Number |
Cover |
TextBook for Movies |
Author |
Edition |
0 |
|
Film and the Dream Screen: A Sleep and a Forgetting |
Robert T. Eberwein |
|
1 |
|
Adobe Animate Classroom in a Book® 2024 Release [1 ed.] |
Russell Chun |
1 |
2 |
|
Alfred Hitchcock's Psycho and Taxidermy: Fashioning Corpses |
Subarna Mondal |
|
3 |
|
Arab World Cinemas: A Reader and Guide [1 ed.] |
Marlé Hammond |
1 |
4 |
|
Beyond Realism: Naturalist Film in Theory and Practice [1 ed.] |
Robert Singer |
1 |
5 |
|
Cinema and Secularism |
Mark Cauchi (editor) |
|
6 |
|
Cinema, Culture, Scotland: Selected Essays [1 ed.] |
Colin McArthur, Jonathan Murray (editor) |
1 |
7 |
|
Cinemas of the Global South: Towards a Southern Aesthetics [1 ed.] |
Dilip M Menon, Amir Taha |
1 |
8 |
|
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
9 |
|
Contemporary Thai Horror Film: A Monstrous Hybrid (Traditions in World Cinema) [1 ed.] |
Mary Ainslie |
1 |
10 |
|
Scenarios II: Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass |
Werner Herzog, Krishna Winston |
|
11 |
|
The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
Danny Draven |
|
12 |
|
British Film Editors: “The Heart of the Movie†|
Roy Perkins, Martin Stollery |
|
13 |
|
A wonderful heart: the films of William Wyler |
Wyler, William, Wyler, William, Sinyard, Neil |
|
14 |
|
Canadian Cinema Since the 1980s: At the Heart of the World |
David L. Pike |
|
15 |
|
Every Night the Trees Disappear: Werner Herzog and the Making of Heart of Glass |
Alan Greenberg, Werner Herzog |
|
16 |
|
Ebert's essentials. 25 movies to mend a broken heart |
Ebert, Roger |
|
17 |
|
Heart Journey |
Robin D. Owens |
|
18 |
|
Home is Where the Heart Is: Studies in Melodrama and the Woman's Film |
Christine Gledhill |
|
19 |
|
I Am Jackie Chan: My Life in Action |
Jackie Chan, Lung Ch’eng |
|
20 |
|
Cinema, Emergence, and the Films of Satyajit Ray |
Keya Ganguly |
|
21 |
|
Deep Focus: Reflection On Indian Cinema |
Ray, Satyajit |
|
22 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Saba Mahmood Bashir |
|
23 |
|
Three Classic Films by Gulzar: Insights Into the Films |
Sathya Saran |
|
24 |
|
Satyajit Ray on Cinema |
Satyajit Ray (editor), Sandip Ray (editor), Shyam Benegal (editor) |
|
25 |
|
The Adventures of Amitabh Bachchan as Supremo: Vilupt Nagri (HINDI) |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
26 |
|
Cinema : Kal, Aaj, Kal |
Bhardwaj Vinod |
|
27 |
|
Harshvardhan's Fracture / Movie Script / Hindi |
Harshvardhan |
|
28 |
|
Harshvardhan's Menthol / Movie Script / Hindi |
Harshvardhan |
|
29 |
|
Harshvardhan's Murder / Movie Script / Hindi |
Harshvardhan |
|
30 |
|
Harshvardhan's Roadside Romeø / Movie Script ( Hindi ) |
Harshvardhan |
|
31 |
|
Rajesh Khanna: Ek Tanha Sitara |
Chintamani, Gautam,Khanna, Rajesh,Mānas̲ī, Paimilā |
|
32 |
|
A Call to Action: The Films of Ousmane Sembene |
Sheila Petty |
|
33 |
|
Alternate Americas: Science Fiction Film and American Culture |
M. Keith Booker |
|
34 |
|
Beast-People Onscreen and in Your Brain: The Evolution of Animal-Humans from Prehistoric Cave Art to Modern Movies |
Mark Pizzato Ph.D. |
|
35 |
|
Becoming Film Literate: The Art and Craft of Motion Pictures |
Vincent A. LoBrutto |
|
36 |
|
Chinese Film: The State of the Art in the People's Republic |
George S. Semsel |
|
37 |
|
Cinematic Savior: Hollywood's Making of the American Christ |
Stephenson Humphries-Brooks |
|
38 |
|
Classic American Films: Conversations with the Screenwriters |
William Baer |
|
39 |
|
Conspiracy Theory in Film, Television, and Politics |
Gordon B. Arnold |
|
40 |
|
Controversial Cinema: The Films That Outraged America |
Kendall R. Phillips |
|
41 |
|
Disney, Pixar, and the Hidden Messages of Children's Films |
Walt Disney Company.,Booker, M. Keith |
|
42 |
|
Dracula in the Dark: The Dracula Film Adaptations |
James C. Holte |
|
43 |
|
Drawn to Television: Prime-Time Animation from The Flintstones to Family Guy |
M. Keith Booker |
|
44 |
|
Dreams in myth, medicine, and movies |
Packer, Sharon |
|
45 |
|
From Box Office to Ballot Box: The American Political Film |
M. Keith Booker |
|
46 |
|
Future Imperfect: Philip K. Dick at the Movies |
Jason P. Vest |
|
47 |
|
Gravity Fails: The Comic Jewish Shaping of Modern America |
James D. Bloom |
|
48 |
|
Literature and Film as Modern Mythology |
William K. Ferrell |
|
49 |
|
Making the White Man's Indian: Native Americans and Hollywood Movies |
Angela Aleiss |
|
50 |
|
Movies and Money: Financing the American Film Industry, Volume 10 |
Janet Wasko |
|
51 |
|
Movies and the Reagan Presidency: Success and Ethics |
Chris Jordan |
|
52 |
|
Noir, Now and Then: Film Noir Originals and Remakes (1944-1999) |
Ronald Schwartz |
|
53 |
|
Onscreen and Undercover: The Ultimate Book of Movie Espionage |
Wesley Britton |
|
54 |
|
Outsider Features: American Independent Films of the 1980s |
Richard K. Ferncase |
|
55 |
|
Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange |
M. Keith Booker |
|
56 |
|
Post-Pop Cinema: The Search for Meaning in New American Film |
Jesse Fox Mayshark |
|
57 |
|
Screening the Past: Film and the Representation of History |
Tony Barta |
|
58 |
|
Screens Fade to Black: Contemporary African American Cinema |
David J. Leonard |
|
59 |
|
Selected Takes: Film Editors on Editing |
Vincent LoBrutto |
|
60 |
|
Sound-On-Film: Interviews with Creators of Film Sound |
Vincent LoBrutto |
|
61 |
|
Space and Beyond: The Frontier Theme in Science Fiction |
Gary W. Westfahl (ed.) |
|
62 |
|
Spike Lee: Finding the Story and Forcing the Issue |
Lee, Spike,Vest, Jason P |
|
63 |
|
Splendors of Latin Cinema |
R. Hernandez-Rodriguez |
|
64 |
|
Stanley Kubrick: A Narrative and Stylistic Analysis |
Mario Falsetto |
|
65 |
|
The Art of Nonfiction Movie Making |
Jeffrey Friedman, Rob Epstein, Sharon Wood |
|
66 |
|
The Films of Terrence Malick |
James Morrison, Thomas Schur |
|
67 |
|
The Hidden Art of Hollywood: In Defense of the Studio Era Film |
John Fawell |
|
68 |
|
The history of sex in American film |
Jody W. Pennington |
|
69 |
|
The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983 |
Rodney Farnsworth |
|
70 |
|
The Last Modernist: The Films of Theo Angelopoulos |
Andrew Horton |
|
71 |
|
This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah |
Peckinpah, Sam,Murray, Gabrielle |
|
72 |
|
Visions of Empire: Political Imagery in Contemporary American Film |
Stephen Prince |
|
73 |
|
Wes Anderson: Why His Movies Matter |
Mark Browning |
|
74 |
|
Women's Film and Female Experience, 1940-1950 |
Walsh, Andrea S |
|
75 |
|
Recontextualizing Indian Shakespeare Cinema in the West: Familiar Strangers |
Varsha Panjwani (editor), Koel Chatterjee (editor) |
|
76 |
|
Gender, Sexuality, and Indian Cinema: Queer Visuals |
Srija Sanyal (editor) |
|
77 |
|
Sound in Indian Film and Audiovisual Media: History, Practices and Production |
Budhaditya Chattopadhyay |
|
78 |
|
Indian Indies: A Guide to New Independent Indian Cinema |
Ashvin Immanuel Devasundaram, Shabana Azmi |
|
79 |
|
Women and Indian Shakespeares |
Thea Buckley (editor), Sangeeta Datta (editor), Rosa García-Periago (editor) |
|
80 |
|
Appreciating Melodrama: Theory and Practice in Indian Cinema and Television |
Piyush Roy |
|
81 |
|
Historical realism : modes of modernity in Indian cinema, 1940-60 |
Moinak Biswas |
|
82 |
|
Indian Documentary Film and Filmmakers: Independence in Practice |
Shweta Kishore |
|
83 |
|
Bollywood Does Battle: The War Movie and the Indian Popular Imagination |
Samir Chopra |
|
84 |
|
Indian Film Stars: New Critical Perspectives |
Michael Lawrence |
|
85 |
|
Leave Disco Dancer Alone: Indian Cinema and Soviet Movie-going after Stalin |
Sudha Rajagopalan |
|
86 |
|
100 Essential Indian Films |
Rohit K. Dasgupta, Sangeeta Datta |
|
87 |
|
The Indian Partition in Literature and Films: History, Politics, and Aesthetics |
Rini Bhattacharya Mehta (editor), Debali Mookerjea-Leonard (editor) |
|
88 |
|
American Indian Image Makers of Hollywood |
Frank Javier Garcia Berumen |
|
89 |
|
Shakespeare and Indian Cinemas: "local Habitations" |
Poonam Trivedi, Paromita Chakravarti |
|
90 |
|
Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution |
Ashvin Immanuel Devasundaram |
|
91 |
|
Indian Horror Cinema: (En)gendering the Monstrous |
Mithuraaj Dhusiya |
|
92 |
|
Heritage and Ruptures in Indian Literature, Culture and Cinema |
Cornelius Crowley, Geetha Ganapathy-Doré, Michel Naumann |
|
93 |
|
Same-Sex Desire in Indian Culture: Representations in Literature and Film, 1970–2015 |
Oliver Ross (auth.) |
|
94 |
|
Music in Contemporary Indian Film: Memory, Voice, Identity |
Jayson Beaster-Jones (editor), Natalie Sarrazin (editor) |
|
95 |
|
House Full: Indian Cinema and the Active Audience |
Lakshmi Srinivas |
|
96 |
|
Studying Indian Cinema |
Omar Ahmed |
|
97 |
|
Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
Neelam Sidhar Wright |
|
98 |
|
Shaping Indian Diaspora: Literary Representations and Bollywood Consumption Away from the Desi |
Cristina M. Gámez-Fernández (editor), Veena Dwivedi (editor) |
|
99 |
|
Piracy in the Indian Film Industry: Copyright and Cultural Consonance |
Arul George Scaria |
|
100 |
|
The Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation |
M. K. Raghavendra |
|
101 |
|
Routledge handbook of Indian cinemas |
Gokulsing, K. Moti,Dissanayake, Wimal |
|
102 |
|
Figurations in Indian Film |
Meheli Sen, Anustup Basu (eds.) |
|
103 |
|
Seeing Red: Hollywood’s Pixeled Skins: American Indians and Film |
LeAnne Howe, Harvey Markowitz, Denise K. Cummings |
|
104 |
|
New Indian Cinema in Post-Independence India: The cultural work of Shyam Benegal’s films |
Anuradha Dingwaney Needham |
|
105 |
|
Fiction, Film, and Indian Popular Cinema: Salman Rushdie’s Novels and the Cinematic Imagination |
Florian Stadtler |
|
106 |
|
From Aan to Lagaan and Beyond: A Guide to the Study of Indian Cinema |
K. Moti Gokulsing, Wimal Dissanayake |
|
107 |
|
Subaltern vision a study in postcolonial Indian English text |
De, Aparajita,Ghosh, Amrita,Jana, Ujjwal |
|
108 |
|
Visualities: Perspectives on Contemporary American Indian Film and Art |
Denise K. Cummings |
|
109 |
|
The Melodramatic Public: Film Form and Spectatorship in Indian Cinema |
Ravi Vasudevan (auth.) |
|
110 |
|
Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora (eds.) |
Rini Bhattacharya Mehta, Rajeshwari V. Pandharipande |
|
111 |
|
Film directors on directing |
Gallagher, John Andrew |
|
112 |
|
Film in Contemporary China: Critical Debates, 1979-1989 |
George S. Semsel, Xia Hong, Chen Xihe |
|
113 |
|
Killing the Indian Maiden: Images of Native American Women in Film |
M. Elise Marubbio |
|
114 |
|
Indian films in Soviet cinemas : the culture of movie-going after Stalin |
Sudha Rajagopalan |
|
115 |
|
The 9 Emotions of Indian Cinema Hoardings |
V. Geetha, Sirish Rao, M.P. Dhakshna |
|
116 |
|
Mourning the Nation: Indian Cinema in the Wake of Partition |
Bhaskar Sarkar |
|
117 |
|
Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency |
Ashish Rajadhyaksha |
|
118 |
|
Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination |
Patrick Colm Hogan |
|
119 |
|
Knowledge, Organizational Evolution and Market Creation: The Globalization of Indian Firms from Steel to Software |
Gita Sud De Surie |
|
120 |
|
Indian Literature and Popular Cinema: Recasting Classics (Routledge Contemporary South Asia Series) |
Heidi Pauwels |
|
121 |
|
Limiting Secularism: The Ethics of Coexistence in Indian Literature and Film |
Priya Kumar |
|
122 |
|
Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema |
M.K. Raghavendra |
|
123 |
|
The Indian Family in Transition |
Sanjukta Dasgupta |
|
124 |
|
Cinema of Prayoga: Indian Experimental Film & Video, 1913-2006 |
Brad Butler, Karen Mirza |
|
125 |
|
Filming the Gods: Religion and Indian Cinema (Religion and Media) |
Rachel Dwyer |
|
126 |
|
Alanis Obomsawin: The Vision of a Native Filmmaker |
Randolph Lewis |
|
127 |
|
Emotion Pictures: Cinematic Journeys into the Indian Self |
Narendra Panjwani |
|
128 |
|
Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema |
Vinay Lal |
|
129 |
|
Bollyworld : popular Indian cinema through a transnational lens |
Raminder Kaur, Ajay J Sinha |
|
130 |
|
Dadasaheb Phalke, the Father of Indian Cinema |
Bapu Vatave |
|
131 |
|
Indian Popular Cinema: A Narrative of Cultural Change |
K. Moti Gokulsing, Wimal Dissanayake |
|
132 |
|
The Cinematic Imagination: Indian Popular Films as Social History |
Jyotika Virdi |
|
133 |
|
Hollywood's Indian: The Portrayal of the Native American in Film |
Peter C. Rollins, John E. O'Connor |
|
134 |
|
Yash Chopra: Fifty Years in Indian Cinema |
Rachel Dwyer |
|
135 |
|
Making Meaning in Indian Cinema |
Ravi S. Vasudevan |
|
136 |
|
The essential mystery the major filmmakers of Indian art cinema |
John W. Hood |
|
137 |
|
Encyclopaedia of Indian cinema |
Ashish Rajadhyaksha, Paul Willemen |
|
138 |
|
The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema |
Ashis Nandy (editor) |
|
139 |
|
Subject Cinema, Object Woman: A Study of the Portrayal of Women in Indian Cinema |
Shoma A. Chatterji |
|
140 |
|
Indian Cinema Colonial [Illegible] |
Someswar Bhowmik |
|
141 |
|
Light of Asia: Indian silent cinema, 1912-1934 |
Suresh Chabria (editor) |
|
142 |
|
National Identity in Indian Popular Cinema, 1947-1987 |
Sumita S. Chakravarty |
|
143 |
|
Indian Cinema, Past & Present |
Firoze Rangoonwalla |
|
144 |
|
The Indian Film |
Panna Shah |
|
145 |
|
Indian film |
Erik Barnouw, S Krishnaswamy |
|
146 |
|
Liberty and License in the Indian Cinema |
A. Vasudev |
|
147 |
|
A Panorama of Theatre in India |
Som Benegal |
|
148 |
|
50 Films That Changed Bollywood, 1995-2015 |
Gupta, Shubhra |
|
149 |
|
A Fly in the Curry: Independent Documentary Film in India |
K P Jayasankar, Anjali Monteiro |
|
150 |
|
Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony |
Rochona Majumdar |
|
151 |
|
Beyond Apu--20 Favourite Film Roles of Soumitra Chatterjee |
Amitava Nag |
|
152 |
|
Beyond Bollywood: the cinemas of South India |
Prakash, Elavarthi Sathya,Raghavendra, M. K |
|
153 |
|
Bollywood’s India: A Public Fantasy |
Priya Joshi |
|
154 |
|
Bollywood's India: A Public Fantasy |
Priya Joshi |
|
155 |
|
Bollywood's India: Hindi Cinema as a Guide to Contemporary India |
Rachel Dwyer |
|
156 |
|
Bullets Over Bombay: Satya and the Hindi Film Gangster |
Uday Bhatia |
|
157 |
|
Cinema, Transnationalism, and Colonial India: Entertaining the Raj |
Babli Sinha |
|
158 |
|
Cinemas Dark and Slow in Digital India |
Lalitha Gopalan |
|
159 |
|
Cinemas of the Global South: Towards a Southern Aesthetics |
Dilip M Menon (editor), Amir Taha (editor) |
|
160 |
|
Cracking the code : my journey to Bollywood |
Khurrana, Ayushmann, Kashyap, Tahira |
|
161 |
|
Dark Fear, Eerie Cities: New Hindi Cinema in Neoliberal India |
Sarunas Paunksnis |
|
162 |
|
Deewar |
Vinay Lal |
|
163 |
|
Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond |
Shalini Kakar |
|
164 |
|
Directors' diaries: the road to their first film |
Bakshi, Rakesh Anand |
|
165 |
|
Documentary Film in India: An Anthropological History |
Giulia Battaglia |
|
166 |
|
Documentary Films in India: Critical Aesthetics at Work |
Aparna Sharma (auth.) |
|
167 |
|
Enter the Dangal: Travels through India's Wrestling Landscape |
Rudraneil Sengupta |
|
168 |
|
Film and Politics in India: Cinematic Charisma as a Gateway to Political Power |
Dhamu Pongiyannan |
|
169 |
|
Filming horror: Hindi cinema, ghosts and ideologies |
Mubarki, Meraj Ahmed |
|
170 |
|
F-rated: Being a Woman Filmmaker in India |
Nandita Dutta |
|
171 |
|
Gaata rahe mera dil: 50 classic Hindi film songs |
Bhattacharjee, Anirudha,Vittal, Balaji |
|
172 |
|
Gender, Cinema, Streaming Platforms: Shifting Frames in Neoliberal India |
Runa Chakraborty Paunksnis, Šarūnas Paunksnis |
|
173 |
|
Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence |
Meera Kosambi |
|
174 |
|
Gender, Nation and Popular Film in India: Globalizing Muscular Nationalism |
Sikata Banerjee |
|
175 |
|
Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinema |
Swapna Gopinath (editor), Rutuja Deshmukh (editor) |
|
176 |
|
India on the Western Screen: Imaging a Country in Film, TV, and Digital Media |
Ananda Mitra |
|
177 |
|
India Retold: Dialogues with Independent Documentary Filmmakers in India |
Rajesh James and Sathyaraj Venkatesan |
|
178 |
|
India’s New Independent Cinema: Rise of the Hybrid |
Ashvin Immanuel Devasundaram |
|
179 |
|
La India María: Mexploitation and the Films of María Elena Velasco |
Seraina Rohrer |
|
180 |
|
Mother India |
Gayatri Chatterjee |
|
181 |
|
Mughal-e-Azam: legend as epic |
Zankar, Anil |
|
182 |
|
Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India |
Manishita Dass |
|
183 |
|
Pakeezah: an ode to a bygone world |
Desai, Meghnad |
|
184 |
|
Picture Abhi Baaki Hai: Bollywood as a Guide to Modern India |
Rachel Dwyer |
|
185 |
|
Popular Cinema and Politics in South India: The Films of Mgr and Rajinikanth |
S Rajanayagam |
|
186 |
|
Postdramatic Theatre and India: Theatre-Making Since the 1990s |
Ashis Sengupta |
|
187 |
|
Pure Evil: The Bad Men of Bollywood |
Balaji Vittal |
|
188 |
|
Raj Kapoor: the one and only showman |
Kapūra, Rāja,Nanda, Ritu |
|
189 |
|
Rituparno Ghosh: Cinema, gender and art |
Sangeeta Datta (editor), Kaustav Bakshi (editor), Rohit K. Dasgupta (editor) |
|
190 |
|
Shehnaz: A Tragic True Story of Royalty, Glamour and Heartbreak |
Sophia Naz |
|
191 |
|
Smita Patil |
Rao, Maithili |
|
192 |
|
Sridevi: The Eternal Screen Goddess |
Satyarth Nayak |
|
193 |
|
The 1970s and its Legacies in India's Cinemas |
Priya Joshi, Rajinder Dudrah |
|
194 |
|
The Cinema of Bimal Roy: An 'Outsider' Within |
Shoma A. Chatterji |
|
195 |
|
The Mahatma on Celluloid: A Cinematic Biography |
Prakash Magdum |
|
196 |
|
The Routledge Companion to Caste and Cinema in India |
Joshil K. Abraham, Judith Misrahi-Barak |
|
197 |
|
The State and New Cinema in Contemporary India: 1960-1997 |
Sudha Tiwari |
|
198 |
|
The Three Khans: And the Emergence of New India |
Kaveree Bamzai |
|
199 |
|
Thinking Past ‘Post-9/11’ : Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films |
Jayana Jain |
|
200 |
|
To the moon: how I blogged my way to bollywood |
Agarwal, Malini |
|
201 |
|
Unfinished: A Memoir |
Priyanka Chopra Jonas |
|
202 |
|
Voices of the Talking Stars : Women of Indian Cinema and Beyond |
Madhuja Mukherjee |
|
203 |
|
Ways of Remembering: Law, Cinema and Collective Memory in the New India |
Oishik Sircar |
|
204 |
|
World Cinema: a Film Quiz |
Bhupinder Singh |
|
205 |
|
ىوه ن دنون ک بّت هى ...: رد مومورس وف چنوم لوگوندس |
Yasir Abbasi |
|
206 |
|
King Football: Sport and Spectacle in the Golden Age of Radio and Newsreels, Movies and Magazines, the Weekly and the Daily Press |
Michael Oriard |
|
207 |
|
Studying Contemporary American Film: A Guide to Movie Analysis |
Thomas Elsaesser, Warren Buckland |
|
208 |
|
Your Child's Career in Music and Entertainment: The Prudent Parent's Guide from Start to Stardom |
Steven C. Beer |
|
209 |
|
The Big Book of Vintage Movie Posters: Volume Two: A Kindle Coffee Table Book |
DeLong, Douglas |
|
210 |
|
The Big Book of Vintage Movie Posters: Volume One: A Kindle Coffee Table Book |
Douglas DeLong |
|
211 |
|
The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time |
Pilar Alessandra |
|
212 |
|
Girl reel : a lesbian remembers growing up at the movies [First printing/first edition.] |
Bonnie J. Morris, , Kelly N. Kofron |
|
213 |
|
French Westerns: On the Frontier of Film Genre and French Cinema |
Timothy Scheie |
|
214 |
|
Vampires in Silent Cinema |
Gary D. Rhodes |
|
215 |
|
The Metamodern Slasher Film (21st Century Horror) [1 ed.] |
Steve Jones |
1 |
216 |
|
Mapping Taiwanese Cinema, 2008-20: Environments, Poetics, Practice [1 ed.] |
Christopher Brown |
1 |
217 |
|
ReFocus: The Films of Lawrence Kasdan [1 ed.] |
Brett Davies |
1 |
218 |
|
Channel 4 and the British Film Industry, 1982-1998 [1 ed.] |
Laura Mayne |
1 |
219 |
|
Filming Death: End-of-Life Documentary Cinema [1 ed.] |
Outi Hakola |
1 |
220 |
|
AI in the Movies |
Paula Murphy |
|
221 |
|
Armchair Cinema: A History of Feature Films on British Television, 1929-1981 [1 ed.] |
Sheldon Hall |
1 |
222 |
|
Subjectivity and Decolonisation in the Post-Independence Novel and Film [1 ed.] |
Sarah Jilani |
1 |
223 |
|
Kafkaesque Cinema [1 ed.] |
Angelos Koutsourakis |
1 |
224 |
|
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television [1 ed.] |
Margrethe Bruun Vaage |
1 |
225 |
|
Resistance in Indian Documentary Film: Aesthetics, Culture and Practice |
Shweta Kishore,Kunal Ray, |
|
226 |
|
Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema |
Shellie McMurdo |
|
227 |
|
Tracking Loach: Politics ǀ Practices ǀ Production |
David Archibald |
|
228 |
|
Metaphysics and the Moving Image: Paradise Exposed [1 ed.] |
Trevor Mowchun |
1 |
229 |
|
Australian International Pictures (1946–75) [1 ed.] |
Adrian Danks, Constantine Verevis |
1 |
230 |
|
Late-colonial French Cinema: Filming the Algerian War of Independence [1 ed.] |
Mani Sharpe |
1 |
231 |
|
Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags [1 ed.] |
Josephine Botting |
1 |
232 |
|
Italian Gothic: An Edinburgh Companion |
Marco Malvestio, Stefano Serafini, Francesca Billiani, Fabio Camilletti, Morena Corradi, Roberto Curti, Simona Di Martino, Fabrizio Foni, Giulio Giusti, Marco Malvestio, Catherine Ramsey-Portolano, Stefano Serafini, Eduardo Vitolo |
|
233 |
|
Taiwan New Cinema at Film Festivals |
Beth Tsai |
|
234 |
|
The Eye of the Cinematograph: Lévinas and Realisms of the Body |
Keyvan Manafi |
|
235 |
|
Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction |
Chiara Quaranta |
|
236 |
|
Provocation in Women’s Filmmaking: Authorship and Art Cinema |
Janice Loreck |
|
237 |
|
Silicon Valley Cinema [1 ed.] |
Joe Street |
1 |
238 |
|
Contemporary Screen Ethics: Absences, Identities, Belonging, Looking Anew |
Lucy Bolton (editor), David Martin-Jones (editor), Robert Sinnerbrink (editor) |
|
239 |
|
ReFocus: The Films of Jane Campion |
Alexia Bowler (editor), Adele Jones (editor) |
|
240 |
|
The Figure of the Terrorist in Literature and Visual Culture [1 ed.] |
Maria Flood (editor), Michael C. Frank (editor) |
1 |
241 |
|
East Asian Film Remakes |
David Scott Diffrient (editor), Kenneth Chan (editor) |
|
242 |
|
ReFocus: The Films of William Wyler |
John Price (editor) |
|
243 |
|
Documenting Fashion |
Elena Caoduro (editor), Boel Ulfsdotter (editor) |
|
244 |
|
The Films of Shyam Benegal |
Sneha Kar Chaudhuri (editor), Ramit Samaddar (editor) |
|
245 |
|
ReFocus: The Literary Films of Richard Brooks |
R. Barton Palmer (editor), Homer B. Pettey (editor) |
|
246 |
|
ReFocus: The Films of Kim Ki-young |
Chung-kang Kim (editor) |
|
247 |
|
Gooey Media: Screen Entertainment and the Graphic User Interface |
Nick Jones |
|
248 |
|
The Films of Wes Craven |
Calum Waddell (editor) |
|
249 |
|
Film Regulation in a Cultural Context |
Daniel Sacco |
|
250 |
|
Danish and German Silent Cinema: Towards a Common Film Culture |
Lars-Martin Sørensen (editor), Casper Tybjerg (editor) |
|
251 |
|
Liminal Noir in Classical World Cinema |
Elyce Helford, Christopher Weedman (editors) |
|
252 |
|
ReFocus: The Films of Steve McQueen |
Thomas Austin (editor) |
|
253 |
|
Film Style in Indonesian Cinema, 1998-2018: Lighting, Production Design and Camera Movement |
Ari Purnama |
|
254 |
|
The Films of Alejandro Jodorowsky |
Michael Witte (editor) |
|
255 |
|
The Intensive-Image in Deleuze's Film-Philosophy |
Cristóbal Escobar |
1 |
256 |
|
Film and Fashion in Japan, 1923-39: Consuming the 'West' |
Lois Barnett |
|
257 |
|
ReFocus: The Films of Yim Soon-rye |
Molly Kim (editor) |
|
258 |
|
Transgressive Art Films: Extremity, Ethics, and Controversial Images of Sex and Violence |
Oliver Kenny |
|
259 |
|
ReFocus: The Films of Nuri Bilge Ceylan |
Gönül Dönmez-Colin (editor) |
|
260 |
|
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film |
Daniela Berghahn |
|
261 |
|
Holocaust Representations in Animated Documentaries: The Contours of Commemoration |
Liat Steir-Livny |
|
262 |
|
Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986 |
Kristof Van den Troost |
|
263 |
|
Hammer Goes to Hell: The House of Horror’s Unmade Films [1 ed.] |
Kieran Foster |
1 |
264 |
|
The Extreme Cinema of Eastern Europe: Rape, Art, (S)Exploitation [1 ed.] |
Anna Batori |
1 |
265 |
|
Filming Modernity and Islam in Colonial Egypt |
Heba Arafa Abdelfattah |
|
266 |
|
ReFocus: The Films of Susan Seidelman |
Susan Kerns (editor) |
|
267 |
|
ReFocus: The Films of Claire Denis |
Peter Sloane (editor) |
|
268 |
|
Networked David Lynch: Critical Perspectives on Cinematic Transmediality |
Marcel Hartwig (editor), Andreas Rauscher (editor), Peter Niedermuller (editor) |
|
269 |
|
Cinecepts, Deleuze, and Godard-Miéville: Developing Philosophy through Audiovisual Media [1 ed.] |
Jakob A Nilsson |
1 |
270 |
|
Diseased Cinema: Plagues, Pandemics and Zombies in American Movies [1 ed.] |
Robert Alpert, Merle Eisenberg, Lee Mordechai |
1 |
271 |
|
Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories [1 ed.] |
Felicia Chan (editor), Fraser Elliott (editor), Andrew Willis (editor) |
1 |
272 |
|
The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea [1 ed.] |
Andrew David Jackson |
1 |
273 |
|
Race, Nation and Cultural Power in Film Adaptation [1 ed.] |
Gillian Roberts |
1 |
274 |
|
Superhero Blockbusters: Seriality and Politics |
Felix Brinker |
|
275 |
|
Looking Beyond Neoliberalism: French and Francophone Belgian Cinema and the Crisis |
Martin O'Shaughnessy |
|
276 |
|
The Films of Zoya Akhtar |
Aakshi Magazine (editor), Amber Shields (editor) |
|
277 |
|
Freak Scenes: American Indie Cinema and Indie Music Cultures [1 ed.] |
Jamie Sexton |
1 |
278 |
|
Meta in Film and Television Series [1 ed.] |
David Roche |
1 |
279 |
|
Contemporary Disney Animation: Genre, Gender and Hollywood |
Eve Benhamou |
|
280 |
|
Norwegian Nightmares: The Horror Cinema of a Nordic Country [1 ed.] |
Christer Bakke Andresen |
1 |
281 |
|
Greek Film Noir [1 ed.] |
Anna Poupou (editor), Nikitas Fessas (editor), Maria Chalkou (editor) |
1 |
282 |
|
Deconstruction, Feminism, Film |
Sarah Dillon |
|
283 |
|
The Films of Antoinetta Angelidi |
Penny Bouska (editor), Sotiris Petridis (editor) |
|
284 |
|
Transnational Crime Cinema |
Sarah Delahousse, Aleksander Sedzielarz (eds.) |
|
285 |
|
The Auditory Setting: Environmental Sounds in Film and Media Arts |
Budhaditya Chattopadhyay |
|
286 |
|
Reanimated: The Contemporary American Horror Remake |
Laura Mee |
|
287 |
|
Female Authorship and the Documentary Image: Theory, Practice and Aesthetics |
Boel Ulfsdotter, Anna Backman Rogers |
|
288 |
|
Refocus: The Later Films and Legacy of Robert Altman |
Lisa Dombrowski (editor), Justin Wyatt (editor) |
|
289 |
|
Towards an Intermedial History of Brazilian Cinema |
Lúcia Nagib (editor) |
|
290 |
|
Drawn from Life: Issues and Themes in Animated Documentary Cinema |
Jonathan Murray, Nea Ehrlich |
|
291 |
|
Pontius Pilate on Screen: Sinner, Soldier, Superstar (Screening Antiquity) [1 ed.] |
Christopher M. McDonough |
1 |
292 |
|
ReFocus: The Films of Richard Linklater |
Kim Wilkins (editor) |
|
293 |
|
Hollywood Remakes of Iconic British Films: Class, Gender and Stardom |
Agnieszka Rasmus |
|
294 |
|
Finnish Film Studios |
Kimmo Laine |
|
295 |
|
ReFocus: The Films of Wallace Fox |
Gary D. Rhodes (editor) |
|
296 |
|
Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study |
Jennifer Coates |
|
297 |
|
Migrants' Perspectives, Migrants in Perspective: World Cinema |
Nicole Beth Wallenbrock, Frank Jacob |
|
298 |
|
Framing Empire: Postcolonial Adaptations of Victorian Literature in Hollywood |
Jerod Ra’Del Hollyfield |
|
299 |
|
Sino-Enchantment: The Fantastic in Contemporary Chinese Cinemas |
Kenneth Chan, Andrew Stuckey |
|
300 |
|
ReFocus: The Films of Albert Brooks |
Christian B. Long |
|
301 |
|
ReFocus: The Films of Jocelyne Saab: Films, Artworks and Cultural Events for the Arab World |
Mathilde Rouxel, Stefanie Van de Peer |
|
302 |
|
ReFocus: The Films of William Castle |
Murray Leeder |
|
303 |
|
ReFocus: The Films of Joao Pedro Rodrigues and Joao Rui Guerra da Mata |
José Duarte (editor) |
|
304 |
|
Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood |
Kendra Marston |
|
305 |
|
Main Melody Films: Hong Kong Directors in Mainland China |
Stephen Yiu-Wai Chu |
|
306 |
|
Working: A creative and commercial history |
Nathan Townsend |
|
307 |
|
Designs on the Past: How Hollywood Created the Ancient World |
Lloyd Llewellyn-Jones |
|
308 |
|
Cinema of crisis : film and contemporary Europe |
Thomas Austin, Angelos Koutsourakis |
|
309 |
|
Time, Existential Presence and the Cinematic Image: Ethics and Emergence to Being in Film |
Sam B. Girgus |
|
310 |
|
ReFocus: The Films of Doris Wishman |
Alicia Kozma, Finley Freibert |
|
311 |
|
Rethinking Brechtian Film Theory and Cinema |
Angelos Koutsourakis |
|
312 |
|
Cinema-monde: Decentred Perspectives on Global Filmmaking in French |
Michael Gott, Thibaut Schilt |
|
313 |
|
Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas |
Anna Estera Mrozewicz |
|
314 |
|
Fashion on the Red Carpet: A History of the Oscars®, Fashion and Globalisation |
Elizabeth Castaldo Lundén |
|
315 |
|
Engaging Dialogue: Cinematic Verbalism in American Independent Cinema |
Jennifer O'Meara |
|
316 |
|
Céline Sciamma: Portraits |
Emma Wilson |
|
317 |
|
Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia |
Shohini Chaudhuri |
|
318 |
|
The Cinema of Disorientation : Inviting Confusions |
Dominic Lash |
|
319 |
|
ReFocus: The Films of Lucrecia Martel |
Natalia Christofoletti Barrenha (editor) |
|
320 |
|
Gothic Film: An Edinburgh Companion |
Richard J. Hand, Jay McRoy |
|
321 |
|
Ana Kokkinos: An Oeuvre of Outsiders |
Kelly McWilliam |
|
322 |
|
Extraterritoriality: Locating Hong Kong Cinema and Media |
Victor Fan |
|
323 |
|
James Joyce and Cinematicity: Before and After Film |
Keith Williams |
|
324 |
|
British Women Amateur Filmmakers: National Memories and Global Identities |
Annamaria Motrescu-Mayes, Heather Norris Nicholson |
|
325 |
|
Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s |
Peter William Evans, Celestino Deleyto |
|
326 |
|
From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition |
Sarah Atkinson |
|
327 |
|
Hong Kong Cinema and Sinophone Transnationalisms |
See Kam Tan |
|
328 |
|
Tim Burton's Bodies: Gothic, Animated, Creaturely and Corporeal |
Stella Hockenhull, Fran Pheasant-Kelly |
|
329 |
|
Visceral Screens: Mediation and Matter in Horror Cinema |
Allan Cameron |
|
330 |
|
ReFocus: The Films of Teuvo Tulio, An Excessive Outsider |
Henry Bacon, Kimmo Laine and Jaakko Seppälä |
|
331 |
|
Slum Imaginaries and Spatial Justice in Philippine Cinema |
Katrina Macapagal |
|
332 |
|
Journeys on Screen: Theory, Ethics, Aesthetics |
Louis Bayman, Natália Pinazza |
|
333 |
|
The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond |
Vivian P.Y. Lee |
|
334 |
|
Screening the Golden Ages of the Classical Tradition |
Meredith Safran |
|
335 |
|
Badfilm: Incompetence, Intention and Failure |
Becky Bartlett |
|
336 |
|
Mapping the Rockumentary: Images of Sound and Fury |
Gunnar Iversen, Scott MacKenzie |
|
337 |
|
Arab Animation: Images of Identity |
Omar Sayfo |
|
338 |
|
ReFocus: The Films of Barbara Kopple |
Jeff Jaeckle, Susan Ryan |
|
339 |
|
Masculinity in British Cinema, 1990-2010 |
Sarah Godfrey |
|
340 |
|
ReFocus: The Films of Andrei Tarkovsky |
Sergei Toymentsev |
|
341 |
|
British Music Videos 1966 - 2016: Genre, Authenticity and Art |
Emily Caston |
|
342 |
|
The Birth of the American Horror Film |
Gary D. Rhodes |
|
343 |
|
ReFocus: The Films of William Friedkin |
Steve Choe |
|
344 |
|
Greek Weird Wave: A Cinema of Biopolitics |
Dimitris Papanikolaou |
|
345 |
|
Shoe Reels: The History and Philosophy of Footwear in Film |
Elizabeth Ezra, Catherine Wheatley |
|
346 |
|
European Film Remakes |
Eduard Cuelenaere, Gertjan Willems, Stijn Joye |
|
347 |
|
ReFocus: The Films of Kelly Reichardt |
E. Dawn Hall |
|
348 |
|
ReFocus: The Films of Michel Gondry |
Marcelline Block, Jennifer Kirby |
|
349 |
|
ReFocus: The Films of Rakhshan Banietemad |
Maryam Ghorbankarimi |
|
350 |
|
The American Horror Film: An Introduction |
Reynold Humphries |
|
351 |
|
ReFocus: The Films of Francis Veber |
Keith Corson |
|
352 |
|
Screening Divinity |
Lisa Maurice |
|
353 |
|
The Computer-Animated Film: Industry, Style and Genre |
Christopher Holliday |
|
354 |
|
Film and the Imagined Image |
Sarah Cooper |
|
355 |
|
Hong Kong Horror Cinema |
Gary Bettinson, Daniel Martin |
|
356 |
|
Chinese Stardom in Participatory Cyberculture |
Dorothy Wai Sim Lau |
|
357 |
|
Celluloid Singapore: Cinema, Performance and the National |
Edna Lim |
|
358 |
|
Cinema, If You Please: The Memory of Taste, the Taste of Memory |
Murray Pomerance |
|
359 |
|
Film Reboots |
Daniel Herbert, Constantine Verevis |
|
360 |
|
B-Movie Gothic: International Perspectives |
Justin Edwards, Johan Höglund |
|
361 |
|
Epic Heroes on Screen |
Antony Augoustakis, Stacie Raucci |
|
362 |
|
Early Cinema in Scotland |
John Caughie, Trevor Griffiths, María A. Vélez-Serna |
|
363 |
|
Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan |
Brian Hu |
|
364 |
|
The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity |
Michelle Royer |
|
365 |
|
ReFocus: The Films of Susanne Bier |
Missy Molloy, Mimi Nielsen, Meryl Shriver-Rice |
|
366 |
|
Western China on Screen: An Urban Exploration |
Hongyan Zou |
|
367 |
|
Female Agency and Documentary Strategies: Subjectivities, Identity and Activism |
Boel Ulfsdotter, Anna Backman Rogers |
|
368 |
|
Cultivating Extreme Art Cinema: Text, Paratext and Home Video Culture |
Simon Hobbs |
|
369 |
|
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa [1 ed.] |
Calum Waddell |
1 |
370 |
|
Genre, Authorship and Contemporary Women Filmmakers |
Katarzyna Paszkiewicz |
|
371 |
|
Egypt 1919: The Revolution in Literature and Film |
Dina Heshmat |
|
372 |
|
Greek Cinema and Migration, 1991-2016 |
Philip E. Phillis |
|
373 |
|
Film Genre: Hollywood and Beyond |
Barry Langford |
|
374 |
|
Sixties British Cinema Reconsidered |
Duncan Petrie, Melanie Williams, Laura Mayne |
|
375 |
|
Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation |
Lisa Purse, Ute Wölfel |
|
376 |
|
Creative Practice Research in the Age of Neoliberal Hopelessness |
Agnieszka Piotrowska |
|
377 |
|
Cold War Film Genres |
Homer B. Pettey |
|
378 |
|
ReFocus: The Films of Mary Harron |
Kyle Barrett (editor) |
|
379 |
|
Studying Media: Problems of Theory and Method |
John Corner |
|
380 |
|
ReFocus: The Films of François Ozon |
Loïc Bourdeau |
|
381 |
|
Cinema and Soft Power: Configuring the National and Transnational in Geo-politics |
Stephanie Dennison, Rachel Dwyer |
|
382 |
|
Irish Queer Cinema |
Allison Macleod |
|
383 |
|
Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema |
Ágnes Pethő |
|
384 |
|
ReFocus: The Films of John Hughes |
Timothy Shary, Frances Smith |
|
385 |
|
Short Films from a Small Nation: Danish Informational Cinema 1935–1965 |
C. Claire Thomson |
|
386 |
|
The Films of Ken Russell |
Matthew Melia (editor) |
|
387 |
|
The Films of Denis Villeneuve |
Jeri English (editor), Marie Pascal (editor) |
|
388 |
|
Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology [1 ed.] |
Kelli Fuery |
1 |
389 |
|
The Sense of Place in Contemporary Cinema [1 ed.] |
Corinne Maury |
1 |
390 |
|
George A. Romero's Independent Cinema: Horror, Industry, Economics [1 ed.] |
Tom Fallows |
1 |
391 |
|
Transnational Kaiju: Exploitation, Globalisation and Cult Monster Movies [1 ed.] |
Steven Rawle |
1 |
392 |
|
Music in the Horror Films of Val Lewton (Music and the Moving Image) [1 ed.] |
Michael Lee |
1 |
393 |
|
The California Gothic in Fiction and Film [1 ed.] |
Bernice M. Murphy |
1 |
394 |
|
Derivative Images: Financial Derivatives in French Film, Literature and Thought (Edinburgh Studies in Film and Intermediality) [1 ed.] |
Calum Watt |
1 |
395 |
|
Film, Hot War Traces and Cold War Spaces [1 ed.] |
Maurizio Cinquegrani |
1 |
396 |
|
The Money Behind the Screen: A History of British Film Finance, 1945-1985 [1 ed.] |
James Chapman |
1 |
397 |
|
Women in Marvel Films [1 ed.] |
Miriam Kent |
1 |
398 |
|
Refocus: the Films of Paul Leni |
Erica Tortolani (editor), Martin F. Norden (editor) |
|
399 |
|
Gender and Seriality: Practices and Politics of Contemporary US Television [1 ed.] |
Maria Sulimma |
1 |
400 |
|
Animating Truth: Documentary and Visual Culture in the 21st Century [1 ed.] |
Nea Ehrlich |
1 |
401 |
|
Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s [1 ed.] |
Noel Brown |
1 |
402 |
|
The Incomplete Project of Schizoanalysis: Collected Essays on Deleuze and Guattari [1 ed.] |
Ian Buchanan |
1 |
403 |
|
The Cinema of MIA Hansen-Lve: Candour and Vulnerability |
Kate Ince |
|
404 |
|
A History of Danish Cinema [1 ed.] |
C. Claire Thomson (editor), Isak Thorsen (editor), Pei-Sze Chow (editor) |
1 |
405 |
|
Science Fiction Film: Predicting the Impossible in the Age of Neoliberalism [1 ed.] |
Eli Park Sorensen |
1 |
406 |
|
Women, Feminism and Italian Cinema: Archives from a Film Culture [1 ed.] |
Dalila Missero |
1 |
407 |
|
The Films of Andrei Tarkovsky |
Sergei Toymentsev (editor) |
|
408 |
|
Chaoid Cinema: Deleuze & Guattari and the Topological Vector of Silence [1 ed.] |
Colin Gardner |
1 |
409 |
|
Counter-Memories in Iranian Cinema [1 ed.] |
Matthias Wittmann (editor), Ute Holl (editor) |
1 |
410 |
|
Vital Resonances: Encountering Film with Varda, Haneke and Nancy [1 ed.] |
Francesca Minnie Hardy |
1 |
411 |
|
Japanese High School Films: Iconography, Nostalgia and Discipline [1 ed.] |
Peter C. Pugsley |
1 |
412 |
|
Ageing, Dementia and Time in Film |
Deng, MaoHui, |
|
413 |
|
ReFocus: the Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema |
Nuno Barradas Jorge |
|
414 |
|
Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality [1 ed.] |
Adam Daniel |
1 |
415 |
|
The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia [1 ed.] |
William Brown, David H. Fleming |
1 |
416 |
|
Israel/Palestine: Border Representations in Literature and Film [1 ed.] |
Drew Paul |
1 |
417 |
|
New Realism: Contemporary British Cinema [1 ed.] |
David Forrest |
1 |
418 |
|
Jacques Rancière and the Politics of Art Cinema [1 ed.] |
James Harvey |
1 |
419 |
|
Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives [1 ed.] |
Will Higbee, Flo Martin, Jamal Bahmad |
1 |
420 |
|
Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s (Edinburgh Studies in Film and Intermediality) [1 ed.] |
Matilde Nardelli |
1 |
421 |
|
The Invisibilities of Political Torture: The Presence of Absence in US and Chilean Cinema and Television [1 ed.] |
Berenike Jung |
1 |
422 |
|
ReFocus: the Films of Xavier Dolan |
Andrée Lafontaine (editor) |
|
423 |
|
Douglas Sirk, Aesthetic Modernism and the Culture of Modernity |
Victoria L. Evans |
|
424 |
|
Intermedial Dialogues: The French New Wave and the Other Arts [1 ed.] |
Marion Schmid |
1 |
425 |
|
French Blockbusters: Cultural Politics of a Transnational Cinema [1 ed.] |
Charlie Michael |
1 |
426 |
|
The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema [1 ed.] |
Alyssa DeBlasio |
1 |
427 |
|
Performing Ethics Through Film Style: Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader [1 ed.] |
Edward Lamberti |
1 |
428 |
|
Raymond Bellour: Cinema and the Moving Image: With Selections from an Interview with Raymond Bellour |
Hilary Radner, Alistair Fox |
|
429 |
|
Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain [1 ed.] |
Lisa Stead |
1 |
430 |
|
The Computer-Animated Film: Industry, Style and Genre [Illustrated] |
Christopher Holliday |
|
431 |
|
'My' Self on Camera: First Person Documentary Practice in an Individualising China [1 ed.] |
Kiki Tianqi Yu |
1 |
432 |
|
The Two cines con niño: Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010) [1 ed.] |
Erin K. Hogan |
1 |
433 |
|
The Style of Sleaze: The American Exploitation Film, 1959-1977 [1 ed.] |
Calum Waddell |
1 |
434 |
|
Cinema Between Media: An Intermediality Approach [1 ed.] |
Jørgen Bruhn, Anne Gjelsvik |
1 |
435 |
|
Moving Figures: Class and Feeling in the Films of Jia Zhangke [1 ed.] |
Corey Kai Nelson Schultz |
1 |
436 |
|
Journey to Poland: Documentary Landscapes of the Holocaust [1 ed.] |
Maurizio Cinquegrani |
1 |
437 |
|
Speaking in Subtitles: Revaluing Screen Translation [1 ed.] |
Tessa Dwyer |
1 |
438 |
|
The Cinema of Ozu Yasujiro: Histories of the Everyday [1 ed.] |
Woojeong Joo |
1 |
439 |
|
Contemporary Musical Film |
K.J. Donnelly, Beth Carroll (eds) |
|
440 |
|
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema |
Miklós Kiss, Steven Willemsen |
|
441 |
|
Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World |
Christina Hellmich and Lisa Purse |
|
442 |
|
ReFocus: The Films of Budd Boetticher |
Gary D. Rhodes and Robert Singer |
|
443 |
|
Transnational Film Remakes |
Iain Robert Smith and Constantine Verevis |
|
444 |
|
Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema [1 ed.] |
Alison Taylor |
1 |
445 |
|
Negotiating Dissidence: The Pioneering Women of Arab Documentary [1 ed.] |
Stefanie Van de Peer |
1 |
446 |
|
Vampires, Race, and Transnational Hollywoods [1 ed.] |
Dale Hudson |
1 |
447 |
|
The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth [1 ed.] |
Alejandro Yarza |
1 |
448 |
|
Eclipsed cinema : the film culture of colonial Korea |
Dong Hoon Kim |
|
449 |
|
Rethinking the Hollywood Teen Movie: Gender, Genre and Identity [1 ed.] |
Frances Smith |
1 |
450 |
|
Cinematic Nihilism: Encounters, Confrontations, Overcomings |
John Marmysz |
|
451 |
|
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar |
Julian Daniel Gutierrez-Albilla |
|
452 |
|
Hong Kong Neo-Noir [1 ed.] |
Yau, Williams |
1 |
453 |
|
Coming-of-Age Cinema in New Zealand: Genre, Gender and Adaptation |
Alistair Fox |
|
454 |
|
American Independent Cinema: Second Edition |
Yannis Tzioumakis |
2 |
455 |
|
Female Stars of British Cinema: The Women in Question |
Melanie Williams |
|
456 |
|
Screening Statues: Sculpture and Cinema |
Steven Jacobs, Susan Felleman, Vito Adriaensens, Lisa Colpaert |
|
457 |
|
Indefinite Visions: Cinema and the Attractions of Uncertainty |
Martine Beugnet, Allan Cameron, Arild Fetveit |
|
458 |
|
Chow Yun-fat and Territories of Hong Kong Stardom |
Lin Feng |
|
459 |
|
Hieroglyphic Modernisms: Writing and New Media in the Twentieth Century |
Jesse Schotter |
|
460 |
|
Undead Apocalypse: Vampires and Zombies in the 21st Century [1 ed.] |
Stacey Abbott |
1 |
461 |
|
Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas and Jean-Luc Nancy |
Kristin Lené Hole |
|
462 |
|
Expressionism in the Cinema |
Olaf Bril, Gary D. Rhodes |
|
463 |
|
The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure |
Mazierska, Ewa(Editor),Mroz, Matilda(Editor),Ostrowska, Elzbieta(Editor) |
|
464 |
|
Slow Cinema |
Tiago de Luca, Nuno Barradas Jorge |
|
465 |
|
ReFocus: The Films of Amy Heckerling |
Frances Smith and Timothy Shary |
|
466 |
|
ReFocus: The Films of Delmer Daves |
Matthew Carter and Andrew Patrick Nelson |
|
467 |
|
Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film |
Lassner Phyllis Lassner |
|
468 |
|
Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema [1 ed.] |
Linda Badley (editor), Claire Perkins (editor), Michele Schreiber (editor) |
1 |
469 |
|
Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images [1 ed.] |
David Deamer |
1 |
470 |
|
The Major Realist Film Theorists: A Critical Anthology [1 ed.] |
Ian Aitken (editor) |
1 |
471 |
|
The Incurable-Image: Curating Post-Mexican Film and Media Arts [1 ed.] |
Tarek Elhaik |
1 |
472 |
|
The Hollywood Meme: Transnational Adaptations in World Cinema [1 ed.] |
Iain Robert Smith |
1 |
473 |
|
The Colonial Documentary Film in South and South-East Asia [1 ed.] |
Ian Aitken (editor), Camille Deprez (editor) |
1 |
474 |
|
Italian Horror Cinema [1 ed.] |
Stefano Baschiera (editor), Russ Hunter (editor) |
1 |
475 |
|
Ben-Hur: The Original Blockbuster |
Jon Solomon |
|
476 |
|
Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema |
Heidi Wilkins |
|
477 |
|
Contemporary Spanish Gothic |
Ann Davies |
|
478 |
|
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom [1 ed.] |
David Church |
1 |
479 |
|
Untimely Affects: Gilles Deleuze and an Ethics of Cinema [Reprint ed.] |
Nadine Boljkovac |
|
480 |
|
Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace [1 ed.] |
Tommy Gustafsson, Pietari Kääpä |
1 |
481 |
|
Extreme Asia: The Rise of Cult Cinema from the Far East [1 ed.] |
Daniel Martin |
1 |
482 |
|
Films on Ice: Cinemas of the Arctic |
Scott MacKenzie, Anna Westerståhl Stenport |
|
483 |
|
Post-1990 Documentary: Reconfiguring Independence [Illustrated] |
Judith Pernin, Judith Perni (editor) |
|
484 |
|
US Independent Filmmaking After 1989 : possible films |
Constantine Verevis, Claire Perkins |
|
485 |
|
Chinese Martial Arts Cinema: The Wuxia Tradition |
Stephen Teo |
|
486 |
|
Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s |
Sergio Rigoletto |
|
487 |
|
Memory, Subjectivity and Independent Chinese Cinema [1 ed.] |
Qi Wang |
1 |
488 |
|
Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship [1 ed.] |
Shohini Chaudhuri |
1 |
489 |
|
The place of breath in cinema |
Quinlivan, Davina |
|
490 |
|
American Postfeminist Cinema: Women, Romance and Contemporary Culture |
Michele Schreiber |
|
491 |
|
Film Noir |
Homer B. Pettey, R. Barton Palmer |
|
492 |
|
Film and Urban Space: Critical Possibilities [1 ed.] |
Geraldine Pratt, Rose Marie San Juan |
1 |
493 |
|
The 'War on Terror' and American Film: 9/11 Frames Per Second [1 ed.] |
Terence McSweeney |
1 |
494 |
|
The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century [1 ed.] |
Andrew B. R. Elliott (editor) |
1 |
495 |
|
Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema |
Daniela Berghahn |
|
496 |
|
Korean horror cinema [1 ed.] |
Martin, Daniel, Peirse, Alison |
1 |
497 |
|
Small-Gauge Storytelling: Discovering the Amateur Fiction Film [1 ed.] |
Ryan Shand, Ian Craven |
1 |
498 |
|
Our Nazis: Representations of Fascism in Contemporary Literature and Film |
Petra Rau |
|
499 |
|
Untimely Affects: Gilles Deleuze and an Ethics of Cinema |
Nadine Boljkovac |
|
500 |
|
Moving Images: Nineteenth-Century Reading and Screen Practices |
Helen Groth |
|
501 |
|
Men's Cinema: Masculinity and Mise-en-Scene in Hollywood |
Stella Bruzzi |
|
502 |
|
Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 |
Will Higbee |
|
503 |
|
Spanish Horror Film |
Antonio Lázaro-Reboll |
|
504 |
|
American Smart Cinema |
Claire Perkins |
|
505 |
|
The International Film Musical |
Corey Creekmur, Linda Mokdad |
|
506 |
|
Temporality and Film Analysis [1 ed.] |
Matlida Mroz |
1 |
507 |
|
Media and Popular Music [1 ed.] |
Peter Mills |
1 |
508 |
|
Deleuze and Film [1 ed.] |
David Martin-Jones (Editor), William Brown (Editor) |
1 |
509 |
|
Italian Post-Neorealist Cinema |
Luca Barattoni |
|
510 |
|
Breaking the Fourth Wall: Direct Address in the Cinema [1 ed.] |
Tom Brown |
1 |
511 |
|
Italian Neorealist Cinema [1 ed.] |
Torunn Haaland |
1 |
512 |
|
Film Sequels |
Carolyn Jess-Cooke |
|
513 |
|
Mel Brooks in the Cultural Industries: Survival and Prolonged Adaptation [1 ed.] |
Alex Symons |
1 |
514 |
|
The Cinema and Cinema-Going in Scotland, 1896-1950 [1 ed.] |
Trevor Griffiths |
1 |
515 |
|
Framing pictures : film and the visual arts [1 ed.] |
Jacobs, Steven |
1 |
516 |
|
New Neapolitan Cinema |
Alex Marlow-Mann |
|
517 |
|
The New Extremism in Cinema: From France to Europe [1 ed.] |
Tanya Horeck, Tina Kendall |
1 |
518 |
|
Music Video and the Politics of Representation [1 ed.] |
Diane Railton, Paul Watson |
1 |
519 |
|
Contemporary action cinema [1 ed.] |
Purse, Lisa |
1 |
520 |
|
Brokeback Mountain |
Gary Needham |
|
521 |
|
Badiou and Cinema |
Alex Ling |
|
522 |
|
Romantics and modernists in British cinema [1 ed.] |
Orr, John |
1 |
523 |
|
Bollywood in the Age of New Media: The Geo-televisual Aesthetic |
Anustup Basu |
|
524 |
|
Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 |
Barry Langford |
|
525 |
|
Introduction to Japanese Horror Film [1 ed.] |
Colette Balmain |
1 |
526 |
|
Deleuze and Performance |
Laura Cull (editor) |
|
527 |
|
Journalists in Film: Heroes and Villains |
Brian McNair |
|
528 |
|
Film noir and the cinema of paranoia [1 ed.] |
Wheeler Winston Dixon |
1 |
529 |
|
The cinema of Basil Dearden and Michael Relph [1 ed.] |
Dearden, Basil, O'Sullivan, Tim, Dearden, Basil, Burton, Alan, Relph, Michael |
1 |
530 |
|
Figurations of Exile in Hitchcock and Nabokov |
Barbara Straumann |
|
531 |
|
Science Fiction Cinema: Between Fantasy and Reality |
Christine Cornea |
|
532 |
|
The Battle of Britain on Screen: 'The Few' in British Film and Television Drama (Societies at War) |
S. P. Mackenzie |
|
533 |
|
Deleuze, Altered States and Film |
Anna Powell |
|
534 |
|
Screening Shakespeare in the Twenty-First Century |
Mark Thornton Burnett, Romona Wray |
|
535 |
|
Film Histories: An Introduction and Reader |
Paul Grainge, Mark Jancovich, Sharon Monteith |
|
536 |
|
Film's Musical Moments |
Ian Conrich, Estella Ticknell |
|
537 |
|
American Independent Cinema: An Introduction |
Yannis Tzioumakis |
|
538 |
|
Deleuze, Cinema and National Identity: Narrative Time in National Contexts |
David Martin-Jones |
|
539 |
|
Traditions in World Cinema |
Steven Jay Schneider |
|
540 |
|
Deleuze and Horror Film |
Anna Powell |
|
541 |
|
The Erotic Thriller in Contemporary Cinema |
Linda Ruth Williams |
|
542 |
|
Alternative and Activist Media |
Mitzi Waltz |
|
543 |
|
New Queer Cinema: A Critical Reader |
Michele Aaron |
|
544 |
|
Deleuze and Cinema: The Aesthetics of Sensation |
Barbara Kennedy |
|
545 |
|
Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema |
Maggie Humm |
|
546 |
|
QuickTime for the Web: For Windows and Macintosh, Third Edition (QuickTime Developer Series) [3 ed.] |
Steven Gulie |
3 |
547 |
|
Schirmer Encyclopedia of Film: Volume 1 |
Grant B.K. |
1 |
548 |
|
From Russia With Love |
Llewella Chapman |
|
549 |
|
Dr. No: The First James Bond Film |
James Chapman |
|
550 |
|
The Afterlife of Texts in Translation: Understanding the Messianic in Literature [1st ed. 2019] |
Edmund Chapman |
1 |
551 |
|
Projecting Tomorrow Science Fiction and Popular Cinema |
James Chapman, Nicholas J. Cull |
|
552 |
|
No Country for Old Men: From Novel to Film |
Lynnea Chapman King, Rick Wallach, Jim Welsh |
|
553 |
|
War and Film (Reaktion Books - Locations) |
James Chapman |
|
554 |
|
Cinemas of the World: Film and Society from 1895 to the Present |
James Chapman |
|
555 |
|
The Detective's Companion in Crime Fiction: A Study in Sidekicks (Crime Files) |
Lucy Andrew (editor), Samuel Saunders (editor) |
|
556 |
|
Hollywood in Berlin: American Cinema and Weimar Germany [1 frontisp., Reprint 2020 ed.] |
Thomas J. Saunders |
12020 |
557 |
|
Arnold: Schwarzenegger and the Movies |
Dave Saunders (editor) |
|
558 |
|
Direct Cinema: Observational Documentary and the Politics of the Sixties |
Dave Saunders |
|
559 |
|
Errancies of Desire: Monstrous Masculinities across the Atlantic (Television and Popular Culture) |
Vartan P. Messier |
|
560 |
|
Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903–2003 |
Roland Leander Williams Jr. |
|
561 |
|
Reading Joss Whedon |
Rhonda V. Wilcox (editor), Tanya Cochran (editor), Cynthea Masson (editor), David Lavery (editor) |
|
562 |
|
Rethinking Occupied Ireland: Gender and Incarceration in Contemporary Irish Film |
Jessica Scarlata |
|
563 |
|
Words Not Swords: Iranian Women Writers and the Freedom of Movement |
Farzaneh Milani |
|
564 |
|
The film form: essays in film |
Ėjzenštejn, Sergej Michajlovič,Leyda, Jay |
|
565 |
|
From Shtetl to Stardom: Jews and Hollywood |
Michael Renov |
|
566 |
|
Reframing Italy : New Trends in Italian Women's Filmmaking |
Bernadette Luciano, Susanna Scarparo |
|
567 |
|
Designing Educational Video and Multimedia for Open and Distance Learning [1 ed.] |
Jack Koumi |
1 |
568 |
|
The Encyclopedia of Westerns (The Facts on File Film Reference Library) |
Herb Fagen |
|
569 |
|
The Encyclopedia of Stanley Kubrick |
Rodney Hill, Gene D. Phillips |
|
570 |
|
The Encyclopedia of Science Fiction Movies [hc ed.] |
C.J. Henderson, William Shatner |
|
571 |
|
The Politics and Poetics of Black Film: Nothing But a Man [Illustrated] |
David C. Wall, Michael T. Martin (eds.) |
|
572 |
|
The Calling Card Script: A writer's toolbox for screen, stage and radio |
Paul Ashton |
|
573 |
|
Inside story: the power of the transformational arc |
Marks, Dara |
|
574 |
|
Adaptation in Contemporary Culture: Textual Infidelities |
Rachel Carroll |
|
575 |
|
Madness at the Movies: Understanding Mental Illness through Film |
James Charney |
|
576 |
|
Hold It Real Still: Clint Eastwood, Race, and the Cinema of the American West |
Lawrence P. Jackson |
|
577 |
|
Empire films and the collapse of colonialism, 1946-1959 |
Cowans, Jon |
|
578 |
|
Music in the Shadows: Noir Musical Films |
Sheri Chinen Biesen |
|
579 |
|
Nightmare Alley: Film Noir and the American Dream |
Mark Osteen |
|
580 |
|
When Stories Travel: Cross-Cultural Encounters between Fiction and Film |
Cristina Della Coletta |
|
581 |
|
Math Goes to the Movies |
Burkard Polster, Marty Ross |
|
582 |
|
Maths goes to the movies |
Polster, Burkard,Ross, Marty |
|
583 |
|
Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ [annotated edition] |
Thomas Leitch |
|
584 |
|
Gilles Deleuze: Cinema and Philosophy [English-language Ed] |
Paola Marrati, Alisa Hartz |
|
585 |
|
Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir |
John T. Irwin |
|
586 |
|
Blackout: World War II and the Origins of Film Noir [Illustrated] |
Sheri Chinen Biesen |
|
587 |
|
Essential Cinema: On the Necessity of Film Canons |
Jonathan Rosenbaum |
|
588 |
|
Blue-collar Hollywood : liberalism, democracy, and working people in American film |
Bodnar, John E. |
|
589 |
|
Regarding film: criticism and comment |
Kauffmann, Stanley |
|
590 |
|
Subversive Pleasures: Bakhtin, Cultural Criticism, and Film |
Robert Stam |
|
591 |
|
Not All Supermen: Sexism, Toxic Masculinity, and the Complex History of Superheroes |
Tim Hanley |
|
592 |
|
Investigating Lois Lane: the turbulent history of the Daily Planet's ace reporter |
Hanley, Tim,Lane, Lois |
|
593 |
|
Recovering 1940s Horror Cinema: Traces of a Lost Decade |
Mario DeGiglio-Bellemare, Charlie Ellbé, Kristopher Woofter, Paul Corupe, Blair Davis, Louise Fenton, Anne Golden, David Hanley, Karen Herland, Mark Jancovich, Kier-La Janisse, Cory Legassic, Peter Marra, Ian Olney, Dennis R. Perry, Selma Purac, Gary D. Rhodes, Rick Trembles |
|
594 |
|
The Great Depression on Film |
David Luhrssen |
|
595 |
|
The 1960s on Film |
Jim Willis, Mark Miller |
|
596 |
|
Robots in Popular Culture |
Richard A. Hall |
|
597 |
|
The American West on Film |
Johnny D. Boggs |
|
598 |
|
The Civil War on Film |
Peg A. Lamphier and Rosanne Welch |
|
599 |
|
The American Superhero: Encyclopedia Of Caped Crusaders In History |
Richard A. Hall |
|
600 |
|
100 Great War Movies: The Real History Behind the Films |
Robert Niemi |
|
601 |
|
Race in American Film |
Daniel Bernardi |
|
602 |
|
Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies |
Kimberly Fain |
|
603 |
|
Film Firsts: the 25 Movies That Created Contemporary American Cinema |
Ethan Alter |
|
604 |
|
Projecting the End of the American Dream: Hollywood's Visions of U. S. Decline |
Gordon B. Arnold |
|
605 |
|
Movies in American History: An Encyclopedia |
Philip C. DiMare |
|
606 |
|
Sacred Profanity: Spirituality at the Movies : Spirituality at the Movies |
Aubrey Malone, Aubrey Malone |
|
607 |
|
History in the Media: Film and Television [1 ed.] |
Robert Niemi |
1 |
608 |
|
Unsung Heroes of The Lord of the Rings : From the Page to the Screen |
Lynnette Porter |
|
609 |
|
Mastering Celtx [1 ed.] |
Terry Borst |
1 |
610 |
|
Picture Yourself Making Creative Movies with Corel VideoStudio Pro X4 [1 ed.] |
Marc Bech |
1 |
611 |
|
Moving Images: Making Movies, Understanding Media [1 ed.] |
Carl Casinghino |
1 |
612 |
|
Keeping Score: Interviews with Today’s Top Film, Television, and Game Music Composers [1 ed.] |
Tom Hoover |
1 |
613 |
|
Fight Choreography The Art of Non-Verbal Dialogue |
John Kreng |
|
614 |
|
Make-Believe Media: The Politics of Entertainment [Paperback ed.] |
Michael Parenti |
|
615 |
|
"Our Kind of Movie": The Films of Andy Warhol |
Douglas Crimp |
|
616 |
|
Brute Force: Animal Horror Movies |
Dominic Lennard |
|
617 |
|
Death Lines : Walking London's Horror History |
Lauren Jane Barnett, |
|
618 |
|
Digital storytelling: the narrative power of visual effects in film |
McClean, Shilo T |
|
619 |
|
Doing Philosophy At The Movies |
Richard A. Gilmore |
|
620 |
|
Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000 |
Maria Pramaggiore |
|
621 |
|
Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema |
Matthew Rukgaber |
|
622 |
|
Science Fiction (The MIT Press Essential Knowledge series) |
Sherryl Vint |
|
623 |
|
The Death of Classical Cinema: Hitchcock, Lang, Minnelli |
Joe Mcelhaney |
|
624 |
|
The Kite Runner: Rejacketed |
Larry Zhao |
|
625 |
|
High Noon |
Nora Roberts |
|
626 |
|
Four from the forties |
Brian McFarlane |
|
627 |
|
Stardust |
Kanon, Joseph |
|
628 |
|
Plato and the Moving Image |
Shai Biderman, Michael Weinman |
|
629 |
|
Postmodern Pirates Tracing the Development of the Pirate Motif with Disneys Pirates of the Caribbean (Contemporary Cinema, 8) |
Susanne Zhanial |
|
630 |
|
Cityscapes of the Future: Urban Spaces in Science Fiction |
Yael Maurer Meyrav, Koren-Kuik |
|
631 |
|
Barbarism Revisited: New Perspectives on an Old Concept |
Maria Boletsi, Christian Moser (eds.) |
|
632 |
|
Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park on Screen |
Marie N. Sorbo |
|
633 |
|
Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition |
Martin Brady, Joanne Leal |
|
634 |
|
Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture. (Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft) |
Barbara Korte, Eva Ulrike Pirker, Sissy Helff |
|
635 |
|
New Insights Into Audiovisual Translation and Media Accessibility: Media for All 2 |
Jorge Diaz Cintas, Joselia Neves, Anna Matamala |
|
636 |
|
Subjects not-at-home : forms of the uncanny in the contemporary French novel : Emmanuel Carrère, Marie NDiaye, Eugène Savitzkaya |
NDiaye, Marie, Carrère, Emmanuel, Savitzkaya, Eugène, Connon, Daisy |
|
637 |
|
Decolonizing the Lens of Power. Indigenous Films in North America. (Cross Cultures) |
Kerstin Knopf |
|
638 |
|
Movement as Meaning: In Experimental Film |
Daniel Barnett |
|
639 |
|
The Cultural Construction of London's East End: Urban Iconography, Modernity and the Spatialisation of Englishness. |
Paul Newland |
|
640 |
|
Violence: ‘Mercurial Gestalt’ |
Levin, Tobe |
|
641 |
|
Nightmare Japan contemporary Japanese horror cinema |
McRoy, Jay |
|
642 |
|
The Image in French Philosophy |
Temenuga Trifonova |
|
643 |
|
Processes of Transposition. German Literature and Film. |
Christiane Schonfeld (Ed.), Hermann Rasche (co-editor) |
|
644 |
|
A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present (German Monitor 67) |
Helmut SCHMITZ (Editor) |
|
645 |
|
The Abject Object: Avatars of the Phallus in Contemporary French Theory, Literature and Film (Chiasma 17) |
Keith Reader |
|
646 |
|
Books in Motion: Adaptation, Intertextuality, Authorship (Contemporary Cinema 2) |
Mireia Aragay |
|
647 |
|
The Book as Artefact: Text and Border (Variants 4) |
A. M. Hansen, R. Lüdeke, W. Streit, C. Urchueguía, P. Shillingsburg (eds.) |
|
648 |
|
Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective |
Susanne Muhleisen (Editor) Christine Matzke (Editor) |
|
649 |
|
From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings |
Ernest Mathijis and Murray Pomerance (eds) |
|
650 |
|
Subverting Masculinity. Hegemonic and Alternative Versions of Masculinity in Contemporary Culture. |
Frank LAY, Russell West |
|
651 |
|
The Matrix in Theory |
Diocaretz M |
|
652 |
|
Murder and the Movies |
David Thomson |
|
653 |
|
Frankly, My Dear: "Gone with the Wind" Revisited [1st ed.] |
Molly Haskell |
1 |
654 |
|
Yale French Studies: New Spaces for French and Francophone Cinema |
James Austin, Grace An |
|
655 |
|
Engaging the Moving Image |
Noel Carroll |
|
656 |
|
Hitchcock’s Music |
Jack Sullivan |
|
657 |
|
Hitchcock's Music [1ST ed.] |
Jack Sullivan |
1 |
658 |
|
Visions of a New Land: Soviet Film from the Revolution to the Second World War |
Professor Emma Widdis |
|
659 |
|
Fast-Talking Dames |
Professor Maria DiBattista |
|
660 |
|
Inventing Ruritania: The Imperialism of the Imagination |
Vesna Goldsworthy |
|
661 |
|
Film and Fiction: The Dynamics of Exchange |
Keith Cohen |
|
662 |
|
Cinema Anime: Critical Engagements with Japanese Animation |
Steven T. Brown |
|
663 |
|
Infinity Wars |
|
|
664 |
|
Spike Lee |
Todd McGowan |
|
665 |
|
Classics in Film and Fiction |
Deborah Cartmell |
|
666 |
|
El club de la lucha |
Chuck Palahniuk |
|
667 |
|
Chump Change |
Dan Fante |
|
668 |
|
The Cinema of Attractions Reloaded |
Strauven, Wanda. |
|
669 |
|
The Art of Screenplays |
Mukherjee, Robin |
|
670 |
|
This is Spinal Tap |
|
|
671 |
|
Twin Peaks |
|
|
672 |
|
Don't Look Down |
Jennifer Crusie &, Bob Mayer |
|
673 |
|
Federico Fellini: Painting in Film, Painting on Film |
|
|
674 |
|
The Creative Screenwriter: 12 Rules to Followand Breakto Unlock Your Screenwriting Potential |
Hoxter, Julian |
|
675 |
|
The Marvel Studios Story |
Wetzel, Charlie |
|
676 |
|
Collected Interviews: Voices from Twentieth-Century Cinema |
Dixon, Wheeler Winston |
|
677 |
|
Sophie's World |
Rue, Nancy N. |
|
678 |
|
The Italian political filmmakers |
Michalczyk, John J., 1941 |
|
679 |
|
Stars Wars y la filosofía |
William Irwin &, Jason T. Eberl &, Kevin S. Decker |
|
680 |
|
77 The Forgotten War |
Forstchen, William R. |
|
681 |
|
A Graveyard for Lunatics |
Bradbury, Ray |
|
682 |
|
Blue Angel |
Williams, Phil |
|
683 |
|
Daniel Martin |
John Fowles |
|
684 |
|
El manual del guionista |
Syd Field |
|
685 |
|
Jean Rouch |
Scheinfeigel Maxime |
|
686 |
|
Le Cinéma Dans Le Sang |
Tavernier, Bertrand |
|
687 |
|
Movie Club Mysteries: Books 1-5 |
Keane, Zara |
|
688 |
|
Movies, Songs, and Electric Sound: Transatlantic Trends |
Charles O'Brien |
|
689 |
|
PICTURE PERFECT |
Hope Ezra Mukwinda |
|
690 |
|
Single by Saturday |
Bybee, Catherine |
|
691 |
|
The Big Heat |
McGivern, William P |
|
692 |
|
The Dark Witch and the Ruby Slippers |
Scott, Tabitha |
|
693 |
|
The Incredible True Story of the Making of the Eve of Destruction |
Amy Brashear |
|
694 |
|
The Saint |
Archer, C. J. |
|
695 |
|
Throne of Blood |
Castle, C. J. |
|
696 |
|
Villeret, du rire aux larmes |
Durieux, Gilles &, Sartirano, Claude |
|
697 |
|
Die a Little: Suspenseful and Evocative Novel of Hollywood's Sleazy Underbelly |
Abbott, Megan |
|
698 |
|
Come a Little Bit Closer The Sullivans |
Andre, Bella |
|
699 |
|
Serial |
Antologia SF |
|
700 |
|
The Thin Red Line |
Arthur Griffiths |
|
701 |
|
Wizard of Oz: Complete Collection |
Baum, Lyman Frank |
|
702 |
|
High Noon |
|
|
703 |
|
ATOM BOY |
By RAY CUMMINGS |
|
704 |
|
Philosophy goes to the Movies: An Introduction to Philosophy |
Christopher Falzon |
|
705 |
|
Write to TV |
Cook, Martie |
|
706 |
|
The Rangers |
D. P. Thompson |
|
707 |
|
The Shawshank Redemption |
Darabont, Frank |
|
708 |
|
The Girl of the Golden West |
David Belasco |
|
709 |
|
Le Corbeau |
Edgar Allen Poe |
|
710 |
|
Film Theory: An Introduction Through the Senses |
Elsaesser, Thomas &, Hagener, Malte |
|
711 |
|
Screenwriting is Rewriting: The Art and Craft of Professional Revision |
Epps Jr., Jack |
|
712 |
|
Death Ray |
Ernst, Paul &, Munsey's |
|
713 |
|
Picture Perfect |
Fern Michaels |
|
714 |
|
Songs of Willow Frost |
Ford, Jamie |
|
715 |
|
The White Riband |
Fryniwyd Tennyson Jesse |
|
716 |
|
The Night of the Hunter |
Grubb, Davis &, Lives, Blackmask |
|
717 |
|
Austin: Bounty Hunters of Sunset Creek Ranch Book 5 5 |
Higgins, Marie |
|
718 |
|
Picture Perfect |
Hogan, Shanna |
|
719 |
|
Gender and Contemporary Horror in Film |
Holland, Samantha &, SHAIL, ROBERT &, Gerrard, Steven |
|
720 |
|
The Moving Picture Girls Snowbound |
Hope, Laura Lee &, Lives, Blackmask |
|
721 |
|
The Moving Picture Girls |
Hope, Laura Lee &, Lives, Blackmask |
|
722 |
|
Writing the Photoplay |
J. Berg Esenwein &, Arthur Leeds |
|
723 |
|
Film Music: A History |
JAMES WIERZBICKI |
|
724 |
|
Dune and Philosophy: Weirding Way of the Mentat |
Jeffery Nicholas |
|
725 |
|
En busca del misterio |
Jiménez del Oso, Fernando |
|
726 |
|
The Politics of Big Fantasy: The Ideologies of Star Wars, the Matrix and the Avengers |
John C. McDowell |
|
727 |
|
Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability |
Johnson Cheu |
|
728 |
|
The Informer |
Joseph Conrad |
|
729 |
|
Loki |
Keira Montclair |
|
730 |
|
How to Make Movies: Low-Budget / No-Budget Indie Experts Tell All |
Lindenmuth, Kevin J. |
|
731 |
|
Comedies |
Ludvig Holberg |
|
732 |
|
Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World |
Maggie |
|
733 |
|
To Love |
Margaret Peterson |
|
734 |
|
The Philosophy of Neo-Noir |
Mark T. Conard |
|
735 |
|
Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn |
McFadden, Cybelle H. |
|
736 |
|
Private Lives |
Perry, Tasmina |
|
737 |
|
Geekerella |
Poston, Ashley |
|
738 |
|
SCREENING THE MALE: Exploring masculinities in Hollywood cinema |
Steven Cohan &, Ina Rae Hark (edt) |
|
739 |
|
Far from Home |
Taylor, J.A. &, Munsey's |
|
740 |
|
Movie Stuff |
Thursday, Thomas &, Munsey's |
|
741 |
|
Scarface |
Trail, Armitage &, Lives, Blackmask |
|
742 |
|
The Matrix Reloaded |
|
|
743 |
|
The Boy Scouts with the Motion Picture Players |
Robert Shaler |
|
744 |
|
How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters |
Frey, James N. |
|
745 |
|
Masturbation |
Charles A. Sarnoff, M.D. |
|
746 |
|
Pixar Storytelling: Rules for Effective Storytelling Based on Pixar's Greatest Films |
Dean Movshovitz |
|
747 |
|
The Science of Superheroes |
Mark Brake |
|
748 |
|
Encyclopedia Of Film Noir |
|
|
749 |
|
Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas |
Lim, Song Hwee |
|
750 |
|
The Great American Whatever |
Tim Federle |
|
751 |
|
Star Wars: The Last Jedi - The Visual Dictonary |
Pablo Hidalgo |
|
752 |
|
The Rise of Skywalker - The Visual Dictionary |
Pablo Hidalgo |
|
753 |
|
Star Wars: Rebels - The Visual Guide |
Adam Bray |
|
754 |
|
Solo: A Star Wars Story - The Official Guide |
Pablo Hidalgo |
|
755 |
|
Star Wars: The Complete Locations |
Kristin Lund, Simon Beecroft, Kerrie Dougherty, James Luceno |
|
756 |
|
Star Wars: The Complete Visual Dictionary |
David West Reynolds, James Luceno, Ryder Windham |
|
757 |
|
La escritura académica: en la formación universitaria |
Côrte Vitória, Maria Inês |
|
758 |
|
El cine y la Transición política en España (1975-1982) (Otras Eutopías) |
Arranz, Manuel Palacio |
|
759 |
|
Historias del 68 |
Leñero, Vicente |
|
760 |
|
Kafka y el cine: La estética de lo kafkiano en el séptimo arte (Otras Eutopías) |
Rubia, Leopoldo La |
|
761 |
|
La vuelta al cine en cuarenta días |
Antin, Eduardo |
|
762 |
|
Mujeres de cine: La mirada de 10 directoras españolas |
Chuvieco Salinero, Enrique |
|
763 |
|
Quiero hacer un documental |
Segarra, Manuel Gómez |
|
764 |
|
Cine: 100 años de filosofía |
Cabrera, Julio |
|
765 |
|
Directory of World Cinema: Australia and New Zealand 2 |
Ben Goldsmith, Mark David Ryan, Geoff Lealand |
|
766 |
|
The Wimpy Kid Movie Diary (Dog Days revised and expanded edition) (Diary of a Wimpy Kid) |
Kinney, Jeff |
|
767 |
|
The Persistence of Whiteness: Race and Contemporary Hollywood Cinema |
Daniel Bernardi (edt) |
|
768 |
|
The Pirate's Daughter |
Hall, Marie |
|
769 |
|
... not in love with Kale Eddison |
McClean, Joanne |
|
770 |
|
The Dead Man: Gesicht des Bösen |
Goldberg, Lee &, Rabkin, William |
|
771 |
|
Superman Returns |
Marv Wolfman |
|
772 |
|
Animation in China: History, Aesthetics, Media |
Sean MacDONALD |
|
773 |
|
Hollywood face à la censure |
Caïra Olivier |
|
774 |
|
Horror |
Lisa Shea |
|
775 |
|
Psycho |
Malone, Kyrian &, Leigh, Jamie |
|
776 |
|
A Problem of Me: The Memoir of Rick Haydn Horst |
Rick Haydn Horst |
|
777 |
|
Secrets Of Loglines, Treatments, and Pitching |
Martell, William C. |
|
778 |
|
Star Force: Maty |
Jyr, Aer-ki |
|
779 |
|
Atrapa el pez dorado |
Lynch, David |
|
780 |
|
Cosas que no creeríais |
Benítez Ariza, José Manuel |
|
781 |
|
River's End |
Davis, Leanne |
|
782 |
|
Film Music: A Very Short Introduction |
Kalinak, Kathryn |
|
783 |
|
The Kite Runner |
Hosseini, Khaled |
|
784 |
|
The Toy |
Art Tole |
|
785 |
|
Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide: From the Silent Era Through 1965: Third Edition |
Maltin, Leonard |
|
786 |
|
Princess Master 4 |
Eric Vall |
|
787 |
|
The Humbling |
Roth, Philip |
|
788 |
|
The Humbling |
Roth, Philip |
|
789 |
|
Release the Snyder Cut |
Sean O'Connell |
|
790 |
|
Antkind |
Charlie Kaufman |
|
791 |
|
Companion to Pedro Almódovar |
D'Lugo, Marvin, Vernon, Kathleen M. |
|
792 |
|
3diy: 3D Moviemaking on an Indy Budget |
Ray Zone |
|
793 |
|
Creating Motion Graphics with After Effects [5th ed (Online-ausg.)] |
Meyer, Chris, Meyer, Trish |
5 |
794 |
|
Documentary in the Digital Age |
Maxine Baker |
|
795 |
|
Film Production Management [3rd ed] |
Bastian Cleve |
3 |
796 |
|
Image and video databases: restoration, watermarking, and retrieval [1 ed.] |
A. Hanjalic |
1 |
797 |
|
Luke Skywalker |
|
|
798 |
|
Make the Cut A Guide to Becoming a Successful Assistant Editor in Film and TV |
Lori Jane Coleman, Diana Friedberg |
|
799 |
|
Photoshop for video |
Richard Harrington |
|
800 |
|
Politics and the Media. Film and Television for the Political Scientist and Historian [1st ed.] |
M. J. Clark |
1 |
801 |
|
Produce Your Own Damn Movie! |
Collins, Ashley Wren,Kaufman, Lloyd |
|
802 |
|
Pyrolysis ‒ GC/MS Data Book of Synthetic Polymers. Pyrograms, Thermograms and MS of Pyrolyzates [1 ed.] |
Shin Tsuge And Hajima Ohtani And Chuichi Watanabe (Auth.) |
1 |
803 |
|
Pyrolysis - GC MS Data Book of Synthetic Polymers: Pyrograms, Thermograms and MS of Pyrolyzates [1 ed.] |
Shin Tsuge, Hajima Ohtani, Chuichi Watanabe |
1 |
804 |
|
Pyrolysis ‒ GC/MS Data Book of Synthetic Polymers. Pyrograms, Thermograms and MS of Pyrolyzates |
Shin Tsuge And Hajima Ohtani And Chuichi Watanabe (Auth.) |
|
805 |
|
The After Effects illusionist all the effects in one complete guide |
Chad Perkins |
|
806 |
|
The Focal Easy Guide to Adobe Encore DVD 2.0 [1st ed] |
Jeff Bellune |
1 |
807 |
|
The Focal Easy Guide to DVD Studio Pro 3 |
Rick Young |
|
808 |
|
Special make-up effects for stage and screen : making and applying prosthetics |
Todd Debreceni |
|
809 |
|
The Avid handbook : advanced techniques, strategies, and survival information for Avid editing systems |
Greg Staten, Steve Bayes |
|
810 |
|
The Foley Grail: The Art of Performing Sound for Film, Games, and Animation |
Vanessa Theme Ament |
|
811 |
|
A Sunday in hell: behind the lens of the greatest cycling film of all time |
Fotheringham, William |
|
812 |
|
A woman's view: how Hollywood spoke to women, 1930-1960 [1st ed] |
Basinger, Jeanine |
1 |
813 |
|
Breve enciclopedia de Juego de Tronos: Todo lo que necesitas saber sobre la serie de mayor éxito de todos los tiempos |
Martin Howden |
|
814 |
|
Complete Prose of Woody Allen [Reissue ed.] |
Woody Allen |
|
815 |
|
Corpses, Fools and Monsters |
Willow Maclay,Caden Gardner,, Willow Catelyn Maclay |
|
816 |
|
El ojo y la navaja |
García Tsao, Leonardo |
|
817 |
|
Enchanted Drawings: The History of Animation [Revised] |
Charles Solomon |
|
818 |
|
Film as a subversive art |
Amos Vogel. |
|
819 |
|
Four screenplays: studies in the American screenplay |
Field, Syd |
|
820 |
|
Hanna-Barbera Lippy the Lion and Hardy Har Har |
|
|
821 |
|
Heartbeat |
Danielle Steel |
|
822 |
|
Inside Oscar 2: 6 New Years of Academy Awards History: 1995-2000 |
Damien Bona |
|
823 |
|
Luke Skywalker Jedi Knight |
|
|
824 |
|
Marlene Dietrich y la búsqueda del amor (Mujeres que nos inspiran 3) |
C. W. Gortner |
|
825 |
|
Movie-Made Appalachia: History, Hollywood, and the Highland South |
John C Inscoe |
|
826 |
|
NeuroCienciaFicción: Cómo el cine se adelantó a la ciencia |
Rodrigo Quian Quiroga |
|
827 |
|
Peter Bogdanovich's Movie of the Week |
Bogdanovich, Peter |
|
828 |
|
Rosewater [Movie Tie-in Edition] |
Meacham, Jon,Molloy, Aimee,Maziar Bahari |
|
829 |
|
Saber narrar [1 ed.] |
Instituto Cervantes.,Cruz Ruiz, Juan,Rico, Eugenia,Rodríguez de Fonseca, Francisco Javier |
1 |
830 |
|
Screenplay. The Foundations of Screenwriting |
Syd Field |
|
831 |
|
Secrets of the Sith |
|
|
832 |
|
Selling a Screenplay: The Screenwriter's Guide to Hollywood |
Syd Field |
|
833 |
|
Seriemania;La Guia Para Elegir Tu Proxima Serie Favorita |
Pablo Manzotti |
|
834 |
|
Silent Comedy |
Paul Merton |
|
835 |
|
So you want to be a producer [1st ed] |
Turman, Lawrence |
1 |
836 |
|
Star Wars Episode I — The Phantom Menace Movie Scrapbook |
Ryder Windham |
|
837 |
|
Star Wars: Revenge of the Sith Scrapbook |
Ryder Windham |
|
838 |
|
Stars and Spies: The story of Intelligence Operations... |
Christopher Andrew, Julius Green |
|
839 |
|
The Business Of Documentary Filmmaking |
Claudia Babirat, Lloyd Spencer Davis |
|
840 |
|
The Final Cut |
Denis Markell |
|
841 |
|
The front runner [First Vintage books movie tie-in edition.] |
Matt Bai |
|
842 |
|
The Making of 2001: A Space Odyssey |
Stephanie Schwam |
|
843 |
|
The Making of the Movie |
|
|
844 |
|
The Movie Mystery |
|
|
845 |
|
The Screenwriter's Problem Solver: How to recognize, identify, and define screenwriting problems |
Syd Field |
|
846 |
|
The Storybook Based on the Movie |
|
|
847 |
|
The Total Film Maker [1st Edition] |
Jerry Lewis |
1 |
848 |
|
The TV Writer’s Workbook: A Creative Approach to Television Scripts |
Ellen Sandler |
|
849 |
|
"Bold! Daring! Shocking! True!": a history of exploitation films, 1919-1959 |
Eric Schaefer |
|
850 |
|
A New Kind of Public: Community, Solidarity, and Political Economy in New Deal Cinema, 1935-1948 |
Graham Cassano |
|
851 |
|
A Queen's Diary |
|
|
852 |
|
A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941 |
Hamid Naficy |
|
853 |
|
A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978 |
Hamid Naficy |
|
854 |
|
Affirmative Reaction: New Formations of White Masculinity |
Hamilton Carroll (editor), Donald E. Pease (editor) |
|
855 |
|
Ambient Television: Visual Culture and Public Space |
Anna McCarthy |
|
856 |
|
American Blockbuster: Movies, Technology, and Wonder |
Charles R. Acland |
|
857 |
|
Anakin in Action! |
Beecroft, Simon |
|
858 |
|
Ancient Worlds in Film and Television: Gender and Politics |
Almut-Barbara Renger |
|
859 |
|
Asia-Pacific: Culture, Politics, and Society: Kurosawa: Film Studies and Japanese Cinema |
Yoshimoto, Mitsuhiro |
|
860 |
|
Authentizitat nach Pasolini |
Cora Rok (editor) |
|
861 |
|
Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-1960 |
Nicholas Sammond |
|
862 |
|
Beware the Dark Side |
|
|
863 |
|
Bold! Daring! Shocking! True!: A History of Exploitation Films, 1919-1959 |
Eric Schaefer |
|
864 |
|
Brave: The Essential Guide |
Barbara Bazaldua |
|
865 |
|
Brill's Companion to Ancient Greek and Roman Warfare on Film (Brill's Companions to Classical Studies - Brill's Companions to Classical Studies: Warfare in the Ancient Mediterranean World, 7) |
Konstantinos P. Nikoloutsos (editor) |
|
866 |
|
Cinema and Television in Singapore: Resistance in One Dimension |
Kenneth Paul Tan |
|
867 |
|
Cinema at the end of empire : a politics of transition in Britain and India |
Priya Jaikumar |
|
868 |
|
Classical Hollywood Narrative: The Paradigm Wars |
Jane M. Gaines (editor) |
|
869 |
|
Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema |
Robert J. Corber |
|
870 |
|
Conrad’s Presence in Contemporary Culture: Adaptations and Appropriations (Dqr Studies in Literature, 65) |
Agnieszka Adamowicz-pospiech (editor), Nathalie Martinire (editor), Josiane Paccaud (editor), Veronique Pauly (editor) |
|
871 |
|
Contemporary Indonesian Film: Spirits of Reform and Ghosts From the Past |
Katinka van Heeren |
|
872 |
|
Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield |
Sander Brouwer (ed.) |
|
873 |
|
Crash: Cinema and the Politics of Speed and Stasis |
Karen Beckman |
|
874 |
|
Crowds, Power, and Transformation in Cinema |
Lesley Brill |
|
875 |
|
Culture of Class Radio and Cinema in the Making of a Divided Argentina, 1920?1946. |
Matthew B. Karush |
|
876 |
|
Cultures in Orbit: Satellites and the Televisual |
Lisa Parks |
|
877 |
|
Dark Borders: Film Noir and American Citizenship |
Jonathan Auerbach |
|
878 |
|
Der Film oder der imaginäre Mensch: Ein anthropologischer Essay |
Lorenz Engell (editor) |
|
879 |
|
Die Lust zu gehen. Weibliche Flanerie in Literatur und Film |
Georgiana Banita · Judith Ellenbürger · Jörn Glasenapp (eds.) |
|
880 |
|
Education in the School of Dreams: Travelogues and Early Nonfiction Film |
Jennifer Lynn Peterson |
|
881 |
|
Empty Moments: Cinema, Modernity, and Drift |
Leo Charney |
|
882 |
|
Energetik der Film-Rezeption: Mit Bergson und Deleuze |
Felix Schackert |
|
883 |
|
England's secret weapon: the wartime films of Sherlock Holmes [3rd edition] |
Doyle, Arthur Conan,Holmes, Sherlock,Field, Amanda J |
3 |
884 |
|
Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema |
Linda Schulte-Sasse |
|
885 |
|
Experimental ethnography: the work of film in the age of video |
Russell, Catherine |
|
886 |
|
Film im Zeitalter Neuer Medien. Digitalität und Kino [2] |
Harro Segeberg |
2 |
887 |
|
Framed : women in law and film |
Kamir, Orit |
|
888 |
|
French Minority Cinema [1 ed.] |
Cristina Johnston |
1 |
889 |
|
Gender and the Modern Sherlock Holmes: Essays on Film and Television Adaptations Since 2009 |
Nadine Farghaly |
|
890 |
|
Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema |
Arnika Fuhrmann |
|
891 |
|
Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968 |
Kevin Heffernan |
|
892 |
|
Gilles Deleuze's Time Machine |
D N Rodowick |
|
893 |
|
Halo Encyclopedia: The Definitive Guide to the Halo Universe |
Tobias S. Buckell |
|
894 |
|
Haunted media : electronic presence from telegraphy to television |
Jeffrey Sconce |
|
895 |
|
High Contrast: Race and Gender in Contemporary Hollywood Films |
Sharon Willis |
|
896 |
|
Hong Kong Connections: Transnational Imagination in Action Cinema |
Meaghan Morris, Siu Leung Li, Stephen Chan Ching-Kiu |
|
897 |
|
I Want to Be a Jedi |
|
|
898 |
|
Iconic Turns: Nation and Religion in Eastern European Cinema since 1989 |
Liliya Berezhnaya, Christian Schmitt |
|
899 |
|
Identities in motion : Asian American film and video |
Feng, Peter X |
|
900 |
|
Imag(in)ing the War in Japan: Representing and Responding to Trauma in Postwar Literature and Film |
David Stahl, Mark Williams |
|
901 |
|
Jia Zhangke on Jia Zhangke |
Michael Berry |
|
902 |
|
John Huston’s Filmmaking |
Lesley Brill |
|
903 |
|
John Huston's filmmaking |
Lesley Brill |
|
904 |
|
Justitiabilität Und Rechtmäßigkeit: Verrechtlichungsprozesse Von Literatur Und Film in Der Moderne (Amsterdamer Beiträge Zur Neueren Germanistik, 73) (German Edition) |
Claude D. Conter |
|
905 |
|
Kurosawa: Film Studies and Japanese Cinema |
Mitsuhiro Yoshimoto |
|
906 |
|
La memoria cinematográfica de la guerrilla antifranquista |
Pere Joan Tous, Cornelia Ruhe |
|
907 |
|
Latent Destinies: Cultural Paranoia and Contemporary U.S. Narrative |
Patrick O'Donnell |
|
908 |
|
Le nouveau fantastique de Jean-Pierre Andrevon (Faux Titre) (French Edition) |
&,lt par Katarzyna Gadomska, i&,gt, Université de Silésie&,lt, /i&,gt |
|
909 |
|
LEGO Life Hacks |
Julia March |
|
910 |
|
Liban. Mémoires fragmentées d’une guerre obsédante: L’anamnèse dans la production culturelle francophone (2000-2015) (Francopolyphonies, 22) |
Carla Calargé |
|
911 |
|
Looking Past the Screen: Case Studies in American Film History and Method |
Jon Lewis (editor), Eric Smoodin (editor) |
|
912 |
|
Lost Highways, Embodied Travels: The Road Movie in American Experimental Film and Video (European Perspectives on the United States, 7) |
Kornelia Boczkowska |
|
913 |
|
Marvel Spider-Man Character Encyclopedia New Edition: More than 200 Heroes and Villains from Spider-Man's World |
Melanie Scott |
|
914 |
|
Masculine singular: French New Wave cinema |
Sellier, Geneviève |
|
915 |
|
Masculinités maghrébines, Nouvelles perspectives sur la culture, la littérature et le cinéma (Francopolyphonies, 21) (French Edition) |
Michael Gebhard, Editor (editor) |
|
916 |
|
Memory Bytes: History, Technology, and Digital Culture |
Lauren Rabinovitz, Abraham Geil, (eds.) |
|
917 |
|
Mensch – Tier – Monster: Fiktionen des politischen Wandels vom Mittelalter bis zum Posthumanismus [1. ed.] |
Jing Xuan |
1 |
918 |
|
Monsters in the Movies |
John Landis |
|
919 |
|
Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 |
Xiaoning Lu |
|
920 |
|
Movie Bliss: A Hopeless Romantic Seeks Movies to Love |
Heidi Rice |
|
921 |
|
Music, Narrative and the Moving Image : Varieties of Plurimedial Interrelations [1 ed.] |
Walter Bernhart, David Francis Urrows |
1 |
922 |
|
Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry |
Michael M. J. Fischer |
|
923 |
|
New Queer Cinema: The Director's Cut |
B. Ruby Rich |
|
924 |
|
Out Takes: Essays on Queer Theory and Film |
Ellis Hanson |
|
925 |
|
Parallel tracks: the railroad and silent cinema |
Lynne Kirby |
|
926 |
|
Parasite: A Philosophical Exploration |
Thorsten Botz-Bornstein (editor), Giannis Stamatellos (editor) |
|
927 |
|
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 |
Eric Smoodin |
|
928 |
|
Paul Bowles - the New Generation: Do You Bowles? : Essays and Criticism [1 ed.] |
Anabela Duarte |
1 |
929 |
|
Performance in America: Contemporary U.S. Culture and the Performing Arts |
David Román |
|
930 |
|
Pirates... And Worse! |
|
|
931 |
|
Pluralism |
William E. Connolly |
|
932 |
|
Pocket Guide to Collecting Movies on DVD: Building an Essential Movie Collection-With Information on the Best DVD Extras, Supplements and Special Features-And the Best DVDs for Kids |
Steven H. Scheuer, Alida Brill-Scheuer |
|
933 |
|
Podracers, Go! |
|
|
934 |
|
Racines et déracinements au grand écran (Francopolyphonies, 20) |
Marianne Bessy |
|
935 |
|
Reattachment Theory: Queer Cinema of Remarriage |
Lee Wallace |
|
936 |
|
Red, White & Black: Cinema and the Structure of U.S. Antagonisms |
Frank B. Wilderson III |
|
937 |
|
Red, White & Black: Cinema and the Structure of U.S. Antagonisms [Illustrated] |
Frank B. Wilderson |
|
938 |
|
Refiguring Global Challenges: Literary and Cinematic Explorations of War, Inequality, and Migration (Cross/Cultures, 221) |
Amanda Minervini (editor), Amelie Bjrck (editor), Omri Grinberg (editor), Amrita Ghosh (editor) |
|
939 |
|
Refiguring Spain: cinema, media, representation |
Kinder, Marsha |
|
940 |
|
Refiguring Spain: Cinema/Media/Representation |
Marsha Kinder (editor) |
|
941 |
|
Reframing Todd Haynes: Feminism’s Indelible Mark |
Theresa L. Geller, Julia Leyda |
|
942 |
|
Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930–1960 |
Eric Smoodin |
|
943 |
|
Remaking Gender and the Family : Perspectives on Contemporary Chinese-Language Film Remakes [1 ed.] |
Sarah Woodland |
1 |
944 |
|
Return to Troy: new essays on the Hollywood epic |
Winkler, Martin M. |
|
945 |
|
Sardinia on Screen : The Construction of the Sardinian Character in Italian Cinema [1 ed.] |
Maria Bonaria Urban |
1 |
946 |
|
Satan's Playground: Mobsters and Movie Stars at America's Greatest Gaming Resort |
Paul J Vanderwood (editor), Gilbert M. Joseph (editor), Emily S. Rosenberg (editor) |
|
947 |
|
Sato Haruo and Modern Japanese Literature |
Charles Exley |
|
948 |
|
Saturday Morning Censors: Television Regulation Before the V-Chip |
Heather Hendershot |
|
949 |
|
Screen Traffic: Movies, Multiplexes, and Global Culture |
Charles R. Acland |
|
950 |
|
Screening Sex |
Linda Williams |
|
951 |
|
Shanghai Filmmaking : Crossing Borders, Connecting to the Globe, 1922-1938 [1 ed.] |
Huang Xuelei |
1 |
952 |
|
Sherlock Holmes |
Utechin, Nicholas |
|
953 |
|
Sherlock Holmes FAQ: all that's left to know about the world's greatest private detective |
Doyle, Arthur Conan,Holmes, Sherlock,Thompson, Dave |
|
954 |
|
Sherlock Holmes for the 21st century: essays on new adaptations |
Doyle, Arthur Conan,Holmes, Sherlock,Porter, Lynnette R |
|
955 |
|
Soundtrack Available: Essays on Film and Popular Music |
Pamela Robertson Wojcik, Arthur Knight, Rick Altman, Priscilla Barlow |
|
956 |
|
Star Wars |
|
|
957 |
|
Star Wars Episode I |
|
|
958 |
|
Star Wars The Rise and Fall of the Galactic Empire |
Kempshall, Chris |
|
959 |
|
Star Wars: Jedi Battles |
Dorling Kindersley |
|
960 |
|
Star Wars: The Ultimate Visual Guide [Updated, Expanded ed.] |
Ryder Windham |
|
961 |
|
The Cinematic Life of the Gene |
Jackie Stacey |
|
962 |
|
The Crisis of Identity in Contemporary Japanese Film: Personal, Cultural, National (Brill's Japanese Studies Library) |
Timothy Iles |
|
963 |
|
The Fruit Machine: Twenty Years of Writings on Queer Cinema |
Thomas Waugh |
|
964 |
|
The Ironic Filmmaking of Stephen Frears |
Lesley Brill |
|
965 |
|
The passion of Ingmar Bergman |
Frank Gado |
|
966 |
|
The Philosophy of Sherlock Holmes |
Philip Tallon, David Baggett |
|
967 |
|
The poetic power of theory |
Richard Langston (editor) |
|
968 |
|
The Seeing Century: Film, Vision, and Identity |
Wendy Everett |
|
969 |
|
The Story of Darth Vader |
|
|
970 |
|
The Third Eye: Race, Cinema, and Ethnographic Spectacle |
Fatimah Tobing Rony |
|
971 |
|
The Voices of Suspense and Their Translation in Thrillers [1 ed.] |
Susanne M. Cadera, Anita Pavić Pintarić, Anita Pavić Pintarić |
1 |
972 |
|
Transformational Ethics of Film Thinking the Cinemakeover in the Film-Philosophy Debate (Value Inquiry / Philosophy of Film, 365) |
&,lt, b&,gt, Martin P. Rossouw&,lt, /b&,gt, , University of the Free State, South Africa |
|
973 |
|
Translating Time: Cinema, the Fantastic, and Temporal Critique |
Bliss Cua Lim |
|
974 |
|
Untimely Bollywood: Globalization and India’s New Media Assemblage |
Amit S. Rai |
|
975 |
|
Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity |
Allyson Nadia Field |
|
976 |
|
Useful Cinema |
Charles R. Acland, Haidee Wasson |
|
977 |
|
Vanishing Women : Magic, Film, and Feminism |
Karen Redrobe Beckman |
|
978 |
|
Virtual Hallyu: Korean Cinema of the Global Era |
Kyung Hyun Kim |
|
979 |
|
Virtual Memory: Time-Based Art and the Dream of Digitality |
Homay King |
|
980 |
|
Virtual voyages: cinema and travel |
Ruoff, Jeffrey |
|
981 |
|
Visitation: The Conjure Work of Black Feminist Avant-Garde Cinema |
Jennifer DeClue |
|
982 |
|
Walking with Beasts: A Prehistoric Safari |
Tim Haines |
|
983 |
|
Walking with Dinosaurs: A Natural History |
Tim Haines |
|
984 |
|
What Is a Wookiee |
|
|
985 |
|
Who Is Sherlock?: Essays on Identity in Modern Holmes Adaptations |
Lynnette Porter |
|
986 |
|
Women's Experimental Cinema: Critical Frameworks |
Robin Blaetz |
|
987 |
|
Yoda in Action! |
|
|
988 |
|
Ziegfeld Girl: Image and Icon in Culture and Cinema |
Linda Mizejewski |
|
989 |
|
A Stranger Like You |
Elizabeth Brundage |
|
990 |
|
Bollybook : the big book of Hindi movie trivia [2014 ed.] |
Chaudhuri, Diptakirti |
2014 |
991 |
|
Doctor Who: The Companions Companion |
Oswald, Clara,Donaghy, Craig |
|
992 |
|
Essentials of Screenwriting |
Richard Walter |
|
993 |
|
Event |
Žižek, Slavoj |
|
994 |
|
Film writing and selected journalism |
James Agee |
|
995 |
|
Five came back: a story of Hollywood and the Second World War |
Harris, Mark |
|
996 |
|
Fourteen Years with Boss |
Ashokamitran |
|
997 |
|
From Raj to Swaraj: The Non-fiction Film in India |
Bhagwan Das Garga |
|
998 |
|
Into the woods : how stories work and why we tell them |
Yorke, John |
|
999 |
|
Leonard Maltin's Classic Movie Guide: From the Silent Era Through 1965: Third Edition |
|
|
1000 |
|
Lew Hunter's Screenwriting 434 |
Lew Hunter |
|
1001 |
|
Luke Skywalker can't read : and other geeky truths |
Britt, Ryan |
|
1002 |
|
My Year of Meats |
Ruth L. Ozeki |
|
1003 |
|
Pauline Kael |
Kellow, Brian |
|
1004 |
|
PENGUIN READERS LEVEL 3: \"GET SHORTY\" [Abridged Ed] |
DEREK STRANGE (EDITOR), BOB HARVEY (ILLUSTRATOR) ELMORE LEONARD |
|
1005 |
|
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood |
Mark Harris |
|
1006 |
|
Screenwriting is Storytelling: Creating an A-List Screenplay that Sells! |
Kate Wright |
|
1007 |
|
Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood and Invented Modern Horror |
Zinoman, Jason |
|
1008 |
|
Shock value: how a few eccentric outsiders gave us nightmares, conquered Hollywood, and invented modern horror |
Jason Zinoman |
|
1009 |
|
Shock value: how a few eccentric outsiders gave us nightmares, conqueredhollywood, and invented modern horror |
Zinoman, Jason |
|
1010 |
|
The cinema as art [Rev. ed.] |
Ralph Stephenson |
|