed.] |
Gregory Vargo |
1 |
1928 |
|
Rhythm and Timing of Movement in Performance: Drama, Dance and Ceremony |
Janet Goodridge |
|
1929 |
|
Titus Andronicus [2 ed.] |
Michael Friedman, Alan Dessen |
2 |
1930 |
|
Shakespeare and Scotland |
Willy Maley, Andrew Murphy (editors) |
|
1931 |
|
Creative Drama for Emotional Support: Activities and Exercises for Use in the Classroom [1 ed.] |
Penny McFarlane, Sylvia Wheadon |
1 |
1932 |
|
Coriolanus [1 ed.] |
Robert Ormsby, Jim Bulman, Carol Chillington Rutter |
1 |
1933 |
|
Cinematic Shakespeare |
Shakespeare, William, Anderegg, Michael, Shakespeare, William |
|
1934 |
|
Beckett on Screen: The Television Plays |
Jonathan Bignell |
|
1935 |
|
Howard Barker's art of theatre: Essays on his plays, poetry and production work |
David Rabey, Sarah Goldingay (editors) |
|
1936 |
|
Playing for time: Stories of lost children, ghosts and the endangered present in contemporary theatre |
Geraldine Cousin |
|
1937 |
|
Shakespeare and the supernatural |
Victoria Bladen, Yan Brailowsky (editors) |
|
1938 |
|
Humoring the Body: Emotions and the Shakespearean Stage [1 ed.] |
Gail Kern Paster |
1 |
1939 |
|
Masters, Servants and Orders in Greek Tragedy: A Study of Some Aspects of Dramatic Technique and Convention |
David Bain |
|
1940 |
|
Second Nature: Comic Performance and Philosophy |
Josephine Gray (editor), Lisa Trahair (editor) |
|
1941 |
|
French Origins of English Tragedy |
Richard Hillman |
|
1942 |
|
Coriolanus |
Robert Ormsby |
|
1943 |
|
Airsick |
Bradwell, Mike,Devlin, Es,Frost, Emma,Manning, Nick,Taylor, Jason |
|
1944 |
|
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion |
Porter, Chloe |
|
1945 |
|
The genres of Renaissance tragedy [1 ed.] |
Daniel Cadman (editor), Andrew Duxfield (editor), Lisa Hopkins (editor) |
1 |
1946 |
|
Blood on the Stage, 480 B.C. to 1600 A.D.: Milestone Plays of Murder, Mystery, and Mayhem |
Amnon Kabatchnik |
|
1947 |
|
Theatre and Empire: Great Britain on the London Stages Under James vi and I (Politics, Culture and Society in Early Modern Britain) [1 ed.] |
Tristan Marshall |
1 |
1948 |
|
The politics of Jean Genet's late theatre: Spaces of revolution |
Carl Lavery |
|
1949 |
|
Doing Kyd: Essays on The Spanish Tragedy |
Nicoleta Cinpoes (editor) |
|
1950 |
|
Beyond Representation: Television Drama and the Politics and Aesthetics of Identity |
Geraldine Harris |
|
1951 |
|
Performing New Lives: Prison Theatre |
Jonathan Shailor |
|
1952 |
|
Recapturing Sophocles' "Antigone" |
William Blake Tyrrell, Larry J. Bennett |
|
1953 |
|
Gender, Race, Renaissance Drama |
Ania Loomba |
|
1954 |
|
On Aristophanes' ''Wasps" |
Leo Strauss |
|
1955 |
|
The Philosophy of Theatre, Drama and Acting |
Tom Stern (editor) |
|
1956 |
|
Popular television drama: Critical perspectives |
Jonathan Bignell, Stephen Lacey (editors) |
|
1957 |
|
The Meaning of Shakespeare [1] |
Harold C. Goddard |
1 |
1958 |
|
Transnational connections in early modern theatre |
M. A. Katritzky, Pavel Drábek (editors) |
|
1959 |
|
Shakespeare's Storms |
Gwilym Jones |
|
1960 |
|
Fraught Decisions in Plato and Shakespeare |
Dianne Rothleder |
|
1961 |
|
Jacobean Pageant: Or, the Court of King James I [Reprint 2013 ed.] |
G. P. V. Akrigg |
2013 |
1962 |
|
Menaechmi |
Plautus, Hammond, Mason, Moseley, Nicholas |
|
1963 |
|
The Restoration Court Stage, 1660–1702: With a Particular Account of the Production of <i>Calisto</i> [Reprint 2013 ed.] |
Eleanore Boswell |
2013 |
1964 |
|
The First Modern Comedies: The Significance of Etherege, Wycherley and Congreve [Reprint 2014 ed.] |
Norman N. Holland |
2014 |
1965 |
|
Shakespeare's Silences [Reprint 2014 ed.] |
Alwin Thaler |
2014 |
1966 |
|
The Duchess of Malfi: Sources, Themes, Characters [Reprint 2013 ed.] |
Gunnar Boklund |
2013 |
1967 |
|
Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 |
Peter Jelavich |
|
1968 |
|
Shakespeare’s Roman Plays: The Function of Imagery in the Drama [Reprint 2013 ed.] |
Maurice Charney |
2013 |
1969 |
|
Shakespearian Players and Performances [Reprint 2014 ed.] |
Arthur Colby Sprague |
2014 |
1970 |
|
Plautus: Stichus. Three Bob Day (Trinummus). Truculentus. The Tale of a Travelling Bag (Vidularia). Fragments [5] |
Paul Nixon (ed.) |
5 |
1971 |
|
The Death of Comedy [1st ed.] |
Erich Segal |
1 |
1972 |
|
Masters of Dramatic Comedy and their Social Themes [Reprint 2014 ed.] |
Henry Ten Eyck Perry |
2014 |
1973 |
|
Terence, Volume I. The Woman of Andros. The Self-Tormentor. The Eunuch [Revised] |
John Barsby, Terentius |
|
1974 |
|
The one King Lear |
Okes, Nicholas,Shakespeare, William,Vickers, Brian |
|
1975 |
|
Shakespearean Staging, 1599-1642 [Reprint 2014 ed.] |
T. J. King |
2014 |
1976 |
|
The One King Lear [Hardcover ed.] |
Brian Vickers |
|
1977 |
|
The Supernatural in Tragedy [Reprint 2014 ed.] |
Charles Edward Whitmore |
2014 |
1978 |
|
Bedlam on the Jacobean Stage [Reprint 2014 ed.] |
Robert Rentoul Reed, Jr. |
2014 |
1979 |
|
Beckett’s Art of Mismaking |
Leland de la Durantaye |
|
1980 |
|
The Drinking Academy: A Play by Thomas Randolph [Reprint 2014 ed.] |
Thomas Randolph |
2014 |
1981 |
|
Action Is Eloquence: Shakespeare’s Language of Gesture [Reprint 2013 ed.] |
David M. Bevington |
2013 |
1982 |
|
A Congreve Gallery [Reprint 2014 ed.] |
Kathleen M. Lynch |
2014 |
1983 |
|
The Dramatic Works of Roger Boyle, Earl of Orrery: Volume 2 The Dramatic Works of Roger Boyle, Earl of Orrery, Volume II [Reprint 2013 ed.] |
|
2013 |
1984 |
|
On Thrones of Gold: Three Japanese Shadow Plays [Reprint 2013 ed.] |
James R. Brandon (editor), James R. Brandon (editor) |
2013 |
1985 |
|
Shakespeare and the Hazards of Ambition [Reprint 2014 ed.] |
Robert N. Watson |
2014 |
1986 |
|
Revising Shakespeare |
Grace Ioppolo |
|
1987 |
|
Aristophanes: Lysistrata. Thesmophoriazusae. Ecclesiazusae. Plutus. |
Aristophanes, B. B. Rogers |
|
1988 |
|
Prefaces to Shakespeare |
Tony Tanner |
|
1989 |
|
Shakespeare and Other Masters [Reprint 2014 ed.] |
Elmer Edgar Stoll |
2014 |
1990 |
|
Milton and the Masque Tradition: The Early Poems, “Arcades,” and <i>Comus</i> [Reprint 2013 ed.] |
John G. Demaray |
2013 |
1991 |
|
Beaumont and Fletcher on the Restoration Stage [Reprint 2014 ed.] |
Arthur Colby Sprague |
2014 |
1992 |
|
The Vocal Songs in the Plays of Shakespeare: A Critical History [Reprint 2014 ed.] |
Peter J. Seng |
2014 |
1993 |
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Cassandra: A Dramatic Poem (Harvard Library of Ukrainian Literature) |
Ukrainka, Lesia |
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1994 |
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T'ang Transformation Texts: A Study of the Buddhist Contribution to the Rise of Vernacular Fiction and Drama in China |
Victor H. Mair |
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1995 |
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The Dark Voyage and the Golden Mean: A Philosophy of Comedy [Reprint 2013 ed.] |
Albert Cook |
2013 |
1996 |
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No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider |
Samuel Beckett (editor), Alan Schneider (editor), Maurice Harmon (editor) |
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1997 |
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The Honor Plays of Lope de Vega [Reprint 2014 ed.] |
Donald R. Larson |
2014 |
1998 |
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Crumbling Idols: Twelve Essays on Art Dealing Chiefly with Literature, Painting, and the Drama [Reprint 2014 ed.] |
Hamlin Garland (editor), Jane Johnson (editor) |
2014 |
1999 |
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Shakespeare and the Actors: The Stage Business in His Plays (1660-1905) [4th printing 1948. Reprint 2014 ed.] |
Arthur Colby Sprague |
419482014 |
2000 |
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The Drama of Everyday Life [1 ed.] |
Karl E. Scheibe |
1 |
2001 |
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Yeats's <i>Vision</i> and the Later Plays [Reprint 2014 ed.] |
Helen Hennessy Vendler |
2014 |
2002 |
|
Plautus, Vol. IV: The Little Carthaginian. Pseudolus. The Rope [4] |
Paul Nixon (ed.) |
4 |
2003 |
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The Gay Couple in Restoration Comedy [Reprint 2014 ed.] |
John Harrington Smith |
2014 |
2004 |
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Tudor Drama and Politics: A Critical Approach to Topical Meaning [Reprint 2013 ed.] |
David M. Bevington |
2013 |
2005 |
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The Letters of David Garrick: Volume I Letters 1–334 [Reprint 2014 ed.] |
|
2014 |
2006 |
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Kabuki: Five Classic Plays [Reprint 2013 ed.] |
James R. Brandon |
2013 |
2007 |
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The Dramatic Craftsmanship of Moreto [Reprint 2013 ed.] |
Frank P. Casa |
2013 |
2008 |
|
The Overreacher: A Study of Christopher Marlowe [Reprint 2014 ed.] |
Harry Levin |
2014 |
2009 |
|
Elizabethan Drama : Dekker • Jonson Beaumont and Fletcher Webster • Massinger : With Introductions and Notes [2] |
Charles W. Eliot |
2 |
2010 |
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The Dramatic Works of Roger Boyle, Earl of Orrery: Volume 1 The Dramatic Works of Roger Boyle, Earl of Orrery, Volume I [Reprint 2013 ed.] |
|
2013 |
2011 |
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Elizabethan Drama : Marlowe, Shakespeare : With Introductions and Notes [1] |
Charles W. Eliot |
1 |
2012 |
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The Estrella de Sevilla and Claramonte [Reprint 2014 ed.] |
Sturgis E. Leavitt |
2014 |
2013 |
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Shakespere: An Address [5th printing 1930. Reprint 2014 ed.] |
George Lyman Kittredge |
519302014 |
2014 |
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The Testament of Werther in Poetry and Drama [Reprint 2013 ed.] |
Stuart P. Atkins |
2013 |
2015 |
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Interpreting The Theatrical Past: Historiography Of Performance |
Thomas Postlewait |
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2016 |
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The School for Scandal by Richard Sheridan |
Paul Ranger (auth.) |
|
2017 |
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The Theatre of Joseph Conrad: Reconstructed Fictions |
Richard J. Hand (auth.) |
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2018 |
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Theatre and Violence |
Lucy Nevitt |
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2019 |
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Contemporary Drama and the Popular Dramatic Tradition in England [1 ed.] |
Peter Davison (auth.) |
1 |
2020 |
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A Man For All Seasons by Robert Bolt |
Leonard Smith (auth.) |
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2021 |
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Bertolt Brecht’s Great Plays |
Alfred D. White (auth.) |
|
2022 |
|
Staging History from the Shoah to Palestine: Three Plays and Essays on WWII and Its Aftermath |
Inez Hedges |
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2023 |
|
Coward the Dramatist: Morals and Manners |
Roger Kojecky |
|
2024 |
|
Shakespeare and Conceptual Blending: Cognition, Creativity, Criticism [1 ed.] |
Michael Booth (auth.) |
1 |
2025 |
|
The Theatre of Aphra Behn |
Derek Hughes |
|
2026 |
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Ecodramaturgies: Theatre, Performance and Climate Change [1st ed.] |
Lisa Woynarski |
1 |
2027 |
|
The Plays of W. B. Yeats: Yeats and the Dancer [1 ed.] |
Sylvia C. Ellis (auth.) |
1 |
2028 |
|
Urban Drama: The Metropolis in Contemporary North American Plays |
J. Chris Westgate (auth.) |
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2029 |
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American Drama [1 ed.] |
Clive Bloom (eds.) |
1 |
2030 |
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The Plays of Max Frisch |
Michael Butler (auth.) |
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2031 |
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Theatre Praxis: Teaching Drama Through Practice |
Christopher McCullough (eds.) |
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2032 |
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American drama: in dialogue, 1714-present [First published] |
Foertsch, Jacqueline |
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2033 |
|
Shaw’s Ibsen: A Re-Appraisal [1 ed.] |
Joan Templeton (auth.) |
1 |
2034 |
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Versions of Heroism in Modern American Drama: Redefinitions by Miller, Williams, O’Neill and Anderson [1 ed.] |
Julie Adam (auth.) |
1 |
2035 |
|
American Dramatists, 1918–1945: Excluding O’Neill |
Bernard F. Dukore (auth.) |
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2036 |
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Translating Samuel Beckett around the World (New Interpretations of Beckett in the Twenty-First Century) |
José Francisco Fernández (editor), Pascale Sardin (editor) |
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2037 |
|
The Shakespearean Death Arts: Hamlet Among the Tombs (Palgrave Shakespeare Studies) |
William E. Engel (editor), Grant Williams (editor) |
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2038 |
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Contagion and the Shakespearean Stage [1st ed.] |
Darryl Chalk, Mary Floyd-Wilson |
1 |
2039 |
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The Sultan Speaks: Dialogue in English Plays and Histories about the Ottoman Turks [First Edition] |
Linda McJannet |
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2040 |
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Theatre of the English and Italian Renaissance [1 ed.] |
J. R. Mulryne, Margaret Shewring (eds.) |
1 |
2041 |
|
Brecht’s Early Plays [1 ed.] |
Ronald Speirs (auth.) |
1 |
2042 |
|
The Self in Performance: Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre [1 ed.] |
Susana Pendzik, Renée Emunah, David Read Johnson (eds.) |
1 |
2043 |
|
Women and Persona Performance |
Kim Barbour |
|
2044 |
|
Women Dramatists, Humor, and the French Stage: 1802–1855 |
Joyce Johnston (auth.) |
|
2045 |
|
Deep Drama: Exploring Life as Theater [1 ed.] |
Karl E. Scheibe (auth.) |
1 |
2046 |
|
The New War Plays: From Kane to Harris |
Julia Boll (auth.) |
|
2047 |
|
Viral Dramaturgies [1st ed.] |
Alyson Campbell, Dirk Gindt |
1 |
2048 |
|
Women Experimenting in Theatre: Early Modern to Contemporary |
Kate Aughterson, Deborah Philips (eds.) |
|
2049 |
|
Victorian Writers and the Stage: The Plays of Dickens, Browning, Collins and Tennyson |
Richard Pearson (auth.) |
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2050 |
|
Transcultural Aesthetics in the Plays of Gao Xingjian |
Todd J. Coulter (auth.) |
|
2051 |
|
Theatre in Health and Care |
Emma Brodzinski |
|
2052 |
|
A Midsummer Night’s Dream by William Shakespeare |
Kenneth Pickering (auth.) |
|
2053 |
|
A Midsummer Night’s Dream: Text and Performance |
Roger Warren (auth.) |
|
2054 |
|
Three films : Smoke, Blue in the face, and Lulu on the bridge |
Auster, Paul |
|
2055 |
|
Masculinities and Manhood in Contemporary Irish Drama: Acting the Man |
Cormac O'Brien |
|
2056 |
|
The Tempest: Text and Performance |
David L. Hirst (auth.) |
|
2057 |
|
Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture |
Mark Thornton Burnett (auth.) |
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2058 |
|
The Stage in America 1897-1900 |
Norman Hapgood |
|
2059 |
|
Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama [1 ed.] |
Catherine Rees (auth.) |
1 |
2060 |
|
The Tempest by William Shakespeare |
Kenneth Pickering (auth.) |
|
2061 |
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August Wilson: Completing the Twentieth-Century Cycle [1 ed.] |
Alan Nadel |
1 |
2062 |
|
Melodramatic formations: American theatre and society, 1820-1870 [1 ed.] |
Bruce A. McConachie |
1 |
2063 |
|
TV Drama in the Multiplatform Era: Transnational Coproduction and Cultural Specificity |
Trisha Dunleavy (editor), Elke Weissmann (editor) |
|
2064 |
|
Beckett’s Imagined Interpreters and the Failures of Modernism (New Interpretations of Beckett in the Twenty-First Century) [1st ed. 2022] |
Nick Wolterman |
1 |
2065 |
|
Affect Theory, Genre, and the Example of Tragedy: Dreams We Learn [1st ed.] |
Duncan A. Lucas |
1 |
2066 |
|
Cognition, Mindreading, and Shakespeare's Characters [1st ed.] |
Nicholas R. Helms |
1 |
2067 |
|
Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern |
Lagretta Tallent Lenker |
|
2068 |
|
Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre |
Evelyn B. Tribble (auth.) |
|
2069 |
|
Asylum and Belonging through Collective Playwriting: "How much home does a person need?" |
Helene Grøn |
|
2070 |
|
Character: Acting and Being on the Pre-Modern Stage |
Edward Burns (auth.) |
|
2071 |
|
Constellations: A Play |
Nick Payne |
|
2072 |
|
Brian Friel: Theatre and Politics |
Anthony Roche |
|
2073 |
|
Class, Culture and Tragedy in the Plays of Jez Butterworth [1 ed.] |
Sean McEvoy |
1 |
2074 |
|
Contemporary french theatre and performance |
|
|
2075 |
|
Performing Disability in Early Modern English Drama (Literary Disability Studies) |
Leslie C. Dunn (editor) |
|
2076 |
|
The Palgrave Handbook of Contemporary Irish Theatre and Performance |
Eamonn Jordan,Eric Weitz |
|
2077 |
|
Chekhov: A Structuralist Study |
John Tulloch (auth.) |
|
2078 |
|
May All Your Fences Have Gates: Essays on the Drama of August Wilson |
Alan Nadel |
|
2079 |
|
Beckett and Eros: Death of Humanism |
P. Davies |
|
2080 |
|
Contemporary American Theatre |
Bruce King (eds.) |
|
2081 |
|
Theatre and War: Theatrical Responses since 1991 |
Jeanne Colleran |
|
2082 |
|
Theatre as Action: Soviet Russian Avant-Garde Aesthetics |
Lars Kleberg (auth.) |
|
2083 |
|
Contemporary Gothic Drama [1st ed.] |
Kelly Jones, Benjamin Poore, Robert Dean |
1 |
2084 |
|
Romantic Actors, Romantic Dramas: British Tragedy on the Regency Stage |
James Armstrong |
|
2085 |
|
Unconformities in Shakespeare’s Later Comedies |
Kristian Smidt (auth.) |
|
2086 |
|
Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters |
Jean Reynolds |
|
2087 |
|
Vision and rhetoric in Shakespeare: looking through language |
Alison Thorne |
|
2088 |
|
Theatre and Residual Culture: J.M. Synge and Pre-Christian Ireland [1 ed.] |
Christopher Collins (auth.) |
1 |
2089 |
|
Victorian Pantomime: A Collection of Critical Essays |
Jim Davis |
|
2090 |
|
Rape on the Contemporary Stage [1 ed.] |
Lisa Fitzpatrick (auth.) |
1 |
2091 |
|
British and Irish Drama since 1960 [1 ed.] |
James Acheson (eds.) |
1 |
2092 |
|
A Harold Pinter Chronology |
William Baker |
|
2093 |
|
Textual and Theatrical Shakespeare: Questions of Evidence [1 ed.] |
Edward Pechter (editor) |
1 |
2094 |
|
Making of Theatrical Reputations: Studies from the Modern London Theatre |
Zarhy-Levo, Yael |
|
2095 |
|
Vision and Audience in Medieval Drama. |
Young, Andrea Louise |
|
2096 |
|
British and Irish Political Drama in the Twentieth Century: Implicating the Audience |
David Ian Rabey (auth.) |
|
2097 |
|
Acting Presidents: 100 Years of Plays about the Presidency (Evolving American Presidency) |
Bruce E. Altschuler |
|
2098 |
|
Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century [1 ed.] |
Lara Stevens (auth.) |
1 |
2099 |
|
Comedy Matters: From Shakespeare to Stoppard [First Edition] |
William W. Demastes |
|
2100 |
|
Acting Presidents: 100 Years of Plays about the Presidency [1 ed.] |
Bruce E. Altschuler (auth.) |
1 |
2101 |
|
Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations [1 ed.] |
Bryan Reynolds (auth.) |
1 |
2102 |
|
The Late Harold Pinter: Political Dramatist, Poet and Activist [1 ed.] |
Basil Chiasson (auth.) |
1 |
2103 |
|
The Winter’s Tale: Text and Performance |
R. P. Draper (auth.) |
|
2104 |
|
British Television Drama: Past, Present and Future [2 ed.] |
Jonathan Bignell, Stephen Lacey (eds.) |
2 |
2105 |
|
Contemporary Irish Dramatists |
Michael Etherton (auth.) |
|
2106 |
|
The Winter’s Tale by William Shakespeare |
Diana Devlin (auth.) |
|
2107 |
|
Transposing Drama: Studies in Representation |
Egil Törnqvist (auth.) |
|
2108 |
|
Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience |
Rebecca Yearling (auth.) |
|
2109 |
|
British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics |
Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozaya (eds.) |
|
2110 |
|
Volpone by Ben Jonson |
Michael Stout (auth.) |
|
2111 |
|
‘Ibsen the Romantic’: Analogues of Paradise in the Later Plays [1 ed.] |
Errol Durbach (auth.) |
1 |
2112 |
|
Theatre and Celebrity in Britain, 1660–2000 |
Mary Luckhurst, Jane Moody (eds.) |
|
2113 |
|
Ben Jonson’s Theatrical Republics |
Julie Sanders (auth.) |
|
2114 |
|
What’s the Worst Thing You Can Do to Shakespeare? [1 ed.] |
Richard Burt, Julian Yates (auth.) |
1 |
2115 |
|
British Avant-Garde Theatre |
Claire Warden (auth.) |
|
2116 |
|
Theatre and Aural Attention: Stretching Ourselves |
George Home-Cook (auth.) |
|
2117 |
|
Palestinian Theatre in the West Bank: Our Human Faces |
Gabriel Varghese |
|
2118 |
|
Queering Polishness in Polish Theatre Since 2005: Dissenting Bodies [2024 ed.] |
Jonas Vanderschueren |
2024 |
2119 |
|
Contemporary Black British Playwrights: Margins to Mainstream |
Lynette Goddard (auth.) |
|
2120 |
|
Affirming the Absurd in Harold Pinter |
Jane Yeang Chui Wong (auth.) |
|
2121 |
|
Thomas Hardy’s Pastoral : An Unkindly May [1 ed.] |
Indy Clark |
1 |
2122 |
|
Alan Ayckbourn [2 ed.] |
Michael Billington (auth.) |
2 |
2123 |
|
The Haptic Aesthetic in Samuel Beckett s Drama [1st ed. 2013] |
P. Mctighe |
1 |
2124 |
|
Contemporary British Drama, 1970–90: Essays from Modern Drama [1 ed.] |
Hersh Zeifman, Cynthia Zimmerman (eds.) |
1 |
2125 |
|
Shakespeare and Sexuality in the Comedy of Morecambe & Wise (Palgrave Studies in Comedy) |
Stephen Hamrick |
|
2126 |
|
Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000 |
Patricia Sieber (auth.) |
|
2127 |
|
Theater and Incarnation [1 ed.] |
Max Harris (auth.) |
1 |
2128 |
|
The Shakespearean Marriage: Merry Wives and Heavy Husbands |
Lisa Hopkins |
|
2129 |
|
The Instinctive Screenplay: Watching and Writing Screen Drama |
Sam North |
|
2130 |
|
Body and event in Howard Barker's drama: from catastrophe to anastrophe in The castle and other plays |
Barker, Howard,Fakhrkonandeh, Alireza |
|
2131 |
|
Embodying Adaptation: Character and the Body |
Christina Wilkins |
|
2132 |
|
The Shakespearean Dramaturg: A Theoretical and Practical Guide [1 ed.] |
Andrew James Hartley (auth.) |
1 |
2133 |
|
The White Devil and the Duchess of Malfi: Text and Performance |
Richard Allen Cave (auth.) |
|
2134 |
|
The Performance of Power: Theatrical Discourse and Politics [1 ed.] |
Sue-Ellen Case, Janelle G. Reinelt |
1 |
2135 |
|
Turks, Repertories, and the Early Modern English Stage [1 ed.] |
Mark Hutchings (auth.) |
1 |
2136 |
|
The White Devil and the Duchess of Malfi by John Webster |
David A. Male (auth.) |
|
2137 |
|
Webster: The Tragedies |
Kate Aughterson (auth.) |
|
2138 |
|
A Semiotics of the Dramatic Text |
Susan Melrose (auth.) |
|
2139 |
|
Audrey Wood and the Playwrights |
Milly S. Barranger (auth.) |
|
2140 |
|
Drama, Politics, and Evolution: Cliodynamics in Play (Cognitive Studies in Literature and Performance) |
Bruce McConachie |
|
2141 |
|
Aristophanes’ Frogs |
W. B. Stanford |
|
2142 |
|
Anton Chekhov |
Laurence Senelick (auth.) |
|
2143 |
|
August Strindberg |
Margery Morgan (auth.) |
|
2144 |
|
Ledger [1 ed.] |
Wheeler, Susan |
1 |
2145 |
|
Arthur Miller |
Neil Carson (auth.) |
|
2146 |
|
An Introduction to Shakespeare: The Dramatist in His Context |
Peter Hyland (auth.) |
|
2147 |
|
August Wilson and Black Aesthetics |
Dana Williams, Sandra Shannon, August Wilson, Sybil Roberts |
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2148 |
|
Arthur Miller For The Twenty-First Century: Contemporary Views Of His Writings And Ideas [1 ed.] |
Stephen Marino, David Palmer |
1 |
2149 |
|
An Introduction to Shakespeare’s Comedies [1 ed.] |
Patrick Swinden (auth.) |
1 |
2150 |
|
Victorian Comedy and Laughter: Conviviality, Jokes and Dissent |
Louise Lee |
|
2151 |
|
Antonin Artaud : the scum of the soul |
Artaud, Antonin, Murray, Ros |
|
2152 |
|
Contemporary British Theatre [1 ed.] |
Theodore Shank (eds.) |
1 |
2153 |
|
Arthur Wing Pinero and Henry Arthur Jones |
Penny Griffin (auth.) |
|
2154 |
|
Victorian Comedy and Laughter: Conviviality, Jokes and Dissent [1st ed.] |
Louise Lee |
1 |
2155 |
|
Bad Boy Bubby |
Gabrielle Murray |
|
2156 |
|
Our Moonlight Revels: A Midsummer Night's Dream in the Theatre (Studies in Theatre History and Culture) |
Gary Jay Williams |
|
2157 |
|
Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture [2002 ed.] |
Mark Burnett |
2002 |
2158 |
|
Contemporary British Theatre: Breaking New Ground |
Vicky Angelaki |
|
2159 |
|
Brides are Not for Burning: A Play in Two Acts |
Dina Mehta |
|
2160 |
|
Applied Shakespeare: A Transformative Encounter? |
Adelle Hulsmeier |
|
2161 |
|
Twenty-First Century Drama: What Happens Now [1 ed.] |
Siân Adiseshiah, Louise LePage (eds.) |
1 |
2162 |
|
Kitchen Sink Realisms : Domestic Labor, Dining, and Drama in American Theatre |
Dorothy Chansky, Heather S. Nathans |
|
2163 |
|
A Complete Concordance Or Verbal Index to Words, Phrases and Passages in the Dramatic Works of Shakespeare with a Supplementary Concordance to the Poems |
John Bartlett A.M. (auth.) |
|
2164 |
|
The ‘New Drama’ 1900–1914: Harley Granville Barker, John Galsworthy, St John Hankin, John Masefield |
Jan McDonald (auth.) |
|
2165 |
|
A Global Doll's House: Ibsen and Distant Visions [1 ed.] |
Julie Holledge, Jonathan Bollen, Frode Helland, Joanne Tompkins (auth.) |
1 |
2166 |
|
American Playwriting and the Anti-Political Prejudice: Twentieth- and Twenty-First-Century Perspectives |
Nelson Pressley (auth.) |
|
2167 |
|
Irreversible |
Tim Palmer |
|
2168 |
|
Tragicomedy and Contemporary Culture: Play and Performance from Beckett to Shepard [1 ed.] |
John Orr (auth.) |
1 |
2169 |
|
Violent Women in Contemporary Theatres: Staging Resistance [1 ed.] |
Nancy Taylor Porter (auth.) |
1 |
2170 |
|
Tragic Time in Drama, Film, and Videogames : The Future in the Instant [1 ed.] |
Rebecca Bushnell (auth.) |
1 |
2171 |
|
Ajax. Edited, with introduction, revised text, commentary, appendixes, indexes, and bibliography |
Sophocles, WB Stanford (editor) |
|
2172 |
|
Antony and Cleopatra: Text and Performance |
Michael Scott (auth.) |
|
2173 |
|
Vanbrugh & Farquhar |
John Bull (auth.) |
|
2174 |
|
King Lear (Shakespeare Handbooks, 43) [1 ed.] |
John Russell Brown |
1 |
2175 |
|
Tragic Drama and Modern Society: A Sociology of Dramatic Form from 1880 to the Present |
John Orr (auth.) |
|
2176 |
|
Breaking Bad and Dignity: Unity and Fragmentation in the Serial Television Drama |
Elliott Logan (auth.) |
|
2177 |
|
An Introduction to the Greek Theatre [1 ed.] |
Peter D. Arnott M.A., Ph.D. (auth.) |
1 |
2178 |
|
Four Caribbean Women Playwrights: Ina Césaire, Maryse Condé, Gerty Dambury and Suzanne Dracius |
Vanessa Lee |
|
2179 |
|
War and Theatrical Innovation [1 ed.] |
Victor Emeljanow (eds.) |
1 |
2180 |
|
The Merchant of Venice: Texts and Contexts [1 ed.] |
William Shakespeare (auth.), M. Lindsay Kaplan (eds.) |
1 |
2181 |
|
Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance |
Terri Bourus (auth.) |
|
2182 |
|
Thomas Hardy on Stage |
Keith Wilson |
|
2183 |
|
Tragedy and Philosophy |
N. Georgopoulos (eds.) |
|
2184 |
|
Tragedy and Irish writing : Synge, O'Casey, Beckett |
McDonald, Ronan |
|
2185 |
|
Blake’s Drama: Theatre, Performance and Identity in the Illuminated Books |
Diane Piccitto (auth.) |
|
2186 |
|
Screening Contemporary Irish Fiction and Drama |
Marc C. Conner, Julie Grossman, R. Barton Palmer |
|
2187 |
|
The Merchant of Venice by William Shakespeare |
A. M. Kinghorn (auth.) |
|
2188 |
|
The Spaces of Irish Drama: Stage and Place in Contemporary Plays [1 ed.] |
Helen Heusner Heusner Lojek |
1 |
2189 |
|
Transformations in Modern European Drama |
Ian Donaldson (eds.) |
|
2190 |
|
The Politics of Theatre and Drama |
Graham Holderness (eds.) |
|
2191 |
|
The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 |
Sarah Burdett |
|
2192 |
|
The Influence of Dramatic Arts on Literacies for Black Girls in Middle School [1 ed.] |
Portia M. York (Author) |
1 |
2193 |
|
Queering Childhood in Early Modern English Drama and Culture |
Jennifer Higginbotham, Mark Albert Johnston |
|
2194 |
|
Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 |
Barry Houlihan |
|
2195 |
|
Twentieth-Century European Drama |
Brian Docherty (eds.) |
|
2196 |
|
Aphra Behn: The Comedies |
Kate Aughterson (auth.) |
|
2197 |
|
Trusting Performance: A Cognitive Approach to Embodiment in Drama [1 ed.] |
Naomi Rokotnitz (auth.) |
1 |
2198 |
|
Twentieth-Century English History Plays: From Shaw to Bond |
Niloufer Harben (auth.) |
|
2199 |
|
Beckett and Authority: The Uses of Cliché |
Elizabeth Barry (auth.) |
|
2200 |
|
Women in Irish Drama: A Century of Authorship and Representation [1 ed.] |
Melissa Sihra (eds.) |
1 |
2201 |
|
Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences [1 ed.] |
John Tulloch |
1 |
2202 |
|
Waiting for Godot and Happy Days: Text and Performance |
Katharine Worth (auth.) |
|
2203 |
|
Bernard Shaw: A Critical View |
Nicholas Grene (auth.) |
|
2204 |
|
Beyond the Golden Door: Jewish American Drama and Jewish American Experience [1 ed.] |
Julius Novick (auth.) |
1 |
2205 |
|
The Challenge of World Theatre History [1st ed.] |
Steve Tillis |
1 |
2206 |
|
Tom Stoppard: The Moral Vision of the Major Plays [1 ed.] |
Paul Delaney (auth.) |
1 |
2207 |
|
Tom Stoppard: The Artist as Critic [1 ed.] |
Neil Sammells (auth.) |
1 |
2208 |
|
After In-Yer-Face Theatre: Remnants of a Theatrical Revolution [1st ed. 2020] |
William C. Boles (editor) |
1 |
2209 |
|
Beyond the Golden Door: Jewish American Drama and Jewish American Experience (Palgrave Studies in Theatre and Performance History) |
Julius Novick |
|
2210 |
|
Camus’s L’Etranger: Fifty Years on [1 ed.] |
Adele King (eds.) |
1 |
2211 |
|
The Rivals by Richard Sheridan |
Jeremy Rowe (auth.) |
|
2212 |
|
Tom Stoppard an Assessment |
Tim Brassell (auth.) |
|
2213 |
|
Tom Stoppard |
Thomas R. Whitaker (auth.) |
|
2214 |
|
Beckett's Intuitive Spectator [1st ed.] |
Michelle Chiang |
1 |
2215 |
|
Christina Reid's Theatre of Memory and Identity: Within and Beyond the Troubles [1st ed.] |
Rachel Tracie |
1 |
2216 |
|
Twelfth Night by William Shakespeare |
R. P. Draper (auth.) |
|
2217 |
|
Aspects of Seventeenth-Century French Drama and Thought [1 ed.] |
Robert McBride (auth.) |
1 |
2218 |
|
The Theatre of War: The First World War in British and Irish Drama |
Heinz Kosok (auth.) |
|
2219 |
|
Waiting for Godot by Samuel Beckett |
Jennifer Birkett |
|
2220 |
|
William Shakespeare: Writing for Performance |
John Russell Brown (auth.) |
|
2221 |
|
Bernard Shaw’s Irish Outlook |
David Clare (auth.) |
|
2222 |
|
Beckett's Masculinity (New Interpertations of Beckett in the Twenty-First Century) [1 ed.] |
Jennifer M. Jeffers |
1 |
2223 |
|
The Theatre of the Mind: A Study of Unacted Drama in Nineteenth-Century England [1 ed.] |
Shou-ren Wang (auth.) |
1 |
2224 |
|
Athol Fugard |
Dennis Walder (auth.) |
|
2225 |
|
Irish Anglican Literature and Drama: Hybridity and Discord |
David Clare |
|
2226 |
|
Fiction, Poetry, and Drama: Audacious Writings by American Women, 1830-1930 [1] |
Meredith Stabel (editor) |
1 |
2227 |
|
The Renaissance: Excluding Drama |
Elizabeth Story Donno (auth.) |
|
2228 |
|
Crimes and Punishments and Bernard Shaw [1 ed.] |
Bernard F. Dukore (auth.) |
1 |
2229 |
|
Women’s Theatre Writing in Victorian Britain [1 ed.] |
Katherine Newey (auth.) |
1 |
2230 |
|
The Theatre of Naomi Wallace: Embodied Dialogues |
Scott T. Cummings, Erica Stevens Abbitt (eds.) |
|
2231 |
|
Peter Pan and Other Plays |
Barrie, J. M.,Hollindale, Peter |
|
2232 |
|
The Necessity of Theater: The Art of Watching and Being Watched |
Paul Woodruff |
|
2233 |
|
Aeschylus: Persians and Other Plays |
Christopher Collard |
|
2234 |
|
The Oxford Shakespeare: The Complete Works, Second Edition [2nd ed.] |
William Shakespeare, Edited by: John Jowett, William Montgomery, Gary Taylor, Stanley Wells |
2 |
2235 |
|
The Drama of History: Ibsen, Hegel, Nietzsche |
Kristin Gjesdal |
|
2236 |
|
Tragedy on the Comic Stage |
Matthew C. Farmer |
|
2237 |
|
Laughter on the Fringes: The Reception of Old Comedy in the Imperial Greek World |
Anna Peterson |
|
2238 |
|
Sophocles : four tragedies [First edition] |
(Greek mythological figure) Ajax, (Greek mythological figure) Oedipus, (Mythological character) Philoctetes, Sophocles, Sophocles |
|
2239 |
|
Shakespeare on Page and Stage: Selected Essays |
Stanley Wells, Paul Edmondson (editor) |
|
2240 |
|
Apuleius and Drama: The Ass on Stage |
Regine May |
|
2241 |
|
Four Restoration Libertine Plays (Oxford World's Classics) |
Deborah Payne Fisk |
|
2242 |
|
The Relapse and Other Plays (Oxford World's Classics) |
John Vanbrugh |
|
2243 |
|
Timon of Athens: the life of Timon of Athens |
Jowett, John,Middleton, Thomas,Shakespeare, William,of Athens Timon |
|
2244 |
|
Rehearsal from Shakespeare to Sheridan |
Tiffany Stern |
|
2245 |
|
Thomas Middleton : the collected works [[1st pbk. ed.]] |
Taylor, Gary, Middleton, Thomas, Lavagnino, John |
1 |
2246 |
|
Talking about Laughter: And Other Studies in Greek Comedy |
Alan H. Sommerstein |
|
2247 |
|
Miss Julie and Other Plays : And Other Plays |
Robinson, Michael, Strindberg, Johan August |
|
2248 |
|
Oxford Shakespeare : The History of King Lear [1 ed.] |
Shakespeare, William, Wells, Stanley, Taylor, Gary |
1 |
2249 |
|
The Oxford Shakespeare : Richard II [1 ed.] |
Shakespeare, William, Yachnin, Paul, Dawson, Anthony B |
1 |
2250 |
|
Acts of desire: women and sex on stage 1800-1930 [1 ed.] |
Sos Eltis |
1 |
2251 |
|
Theatre: A Very Short Introduction |
Carlson, Marvin A |
|
2252 |
|
Modern Drama: A Very Short Introduction |
Shepherd-Barr, Kirsten E |
|
2253 |
|
Octavia: Attributed to Seneca |
Anthony James Boyle |
|
2254 |
|
Early Modern Theatricality [1 ed.] |
Henry S. Turner |
1 |
2255 |
|
People Are Living There |
Athol Fugard |
|
2256 |
|
Pygmalion, Heartbreak House, and Saint Joan |
George Bernard Shaw, Brad Kent |
|
2257 |
|
Language and character in Euripides' Electra |
Evert van Emde Boas |
|
2258 |
|
Sophocles: Oedipus the King: A New Verse Translation |
David Kovacs |
|
2259 |
|
Six tragedies |
Lucius Annaeus Seneca, Emily R. Wilson |
|
2260 |
|
The Oxford Shakespeare: Othello, the Moor of Venice [1 ed.] |
William Shakespeare, Michael Neill |
1 |
2261 |
|
Othello: The Moor of Venice |
William Shakespeare, Michael Neill |
|
2262 |
|
Birds and Other Plays (Oxford World's Classics) |
Aristophanes, Stephen Halliwell (trans.) |
|
2263 |
|
Volpone, or, The fox ; Epicene, or, The silent woman ; The alchemist ; Bartholomew fair |
Ben Jonson, Gordon Campbell (editor) |
|
2264 |
|
A Woman Killed with Kindness and Other Domestic Plays (Oxford World's Classics) |
Thomas Heywood, Thomas Dekker, William Rowley, John Ford |
|
2265 |
|
Three Major Plays |
Lope de Vega, Gwynne Edwards |
|
2266 |
|
Antigone, Oedipus the King, Electra (Oxford World's Classics) |
Sophocles, H.D.F. Kitto, Edith Hall |
|
2267 |
|
Danton's death ; Leonce and Lena ; Woyzeck |
Büchner, Georg, Büchner, Georg, Price, Victor |
|
2268 |
|
The relapse [and other plays] [1. publ ed.] |
Vanbrugh, John Sir,Hammond, Brean S |
1 |
2269 |
|
Henry V, War Criminal?: and Other Shakespeare Puzzles |
John Sutherland, Cedric Watts, Stephen Orgel |
|
2270 |
|
The History of King Lear |
Shakespeare, William |
|
2271 |
|
York Mystery Plays: A Selection in Modern Spelling (Oxford World's Classics) |
Richard Beadle (editor), Pamela M. King (editor) |
|
2272 |
|
The Recognition of Sakuntala: A Play In Seven Acts (Oxford World's Classics) [1 ed.] |
Kalidasa |
1 |
2273 |
|
The Oxford Handbook of Restoration Literature |
Matthew C. Augustine (editor), Steven N. Zwicker (editor) |
|
2274 |
|
The Tempest : The New Oxford Shakespeare (2024 Version) |
William Shakespeare, Lauren Working, Rory Loughlane, Emma Smith |
|
2275 |
|
Romeo and Juliet: The New Oxford Shakespeare |
William Shakespeare, Hannah August, Francis X. Conor, Emma Smith |
|
2276 |
|
As You Like It |
William Shakespeare |
|
2277 |
|
Measure for Measure: The New Oxford Shakespeare |
William Shakespeare, Terri Bourus |
|
2278 |
|
Romeo and Juliet |
William Shakespeare |
|
2279 |
|
The Drama of Complaint: Ethical Provocations in Shakespeare's Tragedy |
Emily Shortslef |
|
2280 |
|
Minds on Stage: Greek Tragedy and Cognition |
Felix Budelmann, Ineke Sluiter |
|
2281 |
|
Kongi's Harvest |
Wole Soyinda |
|
2282 |
|
More stately mansions [Unexpurgated edition /] |
Eugene Gladstone O'Neill, Martha Gilman Bower |
|
2283 |
|
Playboys and Killjoys: An Essay on the Theory and Practice of Comedy |
Harry Levin |
|
2284 |
|
Electra (Greek Tragedy in New Translations) |
Sophocles |
|
2285 |
|
More Stately Mansions: The Unexpurgated Edition [The unexpurgated ed] |
O'Neill, Eugene, Bower, Martha Gilman |
|
2286 |
|
Antigone (Greek Tragedy in New Translations) [Reprint ed.] |
Sophocles |
|
2287 |
|
Tragedy's End: Closure and Innovation in Euripidean Drama |
Francis M. Dunn |
|
2288 |
|
Medea [1 ed.] |
Collier, Michael, Euripides., consort of Aegeus King of Athens (Mythological character) Medea, Machemer, Georgia, consort of Aegeus King of Athens (Mythological character) Medea |
1 |
2289 |
|
Beckett at 100: Revolving It All |
Ben-Zvi, Linda,Moorjani, Angela B |
|
2290 |
|
Aristophanes' Frogs [1 ed.] |
Griffith, Mark |
1 |
2291 |
|
American Theatre: A Chronicle of Comedy and Drama, 1969-2000 |
Thomas S. Hischak |
|
2292 |
|
The Complete Aeschylus: Volume II: Persians and Other Plays (Greek Tragedy in New Translations) |
Aeschylus, Peter Burian, Alan Shapiro |
|
2293 |
|
The Complete Sophocles: Volume II: Electra and Other Plays (Greek Tragedy in New Translations) [1 ed.] |
Sophocles, Peter Burian (editor), Alan Shapiro (editor) |
1 |
2294 |
|
The Complete Euripides, Volume V: Medea and Other Plays [1 ed.] |
Euripides, Peter Burian (editor), Alan Shapiro (editor) |
1 |
2295 |
|
The Complete Euripides, Volume III: Hippolytos and Other Plays [1 ed.] |
Euripides, Peter Burian (editor), Alan Shapiro (editor) |
1 |
2296 |
|
Doctor Faustus [2 ed.] |
Christopher Marlowe (edited by Kitty Datta) |
2 |
2297 |
|
Poetics, Plays, and Performances: The Politics of Modern Indian Theatre |
Vasudha Dalmia |
|
2298 |
|
Macbeth before Shakespeare |
Benjamin Hudson |
|
2299 |
|
Theater and Human Flourishing (The Humanities and Human Flourishing) |
Harvey Young (editor) |
|
2300 |
|
Andha Yug |
Dharamvir Bharati, Alok Bhalla (Trans.) |
|
2301 |
|
Timon of Athens |
William Shakespeare, Thomas Middleton |
|
2302 |
|
Ben Jonson: A Life [1 ed.] |
Ian Donaldson |
1 |
2303 |
|
Shakespearean negotiations |
Stephen Jay Greenblatt |
|
2304 |
|
Euripides: Heracles |
Euripides, Godfrey William Bond (editor) |
|
2305 |
|
English Drama 1586-1642: The Age of Shakespeare |
G. K. Hunter |
|
2306 |
|
Menander: A Commentary |
Arnold Wycombe Gomme, F. H. Sandbach |
|
2307 |
|
Scenic form in Shakespeare |
Emrys Jones |
|
2308 |
|
Frogs |
Aristophanes, Sir Kenneth Dover |
|
2309 |
|
The Agon in Euripides |
Michael A. Lloyd |
|
2310 |
|
Dithyramb, Tragedy and Comedy [2. revised] |
Arthur W. Pickard-Cambridge, T. B. L. Webster |
2 |
2311 |
|
Dialect in Aristophanes. The Politics of Language in Ancient Greek Literature |
Stephen Colvin |
|
2312 |
|
The Songs of Aristophanes |
L. P. E. Parker |
|
2313 |
|
Hippolytos |
Euripides, W. S. Barrett |
|
2314 |
|
Terence, The Comedies |
Peter Brown |
|
2315 |
|
Aristophanes: Clouds, Women at the Thesmophoria, Frogs: A Verse Translation, with Introduction and Notes [1 ed.] |
Stephen Halliwell |
1 |
2316 |
|
Theseus, Tragedy, and the Athenian Empire |
Sophie Mills |
|
2317 |
|
Trachiniae [1 ed.] |
Sophocles, Malcolm Davies |
1 |
2318 |
|
The Andromache and Euripidean Tragedy (Oxford Classical Monographs) |
William Allan |
|
2319 |
|
Comic business : theatricality, dramatic technique, and performance contexts of Aristophanic comedy [Repr. von 2006 ed.] |
Revermann, Martin |
2006 |
2320 |
|
Thomas Middleton: The Collected Works and Companion Two Volume Set |
Thomas Middleton, John Lavagnino |
|
2321 |
|
Richard II (Oxford Shakespeare) [Elibron Classics series ed.] |
William Shakespeare, Anthony B. Dawson, Paul Yachnin |
|
2322 |
|
Oxford Playscripts: Frankenstein [UK ed.] |
Mary Shelley |
|
2323 |
|
Stage, stake, and scaffold: humans and animals in Shakespeare's theatre |
Andreas Höfele |
|
2324 |
|
Euripides: Medea. Text Edited with Introduction and Commentary [reprint 2001 ed.] |
Denys L. Page |
2001 |
2325 |
|
Aristophanes and Athens: An Introduction to the Plays |
Douglas Maurice MacDowell |
|
2326 |
|
Roman Historical Drama: The Octavia In Antiquity and Beyond [1 ed.] |
Patrick Kragelund |
1 |
2327 |
|
Choephori (Clarendon Paperbacks) |
Aeschylus |
|
2328 |
|
Shakespeare-cut : rethinking cutwork in an age of distraction [1st ed.] |
Smith, Bruce R |
1 |
2329 |
|
Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition [Hardcover ed.] |
Nurit Yaari |
|
2330 |
|
Hamlet’s Moment: Drama and Political Knowledge in Early Modern England [1 ed.] |
Andras Kisery |
1 |
2331 |
|
Shakespeare's Tragedies: a very short introduction |
Stanley Wells |
|
2332 |
|
Shakespeare on Page and Stage: Selected Essays |
Stanley Wells, Paul Edmondson |
|
2333 |
|
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry: Between Page and Stage [online ed.] |
Leo Shtutin |
|
2334 |
|
Postdramatic Tragedies (Classical Presences) [Illustrated] |
Emma Cole |
|
2335 |
|
Children in Greek Tragedy: Pathos and Potential |
Emma M Griffiths |
|
2336 |
|
Turn-Taking in Shakespeare |
Oliver Morgan |
|
2337 |
|
The Chorus of Drama in the Fourth Century BCE: Presence and Representation |
Lucy C. M. M. Jackson |
|
2338 |
|
Shakespeare: A Playgoer's & Reader's Guide |
Michael Dobson |
|
2339 |
|
The Making of British Bourgeois Tragedy |
Alex Eric Hernandez |
|
2340 |
|
John Heywood. Comedy and Survival in Tudor England |
Greg Walker |
|
2341 |
|
Off-Stage Groups in Athenian Drama (Oxford Classical Monographs) |
Alexandra Hardwick |
|
2342 |
|
Wasps and Other Plays: A new verse translation, with introduction and notes [Translation ed.] |
Aristophanes, Prof Stephen Halliwell |
|
2343 |
|
Fathoming the Deep in English Renaissance Tragedy: Horror, Mystery, and the Oceanic Sublime |
Laurence Publicover |
|
2344 |
|
Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy |
Toril Moi |
|
2345 |
|
How Plays Work: Reading and Performance |
Martin Meisel |
|
2346 |
|
William Shakespeare |
Peter Holland |
|
2347 |
|
Boris Godunov and Other Dramatic Works |
Alexander Pushkin |
|
2348 |
|
God and Mystery in Words: Experience through Metaphor and Drama |
David Brown |
|
2349 |
|
Euripides Alcestis [Critical ed.] |
Euripides, L. P. E. Parker (editor) |
|
2350 |
|
The Oxford Shakespeare: The Complete Works 2nd Edition [2nd ed.] |
William Shakespeare, Stanley Wells, Gary Taylor, John Jowett, William Montgomery |
2 |
2351 |
|
Aeschylus: Persae |
Aeschylus, A. F. Garvie |
|
2352 |
|
Drugs and Theater in Early Modern England |
Tanya Pollard |
|
2353 |
|
Aeschylus: Agamemnon (Volumes 1-3) [2 ed.] |
Eduard Fraenkel (editor) |
2 |
2354 |
|
A Midsummer Night's Dream: The Oxford Shakespeare [Reprint ed.] |
William Shakespeare, Peter Holland (editor) |
|
2355 |
|
Four Major Plays: Doll's House; Ghosts; Hedda Gabler; and The Master Builder [1 ed.] |
Henrik Ibsen, Jens Arup |
1 |
2356 |
|
Oresteia (Oxford World's Classics) [Annotated] |
Aeschylus, Christopher Collard |
|
2357 |
|
Medea and Other Plays |
Euripides |
|
2358 |
|
The Trojan Women and Other Plays [Reissue ed.] |
Euripides, James Morwood, Edith Hall |
|
2359 |
|
Four Comedies: The Braggart Soldier - The Brothers Menaechmus - The Haunted House - The Pot of Gold [Reprint ed.] |
Plautus |
|
2360 |
|
The Reception and Performance of Euripides' Herakles: Reasoning Madness |
Kathleen Riley |
|
2361 |
|
Euripides: Iphigenia in Tauris |
L. P. E. Parker |
|
2362 |
|
Collected plays (2 vols.) |
Girish Karnad |
|
2363 |
|
Aristophanes Thesmophoriazusae |
Colin Austin, S. Douglas Olson |
|
2364 |
|
Round Dance and Other Plays (Oxford World's Classics) |
Arthur Schnitzler, Ritchie Robertson, J. M. Q. Davies |
|
2365 |
|
The Oxford Handbook of Thomas Middleton [online version ed.] |
Gary Taylor (editor), Trish Thomas Henley (editor) |
|
2366 |
|
The Oxford Handbook of Tudor Drama |
Thomas Betteridge, Greg Walker |
|
2367 |
|
The Strangeness of Tragedy [1 ed.] |
Paul Hammond |
1 |
2368 |
|
Antigone on the Contemporary World Stage [Hardcover ed.] |
Erin B. Mee, Helene P. Foley |
|
2369 |
|
Theatre of the Condemned: Classical Tragedy on Greek Prison Islands |
Gonda Van Steen |
|
2370 |
|
A Commentary on the Rhesus Attributed to Euripides [1 - online version ed.] |
Vayos Liapis |
1 |
2371 |
|
The New Oxford Shakespeare. The Complete Works. Modern Critical Edition |
Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan, Francis X. Connor, Rory Loughnane, Anna Pruitt, Sarah Neville, Will Sharpe |
|
2372 |
|
The New Oxford Shakespeare: Critical Reference Edition: The Complete Works [Annotated] |
William Shakespeare, Gary Taylor (editor), John Jowett (editor), Terri Bourus (editor), Gabriel Egan (editor) |
|
2373 |
|
Three Plays Six Characters in Search of an Author, Henry IV, The Mountain Giants (Oxford World's Classics) |
Luigi Pirandello, |
|
2374 |
|
The Beggars Opera and Polly |
Gladfelder, Hal,Gay, John |
|
2375 |
|
Blake’s ’Jerusalem’ as Visionary Theatre: Entering the Divine Body |
Suzanne M. Sklar |
|
2376 |
|
Modern Drama: A Very Short Introduction (Very Short Introductions) [Illustrated] |
Kirsten Shepherd-Barr |
|
2377 |
|
Theatre: A Very Short Introduction [New Upd ed.] |
Marvin Carlson |
|
2378 |
|
The Drama of Ideas: Platonic Provocations in Theater and Philosophy |
Martin Puchner |
|
2379 |
|
The Oxford Handbook of American Drama [1 ed.] |
Jeffrey H. Richards, Heather S. Nathans |
1 |
2380 |
|
Euripides and the Gods (Onassis Series in Hellenic Culture) [1 ed.] |
Mary Lefkowitz |
1 |
2381 |
|
The Oxford Handbook of Greek and Roman Comedy |
Michael Fontaine, Adele C. Scafuro |
|
2382 |
|
Anglo-American Stage and Screen Drama: The Post-Democratic World Order |
Mike Ingham |
|
2383 |
|
Antony and Cleopatra by William Shakespeare |
Martin Wine (auth.) |
|
2384 |
|
The Oxford companion to American theatre [3rd ed] |
Bordman, Gerald Martin, Hischak, Thomas S |
3 |
2385 |
|
Coriolanus |
William Shakespeare |
|
2386 |
|
Love's Labour's Lost |
William Shakespeare |
|
2387 |
|
King Henry V |
William Shakespeare |
|
2388 |
|
Othello. The Oxford Shakespeare |
Neill, Michael,Shakespeare, William |
|
2389 |
|
Scars of Conquest Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama |
Tejumola Olaniyan |
|
2390 |
|
The Oxford Companion to American Theatre, Third Edition [3 ed.] |
Gerald Bordman, Thomas S. Hischak |
3 |
2391 |
|
Rabinal Achi: A Mayan Drama of War and Sacrifice |
Dennis Tedlock |
|
2392 |
|
Beckett at 100 : revolving it all [1 ed.] |
Beckett, Samuel, Moorjani, Angela B., Beckett, Samuel, Ben-Zvi, Linda |
1 |
2393 |
|
Brecht and Political Theatre: The Mother on Stage |
Laura Bradley |
|
2394 |
|
Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832 |
David Worrall |
|
2395 |
|
Murder Among Friends: Violation of Philia in Greek Tragedy |
Elizabeth S. Belfiore |
|
2396 |
|
Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora |
Barbara Goff, Michael Simpson |
|
2397 |
|
Menander: The Shield and The Arbitration |
Stanley Ireland |
|
2398 |
|
Euripides: Cyclops and Major Fragments of Greek Satyric Drama |
Christopher Collard, Patrick Dominic O'Sullivan |
|
2399 |
|
The New Oxford Shakespeare: Modern Critical Edition: The Complete Works [Har/Psc ed.] |
William Shakespeare, Gary Taylor (editor), John Jowett (editor), Terri Bourus (editor), Gabriel Egan (editor) |
|
2400 |
|
Karbala, a Historical Play (Translator, Nishat Zaidi x) [1 ed.] |
Premchand |
1 |
2401 |
|
Aeschylus: Suppliant Women [online ed.] |
A. J. Bowen |
|
2402 |
|
The Way of The World [2020 ed.] |
William Congreve, Kajal Sengupta Edited |
2020 |
2403 |
|
Sizwe Bansi is Dead |
Athol Fugard |
|
2404 |
|
The Figaro Trilogy: The Barber of Seville, The Marriage of Figaro, The Guilty Mother |
Pierre-Augustin Beaumarchais |
|
2405 |
|
Aristophanes’ Wasps |
Zachary P. Biles, S. Douglas Olson |
|
2406 |
|
Don Carlos and Mary Stuart |
Friedrich Schiller |
|
2407 |
|
The Stagecraft of Aeschylus |
Oliver Taplin |
|
2408 |
|
Comic Angels |
Oliver Taplin |
|
2409 |
|
School for Scandal and Other Plays |
Sheridan, Richard Brinsley,Cordner, Michael |
|
2410 |
|
Aristophanes’ Ecclesiazusae |
R. G. Ussher |
|
2411 |
|
Aristophanes’ Peace |
S. Douglas Olson |
|
2412 |
|
Asif Currimbhoy's Plays |
Asif Currimbhoy |
|
2413 |
|
Euripides: Hypsipyle |
Euripides, G. W. Bond |
|
2414 |
|
Kinjeketile |
Ebrahim N. Hussein |
|
2415 |
|
Hayavadana |
Girish Karnad |
|
2416 |
|
Greek Tragedy [5] |
T.B.L. Webster |
5 |
2417 |
|
1 Henry IV : a critical guide |
Stephen Longstaffe |
|
2418 |
|
A Company of Actors: (The Comédie Française) |
Francisque Sarcey, Brander Matthews |
|
2419 |
|
A Couple of Soles: A Comic Play from Seventeenth-Century China |
Li Yu |
|
2420 |
|
1 Henry IV: a critical guide |
Longstaffe, Stephen,Shakespeare, William |
|
2421 |
|
20Th Century French Drama |
David I. Grossvogel |
|
2422 |
|
A Stage Play |
William Schenck Gilbert, William Archer |
|
2423 |
|
A Topsy-Turvy World: Short Plays and Farces from the Ming and Qing Dynasties (Translations from the Asian Classics) |
Wilt Idema (editor), Wai-yee Li (editor), Stephen H. West (editor) |
|
2424 |
|
A Study of Shelley’S Drama the Cenci |
Ernest Sutherland Bates |
|
2425 |
|
A Theory of the Theater |
Francisque Sarcey, Brander Matthews |
|
2426 |
|
Acts of Compassion in Greek Tragic Drama |
James Franklin Johnson |
|
2427 |
|
Adapting King Lear for the Stage |
Lynne Bradley |
|
2428 |
|
The Columbia Anthology of Modern Chinese Drama, Abridged |
Chen, Xiaomei |
|
2429 |
|
Ahmed the philosopher: thirty-four short plays for children and everyone else |
Badiou, Alain,Litvak, Joseph |
|
2430 |
|
Ahmed the Philosopher Thirty-F |
Badiou, Alain |
|
2431 |
|
Anton Chekhov (Bloom's Major Dramatists) |
Harold Bloom |
|
2432 |
|
Arthur Miller's Death of a Salesman (Bloom's Modern Critical Interpretations) [2 Updated] |
Harold Bloom |
2 |
2433 |
|
Arthur Miller's The Crucible (Bloom's Modern Critical Interpretations) [New ed.] |
Harold Bloom |
|
2434 |
|
At Home in Shakespeare's Tragedies |
Geraldo U. de Sousa |
|
2435 |
|
Black American poets and dramatists of the Harlem Renaissance |
Bloom, Harold |
|
2436 |
|
Black American women poets and dramatists |
Bloom, Harold |
|
2437 |
|
Black is the New White |
Lui, Nakkiah |
|
2438 |
|
Cherokee dance and drama |
Frank Gouldsmith Speck, Leonard Broom, Will West Long |
|
2439 |
|
Chikamatsu: Five Late Plays |
C. Andrew Gerstle |
|
2440 |
|
Collected Plays and Teleplays |
O'Brien, Flann |
|
2441 |
|
Comedy and Conscience After the Restoration |
Joseph Wood Krutch |
|
2442 |
|
Columbia Anthology of Yuan Drama |
C. T. Hsia, Wai-yee Li, George Kao |
|
2443 |
|
Complete Dramatic Works of Thomas Dekker |
Thomas Dekker |
|
2444 |
|
Contemporary Black American poets and dramatists |
Bloom, Harold |
|
2445 |
|
Corneille and the Spanish Drama |
J. B. Segall |
|
2446 |
|
Dario Fo: Revolutionary Theatre [First Edition] |
Tom Behan |
|
2447 |
|
David Mamet (Bloom's Modern Critical Views) |
Harold Bloom (Editor) |
|
2448 |
|
Dekker and Heywood: Professional Dramatists |
Kathleen E. McLuskie (auth.) |
|
2449 |
|
Disguise Plots in Elizabethan Drama: A Study in Stage Tradition |
Victor Oscar Freeburg |
|
2450 |
|
Doomed by Hope : Essays on Arab Theatre [1 ed.] |
Eyad Houssami, Elias Khoury, Elias Khoury |
1 |
2451 |
|
Drama and Liturgy |
Oscar Cargill |
|
2452 |
|
Drama and the Succession to the Crown, 1561-1633 |
Lisa Hopkins |
|
2453 |
|
Electra [2 ed.] |
Euripides, Martin Cropp |
2 |
2454 |
|
English Domestic Or, Homiletic Tragedy 1575 to 1642: Being an Account of the Development of the Tragedy of the Common Man Showing Its Great Dependence on Religious Morality, Illustrated With Striking Examples of the Interposition of Providence for the Amendment of Men’S Manners |
Henry Hitch Adams |
|
2455 |
|
Fourteen Little Red Huts and Other Plays |
Chandler, Robert,Duzhina, Natalya,Irwin, Jesse,Larsen, Susan,Platonov, Andrei |
|
2456 |
|
Fourteen Little Red Huts and Other Plays |
Andrei Platonov, Robert Chandler, Susan Larsen, Jesse Irwin |
|
2457 |
|
From Richardson to Pinero: Some Innovators and Idealists |
Frederick S. Boas |
|
2458 |
|
Golden Age Drama in Contemporary Spain: The Comedia on Page, Stage and Screen [1 ed.] |
Duncan Wheeler |
1 |
2459 |
|
How to Read Chinese Drama in Chinese: A Language Companion |
Patricia Sieber (editor), Wenbo Chang (editor), Yingde Guo (editor), Xiaohui Zhang (editor) |
|
2460 |
|
How to Read Chinese Drama: A Guided Anthology |
Patricia Sieber, Regina Llamas |
|
2461 |
|
Ideas in the drama: selected papers from the English Institute |
John Gassner |
|
2462 |
|
Inspiring writing through drama : creative approaches to teaching ages 7-16 |
Patrice Baldwin and Rob John |
|
2463 |
|
Is There Life Outside the Box?: An Actor Despairs |
Andrew Merriman, Peter Davison |
|
2464 |
|
Joy, Despair, Illusion, Dreams: Twenty Plays from the Nō Tradition |
Royall Tyler (translator) |
|
2465 |
|
Letters of an Old Playgoer |
Matthew Arnold, Brander Matthews |
|
2466 |
|
Ludics in Surrealist Theatre and Beyond [New edition] |
Rapti, Vassiliki, Breton, André |
|
2467 |
|
Major plays of Chikamatsu |
Monzaemon Chikamatsu |
|
2468 |
|
Mask and Sword: Two Plays for the Contemporary Japanese Theater by Yamazaki Masakazu |
J. Thomas Rimer |
|
2469 |
|
Melodrama Unbound: Across History, Media, and National Cultures |
Christine Gledhill (editor), Linda Williams (editor) |
|
2470 |
|
Middleton’S Tragedies: A Critical Study |
Samuel Schoenbaum |
|
2471 |
|
Modern American Drama |
Harold Bloom |
|
2472 |
|
Modern Armenian Drama: An Anthology |
Nishan Parlakian (editor), S. Peter Cowe (editor) |
|
2473 |
|
Modern Korean Drama: An Anthology [Reprint ed.] |
Richard Nichols |
|
2474 |
|
Much Ado About Nothing (Bloom's Shakespeare Through the Ages) [1 ed.] |
Harold Bloom, Michael G. Cornelius |
1 |
2475 |
|
Myth and Society in Attic Drama |
Alan M. G. Little |
|
2476 |
|
New Russian Drama: An Anthology |
Maksim Hanukai (editor), Susanna Weygandt (editor), Richard Schechner (editor) |
|
2477 |
|
New Native American Drama: Three Plays [Stated First Edition] |
Hanay Geiogamah |
|
2478 |
|
On Shakespeare [EasyRead large print ed] |
Shakespeare, William,Bell, John |
|
2479 |
|
Orphan of Zhao and Other Yuan Plays |
Stephen H. West, Wilt L. Idema |
|
2480 |
|
Performing Salome, Revealing Stories |
Clair Rowden (Editor) |
|
2481 |
|
Playwright, Space and Place in Early Modern Performance: Shakespeare and Company |
Tim Fitzpatrick |
|
2482 |
|
Playwriting for Elizabethans: 1600–1605 |
Mary Crapo Hyde |
|
2483 |
|
Plautus' Curculio |
Titus Maccius Plautus, John Wright |
|
2484 |
|
Plotting Early Modern London. New Essays on Jacobean City Comedy |
Dieter Mehl, Angela Stock, Anne-Julia Zwierlein (eds.) |
|
2485 |
|
Radical Comedy in Early Modern England (Studies in Performance and Early Modern Drama) |
Rick Bowers |
|
2486 |
|
Records of Early Drama: Wales |
Klausner, David (ed.) |
|
2487 |
|
Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage [1 ed.] |
Elizabeth Williamson, Jane Hwang Degenhardt (editor) |
1 |
2488 |
|
Renaissance Drama on the Edge [New edition] |
Lisa Hopkins |
|
2489 |
|
Renaissance Drama on the Edge |
Hopkins, Lisa |
|
2490 |
|
Revolution in American Drama |
Edmond M. Gagey |
|
2491 |
|
Robertson Davies, Playwright: A Search for the Self on the Canadian Stage |
Susan Stone-Blackburn |
|
2492 |
|
Right You Are: Cosĺ È (Se VI Pare) |
Luigi Pirandello, Eric Bentley |
|
2493 |
|
Richard III (Bloom's Shakespeare Through the Ages) [1 ed.] |
Harold Bloom |
1 |
2494 |
|
Robert Louis Stevenson as a Dramatist |
Arthur Wing Pinero, Clayton Hamilton |
|
2495 |
|
Romeo and Juliet (Bloom's Shakespeare Through the Ages) |
Harold Bloom, Janyce Marson |
|
2496 |
|
Samuel Beckett's Waiting for Godot (Bloom's Modern Critical Interpretations) |
Harold Bloom (ed) |
|
2497 |
|
Sakuntala: Texts, Readings, Histories |
Romila Thapar |
|
2498 |
|
Sakuntala: Texts, Readings, Histories [Reprint ed.] |
Romila Thapar |
|
2499 |
|
Sensory Experience and the Metropolis on the Jacobean Stage 1603–1625 |
Hristomir A. Stanev |
|
2500 |
|
Shakespeare and the Versification of English Drama, 1561-1642 [New edition] |
Marina Tarlinskaja |
|
2501 |
|
Shakespeare’S Audience |
Alfred Harbage |
|
2502 |
|
Shakspere Forgeries in the Revels Accounts |
Samuel A. Tannenbaum |
|
2503 |
|
Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 [1 ed.] |
Duncan Salkeld |
1 |
2504 |
|
Shakespeare’S Comedies of Play |
J. Dennis Huston |
|
2505 |
|
South African Essays on 'Universal' Shakespeare [New edition] |
Chris Thurman |
|
2506 |
|
Sovereigns and Subjects in Early Modern Neo-Senecan Drama: Republicanism, Stoicism and Authority |
Dr Daniel Cadman |
|
2507 |
|
Staging Shakespeare's Violence: My Cue to Fight: Domestic Fury |
Seth Duerr, Jared Kirby |
|
2508 |
|
Staging Power in Tudor and Stuart English History Plays. History, Political Thought, and the Redefinition of Sovereignty |
Kristin M.S. Bezio |
|
2509 |
|
Still Harping on Daughters: Women and Drama in the Age of Shakespeare |
Lisa Jardine |
|
2510 |
|
Stuart Women Playwrights, 1613-1713 (Studies in Performance and Early Modern Drama) |
Pilar Cuder-Domínguez |
|
2511 |
|
Tennessee Williams (Bloom's Major Dramatists : Comprehensive Research and Study Guide) |
Harold Bloom |
|
2512 |
|
Tennessee Williams's Cat on a Hot Tin Roof (Modern Critical Interpretations) |
Harold Bloom |
|
2513 |
|
Tennessee Williams's A Streetcar Named Desire (Bloom's Modern Critical Interpretations) [New ed.] |
Harold Bloom |
|
2514 |
|
Tennessee Williams's Cat on a Hot Tin Roof (Bloom's Modern Critical Interpretations) [New ed.] |
Harold Bloom |
|
2515 |
|
The Ajax of Sophocles |
Sophocles, R. C. Trevelyan |
|
2516 |
|
The Antic Hamlet and Richard III |
Sidney Thomas |
|
2517 |
|
The Autobiography of a Play |
Bronson Howard, Augustus Thomas |
|
2518 |
|
The Comedy of Errors (Bloom's Shakespeare Through the Ages) [1 ed.] |
Harold Bloom, Janyce Marson |
1 |
2519 |
|
The Continuum Companion to Twentieth Century Theatre |
Colin Chambers |
|
2520 |
|
The Date of Love’S Labour’S Lost |
Rupert Taylor |
|
2521 |
|
The Doctor in French Drama 1700–1775 |
Christine E. Petersen |
|
2522 |
|
The Fragrant Companions: A Play About Love Between Women |
Li Yu, Stephen Roddy, Ying Wang |
|
2523 |
|
The German Woman in the Age of Enlightenment: A Study in the Drama from Gottsched to Lessing |
S. Etta Schreiber |
|
2524 |
|
The Horror Plays of the English Restoration [New edition] |
Anne Hermanson |
|
2525 |
|
The Incident at Antioch / L’Incident d’Antioche: A Tragedy in Three Acts / Tragédie en trois actes [Paperback ed.] |
Alain Badiou, Susan Spitzer, Kenneth Reinhard |
|
2526 |
|
The Incident at Antioch / L’Incident d’Antioche: A Tragedy in Three Acts / Tragédie en trois actes |
Alain Badiou, Kenneth Reinhard, Susan Spitzer |
|
2527 |
|
The incident at Antioch: a tragedy in three acts = L'incident d'antioche: trag edie en trois actes [1st worldwide ed] |
Badiou, Alain,Spitzer, Susan |
1 |
2528 |
|
The Law of the Drama |
Ferdinand Brunetière, Henry Arthur Jones |
|
2529 |
|
The Materiality of Religion in Early Modern English Drama |
Elizabeth Williamson |
|
2530 |
|
The Mirror Speaks : the female voice in Medieval dialogue poetry and drama |
Halloran, Susan Margaret |
|
2531 |
|
The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions |
Stephen West (editor), Wilt Idema (editor) |
|
2532 |
|
The Relations of Shirley’S Plays to the Elizabethan Drama |
Robert Stanley Forsythe |
|
2533 |
|
The Redentin Easter play |
A. E. Zucker |
|
2534 |
|
The Sailor in English Fiction and Drama 1550–1800 |
Harold Francis Watson |
|
2535 |
|
The Self-Conscious Stage in Modern French Drama |
David I. Grossvogel |
|
2536 |
|
The Sense of History in Greek and Shakespearean Drama |
Tom F. Driver |
|
2537 |
|
The Shoemaker's Holiday |
Dekker, Thomas |
|
2538 |
|
The Soliloquy in German Drama |
Erwin W. Roessler |
|
2539 |
|
The Theater in Soviet Russia |
Nikolai A. Gorchakov, Edgar Lehrman |
|
2540 |
|
The Theatre of Jean-Paul Sartre |
Dorothy McCALL |
|
2541 |
|
The Tragedies of Herod & Mariamne |
Maurice J. Valency |
|
2542 |
|
The Unhappy Favourite or the Earl of Essex |
John Banks (editor), Thomas Marshall Howe Blair (editor) |
|
2543 |
|
Theatre and evolution from Ibsen to Beckett |
Darwin, Charles, Shepherd-Barr, Kirsten |
|
2544 |
|
Theater of Memory: The Plays of Kālidāsa |
Barbara Stoler Miller |
|
2545 |
|
Thomas Dekker: An analysis of dramatic structure |
James H. Conover |
|
2546 |
|
Thomas Dekker's A Knights Conjuring (1607): A Critical Edition [Reprint 2015 ed.] |
Larry M. Robbins |
2015 |
2547 |
|
To Be and Not to Be. Negation and Metadrama in Hamlet |
James L. Calderwood |
|
2548 |
|
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play |
Regina S Llamas |
|
2549 |
|
Tragic Play: Irony and Theater from Sophocles to Beckett |
Christoph Menke, James Phillips |
|
2550 |
|
Twentieth-Century Russian Drama from Gorky to the Present |
Harold B. Segel |
|
2551 |
|
Twenty plays of the Nō theatre |
Donald Keene, Royall Tyler |
|
2552 |
|
Twenty Plays of the Nō Theatre |
Donald Keene (editor), Royall Tyler (editor), Fukami Tanrō (editor) |
|
2553 |
|
Greek Theatre Performance: An Introduction |
David Wiles |
|
2554 |
|
Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse |
David Wiles |
|
2555 |
|
The Masks of Menander: Sign and Meaning in Greek and Roman Performance |
David Wiles |
|
2556 |
|
Tragedy in Athens: Performance Space and Theatrical Meaning |
David Wiles |
|
2557 |
|
Travel and Drama in Early Modern England: The Journeying Play |
Claire Jowitt (editor), David McInnis (editor) |
|
2558 |
|
Performing Restoration Shakespeare |
Amanda Eubanks Winkler, Claude Fretz, Richard Schoch |
|
2559 |
|
Hamlet [2nd ed] |
Cantor, Paul A.,Shakespeare, William |
2 |
2560 |
|
The Cambridge Introduction to Theatre Studies [ebook ed.] |
Christopher B. Balme |
|
2561 |
|
Beckett’s Intermedial Ecosystems: Closed Space Environments across the Stage, Prose and Media Works |
Anna McMullan |
|
2562 |
|
Catullus and Roman Comedy: Theatricality and Personal Drama in the Late Republic |
Christopher B. Polt |
|
2563 |
|
Lyric Metres of Greek Drama |
A. M. Dale |
|
2564 |
|
The Theatre in Nineteenth-Century Spain [First Edition] |
David Thatcher Gies |
|
2565 |
|
Modern American Drama, 1945-2000 [2 ed.] |
C. W. E. Bigsby |
2 |
2566 |
|
The Cambridge Companion to David Mamet |
Christopher Bigsby |
|
2567 |
|
Costume in the comedies of Aristophanes |
Aristophanes, Aristophanes., Aristophanes, Compton-Engle, Gwendolyn |
|
2568 |
|
Aristophanes' Thesmophoriazusae : philosophizing theatre and the politics of perception in late fifth-century Athens |
Aristophanes, Aristophanes., Clements, Ashley |
|
2569 |
|
The Cambridge Companion to Shakespeare and Contemporary Dramatists |
A.J. Hoenselaars |
|
2570 |
|
Aristophanes and the poetics of competition [1. paperback ed] |
Aristophanes, Biles, Zachary P |
1 |
2571 |
|
Slaves and Slavery in Ancient Greek Comic Drama |
Ben Akrigg, Rob Tordoff (eds) |
|
2572 |
|
Contemporary American playwrights |
Bigsby, C. W. E |
|
2573 |
|
The Structure and Performance of Euripides' Helen |
C. W. Marshall |
|
2574 |
|
The Cambridge Companion to David Mamet (Cambridge Companions to Literature) |
Christopher Bigsby (editor) |
|
2575 |
|
Aeschylus: Suppliants |
Alan H Sommerstein |
|
2576 |
|
Aristophanes' Thesmophoriazusae: Philosophizing Theatre and the Politics of Perception in Late Fifth-Century Athens (Cambridge Classical Studies) |
Ashley Clements |
|
2577 |
|
Platonic Drama and Its Ancient Reception |
Charalabopoulos, Nikos G |
|
2578 |
|
A History of English Drama 1660-1900: Volume 4, Early Nineteenth Century Drama 1800-1850 [iv, 2nd ed.] |
Allardyce Nicoll |
2 |
2579 |
|
Theatrical Reenactment in Pindar and Aeschylus |
Anna Uhlig |
|
2580 |
|
Analyzing Shakespeare's Action: Scene versus Sequence |
Charles A. Hallett, Elaine S. Hallett |
|
2581 |
|
The Cambridge Companion to English Renaissance Drama |
Braunmuller, A R(Editor) |
|
2582 |
|
Menander: Samia (The Woman from Samos) |
Alan H. Sommerstein |
|
2583 |
|
The Cambridge Introduction to Chekhov |
Chekhov, Anton Pavlovich,Loehlin, James N |
|
2584 |
|
The Cambridge Companion to English Restoration Theatre (Cambridge Companions to Literature) |
Deborah Payne Fisk |
|
2585 |
|
Aeschylus: Eumenides |
Alan H. Sommerstein |
|
2586 |
|
TransGenre [1 ed.] |
Aaron Hammes |
1 |
2587 |
|
The Cambridge Companion to American Women Playwrights (Cambridge Companions to Literature) |
Brenda Murphy |
|
2588 |
|
Performing Greek Comedy |
Alan Hughes |
|
2589 |
|
Congressional theatre: dramatizing McCarthyism on stage, film, and television |
Brenda Murphy |
|
2590 |
|
The politics of Irish drama: plays in context from Boucicault to Friel |
Boucicault, Dion,Friel, Brian,Grene, Nicholas |
|
2591 |
|
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England |
David McInnis |
|
2592 |
|
Shakespeare’s Hand in the Play of Sir Thomas More [Reprint ed.] |
Alfred W. Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson |
|
2593 |
|
Beyond Death in the Oresteia: Poetics, Ethics, and Politics [New ed.] |
Amit Shilo |
|
2594 |
|
The Cambridge Companion to English Renaissance Drama (Cambridge Companions to Literature) [2 ed.] |
A. R. Braunmuller, Michael Hattaway |
2 |
2595 |
|
Speech and Performance in Shakespeare's Sonnets and Plays |
David Schalkwyk |
|
2596 |
|
Actors and acting in Shakespeare's time: the art of stage playing |
Astington, John, Shakespeare, William |
|
2597 |
|
Beckett's Political Imagination |
Beckett, Samuel,Morin, Emilie |
|
2598 |
|
The New Cambridge Companion to Samuel Beckett |
Beckett, Samuel,Hulle, Dirk van |
|
2599 |
|
Apocalypse and Anti-Catholicism in Seventeenth-Century English Drama |
Adrian Streete |
|
2600 |
|
The Cambridge Companion to English Melodrama |
Carolyn Williams |
|
2601 |
|
Style, computers, and early modern drama: beyond authorship |
Craig, D. H.,Greatley-Hirsch, Brett |
|
2602 |
|
Elizabethan Stage Conventions and Modern Interpreters |
Alan C. Dessen |
|
2603 |
|
Worke for Cutlers: A Merry Dialogue betweene Sword, Rapier and Dagger [1 ed.] |
Albert Forbes Sieveking |
1 |
2604 |
|
Drama Techniques: A Resource Book of Communication Activities for Language Teachers |
Alan Maley, Alan Duff |
|
2605 |
|
English Dramatic Interludes, 1300-1580: A Reference Guide |
Darryll Grantley |
|
2606 |
|
George Bernard Shaw in Context |
Brad Kent (editor) |
|
2607 |
|
Menander, New Comedy and the Visual (Cambridge Classical Studies) [Illustrated] |
Antonis K. Petrides |
|
2608 |
|
Shakespeare's Tragedies: Violation and Identity |
Alexander Leggatt |
|
2609 |
|
Shakespeare and Beckett |
Claudia Olk |
|
2610 |
|
The Cambridge Companion to British Theatre, 1730-1830 (Cambridge Companions to Literature) |
Daniel O'Quinn |
|
2611 |
|
Environmental Degradation in Jacobean Drama |
Bruce Boehrer |
|
2612 |
|
Hamlet, Prince of Denmark [Updated ed] |
(Fictitious character) Ophelia, Shakespeare, William, Edwards, Philip, (Fictitious character) Ophelia, Shakespeare, William |
|
2613 |
|
The Passions in Play: Thyestes and the Dynamics of Senecan Drama |
Alessandro Schiesaro |
|
2614 |
|
The Persae of Aeschylus |
Aeschylus, Aischylos, Henry Dan Broadhead |
|
2615 |
|
The Cambridge Dover Wilson Shakespeare, Volume 39: The Winter’s Tale [1 ed.] |
William Shakespeare |
1 |
2616 |
|
The Plays of Heinrich von Kleist: Ideals and Illusions |
Sean Allan |
|
2617 |
|
Plautus: Casina |
W. T. MacCary, M. M. Willcock, Titus Maccius Plautus |
|
2618 |
|
The Cambridge Dover Wilson Shakespeare, Volume 36: Troilus and Cressida [1 ed.] |
William Shakespeare |
1 |
2619 |
|
Sophocles: Philoctetes |
T. B. L. Webster |
|
2620 |
|
The Cambridge Dover Wilson Shakespeare, Volume 35: Titus Andronicus [1 ed.] |
William Shakespeare |
1 |
2621 |
|
The Cambridge Dover Wilson Shakespeare, Volume 37: Twelfth Night [1 ed.] |
William Shakespeare |
1 |
2622 |
|
The Staunton Shakespeare, Volume 3 |
William Shakespeare |
|
2623 |
|
As You Like It |
William Shakespeare |
|
2624 |
|
American Drama: The Bastard Art |
Susan Harris Smith |
|
2625 |
|
Hamlet versus Lear: Cultural Politics and Shakespeare's Art [First Edition] |
R. A. Foakes |
|
2626 |
|
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama |
Stefano Castelvecchi |
|
2627 |
|
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars |
Heidi Craig |
|
2628 |
|
Irony and the Modern Theatre |
William Storm |
|
2629 |
|
The Cambridge Introduction to Tom Stoppard |
William Demastes |
|
2630 |
|
Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction [Illustrated] |
Tony Howard |
|
2631 |
|
Theater Outside Athens: Drama in Greek Sicily and South Italy |
Kathryn Bosher (ed.) |
|
2632 |
|
The Faust Legend: From Marlowe and Goethe to Contemporary Drama and Film |
Sara Munson Deats |
|
2633 |
|
Much Ado about Nothing |
William Shakespeare |
|
2634 |
|
the Queen of Corinth, the False One, Four Plays, or Moral Representations, in One, the Knight of Malta, the Tragedy of Sir John Van Olden Barnavelt, the Custom of the Country (The Dramatic Works in the Beaumont and Fletcher Canon: Volume 8) |
Francis Beaumont, Fredson Bowers, John Fletcher |
|
2635 |
|
Twelfth Night: Or What You Will |
William Shakespeare, Elizabeth Story Donno, Penny Gay |
|
2636 |
|
The Tragedy of King Lear |
William Shakespeare, Jay L. Halio |
|
2637 |
|
The Taming of the Shrew [updated] |
William Shakespeare, Ann Thompson (ed.) |
|
2638 |
|
Measure for Measure |
William Shakespeare, Brian Gibbons |
|
2639 |
|
The Cambridge Companion to Twentieth-Century Irish Drama |
Richards, Shaun |
|
2640 |
|
The Devil and the Sacred in English Drama, 1350-1642 [illustrated edition] |
John D. Cox |
|
2641 |
|
Sophocles: The Plays and Fragments, Volume 1: With Critical Notes, Commentary and Translation in English Prose [Reprint ed.] |
Richard Claverhouse Jebb (editor) |
|
2642 |
|
The Dark Comedy [2 ed.] |
J. L. Styan |
2 |
2643 |
|
The Bowdler Shakespeare, Volume 3 |
William Shakespeare, Thomas Bowdler (editor) |
|
2644 |
|
The Bowdler Shakespeare, Volume 2 |
William Shakespeare, Thomas Bowdler (editor) |
|
2645 |
|
The Bowdler Shakespeare, Volume 4 |
William Shakespeare, Thomas Bowdler (editor) |
|
2646 |
|
Shakespeare and the Force of Modern Performance |
Worthen, W B |
|
2647 |
|
A Short History of Shakespeare in Performance: From the Restoration to the Twenty-First Century [1st ed.] |
Richard Schoch |
1 |
2648 |
|
Shakespeare Seen: Image, Performance and Society |
Stuart Sillars |
|
2649 |
|
The Bowdler Shakespeare, Volume 6 [1 ed.] |
William Shakespeare, Thomas Bowdler (editor) |
1 |
2650 |
|
The Bowdler Shakespeare, Volume 5: In Six Volumes; In which Nothing Is Added to the Original Text; but those Words and Expressions Are Omitted which Cannot with Propriety Be Read Aloud in a Family [1 ed.] |
William Shakespeare, Thomas Bowdler (editor) |
1 |
2651 |
|
The Bowdler Shakespeare, Volume 1: In Six Volumes; In which Nothing Is Added to the Original Text; but those Words and Expressions Are Omitted which Cannot with Propriety Be Read Aloud in a Family [1 ed.] |
William Shakespeare, Thomas Bowdler (editor) |
1 |
2652 |
|
The Cambridge Dover Wilson Shakespeare, Volume 03: As You Like It [1 ed.] |
William Shakespeare, Sir Arthur Quiller-Couch (editor), John Dover Wilson (editor) |
1 |
2653 |
|
The Cambridge Dover Wilson Shakespeare, Volume 01: All’s Well that Ends Well [1 ed.] |
William Shakespeare, Sir Arthur Quiller-Couch (editor), John Dover Wilson (editor) |
1 |
2654 |
|
A Midsummer Night's Dream [Updated] |
William Shakespeare, R. A. Foakes (editor) |
|
2655 |
|
A Midsummer Night's Dream [Updated ed] |
William Shakespeare, R. A. Foakes |
|
2656 |
|
Othello [Updated] |
William Shakespeare, Norman Sanders (editor) |
|
2657 |
|
As You Like It (The New Cambridge Shakespeare) |
William Shakespeare, Michael Hattaway |
|
2658 |
|
As You Like It [2 ed.] |
William Shakespeare, Michael Hattaway |
2 |
2659 |
|
The Merchant of Venice [Updated] |
William Shakespeare, M. M. Mahood (editor) |
|
2660 |
|
The Cambridge Dover Wilson Shakespeare, Volume 02: Antony and Cleopatra [1 ed.] |
William Shakespeare, John Dover Wilson (editor) |
1 |
2661 |
|
The Cambridge Dover Wilson Shakespeare, Volume 04: The Tragedy of Coriolanus |
William Shakespeare, John Dover Wilson (editor) |
|
2662 |
|
The Cambridge Dover Wilson Shakespeare, Volume 25: Othello [1 ed.] |
William Shakespeare, John Dover Wilson |
1 |
2663 |
|
The Cambridge Dover Wilson Shakespeare, Volume 32: The Taming of the Shrew [1 ed.] |
William Shakespeare, John Dover Wilson |
1 |
2664 |
|
Women on the Stage in Early Modern France: 1540-1750 [1 ed.] |
Virginia Scott |
1 |
2665 |
|
The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama |
Eric Csapo, Margaret C. Miller |
|
2666 |
|
Dance and Drama in French Baroque Opera: A History |
Rebecca Harris-Warrick |
|
2667 |
|
The Staunton Shakespeare, Volume 3 [1 ed.] |
William Shakespeare, Howard Staunton |
1 |
2668 |
|
The Henry Irving Shakespeare [Volume 1] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
1 |
2669 |
|
The Growth and Nature of Drama [1 ed.] |
Ronald F. Clarke |
1 |
2670 |
|
The Henry Irving Shakespeare [Volume 2] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
2 |
2671 |
|
The Henry Irving Shakespeare [Volume 3] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
3 |
2672 |
|
Theatre, Society and the Nation: Staging American Identities [First Edition] |
S. E. Wilmer |
|
2673 |
|
The Cambridge History of American Theatre: Volume 2: 1870-1945 |
Don B. Wilmeth, Christopher Bigsby |
|
2674 |
|
The Henry Irving Shakespeare [Volume 4] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
4 |
2675 |
|
The Henry Irving Shakespeare [Volume 5] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
5 |
2676 |
|
The Cambridge Shakespeare, Volume 5 [1 ed.] |
William George Clark, William Aldis Wright |
1 |
2677 |
|
The Henry Irving Shakespeare [Volume 6] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
6 |
2678 |
|
Romeo and Juliet [2 ed.] |
William Shakespeare, ed. G. Blakemore Evans |
2 |
2679 |
|
The Henry Irving Shakespeare [Volume 7] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
7 |
2680 |
|
The Girlhood of Shakespeare’s Heroines, Volume 2: In a Series of Fifteen Tales [1 ed.] |
Mary Cowden Clarke |
1 |
2681 |
|
The Merry Wives of Windsor [2 ed.] |
William Shakespeare, David Crane |
2 |
2682 |
|
The Cultural Geography of Early Modern Drama, 1620-1650 [1 ed.] |
Julie Sanders |
1 |
2683 |
|
Measure for Measure [Updated ed] |
William Shakespeare, Brian Gibbons |
|
2684 |
|
Macbeth [2 ed.] |
William Shakespeare, A. R. Braunmuller (editor) |
2 |
2685 |
|
The Winter's Tale |
William Shakespeare edited by Susan Snyder,Deborah T. Curren-Aquino |
|
2686 |
|
The Myth of Rome in Shakespeare and his Contemporaries [1 ed.] |
Warren Chernaik |
1 |
2687 |
|
Medieval Shakespeare : pasts and presents |
Ruth Morse, Helen Cooper, Peter Holland (eds.) |
|
2688 |
|
Macbeth |
William Shakespeare |
|
2689 |
|
What Happens in Hamlet [3 ed.] |
J. Dover Wilson |
3 |
2690 |
|
Romeo and Juliet (The New Cambridge Shakespeare) [Updated] |
William Shakespeare |
|
2691 |
|
Euripides: Cyclops |
Richard Hunter, Rebecca Laemmle |
|
2692 |
|
The Staunton Shakespeare, Volume 1 [1 ed.] |
William Shakespeare |
1 |
2693 |
|
Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric (Cambridge Classical Studies) |
Richard Hunter (editor), Anna Uhlig (editor) |
|
2694 |
|
The Staunton Shakespeare, Volume 2 [1 ed.] |
William Shakespeare |
1 |
2695 |
|
The Cambridge Shakespeare, Volume 8 [1 ed.] |
William Shakespeare |
1 |
2696 |
|
The Cambridge Introduction to Shakespeare [1. publ ed.] |
Shakespeare, William,Smith, Emma |
1 |
2697 |
|
The Cambridge Shakespeare, Volume 4 [1 ed.] |
William Shakespeare |
1 |
2698 |
|
The Cambridge Shakespeare, Volume 9 [1 ed.] |
William Shakespeare |
1 |
2699 |
|
Characteristics of women: moral, poetical, and historical: with fifty vignette etchings [Repr ed.] |
Shakespeare, William,Jameson, Anna |
|
2700 |
|
The Cambridge Shakespeare, Volume 2 |
William Shakespeare |
|
2701 |
|
Shakespeare as Literary Dramatist [Second edition] |
Shakespeare, William, Shakespeare, William, Erne, Lukas, Shakespeare, William |
|
2702 |
|
The Cambridge Shakespeare, Volume 3 |
William Shakespeare |
|
2703 |
|
The Cambridge Shakespeare, Volume 6 |
William Shakespeare |
|
2704 |
|
The Cambridge Shakespeare, Volume 7 |
William Shakespeare |
|
2705 |
|
Greek Tragedy After the Fifth Century: A Survey from Ca. 400 BC to Ca. Ad 400 |
Vayos Liapis, Antonis K Petrides |
|
2706 |
|
Shakespeare and the classics |
Shakespeare, William, Martindale, Charles, Taylor, Albert Booth, Shakespeare, William |
|
2707 |
|
Othello [Updated ed] |
Shakespeare, William, Sanders, Norman J., Shakespeare, William |
|
2708 |
|
The Cambridge Introduction to Shakespeare's Tragedies (Cambridge Introductions to Literature) [1 ed.] |
Janette Dillon |
1 |
2709 |
|
The Cambridge Dover Wilson Shakespeare, Volume 23: A Midsummer Night’s Dream [1 ed.] |
William Shakespeare |
1 |
2710 |
|
Modern British Drama on Screen |
R. Barton Palmer, William Robert Bray, William Robert Bray, William Robert Bray |
|
2711 |
|
The Homoerotics of Early Modern Drama |
Mario DiGangi |
|
2712 |
|
Disowning knowledge in seven plays of Shakespeare [Updated ed] |
Shakespeare, William <,>, - Philosophie, Shakespeare, William <,>, - Tragédies, Cavell, Stanley, Shakespeare, William |
|
2713 |
|
The Cambridge Dover Wilson Shakespeare, Volume 07: Hamlet [1 ed.] |
William Shakespeare |
1 |
2714 |
|
The Cambridge Dover Wilson Shakespeare, Volume 15: Julius Caesar [1 ed.] |
William Shakespeare |
1 |
2715 |
|
The Cambridge Introduction to Chekhov |
James N. Loehlin |
|
2716 |
|
The Cambridge introduction to Shakespeare's comedies |
Penny Gay |
|
2717 |
|
African American Theatre: An Historical and Critical Analysis |
Samuel A. Hay |
|
2718 |
|
The Cambridge Introduction to Shakespeare's Comedies (Cambridge Introductions to Literature) [1 ed.] |
Penny Gay |
1 |
2719 |
|
The Cambridge Dover Wilson Shakespeare, Volume 16: King John |
William Shakespeare |
|
2720 |
|
The Cambridge Dover Wilson Shakespeare, Volume 14: King Henry the Eighth [1 ed.] |
William Shakespeare |
1 |
2721 |
|
Shakespeare Papers: Pictures Grave and Gay [Reissue ed.] |
William Maginn |
|
2722 |
|
Shakespeare's Rome [1st Pbk. Ed] |
Robert S. Miola |
1 |
2723 |
|
The Cambridge Dover Wilson Shakespeare, Volume 17: King Lear |
William Shakespeare |
|
2724 |
|
Brian Friel, Ireland, and the North |
Scott Boltwood |
|
2725 |
|
Brian Friel, Ireland, and The North [1 ed.] |
Scott Boltwood |
1 |
2726 |
|
The Cambridge Dover Wilson Shakespeare, Volume 18: Love’s Labours Lost |
William Shakespeare |
|
2727 |
|
The Cambridge Dover Wilson Shakespeare, Volume 19: Macbeth [1 ed.] |
William Shakespeare |
1 |
2728 |
|
The Cambridge Dover Wilson Shakespeare, Volume 20: Measure for Measure [1 ed.] |
William Shakespeare |
1 |
2729 |
|
The Cambridge Dover Wilson Shakespeare, Volume 26: Pericles, Prince of Tyre [1 ed.] |
William Shakespeare |
1 |
2730 |
|
The Cambridge Dover Wilson Shakespeare, Volume 24: Much Ado about Nothing [1 ed.] |
William Shakespeare |
1 |
2731 |
|
The Cambridge Dover Wilson Shakespeare, Volume 28: Richard II [1 ed.] |
William Shakespeare |
1 |
2732 |
|
The Cambridge Dover Wilson Shakespeare, Volume 29: Richard III [1 ed.] |
William Shakespeare |
1 |
2733 |
|
The Cambridge Dover Wilson Shakespeare, Volume 05: The Comedy of Errors |
William Shakespeare |
|
2734 |
|
The Cambridge Dover Wilson Shakespeare, Volume 30: Romeo and Juliet [1 ed.] |
William Shakespeare |
1 |
2735 |
|
The Intellectual Revolution, Selections from Euripides, Thucydides and Plato, 2nd Edition [2 ed.] |
Joint Association of Classical Teachers' Greek Course |
2 |
2736 |
|
The Cambridge Companion to Ben Jonson |
Richard Harp, Stanley Stewart |
|
2737 |
|
The Cambridge Dover Wilson Shakespeare, Volume 11: The First Part of King Henry VI [1 ed.] |
William Shakespeare |
1 |
2738 |
|
Themes and Conventions of Elizabethan Tragedy [2 ed.] |
M. C. Bradbrook |
2 |
2739 |
|
The Cambridge Dover Wilson Shakespeare, Volume 12: The Second Part of King Henry VI [1 ed.] |
William Shakespeare |
1 |
2740 |
|
Tennessee Williams and the theatre of excess : the strange, the crazed, the queer |
Saddik, Annette J., Williams, Tennessee, Williams, Tennessee |
|
2741 |
|
The Cambridge Dover Wilson Shakespeare, Volume 13: The Third Part of King Henry VI [1 ed.] |
William Shakespeare |
1 |
2742 |
|
The Cambridge Dover Wilson Shakespeare, Volume 09: The Second Part of the History of Henry IV [1 ed.] |
William Shakespeare |
1 |
2743 |
|
The Cambridge Dover Wilson Shakespeare, Volume 34: The Life of Timon of Athens [1 ed.] |
William Shakespeare |
1 |
2744 |
|
The Theory and Analysis of Drama [1 ed.] |
Manfred Pfister, John Halliday |
1 |
2745 |
|
The Theory and Analysis of Drama [Illustrated] |
Manfred Pfister |
|
2746 |
|
The Cambridge Dover Wilson Shakespeare, Volume 22: The Merry Wives of Windsor [1 ed.] |
William Shakespeare |
1 |
2747 |
|
Documents of Performance in Early Modern England [1 ed.] |
Tiffany Stern |
1 |
2748 |
|
Problem Fathers in Shakespeare and Renaissance Drama |
Tom MacFaul |
|
2749 |
|
The Cambridge Dover Wilson Shakespeare, Volume 31: The Sonnets [1 ed.] |
William Shakespeare |
1 |
2750 |
|
The Cambridge Dover Wilson Shakespeare, Volume 33: The Tempest [1 ed.] |
William Shakespeare |
1 |
2751 |
|
The Cambridge Dover Wilson Shakespeare, Volume 38: The Two Gentlemen of Verona [1 ed.] |
William Shakespeare |
1 |
2752 |
|
Mathematics and Late Elizabethan Drama [1st ed. 2019] |
Joseph Jarrett |
1 |
2753 |
|
Bodies and Barriers : Dramas of Dis-Ease [1 ed.] |
Angela Belli |
1 |
2754 |
|
Les Précieuses ridicules [Nouvelle éd ed.] |
Molière |
|
2755 |
|
Drama and intelligence: a cognitive theory |
Richard Courtney |
|
2756 |
|
Woe from Wit: A Verse Comedy in Four Acts |
Alexander Griboedov, Angela Brintlinger, Betsy Hulick |
|
2757 |
|
Working Subjects in Early Modern English Drama (Studies in Performance and Early Modern Drama) |
Michelle M. Dowd, Natasha Korda |
|
2758 |
|
Wrinkled Deep in Time: Aging in Shakespeare |
Maurice Charney |
|
2759 |
|
Wrinkled Deep in Time Aging in Shakespeare |
Charney, Maurice,Shakespeare, William |
|
2760 |
|
Yoshitsune and the Thousand Cherry Trees : A Masterpiece of the Eighteenth-Century Japanese Puppet Theater |
Jones Jr., Stanleigh |
|
2761 |
|
The Human Nature of Playwriting [1st ed.] |
Samson Raphaelson |
1 |
2762 |
|
The Theatre Experience [14 ed.] |
Edwin Wilson |
14 |
2763 |
|
Beginning Latin Poetry Reader: 70 Selections from the Great Periods of Roman Verse and Drama |
Gavin Betts, Daniel Franklin |
|
2764 |
|
Exploring Theatre, Student Edition [2 ed.] |
Glencoe McGraw-Hill |
2 |
2765 |
|
Theatre, Brief Version [Unbound ed.] |
Robert Cohen |
|
2766 |
|
Theatre, Brief [13 ed.] |
Robert Cohen |
13 |
2767 |
|
Euripides and the Boundaries of the Human |
Euripides,Ringer, Mark |
|
2768 |
|
Jung and Moreno : Essays on the Theatre of Human Nature |
Craig E. Stephenson |
|
2769 |
|
Shakespeare and the varieties of human experience |
Shakespeare, William, Saccio, Peter, Huston, J. Dennis, Shakespeare, William |
|
2770 |
|
Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of Cultural Performance |
John J. MacAloon |
|
2771 |
|
Shakespeare: The Seven Ages of Human Experience [2 ed.] |
David Bevington |
2 |
2772 |
|
Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance |
Brett Gamboa and Lawrence Switzky |
|
2773 |
|
The Death and Life of Drama: Reflections on Writing and Human Nature |
Lance Lee |
|
2774 |
|
The death and life of drama: reflections on writing and human nature |
Lance Lee |
|
2775 |
|
Think, pig!: Beckett at the limit of the human [First edition] |
Beckett, Samuel,Rabaté, Jean-Michel |
|
2776 |
|
Theatre as Human Action 3rd Edition [3 ed.] |
Thomas S. Hischak |
3 |
2777 |
|
Theatre and Human Rights (Theatre &) [1 ed.] |
Paul Rae |
1 |
2778 |
|
Love in Shakespeare: Five Stories |
Shakespeare William. |
|
2779 |
|
Stories from the Greek Comedians , Aristophanes, Philemon, Diphilus, Menander, Apollodorus |
A.J.Church |
|
2780 |
|
2.5 minute ride ; and, 101 humiliating stories [1st ed] |
Kron, Lisa |
1 |
2781 |
|
The Teddy Bears' Picnic and Other Stories : Role Play in the Early Years Drama Activities for 3-7 Year-Olds |
Boulton, Ackroyd |
|
2782 |
|
Tell Me Friends. Contemporary Stories and Plays of Tanzania : Contemporary Stories and Plays of Tanzania [1 ed.] |
Lilian Osaki, B. Noudhou, Zn Mfono |
1 |
2783 |
|
The Golem: A New Translation of the Classic Play and Selected Short Stories |
Joachim Neugroschel |
|
2784 |
|
Saints' Lives and Bible Stories for the Stage [1 ed.] |
Antonia Pulci, Elissa B. Weaver (editor) |
1 |
2785 |
|
Performing Stories: Erzählen in Theater und Performance [2., unveränderte Auflage 2016] |
Nina Tecklenburg |
2016 |
2786 |
|
Old Stories, New Readings : The Transforming Power of American Drama [1 ed.] |
Miriam López-Rodríguez, Inmaculada Pineda-Hernández, Alfonso Ceballos Muñoz |
1 |
2787 |
|
The Collected Short Stories of Bertolt Brecht |
John Willett, Ralph Manheim |
|
2788 |
|
(Re)telling Old Stories: Peter Brook’s Mahabharata and Ariane Mnouchkine’s Les Atrides [New ed.] |
Dominic Glynn (editor) |
|
2789 |
|
The Castle Cross the Magnet Carter |
Kia Corthron |
|
2790 |
|
Into the Story 2: More Stories! More Drama! [1 ed.] |
Carole Miller, Juliana Saxton |
1 |
2791 |
|
Seneca by Candlelight and Other Stories of Renaissance Drama [Reprint 2016 ed.] |
Lorraine Helms |
2016 |
2792 |
|
Consent in Shakespeare: What Women Do and Don’t Say and Do in Shakespeare’s Mediterranean Comedies and Origin Stories [1 ed.] |
Artemis Preeshl |
1 |
2793 |
|
Applied Theatre in Paediatrics: Stories, Children and Synergies of Emotions |
Persephone Sextou |
|
2794 |
|
Examining Lorraine Hansberry’s A Raisin in the Sun as Counternarrative: Understanding the Black Family and Black Students [1 ed.] |
Carl A. Grant |
1 |
2795 |
|
Electra |
Euripides, J. D. Denniston (editor) |
|
2796 |
|
Mars, Book 6 |
Fuyumi Soryo |
|
2797 |
|
The Zoo Story |
Edward Albee |
|
2798 |
|
Aeschylus: Agamemnon [reprint ed.] |
John Dewar Denniston, Denys Lionel Page, Aeschylus |
|
2799 |
|
The Architecture of Story: A Technical Guide for the Dramatic Writer [1 ed.] |
Will Dunne |
1 |
2800 |
|
Euripides: Iphigenia at Aulis |
Christopher Collard, James Morwood |
|
2801 |
|
Daisy Moon Was Born This Way [1 ed.] |
Emily Sheehan, Joanna Murray-Smith |
1 |
2802 |
|
Backstage at the Lincoln Assassination: The Untold Story of the Actors and Stagehands at Ford’s Theatre |
Thomas A. Bogar |
|
2803 |
|
Durban Dialogues Dissected: An Analysis of Ashwin Singh's Plays |
Felicity Hand |
|
2804 |
|
Lorraine Hansberry: The Life Behind A Raisin in the Sun |
Charles J. Shields |
|
2805 |
|
The Plays to 1942: Mulatto to the Sun Do Move [1 ed.] |
Langston Hughes |
1 |
2806 |
|
In the Studio with Joyce Piven: Theatre Games, Story Theatre and Text Work for Actors |
Joyce Piven, Susan Applebaum |
|
2807 |
|
L’amant indiscret, ou Le maistre estourdi |
Quinault, Philippe, Brooks, William (ed.) |
|
2808 |
|
Valle Inclan: The Lights of Bohemia [1 ed.] |
John E. Lyon |
1 |
2809 |
|
Black British Drama: A Transnational Story |
Michael Pearce |
|
2810 |
|
And the sun stood still: a play in two acts [First edition] |
Copernicus, Nicolaus,Sobel, Dava |
|
2811 |
|
Greek tragedy : suffering under the sun |
Hall, Edith |
|
2812 |
|
Revenge Tragedies of the Renaissance [1 ed.] |
Janet Clare |
1 |
2813 |
|
Shakespeare and the Urgency of Now: Criticism and Theory in the 21st Century |
Cary DiPietro, Hugh Grady (eds.) |
|
2814 |
|
Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun |
Clifford Mason |
|
2815 |
|
Jewish Drama and Theatre : From Rabbinical Intolerance to Secular Liberalism [1 ed.] |
Eli Rozik |
1 |
2816 |
|
Ravenhill Plays: 3: Shoot/Get Treasure/Repeat; Over There; A Life in Three Acts; Ten Plagues; Ghost Story; The Experiment |
Mark Ravenhill |
|
2817 |
|
La mort de Mitridate |
La Calprenède, Gaultier de Costes de, Snaith, Guy (ed.) |
|
2818 |
|
Macbeth |
Rebekah Owens |
|
2819 |
|
Acting Is Believing , Eleventh Edition [11 ed.] |
Charles McGaw, Kenneth L. Stilson, Larry D. Clark |
11 |
2820 |
|
Pulling Harvey Out of Her Hat: The Amazing Story of Mary Coyle Chase |
Mimi Pockross |
|
2821 |
|
The Vagina Monologues The Story of V-Day |
Eve Ensler |
|
2822 |
|
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis |
Avra Sidiropoulou (editor) |
|
2823 |
|
Holiday Story Play |
Harlow |
|
2824 |
|
The Story of the Western Wing |
Wang Shifu, Stephen H. West, Wilt L. Idema |
|
2825 |
|
Tragedy, Euripides and Euripideans |
Christopher Collard |
|
2826 |
|
Four Tragedies: Hamlet, Othello, King Lear, Macbeth |
William Shakespeare, David Bevington, David Scott Kastan |
|
2827 |
|
Revision as Resistance in Twentieth-Century American Drama |
Meredith M. Malburne-Wade (auth.) |
|
2828 |
|
Cardenio between Cervantes and Shakespeare: the story of a lost play |
Cervantes Saavedra, Miguel de,Chartier, Roger,Lloyd, Janet,Shakespeare, William |
|
2829 |
|
Euripides: Iphigenia in Tauris |
Euripides, Martin J. Cropp |
|
2830 |
|
Of Precariousness Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre [1. Auflage] |
Walter de Gruyter GmbH &, Co. KG, Aragay, Mireia, Middeke, Martin |
1 |
2831 |
|
(M)Other Perspectives. Staging Motherhood in 21st Century North American Theatre & Performance [1. ed.] |
Lynn Deboeck, Aoise Stratford (eds.) |
1 |
2832 |
|
Aristophanes: Frogs |
Dover, Kenneth |
|
2833 |
|
Finance, Terror, and Science on Stage: Current Public Concerns in 21st-Century British Drama |
Kerstin Frank |
|
2834 |
|
Future Theatre Research: Origin, Medium, Performance-Text, Reception and Acting [1 ed.] |
Eli Rozik |
1 |
2835 |
|
Raisin in the Sun Notes |
B. a. Rosetta James, Lorraine Hannsberry |
|
2836 |
|
KГѓLIDГѓSA FOR THE 21ST CENTURY READER: SELECTED POETRY AND DRAMA |
Mani Rao [Rao, Mani] |
|
2837 |
|
A Raisin in the Sun |
SparkNotes |
|
2838 |
|
Dirty Story and Other Plays [1st ed] |
Shanley, John Patrick |
1 |
2839 |
|
Theatre: A Way of Seeing [7 ed.] |
Milly S. Barranger |
7 |
2840 |
|
Sophocles: Oedipus Tyrannus |
Jennifer R. March |
|
2841 |
|
The Coriolanus Story Through the Ages |
Lehman, Alan Dan |
|
2842 |
|
The Story of Shaw's Saint Joan [1 ed.] |
Brian Tyson |
1 |
2843 |
|
Twelfth Night or What You Will (The New Cambridge Shakespeare) [Updated] |
William Shakespeare, Elizabeth Story Donno |
|
2844 |
|
The Story of Shaw's Saint Joan |
Brian Tyson |
|
2845 |
|
A Raisin in the Sun |
Lorraine Hansberry |
|
2846 |
|
Euripides Bacchae [2° ed.] |
Eric Robertson Dodds |
2 |
2847 |
|
Euripides: Helen (edited with introduction and commentary) |
Euripides, A. M. Dale (ed.) |
|
2848 |
|
Aeschylus: Libation Bearers |
Andrew Brown (editor) |
|
2849 |
|
Euripides Bacchae [2 ed.] |
Eric Robertson Dodds |
2 |
2850 |
|
The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy |
Oliver Taplin |
|
2851 |
|
Observatory Director |
Nel Yomtov |
|
2852 |
|
The Plays to 1942: Mulatto to The Sun Do Move |
Langston Hughes &, Arnold Rampersad &, Dolan Hubbard &, Leslie Catherine Sanders |
|
2853 |
|
Plautus: Aulularia |
Walter Stockert |
|
2854 |
|
Portrayals of Antigone in Portugal: 20th and 21st Century Rewritings of the Antigone Myth (Metaforms, 9) (English and Ancient Greek Edition) [Bilingual ed.] |
Carlos Morais (editor), Lorna Hardwick (editor), Maria de Fatima Silva (editor) |
|
2855 |
|
Aristophanes: Knights (Aris & Phillips Classical Texts) [Reprinted with update 1996, reprinted 2015.] |
Aristophanes |
19962015 |
2856 |
|
Hamlet (Bantam Classic) |
William Shakespeare |
|
2857 |
|
Aristophanes: Ecclesiazusae |
Alan H. Sommerstein |
|
2858 |
|
Lorraine Hansberry's A Raisin in the Sun (Bloom's Guides) [1 ed.] |
Harold Bloom |
1 |
2859 |
|
Aristophanes: Clouds (Aris & Phillips Classical Texts) |
Alan H. Sommerstein |
|
2860 |
|
Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello (Global Shakespeare Inverted) |
Boika Sokolova (editor), Janice Valls-Russell (editor) |
|
2861 |
|
Another Day's Begun: Thornton Wilder's Our Town in the 21st Century |
Howard Sherman |
|
2862 |
|
My Story and My Life as an Actress (The Kali archive) |
Binodini Dasi |
|
2863 |
|
Le fâcheux veuvage |
Piron, Alexis, Connon, Derek (ed.) |
|
2864 |
|
21st Century Playwriting, A Manual of Contemporary Techniques |
Timothy Daly |
|
2865 |
|
Mirror to Nature: Drama, Psychoanalysis and Society |
Michael Rustin, Margaret Rustin |
|
2866 |
|
From Story to Stage: The Dramatic Adaption of Prose Fiction in the Period of Shakespeare and his Contemporaries [Reprint 2018 ed.] |
Max Bluestone |
2018 |
2867 |
|
Aphra Behn's Emperor of the Moon and its French Source Arlequin, Empereur dans la lune |
Judy A. Hayden, Daniel J. Worden |
|
2868 |
|
Scriptwriter |
Matt Mullins |
|
2869 |
|
Dream Projects in Theatre, Novels and Films: The Works of Paul Claudel, Jean Genet, and Federico Fellini [None ed.] |
Yehuda Moraly |
|
2870 |
|
Hotel [Reprint, complete and unabridg ed.] |
Arthur Hailey |
|
2871 |
|
Euripides: Orestes |
Charles W. Willink |
|
2872 |
|
Agamemnon, Volume I Prolegomena, Text, and Translation |
Aeschylus, Eduard Fraenkel (ed.) |
|
2873 |
|
The Story of Drama: Tragedy, Comedy and Sacrifice from the Greeks to the Present |
Gary Day |
|
2874 |
|
Lost Dramas of Classical Athens: Greek Tragic Fragments |
Fiona McHardy, James Robson, David Harvey |
|
2875 |
|
Tyranny and Usurpation: The New Prince and Lawmaking Violence in Early Modern Drama |
Doyeeta Majumder |
|
2876 |
|
Shadowed cocktails: the plays of Philip Barry from Paris bound to The Philadelphia story |
Barry, Philip,Anderson, Donald R |
|
2877 |
|
Clouds |
Aristophanes, Kenneth J. Dover (editor) |
|
2878 |
|
Contemporary Women Playwrights: Into the 21st Century [2013 ed.] |
Penny Farfan, Lesley Ferris |
2013 |
2879 |
|
The Story of Joseph : A Fourteenth-Century Turkish Morality Play by Sheyyad Hamza |
Şeyyad Hamza,Hickman, Bill |
|
2880 |
|
Hana's suitcase on stage play |
Levine, Karen,Sher, Emil |
|
2881 |
|
American Gothic: The Story of America’s Legendary Theatrical Family—Junius, Edwin, and John Wilkes Booth |
Gene Smith |
|
2882 |
|
Social and Political Theatre in 21st-Century Britain: Staging Crisis |
|
|
2883 |
|
Minor Greek Tragedians: Fragments from the Tragedies with Selected Testimonia, Volume 1: The Fifth Century |
Martin J. Cropp (editor) |
|
2884 |
|
Plumber |
Josh Gregory |
|
2885 |
|
Actor's Interpolations in Greek Tragedy, Studied with Special Reference to Euripides "Iphigeneia in Aulis" |
Denys Lionel Page |
|
2886 |
|
The Shakespeare Hut: A Story of Memory, Performance and Identity, 1916-1923 |
Ailsa Grant Ferguson |
|
2887 |
|
Sophocles: Electra [Bilingual ed.] |
Jennifer R. March |
|
2888 |
|
Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre |
Mireia Aragay (editor), Martin Middeke (editor) |
|
2889 |
|
Heraclidae |
Euripides, J. Wilkins (ed.) |
|
2890 |
|
One on one: the best men's monologues for the 21st century |
Shuman, Bob,Jaroff, Rebecca Dunn,Henry, Joyce E |
|
2891 |
|
One on one : the best women's monologues for the 21st century |
Bob Shuman, Joyce E. Henry, Rebecca Dunn Jaroff |
|
2892 |
|
Sophocles: Philoctetes |
R. G. Ussher |
|
2893 |
|
The state of the art : Teaching drama in the 21st century [1 ed.] |
Michael Anderson |
1 |
2894 |
|
All the king’s women : the story of a Hong Kong family [Samuel French acting ed.] |
Jannuzzi, Luigi |
|
2895 |
|
Sophocles: Fragmentary Plays I |
Alan H. Sommerstein, David Fitzpatrick, Thomas H. Talboy |
|
2896 |
|
New Poetics of Chekhov's Major Plays: Presence Through Absence |
Harai Golomb |
|
2897 |
|
Red Sun and Merlin Unchained [1 ed.] |
David Rudkin |
1 |
2898 |
|
Sophocles: Selected Fragmentary Plays: Volume I |
David Fitzpatrick, Thomas Talboy, Alan H. Sommerstein |
|
2899 |
|
The Real Queen of Hearts Ain't Even Pretty: A Play in Two Acts |
Bailey, Brad |
|
2900 |
|
Septem contra Thebas |
Aeschylus, G.O. Hutchinson |
|
2901 |
|
Aeschylus: Septem Contra Thebas |
G. O. Hutchinson (ed.) |
|
2902 |
|
Jack and Bobby: A Story of Brothers in Conflict |
Leo McKinstry |
|
2903 |
|
Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century |
Howard Sherman |
|
2904 |
|
Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello |
Boika Sokolova, Janice Valls-Russell |
|
2905 |
|
Mālavikā and Agnimitra |
Dániel Balogh, Eszter Somogyi |
|
2906 |
|
A Short History of English Renaissance Drama |
Helen Hackett |
|
2907 |
|
Iphigenie auf Tauris |
J W Goethe |
|
2908 |
|
Tales From The Hindu Dramatists |
R.N. Dutta |
|
2909 |
|
Black drama of the Federal theatre era: beyond the formal horizons |
Evelyn Quita Craig |
|
2910 |
|
Iphigenia in Tauris |
Wolfgang von Goethe, Johann,Pascal, Roy,Swales, University, College London,Martin |
|
2911 |
|
Under the Curse: Goethe’s Iphigenie amongst Taurians / Iphigenie auf Tauris |
Dan Farrelly (editor) |
|
2912 |
|
Hinduism and Hindi Theater [1 ed.] |
Diana Dimitrova (auth.) |
1 |
2913 |
|
''How the nāgas were pleased'' by Harṣa: & ''The shattered thighs'' by Bhāsa [1st ed] |
Bhāsa,Kanauj König Harshavardhana,Skilton, Andrew |
1 |
2914 |
|
A Short History of English Renaissance Drama [First edition] |
Hackett, Helen |
|
2915 |
|
Cat on a Hot Tin Roof (Signet) |
Tennessee Williams |
|
2916 |
|
From Boal to Jana Sanskriti: Practice and Principles [1 ed.] |
Sanjoy Ganguly, Ralph Yarrow (editor) |
1 |
2917 |
|
Rakshasa's Ring [Bilingual ed.] |
Vishakhadatta, Michael Coulson |
|
2918 |
|
Jana Sanskriti: Performance as a New Politics [24, 1 ed.] |
Ralph Yarrow |
1 |
2919 |
|
Reviving Cicero in Drama: From the Ancient World to the Modern Stage |
Gesine Manuwald |
|
2920 |
|
Iphigenie auf Tauris. Erläuterungen und Materialien. (Lernmaterialien) |
Johann Wolfgang von Goethe |
|
2921 |
|
Goethe’s Schriften: Band 3 [Iphigenie auf Tauris - Ein Schauspiel] [Reprint 2019 ed.] |
Johann Wolfgang von Goethe |
|
2922 |
|
The politics of unease in the plays of John Fletcher |
Gordon McMullan |
|
2923 |
|
Theater of Capital: Modern Drama and Economic Life [1 ed.] |
Alisa Zhulina |
1 |
2924 |
|
The Secret Cause: A Discussion of Tragedy |
Normand Berlin |
|
2925 |
|
Eroding the language of freedom : identity predicament in selected works of Harold Pinter [First edition.] |
Farah Ali |
|
2926 |
|
A Companion to Shakespeare's Works: The Comedies |
Richard Dutton, Jean E. Howard |
|
2927 |
|
Chemistry in Theatre: Insufficiency, Phallacy or Both [1 ed.] |
Carl Djerassi |
1 |
2928 |
|
Textausgabe + Lektüreschlüssel. Johann Wolfgang Goethe: Iphigenie auf Tauris [1. Aufl] |
Goethe, Johann Wolfgang,Leis, Mario |
1 |
2929 |
|
A Companion to Shakespeare's Works, The Poems, Problem Comedies, Late Plays |
Richard Dutton, Jean E. Howard |
|
2930 |
|
Iphigenie auf Tauris: Ein Schauspiel [Reprint 2019 ed.] |
Johann Wolfgang Goethe |
2019 |
2931 |
|
Iphigenie auf Tauris: Ein Schauspiel [Andere Druck. Reprint 2019 ed.] |
Goethe |
2019 |
2932 |
|
A Companion to Shakespeare's Works, Volume III: The Comedies (Blackwell Companions to Literature and Culture) |
Richard Dutton, Jean Howard |
|
2933 |
|
Goethe: Götz von Berlichingen mit der eisernen Hand Egmont · Iphigenie auf Tauris Torquato Tasso [5 ed.] |
Dr. Karl Credner (auth.), weil. Oberl. Dr. Georg Frick (eds.) |
5 |
2934 |
|
Companion to Shakespeares Works [VOL 4 The Poems Problem Comedies Late Plays] |
Shakespeare, William,Howard, Jean Elizabeth,Dutton, Richard |
4 |
2935 |
|
The Recognition of Shakuntala (Clay Sanskrit Library) |
Kalidasa |
|
2936 |
|
A Companion to Shakespeare's Works, Volume 1: The Tragedies |
Richard Dutton, Jean E. Howard (eds.) |
|
2937 |
|
Tragicomic Redemptions: Global Economics and the Early Modern English Stage |
Valerie Forman |
|
2938 |
|
Oedipus the King [First Edition] |
Sophocles |
|
2939 |
|
A Companion to Shakespeare's Works, Volume 4: The Poems, Problem Comedies, Late Plays |
Richard Dutton, Jean E. Howard (eds.) |
|
2940 |
|
Companion to Shakespeares Works volume 1 The tragedies [Reprinted] |
Dutton, Richard |
|
2941 |
|
The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England |
Marta Straznicky (editor) |
|
2942 |
|
Mastering the Revels: The Regulation and Censorship of English Renaissance Drama [1 ed.] |
Richard Dutton (auth.) |
1 |
2943 |
|
Great Sanskrit Plays |
Anant Pai (editor) |
|
2944 |
|
Rama's Last Act (Clay Sanskrit Library) |
Bhavabhuti |
|
2945 |
|
Performing Science : Teaching Chemistry, Physics and Biology Through Drama [1 ed.] |
Ian Abrahams, Martin Braund, Ian Abrahams |
1 |
2946 |
|
Reading Shakespeare's characters: rhetoric, ethics, and identity |
Christy Desmet |
|
2947 |
|
The Moral Price of Freedom: Problems of Personal Freedom Reflected in Modern American Drama |
Bassage, Harold Edwin |
|
2948 |
|
The tragedy of Hamlet, Prince of Denmark [1st Chamberlain Bros. ed] |
William Shakespeare,Barbara A Mowat,Paul Werstine,Barnet, Sylvan |
1 |
2949 |
|
Who's afraid of Virginia Woolf? : a play [Rev. ed.] |
Edward Albee |
|
2950 |
|
On Freedom : Powerful polemics by supporters of Belarus Free Theatre |
Belarus Free Theatre, Tom Stoppard |
|
2951 |
|
Euripides: Iphigenia in Tauris |
Emily Kearns (editor) |
|
2952 |
|
Tragicomic Redemptions : Global Economics and the Early Modern English Stage [1 ed.] |
Valerie Forman |
1 |
2953 |
|
Antony and Cleopatra [Revised] |
William Shakespeare, Sylvan Barnet |
|
2954 |
|
Iphigeneia in Tauris (Greek Tragedy in New Translations) |
Euripides, Richmond Lattimore |
|
2955 |
|
The Properties of Othello |
James L. Calderwood |
|
2956 |
|
The Sanskrit drama in its origin, development, theory & practice |
Arthur Berriedale Keith |
|
2957 |
|
Naked Masks |
Eric Bentley, Luigi Pirandello |
|
2958 |
|
The Soft Power of the Korean Wave: Parasite, BTS and Drama |
Youna Kim |
|
2959 |
|
Julius Caesar [Reprint ed.] |
William Shakespeare |
|
2960 |
|
Little Vera |
Frank Beardow |
|
2961 |
|
Deep Are the Roots |
Gordon Heath |
|
2962 |
|
Four Tragedies: Ajax, Women of Trachis, Electra, Philoctetes |
Sophocles |
|
2963 |
|
Shakespeare's Villains |
Shakespeare, William,Charney, Maurice |
|
2964 |
|
Medea |
Euripides |
|
2965 |
|
A Shuttle in the Crypt |
Wole Soyinka |
|
2966 |
|
Racine's Tragedies of Tyranny: Essays on Bajazet and Mithridate (Faux Titre, 463) (English and French Edition) [Bilingual ed.] |
Nicholas Hammond (editor), Paul Hammond (editor) |
|