Number |
Cover |
TextBook for Drama |
Author |
Edition |
0 |
|
Sleep deprivation chamber: a theatre piece [1st ed] |
Kennedy, Adrienne,Kennedy, Adam P |
1 |
1 |
|
A Owen Barfield’s Poetry, Drama, and Fiction: Rider on Pegasus (Routledge Studies in Twentieth-Century Literature) [1 ed.] |
Jeffrey Hipolito |
1 |
2 |
|
Coward the Dramatist: Morals and Manners (Bernard Shaw and His Contemporaries) |
Roger Kojecky |
|
3 |
|
Lying in the Middle : Musical Theater and Belief at the Heart of America [1 ed.] |
Jake Johnson |
1 |
4 |
|
Victoria: The Heart and Mind of a Young Queen: Official Companion to the Masterpiece Presentation on PBS |
Helen Rappaport |
|
5 |
|
Stairs to the roof: a prayer for the wild of heart that are kept in cages |
Hale, Allean,Williams, Tennessee |
|
6 |
|
Heart of Stone |
Ahmed Yerima |
|
7 |
|
In the Heart of America and Other Plays |
Wallace, Naomi, |
|
8 |
|
’Tis Pity She’s a Whore and Other Plays: The Lover’s Melancholy; The Broken Heart; ’Tis Pity She’s a Whore; Perkin Warbeck |
John Ford |
|
9 |
|
Drama and English at the Heart of the Curriculum : Primary and Middle Years |
Joe Winston |
|
10 |
|
Drop the Drama!: How to Get along With Everybody, All the Time (Hippie-at-Heart Self-Help Series) |
Margaret Nash |
|
11 |
|
Home is Where the Heart Is: Studies in Melodrama and the Woman's Film |
Christine Gledhill |
|
12 |
|
Nagauta: The Heart of Kabuki Music |
William P. Malm |
|
13 |
|
Collected plays in translation |
Vijay Dhondopant Tendulkar |
|
14 |
|
Rabindranath Tagore's Drama in the Perspective of Indian Theatre |
Mala Renganathan (editor), Arnab Bhattacharya (editor) |
|
15 |
|
The Politics and Reception of Rabindranath Tagore's Drama: The Bard on the Stage |
Arnab Bhattacharya, Mala Renganathan |
|
16 |
|
21st-Century TV Dramas: Exploring the New Golden Age |
Damico, Amy M.,Quay, Sara E |
|
17 |
|
Fathers and Daughters in Shakespeare and Shaw |
Lagretta Tallent Lenker |
|
18 |
|
Greek Tragedy on the American Stage: Ancient Drama in the Commercial Theater, 1882-1994 |
Karelisa Hartigan |
|
19 |
|
Samuel Beckett's Waiting for Godot: A Reference Guide |
William Hutchings |
|
20 |
|
Shakespeare's Criminals: Criminology, Fiction, and Drama |
Victoria M. Time |
|
21 |
|
Sociodrama: Who's in Your Shoes? |
Patricia Sternberg, Antonina Garcia |
2 |
22 |
|
Sophocles and the tragedy of Athenian democracy |
D. G. Beer |
|
23 |
|
Thatcher's Theatre: British Theatre and Drama in the Eighties |
D. Keith Peacock |
|
24 |
|
Theatre in the Third Reich, the Prewar Years: Essays on Theatre in Nazi Germany |
Glen Gadberry |
|
25 |
|
Willis Richardson, Forgotten Pioneer of African-American Drama |
Christine R. Gray |
|
26 |
|
Performance and Performativity in Contemporary Indian Fiction in English |
Maria-sabina Draga Alexandru |
|
27 |
|
Briefcase Warriors: Stories for the Stage (American Indian Literature and Critical Studies Series) |
E. Donald Two-Rivers |
|
28 |
|
Modern Indian Drama: An Anthology |
Govind P. Deshpande |
|
29 |
|
Rasa: The Indian Performing Arts in the Last Twenty-five Years. Theatre and cinema |
Ananda Lal, Chidananda Dasgupta |
|
30 |
|
Contemporary Indian theatre : interviews with playwrights and directors |
Sangeet Natak Akademi |
|
31 |
|
On the Threshold: Hospitality in Shakespeare's Drama |
Sophie Battell |
|
32 |
|
The Gentle Shepherd: A Pastoral Comedy |
Allan Ramsay |
|
33 |
|
Sensation Drama, 1860–1880: An Anthology |
Joanna Hofer-Robinson, Beth Palmer |
|
34 |
|
Crime and Consequence in Early Modern Literature and Law |
Judith Hudson |
|
35 |
|
Shakespearean Melancholy: Philosophy, Form and the Transformation of Comedy |
J.F. Bernard |
|
36 |
|
Intelligence and Metadrama in the Early Modern Theatre |
Bill Angus |
|
37 |
|
Shakespeare in the North: Place, Politics and Performance in England and Scotland |
Adam Hansen |
|
38 |
|
Shakespeare's Moral Compass |
Neema Parvini |
|
39 |
|
Modernism and the Choreographic Imagination: Salome’s Dance after 1890 |
Megan Girdwood |
|
40 |
|
Jacobean Civic Pageants |
Richard Dutton |
|
41 |
|
Post-Horror: Art, Genre and Cultural Elevation |
David Church |
|
42 |
|
Ovid and Adaptation in Early Modern English Theatre |
Lisa Starks |
|
43 |
|
Phases of the Moon: A Cultural History of the Werewolf Film |
Craig Ian Mann |
|
44 |
|
Censorship in Theatre and Cinema |
Anthony Aldgate, James C. Robertson |
|
45 |
|
Eliot and Beckett's Low Modernism: Humility and Humiliation |
Rick de Villiers |
|
46 |
|
Cosmetics in Shakespearean and Renaissance Drama |
Farah Karim-Cooper |
|
47 |
|
Shakespeare’s Golden Ages: Resisting Nostalgia in Elizabethan Drama |
Kristine Johanson |
|
48 |
|
Lesbian Cinema after Queer Theory |
Clara Bradbury-Rance |
|
49 |
|
Beckett Beyond the Normal |
Seán Kennedy |
|
50 |
|
The 3 Estaites: The Millennium Version |
Alan Spence, Angus Calder |
|
51 |
|
Deleuze, Cinema and the Thought of the World |
Allan James Thomas |
|
52 |
|
Fencing, Form and Cognition on the Early Modern Stage: Artful Devices |
Dori Coblentz |
|
53 |
|
The Pulse in Cinema: The Aesthetics of Horror |
Sharon Jane Mee |
|
54 |
|
Gertrude Stein's Transmasculinity |
Chris Coffman |
|
55 |
|
Volpone's Bastards: Theorising Jonson's City Comedy |
Isaac Hui |
|
56 |
|
Film Reboots |
Daniel Herbert, Constantine Verevis |
|
57 |
|
Shakespeare's Body Parts: Figuring Sovereignty in the History Plays |
Huw Griffiths |
|
58 |
|
Contemporary Cinema and the Philosophy of Iris Murdoch |
Lucy Bolton |
|
59 |
|
The Victorian Actress in the Novel and on the Stage |
Renata Kobetts Miller |
|
60 |
|
Hazarding All: Shakespeare and the Drama of Consciousness |
Sanford Budick |
|
61 |
|
Tragedies of the English Renaissance: An Introduction |
Goran Stanivukovic, John H. Cameron |
|
62 |
|
Modernist Disguise: Masquerade in Modern Performance and Visual Culture |
Ron J. Popenhagen |
|
63 |
|
Nasty Business: The Marketing and Distribution of the Video Nasties |
Mark McKenna |
|
64 |
|
Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy |
Matthew James Smith, Julia Reinhard Lupton |
|
65 |
|
The Edinburgh Companion to Irish Modernism [1 ed.] |
Maud Ellmann (editor), Sian White (editor), Vicki Mahaffey (editor) |
1 |
66 |
|
Greek Tragedy and Modernist Performance: Hellenism as Theatricality |
Olga Taxidou |
|
67 |
|
Shakespeare and Latinidad |
Trevor Boffone, Carla Della Gatta |
|
68 |
|
Reanimating Shakespeare’s Othello in Post-Racial America [1 ed.] |
Vanessa I. Corredera |
1 |
69 |
|
Sensing Willa Cather: The Writer and the Body in Transition [1 ed.] |
Guy J. Reynolds |
1 |
70 |
|
Beckett and Embodiment: Body, Space, Agency (Other Becketts) [1 ed.] |
Amanda M. Dennis |
1 |
71 |
|
Samuel Beckett and Translation [1 ed.] |
José Francisco Fernández (editor), Mar Garre García (editor) |
1 |
72 |
|
Derrida Reads Shakespeare [1 ed.] |
Chiara Alfano |
1 |
73 |
|
The Federal Theatre Project, 1935-1939: Engagement and Experimentation [1 ed.] |
Rania Karoula |
1 |
74 |
|
Conceiving Desire in Lyly and Shakespeare: Metaphor, Cognition and Eros [1 ed.] |
Gillian Knoll |
1 |
75 |
|
Biopolitics, Materiality and Meaning in Modern European Drama [1 ed.] |
Hedwig Fraunhofer |
1 |
76 |
|
Shakespeare's Essays: Sampling Montaigne from Hamlet to The Tempest [1 ed.] |
Peter G. Platt |
1 |
77 |
|
Russian Futurist Theatre: Theory and Practice [Illustrated] |
Robert Leach |
|
78 |
|
Improving Passions: Sentimental Aesthetics and American Film |
Charles Burnetts |
|
79 |
|
Chaste Value: Economic Crisis, Female Chastity and the Production of Social Difference on Shakespeare's Stage |
Katherine Gillen |
|
80 |
|
The Student's Guide to Shakespeare |
William McKenzie |
|
81 |
|
Modernism and the Theatre of the Baroque |
Kate Armond |
|
82 |
|
In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941-1979 |
Simon Willmetts |
|
83 |
|
Worldly Shakespeare: the theatre of our good will |
Richard Wilson. |
|
84 |
|
Shakespeare and Judgment |
Kevin Curran (editor) |
|
85 |
|
Metadrama and the Informer in Shakespeare and Jonson [1 ed.] |
Bill Angus |
1 |
86 |
|
Coleridge : Lectures on Shakespeare (1811-1819) [1 ed.] |
Samuel Coleridge, Adam Roberts |
1 |
87 |
|
Border Crossing: Russian Literature into Film |
Alexander Burry, Frederick White |
|
88 |
|
Second Death: Theatricalities of the Soul in Shakespeare's Drama |
Donovan Sherman |
|
89 |
|
Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema |
Heidi Wilkins |
|
90 |
|
American Cinema in the Shadow of 9/11 |
Terence McSweeney |
|
91 |
|
Listening for Theatrical Form in Early Modern England |
Allison Deutermann |
|
92 |
|
Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation |
Austin Fisher |
|
93 |
|
Shakespeare's Fugitive Politics |
Thomas P. Anderson |
|
94 |
|
French-language Road Cinema: Borders, Diasporas, Migration and 'New Europe' |
Michael Gott |
|
95 |
|
Slums on Screen: World Cinema and the Planet of Slums |
Igor Krstić |
|
96 |
|
Drivetime: Literary Excursions in Automotive Consciousness |
Lynne Pearce |
|
97 |
|
Modernist and Avant-Garde Performance: An Introduction [1 ed.] |
Claire Warden |
1 |
98 |
|
Creative Involution: Bergson, Beckett, Deleuze |
S. E. Gontarski |
|
99 |
|
Independent Chinese Documentary: Alternative Visions, Alternative Publics |
Dan Edwards |
|
100 |
|
US Independent Film After 1989: Possible Films |
Claire Perkins, Constantine Verevis |
|
101 |
|
Contemporary Japanese Cinema Since Hana-Bi |
Adam Bingham |
|
102 |
|
From Empire to the World: Migrant London and Paris in the Cinema |
Malini Guha |
|
103 |
|
Rethinking Shakespeare's Political Philosophy: From Lear to Leviathan |
Alex Schulman |
|
104 |
|
New Taiwanese Cinema in Focus: Moving Within and Beyond the Frame |
Flannery Wilson |
|
105 |
|
Shakespeare and Continental Philosophy [1 ed.] |
Jennifer Ann Bates, Richard Wilson |
1 |
106 |
|
International Noir |
Homer B. Pettey, R. Barton Palmer |
|
107 |
|
The Operatic and the Everyday in Post-war Italian Film Melodrama [1 ed.] |
Louis Bayman |
1 |
108 |
|
Hong Kong Documentary Film |
Ian Aitken, Michael Ingham |
|
109 |
|
Omnibus Films: Theorizing Transauthorial Cinema |
David Scott Diffrient |
|
110 |
|
Scenes from the Suburbs: The Suburb in Contemporary US Film and Television |
Timotheus Vermeulen |
|
111 |
|
East, West and Centre: Reframing post-1989 European Cinema |
Michael Gott, Todd Herzog |
|
112 |
|
Reading Literature Historically: Drama and Poetry from Chaucer to the Reformation |
Greg Walker |
|
113 |
|
The Speech-Gesture Complex: Modernism, Theatre, Cinema (Edinburgh Critical Studies in Modernism, Drama and Performance) |
Anthony Paraskeva |
|
114 |
|
Happy Endings in Hollywood Cinema: Cliché, Convention and the Final Couple |
James MacDowell |
|
115 |
|
The Sense of Film Narration |
Ian Garwood |
|
116 |
|
Comedy and Cultural Critique in American Film |
Ryan Bishop |
|
117 |
|
Cinematicity in Media History |
Jeffrey Geiger, Karin Littau |
|
118 |
|
Regional Modernisms |
Neal Alexander, James Moran |
|
119 |
|
Inventions of the Skin: The Painted Body in Early English Drama |
Andrea Stevens |
|
120 |
|
The Girlhood of Shakespeare's Sisters: Gender, Transgression, Adolescence |
Jennifer Higginbotham |
|
121 |
|
The Post-Romantic Predicament [1 ed.] |
McQuillan, Martin, De Man, Paul |
1 |
122 |
|
Gadda Goes to War: Translational Provocations Around an Emergency |
Federica G Pedriali |
|
123 |
|
Samuel Beckett: Laughing Matters, Comic Timing |
Laura Salisbury |
|
124 |
|
Magic Realist Cinema in East Central Europe |
Aga Skrodzka |
|
125 |
|
Unknown |
Yannis Tzioumakis |
|
126 |
|
Research Methods in Theatre and Performance (Research Methods for the Arts and the Humanities) |
Baz Kershaw, Helen Nicholson (editors) |
|
127 |
|
American Politics in Hollywood Film [2nd Edition] |
Ian Scott |
2 |
128 |
|
The Edinburgh Companion to Scottish Drama |
Ian Brown |
|
129 |
|
1895: Drama, Disaster and Disgrace in Late Victorian Britain |
Nicholas Freeman |
|
130 |
|
The Edinburgh Companion to Shakespeare and the Arts |
Mark Thornton Burnett, Adrian Streete, Ramona Wray |
|
131 |
|
American Documentary Film: Projecting the Nation |
Jeffrey Geiger |
|
132 |
|
Heritage Film Audiences: Period Films and Contemporary Audiences in the UK |
Claire Monk |
|
133 |
|
Contemporary British Drama [1 ed.] |
David Lane |
1 |
134 |
|
John Webster, Renaissance Dramatist [1 ed.] |
David Coleman |
1 |
135 |
|
Walter Scott and the Limits of Language |
Alison Lumsden |
|
136 |
|
William Morris and the Idea of Community: Romance, History and Propaganda, 1880–1914 |
Anna Vaninskaya |
|
137 |
|
Scottish Women's Gothic and Fantastic Writing: Fiction since 1978 |
Monica Germanà |
|
138 |
|
Thomas Middleton, Renaissance Dramatist |
Michelle O'Callaghan |
|
139 |
|
The Spanish Prisoner |
Yannis Tzioumakis |
|
140 |
|
Ben Jonson: Renaissance Dramatist |
Sean McEvoy |
|
141 |
|
Christopher Marlowe, Renaissance Dramatist |
Lisa Hopkins |
|
142 |
|
Shakespeare in Theory and Practice |
Catherine Belsey |
|
143 |
|
The Battle of Britain on Screen: 'The Few' in British Film and Television Drama (Societies at War) |
S. P. Mackenzie |
|
144 |
|
Contemporary American Drama |
Annette Saddik |
|
145 |
|
War and Nation in the Theatre of Shakespeare and His Contemporaries |
Simon Barker |
|
146 |
|
Sapphism on Screen: Lesbian Desire in French and Francophone Cinema |
Lucille Cairns |
|
147 |
|
Tragedy, Modernity and Mourning |
Taxidou, Olga |
|
148 |
|
Shakespeare for students: critical interpretations of Shakespeare's plays and poetry [Vol 1, 2nd ed] |
Anne Marie Hacht, Cynthia Burnstein |
2 |
149 |
|
Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry [Vol 2, 2 ed.] |
Anne Marie Hacht |
2 |
150 |
|
Contemporary British Television Drama |
James Chapman |
|
151 |
|
Anti-Black Racism in Early Modern English Drama: The Other “Other” |
Matthieu Chapman |
|
152 |
|
Lady Susan |
Jane Austen, R. W. Chapman |
|
153 |
|
The Roots of African American Drama: An Anthology of Early Plays, 1858-1938 [First Edition] |
James V. Hatch, Leo Hamalian, George C Wolfe, William Wells Brown, Pauline Elizabeth Hopkins, Katherine D. Chapman Tillman, Mary Burrill, Jodie Edwards, Susie Edwards, Willis Richardson, Zora Neale Hurston, Joseph S. Mitchell, Shirley Graham, George A. Towns, May Miller, Owen Vincent Dodson, Abram Hill |
|
154 |
|
Monty Python and the Holy Grail: Screenplay |
Graham Chapman &, John Cleese &, Terry Gilliam &, Eric Idle &, Michael Palin &, Terry Jones |
|
155 |
|
The York Corpus Christi Plays |
Margaret Rogerson |
|
156 |
|
A Study Guide for Doug Wright's "I Am My Own Wife" |
Gale, Cengage Learning |
|
157 |
|
A Study Guide for Alfred Jarry's "Ubu Roi" |
David M. Galens (editor) |
|
158 |
|
A Study Guide for Edward Albee's "Three Tall Women" |
Gale, Cengage Learning |
|
159 |
|
A Study Guide for Harvey Fierstein's "Torch Song Trilogy" |
Gale, Cengage Learning |
|
160 |
|
Drma for Stdnt 29 |
Gale,Cengage Learning |
|
161 |
|
Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas · Volume 3 |
Gale, Cengage Learning |
|
162 |
|
A Study Guide for Edward Bond's "Lear" |
Gale, Cengage Learning |
|
163 |
|
A Study Guide for Kobo Abe’s ""The Woman in the Dunes"" |
Gale, Cengage Learning |
|
164 |
|
A Study Guide for Celeste Raspanti's "I Never Saw Another Butterfly" |
Gale, Cengage Learning |
|
165 |
|
A Study Guide for Theresa Rebeck's "Spike Heels" |
Gale, Cengage Learning |
|
166 |
|
A Study Guide for William Inge's "Picnic" |
Gale, Cengage Learning |
|
167 |
|
A Study Guide for Lanford Wilson's "Burn This" |
Gale, Cengage Learning |
|
168 |
|
A Study Guide for Alice Childress's "The Wedding Band" |
Gale, Cengage Learning |
|
169 |
|
A Study Guide for John Osborne's "Inadmissible Evidence" |
Gale, Cengage Learning |
|
170 |
|
A Study Guide for August Wilson's "Ma Rainey's Black Bottom" |
Gale, Cengage Learning |
|
171 |
|
Drama for Students [v. 26]: Presenting Analysis, Context and Criticism on Commonly Studied Dramas |
Sara Constantakis |
|
172 |
|
Drama for Students, Volume 10 [Hardcover ed.] |
Michael L. Lablanc |
|
173 |
|
Reading Breath in Literature [1st ed.] |
Arthur Rose, Stefanie Heine, Naya Tsentourou, Corinne Saunders, Peter Garratt |
1 |
174 |
|
Elizabethan and Jacobean Reappropriation in Contemporary British Drama: 'Upstart Crows' [1 ed.] |
Graham Saunders (auth.) |
1 |
175 |
|
Patrick Marber’s Closer |
Graham Saunders (editor) |
|
176 |
|
A Companion to Romance: From Classical to Contemporary (Blackwell Companions to Literature and Culture) [1 ed.] |
Corinne Saunders |
1 |
177 |
|
Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 |
Ruud van den Beuken |
|
178 |
|
The plays of Margaret Drabble: a critical edition [First edition] |
Drabble, Margaret,Fernández, José Francisco |
|
179 |
|
J.M. Synge and travel writing of the Irish revival [First edition] |
Bruna, Giulia,Synge, J. M.,Synge, John Millington |
|
180 |
|
Irish women dramatists: 1908-2001 [First edition] |
Headrick, Charlotte J.,Kearney, Eileen |
|
181 |
|
Modernity, Community, and Place in Brian Friel’s Drama |
Richard Rankin Russell |
|
182 |
|
The story of Joseph : a fourteenth-century Turkish morality play [First edition] |
Hickman, Bill, (Son of Jacob) Joseph |
|
183 |
|
Modern Irish Drama : W. B. Yeats to Marina Carr, Second Edition |
Sanford Sternlicht |
|
184 |
|
Brian Friel's (Post) Colonial Drama: Language, Illusion, and Politics |
Friel, Brian,McGrath, Francis Charles |
1 |
185 |
|
Bondage to the Dead: Poland and the Memory of the Holocaust |
Michael C. Steinlauf |
|
186 |
|
A Reader's Guide to Samuel Beckett (Irish Studies) |
Hugh Kenner |
|
187 |
|
Of Levinas and Shakespeare: "to See Another Thus" |
Moshe Gold, Sandor Goodhart, Kent Lehnhof |
|
188 |
|
Shakespeare in Hollywood, Asia, and cyberspace |
Huang, Alexander Cheng-Yuan, Ross (eds.) |
|
189 |
|
The Broken Window : Beckett's Dramatic Perspective |
Jane Alison Hale |
|
190 |
|
The Facts on File Companion to American Drama (Companion to Literature Series) [2 ed.] |
Jackson R. Bryer, Mary C. Hartig |
2 |
191 |
|
The Drama 100: A Ranking of the Greatest Plays of All Time (Facts on File World of Literature) [1 ed.] |
Daniel S. Burt |
1 |
192 |
|
The Facts On File Companion To Classical Drama (Facts on File Library of World Literature) |
John E., Jr. Thorburn |
|
193 |
|
Banned Plays: Censorship Histories of 125 Stage Dramas (Facts on File Library of World Literature) |
Dawn B. Sova |
|
194 |
|
After the Accident |
Armitstead, Julian |
|
195 |
|
Salt, root and roe |
Price, Tim |
|
196 |
|
Empty: by Forde, Cathy |
Forde, Cathy |
|
197 |
|
That Was Then |
Stembridge, Gerard |
|
198 |
|
'Tis Pity She's a Whore |
John Ford |
|
199 |
|
Seneca's Tragedies and the Aesthetics of Pantomime |
Alessandra Zanobi |
|
200 |
|
Euripides: Trojan Women |
Barbara Goff |
|
201 |
|
Theorising Performance: Greek Drama, Cultural History and Critical Practice |
Edith Hall (Editor), Stephe Harrop (Editor) |
|
202 |
|
A Student Handbook to the Plays of Arthur Miller: All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass |
Alan Ackerman |
|
203 |
|
Enron |
Lucy Prebble |
|
204 |
|
Sus: by Keeffe, Barrie |
Keeffe, Barrie |
|
205 |
|
Katrina: a play of New Orleans |
Holmes, Jonathan |
|
206 |
|
Not Black and White: Category B, Seize the Day, Detaining Justice |
Kwei-Armah, Kwame,Williams, Roy,Agbaje, Bola |
|
207 |
|
Punk Rock |
Stephens, Simon |
|
208 |
|
Godfrey Plays: 1: Vol 1 |
Godfrey, Paul |
|
209 |
|
Darker Shores |
Punter, Michael |
|
210 |
|
Saved: by Edward Bond |
Edward Bond |
|
211 |
|
The Field of Drama [Paperback ed.] |
Martin Esslin |
|
212 |
|
Lorca Plays: 1: Blood Wedding; Yerma; Dona Rosita the Spinster |
García Lorca, Federico,Edwards, Gwynne,Luke, Peter |
|
213 |
|
Pericles |
William Shakespeare |
|
214 |
|
Baroque Modernity: An Aesthetics of Theater |
Joseph Cermatori |
|
215 |
|
Comic democracies from ancient Athens to the American republic |
Fletcher, Angus |
|
216 |
|
Persians, Seven against Thebes, and Suppliants |
Aaron Poochigian |
|
217 |
|
Tragic conditions in Shakespeare : disinheriting the Globe [1 ed.] |
Kottman, Paul A. |
1 |
218 |
|
Aristophanes and the carnival of genres |
Aristophanes., Bakhtin, Mikhail Mikhaĭlovich, Aristophanes, Platter, Charles, Bakhtin, Bakhtin Mikhail Mikhaĭlovich |
|
219 |
|
Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama [1 ed.] |
Matthew S. Buckley |
1 |
220 |
|
Mocked with death : tragic overliving from Sophocles to Milton |
Emily R. Wilson |
|
221 |
|
Cellophane: Plays |
Professor Mac Wellman, Professor Marjorie Perloff |
|
222 |
|
Representing Shakespeare : new psychoanalytic essays |
Murray M. Schwartz (editor), Coppélia Kahn (editor) |
|
223 |
|
Tragedy: a short introduction [1 ed.] |
Rebecca W. Bushnell |
1 |
224 |
|
Greek tragedy |
Rabinowitz, Nancy Sorkin |
|
225 |
|
A companion to modern British and Irish drama, 1880-2005 |
Luckhurst, Mary |
|
226 |
|
A Companion to Shakespeare's Sonnets [1° ed.] |
Michael Carl Schoenfeldt (editor) |
1 |
227 |
|
The definitive Shakespeare companion: overviews, documents, and analysis |
Rosenblum, Joseph,Shakespeare, William |
|
228 |
|
Masterpieces of Modern British and Irish Drama |
Sanford Sternlicht |
|
229 |
|
African American Dramatists: An A-to-Z Guide |
Emmanuel Nelson, Emmanuel S. Nelson |
|
230 |
|
Performing Opposition : Modern Theater and the Scandalized Audience |
Neil Blackadder |
|
231 |
|
David Mamet: a Research and Production Sourcebook : A Research and Production Sourcebook |
Janice A. Sauer, David K. Sauer |
|
232 |
|
Getting married |
Bernard Shaw, William-Alan Landes |
|
233 |
|
Generals Of The Yang Family Four Early Plays |
W L Idema, Stephen H West |
|
234 |
|
Newton's Darkness: Two Dramatic Views |
Carl Djerassi, David Pinner |
|
235 |
|
Lectures on computational fluid dynamics, mathematical physics, and linear algebra |
Gustafson K.,Abe T., Kuwahara K. (eds.) |
|
236 |
|
Public Speaking: Choices and Responsibility [4 ed.] |
William Keith, Christian O. Lundberg |
4 |
237 |
|
Communication Mosaics: An Introduction to the Field of Communication [8 ed.] |
Julia T. Wood |
8 |
238 |
|
Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas |
Gale,Cengage Learning |
|
239 |
|
Drma for Stdnt 29 |
Gale,Cengage Learning |
|
240 |
|
Communicate! [15 ed.] |
Kathleen S. Verderber, Deanna D. Sellnow, Rudolph F. Verderber |
15 |
241 |
|
Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas · Volume 3 |
Gale, Cengage Learning |
|
242 |
|
Intercultural Communication: A Reader [14 ed.] |
Larry A. Samovar, Richard E. Porter, Edwin R. McDaniel, Carolyn S. Roy |
14 |
243 |
|
Essentials of Public Speaking [6th ed.] |
Cheryl Hamilton |
6 |
244 |
|
Public Speaking: The Evolving Art , Second Edition [2 ed.] |
Stephanie J. Coopman, James Lull |
2 |
245 |
|
The Challenge of Effective Speaking, 15th Edition [15 ed.] |
Rudolph F. Verderber, Kathleen S. Verderber, Deanna D. Sellnow |
15 |
246 |
|
Cengage Advantage Books: Essentials of Public Speaking [5 ed.] |
Cheryl Hamilton |
5 |
247 |
|
Communication Research: Strategies and Sources [7 ed.] |
Rebecca B. Rubin, Alan M. Rubin, Paul M. Haridakis, Linda J. Piele |
7 |
248 |
|
Drama for Students, Volume 26 [ebook ed.] |
Sara Constantakis |
|
249 |
|
To Read Literature: Fiction, Poetry, Drama |
Donald Hall |
|
250 |
|
Between Exile and Return: S.Y. Agnon and the Drama of Writing |
Anne Golomb Hoffman |
|
251 |
|
Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin De Siglo Mexamerica |
Susan Dever |
|
252 |
|
Drama in the People's Republic of China |
Constantine Tung, Colin Mackerras |
|
253 |
|
From Stereotype to Metaphor: Jew in Contemporary Drama |
Ellen Schiff |
|
254 |
|
The Drama of Fallen France: Reading LA Comedie Sans Tickets |
Kenneth Krauss |
|
255 |
|
The Medieval drama |
Sandro Sticca, State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies |
|
256 |
|
The science of Breaking Bad |
Trumbore, Dave,Nelson, Donna J |
|
257 |
|
The Merchant of Venice |
|
|
258 |
|
A History of Modern Drama, Volume 1 [1 ed.] |
David Krasner |
1 |
259 |
|
China Fireworks : How to Make Dramatic Wealth from the Fastest-Growing Economy in the World [1 ed.] |
Robert Hsu |
1 |
260 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 3 (light novel) |
Wataru Watari and Ponkan 8 |
|
261 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 7.5 (light novel) |
Wataru Watari and Ponkan 8 |
|
262 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 1 (light novel) |
Wataru Watari and Ponkan 8 |
|
263 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 2 (light novel) |
Wataru Watari and Ponkan 8 |
|
264 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 4 (light novel) |
Wataru Watari and Ponkan 8 |
|
265 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 5 (light novel) |
Wataru Watari and Ponkan 8 |
|
266 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 6 (light novel) |
Wataru Watari and Ponkan 8 |
|
267 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 10 (light Novel) |
Wataru Watari and Ponkan 8 |
|
268 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 10.5 (light novel) |
Wataru Watari and Ponkan 8 |
|
269 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 6.5 (light novel) |
Wataru Watari and Ponkan 8 |
|
270 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 8 (light novel) |
Wataru Watari and Ponkan 8 |
|
271 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 9 (light novel) |
Wataru Watari and Ponkan 8 |
|
272 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 7 (light novel) |
Wataru Watari and Ponkan 8 |
|
273 |
|
The Alchemical Actor |
Jane Gilmer |
|
274 |
|
Pragmatic Nonviolence: Working toward a Better World (Value Inquiry Book) |
Andrew Fitz-Gibbon |
|
275 |
|
Staging History Essays in Late Medieval and Humanist Drama |
Peter Happé |
|
276 |
|
World Political Theatre and Performance: Theories, Histories, Practices |
Mireia Aragay, Paola Botham, José Ramón Prado-Pérez |
|
277 |
|
Oscar Wilde in Vienna: Pleasing and Teasing the Audience |
Sandra Mayer |
|
278 |
|
Georg Büchner: Contemporary Perspectives |
Robert Gillett, Ernest Schonfield, Daniel Steuer |
|
279 |
|
The Romantic Stage: A Many-Sided Mirror |
Crisafulli, Lilla Maria, Liberto, Fabio |
|
280 |
|
Staging Vice |
Charlotte Steenbrugge |
|
281 |
|
The Ancients and Shakespeare on Time : Some Remarks on the War of Generations |
Nowak, Piotr, Shakespeare, William |
|
282 |
|
Beyond Realism: Experimental and Unconventional Irish Drama Since the Revival [1st ed.] |
Joan FitzPatrick Dean, José Lanters |
1 |
283 |
|
Catching Australian Theatre in the 2000s |
Richard Fotheringham, James Smith |
|
284 |
|
The Politics of Adaptation: Contemporary African Drama and Greek Tragedy |
Astrid Van Weyenberg |
|
285 |
|
The Journeyman Years: Occasional Prose 1957-1974 · Volume 2 |
Christopher Balme (editor), Gordon Collier (editor) |
|
286 |
|
Goodbye Yeats and O'Neill : farce in contemporary Irish and Irish-American narratives |
Hagan, Edward Alphonsus |
|
287 |
|
Say it : the performative voice in the dramatic works of Samuel Beckett |
West, Sarah, Beckett, Samuel |
|
288 |
|
Political Performances: Theory and Practice. |
E.J. Westlake, Deirdre Heddon, Avraham Oz |
|
289 |
|
Harold Pinter's The Dumb Waiter. (Dialogue) |
Mary F. Brewer |
|
290 |
|
Global Changes - Local Stages: How Theatre Functions in Smaller European Countries. |
Hans Van Maanen, Andreas Kotte, Anneli Saro |
|
291 |
|
La littérature face à elle-même: l'écriture spéculaire de Samuel Beckett |
Beckett, Samuel, Wessler, Éric, Beckett, Samuel |
|
292 |
|
Nick Enright: An Actor's Playwright. (Australian Playwrights, Vol. 12) |
Anne Pender, Susan Lever |
|
293 |
|
Arthur Miller's Death of a Salesman (Dialogue) |
Eric J. Sterling |
|
294 |
|
"Verwisch Die Spuren!": Bertolt Brecht's Work and Legacy : a Reassessment |
Robert Gillett, Godela Weiss-Sussex |
|
295 |
|
Des Éléments Aux Traces |
Ruyter, Danièle de, Engelberts, Matthijs, Beckett, Samuel |
|
296 |
|
Integral drama : culture, consciousness and identity |
William S. Haney II |
|
297 |
|
''All Sturm and no Drang''. Beckett and Romanticism. Beckett at Reading 2006. |
Mark Nixon (Eds.), Dirk Van Hulle, Dirk Van Hulle, Mark Nixon |
|
298 |
|
Zone of Evaporation: Samuel Beckett's Disjunctions (Faux Titre 287) |
Paul Stewart |
|
299 |
|
Schiller: National Poet--Poet of Nations: A Birmingham Symposium |
Martin, Nicholas |
|
300 |
|
Hidden Mutualities. Faustian Themes from Gnostic Origins to the Postcolonial |
Michael Mitchell |
|
301 |
|
After Beckett - D'apres Beckett |
Edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clément |
|
302 |
|
Villon at Oxford: The drama of the text: Proceedings of the conference held at St. Hilda's College Oxford, March 1996 |
Michael Freeman, Jane H. M. Taylor |
|
303 |
|
Jar of Fat |
Seayoung Yim |
|
304 |
|
Staging "The Mysterious Mother" |
Cynthia E. Roman, Jill Campbell, Jonathan Kramnick (editors) |
|
305 |
|
Apologies to Lorraine Hansberry (You too, August Wilson) |
Rachel Lynett, Paula Vogel |
|
306 |
|
Magnum Opus: The Cycle Plays of Eugene O’Neill |
Zander Brietzke |
|
307 |
|
Of Human Kindness: What Shakespeare Teaches Us About Empathy |
Paula Marantz Cohen |
|
308 |
|
The Art of Dramaturgy |
Anne Cattaneo |
|
309 |
|
Hamlet's Choice: Religion and Resistance in Shakespeare's Revenge Tragedies |
Peter Lake |
|
310 |
|
How to Defend Yourself |
Liliana Padilla, Ayad Akhtar |
|
311 |
|
God Said This |
Leah Nanako Winkler, Ayad Akhtar |
|
312 |
|
Eugene O`Neill and His Eleven-Play Cycle |
Edwin C. Hagenstein (editor), Brian Donahue (editor), Sara M. Gregg (editor) |
|
313 |
|
Faust: A Tragedy, Part One |
Edward A. Purcell |
|
314 |
|
Faust, Part Two |
Robin Feuer Miller |
|
315 |
|
Bottle Fly |
Jacqueline Goldfinger, Nicholas Wright |
|
316 |
|
How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays [1 ed.] |
Peter Lake |
1 |
317 |
|
Utility |
Emily Schwend, Nicholas Wright |
|
318 |
|
What Playwrights Talk About When They Talk About Writing |
Jeffrey Sweet |
|
319 |
|
The Last Days of Mankind: The Complete Text |
Karl Kraus, Fred Bridgham, Edward Timms |
|
320 |
|
A New Anthology of Early Modern Spanish Theater Play and Playtext |
Mujica, Bárbara |
|
321 |
|
Theater of the Avant-Garde, 1890-1950: A Critical Anthology |
Robert Knopf (editor), Julia Listengarten (editor) |
|
322 |
|
Why Acting Matters |
David Thomson |
|
323 |
|
Serial Black Face |
Janine Nabers, Marsha Norman |
|
324 |
|
Long day's journey into night: critical edition [Critical ed.] |
Eugene O'Neill, Mr. William Davies King, Jessica Lange |
|
325 |
|
Walter Benjamin’s Hypothetical French Trauerspiel |
Hall Bjornstad, Katherine Ibbett |
|
326 |
|
Still: by Jen Silverman, Marsha Norman |
Jen Silverman, Marsha Norman |
|
327 |
|
Lord Strange's Men and Their Plays |
Lawrence Manley, Sally-Beth MacLean |
|
328 |
|
Making Make-Believe Real: Politics as Theater in Shakespeare's Time |
Garry Wills |
|
329 |
|
Walpurgis Night, or the Steps of the Commander |
Venedikt Erofeev, Marian Schwartz |
|
330 |
|
Beautiful Province |
Clarence Coo, John Guare |
|
331 |
|
Exorcism : a play in one act [First Edition] |
Bernard, Louise, O'Neill, Eugene, Albee, Edward |
|
332 |
|
New Light Shine |
Shannon Murdoch |
|
333 |
|
Rome and Rhetoric: Shakespeare's Julius Caesar |
Garry Wills |
|
334 |
|
Theater of the Avant-Garde, 1950-2000 |
Robert Knopf, Julia Listengarten |
|
335 |
|
Lidless |
Frances Ya-Chu Cowhig, David Hare |
|
336 |
|
Fuenteovejuna |
Lope de Vega, Roberto Gonzalez Echevarria, G. J. Racz |
|
337 |
|
Grenadine |
Neil Wechsler, Edward Albee |
|
338 |
|
Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age |
Alban K. Forcione |
|
339 |
|
The American Play: 1787-2000 |
Marc Robinson |
|
340 |
|
Celestina |
Fernando de Rojas (editor), Roberto Gonzalez Echevarria (editor), Margaret Sayers Peden (editor) |
|
341 |
|
The Boys from Siam |
John Austin Connolly |
|
342 |
|
Shakespeare the Thinker [Reprint ed.] |
A. D. Nuttall |
|
343 |
|
Othello |
William Shakespeare (editor), Burton Raffel (editor) |
|
344 |
|
Shakespeare’s Tragic Skepticism |
Millicent Bell |
|
345 |
|
Reading Godot |
Lois Gordon |
|
346 |
|
The Taming of the Shrew |
William Shakespeare (editor), Burton Raffel (editor) |
|
347 |
|
The Merchant of Venice [First Edition] |
William Shakespeare (editor), Burton Raffel (editor), Harold Bloom (editor) |
|
348 |
|
The Tempest [First Edition] |
William Shakespeare (editor), Burton Raffel (editor), Harold Bloom (editor) |
|
349 |
|
The Drama Is Coming Now: The Theater Criticism of Richard Gilman, 1961-1991 |
Richard Gilman |
|
350 |
|
Twelfth Night: Or, What You Will (The Annotated Shakespeare) [annotated edition] |
William Shakespeare, Burton Raffel |
|
351 |
|
King Lear |
William Shakespeare, Burton Raffel, Harold Bloom |
|
352 |
|
The Theban Plays of Sophocles |
Sophocles, David R. Slavitt |
|
353 |
|
Playwriting: The Structure of Action |
Sam Smiley, Norman Bert |
|
354 |
|
Hamlet |
William Shakespeare (editor), Burton Raffel (editor) |
|
355 |
|
Macbeth: Fully annotated, with an Introduction, by Burton Raffel With an essay by Harold Bloom |
William Shakespeare (editor), Burton Raffel (editor) |
|
356 |
|
A moon for the misbegotten [1 ed.] |
Eugene O'Neill, Stephen A. Black |
1 |
357 |
|
The Iceman Cometh |
Eugene O'Neill, Harold Bloom |
|
358 |
|
Long day's journey into night [2nd ed] |
Bloom, Harold, O'Neill, Eugene |
2 |
359 |
|
The Little Tragedies |
Alexander Pushkin |
|
360 |
|
The Comedy and Tragedy of Machiavelli |
Elisabeth Young-Bruehl |
|
361 |
|
The Death of Tragedy |
George Steiner |
|
362 |
|
Northrop Frye on Shakespeare |
Northrop Frye |
|
363 |
|
The Tale of Kiè̂u: A Bilingual Edition of Truyện Kiè̂u |
Huynh Sanh Thong |
|
364 |
|
Las artes de la mentira política |
Jonathan Swift |
|
365 |
|
La vie est un combat, l'Amour un soldat |
Rosaux, Michèle |
|
366 |
|
UN ANGE PASSA |
Rosaux, Michèle |
|
367 |
|
Cyrano de Bergerac |
ROSTAND, Edmond |
|
368 |
|
Teatro de la Revolución Mexicana |
|
|
369 |
|
TEATRO DE LA REVOLUCION MEXICANA |
|
|
370 |
|
Partages de lectures |
Nosel, José |
|
371 |
|
Sirocco |
Mather, Anne |
|
372 |
|
Les marguerite(s) |
|
|
373 |
|
Tales of Desire |
Williams, Tennessee |
|
374 |
|
Baby Reindeer |
Richard Gadd |
|
375 |
|
Thick as Thieves |
Chandler, Katherine |
|
376 |
|
No te bebas el agua |
Allen, Woody |
|
377 |
|
30 Great Myths about Shakespeare |
Smith, Emma, Maguire, Laurie &, Emma Smith |
|
378 |
|
A Certain Age |
Truss, Lynne |
|
379 |
|
A Doll's House and Other Plays |
Ibsen, Henrik |
|
380 |
|
A natural perspective: the development of Shakespearean comedy and romance |
Northrop Frye |
|
381 |
|
A natural perspective; the development of Shakespearean comedy and romance. |
Northrop Frye |
|
382 |
|
Aahuti (Hindi) |
Premchand |
|
383 |
|
An Ideal husband |
Wilde, Oscar, 1854-1900 |
|
384 |
|
Any Given Sunday |
Celeste, Mercy |
|
385 |
|
Charlie Chaplin (Hindi) |
Mamta Jha |
|
386 |
|
Christopher Marlowe: The Complete Plays |
Christopher Marlowe, Frank Romany, Robert Lindsey |
|
387 |
|
Classical Monologues for Women |
Calderone, Marina |
|
388 |
|
Crazy as a Loon |
McClendon, Lise |
|
389 |
|
Dialogue |
Robert McKee |
|
390 |
|
Do You Love Me? |
R. D. Laing |
|
391 |
|
Dog Dish of Doom |
Copperman, E. J. |
|
392 |
|
El porqué de las cosas |
Quim Monzó |
|
393 |
|
El silencio de los 12 |
Ismael Lorenzo &, M. A. |
|
394 |
|
El tulipán negro |
Alejandro Dumas |
|
395 |
|
Entremeses |
Calderon de la Barca |
|
396 |
|
Faust |
Иоганн Вольфганг Гете &, Johann Wolfgang von Goethe |
|
397 |
|
Green Shadows, White Whale |
Ray Bradbury |
|
398 |
|
Hamlet (Hindi) |
Shakespeare |
|
399 |
|
Il re muore |
Ionesco, Eugene |
|
400 |
|
iOpenEye: Theater and #MeToo in Nigeria |
Caroline Elkins &, Tarun Khanna &, Joyce J. Kim |
|
401 |
|
Ivy's Poison |
Adams, India R. |
|
402 |
|
La Estrella |
ARTHUR C. CLARKE |
|
403 |
|
La muerte de Wallenstein |
Federico Schiller |
|
404 |
|
La naranja mecánica |
Anthony Burgess |
|
405 |
|
La venganza de Marige |
Corín Tellado |
|
406 |
|
L'Amour médecin – Le Sicilien ou l'Amour peintre |
Molière |
|
407 |
|
Le Fantôme de l'Opéra |
Leroux, Gaston |
|
408 |
|
Les élucubrations d'un homme soudain frappé par la grâce |
Baer Édouard |
|
409 |
|
Les Monologues du vagin (édition intégrale) |
Ensler, Eve |
|
410 |
|
M.I.L.F. |
|
|
411 |
|
Maria Estuardo |
Federico Schiller |
|
412 |
|
Marie Tudor |
Victor Hugo |
|
413 |
|
Mary Stuart (Oberon Classics) |
Schiller, Friedrich &, Oswald, Peter |
|
414 |
|
Montserrat |
Emmanuel Roblès |
|
415 |
|
Mystères du Moyen Age |
|
|
416 |
|
Naufragar en Internet |
|
|
417 |
|
One Tuesday Morning / Beyond Tuesday Morning Compilation Limited Edition |
Karen Kingsbury |
|
418 |
|
Plays |
Leonid Andreyev |
|
419 |
|
Ride: Episode One |
James, A.C. |
|
420 |
|
Roar of Sky |
Cato, Beth |
|
421 |
|
Samuel Beckett: A Critical Study |
Hugh Kenner |
|
422 |
|
Selected Poems |
John Fowles |
|
423 |
|
Seven types of ambiguity |
William Empson |
|
424 |
|
Shirley: by Charlotte Bronte |
Charlotte Bronte |
|
425 |
|
Sonnets; by R. D. Laing |
R. D. Laing |
|
426 |
|
The (Other) You |
Oates, Joyce Carol |
|
427 |
|
The common pursuit |
Frank Raymond Leavis, F. R. Leavis |
|
428 |
|
The Death of Tragedy (Faber Library) |
Steiner, George |
|
429 |
|
The Kindest Lie |
Nancy Johnson |
|
430 |
|
The New Chameleons |
Michael R. Solomon |
|
431 |
|
The Phoenix and the Turtle |
William Shakespeare |
|
432 |
|
The Robbers and Wallenstein |
Friedrich Schiller |
|
433 |
|
THE UGLY TRUTH |
E.L Beth |
|
434 |
|
Un marido ideal |
Oscar Wilde |
|
435 |
|
VENUS AND ADONIS |
|
|
436 |
|
DOCTOR SCRATCH |
A Comedy Based on Crispin Medecin of Hautroche |
|
437 |
|
A ROUGH DIAMOND (LES PAVES DE L'OURS) |
A Comedy in One Act By Georges Feydeau |
|
438 |
|
Isle of Slaves |
A One Act Comedy by Marivaux |
|
439 |
|
Mr. Pim Passes By |
Alan Alexander Milne |
|
440 |
|
La sonrisa de la Gioconda |
Aldous Huxley |
|
441 |
|
Hamlet: by Alexander Kuprin |
Alexander Kuprin |
|
442 |
|
Boris Godunov |
Alexander Pushkin |
|
443 |
|
No hay burlas con el amor & La noche veneciana |
Alfred de Musset |
|
444 |
|
Locrine - A Tragedy |
Algernon Charles Swinburne |
|
445 |
|
Atalanta in Calydon |
Algernon Charles Swinburne |
|
446 |
|
The Gentle Shepherd, a Scotch Pastoral |
Allan Ramsay |
|
447 |
|
The Rescue of the Princess Winsome |
Annie Fellows-Johnston &, Albion Fellows Bacon |
|
448 |
|
The Cherry Orchard |
Anton Chekhov |
|
449 |
|
THE ANNIVERSARY |
Anton Chekov |
|
450 |
|
The Schoolmistress and Other Stories |
Anton Chekov |
|
451 |
|
The City Heiress |
Aphra Behn |
|
452 |
|
The Rover; or, The Banish'd Cavaliers |
Aphra Behn |
|
453 |
|
The Big Drum |
Arthur Pinero |
|
454 |
|
REIGEN (Hands Around) |
Arthur Schnitzler |
|
455 |
|
Master Olof: A Drama in Five Acts |
August Strindberg |
|
456 |
|
Representative Plays by American Dramatists: 1856-1911: In Mizzoura |
Augustus Thomas |
|
457 |
|
Mercadet |
Balzac, Honore De &, Lives, Blackmask |
|
458 |
|
The Stepmother, A Drama in Five Acts |
Balzac, Honore De &, Lives, Blackmask |
|
459 |
|
Stories in the Dark |
Barry Pain |
|
460 |
|
The Thirteenth Chair |
Bayard Veiller |
|
461 |
|
Every Man Out Of His Humour |
Ben Johson |
|
462 |
|
The Poetaster |
Ben Jonson |
|
463 |
|
Volpone |
Ben Jonson |
|
464 |
|
Count Alarcos |
Benjamin Disraeli |
|
465 |
|
The Complete Talking Heads |
Bennett, Alan |
|
466 |
|
MAJOR BARBARA |
BERNARD SHAW |
|
467 |
|
LEONARDA |
Bjornstjerne M. Bjornson |
|
468 |
|
Gentle Julia |
Booth Tarkington |
|
469 |
|
THE DUALIST |
Bram Stoker |
|
470 |
|
The Viscount and the Virgin |
Burrows, Annie |
|
471 |
|
The Earl's Untouched Bride |
Burrows, Annie |
|
472 |
|
The Bachelor's Bride |
Bush, Holly |
|
473 |
|
MADAME MOLIERE (1906) A Comedy in One Act |
By Andre Cremieux |
|
474 |
|
THE ECCLESIAZUSAE |
by Aristophanes |
|
475 |
|
Moliere at Ninon's, or The Reading of Tartuffe |
By Chazet &, Dubois |
|
476 |
|
RESTORATION COMEDY: SHADWELL |
By Frank J. Morlock |
|
477 |
|
PYRAMUS AND THISBE |
By Henry James |
|
478 |
|
The Tent of the Arabs |
By Lord Dunsany |
|
479 |
|
BOHEMIA (Vie de Bohem): A Play in Five Acts |
By T. Barriere &, H. Murger |
|
480 |
|
La vida es sueño |
Calderón de la Barca |
|
481 |
|
Travels and Adventures of Monsieur Violet |
Captain Marryat |
|
482 |
|
Dombey and Son |
Charles Dickens |
|
483 |
|
Tecumseh: A Drama |
Charles Mair |
|
484 |
|
White Lies |
Charles Reade |
|
485 |
|
The Little Duke |
Charlotte M. Yonge |
|
486 |
|
The Sea-Gull |
Chekov |
|
487 |
|
George Bernard Shaw |
Chesterton, G. K. |
|
488 |
|
The Inheritors |
Conrad, Joseph &, Hueffer, Ford M. &, Lives, Blackmask |
|
489 |
|
Cherry Blossom Girls 8 |
Cooper, Harmon |
|
490 |
|
The Downstairs Neighbor |
Cooper, Helen |
|
491 |
|
Tanis Richards: Kill Shot (Aeon 14 - Origins of Destiny) |
Cooper, M. D. |
|
492 |
|
Hunting The Kobra |
Cooper-Posey, Tracy |
|
493 |
|
Masquerade |
Cruz, Melissa de la |
|
494 |
|
The Widowing of Mrs Holroyd |
D. H. Lawrence |
|
495 |
|
THE MODERN DRAMA |
Emma Goldman |
|
496 |
|
A Chaste Maid in Cheapside |
Thomas Middleton |
|
497 |
|
A Florentine Tragedy--A Fragment (and other works) |
Oscar Wilde |
|
498 |
|
Annajanska, the Bolshevik Empress |
George Bernard Shaw |
|
499 |
|
Billy and the Big Stick |
Richard Harding Davis |
|
500 |
|
Caesar and Cleopatra |
George Bernard Shaw |
|
501 |
|
Captain Brassbound's Conversion |
George Bernard Shaw |
|
502 |
|
A Yorkshire Tragedy |
Thomas Middleton |
|
503 |
|
An Ideal Husband |
Oscar Wilde |
|
504 |
|
Heartbreak House |
George Bernard Shaw |
|
505 |
|
Lady Windermere's Fan |
Oscar Wilde |
|
506 |
|
John Charrington's Wedding |
E. Nesbit |
|
507 |
|
O'Flaherty V.C. |
George Bernard Shaw |
|
508 |
|
Pygmalion |
George Bernard Shaw |
|
509 |
|
SHIRLEY |
Charlotte Bronte |
|
510 |
|
The Emperor Jones |
Eugene O'Neill |
|
511 |
|
The Honest Whore |
Thomas Middleton |
|
512 |
|
The Hairy Ape |
Eugene O'Neill |
|
513 |
|
The Ivory Child |
H. Rider Haggard |
|
514 |
|
The Little Woman From Lancashire |
George Gissing |
|
515 |
|
The Naturewoman |
Upton Sinclair |
|
516 |
|
The Long Voyage Home |
Eugene O'Neill |
|
517 |
|
The Nice Valour |
Thomas Middleton |
|
518 |
|
The New Inne |
Ben Jonson |
|
519 |
|
The Revenger's Tragedy |
Thomas Middleton |
|
520 |
|
The Pot-Boiler |
Edith Wharton |
|
521 |
|
The Two Noble Kinsmen |
William Shakespeare and John Fletcher |
|
522 |
|
The Rover |
Joseph Conrad |
|
523 |
|
Tom's Husband |
Sarah Orne Jewett |
|
524 |
|
The Witch |
Thomas Middleton |
|
525 |
|
The Wind in the Willows |
Kenneth Grahame |
|
526 |
|
Vera, or the Nihilists |
Oscar Wilde |
|
527 |
|
You Never Can Tell |
George Bernard Shaw |
|
528 |
|
Your Five Gallants |
Thomas Middleton |
|
529 |
|
Call of Cthulhu |
Deborah |
|
530 |
|
THE WIDOW a la MODE |
Donneau de Vise |
|
531 |
|
Feminine Discourse in Roman Comedy |
Dorota M. Dutsch |
|
532 |
|
The Adventure of Merlin's Tomb |
Dramatized by Frank J. Morlock |
|
533 |
|
Plays of Near and Far |
Dunsany, Lord &, Lives, Blackmask |
|
534 |
|
The Sad Shepherd |
Dyke, Henry Van &, Lives, Blackmask |
|
535 |
|
The Divines |
Eaton, Ellie |
|
536 |
|
House of Mirth |
Edith Wharton |
|
537 |
|
The Gamester |
Edward Moore |
|
538 |
|
Shakespeare and Music |
Edward W. Naylor |
|
539 |
|
Why the Chimes Rang: A Play in One Act |
Elizabeth Apthorp McFadden |
|
540 |
|
A Woman Is No Man |
Etaf Rum |
|
541 |
|
The Emperor Jones |
Eugene O'Neill |
|
542 |
|
The Electra of Euripides |
Euripides |
|
543 |
|
Rakoshi |
F. Paul Wilson |
|
544 |
|
Doña Rosita la soltera o el lenguaje de las flores |
Federico García Lorca |
|
545 |
|
Mariana Pineda |
Federico García Lorca |
|
546 |
|
Los títeres de cachiporra |
Federico García Lorca |
|
547 |
|
La casa de Bernarda Alba |
Federico García Lorca |
|
548 |
|
Amor de don Perlimplín con Belisa en su jardín |
Federico García Lorca |
|
549 |
|
El legionario |
Fernando Claudín di Fidio |
|
550 |
|
La Celestina |
Fernando de Rojas |
|
551 |
|
El Laberinto del amor |
Florencio Moreno Godino |
|
552 |
|
King Arthur's Socks and Other Village Plays |
Floyd Dell |
|
553 |
|
The Southern Cross |
Foxhall Daingerfield, Jr. |
|
554 |
|
El cordero |
François Mauriac |
|
555 |
|
La casa de huéspedes |
Francesc Gómez Guillamón |
|
556 |
|
If Only etc. |
Francis Clement Philips &, Augustus Harris |
|
557 |
|
The Price |
Francis Lynde |
|
558 |
|
Sherlock Holmes and the Grand Horizontals. |
FRANK J. MORLOCK |
|
559 |
|
Congreve's Comedy of Manners |
Frank J. Morlock |
|
560 |
|
HEROES AND ROMANTICS OF OUR TIMES: A Comedy in One Act |
FRANK J. MORLOCK C 1986 |
|
561 |
|
Sincronización en Birkenwald: Una conferencia metafísica |
Frankl, Viktor Emil |
|
562 |
|
Fiesco |
Frederich Schiller |
|
563 |
|
Mary Stuart |
Frederich Schiller |
|
564 |
|
Arthur, Copied And Edited From The Marquis of Bath's MS |
Frederick J. Furnivall |
|
565 |
|
Homer and Classical Philology |
Friedrich Nietzsche |
|
566 |
|
A Miscellany of Men |
G. K. Chesterton |
|
567 |
|
Arms and the Man |
George Bernard Shaw |
|
568 |
|
Press Cuttings |
George Bernard Shaw |
|
569 |
|
The Man of Destiny |
George Bernard Shaw |
|
570 |
|
The Shewing-up of Blanco Posnet |
George Bernard Shaw |
|
571 |
|
Back to Methuselah |
George Bernard Shaw |
|
572 |
|
Bussy D'Ambois and The Revenge of Bussy D'Ambois |
George Chapman |
|
573 |
|
The Deformed Transformed |
George Gordon, Lord Byron |
|
574 |
|
Malcolm |
George MacDonald |
|
575 |
|
Biribi |
Georges Darien |
|
576 |
|
The Weavers |
Gilbert Parker |
|
577 |
|
Marriage is Murder |
Goodhind, Jean G |
|
578 |
|
The Merchant |
Graeme Stephenson |
|
579 |
|
Forevermore |
Grayson, Alex |
|
580 |
|
A Comedy of Marriage and Other Tales |
Guy De Maupassant |
|
581 |
|
The Diary Of A Madman |
Guy de Maupassant |
|
582 |
|
Shakespeare: His Life, Art, And Characters, Volume I. |
H. N. Hudson |
|
583 |
|
The Christian Slave |
Harriet Beecher Stowe |
|
584 |
|
Masquerade |
Heaton, F E |
|
585 |
|
Hedda Gabler |
Henrik Ibsen |
|
586 |
|
Henrik Ibsen's Prose Dramas Vol III |
Henrik Ibsen |
|
587 |
|
Rosmersholm |
Henrik Ibsen |
|
588 |
|
Love's Comedy |
Henrik Ibsen |
|
589 |
|
An Old Man Taught Wisdom |
Henry Fielding |
|
590 |
|
THE AUTHOR'S FARCE |
Henry Fielding |
|
591 |
|
The Drama |
Henry Irving |
|
592 |
|
The Fatal Jealousie |
Henry Nevil Payne |
|
593 |
|
MORDRED, A TRAGEDY |
HENRY NEWBOLT |
|
594 |
|
The House Of Rimmon |
Henry Van Dyke |
|
595 |
|
The Garden Of Allah |
Hichens, Robert |
|
596 |
|
Read-Aloud Plays |
Horace Holley |
|
597 |
|
Peg O' My Heart |
J. Hartley Manners |
|
598 |
|
La-bas |
J. K. Huysmans |
|
599 |
|
Riders to the Sea |
J. M. Synge |
|
600 |
|
The Tinker's Wedding |
J. M. Synge |
|
601 |
|
The Well of the Saints |
J. M. Synge |
|
602 |
|
The Playboy of the Western World |
J. M. Synge |
|
603 |
|
The Acorn-Planter |
Jack London |
|
604 |
|
The Biglow Papers |
James Russell Lowell |
|
605 |
|
Phaedra |
Jean Baptiste Racine |
|
606 |
|
The Socialite |
J'nell Ciesielski |
|
607 |
|
Faust Part 1 |
Johann Wolfgang Von Goethe |
|
608 |
|
The Works of John Dryden, Vol. 6 |
John Dryden |
|
609 |
|
The Works Of John Dryden, Vol. 7 |
John Dryden |
|
610 |
|
The Works of John Dryden, Volume 5 (of 18) |
John Dryden |
|
611 |
|
'TIS PITY SHE'S A WHORE |
John Ford |
|
612 |
|
DEFEAT. A TINY DRAMA |
John Galsworthy |
|
613 |
|
HALL-MARKED. A SATIRIC TRIFLE |
John Galsworthy |
|
614 |
|
PUNCH AND GO. A LITTLE COMEDY |
John Galsworthy |
|
615 |
|
The Eldest Son |
John Galsworthy |
|
616 |
|
Strife |
John Galsworthy |
|
617 |
|
THE FOUNDATIONS. (AN EXTRAVAGANT PLAY) |
John Galsworthy |
|
618 |
|
THE LITTLE MAN. A FARCICAL MORALITY IN THREE SCENES |
John Galsworthy |
|
619 |
|
THE LITTLE DREAM: An Allegory in six Scenes |
John Galsworthy |
|
620 |
|
THE MOB. A Play in Four Acts |
John Galsworthy |
|
621 |
|
THE SKIN GAME |
John Galsworthy |
|
622 |
|
THE SUN. A SCENE |
John Galsworthy |
|
623 |
|
Defeat A Tiny Drama |
John Galsworthy |
|
624 |
|
Hall-Marked A Satiric Trifle |
John Galsworthy |
|
625 |
|
The Bicyclers And Three Other Farces |
John Kendrick Bangs |
|
626 |
|
The Duchess of Malfi |
John Webster |
|
627 |
|
One Day More |
Joseph Conrad |
|
628 |
|
Martha By-the-Day |
Julie M. Lippmann |
|
629 |
|
R.U.R. |
Karel Capek |
|
630 |
|
My Dark Vanessa |
Kate Elizabeth Russell |
|
631 |
|
The Wind in the Willows |
Kenneth Grahame |
|
632 |
|
Beat Generation |
Kerouac, Jack |
|
633 |
|
Orphan Train |
Kline, Christina Baker |
|
634 |
|
Guampeteros, fomas & granfalunes |
Kurt Vonnegut |
|
635 |
|
Sicilian Limes |
L. Pirandello, 1910 |
|
636 |
|
It IS So! (If You Think So) |
L. Pirandello, 1917, 1922 |
|
637 |
|
Henry IV |
L. Pirandello, 1922 |
|
638 |
|
New Irish Comedies |
Lady Augusta Gregory |
|
639 |
|
From Duke till Dawn |
Leigh, Eva |
|
640 |
|
Counting on a Countess |
Leigh, Eva |
|
641 |
|
Plays of Gods and Men |
Lord Dunsany |
|
642 |
|
An Old-fashioned Girl |
Louisa M. Alcott |
|
643 |
|
Sushi for Beginners: A Novel |
Marian Keyes |
|
644 |
|
The Roaring Girl, or Moll Cutpurse |
Mary Roberts Rinehart |
|
645 |
|
The House in Dormer Forest |
Mary Webb |
|
646 |
|
The Blonde Lady |
Maurice Leblanc |
|
647 |
|
Don Garcia of Navarre |
Moliere |
|
648 |
|
SGANARELLE: OR THE SELF-DECEIVED HUSBAND |
Moliere |
|
649 |
|
THE BORES. |
Moliere |
|
650 |
|
The Countess of Escarbagnas |
Moliere |
|
651 |
|
THE LOVE-TIFF. |
Moliere |
|
652 |
|
THE SCHOOL FOR HUSBANDS |
Moliere |
|
653 |
|
The School for Wives |
Moliere |
|
654 |
|
THE PRETENTIOUS YOUNG LADIES: A COMEDY IN ONE ACT. |
Moliere |
|
655 |
|
The Shopkeeper Turned Gentleman |
Moliere (Poquelin) |
|
656 |
|
The Learned Women |
Moliere (Poquelin) |
|
657 |
|
The Imaginary Invalid |
Moliere (Poquelin) |
|
658 |
|
The Impostures of Scapin |
Moliere (Poquelin) |
|
659 |
|
Lover's Vows |
Mrs. Inchbald |
|
660 |
|
The Mystery Of St Agnes' Hospital |
Nicholas Carter |
|
661 |
|
Jouer la traduction |
Nicole Nolette |
|
662 |
|
Tragically Speaking: On the Use and Abuse of Theory for Life |
Nikolopoulou, Kalliopi |
|
663 |
|
Class of 29 |
Orrie Lashin &, Milo Hastings |
|
664 |
|
Reviews |
Oscar Wilde, Edited by Robert Ross |
|
665 |
|
Nos débuts dans la vie |
Patrick Modiano |
|
666 |
|
Le prince corsaire |
Paul Scarron |
|
667 |
|
Morir de Azul: La novela de la División Azul |
Peñacoba, Ramón |
|
668 |
|
The Purgatory of St. Patrick |
Pedro Calderon de la Barca |
|
669 |
|
The Noble Lord |
Percival Wilde |
|
670 |
|
The Cenci |
Percy Bysshe Shelley |
|
671 |
|
Montaigne et Francois Bacon |
Pierre Villey |
|
672 |
|
Divinas palabras |
Ram?n M? del Valle-Incl?n |
|
673 |
|
Cara de Plata |
Ram?n Mar?a del Valle-Incl?n |
|
674 |
|
The Milkmaid |
Randolph Caldecott |
|
675 |
|
St. PATRICK'S DAY; OR, THE SCHEMING LIEUTENANT |
Richard Brinsley Sheridan |
|
676 |
|
The CRITIC, OR A Tragedy Rehearsed |
Richard Brinsley Sheridan |
|
677 |
|
Story of Orestes |
Richard G. Moulton |
|
678 |
|
Miss Civilization |
Richard Harding Davis |
|
679 |
|
Art And Revolution |
RICHARD WAGNER |
|
680 |
|
Bella Donna |
Robert Hichens |
|
681 |
|
Reviews |
Ross, Oscar Wilde, Edited by Robert &, Lives, Blackmask |
|
682 |
|
Waiting for Godot |
Samuel Beckett |
|
683 |
|
Preface to Shakespeare's Plays |
Samuel Johnson |
|
684 |
|
THE FALL OF ROBESPIERRE, AN HISTORIC DRAMA |
Samuel Taylor Coleridge |
|
685 |
|
The Bride of Messina (play) |
Schiller |
|
686 |
|
The Camp of Wallenstein (play) |
Schiller |
|
687 |
|
Cymbeline |
Shakespeare, William &, Lives, Blackmask |
|
688 |
|
The Merry Wives of Windsor |
Shakespeare, William &, Munsey's |
|
689 |
|
Secrets of a Kept Woman 2 |
Shani Greene-Dowdell |
|
690 |
|
Euripides: Alcestis |
Slater, Niall W. |
|
691 |
|
THE BRIDE COMES TO YELLOW SKY |
Stephen Crane |
|
692 |
|
Fraulein Julie |
Strindberg, August &, Munsey's |
|
693 |
|
The Fine Lady's Airs (1709) |
Thomas Baker |
|
694 |
|
Essays on the Stage |
Thomas D'Urfey &, Bossuet |
|
695 |
|
Speed the Plough |
Thomas Morton |
|
696 |
|
Venice Preserved |
Thomas Otway |
|
697 |
|
French Lear or The Beggar King |
Translated &, adapted by F. J. Morlock |
|
698 |
|
CYRANO AND MOLIERE by George Jubin |
Translated &, adapted by Frank J. Morlock |
|
699 |
|
FEYDEAU'S I NEVER CHEAT ON MY HUSBAND |
Translated &, adapted by Frank J. Morlock |
|
700 |
|
SCENE ADDED FOR THE ANNIVERSARY OF MOLIERE |
Translated &, adapted by Frank J. Morlock |
|
701 |
|
MOLIERE, A play in five acts by GEORGE SAND |
Translated &, adapted by Frank J. Morlock |
|
702 |
|
OEDIPUS By Voltaire |
Translated &, adapted by Frank J. Morlock |
|
703 |
|
THE SCHOOL FOR LOVERS By ALAIN-RENE LE SAGE |
Translated &, adapted by Frank J. Morlock |
|
704 |
|
THE STENDHAL HAMLET SCENARIOS |
Translated &, adapted by Frank J. Morlock |
|
705 |
|
SAMSON An opera by Voltaire |
Translated &, adapted by Frank J. Morlock C 2002 |
|
706 |
|
PANDORA By VOLTAIRE |
Translated &, adapted by Frank J. Morlock C 2002 |
|
707 |
|
DEATH OF CAESAR By Voltaire |
Translated &, Adapted by Frank J. Morlock C 2003 |
|
708 |
|
HERCULES DYING, BY MARMONTEL |
MARMONTEL |
|
709 |
|
PERSEUS By QUINAULT |
FRANK J. MORLOCK C |
|
710 |
|
THE DUKE D'ALENCON A Tragedy By Voltaire |
Translated &, adapted by Frank J. Morlock C 2003 |
|
711 |
|
The Death of Wallenstein (play) |
Translated by S. T. Coleridge |
|
712 |
|
The Piccolomini (play) |
S. T. Coleridge |
|
713 |
|
The Pot Boiler |
Upton Sinclair |
|
714 |
|
The Albany Depot |
W. D. Howells |
|
715 |
|
The Story of a Play |
W. D. Howells |
|
716 |
|
Hochelagans and Mohawks |
W. D. Lighthall |
|
717 |
|
The Adventure Of The German Student |
Washington Irving |
|
718 |
|
The Song of the Exile, A Canadian Epic |
Wilfred S. Skeats |
|
719 |
|
Characters of Shakespeare's Plays |
William Hazlitt |
|
720 |
|
Fair Em |
William Shakespeare |
|
721 |
|
Measure for Measure |
William Shakespeare |
|
722 |
|
Sonnets |
William Shakespeare |
|
723 |
|
The Tempest |
William Shakespeare |
|
724 |
|
Two Gentlemen of Verona |
William Shakespeare |
|
725 |
|
Macbeth |
William Shakespeare SEM |
|
726 |
|
Zenobia |
William Ware |
|
727 |
|
The Mule-Bone |
Zora Hurston &, Langston Hughes |
|
728 |
|
A Peep Behind the Scenes |
|
|
729 |
|
THE WHITE SHIP |
|
|
730 |
|
THE SOLDIER'S REPRIEVE. |
|
|
731 |
|
The Theory of the Theatre |
Clayton Hamilton |
|
732 |
|
Washington Square Plays |
|
|
733 |
|
The Author's Farce |
|
|
734 |
|
The Anniversary |
Anton Chekov |
|
735 |
|
Tales of Shakespeare |
Charles and Mary Lamb |
|
736 |
|
THE DUALITISTS |
|
|
737 |
|
The Skin Game |
|
|
738 |
|
L'Eventail de Lady Windermere, Lady Windermere's fan, édition bilingue |
|
|
739 |
|
American Drama In The Age Of Film |
Zander brietzke |
|
740 |
|
Harry Potter y el legado maldito |
Rowling, J. K. &, Tiffany, John &, Thorne, Jack |
|
741 |
|
My Mistletoe Mix-Up: A Ridgewater High Novella |
Corry, Judy |
|
742 |
|
The Mystery of the Blue Train |
Agatha Christie |
|
743 |
|
What Freud Taught Us about Passionate Romantic Love |
Bristol, R. Curtis |
|
744 |
|
Religious Conversion or Therapy: The Priestly Psychiatrist in T. S. Eliot's The Cocktail Party |
Berman, Jeffrey |
|
745 |
|
Nathan El Sabio |
Gotthold Ephraim Lessing |
|
746 |
|
Brecht on Performance: Messingkauf and Modelbooks |
Brecht, Bertolt |
|
747 |
|
Ruined |
Simone Elkeles |
|
748 |
|
Will Grayson, Will Grayson |
Green, John &, Levithan, David |
|
749 |
|
The Rope and Other Plays (Penguin Classics) |
Plautus |
|
750 |
|
Trilogy of Resistance |
Nicolier, Barbara, Murphy, Timothy S., Negri, Antonio |
|
751 |
|
Always a Bridesmaid |
Ellis, Dee |
|
752 |
|
Superman Lives |
Kevin Smith |
|
753 |
|
Misterio bufo y otras comedias (Nuevos Tiempos) |
Fo, Dario |
|
754 |
|
Historia de España en el siglo XIX (Historia y Biografías) |
Comellas García-Lera, José Luis |
|
755 |
|
Los Tres Misterios: Introducción de Javier del Prado Biezma |
Péguy, Charles |
|
756 |
|
A Belén me voy (Escena y fiesta) |
autores Varios |
|
757 |
|
A veces, las apariencias engañan (Escena y fiesta) |
Bellido Romanos, Nuria |
|
758 |
|
Belén, siglo XXI (Escena y fiesta) |
Domingo del Prado Almanza |
|
759 |
|
Compendio de teoria teatral (Manuales y obras de referencia) |
Torres, María Paz Grillo |
|
760 |
|
El club de la escalera (Ficcion) |
Vila-Sanjuán, Sergio |
|
761 |
|
El Mago de Oz (Escena y fiesta) |
Varios, autores |
|
762 |
|
El viaje de los reyes magos (Escena y fiesta) |
Pacheco, Pilar López-Quesada |
|
763 |
|
La estrella que se escapo del cielo (Escena y fiesta) |
Alcubilla, Mª Pilar Montoro |
|
764 |
|
Taller de teatro (Materiales para educadores) |
Lázaro, Julio |
|
765 |
|
Teatro escolar (Escena y fiesta) |
Tejada, Antonio Salas |
|
766 |
|
Teatro aplicado: Teatro del oprimido, teatro playback, dramaterapia (Recursos) |
Tomàs Motos Teruel &, Domingo Ferrandis |
|
767 |
|
Texto dramático: La palabra en acción |
Poveda, Lola |
|
768 |
|
Una de indios (Escena y fiesta) |
Dolz, Juan Ramón Barat |
|
769 |
|
¡Marcianos en Belén! (Escena y fiesta) |
Domingo del Prado Almanza |
|
770 |
|
¡Vaya lata de pirata! (Escena y fiesta) |
Carmen Gil Martínez |
|
771 |
|
Captain Corellis Mandolin |
Louis de Berniers |
|
772 |
|
Chitra, a Play in One Act |
Rabindranath Tagore |
|
773 |
|
hamlet |
Jim |
|
774 |
|
Timon of Athens |
Shakespeare, Jim Manis, ed. |
|
775 |
|
At Journey's End |
Bekemeyer, Michele |
|
776 |
|
Rose of Ebony |
Cooper-Posey, Tracy |
|
777 |
|
La orgía perpetua. Flaubert y Madame Bovary |
Mario Vargas Llosa |
|
778 |
|
The Curious Life of the Unfortunate Duchess |
Linfield, Emma |
|
779 |
|
Los árboles mueren de pie |
Alejandro Casona |
|
780 |
|
Hamlet (Bilingüe) |
Shakespeare |
|
781 |
|
L'amour pour châtiment (AVENTURES ET PASSIONS) |
Anderson, Catherine |
|
782 |
|
Veneration |
Sharon K. Gilbert, Derek P. Gilbert |
|
783 |
|
MASQUERADE |
Gallups, Carl |
|
784 |
|
Runaway Fiancée |
Wentworth, Sally |
|
785 |
|
Unexpected |
Decker, M.C. |
|
786 |
|
10 Nights |
Jones, Karl &, Michelle Hughes |
|
787 |
|
10 Minutes From Home: Episode 7 |
Howard, Bill |
|
788 |
|
Nos ghettos |
J-F Nadeau |
|
789 |
|
Notes sur le rire |
PAGNOL Marcel |
|
790 |
|
L'Acte inconnu |
Valère Novarina |
|
791 |
|
Nyotaimori |
Sarah Berthamere |
|
792 |
|
Scandal at the Speakeasy |
Robinson, Lauri |
|
793 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 1 |
Wataru Watari and Ponkan 8 |
|
794 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 2 |
Wataru Watari and Ponkan 8 |
|
795 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 3 |
Wataru Watari and Ponkan 8 |
|
796 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 4 |
Wataru Watari and Ponkan 8 |
|
797 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 6.5 |
Wataru Watari and Ponkan 8 |
|
798 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 6 |
Wataru Watari and Ponkan 8 |
|
799 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 7.5 |
Wataru Watari and Ponkan 8 |
|
800 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 7 |
Wataru Watari and Ponkan 8 |
|
801 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 8 |
Wataru Watari and Ponkan 8 |
|
802 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 9 |
Wataru Watari and Ponkan 8 |
|
803 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 10.5 |
Wataru Watari and Ponkan 8 |
|
804 |
|
My Youth Romantic Comedy Is Wrong, As I Expected, Vol. 10 |
Wataru Watari and Ponkan 8 |
|
805 |
|
White Lies |
Jayne Ann Krentz (Jayne Castle) |
|
806 |
|
Watching Glory Die |
Judith Thompson |
|
807 |
|
A Gentleman Says ''I Do'' |
Grey, Amelia |
|
808 |
|
Running Wild |
Caine, Rachel |
|
809 |
|
Normal People |
Rooney Sally |
|
810 |
|
Océans |
James Hyndman |
|
811 |
|
Octobre. Sketchs et chœurs parlés pour le groupe Octobre (1932-1936) |
Jacques Prévert |
|
812 |
|
Odyssée - Prépas scientifiques 2017-2018 |
Homere |
|
813 |
|
The Odyssey of Homer |
Richmond Lattimore |
|
814 |
|
Jackie Brown |
Leonard, Elmore |
|
815 |
|
Adulte ? Jamais |
Pier Paolo Pasolini |
|
816 |
|
All That Was Left Unsaid |
Underdown, Jacquie |
|
817 |
|
Glanz und Elend der Kurtisanen |
Balzac, Honoré de |
|
818 |
|
Ein Heiratsantrag / Scherz in einem Aufzug |
Chekhov, Anton Pavlovich |
|
819 |
|
The Cowgirl in Question |
B.J. Daniels |
|
820 |
|
On an Outgoing Tide |
Caro Ramsay |
|
821 |
|
Agamemnon |
Enckell, Rabbe |
|
822 |
|
Grand Finales: The Perfect Ending |
Martell, William C. |
|
823 |
|
Quand tombe le masque |
Alys,Sélène |
|
824 |
|
La tentación; Juárez y Maximiliano |
Werfel, Franz |
|
825 |
|
She's Got the Money 2 |
Mack, M.O. |
|
826 |
|
Comedias |
Shakespeare |
|
827 |
|
El jardín de Sonoko |
David Crespo |
|
828 |
|
The Other Life of Charlotte Evans |
George, Louisa |
|
829 |
|
Troika |
Alastair Reynolds |
|
830 |
|
The Vietri Project |
DeRobertis-Theye, Nicola |
|
831 |
|
Raft of Stars |
Graff, Andrew J. |
|
832 |
|
The Greeks Forced Bride |
Reid, Michelle |
|
833 |
|
Don Gil de las calzas verdes |
Tirso De Molina |
|
834 |
|
Shakespeare: A Very Short Introduction |
Greer, Germaine |
|
835 |
|
Tragedy: A Very Short Introduction |
Poole, Adrian |
|
836 |
|
Crossing Lines: Hollywood Hopefuls Book Three 3 |
Jean, Jeris |
|
837 |
|
A Christmas Kind of Perfect |
Schimpf, Christine |
|
838 |
|
Double Booked |
Bailey, Tessa |
|
839 |
|
Love Dot Com |
Talbot, Julia |
|
840 |
|
GOTT: Ein Theaterstück |
Schirach, Ferdinand von |
|
841 |
|
Burned and Scarred |
Poppy, Brenda |
|
842 |
|
You Belong Here Now |
Rostad, Dianna |
|
843 |
|
Flatland |
Edwin Abbott Abbott |
|
844 |
|
A Strategic Plan |
Mueller, Ross |
|
845 |
|
The Sisters Hemingway |
Annie England Noblin |
|
846 |
|
Call the Midwife |
Jennifer Worth |
|
847 |
|
Secret Daughter |
Shilpi Somaya Gowda |
|
848 |
|
Dolor y Gloria |
Pedro Almodóvar |
|
849 |
|
The Secret Sister |
M. M. DeLuca |
|
850 |
|
The Solitude of Passion |
Addison Moore |
|
851 |
|
Calderón de la Barca: los Cabellos de Absalón [1st ed.] |
Pedro Calderon de la Barca, Gwynne Edwards |
1 |
852 |
|
The Languages of Theatre. Problems in the Translation and Transposition of Drama [1st ed.] |
O. Zuber |
1 |
853 |
|
The Plays of Grillparzer [1st ed.] |
George A. Wells, C. V. Russell and W. D. Halls (Auth.) |
1 |
854 |
|
Bad Girls |
Jane Yolen,Heidi E. Y. Stemple |
|
855 |
|
Come Back, Little Sheba |
Inge, William |
|
856 |
|
Comedias bárbaras: primeros dramas |
Echevarría, Ignacio,Valle-Inclán, Ramón del |
|
857 |
|
Edipo rey |
Sophocles |
|
858 |
|
Es un decir |
|
|
859 |
|
Fleabag: the scriptures |
Waller-Bridge, Phoebe |
|
860 |
|
Harvey Fierstein's Torch song trilogy |
Harvey Fierstein |
|
861 |
|
Henry IV (Part 1) |
William Shakespeare |
|
862 |
|
Jaws |
Peter Benchley |
|
863 |
|
Medea |
Robertson, Robin,Euripides |
|
864 |
|
Necessary targets: a story of women and war [1st ed] |
Ensler, Eve |
1 |
865 |
|
Original Hitchhikers Radio Scripts |
Douglas Adams |
|
866 |
|
Picnic: a summer romance in three acts [Fireside Theatre book Club ed.] |
Inge, William |
|
867 |
|
Prométhée enchaîné selon Alberto Kurapel, le Guanaco gaucho = Prometeo encadenado según Alberto Kurapel le Guanaco gaucho |
Kurapel, Alberto,Esquilo |
|
868 |
|
Qué haréis con este libro: Teatro completo |
José Saramago |
|
869 |
|
Searching for Bobby Fischer |
Fred Waitzkin |
|
870 |
|
Shakespeare, Our Contemporary |
Kott, Jan, Shakespeare, William |
|
871 |
|
Teatro breve del Siglo de Oro: Loas y entremeses |
Autores, Varios |
|
872 |
|
The annotated Shakespeare: three volumes in one : the comedies, the histories, sonnets, and other poems, the tragedies and romances [1st ed.] |
William Shakespeare, Alfred Leslie Rowse |
1 |
873 |
|
The Cocktail Party |
Giuliani, Mary |
|
874 |
|
The Complete Greek Drama - All the Extant Tragedies of Aeschylus, Sophocles and Euripides, and the Comedies of Aristophanes and Menander, 2 Volume Set [1 ed.] |
Whitney J. Oates, Eugene O'Neill Jr. |
1 |
875 |
|
The Complete Greek Drama (2 volumes) |
Whitney J. Oates (editor) |
|
876 |
|
The complete plays of Aristophanes [Bantam classic reissue ed.] |
Aristophanes,Hadas, Moses |
|
877 |
|
The Duchess of Malfi: seven masterpieces of Jacobean drama |
Tourneur, Cyril,Fletcher, John,Middleton, Thomas,Jonson, Ben,Webster, John,Beaumont, Francis,Rowley, William,Kermode, Frank,Heywood, Thomas |
|
878 |
|
The guys: a play |
Nelson, Anne |
|
879 |
|
The Merchant of Venice |
William Shakespeare, Jonathan Bate, Eric Rasmussen |
|
880 |
|
The Stepford Wives |
Ira Levin |
|
881 |
|
The Taming of the Shrew [Modern Library pbk. ed.] |
William Shakespeare, Jonathan Bate, Eric Rasmussen |
|
882 |
|
Three One-Act Plays |
Allen, Woody |
|
883 |
|
Three Plays |
Ayckbourn, Alan |
|
884 |
|
Upstart Crow |
Ben Elton |
|
885 |
|
Well-read black girl: Finding Our Stories, Discovering Ourselves |
Edim, Glory (Editor, Introduction), Ward, Jesmyn (Contributor), Nottage, Lynn (Contributor), Woodson, Jacqueline (Contributor) |
|
886 |
|
William Shakespeare Complete Works [1 ed.] |
Rasmussen, Eric, Sénéchal, Héloïse, Bate, Jonathan, Shakespeare, William |
1 |
887 |
|
A Companion to Celestina |
Enrique Fernández |
|
888 |
|
Albee Abroad (New Perspectives in Edward Albee Studies, 5) |
Esther Santana (editor) |
|
889 |
|
Albee and Influence (New Perspectives in Edward Albee Studies, 4) |
John M. Clum (editor), Natka Bianchini (editor) |
|
890 |
|
An Introduction to the Social and Political Philosophy of Bertolt Brecht : Revolution and Aesthetics [1 ed.] |
Anthony Squiers |
1 |
891 |
|
Anglo-German Theatrical Exchange : A Sea-Change into Something Rich and Strange? [1 ed.] |
Rudolf Weiss, Ludwig Schnauder, Dieter Fuchs |
1 |
892 |
|
Ariel Dorfman: An Aesthetics of Hope |
Sophia A. McClennen |
|
893 |
|
Aristotle Poetics: Editio Maior of the Greek Text with Historical Introductions and Philological Commentaries |
Leonardo Tarán, Dimitri Gutas |
|
894 |
|
Aus dem Grund. Auftrittsprotokolle zwischen Racine und Nietzsche |
Juliane Vogel |
|
895 |
|
Beckett’s Voices / Voicing Beckett |
Laurens De Vos, Mariko Hori Tanaka, Nicholas E. Johnson |
|
896 |
|
Between Grammar and Rhetoric: Dionysius of Halicarnassus on Language, Linguistics, and Literature |
Casper Constantijn De Jonge |
|
897 |
|
Black Neo-Victoriana: 8 |
Felipe Espinoza Garrido, Marlena Tronicke, Julian Wacker |
|
898 |
|
Brill’s companion to the reception of Aeschylus |
Kennedy, Rebecca Futo |
|
899 |
|
Brill’s Companion to the Reception of Aristophanes |
Philip Walsh |
|
900 |
|
Brill’s Companion to the Reception of Senecan Tragedy: Scholarly, Theatrical and Literary Receptions |
Eric Dodson-Robinson |
|
901 |
|
Brill’s Companion to the Study of Greek Comedy |
Gregory W. Dobrov |
|
902 |
|
Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature |
Roberto González Echevarría |
|
903 |
|
Chilcot |
Richard Norton-Taylor, Matt Woodhead |
|
904 |
|
Choice in Charles Dickens's Later Novels: The Spectator's Art (Costerus New) |
Keith Easley |
|
905 |
|
Clowns, Fools and Picaros : Popular Forms in Theatre, Fiction and Film [1 ed.] |
David Robb |
1 |
906 |
|
Collected papers on Greek tragedy |
Henry, W. Benjamin, Willink, Charles W. |
|
907 |
|
Conrad's Drama : Contemporary Reviews and Observations [1 ed.] |
John G. Peters |
1 |
908 |
|
Creating Kabuki Plays : Context for Kezairoku, Valuable Notes on Playwriting [1 ed.] |
Katherine Saltzman-Li |
1 |
909 |
|
Dancer, Nun, Ghost, Goddess: The Legend of Giō And Hotoke in Japanese Literature, Theater, Visual Arts, and Cultural Heritage |
Roberta Strippoli |
|
910 |
|
Daniel Heinsius, Auriacus, sive Libertas saucia (Orange, or Liberty wounded) 1602 |
Daniel Heinsius, Jan Bloemendal (editor) |
|
911 |
|
Das Bildliche und das Unbildliche: Nietzsche, Wagner und das Musikdrama |
Matthias Schmidt, Arne Stollberg |
|
912 |
|
Der XII Heroidenbrief: Medea An Jason |
Theodor Heinze, Ovid |
|
913 |
|
Die dramatische Zeit in Senecas Tragödien |
Andreas Heil |
|
914 |
|
Die Unfähigkeit, sich zu erkennen: Sophokles’ Tragödien |
Lefèvre, Eckard |
|
915 |
|
Dionysus on the Other Shore: Gao Xingjian's Theatre of the Tragic |
Letizia Fusini |
|
916 |
|
Don Alvaro, or the Force of Fate (1835): A Play by Angel de Saavedra, Duke of Rivas |
Robert M. Fedorchek (translator) |
|
917 |
|
Drama Research Methods: Provocations of Practice [1 ed.] |
Peter Duffy, Christine Hatton, Richard Sallis |
1 |
918 |
|
Drama, Performance and Debate: Theatre and Public Opinion in the Early Modern Period |
Jan Bloemendal, Peter G.F. Eversmann, Elsa Strietman (eds.) |
|
919 |
|
Dreams, Delirium, and Decolonization in Derek Walcott’s Dream on Monkey Mountain |
Kelly Baker Josephs |
|
920 |
|
Eastern and Western Synergies and Imaginations: Texts and Histories [8, 1 ed.] |
Katrine Wong |
1 |
921 |
|
Edward Albee and Absurdism [1 ed.] |
Michael Y. Bennett |
1 |
922 |
|
Edward Albee as Theatrical and Dramatic Innovator |
A. David Crespy |
|
923 |
|
Emotion in Action: Thucydides and the Tragic Chorus |
Eirene Visvardi |
|
924 |
|
Euripides' 'Bacchae': The Play and Its Audience (Mnemosyne, Supplements): 78 |
J. Oranje |
|
925 |
|
Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba |
Charles Segal |
|
926 |
|
Euripides' Kresphontes and Archelaos: Introduction, Text and Commentary |
Annette Harder, B. C. McGing |
|
927 |
|
Female Heroism in the Works of Corneille and Racine: Médée, Clytemnestre, Phèdre (Faux Titre, 460) |
Dana Lungu |
|
928 |
|
Gender and Communication in Euripides' Plays: Between Song and Silence |
J. H. Kim On Chong-gossard |
|
929 |
|
Georg Buchner: Contemporary Perspectives |
Robert Gillett, Ernest Schonfield, Daniel Steuer |
|
930 |
|
Geschlechterspielräume: Dramatik, Theater, Performance Und Gender (Amsterdamer Beiträge Zur Neueren Germanistik, 78) (German Edition) |
Gaby Pailer (editor), Franziska Schossler (editor) |
|
931 |
|
Grammatical Observations on Euripides' Bacchae (Amsterdam Studies in Greek Philology, Vol 1) |
Albert Rijksbaron |
|
932 |
|
Guilt and Extenuation in Tragedy : Variations on Racinian Excuses [1 ed.] |
Edward Forman |
1 |
933 |
|
Harlequin Empire: Race, Ethnicity and the Drama of the Popular Enlightenment |
David Worrall |
|
934 |
|
Heinrich Von Kleist: Artistic and Aesthetic Legacies |
Jeffrey High, Carrie Collenberg-González |
|
935 |
|
Heroic Measures: Hippocratic Medicine in the Making of Euripidean Tragedy |
Jennifer Clarke Kosak |
|
936 |
|
Heroism and Divine Justice in Sophocles' Philoctetes |
Joe Park Poe |
|
937 |
|
Imitations of Life: Two Centuries of Melodrama in Russia |
Louise McReynolds (editor), Joan Neuberger (editor), Richard Stites (editor), Julie Buckler (editor) |
|
938 |
|
In the Footsteps of Harlequin and Pulcinella; Cultural Mobility and Localness of Theatre |
Ewa Bal (editor), Jan Burzynski (editor) |
|
939 |
|
Inscriptional Records for the Dramatic Festivals in Athens: IG II2 2318-2325 and Related Texts [Bilingual ed.] |
Benjamin W. Millis, S. Douglas Olson |
|
940 |
|
L. Annaeus Seneca: Troades. Introduction, Text, and Commentary |
Atze J. Keulen |
|
941 |
|
Le Concil de Basle : 1434 : les origines du théâtre réformiste et partisan en France |
Jonathan Beck |
|
942 |
|
Le Théâtre de Koffi Kwahulé (Francopolyphonies, 18) (French Edition) |
Virginie Soubrier |
|
943 |
|
Lucian: Theme and Variation in the Second Sophistic |
Graham Anderson |
|
944 |
|
Melodrama: An Aesthetics of Impossibility |
Jonathan Goldberg |
|
945 |
|
Narrative Setting and Dramatic Poetry |
Mary Kuntz |
|
946 |
|
Nationalsozialistische Kolonialliteratur. Koloniale und antisemitische Verräterfiguren »hinter den Kulissen des Welttheaters« |
Timm Ebner |
|
947 |
|
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America |
Diana Taylor, Juan Villegas |
|
948 |
|
Neo-Latin Drama and Theatre in Early Modern Europe |
Jan Bloemendal, Howard B. Norland |
|
949 |
|
Neo-Victorian Villains: Adaptations and Transformations in Popular Culture |
Benjamin Poore (editor) |
|
950 |
|
Of Love and War : The Political Voice in the Early Plays of Aphra Behn [1 ed.] |
Judy A. Hayden |
1 |
951 |
|
Oscar Wilde in Vienna (Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, 198) [Bilingual ed.] |
Sandra Mayer |
|
952 |
|
Performance in Greek and Roman Theatre |
George W.M. Harrison, Vayos Liapis |
|
953 |
|
Performing Arts and the Royal Courts of Southeast Asia: Pusaka As Performed Heritage (2) (Brill's Southeast Asian Library, 12) |
Mayco A. Santaella (editor) |
|
954 |
|
Philosophizing Brecht : Critical Readings on Art, Consciousness, Social Theory and Performance [1 ed.] |
Norman Roessler, Anthony Squiers |
1 |
955 |
|
Poking the WASP Nest: Young People, Applied Theatre, and Education about Race [11, 1 ed.] |
André de Quadros, Dave Kelman, Julie White, Christopher C. Sonn, Alison M. Baker |
1 |
956 |
|
Progressive Traditions: An Illustrated Study of Plot Repetition in Traditonal Japanese Theatre |
Helen S. E. Parker |
|
957 |
|
Reclaiming Romeo and Juliet : Italian Translations for Page, Stage and Screen [1 ed.] |
Vincenza Minutella |
1 |
958 |
|
Repertorium der Konjekturen in den Seneca-Tragödien |
Margarethe Billerbeck, Mario Somazzi |
|
959 |
|
Rhythmos: Formen des Unbeständigen nach Hölderlin |
Jörn Etzold, Moritz Hannemann |
|
960 |
|
Seneca on the Stage |
Dana F. Sutton |
|
961 |
|
Seneca: Hercules Furens. Einleitung, Text, Übersetzung und Kommentar |
Margarethe Billerbeck |
|
962 |
|
Seneca's Phoenissae: Introduction and Commentary |
Marica Frank, Seneca |
|
963 |
|
Senecas Tragödien: Sprachliche und Stilische und Untersuchungen |
Margarethe Billerbeck |
|
964 |
|
Senecas Tragodien: Sprachliche Und Stilistische Untersuchungen (Mnemosyne Supplement 105) [Supplement ed.] |
Margarethe Billerbeck |
|
965 |
|
Seven Contemporary Plays from the Korean Diaspora in the Americas |
Esther Kim Lee (editor) |
|
966 |
|
Sex, Gender, and Sexualities in Edward Albee's Plays [1 ed.] |
John M. Clum, Cormac O'Brien |
1 |
967 |
|
Shadows of Empire: Colonial Discourse and Javanese Tales |
Laurie J. Sears |
|
968 |
|
Shakespeare as German Author: Reception, Translation Theory, and Cultural Transfer |
John Aloysius McCarthy |
|
969 |
|
Shakesqueer: A Queer Companion to the Complete Works of Shakespeare |
Madhavi Menon (editor) |
|
970 |
|
Shared Storytelling in Euripidean Stichomythia |
Liesbeth Schuren |
|
971 |
|
Signs of Orality: The Oral Tradition and Its Influence in the Greek and Roman World |
E. Anne Mackay |
|
972 |
|
Spectacle and Public Performance in the Late Middle Ages and the Renaissance |
Robert E. Stillman |
|
973 |
|
Srikandhi Dances Lengger: A Performance of Music and Shadow Theater in Central Java |
René T.A. Lysloff |
|
974 |
|
Staging the Nation: Opera and Nationalism in 19th-Century Hungary [1 ed.] |
Krisztina Lajosi |
1 |
975 |
|
Studies in Euripides' Orestes |
John R. Porter |
|
976 |
|
Syncretic Arenas : Essays on Postcolonial African Drama and Theatre for Esiaba Irobi [1 ed.] |
Isidore Diala |
1 |
977 |
|
Tennessee Williams and Europe : Intercultural Encounters, Transatlantic Exchanges [1 ed.] |
John S. Bak |
1 |
978 |
|
The Choruses of Sophokles’ Antigone and Philoktetes: A Dance of Words |
Margeret Rachel Kitzinger |
|
979 |
|
The Country Gentleman: A "Lost" Play and Its Background [Reprint 2016 ed.] |
Sir Robert Howard (editor), George Villers, Second Duke of Buckingham (editor), Arthur H. Scouten (editor), Robert D. Hume (editor) |
2016 |
980 |
|
The Dramatic Oeuvre of Chu Yu-Tun (1379-1439) |
W. L. Idema |
|
981 |
|
The Eternal Present of the Past (China Studies) |
Hsiao, L. |
|
982 |
|
The Look of Lyric: Greek Song and the Visual |
Vanessa Cazzato, André Lardinois |
|
983 |
|
The Lyon Terence: Its Tradition and Legacy |
Giulia Torello-Hill, Andrew J. Turner |
|
984 |
|
The Metamorphoses of Commedia dell’Arte: Whatever Happened to Harlequin? |
John Rudlin |
|
985 |
|
The reception of Aeschylus’ plays through shifting models and frontiers |
Constantinidis, Stratos E. |
|
986 |
|
The Syntax of Sophocles |
A.C. Moorhouse |
|
987 |
|
The Trachiniae |
Jan Coenraad Kamerbeek |
|
988 |
|
The Use of Anonymous Characters in Greek Tragedy: The Shaping of Heroes |
Florence Yoon |
|
989 |
|
There's a Double Tongue : An investigation into the translation of Shakespeare’s wordplay, with special reference to Hamlet |
Author:Dirk Delabastita |
|
990 |
|
Time Holds the Mirror: A Study of Knowledge in Euripides' Hippolytus |
C.A.E. Luschnig |
|
991 |
|
Tom Stoppard's Plays : Patterns of Plenitude and Parsimony [1 ed.] |
Nigel Purse |
1 |
992 |
|
Tradition and Dramatic Form in "The Persians" of Aeschylus |
Ann N. Michelini |
|
993 |
|
Tragic Agency in Classical Drama from Aeschylus to Voltaire |
Paul Hammond |
|
994 |
|
Tragic Ambiguity: Anthropology, Philosophy and Sophocles' Antigone |
Th. C. W. Oudemans, A. P. M. H. Lardinois |
|
995 |
|
Zärtlichkeit. Höfische Galanterie als Ursprung der bürgerlichen Empfindsamkeit |
Burkhard Meyer-Sickendiek |
|
996 |
|
A Doll’s House and Other Plays (The New Penguin Ibsen) [Paperback ed.] |
Henrik Ibsen, Tore Rem, Deborah Dawkin, Erik Skuggevik |
|
997 |
|
A Time to Kill (Penguin Readers, Level 5) [1st ed.] |
John Grisham |
1 |
998 |
|
Abhijñānashākuntalam: The Recognition of Shakuntala |
Kalidasa |
|
999 |
|
Aeschylus: The Persians and Other Plays |
Alan H. Sommerstein |
|
1000 |
|
An Education: The Screenplay |
Nick Hornby |
|
1001 |
|
Aristophanes: Lysistrata and Other Plays |
Sommerstein, Alan H |
|
1002 |
|
Aristophanes: The Birds and Other Plays |
David B. Barrett, Alan H. Sommerstein |
|
1003 |
|
Checker and the Derailleurs (Contemporary American Fiction) |
Lionel Shriver |
|
1004 |
|
Classical Comedy |
Segal, Erich,Aristophanes |
|
1005 |
|
Collected Essays |
Arthur Miller,Introduction by Susan C. W. Abbotson |
|
1006 |
|
Collected Plays |
Mahesh Dattani |
|
1007 |
|
Complete Plays, Lenz, and Other Writings |
Georg Buchner |
|
1008 |
|
Coriolanus |
Crewe, Jonathan,Shakespeare, William |
|
1009 |
|
Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem |
Arthur Miller |
|
1010 |
|
Early Plays |
O'Neill, Eugene |
|
1011 |
|
Faust [Pt. 2, Modern Library ed.] |
Johann Wolfgang von Goethe, Bayard Taylor |
2 |
1012 |
|
Faust: Part One |
Johann Wolfgang von Goethe, Philip Wayne |
|
1013 |
|
Faust: Part Two |
Johann Wolfgang von Goethe, Philip Wayne |
|
1014 |
|
Five Revenge Tragedies |
Emma Smith,Kyd,Shakespeare,Marston,Chettle,Middleton |
|
1015 |
|
Four Plays By Eugene O'Neill |
O'Neill, Eugene |
|
1016 |
|
Frogs and Other Plays |
Aristophanes,Barrett, David,Dutta, Shomit |
|
1017 |
|
Greek Tragedy |
Aeschylus, Euripides, Sophocles, Shomit Dutta, Simon Goldhill |
|
1018 |
|
Greek Tragedy [1. publ ed.] |
Dutta, Shomit,Euripides,Aeschylus,Sophocles |
1 |
1019 |
|
Hamlet [Revised] |
William Shakespeare |
|
1020 |
|
Hamlet: A Screenplay Adaptation |
William Shakespeare, adapted by Michael Almereyda |
|
1021 |
|
Haroun and the Sea of Stories (Puffin Books) |
Rushdie Salman |
|
1022 |
|
Henry V |
King of England Henry V,Humphreys, Arthur Raleigh,Shakespeare, William |
|
1023 |
|
Heracles and Other Plays |
Euripides,Davie, John N |
|
1024 |
|
James and the Giant Peach: Plays for Children |
Roald Dahl |
|
1025 |
|
Joe Turner's Come and Gone |
Wilson, August |
|
1026 |
|
Journey's End |
Sherriff, Robert Cedric |
|
1027 |
|
Julius Caesar |
Montgomery, editor,Shakespeare, William |
|
1028 |
|
Lysistrata and Other Plays |
Aristophanes,Sommerstein, Alan H |
|
1029 |
|
Me, as a penguin |
Wells, Tom |
|
1030 |
|
Measure for measure: modern text with introduction |
Crewe,Jonathan,Rowse, Alfred Leslie,Shakespeare, William |
|
1031 |
|
Medea and Other Plays |
Euripides |
|
1032 |
|
Medea and Other Plays (Penguin Classics) [First Published Stated] |
Euripides, Philip Vellacott (tr.) |
|
1033 |
|
More Tales from Shakespeare (Penguin Readers, Level 3) [1 ed.] |
Charles Lamb, Mary Lamb, Penguin |
1 |
1034 |
|
On power |
William Shakespeare |
|
1035 |
|
Orestes, and other plays |
Euripides,Vellacott, Philip |
|
1036 |
|
Othello |
Shakespeare, William |
|
1037 |
|
Othello (Penguin) |
William Shakespeare, Russ McDonald (editor) |
|
1038 |
|
Peer Gynt and Brand (The New Penguin Ibsen) [Penguin Classics ed.] |
Henrik Ibsen, Geoffrey Hill |
|
1039 |
|
Plays Extravagant |
Laurence, Dan H.,Shaw, Bernard |
|
1040 |
|
Plays political: the apple cart ; On the rocks ; Geneva |
Laurence, Dan H.,Shaw, Bernard |
|
1041 |
|
R.U.R. (Rossum's Universal Robots) (Penguin Classics) |
Karel Capek, Claudia Novack-Jones, Ivan Klima |
|
1042 |
|
Selected poems and letters |
Arthur Rimbaud, John Sturrock, Jeremy Harding |
|
1043 |
|
Selected Poems and Letters |
Rimbaud, Arthur,Harding, Jeremy,Sturrock, John |
|
1044 |
|
Seven Guitars |
Wilson, August |
|
1045 |
|
Shakespeare in a Divided America: What His Plays Tell Us about Our Past and Future |
James Shapiro |
|
1046 |
|
Shakespeare's Words: A Glossary and Language Companion [New Ed] |
David Crystal, Ben Crystal |
|
1047 |
|
The Actor's book of classical monologues |
Stefan Rudnicki |
|
1048 |
|
The Actor's Book of Contemporary Stage Monologues: More Than 150 Monologues from Over 70 Playwrights |
Nina Shengold (ed.) |
|
1049 |
|
The Babylon Line |
Richard Greenberg |
|
1050 |
|
The birds and other plays: the knights, Peace, Wealth, the assemblywomen |
Aristophanes,Sommerstein, Alan H,Barrett, David |
|