| Number |
Cover |
TextBook for Movies |
Author |
Edition |
| 0 |
 |
Monsters, demons and psychopaths psychiatry and horror film |
|
|
| 1 |
 |
At the Edges of Sleep: Moving Images and Somnolent Spectators |
Jean Ma |
|
| 2 |
 |
Film and the Dream Screen: A Sleep and a Forgetting |
Robert T. Eberwein |
|
| 3 |
 |
Translating Irony in Popular Fiction: Raymond Chandler’s The Big Sleep |
Linder Daniel. |
|
| 4 |
 |
A Critical Companion to Mel Gibson (Critical Companions to Contemporary Directors) |
Adam Barkman, Antonio Sanna |
|
| 5 |
 |
Alfred Hitchcock's Psycho and Taxidermy: Fashioning Corpses |
Subarna Mondal |
|
| 6 |
 |
Applied Screenwriting: How to Write True Scripts for Creative and Commercial Video [1 ed.] |
Carey Martin |
1 |
| 7 |
 |
Arab World Cinemas: A Reader and Guide [1 ed.] |
Marlé Hammond |
1 |
| 8 |
 |
Beyond Realism: Naturalist Film in Theory and Practice [1 ed.] |
Robert Singer |
1 |
| 9 |
 |
Cinema and Secularism |
Mark Cauchi (editor) |
|
| 10 |
 |
Cinema, Culture, Scotland: Selected Essays [1 ed.] |
Colin McArthur, Jonathan Murray (editor) |
1 |
| 11 |
 |
Cinemas of the Global South: Towards a Southern Aesthetics [1 ed.] |
Dilip M Menon, Amir Taha |
1 |
| 12 |
 |
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
| 13 |
 |
Contemporary Thai Horror Film: A Monstrous Hybrid (Traditions in World Cinema) [1 ed.] |
Mary Ainslie |
1 |
| 14 |
 |
21st-Century TV Dramas: Exploring the New Golden Age |
Damico, Amy M.,Quay, Sara E |
|
| 15 |
 |
Jessica Lange: An Adventurer's Heart |
Anthony Uzarowski |
|
| 16 |
 |
Here Lies The Heart |
Mercedes de Acosta |
|
| 17 |
 |
Scenarios II: Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass |
Werner Herzog, Krishna Winston |
|
| 18 |
 |
The Bible onscreen in the new millennium: New heart and new spirit |
Wickham Clayton (editor) |
|
| 19 |
 |
The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
Danny Draven |
|
| 20 |
 |
Dan Duryea: Heel with a Heart |
Mike Peros |
|
| 21 |
 |
Renegade at Heart: An Autobiography |
Lorenzo Lamas, Jeff Lenburg |
|
| 22 |
 |
British Film Editors: “The Heart of the Movie†|
Roy Perkins, Martin Stollery |
|
| 23 |
 |
A wonderful heart: the films of William Wyler |
Wyler, William, Wyler, William, Sinyard, Neil |
|
| 24 |
 |
Canadian Cinema Since the 1980s: At the Heart of the World |
David L. Pike |
|
| 25 |
 |
Every Night the Trees Disappear: Werner Herzog and the Making of Heart of Glass |
Alan Greenberg, Werner Herzog |
|
| 26 |
 |
Ebert's essentials. 25 movies to mend a broken heart |
Ebert, Roger |
|
| 27 |
 |
Aim for the Heart: The Films of Clint Eastwood |
Howard Hughes (editor) |
|
| 28 |
 |
Home is Where the Heart Is: Studies in Melodrama and the Woman's Film |
Christine Gledhill |
|
| 29 |
 |
Pieces of My Heart: A Life |
Wagner, Robert, J,Eyman, Scott |
|
| 30 |
 |
The Passion of David Lynch: Wild at Heart in Hollywood |
Martha P. Nochimson |
|
| 31 |
 |
The philosophy of horror or, Paradoxes of the heart |
Carroll, Noël |
|
| 32 |
 |
"Our Kind of Movie": The Films of Andy Warhol |
Douglas Crimp |
|
| 33 |
 |
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock |
Christina Lane |
|
| 34 |
 |
14 Stories That Inspired Satyajit Ray |
Bhaskar Chattopadhyay |
|
| 35 |
 |
Filming Margins: Tang Shu Shuen, A Forgotten Hong Kong Woman Director |
Ching Yau |
|
| 36 |
 |
The Political Space of Art: The Dardenne Brothers, Arundhati Roy, Ai Weiwei and Burial |
Benoît Dillet, Tara Puri |
|
| 37 |
 |
Cinema, Emergence, and the Films of Satyajit Ray |
Keya Ganguly |
|
| 38 |
 |
Deep Focus: Reflection On Indian Cinema |
Ray, Satyajit |
|
| 39 |
 |
A Call to Action: The Films of Ousmane Sembene |
Sheila Petty |
|
| 40 |
 |
Failed Masculinities: The Men in Satyajit Ray’s Films |
Devapriya Sanyal |
|
| 41 |
 |
Gendered Modernity and Indian Cinema: The Women in Satyajit Ray’s Films |
Devapriya Sanyal |
|
| 42 |
 |
Three Classic Films by Gulzar: Insights Into the Films |
Saba Mahmood Bashir |
|
| 43 |
 |
Three Classic Films by Gulzar: Insights Into the Films |
Sathya Saran |
|
| 44 |
 |
Gulzar’s Ijaazat: Insights into the Film |
Mira Hashmi |
|
| 45 |
 |
Jiya Jale: The Stories of Songs |
Gulzar (In conversation, Nasreen Munni Kabir) |
|
| 46 |
 |
My Adventures with Satyajit Ray: The Making of Shatranj Ke Khilari |
Suresh Jindal |
|
| 47 |
 |
My Years With Apu |
Satyajit Ray |
|
| 48 |
 |
Our Films, Their Films |
Satyajit Ray |
|
| 49 |
 |
Portrait of a Director: Satyajit Ray |
Marie Seton |
|
| 50 |
 |
Reflection On Cinema |
Satyajit Ray |
|
| 51 |
 |
Satyajit Ray: Interviews |
Satyajit Ray |
|
| 52 |
 |
Satyajit Ray on Cinema |
Satyajit Ray (editor), Sandip Ray (editor), Shyam Benegal (editor) |
|
| 53 |
 |
Satyajit Ray, an Intimate Master |
Santi Das (editor) |
|
| 54 |
 |
Satyajit Ray: An Anthology of Statements on Ray and by Ray (Film India Series) |
Chidananda Dasgupta |
|
| 55 |
 |
Satyajit Ray: Interviews |
Bert Cardullo |
|
| 56 |
 |
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker |
Andrew Robinson |
|
| 57 |
 |
Satyajit Ray's The Chess Players and Postcolonial Film Theory: Postcolonialism and Film Theory |
Reena Dube (auth.) |
|
| 58 |
 |
Satyajit Ray's Ravi Shankar |
Satyajit Ray, Sandip Ray (editor) |
|
| 59 |
 |
The Adventures of Amitabh Bachchan as Supremo: The Hijack |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
| 60 |
 |
The Adventures of Amitabh Bachchan as Supremo: The Impostor |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
| 61 |
 |
The Adventures of Amitabh Bachchan as Supremo: The Kidnap |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
| 62 |
 |
The Adventures of Amitabh Bachchan as Supremo: The Lost Idol |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
| 63 |
 |
The Adventures of Amitabh Bachchan as Supremo: Vilupt Nagri (HINDI) |
Gulzar, Pratap Mulick, Pammi Bakshi |
|
| 64 |
 |
The Apu Trilogy: Satyajit Ray and the Making of an Epic |
Andrew Robinson (editor) |
|
| 65 |
 |
The Cinema of Satyajit Ray |
Chidananda Dasgupta |
|
| 66 |
 |
Woh Jo Hain... |
Meghna Gulzar |
|
| 67 |
 |
Woman at the Window: The Material Universe of Rabindranath Tagore Through the Eyes of Satyajit Ray |
Shoma Chatterji |
|
| 68 |
 |
World cinema, power, politics, and hegemony |
Paul Cox, Derek Malcolm, Shyam Benegal, Ansu Sur, Anil Acharya |
|
| 69 |
 |
साहित्यिक भाषा बनाम फिल्मी भाषा और बाज़ार का दबाव (Literary Language and the Pressures of Film and the Market) |
ज्ञानचन्द्र पाल / Jnanchandra Pal |
|
| 70 |
 |
Mahānāyaka Amitābha |
Mahesh Dutt Sharma |
|
| 71 |
 |
Abhed Aakash |
Mani Kaul, Udayan Vajpayee |
|
| 72 |
 |
Cinema : Kal, Aaj, Kal |
Bhardwaj Vinod |
|
| 73 |
 |
Beautiful Light : Religious Meaning in Film |
Roy M. Anker |
|
| 74 |
 |
Khullam Khulla: Rishi Kapoor Dil Se |
Rishi Kapoor, Meena Iyer |
|
| 75 |
 |
Rajesh Khanna: Ek Tanha Sitara |
Chintamani, Gautam,Khanna, Rajesh,Mānas̲ī, Paimilā |
|
| 76 |
 |
Sach Kahun Toh/सच कहूँ तो: Meri Aatmkathaa/मेरी आत्मकथा |
Neena Gupta/नीना गुप्ता |
|
| 77 |
 |
Alternate Americas: Science Fiction Film and American Culture |
M. Keith Booker |
|
| 78 |
 |
American Film and Society Since 1945 |
Leonard Quart, Albert Auster |
|
| 79 |
 |
American Film in the Digital Age |
Robert C. Sickels |
|
| 80 |
 |
American Popular Culture in the Era of Terror: Falling Skies, Dark Knights Rising, and Collapsing Cultures |
Kavadlo, Jesse |
|
| 81 |
 |
Clint Eastwood: Evolution of a Filmmaker |
John H. Foote |
|
| 82 |
 |
Beast-People Onscreen and in Your Brain: The Evolution of Animal-Humans from Prehistoric Cave Art to Modern Movies |
Mark Pizzato Ph.D. |
|
| 83 |
 |
Becoming Film Literate: The Art and Craft of Motion Pictures |
Vincent A. LoBrutto |
|
| 84 |
 |
Charlie Kaufman: Confessions of an Original Mind |
Doreen Alexander Child |
|
| 85 |
 |
Chinese Film: The State of the Art in the People's Republic |
George S. Semsel |
|
| 86 |
 |
Cinematic Savior: Hollywood's Making of the American Christ |
Stephenson Humphries-Brooks |
|
| 87 |
 |
Classic American Films: Conversations with the Screenwriters |
William Baer |
|
| 88 |
 |
Metropolis: The American City in Popular Culture |
Robert Zecker |
|
| 89 |
 |
Conspiracy Theory in Film, Television, and Politics |
Gordon B. Arnold |
|
| 90 |
 |
Controversial Cinema: The Films That Outraged America |
Kendall R. Phillips |
|
| 91 |
 |
Cyberbullies, Cyberactivists, Cyberpredators: Film, TV, and Internet Stereotypes |
Lauren Rosewarne |
|
| 92 |
 |
David Fincher: Films That Scar |
Mark Browning |
|
| 93 |
 |
Disney, Pixar, and the Hidden Messages of Children's Films |
Walt Disney Company.,Booker, M. Keith |
|
| 94 |
 |
Dracula in the Dark: The Dracula Film Adaptations |
James C. Holte |
|
| 95 |
 |
Dreams in myth, medicine, and movies |
Packer, Sharon |
|
| 96 |
 |
From Box Office to Ballot Box: The American Political Film |
M. Keith Booker |
|
| 97 |
 |
Future Imperfect: Philip K. Dick at the Movies |
Jason P. Vest |
|
| 98 |
 |
George Clooney: An Actor Looking for a Role |
Clooney, George,Browning, Mark |
|
| 99 |
 |
Gus Van Sant: His Own Private Cinema |
Vincent LoBrutto |
|
| 100 |
 |
Jungian Reflections Within the Cinema: A Psychological Analysis of Sci-Fi and Fantasy Archetypes |
James F. Iaccino |
|
| 101 |
 |
Korean Film: History, Resistance, and Democratic Imagination |
Eungjun Min, Jinsook Joo, Han Kwak |
|
| 102 |
 |
Literature and Film as Modern Mythology |
William K. Ferrell |
|
| 103 |
 |
Making the White Man's Indian: Native Americans and Hollywood Movies |
Angela Aleiss |
|
| 104 |
 |
Martin Scorsese: A Biography |
Vincent A. LoBrutto |
|
| 105 |
 |
Monsters in the Mirror: Representations of Nazism in Post-War Popular Culture |
Sara Buttsworth, Maartje Abbenhuis |
|
| 106 |
 |
Movies and Money: Financing the American Film Industry, Volume 10 |
Janet Wasko |
|
| 107 |
 |
Movies and the Reagan Presidency: Success and Ethics |
Chris Jordan |
|
| 108 |
 |
Noir, Now and Then: Film Noir Originals and Remakes (1944-1999) |
Ronald Schwartz |
|
| 109 |
 |
Onscreen and Undercover: The Ultimate Book of Movie Espionage |
Wesley Britton |
|
| 110 |
 |
Outsider Features: American Independent Films of the 1980s |
Richard K. Ferncase |
|
| 111 |
 |
Violence in American Popular Culture: Representations of Violence in Popular Cultural Genres |
David Schmid (editor) |
2 |
| 112 |
 |
Postmodern Hollywood: What's New in Film and Why It Makes Us Feel So Strange |
M. Keith Booker |
|
| 113 |
 |
Post-Pop Cinema: The Search for Meaning in New American Film |
Jesse Fox Mayshark |
|
| 114 |
 |
Visions of Empire: Political Imagery in Contemporary American Film |
Stephen Prince |
|
| 115 |
 |
Principal Photography: Interviews with Feature Film Cinematographers |
Vincent LoBrutto |
|
| 116 |
 |
Roman Polanski: A Life in Exile |
Polanski, Roman, Ain-Krupa, Julia |
|
| 117 |
 |
Screening the Past: Film and the Representation of History |
Tony Barta |
|
| 118 |
 |
Screens Fade to Black: Contemporary African American Cinema |
David J. Leonard |
|
| 119 |
 |
Selected Takes: Film Editors on Editing |
Vincent LoBrutto |
|
| 120 |
 |
Sound-On-Film: Interviews with Creators of Film Sound |
Vincent LoBrutto |
|
| 121 |
 |
Spike Lee: Finding the Story and Forcing the Issue |
Lee, Spike,Vest, Jason P |
|
| 122 |
 |
Splendors of Latin Cinema |
R. Hernandez-Rodriguez |
|
| 123 |
 |
Stanley Kubrick: A Narrative and Stylistic Analysis |
Mario Falsetto |
|
| 124 |
 |
The Art of Nonfiction Movie Making |
Jeffrey Friedman, Rob Epstein, Sharon Wood |
|
| 125 |
 |
The Coppolas: A Family Business |
Morrison, Harriet R.,LoBrutto, Vincent,Familie Coppola |
|
| 126 |
 |
The Cowboy Way: The Western Leader in Film, 1945-1995 |
Robert J. Higgs, Ralph L. Turner |
|
| 127 |
 |
The Films of Terrence Malick |
James Morrison, Thomas Schur |
|
| 128 |
 |
The Hidden Art of Hollywood: In Defense of the Studio Era Film |
John Fawell |
|
| 129 |
 |
The history of sex in American film |
Jody W. Pennington |
|
| 130 |
 |
The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983 |
Rodney Farnsworth |
|
| 131 |
 |
The Last Modernist: The Films of Theo Angelopoulos |
Andrew Horton |
|
| 132 |
 |
The Man and His Wings: William A. Wellman and the Making of the First Best Picture |
William Wellman Jr. |
|
| 133 |
 |
The Vietnam War in Popular Culture: The Influence of America's Most Controversial War on Everyday Life [2 Volumes] |
Ron Milam (editor) |
|
| 134 |
 |
The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power |
Jason P. Vest |
|
| 135 |
 |
This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah |
Peckinpah, Sam,Murray, Gabrielle |
|
| 136 |
 |
Wes Anderson: Why His Movies Matter |
Mark Browning |
|
| 137 |
 |
Women's Film and Female Experience, 1940-1950 |
Walsh, Andrea S |
|
| 138 |
 |
Recontextualizing Indian Shakespeare Cinema in the West: Familiar Strangers |
Varsha Panjwani (editor), Koel Chatterjee (editor) |
|
| 139 |
 |
Gender, Sexuality, and Indian Cinema: Queer Visuals |
Srija Sanyal (editor) |
|
| 140 |
 |
Sound in Indian Film and Audiovisual Media: History, Practices and Production |
Budhaditya Chattopadhyay |
|
| 141 |
 |
Indian Indies: A Guide to New Independent Indian Cinema |
Ashvin Immanuel Devasundaram, Shabana Azmi |
|
| 142 |
 |
A Companion to Indian Cinema |
Neepa Majumdar, Ranjani Mazumdar |
|
| 143 |
 |
Appreciating Melodrama: Theory and Practice in Indian Cinema and Television |
Piyush Roy |
|
| 144 |
 |
75 Years of Indian Cinema |
Firoze Rangoonwalla |
|
| 145 |
 |
A Taste for Indian films Negotiating cultural boundaries in post-Stalinist Soviet society |
Sudha Rajagopalan |
|
| 146 |
 |
Historical realism : modes of modernity in Indian cinema, 1940-60 |
Moinak Biswas |
|
| 147 |
 |
Indian Cinema: Contemporary Perceptions from the Thirties |
Samik Bandyopadhyay, Dhruba Gupta, Biren Das Sharma |
|
| 148 |
 |
Indian Documentary Film and Filmmakers: Independence in Practice |
Shweta Kishore |
|
| 149 |
 |
Bollywood Does Battle: The War Movie and the Indian Popular Imagination |
Samir Chopra |
|
| 150 |
 |
Indian Cinema and the Bahujan Spectatorship - Jyoti Nisha - Economic and Political Weekly |
Jyoti Nisha |
|
| 151 |
 |
Explorations in Cinema through Classical Indian Theories: New Interpretations of Meaning, Aesthetics, and Art |
Gopalan Mullik |
|
| 152 |
 |
Indian Film Stars: New Critical Perspectives |
Michael Lawrence |
|
| 153 |
 |
Handbook of Research on Social and Cultural Dynamics in Indian Cinema |
Santosh Kumar Biswal, Krishna Sankar Kusuma, Sulagna Mohanty |
|
| 154 |
 |
Philosophical Issues in Indian Cinema: Approximate Terms and Concepts |
MK Raghavendra |
|
| 155 |
 |
Leave Disco Dancer Alone: Indian Cinema and Soviet Movie-going after Stalin |
Sudha Rajagopalan |
|
| 156 |
 |
100 Essential Indian Films |
Rohit K. Dasgupta, Sangeeta Datta |
|
| 157 |
 |
Indian Genre Fiction: Pasts and Future Histories |
Bodhisattva Chattopadhyay, Aakriti Mandhwani and Anwesha Maity |
|
| 158 |
 |
The Indian Partition in Literature and Films: History, Politics, and Aesthetics |
Rini Bhattacharya Mehta (editor), Debali Mookerjea-Leonard (editor) |
|
| 159 |
 |
American Indian Image Makers of Hollywood |
Frank Javier Garcia Berumen |
|
| 160 |
 |
Shakespeare and Indian Cinemas: "local Habitations" |
Poonam Trivedi, Paromita Chakravarti |
|
| 161 |
 |
Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution |
Ashvin Immanuel Devasundaram |
|
| 162 |
 |
Indian Horror Cinema: (En)gendering the Monstrous |
Mithuraaj Dhusiya |
|
| 163 |
 |
Heritage and Ruptures in Indian Literature, Culture and Cinema |
Cornelius Crowley, Geetha Ganapathy-Doré, Michel Naumann |
|
| 164 |
 |
Same-Sex Desire in Indian Culture: Representations in Literature and Film, 1970–2015 |
Oliver Ross (auth.) |
|
| 165 |
 |
Music in Contemporary Indian Film: Memory, Voice, Identity |
Jayson Beaster-Jones (editor), Natalie Sarrazin (editor) |
|
| 166 |
 |
House Full: Indian Cinema and the Active Audience |
Lakshmi Srinivas |
|
| 167 |
 |
Studying Indian Cinema |
Omar Ahmed |
|
| 168 |
 |
Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
Neelam Sidhar Wright |
|
| 169 |
 |
Shaping Indian Diaspora: Literary Representations and Bollywood Consumption Away from the Desi |
Cristina M. Gámez-Fernández (editor), Veena Dwivedi (editor) |
|
| 170 |
 |
Piracy in the Indian Film Industry: Copyright and Cultural Consonance |
Arul George Scaria |
|
| 171 |
 |
The Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation |
M. K. Raghavendra |
|
| 172 |
 |
Routledge handbook of Indian cinemas |
Gokulsing, K. Moti,Dissanayake, Wimal |
|
| 173 |
 |
Figurations in Indian Film |
Meheli Sen, Anustup Basu (eds.) |
|
| 174 |
 |
Seeing Red: Hollywood’s Pixeled Skins: American Indians and Film |
LeAnne Howe, Harvey Markowitz, Denise K. Cummings |
|
| 175 |
 |
More Than Bollywood: Studies in Indian Popular Music |
Gregory D. Booth, Bradley Shope |
|
| 176 |
 |
New Indian Cinema in Post-Independence India: The cultural work of Shyam Benegal’s films |
Anuradha Dingwaney Needham |
|
| 177 |
 |
Fiction, Film, and Indian Popular Cinema: Salman Rushdie’s Novels and the Cinematic Imagination |
Florian Stadtler |
|
| 178 |
 |
From Aan to Lagaan and Beyond: A Guide to the Study of Indian Cinema |
K. Moti Gokulsing, Wimal Dissanayake |
|
| 179 |
 |
Visualities: Perspectives on Contemporary American Indian Film and Art |
Denise K. Cummings |
|
| 180 |
 |
The Melodramatic Public: Film Form and Spectatorship in Indian Cinema |
Ravi Vasudevan (auth.) |
|
| 181 |
 |
“Quit India” : The Image of the Indian Patriot on Commercial British Film and Television, 1956-1985 |
Dror Izhar |
|
| 182 |
 |
Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora (eds.) |
Rini Bhattacharya Mehta, Rajeshwari V. Pandharipande |
|
| 183 |
 |
Film directors on directing |
Gallagher, John Andrew |
|
| 184 |
 |
Film in Contemporary China: Critical Debates, 1979-1989 |
George S. Semsel, Xia Hong, Chen Xihe |
|
| 185 |
 |
Killing the Indian Maiden: Images of Native American Women in Film |
M. Elise Marubbio |
|
| 186 |
 |
Indian films in Soviet cinemas : the culture of movie-going after Stalin |
Sudha Rajagopalan |
|
| 187 |
 |
The 9 Emotions of Indian Cinema Hoardings |
V. Geetha, Sirish Rao, M.P. Dhakshna |
|
| 188 |
 |
Mourning the Nation: Indian Cinema in the Wake of Partition |
Bhaskar Sarkar |
|
| 189 |
 |
Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency |
Ashish Rajadhyaksha |
|
| 190 |
 |
Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination |
Patrick Colm Hogan |
|
| 191 |
 |
Indian Stereotypes in TV Science Fiction: First Nations' Voices Speak Out |
Sierra S. Adare |
|
| 192 |
 |
Indian Literature and Popular Cinema: Recasting Classics (Routledge Contemporary South Asia Series) |
Heidi Pauwels |
|
| 193 |
 |
Limiting Secularism: The Ethics of Coexistence in Indian Literature and Film |
Priya Kumar |
|
| 194 |
 |
Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema |
M.K. Raghavendra |
|
| 195 |
 |
Cinema of Prayoga: Indian Experimental Film & Video, 1913-2006 |
Brad Butler, Karen Mirza |
|
| 196 |
 |
Filming the Gods: Religion and Indian Cinema (Religion and Media) |
Rachel Dwyer |
|
| 197 |
 |
Alanis Obomsawin: The Vision of a Native Filmmaker |
Randolph Lewis |
|
| 198 |
 |
Emotion Pictures: Cinematic Journeys into the Indian Self |
Narendra Panjwani |
|
| 199 |
 |
Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema |
Vinay Lal |
|
| 200 |
 |
Bollyworld : popular Indian cinema through a transnational lens |
Raminder Kaur, Ajay J Sinha |
|
| 201 |
 |
The Kapoors: The First Family of Indian Cinema |
Madhu Jain |
|
| 202 |
 |
Dadasaheb Phalke, the Father of Indian Cinema |
Bapu Vatave |
|
| 203 |
 |
Indian Popular Cinema: A Narrative of Cultural Change |
K. Moti Gokulsing, Wimal Dissanayake |
|
| 204 |
 |
The Cinematic Imagination: Indian Popular Films as Social History |
Jyotika Virdi |
|
| 205 |
 |
Hollywood's Indian: The Portrayal of the Native American in Film |
Peter C. Rollins, John E. O'Connor |
|
| 206 |
 |
Yash Chopra: Fifty Years in Indian Cinema |
Rachel Dwyer |
|
| 207 |
 |
Feminine Fables: Imaging the Indian Woman in Painting, Photography, and Cinema |
Geeti Sen |
|
| 208 |
 |
Making Meaning in Indian Cinema |
Ravi S. Vasudevan |
|
| 209 |
 |
The essential mystery the major filmmakers of Indian art cinema |
John W. Hood |
|
| 210 |
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Encyclopaedia of Indian cinema |
Ashish Rajadhyaksha, Paul Willemen |
|
| 211 |
 |
The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema |
Ashis Nandy (editor) |
|
| 212 |
 |
Subject Cinema, Object Woman: A Study of the Portrayal of Women in Indian Cinema |
Shoma A. Chatterji |
|
| 213 |
 |
Indian Cinema Colonial [Illegible] |
Someswar Bhowmik |
|
| 214 |
 |
Rasa: The Indian Performing Arts in the Last Twenty-five Years. Theatre and cinema |
Ananda Lal, Chidananda Dasgupta |
|
| 215 |
 |
Light of Asia: Indian silent cinema, 1912-1934 |
Suresh Chabria (editor) |
|
| 216 |
 |
National Identity in Indian Popular Cinema, 1947-1987 |
Sumita S. Chakravarty |
|
| 217 |
 |
Indian Cinema, Past & Present |
Firoze Rangoonwalla |
|
| 218 |
 |
The Indian Film |
Panna Shah |
|
| 219 |
 |
Indian film |
Erik Barnouw, S Krishnaswamy |
|
| 220 |
 |
Liberty and License in the Indian Cinema |
A. Vasudev |
|
| 221 |
 |
FilmDom. Directory of Indian Film Industry |
Ed. R. A. Sheikh, Scan and Preserved. Iqbal Qaiser. |
|
| 222 |
 |
A critical study of Indian art in the motion pictures of India |
Sharma, Onkar Nath |
|
| 223 |
 |
Globalization & Representations Women In Indian Cinema |
Sangeeta D |
|
| 224 |
 |
Indian Cinema Today |
Chidananda Das Gupta |
|
| 225 |
 |
FilmDom. The All India Film Directory and Who's Who in the Indian Film Industry |
Provided by Iqbal Qaiser |
|
| 226 |
 |
50 Films That Changed Bollywood, 1995-2015 |
Gupta, Shubhra |
|
| 227 |
 |
A Fly in the Curry: Independent Documentary Film in India |
K P Jayasankar, Anjali Monteiro |
|
| 228 |
 |
A very old machine: the many origins of the cinema in India, 1840-1930 |
Mahadevan, Sudhir |
|
| 229 |
 |
An Actor’s Actor: The Authorized Biography of Sanjeev Kumar |
Hanif Zaveri, Sumant Batra |
|
| 230 |
 |
An Unsuitable Boy |
Johar, Karan,Saxena, Poonam |
|
| 231 |
 |
Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony |
Rochona Majumdar |
|
| 232 |
 |
Beyond Apu--20 Favourite Film Roles of Soumitra Chatterjee |
Amitava Nag |
|
| 233 |
 |
Beyond Bollywood: the cinemas of South India |
Prakash, Elavarthi Sathya,Raghavendra, M. K |
|
| 234 |
 |
Bollywood Horrors : Religion, Violence and Cinematic Fears in India |
Ellen Goldberg, Aditi Sen, and Brian Collins |
|
| 235 |
 |
Bollywood’s India: A Public Fantasy |
Priya Joshi |
|
| 236 |
 |
Bollywood's India: A Public Fantasy |
Priya Joshi |
|
| 237 |
 |
Bollywood's India: Hindi Cinema as a Guide to Contemporary India |
Rachel Dwyer |
|
| 238 |
 |
Brought to Life by the Voice: Playback Singing and Cultural Politics in South India |
Amanda Weidman |
|
| 239 |
 |
Bullets Over Bombay: Satya and the Hindi Film Gangster |
Uday Bhatia |
|
| 240 |
 |
Cinema, Transnationalism, and Colonial India: Entertaining the Raj |
Babli Sinha |
|
| 241 |
 |
Cinemas Dark and Slow in Digital India |
Lalitha Gopalan |
|
| 242 |
 |
Cinemas of the Global South: Towards a Southern Aesthetics |
Dilip M Menon (editor), Amir Taha (editor) |
|
| 243 |
 |
Cine-Politics: Film Stars and Political Existence in South India |
M. Madhava Prasad |
|
| 244 |
 |
Communicating India’s Soft Power: Buddha to Bollywood |
Daya Kishan Thussu (auth.) |
|
| 245 |
 |
Cracking the code : my journey to Bollywood |
Khurrana, Ayushmann, Kashyap, Tahira |
|
| 246 |
 |
Creative Industries in India |
Abdul Shaban, Filip Vermeylen, Christian Handke |
|
| 247 |
 |
Dark Fear, Eerie Cities: New Hindi Cinema in Neoliberal India |
Sarunas Paunksnis |
|
| 248 |
 |
Deewar |
Vinay Lal |
|
| 249 |
 |
Deities and Devotees: Cinema, Religion, and Politics in South India |
Uma Maheswari Bhrugubanda |
|
| 250 |
 |
Desperately Seeking Shah Rukh: India's Lonely Young Women and the Search for Intimacy and Independence |
Shrayana Bhattacharya |
|
| 251 |
 |
Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond |
Shalini Kakar |
|
| 252 |
 |
Dilip Kumar: the substance and the shadow: an autobiography |
Kumar, Dilip,Nayar, Udayatara |
|
| 253 |
 |
Directors' diaries: the road to their first film |
Bakshi, Rakesh Anand |
|
| 254 |
 |
Documentary Film in India: An Anthropological History |
Giulia Battaglia |
|
| 255 |
 |
Documentary Films in India: Critical Aesthetics at Work |
Aparna Sharma (auth.) |
|
| 256 |
 |
Film and Politics in India: Cinematic Charisma as a Gateway to Political Power |
Dhamu Pongiyannan |
|
| 257 |
 |
Filming horror: Hindi cinema, ghosts and ideologies |
Mubarki, Meraj Ahmed |
|
| 258 |
 |
Filming Reality: The Independent Documentary Movement in India |
Shoma A. Chatterji |
|
| 259 |
 |
F-rated: Being a Woman Filmmaker in India |
Nandita Dutta |
|
| 260 |
 |
Gaata rahe mera dil: 50 classic Hindi film songs |
Bhattacharjee, Anirudha,Vittal, Balaji |
|
| 261 |
 |
Gender, Cinema, Streaming Platforms: Shifting Frames in Neoliberal India |
Runa Chakraborty Paunksnis, Šarūnas Paunksnis |
|
| 262 |
 |
Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence |
Meera Kosambi |
|
| 263 |
 |
Gender, Nation and Popular Film in India: Globalizing Muscular Nationalism |
Sikata Banerjee |
|
| 264 |
 |
GQ India [December 2017] - feat. Shahid Kapoor |
GQ India |
|
| 265 |
 |
GQ India [January 2018] - feat. Prabhas |
GQ India |
|
| 266 |
 |
GQ India [June 2017] - feat. Anil Kapoor & Son |
GQ India |
|
| 267 |
 |
GQ India [May 2017] - feat. Tiger Shroff |
GQ India |
|
| 268 |
 |
GQ India [November 2017] - feat. Ranveer Singh |
GQ India |
|
| 269 |
 |
GQ India [October 2017] - feat. Amir Khan |
GQ India |
|
| 270 |
 |
Guru Dutt |
Yasser Usman |
|
| 271 |
 |
Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinema |
Swapna Gopinath (editor), Rutuja Deshmukh (editor) |
|
| 272 |
 |
I Am Onir and I Am Gay |
Onir, Irene Dhar Malik |
|
| 273 |
 |
Image-Making-India; Visual Culture, Technology, Politics |
Paolo S.H. Favero |
|
| 274 |
 |
In the Life of a Film Festival: 20 Years of MAMI |
Sucheta Chakraborty, Rupleena Bose |
|
| 275 |
 |
India on the Western Screen: Imaging a Country in Film, TV, and Digital Media |
Ananda Mitra |
|
| 276 |
 |
India Retold: Dialogues with Independent Documentary Filmmakers in India |
Rajesh James and Sathyaraj Venkatesan |
|
| 277 |
 |
India’s Film Society Movement: The Journey and its Impact |
V.K. Cherian |
|
| 278 |
 |
India’s New Independent Cinema: Rise of the Hybrid |
Ashvin Immanuel Devasundaram |
|
| 279 |
 |
India's New Independent Cinema: Rise of the Hybrid |
Ashvin Immanuel Devasundaram |
|
| 280 |
 |
Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media |
Monika Mehta (editor), Madhuja Mukherjee (editor) |
|
| 281 |
 |
Khullam khulla: Rishi Kapoor uncensored |
Iyer, Meena,Kapoor, Rishi |
|
| 282 |
 |
La India María: Mexploitation and the Films of María Elena Velasco |
Seraina Rohrer |
|
| 283 |
 |
Lessons Life Taught Me, Unknowingly: An Autobiography |
Anupam Kher |
|
| 284 |
 |
Locating World Cinema: Interpretations of film as culture |
MK Raghavendra |
|
| 285 |
 |
Mother India |
Gayatri Chatterjee |
|
| 286 |
 |
On Stage with Lata |
Deora, Mohan,Kabir, Nasreen Munni,Maṅgeśakara, Latā,Shah, Rachana |
|
| 287 |
 |
Open Book: Not Quite a Memoir |
Kubbra Sait |
|
| 288 |
 |
Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India |
Manishita Dass |
|
| 289 |
 |
Pakeezah: an ode to a bygone world |
Desai, Meghnad |
|
| 290 |
 |
Party like a star: recipes and hacks from Bollywood's favourite chef |
Vazé, Shilarna |
|
| 291 |
 |
Picture Abhi Baaki Hai: Bollywood as a Guide to Modern India |
Rachel Dwyer |
|
| 292 |
 |
Pop Empires: Transnational And Diasporic Flows Of India And Korea |
S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku |
|
| 293 |
 |
Popular Cinema and Politics in South India: The Films of Mgr and Rajinikanth |
S Rajanayagam |
|
| 294 |
 |
Premchand in world languages: translation, reception and cinematic representations |
Asaduddin, Mohammad, Premacanda |
|
| 295 |
 |
Pure Evil: The Bad Men of Bollywood |
Balaji Vittal |
|
| 296 |
 |
Raj Kapoor: the one and only showman |
Kapūra, Rāja,Nanda, Ritu |
|
| 297 |
 |
Remember, Repeat, Inhabit: A Study of Antonin Artaud, Krzysztof Kieslowski and Nikhil Chopra |
Ronojoy Sircar |
|
| 298 |
 |
Rituparno Ghosh: Cinema, gender and art |
Sangeeta Datta (editor), Kaustav Bakshi (editor), Rohit K. Dasgupta (editor) |
|
| 299 |
 |
Sach Kahun Toh: An Autobiography |
Neena Gupta |
|
| 300 |
 |
Shyam Benegal’s India: Alternative Images |
Vivek Sachdeva |
|
| 301 |
 |
Smita Patil |
Rao, Maithili |
|
| 302 |
 |
Sridevi: The Eternal Screen Goddess |
Satyarth Nayak |
|
| 303 |
 |
Suchitra Sen: The Legend and the Enigma |
Shoma Chatterji |
|
| 304 |
 |
The 1970s and its Legacies in India's Cinemas |
Priya Joshi, Rajinder Dudrah |
|
| 305 |
 |
The Cinema of Bimal Roy: An 'Outsider' Within |
Shoma A. Chatterji |
|
| 306 |
 |
The Image Trap: M.G. Ramachandran in Film and Politics |
M.S.S. Pandian |
|
| 307 |
 |
The Longest Kiss: The Life and Times of Devika Rani |
Kishwar Desai |
|
| 308 |
 |
The Mahatma on Celluloid: A Cinematic Biography |
Prakash Magdum |
|
| 309 |
 |
The Making of The Wandering Earth: A Film Production Handbook |
Jiaren Wang, Regina Kanyu Wang |
|
| 310 |
 |
The Non-conformist: memories of my father Balraj Sahni |
Sahni, Balraj,Sahni, Parikshit |
|
| 311 |
 |
The Rays before Satyajit: Creativity and Modernity in Colonial India |
Chandak Sengoopta |
|
| 312 |
 |
The Routledge Companion to Caste and Cinema in India |
Joshil K. Abraham, Judith Misrahi-Barak |
|
| 313 |
 |
The Routledge Companion to Caste and Film in India |
Joshil K. Abraham, Judith Misrahi-Barak |
|
| 314 |
 |
The State and New Cinema in Contemporary India: 1960-1997 |
Sudha Tiwari |
|
| 315 |
 |
To the moon: how I blogged my way to bollywood |
Agarwal, Malini |
|
| 316 |
 |
Unfinished: A Memoir |
Priyanka Chopra Jonas |
|
| 317 |
 |
Voices of the Talking Stars : Women of Indian Cinema and Beyond |
Madhuja Mukherjee |
|
| 318 |
 |
Ways of Remembering: Law, Cinema and Collective Memory in the New India |
Oishik Sircar |
|
| 319 |
 |
Where Histories Reside: India as Filmed Space |
Priya Jaikumar |
|
| 320 |
 |
Words, Sounds, Images. A History of Media and Entertainment in India |
Amit Khanna |
|
| 321 |
 |
World Cinema: a Film Quiz |
Bhupinder Singh |
|
| 322 |
 |
Young Muslim Women in India: Bollywood, Identity and Changing Youth Culture |
Kabita Chakraborty |
|
| 323 |
 |
The British Football Film |
Stephen Glynn |
|
| 324 |
 |
Soccer in Spain: Politics, Literature, and Film |
Timothy J. Ashton |
|
| 325 |
 |
Studying Contemporary American Film: A Guide to Movie Analysis |
Thomas Elsaesser, Warren Buckland |
|
| 326 |
 |
Cinematic Representations of Alzheimer’s Disease [1st ed.] |
Raquel Medina |
1 |
| 327 |
 |
The Hollywood Stars |
Beverage, Richard |
|
| 328 |
 |
Black Coffee Lightning David Lynch Returns to Twin Peaks |
Greg Olson, |
|
| 329 |
 |
Reel Bay: A Cinematic Essay |
Jana Larson |
|
| 330 |
 |
The Big Book of Vintage Movie Posters: Volume Two: A Kindle Coffee Table Book |
DeLong, Douglas |
|
| 331 |
 |
The Big Book of Vintage Movie Posters: Volume One: A Kindle Coffee Table Book |
Douglas DeLong |
|
| 332 |
 |
Girl reel : a lesbian remembers growing up at the movies [First printing/first edition.] |
Bonnie J. Morris, , Kelly N. Kofron |
|
| 333 |
 |
French Westerns: On the Frontier of Film Genre and French Cinema |
Timothy Scheie |
|
| 334 |
 |
Vampires in Silent Cinema |
Gary D. Rhodes |
|
| 335 |
 |
The Metamodern Slasher Film (21st Century Horror) [1 ed.] |
Steve Jones |
1 |
| 336 |
 |
Mapping Taiwanese Cinema, 2008-20: Environments, Poetics, Practice [1 ed.] |
Christopher Brown |
1 |
| 337 |
 |
ReFocus: The Films of Lawrence Kasdan [1 ed.] |
Brett Davies |
1 |
| 338 |
 |
Demons of the Mind: Psychiatry and Cinema in the Long 1960s [91 ed.] |
Tim Snelson, William Macauley, David Allen Kirby |
91 |
| 339 |
 |
Channel 4 and the British Film Industry, 1982-1998 [1 ed.] |
Laura Mayne |
1 |
| 340 |
 |
Filming Death: End-of-Life Documentary Cinema [1 ed.] |
Outi Hakola |
1 |
| 341 |
 |
Theatricality and the Arts: Film, Theatre, Art |
Andrew Quick, Richard Rushton |
|
| 342 |
 |
AI in the Movies |
Paula Murphy |
|
| 343 |
 |
Armchair Cinema: A History of Feature Films on British Television, 1929-1981 [1 ed.] |
Sheldon Hall |
1 |
| 344 |
 |
Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship [1 ed.] |
Daniel Chávez Heras |
1 |
| 345 |
 |
Subjectivity and Decolonisation in the Post-Independence Novel and Film [1 ed.] |
Sarah Jilani |
1 |
| 346 |
 |
Kafkaesque Cinema [1 ed.] |
Angelos Koutsourakis |
1 |
| 347 |
 |
The Female Avenger, Women’s Anger and Rape-Revenge Film and Television [1 ed.] |
Margrethe Bruun Vaage |
1 |
| 348 |
 |
Resistance in Indian Documentary Film: Aesthetics, Culture and Practice |
Shweta Kishore,Kunal Ray, |
|
| 349 |
 |
Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema |
Shellie McMurdo |
|
| 350 |
 |
Tracking Loach: Politics ǀ Practices ǀ Production |
David Archibald |
|
| 351 |
 |
Metaphysics and the Moving Image: Paradise Exposed [1 ed.] |
Trevor Mowchun |
1 |
| 352 |
 |
Australian International Pictures (1946–75) [1 ed.] |
Adrian Danks, Constantine Verevis |
1 |
| 353 |
 |
Late-colonial French Cinema: Filming the Algerian War of Independence [1 ed.] |
Mani Sharpe |
1 |
| 354 |
 |
Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags [1 ed.] |
Josephine Botting |
1 |
| 355 |
 |
Italian Gothic: An Edinburgh Companion |
Marco Malvestio, Stefano Serafini, Francesca Billiani, Fabio Camilletti, Morena Corradi, Roberto Curti, Simona Di Martino, Fabrizio Foni, Giulio Giusti, Marco Malvestio, Catherine Ramsey-Portolano, Stefano Serafini, Eduardo Vitolo |
|
| 356 |
 |
Taiwan New Cinema at Film Festivals |
Beth Tsai |
|
| 357 |
 |
The Eye of the Cinematograph: Lévinas and Realisms of the Body |
Keyvan Manafi |
|
| 358 |
 |
Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction |
Chiara Quaranta |
|
| 359 |
 |
Provocation in Women’s Filmmaking: Authorship and Art Cinema |
Janice Loreck |
|
| 360 |
 |
Silicon Valley Cinema [1 ed.] |
Joe Street |
1 |
| 361 |
 |
Performative Opacity in the Work of Isabelle Huppert |
Iggy Cortez (editor), Ian Fleishman (editor) |
|
| 362 |
 |
Contemporary Screen Ethics: Absences, Identities, Belonging, Looking Anew |
Lucy Bolton (editor), David Martin-Jones (editor), Robert Sinnerbrink (editor) |
|
| 363 |
 |
ReFocus: The Films of Jane Campion |
Alexia Bowler (editor), Adele Jones (editor) |
|
| 364 |
 |
Stars, Fan Magazines and Audiences: Desire by Design |
Tamar Jeffers McDonald (editor), Lies Lanckman (editor), Sarah Polley (editor) |
|
| 365 |
 |
The Figure of the Terrorist in Literature and Visual Culture [1 ed.] |
Maria Flood (editor), Michael C. Frank (editor) |
1 |
| 366 |
 |
East Asian Film Remakes |
David Scott Diffrient (editor), Kenneth Chan (editor) |
|
| 367 |
 |
Film Adaptations of Russian Classics: Dialogism and Authorship [1 ed.] |
Alexandra Smith (editor), Olga Sobolev (editor) |
1 |
| 368 |
 |
ReFocus: The Films of William Wyler |
John Price (editor) |
|
| 369 |
 |
The Films of Shyam Benegal |
Sneha Kar Chaudhuri (editor), Ramit Samaddar (editor) |
|
| 370 |
 |
Abject Pleasures in the Cinematic: The Beautiful, Sexual Arousal, and Laughter [1 ed.] |
Aaron Kerner |
1 |
| 371 |
 |
ReFocus: The Literary Films of Richard Brooks |
R. Barton Palmer (editor), Homer B. Pettey (editor) |
|
| 372 |
 |
ReFocus: The Films of Roberta Findlay |
Peter Alilunas (editor), Whitney Strub (editor) |
|
| 373 |
 |
ReFocus: The Films of Kim Ki-young |
Chung-kang Kim (editor) |
|
| 374 |
 |
The Films of Wes Craven |
Calum Waddell (editor) |
|
| 375 |
 |
Film Regulation in a Cultural Context |
Daniel Sacco |
|
| 376 |
 |
Danish and German Silent Cinema: Towards a Common Film Culture |
Lars-Martin Sørensen (editor), Casper Tybjerg (editor) |
|
| 377 |
 |
Liminal Noir in Classical World Cinema |
Elyce Helford, Christopher Weedman (editors) |
|
| 378 |
 |
ReFocus: The Films of Steve McQueen |
Thomas Austin (editor) |
|
| 379 |
 |
Film Style in Indonesian Cinema, 1998-2018: Lighting, Production Design and Camera Movement |
Ari Purnama |
|
| 380 |
 |
The Films of Alejandro Jodorowsky |
Michael Witte (editor) |
|
| 381 |
 |
The Intensive-Image in Deleuze's Film-Philosophy |
Cristóbal Escobar |
1 |
| 382 |
 |
Ricardo Darín and the Construction of Latin American Film Stardom |
Clara Garavelli |
|
| 383 |
 |
Film and Fashion in Japan, 1923-39: Consuming the 'West' |
Lois Barnett |
|
| 384 |
 |
ReFocus: The Films of Yim Soon-rye |
Molly Kim (editor) |
|
| 385 |
 |
Transgressive Art Films: Extremity, Ethics, and Controversial Images of Sex and Violence |
Oliver Kenny |
|
| 386 |
 |
ReFocus: The Films of Nuri Bilge Ceylan |
Gönül Dönmez-Colin (editor) |
|
| 387 |
 |
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film |
Daniela Berghahn |
|
| 388 |
 |
Velvet Curtains and Gilded Frames: The Art of Early European Cinema |
Vito Adriaensens |
|
| 389 |
 |
Holocaust Representations in Animated Documentaries: The Contours of Commemoration |
Liat Steir-Livny |
|
| 390 |
 |
Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986 |
Kristof Van den Troost |
|
| 391 |
 |
Hammer Goes to Hell: The House of Horror’s Unmade Films [1 ed.] |
Kieran Foster |
1 |
| 392 |
 |
The Extreme Cinema of Eastern Europe: Rape, Art, (S)Exploitation [1 ed.] |
Anna Batori |
1 |
| 393 |
 |
Filming Modernity and Islam in Colonial Egypt |
Heba Arafa Abdelfattah |
|
| 394 |
 |
ReFocus: The Films of Susan Seidelman |
Susan Kerns (editor) |
|
| 395 |
 |
ReFocus: The Films of Claire Denis |
Peter Sloane (editor) |
|
| 396 |
 |
Networked David Lynch: Critical Perspectives on Cinematic Transmediality |
Marcel Hartwig (editor), Andreas Rauscher (editor), Peter Niedermuller (editor) |
|
| 397 |
 |
Cinecepts, Deleuze, and Godard-Miéville: Developing Philosophy through Audiovisual Media [1 ed.] |
Jakob A Nilsson |
1 |
| 398 |
 |
Diseased Cinema: Plagues, Pandemics and Zombies in American Movies [1 ed.] |
Robert Alpert, Merle Eisenberg, Lee Mordechai |
1 |
| 399 |
 |
Women in East Asian Cinema: Gender Representations, Creative Labour and Global Histories [1 ed.] |
Felicia Chan (editor), Fraser Elliott (editor), Andrew Willis (editor) |
1 |
| 400 |
 |
The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea [1 ed.] |
Andrew David Jackson |
1 |
| 401 |
 |
Race, Nation and Cultural Power in Film Adaptation [1 ed.] |
Gillian Roberts |
1 |
| 402 |
 |
Superhero Blockbusters: Seriality and Politics |
Felix Brinker |
|
| 403 |
 |
Faces on Screen: New Approaches |
Alice Maurice |
|
| 404 |
 |
Looking Beyond Neoliberalism: French and Francophone Belgian Cinema and the Crisis |
Martin O'Shaughnessy |
|
| 405 |
 |
The Films of Zoya Akhtar |
Aakshi Magazine (editor), Amber Shields (editor) |
|
| 406 |
 |
Freak Scenes: American Indie Cinema and Indie Music Cultures [1 ed.] |
Jamie Sexton |
1 |
| 407 |
 |
Meta in Film and Television Series [1 ed.] |
David Roche |
1 |
| 408 |
 |
Contemporary Disney Animation: Genre, Gender and Hollywood |
Eve Benhamou |
|
| 409 |
 |
Norwegian Nightmares: The Horror Cinema of a Nordic Country [1 ed.] |
Christer Bakke Andresen |
1 |
| 410 |
 |
Greek Film Noir [1 ed.] |
Anna Poupou (editor), Nikitas Fessas (editor), Maria Chalkou (editor) |
1 |
| 411 |
 |
Deconstruction, Feminism, Film |
Sarah Dillon |
|
| 412 |
 |
Rewind, Replay: Britain and the Video Boom, 1978-92 |
Johnny Walker |
|
| 413 |
 |
The Films of Antoinetta Angelidi |
Penny Bouska (editor), Sotiris Petridis (editor) |
|
| 414 |
 |
Transnational Crime Cinema |
Sarah Delahousse, Aleksander Sedzielarz (eds.) |
|
| 415 |
 |
Screen Acting: A Cognitive Approach |
Dan Leberg |
|
| 416 |
 |
The Auditory Setting: Environmental Sounds in Film and Media Arts |
Budhaditya Chattopadhyay |
|
| 417 |
 |
Reanimated: The Contemporary American Horror Remake |
Laura Mee |
|
| 418 |
 |
Film Stardom in South East Asia |
Jonathan Driskell (editor) |
|
| 419 |
 |
Female Authorship and the Documentary Image: Theory, Practice and Aesthetics |
Boel Ulfsdotter, Anna Backman Rogers |
|
| 420 |
 |
Refocus: The Later Films and Legacy of Robert Altman |
Lisa Dombrowski (editor), Justin Wyatt (editor) |
|
| 421 |
 |
Towards an Intermedial History of Brazilian Cinema |
Lúcia Nagib (editor) |
|
| 422 |
 |
Columbo: Paying Attention 24/7 |
David Martin-Jones |
|
| 423 |
 |
Diana Dors: Film Star and Actor |
Martin Shingler |
|
| 424 |
 |
Drawn from Life: Issues and Themes in Animated Documentary Cinema |
Jonathan Murray, Nea Ehrlich |
|
| 425 |
 |
Pontius Pilate on Screen: Sinner, Soldier, Superstar (Screening Antiquity) [1 ed.] |
Christopher M. McDonough |
1 |
| 426 |
 |
ReFocus: The Films of Richard Linklater |
Kim Wilkins (editor) |
|
| 427 |
 |
Hollywood Remakes of Iconic British Films: Class, Gender and Stardom |
Agnieszka Rasmus |
|
| 428 |
 |
Finnish Film Studios |
Kimmo Laine |
|
| 429 |
 |
American Science Fiction and the Cold War: Literature and Film |
David Seed |
|
| 430 |
 |
ReFocus: The Films of Wallace Fox |
Gary D. Rhodes (editor) |
|
| 431 |
 |
Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study |
Jennifer Coates |
|
| 432 |
 |
Migrants' Perspectives, Migrants in Perspective: World Cinema |
Nicole Beth Wallenbrock, Frank Jacob |
|
| 433 |
 |
Framing Empire: Postcolonial Adaptations of Victorian Literature in Hollywood |
Jerod Ra’Del Hollyfield |
|
| 434 |
 |
New Romanian Cinema |
Dana Duma, Christina Stojanova |
|
| 435 |
 |
Period Drama |
Faye Woods |
|
| 436 |
 |
The Documentary Film Movement: An Anthology |
Ian Aitken |
|
| 437 |
 |
World Cinema and the Essay Film: Transnational Perspectives on a Global Practice |
Brenda Hollweg, Igor Krstić |
|
| 438 |
 |
New Korean Cinema [1 ed.] |
Chi-Yun Shin, Julian Stringer |
1 |
| 439 |
 |
Feminism and Film |
Maggie Humm |
|
| 440 |
 |
Sino-Enchantment: The Fantastic in Contemporary Chinese Cinemas |
Kenneth Chan, Andrew Stuckey |
|
| 441 |
 |
ReFocus: The Films of Albert Brooks |
Christian B. Long |
|
| 442 |
 |
ReFocus: The Films of Jocelyne Saab: Films, Artworks and Cultural Events for the Arab World |
Mathilde Rouxel, Stefanie Van de Peer |
|
| 443 |
 |
Women in the Western |
Sue Matheson |
|
| 444 |
 |
ReFocus: The Films of William Castle |
Murray Leeder |
|
| 445 |
 |
ReFocus: The Films of Joao Pedro Rodrigues and Joao Rui Guerra da Mata |
José Duarte (editor) |
|
| 446 |
 |
Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood |
Kendra Marston |
|
| 447 |
 |
Main Melody Films: Hong Kong Directors in Mainland China |
Stephen Yiu-Wai Chu |
|
| 448 |
 |
Cinematic Realism: Lukács, Kracauer and Theories of the Filmic Real |
Ian Aitken |
|
| 449 |
 |
Geraldine Chaplin: The Gift of Film Performance |
Steven Rybin |
|
| 450 |
 |
The First World War and Popular Cinema: 1914 to the Present |
Michael Paris |
|
| 451 |
 |
European Film Theory and Cinema: A Critical Introduction |
Ian Aitken |
|
| 452 |
 |
Designs on the Past: How Hollywood Created the Ancient World |
Lloyd Llewellyn-Jones |
|
| 453 |
 |
Cinema of crisis : film and contemporary Europe |
Thomas Austin, Angelos Koutsourakis |
|
| 454 |
 |
Produced by Irving Thalberg: Theory of Studio-Era Filmmaking |
Ana Salzberg |
|
| 455 |
 |
No Power Without an Image: Icons Between Photography and Film |
Libby Saxton |
|
| 456 |
 |
Time, Existential Presence and the Cinematic Image: Ethics and Emergence to Being in Film |
Sam B. Girgus |
|
| 457 |
 |
ReFocus: The Films of Doris Wishman |
Alicia Kozma, Finley Freibert |
|
| 458 |
 |
Transformation and Tradition in 1960s British Cinema |
Richard Farmer, Laura Mayne, Duncan Petrie, Melanie Williams |
|
| 459 |
 |
Rethinking Brechtian Film Theory and Cinema |
Angelos Koutsourakis |
|
| 460 |
 |
Intercultural Screen Adaptation: British and Global Case Studies |
Michael Stewart, Robert Munro |
|
| 461 |
 |
Cinema-monde: Decentred Perspectives on Global Filmmaking in French |
Michael Gott, Thibaut Schilt |
|
| 462 |
 |
The Art and Politics of Film |
John Orr |
|
| 463 |
 |
Post-Horror: Art, Genre and Cultural Elevation |
David Church |
|
| 464 |
 |
The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions [1 ed.] |
Elisa Mandelli |
1 |
| 465 |
 |
Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas |
Anna Estera Mrozewicz |
|
| 466 |
 |
Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter |
Laura Sava |
|
| 467 |
 |
Engaging Dialogue: Cinematic Verbalism in American Independent Cinema |
Jennifer O'Meara |
|
| 468 |
 |
Céline Sciamma: Portraits |
Emma Wilson |
|
| 469 |
 |
Film and Domestic Space: Architectures, Representations, Dispositif |
Stefano Baschiera, Miriam De Rosa |
|
| 470 |
 |
Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia |
Shohini Chaudhuri |
|
| 471 |
 |
Researching Historical Screen Audiences |
Kate Egan (editor) |
1 |
| 472 |
 |
Stanley Cavell and the Magic of Hollywood Films |
Daniel Shaw |
|
| 473 |
 |
Persistent Images: Encountering Film History in Contemporary Cinema |
Andrew Utterson |
|
| 474 |
 |
The Cinema of Disorientation : Inviting Confusions |
Dominic Lash |
|
| 475 |
 |
Cracking Gilles Deleuze’s Crystal: Narrative Space-time in the Films of Jean Renoir |
Barry Nevin |
|
| 476 |
 |
Animation and America |
Paul Wells |
|
| 477 |
 |
ReFocus: The Films of Paul Schrader |
Michelle E. Moore, Brian Brems |
|
| 478 |
 |
Phases of the Moon: A Cultural History of the Werewolf Film |
Craig Ian Mann |
|
| 479 |
 |
ReFocus: The Films of Spike Jonze |
Kim Wilkins, Wyatt Moss-Wellington |
|
| 480 |
 |
ReFocus: The Films of Lucrecia Martel |
Natalia Christofoletti Barrenha (editor) |
|
| 481 |
 |
Gothic Film: An Edinburgh Companion |
Richard J. Hand, Jay McRoy |
|
| 482 |
 |
The Pragmatics of Fiction: Literature, Stage and Screen Discourse |
Miriam A. Locher, Andreas H. Jucker |
|
| 483 |
 |
Ana Kokkinos: An Oeuvre of Outsiders |
Kelly McWilliam |
|
| 484 |
 |
Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura |
Lindsay Coleman, David Desser |
|
| 485 |
 |
ReFocus: The Films of Elaine May |
Alexandra Heller-Nicholas, Dean Brandum |
|
| 486 |
 |
Extraterritoriality: Locating Hong Kong Cinema and Media |
Victor Fan |
|
| 487 |
 |
James Joyce and Cinematicity: Before and After Film |
Keith Williams |
|
| 488 |
 |
Censorship in Theatre and Cinema |
Anthony Aldgate, James C. Robertson |
|
| 489 |
 |
Gillian Armstrong: Popular, Sensual & Ethical Cinema |
Julia Erhart |
|
| 490 |
 |
British Women Amateur Filmmakers: National Memories and Global Identities |
Annamaria Motrescu-Mayes, Heather Norris Nicholson |
|
| 491 |
 |
British Cinema and a Divided Nation |
John White |
|
| 492 |
 |
Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s |
Peter William Evans, Celestino Deleyto |
|
| 493 |
 |
From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition |
Sarah Atkinson |
|
| 494 |
 |
Hong Kong Cinema and Sinophone Transnationalisms |
See Kam Tan |
|
| 495 |
 |
Tim Burton's Bodies: Gothic, Animated, Creaturely and Corporeal |
Stella Hockenhull, Fran Pheasant-Kelly |
|
| 496 |
 |
Visceral Screens: Mediation and Matter in Horror Cinema |
Allan Cameron |
|
| 497 |
 |
ReFocus: The Films of Teuvo Tulio, An Excessive Outsider |
Henry Bacon, Kimmo Laine and Jaakko Seppälä |
|
| 498 |
 |
ReFocus: The Films of Rachid Bouchareb |
Michael Gott, Leslie Kealhofer-Kemp |
|
| 499 |
 |
Slum Imaginaries and Spatial Justice in Philippine Cinema |
Katrina Macapagal |
|
| 500 |
 |
Cinematic Political Thought: Narrating Race, Nation and Gender |
Michael Shapiro |
|
| 501 |
 |
Lesbian Cinema after Queer Theory |
Clara Bradbury-Rance |
|
| 502 |
 |
Asian Cinemas: A Reader and Guide |
Dimitris Eleftheriotis, Gary Needham |
|
| 503 |
 |
Feminist Film Theory: A Reader |
Sue Thornham |
|
| 504 |
 |
Journeys on Screen: Theory, Ethics, Aesthetics |
Louis Bayman, Natália Pinazza |
|
| 505 |
 |
The Other Hollywood Renaissance |
Dominic Lennard, R. Barton Palmer, Murray Pomerance |
|
| 506 |
 |
Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures |
Niamh Thornton, Miriam Haddu |
|
| 507 |
 |
The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond |
Vivian P.Y. Lee |
|
| 508 |
 |
Who's in the Money?: The Great Depression Musicals and Hollywood’s New Deal |
Harvey G. Cohen |
|
| 509 |
 |
Screening the Golden Ages of the Classical Tradition |
Meredith Safran |
|
| 510 |
 |
Close-Up: Great Cinematic Performances Volume 1: America |
Murray Pomerance, Kyle Stevens |
|
| 511 |
 |
Hollywood's Blacklists: A Political and Cultural History |
Reynold Humphries |
|
| 512 |
 |
Ancient Epic in Film and Television |
Amanda Potter (editor), Hunter Gardner (editor) |
|
| 513 |
 |
Deleuze, Cinema and the Thought of the World |
Allan James Thomas |
|
| 514 |
 |
Narrative Humanism: Kindness and Complexity in Fiction and Film |
Wyatt Moss-Wellington |
|
| 515 |
 |
Badfilm: Incompetence, Intention and Failure |
Becky Bartlett |
|
| 516 |
 |
The Contemporary Western: An American Genre Post-9/11 |
John White |
|
| 517 |
 |
Screening Youth: Contemporary French and Francophone Cinema |
Romain Chareyron, Gilles Viennot |
|
| 518 |
 |
The Pulse in Cinema: The Aesthetics of Horror |
Sharon Jane Mee |
|
| 519 |
 |
Contemporary Scottish Fictions - Film, Television and the Novel |
Duncan Petrie |
|
| 520 |
 |
Mapping the Rockumentary: Images of Sound and Fury |
Gunnar Iversen, Scott MacKenzie |
|
| 521 |
 |
Arab Animation: Images of Identity |
Omar Sayfo |
|
| 522 |
 |
Tanaka Kinuyo: Nation, Stardom and Female Subjectivity |
Irene González-López, Michael Smith |
|
| 523 |
 |
ReFocus: The Films of Barbara Kopple |
Jeff Jaeckle, Susan Ryan |
|
| 524 |
 |
Masculinity in British Cinema, 1990-2010 |
Sarah Godfrey |
|
| 525 |
 |
ReFocus: The Films of Andrei Tarkovsky |
Sergei Toymentsev |
|
| 526 |
 |
British Music Videos 1966 - 2016: Genre, Authenticity and Art |
Emily Caston |
|
| 527 |
 |
Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits |
Lydia Papadimitriou, Ana Grgić |
|
| 528 |
 |
The Birth of the American Horror Film |
Gary D. Rhodes |
|
| 529 |
 |
ReFocus: The Films of William Friedkin |
Steve Choe |
|
| 530 |
 |
Greek Weird Wave: A Cinema of Biopolitics |
Dimitris Papanikolaou |
|
| 531 |
 |
Shoe Reels: The History and Philosophy of Footwear in Film |
Elizabeth Ezra, Catherine Wheatley |
|
| 532 |
 |
European Film Remakes |
Eduard Cuelenaere, Gertjan Willems, Stijn Joye |
|
| 533 |
 |
ReFocus: The Films of Kelly Reichardt |
E. Dawn Hall |
|
| 534 |
 |
ReFocus: The Films of Michel Gondry |
Marcelline Block, Jennifer Kirby |
|
| 535 |
 |
Blood in the Streets: Histories of Violence in Italian Crime Cinema |
Austin Fisher |
|
| 536 |
 |
Seeing Degree Zero: Barthes/Burgin and Political Aesthetics |
Ryan Bishop, Sunil Manghani |
|
| 537 |
 |
ReFocus: The Films of Rakhshan Banietemad |
Maryam Ghorbankarimi |
|
| 538 |
 |
The American Horror Film: An Introduction |
Reynold Humphries |
|
| 539 |
 |
ReFocus: The Films of Francis Veber |
Keith Corson |
|
| 540 |
 |
The Vietnam War in History, Literature and Film |
Mark Taylor |
|
| 541 |
 |
Screening Divinity |
Lisa Maurice |
|
| 542 |
 |
The Computer-Animated Film: Industry, Style and Genre |
Christopher Holliday |
|
| 543 |
 |
Film and the Imagined Image |
Sarah Cooper |
|
| 544 |
 |
Hong Kong Horror Cinema |
Gary Bettinson, Daniel Martin |
|
| 545 |
 |
Celluloid Singapore: Cinema, Performance and the National |
Edna Lim |
|
| 546 |
 |
Cinema, If You Please: The Memory of Taste, the Taste of Memory |
Murray Pomerance |
|
| 547 |
 |
Film Reboots |
Daniel Herbert, Constantine Verevis |
|
| 548 |
 |
B-Movie Gothic: International Perspectives |
Justin Edwards, Johan Höglund |
|
| 549 |
 |
Epic Heroes on Screen |
Antony Augoustakis, Stacie Raucci |
|
| 550 |
 |
Early Cinema in Scotland |
John Caughie, Trevor Griffiths, María A. Vélez-Serna |
|
| 551 |
 |
A Theological Jurisprudence of Speculative Cinema: Superheroes, Science Fictions and Fantasies of Modern Law |
Timothy Peters |
|
| 552 |
 |
Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema |
Gillian Kelly |
|
| 553 |
 |
ReFocus: The Films of Sohrab Shahid Saless. Exile, Displacement and the Stateless Moving Image |
Azadeh Fatehrad |
|
| 554 |
 |
Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan |
Brian Hu |
|
| 555 |
 |
ReFocus: The Films of Pablo Larraín |
Laura Hatry |
|
| 556 |
 |
The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity |
Michelle Royer |
|
| 557 |
 |
ReFocus: The Films of Susanne Bier |
Missy Molloy, Mimi Nielsen, Meryl Shriver-Rice |
|
| 558 |
 |
Representing and Imagining America |
Philip John Davies |
|
| 559 |
 |
And Now for Something Completely Different: Critical Approaches to Monty Python |
Kate Egan, Jeffrey Andrew Weinstock |
|
| 560 |
 |
Contemporary Cinema and the Philosophy of Iris Murdoch |
Lucy Bolton |
|
| 561 |
 |
Western China on Screen: An Urban Exploration |
Hongyan Zou |
|
| 562 |
 |
Nasty Business: The Marketing and Distribution of the Video Nasties |
Mark McKenna |
|
| 563 |
 |
The Stillness of Solitude: Romanticism and Contemporary American Independent Film |
Michelle Devereaux |
|
| 564 |
 |
Female Agency and Documentary Strategies: Subjectivities, Identity and Activism |
Boel Ulfsdotter, Anna Backman Rogers |
|
| 565 |
 |
Cultivating Extreme Art Cinema: Text, Paratext and Home Video Culture |
Simon Hobbs |
|
| 566 |
 |
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa [1 ed.] |
Calum Waddell |
1 |
| 567 |
 |
Genre, Authorship and Contemporary Women Filmmakers |
Katarzyna Paszkiewicz |
|
| 568 |
 |
New Punk Cinema |
Nicholas Rombes |
|
| 569 |
 |
Egypt 1919: The Revolution in Literature and Film |
Dina Heshmat |
|
| 570 |
 |
Nordic Film Cultures and Cinemas of Elsewhere |
Anna Westerstahl Stenport, Arne Lunde |
|
| 571 |
 |
Greek Cinema and Migration, 1991-2016 |
Philip E. Phillis |
|
| 572 |
 |
Consuming Images: Film Art and the American Television Commercial |
Gary D. Rhodes, Robert Singer |
|
| 573 |
 |
Close-Up: Great Cinematic Performances Volume 2: International |
Murray Pomerance, Kyle Stevens |
|
| 574 |
 |
New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror |
Patricia Pisters |
|
| 575 |
 |
Film Genre: Hollywood and Beyond |
Barry Langford |
|
| 576 |
 |
Contemporary Cinema |
John Orr |
|
| 577 |
 |
Filming the Children's Book: Adapting Metafiction |
Casie Hermansson |
|
| 578 |
 |
Sixties British Cinema Reconsidered |
Duncan Petrie, Melanie Williams, Laura Mayne |
|
| 579 |
 |
Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation |
Lisa Purse, Ute Wölfel |
|
| 580 |
 |
Cold War Film Genres |
Homer B. Pettey |
|
| 581 |
 |
Gender, Ethnicity and Sexuality in Contemporary American Film |
Jude Davies, Carol Smith |
|
| 582 |
 |
Kathleen Collins: The Black Essai Film |
Geetha Ramanathan |
|
| 583 |
 |
ReFocus: The Films of Mary Harron |
Kyle Barrett (editor) |
|
| 584 |
 |
New Transnationalisms in Contemporary Latin American Cinemas |
Dolores Tierney |
|
| 585 |
 |
Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-First Century |
Anthony Cristiano, Carlo Coen |
|
| 586 |
 |
Vampires in Italian Cinema, 1956-1975 |
Michael Guarneri |
|
| 587 |
 |
ReFocus: The Films of François Ozon |
Loïc Bourdeau |
|
| 588 |
 |
Asian Cinema: A Regional View |
Olivia Khoo |
|
| 589 |
 |
Cinematic Intermediality: Theory and Practice |
Kim Knowles, Marion Schmid |
|
| 590 |
 |
Cinema and Soft Power: Configuring the National and Transnational in Geo-politics |
Stephanie Dennison, Rachel Dwyer |
|
| 591 |
 |
Irish Queer Cinema |
Allison Macleod |
|
| 592 |
 |
Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema |
Ágnes Pethő |
|
| 593 |
 |
ReFocus: The Films of John Hughes |
Timothy Shary, Frances Smith |
|
| 594 |
 |
Short Films from a Small Nation: Danish Informational Cinema 1935–1965 |
C. Claire Thomson |
|
| 595 |
 |
The Films of Ken Russell |
Matthew Melia (editor) |
|
| 596 |
 |
The Films of Denis Villeneuve |
Jeri English (editor), Marie Pascal (editor) |
|
| 597 |
 |
Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology [1 ed.] |
Kelli Fuery |
1 |
| 598 |
 |
Resonant Bodies in Contemporary European Art Cinema [1 ed.] |
Emilija Talijan |
1 |
| 599 |
 |
The Sense of Place in Contemporary Cinema [1 ed.] |
Corinne Maury |
1 |
| 600 |
 |
George A. Romero's Independent Cinema: Horror, Industry, Economics [1 ed.] |
Tom Fallows |
1 |
| 601 |
 |
Transnational Kaiju: Exploitation, Globalisation and Cult Monster Movies [1 ed.] |
Steven Rawle |
1 |
| 602 |
 |
Music in the Horror Films of Val Lewton (Music and the Moving Image) [1 ed.] |
Michael Lee |
1 |
| 603 |
 |
The California Gothic in Fiction and Film [1 ed.] |
Bernice M. Murphy |
1 |
| 604 |
 |
Film, Hot War Traces and Cold War Spaces [1 ed.] |
Maurizio Cinquegrani |
1 |
| 605 |
 |
The Money Behind the Screen: A History of British Film Finance, 1945-1985 [1 ed.] |
James Chapman |
1 |
| 606 |
 |
Women in Marvel Films [1 ed.] |
Miriam Kent |
1 |
| 607 |
 |
Refocus: the Films of Paul Leni |
Erica Tortolani (editor), Martin F. Norden (editor) |
|
| 608 |
 |
Hotel Modernity: Corporate Space in Literature and Film [1 ed.] |
Robbie Moore |
1 |
| 609 |
 |
Animating Truth: Documentary and Visual Culture in the 21st Century [1 ed.] |
Nea Ehrlich |
1 |
| 610 |
 |
Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s [1 ed.] |
Noel Brown |
1 |
| 611 |
 |
The Cinema of MIA Hansen-Lve: Candour and Vulnerability |
Kate Ince |
|
| 612 |
 |
A History of Danish Cinema [1 ed.] |
C. Claire Thomson (editor), Isak Thorsen (editor), Pei-Sze Chow (editor) |
1 |
| 613 |
 |
Spinsters, Widows and Chars: The Ageing Woman in British Film [1 ed.] |
Claire Mortimer |
1 |
| 614 |
 |
Science Fiction Film: Predicting the Impossible in the Age of Neoliberalism [1 ed.] |
Eli Park Sorensen |
1 |
| 615 |
 |
Women, Feminism and Italian Cinema: Archives from a Film Culture [1 ed.] |
Dalila Missero |
1 |
| 616 |
 |
The Films of Andrei Tarkovsky |
Sergei Toymentsev (editor) |
|
| 617 |
 |
Chaoid Cinema: Deleuze & Guattari and the Topological Vector of Silence [1 ed.] |
Colin Gardner |
1 |
| 618 |
 |
Counter-Memories in Iranian Cinema [1 ed.] |
Matthias Wittmann (editor), Ute Holl (editor) |
1 |
| 619 |
 |
Truth in Visual Media: Aesthetics, Ethics and Politics [1 ed.] |
Marguerite La Caze (editor), Ted Nannicelli (editor) |
1 |
| 620 |
 |
Vital Resonances: Encountering Film with Varda, Haneke and Nancy [1 ed.] |
Francesca Minnie Hardy |
1 |
| 621 |
 |
Japanese High School Films: Iconography, Nostalgia and Discipline [1 ed.] |
Peter C. Pugsley |
1 |
| 622 |
 |
Acting Across Borders: Mobility and Identity in Italian Cinema [1 ed.] |
Alberto Zambenedetti |
1 |
| 623 |
 |
Ageing, Dementia and Time in Film |
Deng, MaoHui, |
|
| 624 |
 |
ReFocus: the Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema |
Nuno Barradas Jorge |
|
| 625 |
 |
Affective Intensities and Evolving Horror Forms: From Found Footage to Virtual Reality [1 ed.] |
Adam Daniel |
1 |
| 626 |
 |
The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia [1 ed.] |
William Brown, David H. Fleming |
1 |
| 627 |
 |
Israel/Palestine: Border Representations in Literature and Film [1 ed.] |
Drew Paul |
1 |
| 628 |
 |
New Realism: Contemporary British Cinema [1 ed.] |
David Forrest |
1 |
| 629 |
 |
Sensing Justice through Contemporary Spanish Cinema: Aesthetics, Politics, Law [1 ed.] |
Mónica López Lerma |
1 |
| 630 |
 |
Jacques Rancière and the Politics of Art Cinema [1 ed.] |
James Harvey |
1 |
| 631 |
 |
Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives [1 ed.] |
Will Higbee, Flo Martin, Jamal Bahmad |
1 |
| 632 |
 |
Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s (Edinburgh Studies in Film and Intermediality) [1 ed.] |
Matilde Nardelli |
1 |
| 633 |
 |
The Invisibilities of Political Torture: The Presence of Absence in US and Chilean Cinema and Television [1 ed.] |
Berenike Jung |
1 |
| 634 |
 |
ReFocus: the Films of Xavier Dolan |
Andrée Lafontaine (editor) |
|
| 635 |
 |
Douglas Sirk, Aesthetic Modernism and the Culture of Modernity |
Victoria L. Evans |
|
| 636 |
 |
Animal Worlds: Film, Philosophy and Time [1 ed.] |
Laura McMahon |
1 |
| 637 |
 |
The Peripatetic Frame: Images of Walking in Film [1 ed.] |
Thomas Deane Tucker |
1 |
| 638 |
 |
Intermedial Dialogues: The French New Wave and the Other Arts [1 ed.] |
Marion Schmid |
1 |
| 639 |
 |
French Blockbusters: Cultural Politics of a Transnational Cinema [1 ed.] |
Charlie Michael |
1 |
| 640 |
 |
Francophone Belgian Cinema [1 ed.] |
Jamie Steele |
1 |
| 641 |
 |
Contemporary Political Cinema |
Matthew Holtmeier |
|
| 642 |
 |
The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema [1 ed.] |
Alyssa DeBlasio |
1 |
| 643 |
 |
Performing Ethics Through Film Style: Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader [1 ed.] |
Edward Lamberti |
1 |
| 644 |
 |
Raymond Bellour: Cinema and the Moving Image: With Selections from an Interview with Raymond Bellour |
Hilary Radner, Alistair Fox |
|
| 645 |
 |
Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain [1 ed.] |
Lisa Stead |
1 |
| 646 |
 |
The Computer-Animated Film: Industry, Style and Genre [Illustrated] |
Christopher Holliday |
|
| 647 |
 |
'My' Self on Camera: First Person Documentary Practice in an Individualising China [1 ed.] |
Kiki Tianqi Yu |
1 |
| 648 |
 |
The Two cines con niño: Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010) [1 ed.] |
Erin K. Hogan |
1 |
| 649 |
 |
The Style of Sleaze: The American Exploitation Film, 1959-1977 [1 ed.] |
Calum Waddell |
1 |
| 650 |
 |
Cinema Between Media: An Intermediality Approach [1 ed.] |
Jørgen Bruhn, Anne Gjelsvik |
1 |
| 651 |
 |
Moving Figures: Class and Feeling in the Films of Jia Zhangke [1 ed.] |
Corey Kai Nelson Schultz |
1 |
| 652 |
 |
Claude Chabrol's Aesthetics of Opacity |
Catherine Dousteyssier-Khoze |
|
| 653 |
 |
Imagining Surveillance: Eutopian And Dystopian Literature And Film [1st Edition] |
Peter Marks |
1 |
| 654 |
 |
Speaking in Subtitles: Revaluing Screen Translation [1 ed.] |
Tessa Dwyer |
1 |
| 655 |
 |
The Cinema of Ozu Yasujiro: Histories of the Everyday [1 ed.] |
Woojeong Joo |
1 |
| 656 |
 |
Contemporary Musical Film |
K.J. Donnelly, Beth Carroll (eds) |
|
| 657 |
 |
Acinemas: Lyotard's Philosophy of Film |
Woodward, Ashley(Editor),Jones, Graham(Editor) |
|
| 658 |
 |
Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema |
Miklós Kiss, Steven Willemsen |
|
| 659 |
 |
Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World |
Christina Hellmich and Lisa Purse |
|
| 660 |
 |
ReFocus: The Films of Budd Boetticher |
Gary D. Rhodes and Robert Singer |
|
| 661 |
 |
Transnational Film Remakes |
Iain Robert Smith and Constantine Verevis |
|
| 662 |
 |
Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema [1 ed.] |
Alison Taylor |
1 |
| 663 |
 |
Negotiating Dissidence: The Pioneering Women of Arab Documentary [1 ed.] |
Stefanie Van de Peer |
1 |
| 664 |
 |
Vampires, Race, and Transnational Hollywoods [1 ed.] |
Dale Hudson |
1 |
| 665 |
 |
The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth [1 ed.] |
Alejandro Yarza |
1 |
| 666 |
 |
Eclipsed cinema : the film culture of colonial Korea |
Dong Hoon Kim |
|
| 667 |
 |
Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen [1 ed.] |
Murray Pomerance (editor), Steven Rybin (editor) |
1 |
| 668 |
 |
Spanish Erotic Cinema |
Santiago Fouz-Hernández |
|
| 669 |
 |
The Audience Effect: On the Collective Cinema Experience |
Julian Hanich |
|
| 670 |
 |
Rethinking the Hollywood Teen Movie: Gender, Genre and Identity [1 ed.] |
Frances Smith |
1 |
| 671 |
 |
Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film |
Julian Murphet, Julian Murphet, Julian Murphet |
|
| 672 |
 |
Improving Passions: Sentimental Aesthetics and American Film |
Charles Burnetts |
|
| 673 |
 |
Cinematic Nihilism: Encounters, Confrontations, Overcomings |
John Marmysz |
|
| 674 |
 |
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar |
Julian Daniel Gutierrez-Albilla |
|
| 675 |
 |
Contemporary British Horror Cinema: Industry, Genre and Society |
Johnny Walker |
|
| 676 |
 |
Hong Kong Neo-Noir [1 ed.] |
Yau, Williams |
1 |
| 677 |
 |
Coming-of-Age Cinema in New Zealand: Genre, Gender and Adaptation |
Alistair Fox |
|
| 678 |
 |
American Independent Cinema: Second Edition |
Yannis Tzioumakis |
2 |
| 679 |
 |
Female Stars of British Cinema: The Women in Question |
Melanie Williams |
|
| 680 |
 |
Screening Statues: Sculpture and Cinema |
Steven Jacobs, Susan Felleman, Vito Adriaensens, Lisa Colpaert |
|
| 681 |
 |
Indefinite Visions: Cinema and the Attractions of Uncertainty |
Martine Beugnet, Allan Cameron, Arild Fetveit |
|
| 682 |
 |
James Benning's Environments: Politics, Ecology, Duration |
Nikolaj Lübecker, Daniele Rugo |
|
| 683 |
 |
Chow Yun-fat and Territories of Hong Kong Stardom |
Lin Feng |
|
| 684 |
 |
Documenting the World: Film, Photography, and the Scientific Record [Illustrated] |
Gregg Mitman, Kelley Wilder |
|
| 685 |
 |
Revisiting Star Studies: Cultures, Themes and Methods |
Sabrina Qiong Yu, Guy Austin |
|
| 686 |
 |
Straight Girls and Queer Guys: The Hetero Media Gaze in Film and Television |
Christopher Pullen |
|
| 687 |
 |
Undead Apocalypse: Vampires and Zombies in the 21st Century [1 ed.] |
Stacey Abbott |
1 |
| 688 |
 |
Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas and Jean-Luc Nancy |
Kristin Lené Hole |
|
| 689 |
 |
In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941-1979 |
Simon Willmetts |
|
| 690 |
 |
Expressionism in the Cinema |
Olaf Bril, Gary D. Rhodes |
|
| 691 |
 |
The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure |
Mazierska, Ewa(Editor),Mroz, Matilda(Editor),Ostrowska, Elzbieta(Editor) |
|
| 692 |
 |
Slow Cinema |
Tiago de Luca, Nuno Barradas Jorge |
|
| 693 |
 |
ReFocus: The Films of Amy Heckerling |
Frances Smith and Timothy Shary |
|
| 694 |
 |
ReFocus: The Films of Delmer Daves |
Matthew Carter and Andrew Patrick Nelson |
|
| 695 |
 |
Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film |
Lassner Phyllis Lassner |
|
| 696 |
 |
Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema [1 ed.] |
Linda Badley (editor), Claire Perkins (editor), Michele Schreiber (editor) |
1 |
| 697 |
 |
Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images [1 ed.] |
David Deamer |
1 |
| 698 |
 |
The Major Realist Film Theorists: A Critical Anthology [1 ed.] |
Ian Aitken (editor) |
1 |
| 699 |
 |
The Incurable-Image: Curating Post-Mexican Film and Media Arts [1 ed.] |
Tarek Elhaik |
1 |
| 700 |
 |
The Hollywood Meme: Transnational Adaptations in World Cinema [1 ed.] |
Iain Robert Smith |
1 |
| 701 |
 |
The Colonial Documentary Film in South and South-East Asia [1 ed.] |
Ian Aitken (editor), Camille Deprez (editor) |
1 |
| 702 |
 |
Italian Horror Cinema [1 ed.] |
Stefano Baschiera (editor), Russ Hunter (editor) |
1 |
| 703 |
 |
Contaminations: Beyond Dialectics in Modern Literature, Science and Film |
Michael Mack |
|
| 704 |
 |
Abbas Kiarostami and Film-Philosophy |
Mathew Abbott |
|
| 705 |
 |
Extreme Cinema: Affective Strategies in Transnational Media |
Aaron Kerner, Jonathan Knapp |
|
| 706 |
 |
Contemporary Russian Cinema: Symbols of a New Era |
Vlad Strukov |
|
| 707 |
 |
Border Crossing: Russian Literature into Film |
Alexander Burry, Frederick White |
|
| 708 |
 |
Hollywood and the Great Depression: American Film, Politics and Society in the 1930s |
Iwan Morgan, Philip John Davies |
|
| 709 |
 |
Ben-Hur: The Original Blockbuster |
Jon Solomon |
|
| 710 |
 |
Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema |
Heidi Wilkins |
|
| 711 |
 |
STARZ Spartacus: Reimagining an Icon on Screen |
Antony Augoustakis, Monica Cyrino |
|
| 712 |
 |
French and Spanish Queer Film: Audiences, Communities and Cultural Exchange |
Chris Perriam, Darren Waldron |
|
| 713 |
 |
American Cinema in the Shadow of 9/11 |
Terence McSweeney |
|
| 714 |
 |
Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
Stephen Monteiro |
|
| 715 |
 |
Cowboy Classics: The Roots of the American Western in the Epic Tradition |
Kirsten Day |
|
| 716 |
 |
Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation |
Austin Fisher |
|
| 717 |
 |
French-language Road Cinema: Borders, Diasporas, Migration and 'New Europe' |
Michael Gott |
|
| 718 |
 |
Slums on Screen: World Cinema and the Planet of Slums |
Igor Krstić |
|
| 719 |
 |
Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom [1 ed.] |
David Church |
1 |
| 720 |
 |
Untimely Affects: Gilles Deleuze and an Ethics of Cinema [Reprint ed.] |
Nadine Boljkovac |
|
| 721 |
 |
Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace [1 ed.] |
Tommy Gustafsson, Pietari Kääpä |
1 |
| 722 |
 |
Extreme Asia: The Rise of Cult Cinema from the Far East [1 ed.] |
Daniel Martin |
1 |
| 723 |
 |
ReFocus: The Films of Preston Sturges |
Jeff Jaeckle and Sarah Kozlof |
|
| 724 |
 |
Films on Ice: Cinemas of the Arctic |
Scott MacKenzie, Anna Westerståhl Stenport |
|
| 725 |
 |
Post-1990 Documentary: Reconfiguring Independence [Illustrated] |
Judith Pernin, Judith Perni (editor) |
|
| 726 |
 |
US Independent Filmmaking After 1989 : possible films |
Constantine Verevis, Claire Perkins |
|
| 727 |
 |
Rome Season Two: Trial and Triumph |
Monica Cyrino |
|
| 728 |
 |
The Feel-Bad Film |
Nikolaj Lubecker |
|
| 729 |
 |
George Cukor: Hollywood Master |
Murray Pomerance, R. Barton Palmer |
|
| 730 |
 |
Independent Chinese Documentary: Alternative Visions, Alternative Publics |
Dan Edwards |
|
| 731 |
 |
The Rise and Fall of the UK Film Council |
Gillian Doyle, Philip Schlesinger, Raymond Boyle, Lisa Kelly |
|
| 732 |
 |
American Independent Cinema: Rites of Passage and the Crisis Image |
Anna Backman Rogers |
|
| 733 |
 |
US Independent Film After 1989: Possible Films |
Claire Perkins, Constantine Verevis |
|
| 734 |
 |
Contemporary Japanese Cinema Since Hana-Bi |
Adam Bingham |
|
| 735 |
 |
Chinese Martial Arts Cinema: The Wuxia Tradition |
Stephen Teo |
|
| 736 |
 |
The Cinema of Theo Angelopoulos |
Angelos Koutsourakis, Mark Steven |
|
| 737 |
 |
From Empire to the World: Migrant London and Paris in the Cinema |
Malini Guha |
|
| 738 |
 |
Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s |
Sergio Rigoletto |
|
| 739 |
 |
New Taiwanese Cinema in Focus: Moving Within and Beyond the Frame |
Flannery Wilson |
|
| 740 |
 |
Memory, Subjectivity and Independent Chinese Cinema [1 ed.] |
Qi Wang |
1 |
| 741 |
 |
Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship [1 ed.] |
Shohini Chaudhuri |
1 |
| 742 |
 |
The place of breath in cinema |
Quinlivan, Davina |
|
| 743 |
 |
International Noir |
Homer B. Pettey, R. Barton Palmer |
|
| 744 |
 |
American Postfeminist Cinema: Women, Romance and Contemporary Culture |
Michele Schreiber |
|
| 745 |
 |
Film Noir |
Homer B. Pettey, R. Barton Palmer |
|
| 746 |
 |
Selling the Splat Pack: The DVD Revolution and the American Horror Film |
Mark Bernard |
|
| 747 |
 |
Film and Urban Space: Critical Possibilities [1 ed.] |
Geraldine Pratt, Rose Marie San Juan |
1 |
| 748 |
 |
The 'War on Terror' and American Film: 9/11 Frames Per Second [1 ed.] |
Terence McSweeney |
1 |
| 749 |
 |
Myth of the Western: New Perspectives on Hollywood's Frontier Narrative [1 ed.] |
Matthew Carter |
1 |
| 750 |
 |
The Operatic and the Everyday in Post-war Italian Film Melodrama [1 ed.] |
Louis Bayman |
1 |
| 751 |
 |
The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century [1 ed.] |
Andrew B. R. Elliott (editor) |
1 |
| 752 |
 |
Special Affects: Cinema, Animation and the Translation of Consumer Culture [1 ed.] |
Eric Jenkins |
1 |
| 753 |
 |
Hong Kong Documentary Film |
Ian Aitken, Michael Ingham |
|
| 754 |
 |
Omnibus Films: Theorizing Transauthorial Cinema |
David Scott Diffrient |
|
| 755 |
 |
Scenes from the Suburbs: The Suburb in Contemporary US Film and Television |
Timotheus Vermeulen |
|
| 756 |
 |
East, West and Centre: Reframing post-1989 European Cinema |
Michael Gott, Todd Herzog |
|
| 757 |
 |
TV Crime Drama |
Sue Turnbull |
|
| 758 |
 |
Death and the Moving Image: Ideology, Iconography and I |
Michele Aaron |
|
| 759 |
 |
Michael Mann - Cinema and Television: Interviews, 1980-2012 |
Steven Sanders, R. Barton Palmer |
|
| 760 |
 |
Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema |
Daniela Berghahn |
|
| 761 |
 |
Virilio and visual culture [1 ed.] |
Armitage, John, Bishop, Ryan, Virilio, Paul |
1 |
| 762 |
 |
Korean horror cinema [1 ed.] |
Martin, Daniel, Peirse, Alison |
1 |
| 763 |
 |
Spanish Queer Cinema [1 ed.] |
Chris Perriam |
1 |
| 764 |
 |
Small-Gauge Storytelling: Discovering the Amateur Fiction Film [1 ed.] |
Ryan Shand, Ian Craven |
1 |
| 765 |
 |
Shane Meadows: Critical Essays [1 ed.] |
Martin Fradley, Sarah Godfrey, Melanie Williams |
1 |
| 766 |
 |
Our Nazis: Representations of Fascism in Contemporary Literature and Film |
Petra Rau |
|
| 767 |
 |
The Speech-Gesture Complex: Modernism, Theatre, Cinema (Edinburgh Critical Studies in Modernism, Drama and Performance) |
Anthony Paraskeva |
|
| 768 |
 |
Bergson and the Art of Immanence: Painting, Photography, Film |
John Mullarkey, Charlotte de Mille (Eds.) |
|
| 769 |
 |
The Besieged Ego: Doppelgangers and Split Identity Onscreen [1 ed.] |
Caroline Ruddell |
1 |
| 770 |
 |
Rancière and Film |
Paul Bowman (editor) |
|
| 771 |
 |
Happy Endings in Hollywood Cinema: Cliché, Convention and the Final Couple |
James MacDowell |
|
| 772 |
 |
The Sense of Film Narration |
Ian Garwood |
|
| 773 |
 |
Untimely Affects: Gilles Deleuze and an Ethics of Cinema |
Nadine Boljkovac |
|
| 774 |
 |
Comedy and Cultural Critique in American Film |
Ryan Bishop |
|
| 775 |
 |
Cinematicity in Media History |
Jeffrey Geiger, Karin Littau |
|
| 776 |
 |
Moving Images: Nineteenth-Century Reading and Screen Practices |
Helen Groth |
|
| 777 |
 |
Men's Cinema: Masculinity and Mise-en-Scene in Hollywood |
Stella Bruzzi |
|
| 778 |
 |
Digital Imaging in Popular Cinema |
Lisa Purse |
|
| 779 |
 |
Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 |
Will Higbee |
|
| 780 |
 |
Deleuze, Altered States and Film [Reprint ed.] |
Anna Powell |
|
| 781 |
 |
Spanish Horror Film |
Antonio Lázaro-Reboll |
|
| 782 |
 |
American Smart Cinema |
Claire Perkins |
|
| 783 |
 |
The International Film Musical |
Corey Creekmur, Linda Mokdad |
|
| 784 |
 |
Temporality and Film Analysis [1 ed.] |
Matlida Mroz |
1 |
| 785 |
 |
Deleuze and Film [1 ed.] |
David Martin-Jones (Editor), William Brown (Editor) |
1 |
| 786 |
 |
Italian Post-Neorealist Cinema |
Luca Barattoni |
|
| 787 |
 |
Jet Li: Chinese Masculinity and Transnational Film Stardom [1 ed.] |
Sabrina Qiong Yu |
1 |
| 788 |
 |
Breaking the Fourth Wall: Direct Address in the Cinema [1 ed.] |
Tom Brown |
1 |
| 789 |
 |
Italian Neorealist Cinema [1 ed.] |
Torunn Haaland |
1 |
| 790 |
 |
Film Sequels |
Carolyn Jess-Cooke |
|
| 791 |
 |
Mel Brooks in the Cultural Industries: Survival and Prolonged Adaptation [1 ed.] |
Alex Symons |
1 |
| 792 |
 |
The Cinema and Cinema-Going in Scotland, 1896-1950 [1 ed.] |
Trevor Griffiths |
1 |
| 793 |
 |
Magic Realist Cinema in East Central Europe |
Aga Skrodzka |
|
| 794 |
 |
Unknown |
Yannis Tzioumakis |
|
| 795 |
 |
Framing pictures : film and the visual arts [1 ed.] |
Jacobs, Steven |
1 |
| 796 |
 |
Far from Heaven |
Glyn Davis |
|
| 797 |
 |
New Neapolitan Cinema |
Alex Marlow-Mann |
|
| 798 |
 |
American Politics in Hollywood Film [2nd Edition] |
Ian Scott |
2 |
| 799 |
 |
The New Extremism in Cinema: From France to Europe [1 ed.] |
Tanya Horeck, Tina Kendall |
1 |
| 800 |
 |
Music Video and the Politics of Representation [1 ed.] |
Diane Railton, Paul Watson |
1 |
| 801 |
 |
Contemporary action cinema [1 ed.] |
Purse, Lisa |
1 |
| 802 |
 |
The Edinburgh Companion to Shakespeare and the Arts |
Mark Thornton Burnett, Adrian Streete, Ramona Wray |
|
| 803 |
 |
American Documentary Film: Projecting the Nation |
Jeffrey Geiger |
|
| 804 |
 |
Film and Video Censorship in Modern Britain |
Julian Petley |
|
| 805 |
 |
British Film Culture in the 1970s: The Boundaries of Pleasure |
Sue Harper, Justin Smith |
|
| 806 |
 |
Heritage Film Audiences: Period Films and Contemporary Audiences in the UK |
Claire Monk |
|
| 807 |
 |
Memory and the Moving Image: French Film in the Digital Era |
Isabelle McNeill |
|
| 808 |
 |
Lost in Translation |
Geoff King |
|
| 809 |
 |
Brokeback Mountain |
Gary Needham |
|
| 810 |
 |
Cinematic Journeys: Film and Movement |
Dimitris Eleftheriotis |
|
| 811 |
 |
Badiou and Cinema |
Alex Ling |
|
| 812 |
 |
Literature, cinema and politics, 1930-1945 : reading between the frames [1 ed.] |
Feigel, Lara |
1 |
| 813 |
 |
Romantics and modernists in British cinema [1 ed.] |
Orr, John |
1 |
| 814 |
 |
Bollywood in the Age of New Media: The Geo-televisual Aesthetic |
Anustup Basu |
|
| 815 |
 |
Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 |
Barry Langford |
|
| 816 |
 |
Introduction to Japanese Horror Film [1 ed.] |
Colette Balmain |
1 |
| 817 |
 |
Deleuze and the Cinemas of Performance: Powers of Affection [1 ed.] |
Elena del Río |
1 |
| 818 |
 |
Journalists in Film: Heroes and Villains |
Brian McNair |
|
| 819 |
 |
Film noir and the cinema of paranoia [1 ed.] |
Wheeler Winston Dixon |
1 |
| 820 |
 |
The cinema of Basil Dearden and Michael Relph [1 ed.] |
Dearden, Basil, O'Sullivan, Tim, Dearden, Basil, Burton, Alan, Relph, Michael |
1 |
| 821 |
 |
The Great War on the Small Screen : Representing the First World War in Contemporary Britain [1 ed.] |
Emma Hanna |
1 |
| 822 |
 |
Scotland: Global Cinema: Genres, Modes and Identities |
David Martin-Jones |
|
| 823 |
 |
The Spanish Prisoner |
Yannis Tzioumakis |
|
| 824 |
 |
Pierre Batcheff and Stardom in 1920s French Cinema |
Phil Powrie, Eric Rebillard |
|
| 825 |
 |
Czech and Slovak Cinema: Theme and Tradition |
Peter Hames |
|
| 826 |
 |
Figurations of Exile in Hitchcock and Nabokov |
Barbara Straumann |
|
| 827 |
 |
French Queer Cinema |
Nick Rees-Roberts |
|
| 828 |
 |
Stalinist Cinema and the Production of History: Museum of the Revolution |
Evgeny Dobrenko |
|
| 829 |
 |
Palestinian Cinema: Landscape, Trauma and Memory |
Nurith Gertz, George Khleifi |
|
| 830 |
 |
Science Fiction Cinema: Between Fantasy and Reality |
Christine Cornea |
|
| 831 |
 |
The Battle of Britain on Screen: 'The Few' in British Film and Television Drama (Societies at War) |
S. P. Mackenzie |
|
| 832 |
 |
European Cinemas in the Television Age |
Dorota Ostrowska, Graham Roberts |
|
| 833 |
 |
Deleuze, Altered States and Film |
Anna Powell |
|
| 834 |
 |
Screening Shakespeare in the Twenty-First Century |
Mark Thornton Burnett, Romona Wray |
|
| 835 |
 |
The Cinema of Small Nations |
Mette Hjort, Duncan Petrie |
|
| 836 |
 |
British Film Directors: A Critical Guide |
SHAIL. |
|
| 837 |
 |
Film Histories: An Introduction and Reader |
Paul Grainge, Mark Jancovich, Sharon Monteith |
|
| 838 |
 |
Hollywood's Cold War |
Tony Shaw |
|
| 839 |
 |
The American Western |
Stephen McVeigh |
|
| 840 |
 |
Cinema and Sensation: French Film and the Art of Transgression |
Martine Beugnet |
|
| 841 |
 |
Film's Musical Moments |
Ian Conrich, Estella Ticknell |
|
| 842 |
 |
American Independent Cinema: An Introduction |
Yannis Tzioumakis |
|
| 843 |
 |
Film Remakes |
Verevis Constantine |
|
| 844 |
 |
A Cinema of Contradiction: Spanish Film in the 1960s |
Sally Faulkner |
|
| 845 |
 |
Traditions in World Cinema |
Steven Jay Schneider |
|
| 846 |
 |
Deleuze and Horror Film |
Anna Powell |
|
| 847 |
 |
African Filmmaking: North and South of the Sahara |
Roy Armes |
|
| 848 |
 |
John Mills and British Cinema: Masculinity, Identity and Nation |
Gill Plain |
|
| 849 |
 |
Sapphism on Screen: Lesbian Desire in French and Francophone Cinema |
Lucille Cairns |
|
| 850 |
 |
The Erotic Thriller in Contemporary Cinema |
Linda Ruth Williams |
|
| 851 |
 |
Contemporary Television Series |
Michael Hammond, Lucy Mazdon |
|
| 852 |
 |
Japanese Horror Cinema |
Jay McRoy |
|
| 853 |
 |
American History and Contemporary Hollywood Film |
Trevor McCrisken, Andrew Pepper |
|
| 854 |
 |
New Queer Cinema: A Critical Reader |
Michele Aaron |
|
| 855 |
 |
Deleuze and Cinema: The Aesthetics of Sensation |
Barbara Kennedy |
|
| 856 |
 |
Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema |
Maggie Humm |
|
| 857 |
 |
Film Music: Critical Approaches |
Kevin J. Donnelly |
|
| 858 |
 |
Post-war Cinema and Modernity: A Film Reader |
John Orr |
|
| 859 |
 |
Staging West German Democracy: Governmental PR Films and the Democratic Imaginary, 1953-1963 |
Jan Uelzmann, Imke Meyer |
|
| 860 |
 |
Visual Effects in A Digital World: A Comprehensive Glossary of over 7000 Visual Effects Terms [1st ed.] |
Karen Goulekas |
1 |
| 861 |
 |
Transforming the screen, 1950-1959 |
Peter Lev, Thomson Gale (Firm) |
|
| 862 |
 |
Schirmer Encyclopedia of Film: Volume 1 |
Grant B.K. |
1 |
| 863 |
 |
The Chameleon Effect: Architecture's Role in Film |
Dietmar E. Froehlich |
|
| 864 |
 |
Fashioning James Bond: Costume, gender and identity in the world of 007 |
Llewella Chapman |
|
| 865 |
 |
Dr. No: The First James Bond Film |
James Chapman |
|
| 866 |
 |
Hitchcock and the Spy Film |
James Chapman |
|
| 867 |
 |
Grasping Shadows: The Dark Side of Literature, Painting, Photography, and Film [Illustrated] |
William Chapman Sharpe |
|
| 868 |
 |
A New History of British Documentary |
James Chapman (auth.) |
|
| 869 |
 |
Image Processing for Cinema [1 ed.] |
Marcelo Bertalmío |
1 |
| 870 |
 |
The Coen Brothers Encyclopedia |
Lynnea Chapman King |
|
| 871 |
 |
Projecting Tomorrow Science Fiction and Popular Cinema |
James Chapman, Nicholas J. Cull |
|
| 872 |
 |
No Country for Old Men: From Novel to Film |
Lynnea Chapman King, Rick Wallach, Jim Welsh |
|
| 873 |
 |
Issues in Contemporary Documentary: With Additional Research by Kate Allison |
Jane Chapman |
|
| 874 |
 |
Projecting Empire: Imperialism and Popular Cinema |
James Chapman, Nicholas J. Cull |
|
| 875 |
 |
The New Film History: Sources, Methods, Approaches [First Edition] |
James Chapman, Mark Glancy, Sue Harper |
|
| 876 |
 |
Past and Present: National Identity and the British Historical Film [illustrated edition] |
James Chapman |
|
| 877 |
 |
War and Film (Reaktion Books - Locations) |
James Chapman |
|
| 878 |
 |
Cinemas of the World: Film and Society from 1895 to the Present |
James Chapman |
|
| 879 |
 |
Saints and Avengers: British Adventure Series of the 1960s |
James Chapman |
|
| 880 |
 |
Monty Python and the Holy Grail: Screenplay |
Graham Chapman &, John Cleese &, Terry Gilliam &, Eric Idle &, Michael Palin &, Terry Jones |
|
| 881 |
 |
Contemporary Theatre, Film and Television: A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, dan: 46 |
Thomas Riggs (editor) |
|
| 882 |
 |
Contemporary Theatre, Film and Television: A Biographical Guide Featuring Performers, Directors, Writiers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, da: 22 [22] |
Angela Yvonne Jones (editor), Joshua Kondek (editor) |
22 |
| 883 |
 |
Hollywood in Berlin: American Cinema and Weimar Germany [1 frontisp., Reprint 2020 ed.] |
Thomas J. Saunders |
12020 |
| 884 |
 |
How to Paint Characters the Marvel Studios Way [1 ed.] |
Ryan Meindering, Charlie Wen, Andy Park, Phil Saunders, Jackson Sze, Rodney Fuentebella, Anthony Francisco, Karla Ortiz, Adi Granov, Troy Benjamin |
1 |
| 885 |
 |
Extra, Extra, Read All About It! : My Life as a Film and TV Extra [2 ed.] |
Harry 'Aitch' Fielder, Clive Saunders |
2 |
| 886 |
 |
Arnold: Schwarzenegger and the Movies |
Dave Saunders (editor) |
|
| 887 |
 |
Direct Cinema: Observational Documentary and the Politics of the Sixties |
Dave Saunders |
|
| 888 |
 |
Chick TV: Antiheroines and Time Unbound |
Yael Levy |
|
| 889 |
 |
Errancies of Desire: Monstrous Masculinities across the Atlantic (Television and Popular Culture) |
Vartan P. Messier |
|
| 890 |
 |
Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903–2003 |
Roland Leander Williams Jr. |
|
| 891 |
 |
Rethinking Occupied Ireland: Gender and Incarceration in Contemporary Irish Film |
Jessica Scarlata |
|
| 892 |
 |
Interrogating The Shield [1 ed.] |
Nicholas Ray |
1 |
| 893 |
 |
TV on Strike: Why Hollywood Went to War Over the Internet |
Cynthia Littleton |
|
| 894 |
 |
Ireland in Focus : Film, Photography, and Popular Culture |
Eóin Flannery, Michael Griffin, Eóin Flannery |
|
| 895 |
 |
The Innocent Eye: The Life of Robert J. Flaherty |
Arthur Calder-Marshall |
|
| 896 |
 |
The film form: essays in film |
Ėjzenštejn, Sergej Michajlovič,Leyda, Jay |
|
| 897 |
 |
The notorious Ben Hecht : iconoclastic writer and militant Zionist |
Julien Gorbach |
|
| 898 |
 |
From Shtetl to Stardom: Jews and Hollywood |
Michael Renov |
|
| 899 |
 |
Edith Bruck in the Mirror: Fictional Transitions and Cinematic Narratives |
Philip Balma |
|
| 900 |
 |
Reframing Italy : New Trends in Italian Women's Filmmaking |
Bernadette Luciano, Susanna Scarparo |
|
| 901 |
 |
Shakespeare in Hollywood, Asia, and cyberspace |
Huang, Alexander Cheng-Yuan, Ross (eds.) |
|
| 902 |
 |
The Encyclopedia of Novels into Film (Facts on File Film Reference Library) [2 ed.] |
John C. Tibbetts, James M. Welsh |
2 |
| 903 |
 |
The Encyclopedia of Westerns (The Facts on File Film Reference Library) |
Herb Fagen |
|
| 904 |
 |
The Encyclopedia of Stanley Kubrick |
Rodney Hill, Gene D. Phillips |
|
| 905 |
 |
The Encyclopedia of Science Fiction Movies [hc ed.] |
C.J. Henderson, William Shatner |
|
| 906 |
 |
The Encyclopedia of Animated Cartoon Series |
Jeff Lenburg |
|
| 907 |
 |
The Science Fiction Image: The Illustrated Encyclopedia of Science Fiction in Film, Television, Radio and the Theater |
Gene Wright, Richard L. Lewis |
|
| 908 |
 |
The Politics and Poetics of Black Film: Nothing But a Man [Illustrated] |
David C. Wall, Michael T. Martin (eds.) |
|
| 909 |
 |
Madness at the Movies: Understanding Mental Illness through Film |
James Charney |
|
| 910 |
 |
Hold It Real Still: Clint Eastwood, Race, and the Cinema of the American West |
Lawrence P. Jackson |
|
| 911 |
 |
Equipping James Bond: Guns, Gadgets, and Technological Enthusiasm [Hardcover ed.] |
Andre Millard |
|
| 912 |
 |
Empire films and the collapse of colonialism, 1946-1959 |
Cowans, Jon |
|
| 913 |
 |
A Cinema of Poetry: Aesthetics of the Italian Art Film |
Luzzi, Joseph |
|
| 914 |
 |
Music in the Shadows: Noir Musical Films |
Sheri Chinen Biesen |
|
| 915 |
 |
Majestic Hollywood. The greatest films of 1939 |
Vieira, Mark A |
|
| 916 |
 |
Nightmare Alley: Film Noir and the American Dream |
Mark Osteen |
|
| 917 |
 |
When Stories Travel: Cross-Cultural Encounters between Fiction and Film |
Cristina Della Coletta |
|
| 918 |
 |
Math Goes to the Movies |
Burkard Polster, Marty Ross |
|
| 919 |
 |
Maths goes to the movies |
Polster, Burkard,Ross, Marty |
|
| 920 |
 |
Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ [annotated edition] |
Thomas Leitch |
|
| 921 |
 |
Gilles Deleuze: Cinema and Philosophy [English-language Ed] |
Paola Marrati, Alisa Hartz |
|
| 922 |
 |
Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir |
John T. Irwin |
|
| 923 |
 |
Women Filmmakers in Early Hollywood |
Karen Ward Mahar |
|
| 924 |
 |
Blackout: World War II and the Origins of Film Noir [Illustrated] |
Sheri Chinen Biesen |
|
| 925 |
 |
Essential Cinema: On the Necessity of Film Canons |
Jonathan Rosenbaum |
|
| 926 |
 |
Blue-collar Hollywood : liberalism, democracy, and working people in American film |
Bodnar, John E. |
|
| 927 |
 |
Framing the South: Hollywood, Television, and Race during the Civil Rights Struggle [First Edition] |
Allison Schoen |
|
| 928 |
 |
Regarding film: criticism and comment |
Kauffmann, Stanley |
|
| 929 |
 |
Ernst Lubitsch: Laughter in Paradise [Johns Hopkins Pbk. Ed] |
Scott Eyman |
|
| 930 |
 |
Passionate Views: Film, Cognition, and Emotion |
Carl Plantinga, Greg M. Smith |
|
| 931 |
 |
Subversive Pleasures: Bakhtin, Cultural Criticism, and Film |
Robert Stam |
|
| 932 |
 |
The Anarchy of the Imagination: Interviews, Essays, Notes |
Rainer Werner Fassbinder, Leo A. Lensing (editor), Michael Töteberg (editor), Krishna Winston (transl.) |
|
| 933 |
 |
A Companion to Experimental Cinema [1 ed.] |
Federico Windhausen (editor) |
1 |
| 934 |
 |
Recovering 1940s Horror Cinema: Traces of a Lost Decade |
Mario DeGiglio-Bellemare, Charlie Ellbé, Kristopher Woofter, Paul Corupe, Blair Davis, Louise Fenton, Anne Golden, David Hanley, Karen Herland, Mark Jancovich, Kier-La Janisse, Cory Legassic, Peter Marra, Ian Olney, Dennis R. Perry, Selma Purac, Gary D. Rhodes, Rick Trembles |
|
| 935 |
 |
The Great Depression on Film |
David Luhrssen |
|
| 936 |
 |
The 1960s on Film |
Jim Willis, Mark Miller |
|
| 937 |
 |
The American West on Film |
Johnny D. Boggs |
|
| 938 |
 |
The Civil War on Film |
Peg A. Lamphier and Rosanne Welch |
|
| 939 |
 |
Aliens In Popular Culture |
Michael M. Levy, Farah Mendlesohn |
|
| 940 |
 |
100 Great War Movies: The Real History Behind the Films |
Robert Niemi |
|
| 941 |
 |
Race in American Film |
Daniel Bernardi |
|
| 942 |
 |
Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies |
Kimberly Fain |
|
| 943 |
 |
Women Film Directors: an International Bio-Critical Dictionary |
Foster, Gwendolyn |
|
| 944 |
 |
Clint Eastwood: A Biography |
Sara Anson Vaux Ph.D. |
|
| 945 |
 |
Film Firsts: the 25 Movies That Created Contemporary American Cinema |
Ethan Alter |
|
| 946 |
 |
Projecting the End of the American Dream: Hollywood's Visions of U. S. Decline |
Gordon B. Arnold |
|
| 947 |
 |
Movies in American History: An Encyclopedia |
Philip C. DiMare |
|
| 948 |
 |
Encyclopedia of Religion and Film |
Eric Michael Mazur |
|
| 949 |
 |
Sacred Profanity: Spirituality at the Movies : Spirituality at the Movies |
Aubrey Malone, Aubrey Malone |
|
| 950 |
 |
History in the Media: Film and Television [1 ed.] |
Robert Niemi |
1 |
| 951 |
 |
Women Screenwriters Today : Their Lives and Words |
Marsha Mccreadie |
|
| 952 |
 |
Unsung Heroes of The Lord of the Rings : From the Page to the Screen |
Lynnette Porter |
|
| 953 |
 |
A New Beginning: A Textual Frame Analysis on the Political Campaign Film |
Joanne Morreale |
|
| 954 |
 |
Essential Cinema: An Introduction to Film Analysis [1 ed.] |
Jon Lewis |
1 |
| 955 |
 |
Moving Images: Making Movies, Understanding Media [1 ed.] |
Carl Casinghino |
1 |
| 956 |
 |
Action, Action, Action: The Early Cinema of Raoul Walsh (SUNY series, Horizons of Cinema) |
Tom Conley |
|
| 957 |
 |
Adapting Gender: Mexican Feminisms from Literature to Film |
Ilana Dann Luna |
|
| 958 |
 |
Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema |
Cynthia Margarita Tompkins |
|
| 959 |
 |
Alton's Paradox: Foreign Film Workers and the Emergence of Industrial Cinema in Latin America |
Nicolas Poppe |
|
| 960 |
 |
An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah |
Jennifer Cazenave |
|
| 961 |
 |
Apocalyptic Dread: American Film at the Turn of the Millennium |
Kirsten Moana Thompson |
|
| 962 |
 |
Apropos of Nothing: Deconstruction, Psychoanalysis, and the Coen Brothers |
Clark Buckner |
|
| 963 |
 |
Are You Watching Closely?: Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film |
Seth Friedman |
|
| 964 |
 |
B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value |
Perkins, Claire Elizabeth, Verevis, Constantine |
|
| 965 |
 |
Bad Seeds and Holy Terrors: The Child Villains of Horror Film |
Dominic Lennard |
|
| 966 |
 |
Bad: Infamy, Darkness, Evil, and Slime on Screen |
Murray Pomerance |
|
| 967 |
 |
Binghamton Babylon: Voices from the Cinema Department, 1967-1977 |
Scott M. MacDonald |
|
| 968 |
 |
Biopolitical Screens: Image, Power, and the Neoliberal Brain |
Pasi Väliaho |
|
| 969 |
 |
Blackframes: Critical Perspectives on Independent Black Cinema |
Mbye B. Cham, Claire Andrade-Watkins, James A. Snead, Jim Pines, Manthia Diawara, Kobena Mercer, Teshome H. Gabriel, Clyde Taylor |
|
| 970 |
 |
Blood Circuits: Contemporary Argentine Horror Cinema |
Jonathan Risner |
|
| 971 |
 |
Body Shots: Hollywood and the Culture of Eating Disorders (Excelsior Editions) |
Emily Fox-Kales |
|
| 972 |
 |
Straight Lick: The Cinema of Oscar Micheaux |
Frank J. Fabozzi, Francesco A. Fabozzi |
10 |
| 973 |
 |
Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars Von Trier |
Nenad Jovanovic |
|
| 974 |
 |
Brute Force: Animal Horror Movies |
Dominic Lennard |
|
| 975 |
 |
Buddhism and American Cinema |
John Whalen-Bridge, Gary Storhoff, Danny Rubin |
|
| 976 |
 |
Burning Darkness: A Half Century of Spanish Cinema |
Joan Ramon Resina (ed.), Andrés Lema-Hincapié (ed.) |
|
| 977 |
 |
Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin De Siglo Mexamerica |
Susan Dever |
|
| 978 |
 |
Cinema, Censorship, and the State: The Writings of Nagisa Oshima, 1956-1978 (October Books) |
Nagisa Oshima, Annette Michelson (editor) |
|
| 979 |
 |
Cinematic Cuts: Theorizing Film Endings |
Sheila Kunkle |
|
| 980 |
 |
Cinematic Mythmaking: Philosophy in Film |
Irving Singer |
|
| 981 |
 |
Cinematic Skepticism: Across Digital and Global Turns |
Jeroen Gerrits |
|
| 982 |
 |
Creative Hustling: Women Making and Distributing Films from Nairobi |
Robin Steedman |
|
| 983 |
 |
Curtains of Light: Theatrical Space in Film |
George Toles |
|
| 984 |
 |
Dan Graham : rock my religion |
Graham, Dan, Graham, Dan, Eshun, Kodwo |
|
| 985 |
 |
Dead Ringers: The Remake in Theory and Practice |
Jennifer Forrest, Leonard R Koos |
|
| 986 |
 |
Detecting men: masculinity and the Hollywood detective film |
Gates, Philippa |
|
| 987 |
 |
Detecting women gender and the Hollywood detective film |
Gates, Philippa |
|
| 988 |
 |
Digital storytelling: the narrative power of visual effects in film |
McClean, Shilo T |
|
| 989 |
 |
Distancing Representations in Transgender Film: Identification, Affect, and the Audience |
Lucy J. Miller |
|
| 990 |
 |
Documentary |
Julian Stallabrass (ed.) |
|
| 991 |
 |
Doing Philosophy At The Movies |
Richard A. Gilmore |
|
| 992 |
 |
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema |
Lee Carruthers |
|
| 993 |
 |
Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema |
Alexander Sergeant |
|
| 994 |
 |
Encounters with Godard |
Williams, James S. |
|
| 995 |
 |
Exile Cinema: Filmmakers at Work Beyond Hollywood |
Michael Atkinson |
|
| 996 |
 |
Fantastic Voyages of the Cinematic Imagination: Georges Méliès's Trip to the Moon |
Matthew Solomon |
|
| 997 |
 |
Film Voices: Interviews from Post Script |
Gerald Duchovnay |
|
| 998 |
 |
From El Dorado to Lost Horizons: Traditionalist Films in the Hollywood Renaissance, 1967-1972 |
Ken Windrum |
|
| 999 |
 |
From Havana to Hollywood Slave Resistance in the Cinematic Imaginary (SUNY Series, Afro-Latinx Futures) |
Philip Kaisary, |
|
| 1000 |
 |
Gestures of Love: Romancing Performance in Classical Hollywood Cinema |
Steven Rybin |
|
| 1001 |
 |
Giallo!: Genre, Modernity, and Detection in Italian Horror Cinema |
Alexia Kannas |
|
| 1002 |
 |
Good Entertainment: A Deconstruction of the Western Passion Narrative |
Byung-Chul Han |
|
| 1003 |
 |
Hanan al-Cinema: Affections for the Moving Image |
Laura U. Marks |
|
| 1004 |
 |
Hitchcock at the Source: The Auteur as Adapter |
R. Barton Palmer, David Boyd |
|
| 1005 |
 |
Hitchcock: The Murderous Gaze [2 ed.] |
William Rothman |
2 |
| 1006 |
 |
Hitchcock's Moral Gaze |
R. Barton Palmer, Homer B. Pettey, Steven M. Sanders |
|
| 1007 |
 |
Hollis Frampton |
Michael Zryd |
|
| 1008 |
 |
Hollywood Films in North Africa and the Middle East |
Nolwenn Mingant, |
|
| 1009 |
 |
Hollywood's New Yorker: The Making of Martin Scorsese |
Marc Raymond |
|
| 1010 |
 |
Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity [1 ed.] |
Irving Singer |
1 |
| 1011 |
 |
Invented Lives, Imagined Communities: The Biopic and American National Identity |
William H. Epstein, R. Barton Palmer, (eds.) |
|
| 1012 |
 |
Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000 |
Maria Pramaggiore |
|
| 1013 |
 |
John Huston as Adaptor |
Douglas McFarland (editor), Wesley King (editor) |
|
| 1014 |
 |
Knowing It When You See It: Henry James/Cinema |
Patrick O'Donnell |
|
| 1015 |
 |
Lab Coats in Hollywood: Science, Scientists, and Cinema [1 ed.] |
David A. Kirby |
1 |
| 1016 |
 |
Landscapes of Ice, Wind, and Snow: Alexander Kluge's Aesthetic of Coldness |
Nora M. Alter, Lutz Koepnick, Richard Langston |
|
| 1017 |
 |
Letters from Hollywood, 1977-2017 |
Bill Krohn |
|
| 1018 |
 |
Listening to Others Eduardo Coutinho's Documentary Cinema |
Natalia Brizuela,Krista Brune, |
|
| 1019 |
 |
Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema |
Steven Rybin |
|
| 1020 |
 |
Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books) |
Slavoj Zizek |
|
| 1021 |
 |
Luchino Visconti and the Alchemy of Adaptation |
Brendan Hennessey |
|
| 1022 |
 |
Memories and Movies: What Films Can Teach Us about Memory |
John G. Seamon |
|
| 1023 |
 |
Memory's Orbit: Film and Culture, 1999-2000 |
Joseph P. Natoli |
|
| 1024 |
 |
Mexico Unmanned: The Cultural Politics of Masculinity in Mexican Cinema |
Samanta Ordóñez |
|
| 1025 |
 |
Michael Snow |
Annette Michelson |
|
| 1026 |
 |
Motherhood Misconceived: Representing the Maternal in U.S. Films |
Heather Addison, Mary Kate Goodwin-kelly, Elaine Roth |
|
| 1027 |
 |
Motion Picture Restoration: Digital Algorithms for Artefact Suppression in Degraded Motion Picture Film and Video [1 ed.] |
Dr Anil C. Kokaram (auth.) |
1 |
| 1028 |
 |
Movies and the Moral Adventure of Life |
Alan A. Stone |
|
| 1029 |
 |
Moving innovation: a history of computer animation |
Sito, Tom |
|
| 1030 |
 |
Native Recognition: Indigenous Cinema and the Western |
Joanna Hearne |
|
| 1031 |
 |
Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema |
Matthew Rukgaber |
|
| 1032 |
 |
Orienting Italy: China Through the Lens of Italian Filmmakers |
Mary Ann McDonald Carolan |
|
| 1033 |
 |
Painting, Photography, and Film [1st MIT Press Ppbk Ed Oct. 1973] |
Laszlo Moholy-Nagy |
1 |
| 1034 |
 |
Passionate Detachments: Technologies of Vision and Violence in American Cinema, 1967-1974 |
Amy Rust |
|
| 1035 |
 |
Perpetual Movement: Alfred Hitchcock's Rope |
Neil Badmington |
|
| 1036 |
 |
Philosophy-Screens : From Cinema to the Digital Revolution |
Mauro Carbone, Marta Nijhuis |
|
| 1037 |
 |
Pushing Past the Human in Latin American Cinema |
Carolyn Fornoff (editor), Gisela Heffes (editor) |
|
| 1038 |
 |
Queer by David J. Getsy (ed.) |
David J. Getsy (ed.) |
|
| 1039 |
 |
Queer Art Camp Superstar: Decoding the Cinematic Cyberworld of Ryan Trecartin |
Ricardo E. Zulueta |
|
| 1040 |
 |
Race and the Suburbs in American Film |
Merrill Schleier |
|
| 1041 |
 |
Recreational Terror: Women and the Pleasures of Horror Film Viewing |
Isabel Cristina Pinedo |
|
| 1042 |
 |
Regarding Life: Animals and the Documentary Moving Image |
Belinda Smaill |
|
| 1043 |
 |
Relive : Media Art Histories |
Sean Cubitt, Paul Thomas |
|
| 1044 |
 |
Remaking the Frankenstein Myth on Film: Between Laughter and Horror |
Caroline Joan Picart |
|
| 1045 |
 |
Ripping England!: Postwar British Satire from Ealing to the Goons |
Roger Rawlings |
|
| 1046 |
 |
Roll over Adorno : critical theory, popular culture, audiovisual media |
Miklitsch, Robert |
|
| 1047 |
 |
Rule, Britannia!: The Biopic and British National Identity |
Homer B. Pettey, R. Barton Palmer |
|
| 1048 |
 |
Rumble and Crash: Crises of Capitalism in Contemporary Film |
Milo Sweedler |
|
| 1049 |
 |
Second Takes: Critical Approaches to the Film Sequel |
Carolyn Jess-cooke, Constantine Verevis |
|
| 1050 |
 |
Seeing Like the Buddha Enlightenment through Film |
Cho, Francisca |
|
| 1051 |
 |
Seoul Searching: Culture and Identity in Contemporary Korean Cinema |
Frances Gateward (ed.) |
|
| 1052 |
 |
Shakespeare in the Cinema: Ocular Proof |
Stephen M. Buhler |
|
| 1053 |
 |
Soundings on Cinema: Speaking to Film and Film Artists |
Bert Cardullo |
|
| 1054 |
 |
Sounds Like Helicopters: Classical Music in Modernist Cinema |
Matthew Lau |
|
| 1055 |
 |
Straight: Constructions of Heterosexuality in the Cinema |
Wheeler Winston Dixon |
|
| 1056 |
 |
Cinematography: Theory and Practice: Image Making for Cinematographers and Directors |
Blain Brown |
|
| 1057 |
 |
The body and the screen : theories of Internet spectatorship |
White, Michele |
|
| 1058 |
 |
The cinema effect / Sean Cubitt |
Sean Cubitt |
|
| 1059 |
 |
The Cinematic (Whitechapel: Documents of Contemporary Art) |
David Campany |
|
| 1060 |
 |
The Cinematographer's Voice: Insights Into the World of Visual Storytelling |
Lindsay Coleman, Roberto Schaefer |
|
| 1061 |
 |
The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick |
Lisa Trahair |
|
| 1062 |
 |
The Death of Classical Cinema: Hitchcock, Lang, Minnelli |
Joe Mcelhaney |
|
| 1063 |
 |
The Drama of Fallen France: Reading LA Comedie Sans Tickets |
Kenneth Krauss |
|
| 1064 |
 |
The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema |
Gloria Sutton |
|
| 1065 |
 |
The Filming of Modern Life: European Avant-Garde Film of the 1920s |
Malcolm Turvey |
|
| 1066 |
 |
The flesh of images Merleau-Ponty between painting and cinema |
Carbone, Mauro,Nijhuis, Marta |
|
| 1067 |
 |
The Hard Sell of Paradise: Hawai'i, Hollywood, Tourism |
Jason Sperb |
|
| 1068 |
 |
The Holiday in His Eye: Stanley Cavell's Vision of Film and Philosophy |
William Rothman |
|
| 1069 |
 |
The Human Figure on Film: Natural, Pictorial, Institutional, Fictional |
Seth Barry Watter |
|
| 1070 |
 |
The Machinima Reader |
Henry Lowood and Michael Nitsche (Editors) |
|
| 1071 |
 |
The Mexican Revolution on the World Stage: Intellectuals and Film in the Twentieth Century |
Adela Pineda Franco |
|
| 1072 |
 |
The Parallax View (Short Circuits) |
Slavoj Zizek |
|
| 1073 |
 |
The parallax view [First Edition] |
Žižek, Slavoj |
|
| 1074 |
 |
The Projected Nation: Argentine Cinema and the Social Margins |
Matt Losada |
|
| 1075 |
 |
The real gaze : film theory after Lacan [annotated edition] |
McGowan, Todd |
|
| 1076 |
 |
The Slapstick Camera: Hollywood and the Comedy of Self-Reference |
Burke Hilsabeck |
|
| 1077 |
 |
The Transatlantic Gaze: Italian Cinema, American Film |
Carolan, Mary Ann McDonald |
|
| 1078 |
 |
The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age |
Mónica García Blizzard |
|
| 1079 |
 |
This Is a Picture and Not the World: Movies and a Post-9/11 America |
Joseph Natoli |
|
| 1080 |
 |
Three Documentary Filmmakers: Errol Morris, Ross Mcelwee, Jean Rouch |
William Rothman |
|
| 1081 |
 |
Three Philosophical Filmmakers: Hitchcock, Welles, Renoir (Irving Singer Library) [illustrated edition] |
Irving Singer |
|
| 1082 |
 |
Through a Nuclear Lens: France, Japan, and Cinema from Hiroshima to Fukushima (Suny Series, Horizons of Cinema) |
Hannah Holtzman |
|
| 1083 |
 |
Torturous Etiquettes: Film Performance and Social Form |
Daniel Varndell |
|
| 1084 |
 |
Toward Fewer Images: The Work of Alexander Kluge (October Books) |
Philipp Ekardt |
|
| 1085 |
 |
The Creative Artist's Legal Guide: Copyright, Trademark and Contracts in Film and Digital Media Production |
Ellen Seiter, Bill Seiter |
|
| 1086 |
 |
Underground: The Secret Life Of Videocassettes In Iran [1 ed.] |
Blake Atwood |
1 |
| 1087 |
 |
Was It Yesterday? : Nostalgia in Contemporary Film and Television |
Matthew Leggatt |
|
| 1088 |
 |
Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination |
Nathan Holmes |
|
| 1089 |
 |
Woman-Centered Brazilian Cinema |
Jack A. Draper (editor), Cacilda M. Rego (editor) |
|
| 1090 |
 |
Writ on Water: The Sources and Reach of Film Imagination |
Charles Warren |
|
| 1091 |
 |
Yiddish Cinema: The Drama of Troubled Communication (Suny Series, Horizons of Cinema) |
Jonah Corne, Monika Vrečar |
|
| 1092 |
 |
Fred Astaire |
Steven Marans |
|
| 1093 |
 |
The Hollywood Sign: Fantasy and Reality of an American Icon [First Edition] |
Leo Braudy |
|
| 1094 |
 |
A Companion to Alfred Hitchcock [1st pbk ed] |
Hitchcock, Alfred,Leitch, Thomas M.,Poague, Leland A |
1 |
| 1095 |
 |
A Companion to Ancient Greece and Rome on Screen |
Pomeroy, Arthur J |
|
| 1096 |
 |
A companion to British and Irish cinema |
Hill, W. John |
|
| 1097 |
 |
A Companion to Film Comedy |
Horton, Andrew &, Rapf, Joanna E. |
|
| 1098 |
 |
A companion to German cinema [1 ed.] |
Ginsberg, Terri, Mensch, Andrea |
1 |
| 1099 |
 |
A Companion to Hong Kong Cinema |
Cheung, Esther M. K.,Marchetti, Gina,Yau, Ching-Mei Esther |
|
| 1100 |
 |
A Companion to Italian Cinema |
Burke, Frank |
|
| 1101 |
 |
A Companion to Jean-Luc Godard |
Godard, Jean-Luc,Conley, Tom,Kline, Thomas Jefferson |
|
| 1102 |
 |
A Companion to Latin American Cinema |
Maria M. Delgado, Stephen M. Hart, Randal Johnson |
|
| 1103 |
 |
A Companion to Motion Pictures and Public Value |
Mette Hjort, Ted Nannicelli |
|
| 1104 |
 |
A companion to Pedro Almodóvar |
Almodóvar, Pedro,D'Lugo, Marvin,Vernon, Kathleen M |
|
| 1105 |
 |
A Companion to Russian Cinema |
Beumers, Birgit |
|
| 1106 |
 |
A Companion to Steven Spielberg |
Nigel Morris |
|
| 1107 |
 |
A Companion to the Gangster Film |
George S. Larke-Walsh |
|
| 1108 |
 |
A Companion to the War Film [1 ed.] |
Douglas A. Cunningham, John C. Nelson |
1 |
| 1109 |
 |
SCREENWRITING FOR DUMMIES. [3 ed.] |
LAURA SCHELLHARDT |
3 |
| 1110 |
 |
America on Film: Representing Race, Class, Gender, and Sexuality at the Movies |
Benshoff, Harry M.,Griffin, Sean |
2 |
| 1111 |
 |
America on Film: Representing Race, Class, Gender, and Sexuality at the Movies [Third ed.] |
Harry M. Benshoff &, Sean Griffin |
3 |
| 1112 |
 |
American film history. [1], Origins to 1960 |
Lucia, Cynthia,Grundmann, Roy,Simon, Art,Roy Grundmann,Art Simon |
|
| 1113 |
 |
Avatar and philosophy: learning to see |
Dunn, George A.,Dunn, George A. (EDT),Irwin William (EDT) |
|
| 1114 |
 |
Contemporary Cinema of Africa and the Diaspora |
Anjali Prabhu |
|
| 1115 |
 |
Digital SLR Video and Filmmaking For Dummies |
Carucci, John |
|
| 1116 |
 |
Film studies for dummies |
Cateridge, James |
|
| 1117 |
 |
Filmmaking for Dummies [3 ed.] |
Bryan Michael Stoller |
3 |
| 1118 |
 |
Inception and philosophy because it's never just a dream |
Johnson, David Kyle(Editor),Irwin, William(Series_editor) |
|
| 1119 |
 |
The Fall of the Roman Empire: Film and History [1 ed.] |
Martin M. Winkler |
1 |
| 1120 |
 |
The French New Wave : an Artistic School |
Michel Marie, Richard Neupert |
|
| 1121 |
 |
The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous |
Parish, James Robert |
|
| 1122 |
 |
The making of Some Like It Hot: my memories of Marilyn Monroe and the classic American movie |
Curtis, Tony,Vieira, Mark A |
|
| 1123 |
 |
The Scarlett Letters: The Making of the Film Gone With the Wind |
John Wiley Jr. |
|
| 1124 |
 |
Figures of Light: Actors and Directors Illuminate the Art of Film Acting [1 ed.] |
Carole Zucker (auth.) |
1 |
| 1125 |
 |
Revisiting and Revising the Fifties in Contemporary US Popular Culture : Self-Reflexivity, Melodrama, and Nostalgia in Film and Television [1st ed.] |
Eleonora Ravizza |
1 |
| 1126 |
 |
The Cinema in Flux The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era [1 ed.] |
Lenny Lipton, Lenny Lipton |
1 |
| 1127 |
 |
A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day |
Jacoby, Alexander |
|
| 1128 |
 |
Vivement Dimanche |
Williams, Charles |
|
| 1129 |
 |
Four from the forties: Arliss, Crabtree, Knowles and Huntington (British Film-Makers) |
Brian McFarlane |
|
| 1130 |
 |
Plato and the Moving Image |
Shai Biderman, Michael Weinman |
|
| 1131 |
 |
Postmodern Pirates Tracing the Development of the Pirate Motif with Disneys Pirates of the Caribbean (Contemporary Cinema, 8) |
Susanne Zhanial |
|
| 1132 |
 |
Neo-Baroques: from Latin America to the Hollywood Blockbuster |
Krieger, Peter,Moser, Walter,Ndalianis, Angela |
|
| 1133 |
 |
Irony and Idyll: Jane Austen's Pride and Prejudice and Mansfield Park on Screen |
Marie N. Sorbo |
|
| 1134 |
 |
Audiovisual Translation Through a Gender Lens |
Marcella De Marco |
|
| 1135 |
 |
Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition |
Martin Brady, Joanne Leal |
|
| 1136 |
 |
Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture. (Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft) |
Barbara Korte, Eva Ulrike Pirker, Sissy Helff |
|
| 1137 |
 |
Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture. |
Jaimey Fisher, Barbara Mennel |
|
| 1138 |
 |
Theorizing Bruce Lee: film-fantasy-fighting-philosophy |
Lee, Bruce,Bowman, Paul |
|
| 1139 |
 |
Decolonizing the Lens of Power. Indigenous Films in North America. (Cross Cultures) |
Kerstin Knopf |
|
| 1140 |
 |
Madame Bovary at the movies : adaptation, ideology, context |
Flaubert, Gustave, Donaldson-Evans, Mary, Flaubert, Gustave |
|
| 1141 |
 |
Movement as Meaning: In Experimental Film |
Daniel Barnett |
|
| 1142 |
 |
Hyper-Narrative Interactive Cinema: Problems and Solutions. |
Nitzan Ben Shaul |
|
| 1143 |
 |
Writing and Filming the Painting: Ekphrasis in Literature and Film. (Internationale Forschungen Zur Allgemeinen & Vergleichenden Literaturwissenschaft) [Bilingual ed.] |
Laura M. Sager Eidt |
|
| 1144 |
 |
Violence in French and Francophone Literature and Film |
James Day |
|
| 1145 |
 |
Nightmare Japan contemporary Japanese horror cinema |
McRoy, Jay |
|
| 1146 |
 |
The changing Face of Evil in Film and Television |
Martin F. Norden |
|
| 1147 |
 |
Processes of Transposition. German Literature and Film. |
Christiane Schonfeld (Ed.), Hermann Rasche (co-editor) |
|
| 1148 |
 |
Avant-Garde Film. (Avant-Garde Critical Studies 23) |
Dietrich Scheunemann (Eds.), Dietrich Scheunemann (editor) |
|
| 1149 |
 |
The Abject Object: Avatars of the Phallus in Contemporary French Theory, Literature and Film (Chiasma 17) |
Keith Reader |
|
| 1150 |
 |
Screen Consciousness: Cinema, Mind and World (Consciousness, Literature and the Arts 4) |
Robert Pepperell, Michael Punt |
|
| 1151 |
 |
Books in Motion: Adaptation, Intertextuality, Authorship (Contemporary Cinema 2) |
Mireia Aragay |
|
| 1152 |
 |
From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings |
Ernest Mathijis and Murray Pomerance (eds) |
|
| 1153 |
 |
Creativity in Exile [includes a DVD in NTSC system (USA) ed.] |
Michael Hanne, Michael Hanne |
|
| 1154 |
 |
With Open Eyes: Women and African Cinema |
Kenneth W. Harrow |
|
| 1155 |
 |
Metropolis (Avant Garde Critical Studies 1) |
Ben Rebel, Michael MÜLLER |
|
| 1156 |
 |
Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy (Castle Lectures Series) |
Robert B. Pippin |
|
| 1157 |
 |
Frankly, My Dear: "Gone with the Wind" Revisited [1st ed.] |
Molly Haskell |
1 |
| 1158 |
 |
Stanley Kubrick: American Filmmaker |
David Mikics |
|
| 1159 |
 |
Murder and the Movies |
David Thomson |
|
| 1160 |
 |
Hitler and Film: The Führer's Hidden Passion [Illustrated] |
Bill Niven |
|
| 1161 |
 |
Hitchcock's Music [1ST ed.] |
Jack Sullivan |
1 |
| 1162 |
 |
Steven Spielberg : a life in films |
Molly Haskell |
|
| 1163 |
 |
Warner Bros: The Making of an American Movie Studio |
David Thomson |
|
| 1164 |
 |
Between Truth and Time: A History of Soviet Central Television [1 ed.] |
Christine Elaine Evans |
1 |
| 1165 |
 |
Barbra Streisand: Redefining Beauty, Femininity, and Power |
Neal Gabler |
|
| 1166 |
 |
Visions of a New Land: Soviet Film from the Revolution to the Second World War |
Professor Emma Widdis |
|
| 1167 |
 |
Fast-Talking Dames |
Professor Maria DiBattista |
|
| 1168 |
 |
Why Acting Matters |
David Thomson |
|
| 1169 |
 |
Rethinking Visual Anthropology |
Marcus Banks, Howard Morphy (editors) |
|
| 1170 |
 |
Yale French Studies: New Spaces for French and Francophone Cinema |
James Austin, Grace An |
|
| 1171 |
 |
When Toys Come Alive: Narratives of Animation, Metamorphosis, and Development |
Lois Rostow Kuznets |
|
| 1172 |
 |
Engaging the Moving Image |
Noel Carroll |
|
| 1173 |
 |
Hitchcock’s Music |
Jack Sullivan |
|
| 1174 |
 |
Composers in the Movies: Studies in Musical Biography [First Edition] |
Professor John C. Tibbetts |
|
| 1175 |
 |
Film and Fiction: The Dynamics of Exchange |
Keith Cohen |
|
| 1176 |
 |
Cine y género en España |
|
|
| 1177 |
 |
Cinema Anime: Critical Engagements with Japanese Animation |
Steven T. Brown |
|
| 1178 |
 |
Spike Lee |
Todd McGowan |
|
| 1179 |
 |
Classics in Film and Fiction |
Deborah Cartmell |
|
| 1180 |
 |
The Cinema of Attractions Reloaded |
Strauven, Wanda. |
|
| 1181 |
 |
The Art of Screenplays |
Mukherjee, Robin |
|
| 1182 |
 |
L'image |
Jacques Aumont |
|
| 1183 |
 |
Comment Hitchcock m'a guéri |
Tisseron, Serge |
|
| 1184 |
 |
Martin Scorsese, l'infiltré |
Régis Dubois |
|
| 1185 |
 |
Les Maîtres d'Hollywood 2 |
Peter BOGDANOVICH |
|
| 1186 |
 |
His Hollywood Virgin |
Loraine, Kim |
|
| 1187 |
 |
Les genres du cinéma |
Moine, Raphaelle |
|
| 1188 |
 |
Hollywood And Ivy |
Corry, Judy |
|
| 1189 |
 |
Ne vous fiez pas aux apparences |
Conrad, Lauren |
|
| 1190 |
 |
Les Plaisirs d'Hollywood - 1 |
Conrad, Lauren |
|
| 1191 |
 |
Akira Kurosawa [Núms. 44 y 45] |
|
4445 |
| 1192 |
 |
Films of Sam Peckinpah |
Fulwood, Neil |
|
| 1193 |
 |
It's Not Yet Dark |
Fitzmaurice, Simon |
|
| 1194 |
 |
Justice In The Plays And Films Of Martin Mcdonagh |
|
|
| 1195 |
 |
Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema |
Andrea Sabbadini (edt) |
|
| 1196 |
 |
Federico Fellini: Painting in Film, Painting on Film |
|
|
| 1197 |
 |
The Creative Screenwriter: 12 Rules to Followand Breakto Unlock Your Screenwriting Potential |
Hoxter, Julian |
|
| 1198 |
 |
The Marvel Studios Story |
Wetzel, Charlie |
|
| 1199 |
 |
Ruth Fielding in the Great Northwest; Or, The Indian Girl Star of the Movies |
Alice B. Emerson |
|
| 1200 |
 |
The Moving Picture Boys on the War Front / Or, The Hunt for the Stolen Army Films |
Victor Appleton |
|
| 1201 |
 |
Inside the Film Factory: New Approaches to Russian and Soviet Cinema |
Richard Taylor &, Ian Christie (edt) |
|
| 1202 |
 |
Fritz Lang en América |
|
|
| 1203 |
 |
John Huston |
|
|
| 1204 |
 |
Joseph L. Mankiewicz |
|
|
| 1205 |
 |
Secundarios y antagonistas del Hollywood clásico |
|
|
| 1206 |
 |
¿Habéis sido buenos? Malos en el cine |
|
|
| 1207 |
 |
Yasujiro Ozu [Núms. 25 y 26] |
|
2526 |
| 1208 |
 |
Collected Interviews: Voices from Twentieth-Century Cinema |
Dixon, Wheeler Winston |
|
| 1209 |
 |
Cinema and Community |
McKiernan, D.W. |
|
| 1210 |
 |
Cyborg Cinema and Contemporary Subjectivity |
Sue Short |
|
| 1211 |
 |
Les serpents sont-ils nécessaires ? |
Brian De palma, Susan Lehman &, Susan Lehman |
|
| 1212 |
 |
The Italian political filmmakers |
Michalczyk, John J., 1941 |
|
| 1213 |
 |
The First King of Hollywood |
Tracey Goessel |
|
| 1214 |
 |
Teoría y crítica del cine |
|
|
| 1215 |
 |
Annie Hall |
Woody Allen &, Marshall Brickman |
|
| 1216 |
 |
A propósito de nada (Libros Singulares (LS) |
Woody Allen |
|
| 1217 |
 |
Balas sobre Broadway |
Woody Allen |
|
| 1218 |
 |
Alice Guy La Première Femme Cinéaste De L'histoire |
Emmanuelle Gaume |
|
| 1219 |
 |
Anatomie du scénario |
Truby, John |
|
| 1220 |
 |
Au dos de nos images II (Seuil, 22 janvier) |
Dardenne, Luc |
|
| 1221 |
 |
Charlie Chaplin |
Mamta Jha |
|
| 1222 |
 |
Clint Eastwood |
Quim Casas |
|
| 1223 |
 |
El manual del guionista |
Syd Field |
|
| 1224 |
 |
Esto no es el cine, chico |
James, Indiana |
|
| 1225 |
 |
Film Art: An Introduction |
Bordwell,David |
|
| 1226 |
 |
Hollywood Dirt |
Alessandra Torre |
|
| 1227 |
 |
Hollywood Drama: Love. Hate. Forgiveness |
Adams, Kristina |
|
| 1228 |
 |
Hollywood King |
Corwin, Monica |
|
| 1229 |
 |
Hollywood Princess |
Corwin, Monica |
|
| 1230 |
 |
Hollywood's Eve |
Lili Anolik |
|
| 1231 |
 |
Hollywood's Secret Baby: A Friends-to-Lovers, Second Chance Romance |
Spring, Kaylee |
|
| 1232 |
 |
Los archivos personales de Ingmar Bergman |
Bergman, Ingmar |
|
| 1233 |
 |
Kill Bill 2 |
Леонид (Lleo) Каганов |
|
| 1234 |
 |
La Couleur au cinéma |
Yannick Mouren |
|
| 1235 |
 |
Le Cinéma Dans Le Sang |
Tavernier, Bertrand |
|
| 1236 |
 |
Le Cinéma infiltré - Un Nouveau Journalisme |
Lewis, Grover |
|
| 1237 |
 |
Le cinéma italien de 1945 à nos jours |
Schifano |
|
| 1238 |
 |
Le Cinéma selon Jean-Pierre Melville |
Nogueira, Rui |
|
| 1239 |
 |
Le vocabulaire du cinéma - 4e édition |
Marie-Thérèse Journot. |
|
| 1240 |
 |
Luc Besson, L'homme qui voulait être aimé |
|
|
| 1241 |
 |
Making of: by Xavier Durringer |
Xavier Durringer |
|
| 1242 |
 |
Marylin Monroe la cicatrice |
Claude Delay |
|
| 1243 |
 |
Movies, Songs, and Electric Sound: Transatlantic Trends |
Charles O'Brien |
|
| 1244 |
 |
Notting Hill With Love... Actually |
Mcnamara, Ali |
|
| 1245 |
 |
Persona |
Bergman, Ingmar |
|
| 1246 |
 |
Précis d'analyse filmique - 4e édition |
Goliot-Lété |
|
| 1247 |
 |
Rainer on Film |
Peter Rainer |
|
| 1248 |
 |
Sauver les meubles |
Marion Vernoux |
|
| 1249 |
 |
The Blue Dahlia: A Screenplay |
Raymond Chandler, John Houseman, Matthew J. Bruccoli |
|
| 1250 |
 |
The Hollywood Daughter |
Alcott, Kate |
|
| 1251 |
 |
The James Bond Bedside Companion |
Benson, Raymond |
|
| 1252 |
 |
Una genealogía de la pantalla |
Israel Márquez |
|
| 1253 |
 |
Villeret, du rire aux larmes |
Durieux, Gilles &, Sartirano, Claude |
|
| 1254 |
 |
We Play Ourselves |
Silverman, Jen |
|
| 1255 |
 |
YouBollywood |
Ninchiboy |
|
| 1256 |
 |
A Companion to Martin Scorsese |
Aaron Baker |
|
| 1257 |
 |
Die a Little: Suspenseful and Evocative Novel of Hollywood's Sleazy Underbelly |
Abbott, Megan |
|
| 1258 |
 |
Agujeros de guion |
Andoni Garrido |
|
| 1259 |
 |
El cine: by Antonin Artaud |
Antonin Artaud |
|
| 1260 |
 |
The Moving Picture Boys on the Coast; Or, Showing Up the Perils of the Deep (Dodo Press) |
Appleton, Victor &, Munsey's |
|
| 1261 |
 |
The Moving Picture Boys on the Coast |
Appleton, Victor &, Munsey's |
|
| 1262 |
 |
Aquí yacen dragones |
Aranoa, Fernando León de |
|
| 1263 |
 |
Historia del terror a través del cine |
Barahona, Fernando Alonso |
|
| 1264 |
 |
Raoul Ruiz le magicien |
Benoît PEETERS, Guy SCARPETTA |
|
| 1265 |
 |
The Perils of Pauline |
Charles Goddard |
|
| 1266 |
 |
Philosophy goes to the Movies: An Introduction to Philosophy |
Christopher Falzon |
|
| 1267 |
 |
Philosophy & The Matrix |
Christopher Grau |
|
| 1268 |
 |
Eternal Sunshine of the Spotless Mind |
Christopher Grau (edt) |
|
| 1269 |
 |
El cine en vivo y sus técnicas |
Coppola, Francis Ford |
|
| 1270 |
 |
Hollywood Love: Ein Stuntman zum Verlieben |
Mia Baronn & Mara Shepherd |
|
| 1271 |
 |
Unsinkable |
Debbie Reynolds |
|
| 1272 |
 |
Le roman d'amour... et de vie de Simone Signoret et Yves Montand |
Delpard, Raphaël |
|
| 1273 |
 |
The Cinema Murder |
E. Phillips Oppenheim |
|
| 1274 |
 |
Film Theory: An Introduction Through the Senses |
Elsaesser, Thomas &, Hagener, Malte |
|
| 1275 |
 |
The Brief, Madcap Life of Kay Kendall |
Eve Golden |
|
| 1276 |
 |
El último baile de Charlot |
Fabio Stassi |
|
| 1277 |
 |
Giulietta |
Federico Fellini |
|
| 1278 |
 |
Coreyography |
Feldman, Corey |
|
| 1279 |
 |
Barton Fink. Estudio crítico |
Fernando de Felipe |
|
| 1280 |
 |
¡Aquí sale hasta el apuntador! |
Fernando Fernán Gómez |
|
| 1281 |
 |
Héroes de Grecia y Roma en la pantalla |
Fernando Lillo Redonet |
|
| 1282 |
 |
Casablanca la bella |
Fernando Vallejo |
|
| 1283 |
 |
El último magnate |
Fitzgerald, Francis Scott |
|
| 1284 |
 |
Un guión para Artkino |
Fogwill |
|
| 1285 |
 |
El cine según Hitchcock |
François Truffaut |
|
| 1286 |
 |
El placer de la mirada |
François Truffaut |
|
| 1287 |
 |
Las películas de mi vida |
François Truffaut |
|
| 1288 |
 |
Cómo analizar un film |
Francesco Casetti &, Federico Di Chio |
|
| 1289 |
 |
Wong Kar-wai |
Francisco Javier Gómez Tarín |
|
| 1290 |
 |
La creación de la Trilogía Original |
Francisco Javier Martínez García |
|
| 1291 |
 |
Eastwood |
Francisco Reyero |
|
| 1292 |
 |
El hijo de Greta Garbo |
Francisco Umbral |
|
| 1293 |
 |
El cine y la imaginación romántica |
Frank D. McConnell |
|
| 1294 |
 |
Marlene Dietrich |
Franz Hessel |
|
| 1295 |
 |
Aquí Kubrick |
Frederic Raphael |
|
| 1296 |
 |
Godfather: The Intimate Francis Ford Coppola |
Gene D. Phillips |
|
| 1297 |
 |
Gender and Contemporary Horror in Television |
Gerrard, Steven &, Holland, Samantha &, SHAIL, ROBERT |
|
| 1298 |
 |
Merton of the Movies |
Harry Leon Wilson |
|
| 1299 |
 |
Gender and Contemporary Horror in Film |
Holland, Samantha &, SHAIL, ROBERT &, Gerrard, Steven |
|
| 1300 |
 |
The Moving Picture Girls |
Hope, Laura Lee &, Lives, Blackmask |
|
| 1301 |
 |
The Photoplay |
Hugo Muensterberg |
|
| 1302 |
 |
Suite française. Le film |
Irène Némirovsky |
|
| 1303 |
 |
Edgar G. Ulmer: A Filmmaker at the Margins |
Isenberg, Noah |
|
| 1304 |
 |
The Secret Life of Marilyn Monroe |
J. Randy Taraborrelli |
|
| 1305 |
 |
Cienciología: Hollywood y la prisión de la fe |
Lawrence Wright |
|
| 1306 |
 |
Film Music: A History |
JAMES WIERZBICKI |
|
| 1307 |
 |
THE PHILOSOPHY OF STANLEY KUBRICK |
Jerold J. Abrams |
|
| 1308 |
 |
The Politics of Big Fantasy: The Ideologies of Star Wars, the Matrix and the Avengers |
John C. McDowell |
|
| 1309 |
 |
Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability |
Johnson Cheu |
|
| 1310 |
 |
Hawks on Hawks |
Joseph McBride |
|
| 1311 |
 |
Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book |
Kowalski, Dean A. |
|
| 1312 |
 |
Baiser ou faire des films |
Kraus Chris |
|
| 1313 |
 |
The Maternal Imagination of Film and Film Theory [1st ed.] |
Lauren Bliss |
1 |
| 1314 |
 |
Jacqueline Susann's Shadow of the Dolls |
Lawrence, Rae |
|
| 1315 |
 |
How to Make Movies: Low-Budget / No-Budget Indie Experts Tell All |
Lindenmuth, Kevin J. |
|
| 1316 |
 |
Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World |
Maggie |
|
| 1317 |
 |
La única mujer |
Marie Benedict |
|
| 1318 |
 |
THE PHILOSOPHY OF MARTIN SCORSESE |
Mark T. Conard |
|
| 1319 |
 |
The Philosophy of Neo-Noir |
Mark T. Conard |
|
| 1320 |
 |
The Philosophy of the Coen Brothers (The Philosophy of Popular Culture) |
Mark T. Conard PhD |
|
| 1321 |
 |
Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn |
McFadden, Cybelle H. |
|
| 1322 |
 |
The Animated Man: A Life of Walt Disney |
Michael Barrier |
|
| 1323 |
 |
Bioética y cine |
Moratalla, Tomás Domingo |
|
| 1324 |
 |
Rebel without a crew, or, How a 23-year-old filmmaker with $7,000 became a Hollywood player |
Robert Rodriguez |
|
| 1325 |
 |
The Moon's a Balloon |
Niven, David |
|
| 1326 |
 |
The Routledge Companion to Philosophy and Film |
Paisley Livingston and Carl Plantinga (edt) |
|
| 1327 |
 |
Night Film |
Pessl, Marisha |
|
| 1328 |
 |
Glitter |
Pike, Aprilynne |
|
| 1329 |
 |
Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture |
Rebecca Prime |
|
| 1330 |
 |
A Memoir |
Farrow, Mia |
|
| 1331 |
 |
All I need is love |
Kinski, Klaus, Kinski, Klaus |
|
| 1332 |
 |
All About Me!: My Remarkable Life in Show Business |
Mel Brooks |
|
| 1333 |
 |
I Am No Messiah |
Sonu Sood, Meena K Iyer |
|
| 1334 |
 |
Spelling It Like It Is |
Spelling, Tori |
|
| 1335 |
 |
SCREENING THE MALE: Exploring masculinities in Hollywood cinema |
Steven Cohan &, Ina Rae Hark (edt) |
|
| 1336 |
 |
Dynasty of Deceit: A Showbiz Family Saga |
Stuart, Sarah |
|
| 1337 |
 |
Dangerous Liaisons: A Showbiz Family Saga |
Stuart, Sarah |
|
| 1338 |
 |
Illicit Passion: A Showbiz Family Saga |
Stuart, Sarah |
|
| 1339 |
 |
Anime Impact: The Movies and Shows That Changed the World of Japanese Animation |
Stuckmann, Chris |
|
| 1340 |
 |
Thinking on Screen: Film as Philosophy |
Thomas E. Wartenberg |
|
| 1341 |
 |
Caught in the web: dreaming up the world of Spider-Man 2 |
Vaz, Mark Cotta |
|
| 1342 |
 |
Movie Stuff |
Thursday, Thomas &, Munsey's |
|
| 1343 |
 |
Conversations with John Schlesinger |
Schlesinger, John,Buruma, Ian |
|
| 1344 |
 |
Enchanted Drawings: The History of Animation [Revised] |
Charles Solomon |
|
| 1345 |
 |
Action and Adventure Cinema |
Yvonne Tasker (edt) |
|
| 1346 |
 |
The Matrix Reloaded |
|
|
| 1347 |
 |
Loving Garbo: the Story of Greta Garbo, Cecil Beaton and Mercedes de Acosta |
Vickers, Hugo |
|
| 1348 |
 |
Lost in Mongolia: Travels in Hollywood and Other Foreign Lands |
Tad Friend |
|
| 1349 |
 |
Meditaciones de cine |
Quentin Tarantino |
|
| 1350 |
 |
Mi universo freak: Los héroes, películas, series, juguetes y videojuegos de mi vida |
Javier Olivares |
|
| 1351 |
 |
American Drama In The Age Of Film |
Zander brietzke |
|
| 1352 |
 |
Silent Stars [1st ed] |
Basinger, Jeanine |
1 |
| 1353 |
 |
Silent Comedy |
Paul Merton |
|
| 1354 |
 |
Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy |
Erich Schwartzel |
|
| 1355 |
 |
Save The Writing! Developing a Series with Series Bibles: A Production Guide for Writing Series Bibles for TV, Film and Fiction! |
Wade Pena &, Phil Zizza |
|
| 1356 |
 |
The Mirror Crack 'd from Side to Side |
Agatha Christie |
|
| 1357 |
 |
Pixar Storytelling: Rules for Effective Storytelling Based on Pixar's Greatest Films |
Dean Movshovitz |
|
| 1358 |
 |
An Epic Life: Ramanand Sagar: From Barsaat to Ramayan |
Sagar, Prem |
|
| 1359 |
 |
Encyclopedia Of Film Noir |
|
|
| 1360 |
 |
Lacan in Hollywood |
Slavoj Zizek |
|
| 1361 |
 |
Superman Lives |
Kevin Smith |
|
| 1362 |
 |
Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas |
Lim, Song Hwee |
|
| 1363 |
 |
Neurofilmology. Audiovisual studies and the Challenge of Neuroscience XIV |
Ruggero Eugeni, Adriano D'Aloia (editors) |
|
| 1364 |
 |
The Star Wars Storybook |
|
|
| 1365 |
 |
The Rise of Skywalker - The Visual Dictionary |
Pablo Hidalgo |
|
| 1366 |
 |
Solo: A Star Wars Story - The Official Guide |
Pablo Hidalgo |
|
| 1367 |
 |
Star Wars: The Complete Locations |
Kristin Lund, Simon Beecroft, Kerrie Dougherty, James Luceno |
|
| 1368 |
 |
A Positively Final Appearance |
Alec Guinness |
|
| 1369 |
 |
El cine y la Transición política en España (1975-1982) (Otras Eutopías) |
Arranz, Manuel Palacio |
|
| 1370 |
 |
El debate sobre la eutanasia visto desde el cine |
Serrano Galindo, Marcos |
|
| 1371 |
 |
Kafka y el cine: La estética de lo kafkiano en el séptimo arte (Otras Eutopías) |
Rubia, Leopoldo La |
|
| 1372 |
 |
La vuelta al cine en cuarenta días |
Antin, Eduardo |
|
| 1373 |
 |
Lo que el viento no se llevó (Cine) |
Paz Rebollo, María Antonia |
|
| 1374 |
 |
Mujeres de cine: La mirada de 10 directoras españolas |
Chuvieco Salinero, Enrique |
|
| 1375 |
 |
Producción ejecutiva de proyectos cinematográficos (Comunicación) |
Pardo, Alejandro |
|
| 1376 |
 |
Quiero hacer un documental |
Segarra, Manuel Gómez |
|
| 1377 |
 |
Cine, deporte y género: Argumentos y reflexiones coeducativas (Educación - Psicopedagogía) |
Trinidad Núñez Domínguez &, Aránzazu Román San Miguel |
|
| 1378 |
 |
Cine, enseñanza y enseñanza del cine |
Millan, Juan A. Pérez |
|
| 1379 |
 |
La creación audiovisual en la infancia: De espectadores a productores |
Augustowsky, Gabriela |
|
| 1380 |
 |
Relato audiovisual y humor |
Francisco Gutiérrez Carbajo |
|
| 1381 |
 |
"Bold! Daring! Shocking! True!": a history of exploitation films, 1919-1959 |
Eric Schaefer |
|
| 1382 |
 |
Lo que Freud le diría a Spielberg: 47 películas para conocernos mejor |
Soufi, Samer |
|
| 1383 |
 |
Cine: 100 años de filosofía |
Cabrera, Julio |
|
| 1384 |
 |
El antifaz transparente: Antropología en el cine de superhéroes |
Encinas, Arturo |
|
| 1385 |
 |
Directory of World Cinema: Australia and New Zealand 2 |
Ben Goldsmith, Mark David Ryan, Geoff Lealand |
|
| 1386 |
 |
Directory of World Cinema: France |
Charlie Michael |
|
| 1387 |
 |
Danza macabra |
King, Stephen |
|
| 1388 |
 |
Star Wars Super Graphic |
Tim Leong |
|
| 1389 |
 |
The Persistence of Whiteness: Race and Contemporary Hollywood Cinema |
Daniel Bernardi (edt) |
|
| 1390 |
 |
Le Promeneur écoutant: Essais d'acoulogie |
Chion, Michel |
|
| 1391 |
 |
Grandes batallas en la pantalla |
Díaz, Guillermo |
|
| 1392 |
 |
Callback: A Hollywood Billionaire Romance 1 |
Collins, Katana |
|
| 1393 |
 |
Hedy |
Lecoat, Jenny |
|
| 1394 |
 |
THE MADNESS OF DR. CALIGARI |
Weiler, Dennis |
|
| 1395 |
 |
Unscripted |
Handscombe, Claire |
|
| 1396 |
 |
(Not So) Good in a Room (California Dreamers #1) |
Madison, Dakota |
|
| 1397 |
 |
La nouvelle vague |
Michel Marie |
|
| 1398 |
 |
Tienes Miedo A La Oscuridad |
Sidney Sheldon |
|
| 1399 |
 |
Un extraño en el espejo |
Sheldon, Sidney |
|
| 1400 |
 |
Oh Brothers ! Sur la piste des frères Coen |
Cerisuelo, Marc &, Debru, Claire |
|
| 1401 |
 |
Hollywood face à la censure |
Caïra Olivier |
|
| 1402 |
 |
Jackie Brown |
Leonard, Elmore |
|
| 1403 |
 |
A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941 |
Hamid Naficy |
|
| 1404 |
 |
L'Enquêteur du paranormal au cinéma |
Page, Christian R. |
|
| 1405 |
 |
Pas à pas dans la brume électrique |
Bertrand Tavernier |
|
| 1406 |
 |
The Monstrous vision of the : Horror |
Lisa Shea |
|
| 1407 |
 |
Hallmark Channel Countdown to Christmas: Have a Very Merry Movie Holiday |
McKenzie, Caroline |
|
| 1408 |
 |
Rodaje |
Manuel Gutiérrez Aragón |
|
| 1409 |
 |
Últimas sesiones con Marilyn |
Michel Schneider |
|
| 1410 |
 |
L'amant de minuit - Amoureuse de son patron (Hollywood Hills Clinic) |
Marinelli, Carol &, Forbes, Emily |
|
| 1411 |
 |
Le plus beau des sacrifices - Un charmant rival (Hollywood Hills Clinic) |
George, Louisa &, Ruttan, Amy |
|
| 1412 |
 |
Atrapa el pez dorado |
Lynch, David |
|
| 1413 |
 |
Cien películas que me abrieron la cabeza |
Amelio-Ortiz, Nicolás |
|
| 1414 |
 |
Bruce Willis: Retratos |
Aresté, José María |
|
| 1415 |
 |
The Sleuthing Starlet Mysteries |
Blythe, Bianca |
|
| 1416 |
 |
Dead in a Flash |
Bonner, Brynn |
|
| 1417 |
 |
Picture Them Dead |
Bonner, Brynn |
|
| 1418 |
 |
Death in Reel Time |
Bonner, Brynn |
|
| 1419 |
 |
Paging the Dead |
Bonner, Brynn |
|
| 1420 |
 |
Movies and Murder |
Hunter, Carolyn Q. |
|
| 1421 |
 |
Cinema at the end of empire : a politics of transition in Britain and India |
Priya Jaikumar |
|
| 1422 |
 |
Storm: The Hottest Guy in Hollywood - An Erotic Romance |
Crescent, Tara |
|
| 1423 |
 |
Film: A Very Short Introduction |
Wood, Michael |
|
| 1424 |
 |
Documentary Film: A Very Short Introduction |
Aufderheide, Patricia |
|
| 1425 |
 |
Crowds, Power, and Transformation in Cinema |
Lesley Brill |
|
| 1426 |
 |
Culture of Class Radio and Cinema in the Making of a Divided Argentina, 1920?1946. |
Matthew B. Karush |
|
| 1427 |
 |
Der kleine Prinz – Das Vorlesebuch zum Film |
Antoine de Saint-Exupéry |
|
| 1428 |
 |
Playback |
MARK COLEMAN |
|
| 1429 |
 |
Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide: From the Silent Era Through 1965: Third Edition |
Maltin, Leonard |
|
| 1430 |
 |
Sous le soleil de Bollywood |
Rajashree |
|
| 1431 |
 |
Empty Moments: Cinema, Modernity, and Drift |
Leo Charney |
|
| 1432 |
 |
Fidel between the Lines: Paranoia and Ambivalence in Late Socialist Cuban Cinema |
Laura-Zoe Humphreys |
|
| 1433 |
 |
Figures of Time: Affect and the Television of Preemption |
Toni Pape |
|
| 1434 |
 |
Films of Endearment: A Mother, a Son and the '80s Films That Defined Us |
Michael Koresky |
|
| 1435 |
 |
Film im Zeitalter Neuer Medien. Digitalität und Kino [2] |
Harro Segeberg |
2 |
| 1436 |
 |
Film Blackness : American Cinema and the Idea of Black Film |
Michael Boyce Gillespie |
|
| 1437 |
 |
Film Marketing [1 ed.] |
Finola Kerrigan |
1 |
| 1438 |
 |
Adapting Your Novel for Film |
Jones, Pauline Baird |
|
| 1439 |
 |
Wishmaster - The Novelization |
Christian Francis |
|
| 1440 |
 |
Media Heterotopias: Digital Effects and Material Labor in Global Film Production |
Hye Jean Chung |
|
| 1441 |
 |
Release the Snyder Cut |
Sean O'Connell |
|
| 1442 |
 |
Companion to Pedro Almódovar |
D'Lugo, Marvin, Vernon, Kathleen M. |
|
| 1443 |
 |
Marilyn Monroe |
Michelle Morgan |
|
| 1444 |
 |
3diy: 3D Moviemaking on an Indy Budget |
Ray Zone |
|
| 1445 |
 |
Animated Realism [1 ed.] |
Judith Kriger |
1 |
| 1446 |
 |
Alistair Cooke at the Movies |
Alistair Cooke |
|
| 1447 |
 |
Designing Sound for Animation |
Robin Beauchamp |
|
| 1448 |
 |
Documentary in the Digital Age |
Maxine Baker |
|
| 1449 |
 |
Film in Higher Education and Research. Proceedings of a Conference Held at the College of Advanced Technology, Birmingham, in September 1964 |
|
|
| 1450 |
 |
Final Cut Pro 3 Editing Workshop |
Tom Wolsky |
|
| 1451 |
 |
Returning the gaze: a genealogy of Black film criticism, 1909-1949 |
Anna Everett |
|
| 1452 |
 |
Filmcraft: Directing |
Goodridge, Michael |
|
| 1453 |
 |
Film Production Management [3rd ed] |
Bastian Cleve |
3 |
| 1454 |
 |
Revisiting Women's Cinema: Feminism, Socialism, and Mainstream Culture in Modern China |
Lingzhen Wang |
|
| 1455 |
 |
High Definition Cinematography [3 ed.] |
Paul Wheeler |
3 |
| 1456 |
 |
The Remasculinization of Korean Cinema |
Kyung Hyun Kim (editor), Rey Chow (editor), Harry Harootunian (editor), Masao Miyoshi (editor) |
|
| 1457 |
 |
The Sign of the Joker: The Clown Prince of Crime as a Sign |
Joel West |
|
| 1458 |
 |
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses |
Laura U. Marks, Dana Polan |
|
| 1459 |
 |
The Soul of Anime: Collaborative Creativity and Japan's Media Success Story |
Ian Condry |
|
| 1460 |
 |
Make the Cut A Guide to Becoming a Successful Assistant Editor in Film and TV |
Lori Jane Coleman, Diana Friedberg |
|
| 1461 |
 |
Motion Picture and Video Lighting |
Blain Brown |
|
| 1462 |
 |
Photoshop for video [3rd ed] |
Richard Harrington |
3 |
| 1463 |
 |
Politics and the Media. Film and Television for the Political Scientist and Historian [1st ed.] |
M. J. Clark |
1 |
| 1464 |
 |
Practical Cinematography [2nd ed] |
Paul Wheeler |
2 |
| 1465 |
 |
Argo : How the CIA and Hollywood Pulled Off the Most Audacious Rescue in History |
Mendez, Antonio J., Baglio, Matt |
|
| 1466 |
 |
Programmes for Animation. A Handbook for Animation Technicians |
Brian Salt (Auth.) |
|
| 1467 |
 |
Screenwriting Tips, You Hack: 150 Practical Pointers for Becoming a Better Screenwriter |
Xander Bennett |
|
| 1468 |
 |
Sell Your Own Damn Movie! |
Antill, Sara,Kaufman, Lloyd |
|
| 1469 |
 |
Set Lighting Technicians Handbook [4th. ed] |
Harry C. Box |
4 |
| 1470 |
 |
The Filmmaker's Eye [1st edition] |
Mercado, Gustavo |
1 |
| 1471 |
 |
The Technique of Film Editing [2nd Edition] |
Karel Reisz, Gavin Millar, Thorold Dickinson |
2 |
| 1472 |
 |
The visual effects producer: understanding the art and business of VFX |
Charles Finance, Susan Zwerman |
|
| 1473 |
 |
Special make-up effects for stage and screen : making and applying prosthetics |
Todd Debreceni |
|
| 1474 |
 |
Because He's Jeff Goldblum: The Movies, Memes and Meaning of Hollywood's Most Enigmatic Actor |
Travis M. Andrews |
|
| 1475 |
 |
The camera assistant's manual [5th ed] |
David E. Elkins SOC |
5 |
| 1476 |
 |
The Focal easy guide to Maya 5: for new users and professionals [1 ed.] |
Jason Patnode |
1 |
| 1477 |
 |
The art and technique of digital color correction |
Steve Hullfish |
|
| 1478 |
 |
The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems, 5th Edition [5 ed.] |
Greg Staten, Steve Bayes |
5 |
| 1479 |
 |
The Art and Technique of Matchmoving: Solutions for the VFX Artist [Pap/Dvdr ed.] |
Erica Hornung |
|
| 1480 |
 |
The Foley Grail: The Art of Performing Sound for Film, Games, and Animation |
Vanessa Theme Ament |
|
| 1481 |
 |
The Focal Easy Guide to Adobe Audition 2.0 [1st ed] |
Antony Brown |
1 |
| 1482 |
 |
Bette Davis |
Davis, Bette,Thomson, David |
|
| 1483 |
 |
A Sunday in hell: behind the lens of the greatest cycling film of all time |
Fotheringham, William |
|
| 1484 |
 |
A woman's view: how Hollywood spoke to women, 1930-1960 [1st ed] |
Basinger, Jeanine |
1 |
| 1485 |
 |
Advanced cinematherapy: the girl's guide to finding happiness one movie at a time |
Peske, Nancy K.,West, Beverly |
|
| 1486 |
 |
Alfred Hitchcock |
Ackroyd, Peter,Hitchcock, Alfred |
|
| 1487 |
 |
Billion-dollar kiss: the story of a television writer in the Hollywood gold rush |
Jeffrey Stepakoff |
|
| 1488 |
 |
Beyond the Wand |
Tom Felton |
|
| 1489 |
 |
Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture |
John Strausbaugh |
|
| 1490 |
 |
Brando: Songs My Mother Taught Me |
Marlon Brando, Robert Lindsey |
|
| 1491 |
 |
Bright Boulevards, Bold Dreams |
Donald Bogle |
|
| 1492 |
 |
Cagney [1st ed] |
Cagney, James,McCabe, John |
1 |
| 1493 |
 |
Cary grant. la biografia |
Marc eliot |
|
| 1494 |
 |
Changing by Liv Ullmann [First ed.] |
Liv Ullmann |
|
| 1495 |
 |
Chroma: a book of color, June '93 |
Jarman, Derek |
|
| 1496 |
 |
Cinematherapy for lovers: the girl's guide to finding true love one movie at a time [Unabridged] |
Peske, Nancy,West, Beverly |
|
| 1497 |
 |
Clint Eastwood: interviews |
Eastwood, Clint,Kapsis, Robert E.,Coblentz, Kathie |
|
| 1498 |
 |
Conversations with Woody Allen His Films, the Movies, and Moviemaking |
Lax, Eric |
|
| 1499 |
 |
Conversations with Scorsese [1st ed] |
Scorsese, Martin,Schickel, Richard |
1 |
| 1500 |
 |
Bollybook : the big book of Hindi movie trivia [2014 ed.] |
Chaudhuri, Diptakirti |
2014 |
| 1501 |
 |
Bollywood Melodies: A History of the Hindi Film Song |
Ganesh Anantharaman |
|
| 1502 |
 |
Bollywood's Top 20: Superstars of Indian Cinema |
Bhaichand Patel |
|
| 1503 |
 |
Diosas de Hollywood: Las vidas de Ava Gardner, Grace Kelly, Rita Hayworth y Elizabeth Taylor más allá del glamour |
Cristina Morató |
|
| 1504 |
 |
Directed by James Burrows : Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More |
James Burrows, Eddy Friedfeld |
|
| 1505 |
 |
El niño de Hollywood |
Óscar Martínez, Juan José Martínez |
|
| 1506 |
 |
Escritos de cine (estuche: Un oficio del siglo xx, Arcadia todas las noches, Cine o Sardina) |
Guillermo Cabrera Infante |
|
| 1507 |
 |
Every Man for Himself and God Against All : A Memoir |
Werner Herzog, Michael Hofmann |
|
| 1508 |
 |
Film as a subversive art |
Amos Vogel. |
|
| 1509 |
 |
Four screenplays: studies in the American screenplay |
Field, Syd |
|
| 1510 |
 |
Going to the Movies |
Syd Field |
|
| 1511 |
 |
Hollywood Animal |
Joe Eszterhas |
|
| 1512 |
 |
Hollywood Genres: Formulas, Filmmaking, and the Studio System [1st ed.] |
Thomas Schatz |
1 |
| 1513 |
 |
How I Made a Hundred Movies in Hollywood and Never Lost a Dime |
Roger Corman |
|
| 1514 |
 |
How to Watch a Movie |
Thomson, David |
|
| 1515 |
 |
Inside Oscar 2: 6 New Years of Academy Awards History: 1995-2000 |
Damien Bona |
|
| 1516 |
 |
Jacques Tati |
David Bellos |
|
| 1517 |
 |
It's only a movie: a cinematic autobiography 'inspired by true events' |
Kermode, Mark |
|
| 1518 |
 |
John Huston: Courage and Art [Unabridged] |
Meyers, Jeffrey |
|
| 1519 |
 |
Jim Henson: The Guy Who Played with Puppets |
Kathleen Krull, Steve Johnson, Lou Fancher |
|
| 1520 |
 |
Jennifer, Gwyneth & Me |
Bertsche, Rachel |
|
| 1521 |
 |
Kicking the Pricks |
Jarman, Derek |
|
| 1522 |
 |
Movie menus : recipes for perfect meals with your favorite films [1st ed] |
Segan, Francine |
1 |
| 1523 |
 |
Movie-Made Appalachia: History, Hollywood, and the Highland South |
John C Inscoe |
|
| 1524 |
 |
My Journey [Unabridged] |
Books on Tape, Inc.,Boyes, Kathleen,Karan, Donna,Streisand, Barbra |
|
| 1525 |
 |
My movie business: a memoir [1st ed] |
Irving, John |
1 |
| 1526 |
 |
My So-Called Bollywood Life |
Nisha Sharma |
|
| 1527 |
 |
NeuroCienciaFicción: Cómo el cine se adelantó a la ciencia |
Rodrigo Quian Quiroga |
|
| 1528 |
 |
Chaplin: His Life and Art |
David Robinson |
|
| 1529 |
 |
Peter Bogdanovich's Movie of the Week |
Bogdanovich, Peter |
|
| 1530 |
 |
Room to Dream |
David Lynch, Kristine McKenna |
|
| 1531 |
 |
Room to Dream [Adapted for audio] |
Random House Audio Publishing.,Recorded Books, Inc.,Lynch, David,McKenna, Kristine |
|
| 1532 |
 |
Screenplay. The Foundations of Screenwriting |
Syd Field |
|
| 1533 |
 |
Selling a Screenplay: The Screenwriter's Guide to Hollywood |
Syd Field |
|
| 1534 |
 |
Slaves on screen: film and historical vision |
Davis, Natalie Zemon |
|
| 1535 |
 |
So you want to be a producer [1st ed] |
Turman, Lawrence |
1 |
| 1536 |
 |
Star Wars Episode I — The Phantom Menace Movie Scrapbook |
Ryder Windham |
|
| 1537 |
 |
Star Wars: Revenge of the Sith Scrapbook |
Ryder Windham |
|
| 1538 |
 |
Temuera Morrison: From Haka to Hollywood |
Paul Little |
|
| 1539 |
 |
The big picture the new logic of money and power in Hollywood [1st ed] |
Epstein, Edward Jay |
1 |
| 1540 |
 |
The Business Of Documentary Filmmaking |
Claudia Babirat, Lloyd Spencer Davis |
|
| 1541 |
 |
The Empire Strikes Back |
|
|
| 1542 |
 |
The English patient: a novel [Deluxe video collector's set ; Wide screen collector's ed] |
Dafoe, Willem, Ondaatje, Michael, Minghella, Anthony, Binoche, Juliette, Tomas, Kristen Scott, Fiennes, Ralph, Zaentz, Saul |
|
| 1543 |
 |
The Making of the Movie |
|
|
| 1544 |
 |
The Mailroom -- Hollywood History from the Bottom Up |
David Rensin |
|
| 1545 |
 |
The Making of 2001: A Space Odyssey |
Stephanie Schwam |
|
| 1546 |
 |
The Movie Storybook |
|
|
| 1547 |
 |
The Movie Mystery |
|
|
| 1548 |
 |
Screenwriting is Storytelling: Creating an A-List Screenplay that Sells! |
Kate Wright |
|
| 1549 |
 |
The Total Film Maker [1st Edition] |
Jerry Lewis |
1 |
| 1550 |
 |
Tough Guys Don't Dance [!st ed.] |
Norman Mailer |
|
| 1551 |
 |
Troublemaker: Surviving Hollywood and Scientology |
Leah Remini,Rebecca Paley |
|
| 1552 |
 |
Up in the air: collected film scripts |
Jarman, Derek |
|
| 1553 |
 |
Watching War Films with My Dad |
Murray, Al |
|
| 1554 |
 |
When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence |
Connie Bruck |
|
| 1555 |
 |
Who the devil made it: conversations with Robert Aldrich [and others] |
Bogdanovich, Peter |
|
| 1556 |
 |
Who the Hell's in It |
Peter Bogdanovich |
|
| 1557 |
 |
A Feminist Reader in Early Cinema |
Jennifer M. Bean, Diane Negra (eds.) |
|
| 1558 |
 |
A New Kind of Public: Community, Solidarity, and Political Economy in New Deal Cinema, 1935-1948 |
Graham Cassano |
|
| 1559 |
 |
A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978–1984 |
Hamid Naficy |
|
| 1560 |
 |
A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984–2010 |
Hamid Naficy |
|
| 1561 |
 |
A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978 |
Hamid Naficy |
|
| 1562 |
 |
Abjection Incorporated: Mediating the Politics of Pleasure and Violence |
Maggie Hennefeld, Nicholas Sammond |
|
| 1563 |
 |
AIDS TV: Identity, Community, and Alternative Video |
Alexandra Juhasz |
|
| 1564 |
 |
American Blockbuster: Movies, Technology, and Wonder |
Charles R. Acland |
|
| 1565 |
 |
Ancient Worlds in Film and Television: Gender and Politics |
Almut-Barbara Renger |
|
| 1566 |
 |
Animating Film Theory |
Karen Beckman |
|
| 1567 |
 |
Anthropology, Film Industries, Modularity |
Ramyar D. Rossoukh, Steven C. Caton |
|
| 1568 |
 |
Archiveology: Walter Benjamin and Archival Film Practices |
Catherine Russell |
|
| 1569 |
 |
Asia-Pacific: Culture, Politics, and Society: Kurosawa: Film Studies and Japanese Cinema |
Yoshimoto, Mitsuhiro |
|
| 1570 |
 |
Asian Video Cultures: In the Penumbra of the Global |
Joshua Neves, Bhaskar Sarkar (eds.) |
|
| 1571 |
 |
Authentizitat nach Pasolini |
Cora Rok (editor) |
|
| 1572 |
 |
Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-1960 |
Nicholas Sammond |
|
| 1573 |
 |
Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary |
Fran Martin (editor), Rey Chow (editor), Harry Harootunian (editor), Masao Miyoshi (editor) |
|
| 1574 |
 |
Biaxial Stretching of Film |
Mark T. DeMeuse |
|
| 1575 |
 |
Bigger Than Life: The Close-Up and Scale in the Cinema |
Mary Ann Doane |
|
| 1576 |
 |
Birth of an industry : blackface minstrelsy and the rise of American animation |
Sammond, Nicholas |
|
| 1577 |
 |
Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time |
Stephen Rebello |
|
| 1578 |
 |
black and Blue ; The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour |
Carol Mavor |
|
| 1579 |
 |
Black and Blue: The Bruising Passion of Camera Lucida, La Jete, Sans soleil, and Hiroshima mon amour |
Carol Mavor |
|
| 1580 |
 |
Bold! Daring! Shocking! True!: A History of Exploitation Films, 1919-1959 |
Eric Schaefer |
|
| 1581 |
 |
Brill's Companion to Ancient Greek and Roman Warfare on Film (Brill's Companions to Classical Studies - Brill's Companions to Classical Studies: Warfare in the Ancient Mediterranean World, 7) |
Konstantinos P. Nikoloutsos (editor) |
|
| 1582 |
 |
Censorium: Cinema and the Open Edge of Mass Publicity |
William Mazzarella |
|
| 1583 |
 |
Chick Flicks: Theories and Memories of the Feminist Film Movement |
B. Ruby Rich |
|
| 1584 |
 |
Chinese Animation and Socialism |
Daisy Yan Du |
|
| 1585 |
 |
Cinematic Prophylaxis: Globalization and Contagion in the Discourse of World Health |
Kirsten Ostherr |
|
| 1586 |
 |
Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics |
Yuriko Furuhata |
|
| 1587 |
 |
City of Screens: Imagining Audiences in Manila's Alternative Film Culture |
Jasmine Nadua Trice |
|
| 1588 |
 |
Cinema and Television in Singapore: Resistance in One Dimension |
Kenneth Paul Tan |
|
| 1589 |
 |
Clowns, Fools and Picaros : Popular Forms in Theatre, Fiction and Film [1 ed.] |
David Robb |
1 |
| 1590 |
 |
Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema |
Robert J. Corber |
|
| 1591 |
 |
Contemporary Indonesian Film: Spirits of Reform and Ghosts From the Past |
Katinka van Heeren |
|
| 1592 |
 |
Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield |
Sander Brouwer (ed.) |
|
| 1593 |
 |
Crash: Cinema and the Politics of Speed and Stasis |
Karen Beckman |
|
| 1594 |
 |
Crisis and Capitalism in Contemporary Argentine Cinema |
Joanna Page |
|
| 1595 |
 |
Essentials of Screenwriting |
Richard Walter |
|
| 1596 |
 |
Cupboards of Curiosity: Women, Recollection, and Film History |
Amelie Hastie |
|
| 1597 |
 |
Dark Borders: Film Noir and American Citizenship |
Jonathan Auerbach |
|
| 1598 |
 |
Death in Documentaries : The Memento Mori Experience [1 ed.] |
Benjamin Bennett-Carpenter |
1 |
| 1599 |
 |
Der Film oder der imaginäre Mensch: Ein anthropologischer Essay |
Lorenz Engell (editor) |
|
| 1600 |
 |
Der montierte Mensch |
Bernd Stiegler |
|
| 1601 |
 |
Die Filme Fatih Akins |
Cornelia Ruhe (editor), Thomas Wortmann (editor) |
|
| 1602 |
 |
Die Attraktion des Apparativen |
Stefanie Diekmann (editor), Volker Wortmann (editor) |
|
| 1603 |
 |
Everything You Need to Write Great Essays: You Can Learn From Watching Movies |
Jay Douglas |
|
| 1604 |
 |
Die Lust zu gehen. Weibliche Flanerie in Literatur und Film |
Georgiana Banita · Judith Ellenbürger · Jörn Glasenapp (eds.) |
|
| 1605 |
 |
Dietrich Icon |
Gerd Gemünden and Mary R. Desjardins |
|
| 1606 |
 |
Discorrelated Images |
Shane Denson |
|
| 1607 |
 |
Disintegrating the Musical: Black Performance and American Musical Film |
Arthur Knight |
|
| 1608 |
 |
Extreme DV at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less Than $3,000 |
Rick Schmidt |
|
| 1609 |
 |
Displaced Allegories: Post-Revolutionary Iranian Cinema |
Negar Mottahedeh |
|
| 1610 |
 |
Double Negative: The Black Image and Popular Culture |
Racquel J. Gates |
|
| 1611 |
 |
Duke: The Life and Image of John Wayne |
Ronald L. Davis |
|
| 1612 |
 |
Dying in Full Detail: Mortality and Digital Documentary |
Jennifer Malkowski |
|
| 1613 |
 |
Education in the School of Dreams: Travelogues and Early Nonfiction Film |
Jennifer Lynn Peterson |
|
| 1614 |
 |
Fearless Nadia : the true story of Bollywood's original stunt queen |
Dorothee Wenner, Rebecca Morrison |
|
| 1615 |
 |
Empires of Vision: A Reader |
Sumathi Ramaswamy |
|
| 1616 |
 |
Energetik der Film-Rezeption: Mit Bergson und Deleuze |
Felix Schackert |
|
| 1617 |
 |
England's secret weapon: the wartime films of Sherlock Holmes [3rd edition] |
Doyle, Arthur Conan,Holmes, Sherlock,Field, Amanda J |
3 |
| 1618 |
 |
Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema |
Linda Schulte-Sasse |
|
| 1619 |
 |
Film writing and selected journalism |
James Agee |
|
| 1620 |
 |
Envisioning Taiwan : Fiction, Cinema, and the Nation in the Cultural Imaginary [1 ed.] |
June Yip, Rey Chow, Harry Harootunian, Masao Miyoshi |
1 |
| 1621 |
 |
Five came back: a story of Hollywood and the Second World War |
Harris, Mark |
|
| 1622 |
 |
Experimental ethnography: the work of film in the age of video |
Russell, Catherine |
|
| 1623 |
 |
Flashback: My Life and Times in Bollywood and Beyond |
Bob Christo |
|
| 1624 |
 |
F. Scott Fitzgerald on Silent Film (European Perspectives on the United States, 2) |
Martina Mastandrea, independent researcher. |
|
| 1625 |
 |
Framed : women in law and film |
Kamir, Orit |
|
| 1626 |
 |
Fragmenting modernisms : Chinese wartime literature, art, and film, 1937-49 |
FitzGerald, Carolyn |
|
| 1627 |
 |
French Minority Cinema [1 ed.] |
Cristina Johnston |
1 |
| 1628 |
 |
Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves |
Michael DeAngelis |
|
| 1629 |
 |
Gender and the Modern Sherlock Holmes: Essays on Film and Television Adaptations Since 2009 |
Nadine Farghaly |
|
| 1630 |
 |
From Raj to Swaraj: The Non-fiction Film in India |
Bhagwan Das Garga |
|
| 1631 |
 |
Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968 |
Kevin Heffernan |
|
| 1632 |
 |
Gilles Deleuze's Time Machine |
D N Rodowick |
|
| 1633 |
 |
Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema |
Arnika Fuhrmann |
|
| 1634 |
 |
Ghostbuster's daughter: life with my dad, harold ramis |
Ramis, Harold,Ramis Stiel, Violet,STIEL, VIOLET RAMIS |
|
| 1635 |
 |
High Contrast: Race and Gender in Contemporary Hollywood Films |
Sharon Willis |
|
| 1636 |
 |
Hitchcock à la Carte [Illustrated] |
Jan Olsson |
|
| 1637 |
 |
Hitchcock à la Carte |
Jan Olsson |
|
| 1638 |
 |
Hong Kong Connections: Transnational Imagination in Action Cinema |
Meaghan Morris, Siu Leung Li, Stephen Chan Ching-Kiu |
|
| 1639 |
 |
Goldwyn: A Biography |
A. Scott Berg |
|
| 1640 |
 |
I Am C-3PO: The Inside Story |
Anthony Daniels, J.J. Abrams |
|
| 1641 |
 |
Iconic Turns: Nation and Religion in Eastern European Cinema since 1989 |
Liliya Berezhnaya, Christian Schmitt |
|
| 1642 |
 |
Identities in motion : Asian American film and video |
Feng, Peter X |
|
| 1643 |
 |
Imag(in)ing the War in Japan: Representing and Responding to Trauma in Postwar Literature and Film |
David Stahl, Mark Williams |
|
| 1644 |
 |
Imagined Israel(s): Representations of the Jewish State in the Arts |
Rocco Giansante (editor), Luna Goldberg (editor) |
|
| 1645 |
 |
Immediations: The Humanitarian Impulse in Documentary |
Pooja Rangan |
|
| 1646 |
 |
Imitation of Life |
Fannie Hurst (editor), Daniel Itzkovitz (editor) |
|
| 1647 |
 |
Imitations of Life: Two Centuries of Melodrama in Russia |
Louise McReynolds (editor), Joan Neuberger (editor), Richard Stites (editor), Julie Buckler (editor) |
|
| 1648 |
 |
In the Name of National Security : Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America [1 ed.] |
Robert J. Corber, Donald E. Pease |
1 |
| 1649 |
 |
Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical |
Steven Cohan |
|
| 1650 |
 |
Indirect Subjects: Nollywood's Local Address |
Matthew H. Brown |
|
| 1651 |
 |
Inherent Vice: Bootleg Histories of Videotape and Copyright |
Lucas Hilderbrand |
|
| 1652 |
 |
Hamlet: A Screenplay Adaptation |
William Shakespeare, adapted by Michael Almereyda |
|
| 1653 |
 |
Inventing Film Studies |
Lee Grieveson, Haidee Wasson |
|
| 1654 |
 |
Japonisme and the Birth of Cinema |
Daisuke Miyao |
|
| 1655 |
 |
John Huston's filmmaking |
Lesley Brill |
|
| 1656 |
 |
John Huston’s Filmmaking |
Lesley Brill |
|
| 1657 |
 |
Jia Zhangke on Jia Zhangke |
Michael Berry |
|
| 1658 |
 |
Justitiabilität Und Rechtmäßigkeit: Verrechtlichungsprozesse Von Literatur Und Film in Der Moderne (Amsterdamer Beiträge Zur Neueren Germanistik, 73) (German Edition) |
Claude D. Conter |
|
| 1659 |
 |
Kurosawa: Film Studies and Japanese Cinema |
Mitsuhiro Yoshimoto |
|
| 1660 |
 |
La memoria cinematográfica de la guerrilla antifranquista |
Pere Joan Tous, Cornelia Ruhe |
|
| 1661 |
 |
Hollywood Ending: Harvey Weinstein and the Culture of Silence |
Ken Auletta |
|
| 1662 |
 |
Looking Past the Screen: Case Studies in American Film History and Method |
Jon Lewis (editor), Eric Smoodin (editor) |
|
| 1663 |
 |
Lost Highways, Embodied Travels: The Road Movie in American Experimental Film and Video (European Perspectives on the United States, 7) |
Kornelia Boczkowska |
|
| 1664 |
 |
Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier |
Homay King |
|
| 1665 |
 |
Making Cinelandia: American Films and Mexican Film Culture before the Golden Age |
Laura Isabel Serna |
|
| 1666 |
 |
Making Sex Public and Other Cinematic Fantasies |
Damon R. Young |
|
| 1667 |
 |
Manly Arts: Masculinity and Nation in Early American Cinema |
David A Gerstner |
|
| 1668 |
 |
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood |
Vanessa Díaz |
|
| 1669 |
 |
Ethics, Subject and Place in Chinese-Language Documentaries |
Kuei-Fen Chiu, Yingjin Zhang |
|
| 1670 |
 |
Masculinités maghrébines, Nouvelles perspectives sur la culture, la littérature et le cinéma (Francopolyphonies, 21) (French Edition) |
Michael Gebhard, Editor (editor) |
|
| 1671 |
 |
Masculine singular: French New Wave cinema |
Sellier, Geneviève |
|
| 1672 |
 |
Matters of Gravity: Special Effects and Supermen in the 20th Century |
Scott Bukatman |
|
| 1673 |
 |
Medium Cool: Music Videos from Soundies to Cellphones |
Roger Beebe (editor), Jason Middleton (editor) |
|
| 1674 |
 |
Melodrama: An Aesthetics of Impossibility |
Jonathan Goldberg |
|
| 1675 |
 |
Memoirs from the Beijing Film Academy: The Genesis of China’s Fifth Generation |
Zhen Ni (editor), Rey Chow (editor), Harry Harootunian (editor), Masao Miyoshi (editor), Chris Berry (editor) |
|
| 1676 |
 |
Monsters in the Movies |
John Landis |
|
| 1677 |
 |
Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 |
Xiaoning Lu |
|
| 1678 |
 |
Movie Bliss: A Hopeless Romantic Seeks Movies to Love |
Heidi Rice |
|
| 1679 |
 |
Music, Narrative and the Moving Image : Varieties of Plurimedial Interrelations [1 ed.] |
Walter Bernhart, David Francis Urrows |
1 |
| 1680 |
 |
Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio |
Timothy D. Taylor, Mark Katz, Tony Grajeda |
|
| 1681 |
 |
New Queer Cinema: The Director's Cut |
B. Ruby Rich |
|
| 1682 |
 |
If This Was Happiness: A Biography of Rita Hayworth [1 ed.] |
Leaming, Barbara |
1 |
| 1683 |
 |
Not Hollywood: Independent Film at the Twilight of the American Dream |
Sherry Ortner |
|
| 1684 |
 |
Nothing happens : Chantal Akerman's hyperrealist everyday |
Margulies, Ivone |
|
| 1685 |
 |
Im Kino [1. Auflage] |
Martenstein, Harald |
1 |
| 1686 |
 |
Orgies of Feeling: Melodrama and the Politics of Freedom |
Elisabeth R. Anker |
|
| 1687 |
 |
In Search of Cleo |
Gina Gershon |
|
| 1688 |
 |
Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture |
Corey K. Creekmur (editor), Alexander Doty (editor) |
|
| 1689 |
 |
Out Takes: Essays on Queer Theory and Film |
Ellis Hanson |
|
| 1690 |
 |
Painting the City Red: Chinese Cinema and the Urban Contract |
Yomi Braester |
|
| 1691 |
 |
Palestine, Israel, and the Politics of Popular Culture |
Rebecca L. Stein (editor), Ted Swedenburg (editor), Salim Tamari (editor), Mark LeVine (editor) |
|
| 1692 |
 |
Parallel tracks: the railroad and silent cinema |
Lynne Kirby |
|
| 1693 |
 |
Parasite: A Philosophical Exploration |
Thorsten Botz-Bornstein (editor), Giannis Stamatellos (editor) |
|
| 1694 |
 |
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 |
Eric Smoodin |
|
| 1695 |
 |
Independent Ed : inside a career of big dreams, little movies, and the twelve best days of my life |
Burns, Edward, Gold, Todd |
|
| 1696 |
 |
Ingrid Bergman |
Bergman, Ingrid,Thomson, David |
|
| 1697 |
 |
Phantasmatic Indochina: French Colonial Ideology in Architecture, Film, and Literature |
Panivong Norindr |
|
| 1698 |
 |
Photography and the Optical Unconscious |
Shawn Michelle Smith, Sharon Sliwinski (eds.) |
|
| 1699 |
 |
Picturing American Modernity : Traffic, Technology, and the Silent Cinema [1 ed.] |
Kristen Whissel |
1 |
| 1700 |
 |
Pocket Guide to Collecting Movies on DVD: Building an Essential Movie Collection-With Information on the Best DVD Extras, Supplements and Special Features-And the Best DVDs for Kids |
Steven H. Scheuer, Alida Brill-Scheuer |
|
| 1701 |
 |
Porn Archives |
Tim Dean (editor), Steven Ruszczycky (editor), David Squires (editor) |
|
| 1702 |
 |
Producing Bollywood: Inside the Contemporary Hindi Film Industry |
Tejaswini Ganti |
|
| 1703 |
 |
Production Culture: Industrial Reflexivity and Critical Practice in Film and Television |
John Thornton Caldwell |
|
| 1704 |
 |
Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
Rielle Navitski |
|
| 1705 |
 |
Queer African Cinemas |
Lindsey B. Green-Simms |
|
| 1706 |
 |
Queer Cinema in the World |
Karl Schoonover, Rosalind Galt |
|
| 1707 |
 |
Racines et déracinements au grand écran (Francopolyphonies, 20) |
Marianne Bessy |
|
| 1708 |
 |
Radical Sensations: World Movements, Violence, and Visual Culture |
Shelley Streeby |
|
| 1709 |
 |
Reattachment Theory: Queer Cinema of Remarriage |
Lee Wallace |
|
| 1710 |
 |
Recycled Stars: Female Film Stardom in the Age of Television and Video |
Mary R. Desjardins |
|
| 1711 |
 |
Red, White & Black: Cinema and the Structure of U.S. Antagonisms |
Frank B. Wilderson III |
|
| 1712 |
 |
Red, White & Black: Cinema and the Structure of U.S. Antagonisms [Illustrated] |
Frank B. Wilderson |
|
| 1713 |
 |
Refiguring Global Challenges: Literary and Cinematic Explorations of War, Inequality, and Migration (Cross/Cultures, 221) |
Amanda Minervini (editor), Amelie Bjrck (editor), Omri Grinberg (editor), Amrita Ghosh (editor) |
|
| 1714 |
 |
Refiguring Spain: cinema, media, representation |
Kinder, Marsha |
|
| 1715 |
 |
Refiguring Spain: Cinema/Media/Representation |
Marsha Kinder (editor) |
|
| 1716 |
 |
Reframing bodies : AIDS, bearing witness, and the queer moving image |
Roger Hallas |
|
| 1717 |
 |
Reframing Todd Haynes: Feminism’s Indelible Mark |
Theresa L. Geller, Julia Leyda |
|
| 1718 |
 |
Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930–1960 |
Eric Smoodin |
|
| 1719 |
 |
Relational Designs in Literature and the Arts: Page and Stage, Canvas and Screen (Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, 158) |
Rui Carvalho Homem (editor) |
|
| 1720 |
 |
Religion and the Arts in the Hunger Games [1 ed.] |
Zhange Ni |
1 |
| 1721 |
 |
Kind of a Big Deal : How Anchorman Stayed Classy and Became the Most Iconic Comedy of the Twenty-First Century |
Saul Austerlitz |
|
| 1722 |
 |
Remaking Gender and the Family : Perspectives on Contemporary Chinese-Language Film Remakes [1 ed.] |
Sarah Woodland |
1 |
| 1723 |
 |
Restoration of Motion Picture Film (Butterworth-Heinemann Series in Conservation and Museology) [First Edition] |
Paul Read, Mark-Paul Meyer |
|
| 1724 |
 |
Retellings: The Bible in Literature, Music, Art and Film |
J. Cheryl Exum |
|
| 1725 |
 |
Rethinking the Erotic: Eroticism in Literature, Film, Art and Society [1 ed.] |
Katarzyna Popak-Bernat, Sara D'Arcy |
1 |
| 1726 |
 |
Retracing images: visual culture after Yugoslavia |
Daniel Šuber, Slobodan Karamanić |
|
| 1727 |
 |
Return to Troy: new essays on the Hollywood epic |
Winkler, Martin M. |
|
| 1728 |
 |
Revenge, Agency, and Identity from European Drama to Asian Film : Agents of Vengeance [1 ed.] |
Eric Dodson-Robinson |
1 |
| 1729 |
 |
Rites of realism : essays on corporeal cinema |
Margulies, Ivone |
|
| 1730 |
 |
Rites of Realism: Essays on Corporeal Cinema |
Ivone Margulies (editor), Andre Brazin (editor), Mark Andrew Cohen (editor), Serge Daney (editor), Philip Rosen (editor) |
|
| 1731 |
 |
Sapphic Slashers: Sex, Violence, and American Modernity |
Lisa Duggan |
|
| 1732 |
 |
Sardinia on Screen : The Construction of the Sardinian Character in Italian Cinema [1 ed.] |
Maria Bonaria Urban |
1 |
| 1733 |
 |
Savage Theory: Cinema as Modern Magic [Illustrated] |
Rachel O. Moore |
|
| 1734 |
 |
Scorsese and Religion [1 ed.] |
Christopher B. Barnett, Clark J. Elliston |
1 |
| 1735 |
 |
Screen Traffic: Movies, Multiplexes, and Global Culture |
Charles R. Acland |
|
| 1736 |
 |
Screening Race in American Nontheatrical Film [1 ed.] |
Allyson Nadia Field, Marsha Gordon |
1 |
| 1737 |
 |
Screening Sex |
Linda Williams |
|
| 1738 |
 |
Screening Social Justice: Brave New Films and Documentary Activism |
Sherry B. Ortner |
|
| 1739 |
 |
See under: Shoah : Imagining the Holocaust with David Grossman [1 ed.] |
Marc De Kesel, Bettine Siertsema, Katarzyna Szurmiak |
1 |
| 1740 |
 |
Sessue Hayakawa : Silent Cinema and Transnational Stardom [1 ed.] |
Daisuke Miyao |
1 |
| 1741 |
 |
Sex scene : media and the sexual revolution |
Schaefer, Eric |
|
| 1742 |
 |
Shanghai Filmmaking : Crossing Borders, Connecting to the Globe, 1922-1938 [1 ed.] |
Huang Xuelei |
1 |
| 1743 |
 |
Sherlock Holmes and Conan Doyle: Multi-Media Afterlives |
Sabine Vanacker, Catherine Wynne (eds.) |
|
| 1744 |
 |
Sherlock Holmes for the 21st century: essays on new adaptations |
Doyle, Arthur Conan,Holmes, Sherlock,Porter, Lynnette R |
|
| 1745 |
 |
Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change |
Eliza Steinbock |
|
| 1746 |
 |
Signposts of Self-Realization : Evolution, Ethics and Sociality in Modern Chinese Literature and Film [1 ed.] |
Xinmin Liu |
1 |
| 1747 |
 |
Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics |
Jeffrey Sconce (editor), Eric Schaefer (editor), Tania Modleski (editor), Harry M. Benshoff (editor), Chuck Kleinhans (editor), Colin Gunckel (editor) |
|
| 1748 |
 |
Leonard Maltin's 2015 Movie Guide: The Modern Era [2015 ed] |
Maltin, Leonard(Editor) |
2015 |
| 1749 |
 |
Leonard Maltin's Classic Movie Guide: From the Silent Era Through 1965: Third Edition |
|
|
| 1750 |
 |
Leonard Maltin's movie guide: the modern era |
Maltins, Leonard |
|
| 1751 |
 |
Soldiers' Stories : Military Women in Cinema and Television since World War II [1 ed.] |
Yvonne Tasker |
1 |
| 1752 |
 |
Soldiers' Stories: Military Women in Cinema and Television since World War II |
Yvonne Tasker |
|
| 1753 |
 |
Sound: An Acoulogical Treatise |
Michel Chion |
|
| 1754 |
 |
Sounding the modern woman: The songstress in Chinese cinema |
Jean Ma |
|
| 1755 |
 |
Soundtrack Available: Essays on Film and Popular Music |
Pamela Robertson Wojcik, Arthur Knight, Rick Altman, Priscilla Barlow |
|
| 1756 |
 |
Spectacular Digital Effects: CGI and Contemporary Cinema |
Kristen Whissel |
|
| 1757 |
 |
Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships |
Brett Farmer |
|
| 1758 |
 |
Still Life in Real Time: Theory After Television |
Richard Dienst |
|
| 1759 |
 |
Still Moving: Between Cinema and Photography |
Karen Redrobe (editor), Jean Ma (editor), Tom Gunning (editor), Timothy Corrigan (editor) |
|
| 1760 |
 |
Lew Hunter's Screenwriting 434 |
Lew Hunter |
|
| 1761 |
 |
Life's That Way: A Memoir |
Jim Beaver |
|
| 1762 |
 |
The aesthetics of shadow : lighting and Japanese cinema |
Associate Professor of Japanese Film and Cinema Studies Daisuke Miyao |
|
| 1763 |
 |
The Aesthetics of Shadow: Lighting and Japanese Cinema |
Daisuke Miyao |
|
| 1764 |
 |
The Apartment Complex: Urban Living and Global Screen Cultures |
Pamela Robertson Wojcik (editor) |
|
| 1765 |
 |
The Apartment Plot : Urban Living in American Film and Popular Culture, 1945 To 1975 [1 ed.] |
Pamela Robertson Wojcik |
1 |
| 1766 |
 |
The Archival Afterlives of Philippine Cinema (a Camera Obscura book) |
Bliss Cua Lim |
|
| 1767 |
 |
The Battle of the Sexes in French Cinema, 1930 1956 |
Noël Burch, Geneviève Sellier, Peter Graham |
|
| 1768 |
 |
The Bible in Film, the Bible and Film |
J. Cheryl Exum |
|
| 1769 |
 |
The Challenge of the Silver Screen (Studies in Religion and the Arts) |
Freek L. Bakker |
|
| 1770 |
 |
The Cinema of Catherine Breillat [1 ed.] |
Sophie Bélot |
1 |
| 1771 |
 |
The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film |
Angelo Restivo (editor), Stanley Fish (editor), Fredric Jameson (editor) |
|
| 1772 |
 |
The Cinema of Naruse Mikio: Women and Japanese Modernity |
Catherine Russell |
|
| 1773 |
 |
The Cinematic Life of the Gene |
Jackie Stacey |
|
| 1774 |
 |
The Crisis of Identity in Contemporary Japanese Film: Personal, Cultural, National (Brill's Japanese Studies Library) |
Timothy Iles |
|
| 1775 |
 |
The Curse of Sherlock Holmes: The Basil Rathbone Story |
David Clayton |
|
| 1776 |
 |
The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies |
Alexander Zahlten |
|
| 1777 |
 |
Martenstein H.,Im Kino [1. Auflage] |
Martenstein, Harald |
1 |
| 1778 |
 |
The Flash of Capital: Film and Geopolitics in Japan |
Eric Cazdyn |
|
| 1779 |
 |
The Fruit Machine: Twenty Years of Writings on Queer Cinema |
Thomas Waugh |
|
| 1780 |
 |
The Hitchcock Romance: Love and Irony in Hitchcock's Films |
Lesley Brill |
|
| 1781 |
 |
The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene |
Celine Parreñas Shimizu |
|
| 1782 |
 |
The Ironic Filmmaking of Stephen Frears |
Lesley Brill |
|
| 1783 |
 |
The lady from the black lagoon: hollywood monsters and the lost legacy of milicent patrick |
O'Meara, Mallory,Patrick, Milicent |
|
| 1784 |
 |
The Media Swirl: Politics, Audiovisuality, and Aesthetics |
Carol Vernallis |
|
| 1785 |
 |
The Migrant Image: The Art and Politics of Documentary during Global Crisis |
T. J. Demos |
|
| 1786 |
 |
The passion of Ingmar Bergman |
Frank Gado |
|
| 1787 |
 |
The Persistence of the Human : Consciousness, Meta-Body and Survival in Contemporary Film and Literature [1 ed.] |
Matthew Escobar |
1 |
| 1788 |
 |
The Process Genre Cinema and the Aesthetic of Labor |
Salomé Aguilera Skvirsky |
|
| 1789 |
 |
The Real of Reality: The Realist Turn in Contemporary Film Theory |
Christine Reeh-Peters, Stefan W. Schmidt, Peter Weibel |
|
| 1790 |
 |
The Seeing Century: Film, Vision, and Identity |
Wendy Everett |
|
| 1791 |
 |
The Seventies Now: Culture as Surveillance |
Stephen Paul Miller |
|
| 1792 |
 |
The Star Wars Book |
Cole Horton |
|
| 1793 |
 |
The Third Eye: Race, Cinema, and Ethnographic Spectacle |
Fatimah Tobing Rony |
|
| 1794 |
 |
The Urban Gaze: Exploring Urbanity Through Art, Architecture, Music, Fashion, Film and Media [1 ed.] |
Silvia Mazzucotelli Salice |
1 |
| 1795 |
 |
The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century |
Zhen Zhang |
|
| 1796 |
 |
The Virus Touch: Theorizing Epidemic Media |
Bishnupriya Ghosh |
|
| 1797 |
 |
The Witch′s Flight: The Cinematic, the Black Femme, and the Image of Common Sense |
Kara Keeling |
|
| 1798 |
 |
The Witchs Flight: The Cinematic, the Black Femme, and the Image of Common Sense |
Keeling, Kara |
|
| 1799 |
 |
Tourist Distractions Traveling and Feeling in Transnational Hallyu Cinema |
Project Muse.,Choe, Youngmin |
|
| 1800 |
 |
Transformational Ethics of Film Thinking the Cinemakeover in the Film-Philosophy Debate (Value Inquiry / Philosophy of Film, 365) |
&,lt, b&,gt, Martin P. Rossouw&,lt, /b&,gt, , University of the Free State, South Africa |
|
| 1801 |
 |
Translating Time: Cinema, the Fantastic, and Temporal Critique |
Bliss Cua Lim |
|
| 1802 |
 |
Undead TV: Essays on Buffy the Vampire Slayer |
Elana Levine (editor), Lisa Parks (editor), Mary Celeste Kearney (editor), Susan Murray (editor) |
|
| 1803 |
 |
Untimely Bollywood: Globalization and India’s New Media Assemblage |
Amit S. Rai |
|
| 1804 |
 |
Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity |
Allyson Nadia Field |
|
| 1805 |
 |
Useful Cinema |
Charles R. Acland, Haidee Wasson |
|
| 1806 |
 |
Vanishing Women : Magic, Film, and Feminism |
Karen Redrobe Beckman |
|
| 1807 |
 |
Virtual Hallyu: Korean Cinema of the Global Era |
Kyung Hyun Kim |
|
| 1808 |
 |
Virtual Memory: Time-Based Art and the Dream of Digitality |
Homay King |
|
| 1809 |
 |
Virtual Reality: the Last Human Narrative? [1 ed.] |
Thorsten Botz-Bornstein |
1 |
| 1810 |
 |
Virtual voyages: cinema and travel |
Ruoff, Jeffrey |
|
| 1811 |
 |
Visitation: The Conjure Work of Black Feminist Avant-Garde Cinema |
Jennifer DeClue |
|
| 1812 |
 |
Visualising China, 1845-1965: Moving and Still Images in Historical Narratives |
Christian Henriot |
|
| 1813 |
 |
Vulgar Beauty: Acting Chinese in the Global Sensorium |
Mila Zuo |
|
| 1814 |
 |
Whom God Wishes to Destroy . . .: Francis Coppola and the New Hollywood |
Jon Lewis |
|
| 1815 |
 |
Women’s Cinema, World Cinema: Projecting Contemporary Feminisms |
Patricia White |
|
| 1816 |
 |
Women's Cinema, World Cinema: Projecting Contemporary Feminisms |
Patricia White |
|
| 1817 |
 |
Women's Experimental Cinema: Critical Frameworks |
Robin Blaetz |
|
| 1818 |
 |
Work! A Queer History of Modeling |
Elspeth H. Brown |
|
| 1819 |
 |
Working like a homosexual : camp, capital, and cinema |
Tinkcom, Matthew |
|
| 1820 |
 |
Your History with Me: The Films of Penny Siopis (Theory in Forms) |
Sarah Nuttall (editor) |
|
| 1821 |
 |
Ziegfeld Girl: Image and Icon in Culture and Cinema |
Linda Mizejewski |
|
| 1822 |
 |
Orson Welles. volume 3, One-man band |
Callow, Simon,Welles, Orson |
|
| 1823 |
 |
Vampires in Hollywood |
Hamilton, M. L. |
|
| 1824 |
 |
Penguin Readers Teachers Guide to Using Film and TV |
Carolyn Walker |
|
| 1825 |
 |
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood |
Mark Harris |
|
| 1826 |
 |
Planet of the Apes [Film Tie-in Ed] |
Pierre Boulle |
|
| 1827 |
 |
Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood and Invented Modern Horror |
Zinoman, Jason |
|
| 1828 |
 |
Star Wars Timelines: From the Time Before the High Republic to the Fall of the First Order |
Kristin Baver, Jason Fry, Cole Horton, Amy Richau, Clayton Sandell |
|
| 1829 |
 |
Stars from another sky : the Bombay film world in the 1940s |
Saadat Hasan Manto, Khalid Hasan |
|
| 1830 |
 |
The cinema as art [Rev. ed.] |
Ralph Stephenson |
|
| 1831 |
 |
The Director is the Commander |
Broinowski, Anna |
|
| 1832 |
 |
The Filmmaker's Handbook: a Comprehensive Guide for the Digital Age [Fifth edition] |
Ascher, Steven,Pincus, Edward |
|
| 1833 |
 |
The Friday Afternoon Club : A Family Memoir |
Griffin Dunne |
|
| 1834 |
 |
The Magic Lantern: An Autobiography |
Ingmar Bergman |
|
| 1835 |
 |
The man who spoke in pictures, Bimal Roy |
Bhattacharya, Rinki,Roy, Bimal |
|
| 1836 |
 |
The Mind of the Modern Moviemaker |
Horowitz, Joshua |
|
| 1837 |
 |
The rough guide to comedy movies [1st ed] |
McCabe, Bob |
1 |
| 1838 |
 |
The Rough Guide to film [1st ed] |
Armstrong, Richard B |
1 |
| 1839 |
 |
The Second Assistant: A Tale from the Bottom of the Hollywood Ladder [1st Plume Printing April 2005 ed.] |
Clare Naylor, Mimi Hare |
1 |
| 1840 |
 |
The Spice Must Flow : The Story of Dune, from Cult Novels to Visionary Sci-Fi Movies |
Ryan Britt |
|
| 1841 |
 |
The Sweet Dreams Movie - Dream Big! |
|
|
| 1842 |
 |
The view from the bridge: memories of star trek and a life in hollywood |
Meyer, Nicholas |
|
| 1843 |
 |
The World of Hrishikesh Mukherjee: The Filmmaker Everyone Loves |
Jai Arjun Singh |
|
| 1844 |
 |
La Classe Américaine |
Hazanavicius Michel |
|
| 1845 |
 |
Twilight Man: Love and Ruin in the Shadows of Hollywood and the Clark Empire |
Liz Brown |
|
| 1846 |
 |
Under Her Spell: Roberto Rossellini in India [1 ed.] |
Dileep Padgaonkar |
1 |
| 1847 |
 |
Vampires and Violets: Lesbians in Film |
Andrea Weiss |
|
| 1848 |
 |
Vanity Fair's Tales of Hollywood: Rebels, Reds, and Graduates and the Wild Stories Behind the Making of 13 Iconic Films |
Graydon Carter |
|
| 1849 |
 |
Vanity Fair's Women on Women |
Radhika Jones,David Friend |
|
| 1850 |
 |
We Don't Need Roads: The Making of the Back to the Future Trilogy |
Gaines, Caseen |
|
| 1851 |
 |
Who Is Michael Ovitz? |
Creative Artists Agency,Ovitz, Michael |
|
| 1852 |
 |
Who Was Alfred Hitchcock? |
Jonathan Moore, Pollack, Pam |
|
| 1853 |
 |
Who Was Charlie Chaplin? |
Gregory Copeland, Demuth, Patricia Brennan |
|
| 1854 |
 |
Who Were the Three Stooges? |
Pollack, Pam |
|
| 1855 |
 |
Written by Salim-Javed: The Story of Hindi Cinema’s Greatest Screenwriters |
Diptakirti Chaudhuri |
|
| 1856 |
 |
You must remember this: life and style in Hollywood's golden age |
Eyman, Scott,Wagner, Robert J |
|
| 1857 |
 |
Abyss |
Cameron, James |
|
| 1858 |
 |
Alain Resnais, Les Coulisses de la Création |
François Thomas |
|
| 1859 |
 |
Jim Jarmusch, une autre allure |
Philippe AZOURY |
|
| 1860 |
 |
American International Pictures |
Rob Craig |
|
| 1861 |
 |
American Legends: The Life of Shirley Temple |
Charles River Editors |
|
| 1862 |
 |
Analyser un film |
Jullier, Laurent |
|
| 1863 |
 |
Animated Storytelling, Second Edition |
Liz Blazer |
|
| 1864 |
 |
Assayas par Assayas |
Assayas, Olivier |
|
| 1865 |
 |
Audiard donne la réplique |
M., Bruno |
|
| 1866 |
 |
Audiard en toutes lettres |
Durant, Philippe |
|
| 1867 |
 |
Audiard par Audiard |
Château, René |
|
| 1868 |
 |
Audition |
Carrière, Jean-Claude |
|
| 1869 |
 |
Béla Tarr, le temps d'après |
Jacques Rancière |
|
| 1870 |
 |
Belmondo - Nouvelle édition |
Durant, Philippe |
|
| 1871 |
 |
Belmondo Nouvelle édition |
Durant Philippe |
|
| 1872 |
 |
Bernard Blier |
Guerand Jean-Philippe |
|
| 1873 |
 |
Billy Wilder |
Brion, Patrick |
|
| 1874 |
 |
Bresson par Bresson - Entretiens 1943-1983 |
Bresson, Robert |
|
| 1875 |
 |
British Cinema in the 1950's: a celebration |
Ian MacKillop, Neil Sinyard |
|
| 1876 |
 |
Ce n'était pas du cinéma |
O'Donnell, Lillian |
|
| 1877 |
 |
Ce soir à Marienbad et autres chroniques cinématographiques |
Ollier, Claude |
|
| 1878 |
 |
Chinese National Cinema |
Zhang, Yingjin |
|
| 1879 |
 |
Cinéma Science-Fiction |
Vian, Boris &, Arnaud, Noël |
|
| 1880 |
 |
Cinémathèques et archives du film |
Roy, Eric Le |
|
| 1881 |
 |
Cinématurgie de Paris |
Pagnol, Marcel |
|
| 1882 |
 |
Cinéphilou |
HELKARAVA |
|
| 1883 |
 |
Ciné-roman |
Grenier, Roger |
|
| 1884 |
 |
Cinacittà |
Pincio Tommaso |
|
| 1885 |
 |
Clint et moi |
Libiot, Eric |
|
| 1886 |
 |
Comment réussir (ou presque) à Hollywood |
Wood, Ed |
|
| 1887 |
 |
Comment Woody Allen peut changer votre vie |
Vartzbed, Éric |
|
| 1888 |
 |
Daech, le cinéma et la mort |
Comolli Jean-Louis |
|
| 1889 |
 |
Dans les westerns |
Leroy, Gilles |
|
| 1890 |
 |
David Fincher ou l'heure numérique |
ORIGNAC, Guillaume |
|
| 1891 |
 |
Deux paires d'as du cinéma |
Ivascu Tessa |
|
| 1892 |
 |
Deux temps trois mouvements, un pianiste au cinéma |
Cassard, Philippe &, Chevrie, Marc &, Narboni, Jean |
|
| 1893 |
 |
Dictionnaire chic du cinéma |
Neuhoff, Eric |
|
| 1894 |
 |
Star Wars, la philo contre-attaque |
Vervisch, Gilles |
|
| 1895 |
 |
Encyclopédie des répliques de films - T 2 |
Durant, Philippe |
|
| 1896 |
 |
Entretiens avec Peter Bogdanovich - T 2 |
Bogdanovich, Peter |
|
| 1897 |
 |
Extrême ! Quand le cinéma dépasse les bornes |
Bétan, Julien |
|
| 1898 |
 |
Fenêtre, chroniques du regard et de l'intime |
Wajcman, Gérard |
|
| 1899 |
 |
Friponnes de porcelaine |
Rohmer, Éric |
|
| 1900 |
 |
Goodis, la vie en noir et blanc |
Philippe Garnier(1949 - ...) |
|
| 1901 |
 |
Hécatombe pour un oscar |
Sapir, Richard &, Murphy, Warren |
|
| 1902 |
 |
Histoire du cinéma français |
Jeancolas, Jean-Pierre |
|
| 1903 |
 |
Hollywood en Irlande - Tome 2 |
Elisia, Blade |
|
| 1904 |
 |
Hollywood monsters |
Bourland, Fabrice |
|
| 1905 |
 |
Hollywood: La Mecque du Cinéma |
Cendrars, Blaise |
|
| 1906 |
 |
Hongrie-Hollywood Express |
PLAMONDON, Eric |
|
| 1907 |
 |
Il ferait quoi Tarantino à ma place |
Maillet, Géraldine |
|
| 1908 |
 |
Imitation by Alain Fleischer |
Alain Fleischer |
|
| 1909 |
 |
Those Aren't Pillows! : A fan's guide to Planes, Trains and Automobiles |
Tracey J Morgan, Joe Shooman (editor) |
|
| 1910 |
 |
J'arrête le cinéma: Entretiens avec Hubert Prolongeau |
Leconte, Patrice |
|
| 1911 |
 |
Genre and performance: film and television |
Christine Cornea (editor) |
|
| 1912 |
 |
Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972 [Illustrated] |
Peter Stanfield (author) |
|
| 1913 |
 |
John Belushi, la folle et tragique vie d'un Blues Brother |
Woodward, Bob |
|
| 1914 |
 |
John Wayne |
Aissa Wayne &, Steve Delsohn |
|
| 1915 |
 |
Kill Jean, comment ils ont tué Jean Seberg |
Mamou-Mani, Alain &, Lassaigne, Antoine |
|
| 1916 |
 |
Art vidéo et mise en scène de soi: Essai |
Mathilde Roman |
|
| 1917 |
 |
Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise |
Joel Selvin |
|
| 1918 |
 |
La Bande à Bébel |
Durant Philippe |
|
| 1919 |
 |
La bande à Gabin |
Durant, Philippe |
|
| 1920 |
 |
La panthère de l'amour |
De Keyser, Frédérique |
|
| 1921 |
 |
La Science fait son cinéma |
Lehoucq, Roland &, Steyer, Jean-Sébastien &, Bucaille, Cedric |
|
| 1922 |
 |
La Science fait son cinéma (Parallaxe) |
Roland Lehoucq &, Jean-Sébastien Steyer &, Cedric Bucaille |
|
| 1923 |
 |
L'école en crise au cinéma |
Daniel Serceau |
|
| 1924 |
 |
Fertile Visions: The Uterus as a Narrative Space in Cinema from the Americas |
Anne Carruthers |
|
| 1925 |
 |
Laterna magica |
Bergman, Ingmar |
|
| 1926 |
 |
King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema |
Chopra, Anupama |
|
| 1927 |
 |
Le Camion suivi de Entretien avec Michelle Porte |
Duras, Marguerite |
|
| 1928 |
 |
Le cinéma d'après-guerre (1945-1950) |
Gilles, Christian |
|
| 1929 |
 |
Le cinéma de l'occupation (1940-1944) |
Gilles, Christian |
|
| 1930 |
 |
Le cinéma de science-fiction |
Dufour |
|
| 1931 |
 |
Le Cinéma des années Cinquante par ceux qui l'ont fait |
Gilles, Christian |
|
| 1932 |
 |
Le Cinéma des années Quarante par ceux qui l'ont fait |
Gilles, Christian |
|
| 1933 |
 |
Le Heavy Metal au cinéma |
Rolland, Gilles |
|
| 1934 |
 |
Le mal dans le cinéma allemand |
Eric Dufour |
|
| 1935 |
 |
Le meurtre d'Alfred Hitchcock |
Baxt, Georges |
|
| 1936 |
 |
Le nouveau cinéma latino-américain 1960-1974 |
Davila, Ignacio Del Valle |
|
| 1937 |
 |
Le Poulpe le film |
Raynal, Guillaume Nicloux &, Jean-Bernard Pouy &, Patrick |
|
| 1938 |
 |
Le récit audiovisuel |
Beylot |
|
| 1939 |
 |
Le regard féminin |
Brey, Iris |
|
| 1940 |
 |
Le Regard féminin - Une révolution à l'écran |
Brey, Iris |
|
| 1941 |
 |
Le Schpountz |
Pagnol, Marcel |
|
| 1942 |
 |
Le Schpountz |
Pagnol,Marcel |
|
| 1943 |
 |
L'Entre-Images 2 |
Bellour, Raymond |
|
| 1944 |
 |
Les 101 nanars |
François Forestier |
|
| 1945 |
 |
Les débuts du parlant (1929-1934) |
Gilles, Christian |
|
| 1946 |
 |
Les enfants du cinéma |
Lorrain, François-Guillaume |
|
| 1947 |
 |
Les Films de ma vie |
Truffaut, François |
|
| 1948 |
 |
Les monstres au cinéma |
Dufour, Eric |
|
| 1949 |
 |
L'esprit de l'escalier |
Ruiz, Raúl |
|
| 1950 |
 |
L'Expéditif à Hollywood |
Sturges, P. G. |
|
| 1951 |
 |
L'image-mouvement |
Deleuze, Gilles |
|
| 1952 |
 |
L'image-temps |
Deleuze Gilles |
|
| 1953 |
 |
Lino Ventura (FIRST DOCUMENT) |
DURANT, Philippe |
|
| 1954 |
 |
Louis de Funès |
Dicale, Bertrand |
|
| 1955 |
 |
Louis de Funès -nouvelle édition |
Olivier FUNES DE, Patrick FUNES DE |
|
| 1956 |
 |
Louis de Funès, Grimaces et Gloire |
Dicale, Bertrand |
|
| 1957 |
 |
You'll Never Eat Lunch in This Town Again [1 ed.] |
Julia Phillips |
1 |
| 1958 |
 |
Classical Hollywood Narrative: The Paradigm Wars |
Gaines, Jane M. (editor) |
|
| 1959 |
 |
Mes monstres |
Risi, Dino |
|
| 1960 |
 |
Michel Audiard |
Durant Philippe |
|
| 1961 |
 |
Mon cinéma |
Irving John |
|
| 1962 |
 |
My Year of Flops |
Rabin, Nathan |
|
| 1963 |
 |
My Year of Flops |
Nathan Rabin |
|
| 1964 |
 |
On directing film |
Mamet, David |
|
| 1965 |
 |
Palettes |
Alain Jaubert |
|
| 1966 |
 |
The Hollywood Incubus |
Casey, Rowan |
|
| 1967 |
 |
Retrouvailles à Hollywood Hills - Pour le bonheur de Leo |
Berlin, Amalie &, Beckett, Tina |
|
| 1968 |
 |
Romy Schneider intime |
Schwarzer, Alice |
|
| 1969 |
 |
Fantasy femmes of sixties cinema : interviews with 20 actresses from biker, beach, and Elvis movies [Reprint ed.] |
Tom Lisanti |
|
| 1970 |
 |
A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power |
Fischer, Paul |
|
| 1971 |
 |
Close Up and Personal: Actress and Director |
Taylor, J D |
|
| 1972 |
 |
Historical Dictionary of Science Fiction Cinema |
Booker, Keith M |
|
| 1973 |
 |
Why the French Love Jerry Lewis: From Cabaret to Early Cinema |
Rae Beth Gordon |
|
| 1974 |
 |
Blockbuster History in the New Russia: Movies, Memory, and Patriotism [Illustrated] |
Stephen M. Norris |
|
| 1975 |
 |
The Mouse Machine: Disney and Technology |
J P. Telotte |
|
| 1976 |
 |
Euro Horror: Classic European Horror Cinema in Contemporary American Culture [Revised and Expanded Edition] |
Ian Olney |
|
| 1977 |
 |
Cinematic Flashes: Cinephilia and Classical Hollywood [Illustrated] |
Rashna Wadia Richards |
|
| 1978 |
 |
Silent cinema and the politics of space |
Bean, Jennifer M., Horak, Laura, Kapse, Anupama |
|
| 1979 |
 |
François Truffaut: The Lost Secret |
Anne Gillain, Alistair Fox |
|
| 1980 |
 |
Trash: African Cinema from Below |
Kenneth W. Harrow |
|
| 1981 |
 |
Meaning and Interpretation of Music in Cinema |
David P. Neumeyer |
|
| 1982 |
 |
The B Word: Bisexuality in Contemporary Film and Television |
Maria San Filippo |
|
| 1983 |
 |
Global Nollywood: The Transnational Dimensions of an African Video Film Industry |
Matthias Krings, Onookome Okome |
|
| 1984 |
 |
Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations |
Joshua Malitsky |
|
| 1985 |
 |
Sex Radical Cinema |
Carol Siegel |
|
| 1986 |
 |
Sound, Speech, Music in Soviet and Post-Soviet Cinema |
Lilya Kaganovsky, Masha Salazkina |
|
| 1987 |
 |
Locating the Moving Image: New Approaches to Film and Place |
Julia Hallam, Les Roberts |
|
| 1988 |
 |
The Epic Cinema of Kumar Shahani |
Laleen Jayamanne |
|
| 1989 |
 |
Transition 112: The Django Issue |
IU Press Journals |
|
| 1990 |
 |
Ex-Centric Migrations: Europe and the Maghreb in Mediterranean Cinema, Literature, and Music |
Hakim Abderrezak |
|
| 1991 |
 |
Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject |
Constantin Parvulescu |
|
| 1992 |
 |
Epic Sound: Music in Postwar Hollywood Biblical Films |
Stephen C. Meyer |
|
| 1993 |
 |
Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism |
Kamila Kuc |
|
| 1994 |
 |
Sonic Space in Djibril Diop Mambety’s Films |
Vlad Dima |
|
| 1995 |
 |
New Voices in Arab Cinema |
Roy Armes |
|
| 1996 |
 |
Nollywood Stars: Media and Migration in West Africa and the Diaspora |
Noah A. Tsika |
|
| 1997 |
 |
Ten Arab Filmmakers: Political Dissent and Social Critique |
Josef Gugler |
|
| 1998 |
 |
Pink 2.0: Encoding Queer Cinema on the Internet |
Noah A. Tsika |
|
| 1999 |
 |
French Cinema—A Critical Filmography, Volume 1: 1929–1939 |
Colin Crisp |
|
| 2000 |
 |
French Cinema—A Critical Filmography, Volume 2: 1940–1958 |
Colin Crisp |
|
| 2001 |
 |
French cinema : a critical filmography. Volume 1, 1929-1939 |
Colin Crisp |
|
| 2002 |
 |
The Cinema of the Soviet Thaw: Space, Materiality, Movement |
Lida Oukaderova |
|
| 2003 |
 |
The Maciste Films of Italian Silent Cinema |
Jacqueline Reich |
|
| 2004 |
 |
Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda |
Robynn J. Stilwell, Phil Powrie |
|
| 2005 |
 |
Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 |
Martha J. McNamara, Karan Sheldon, Alice T. Friedman |
|
| 2006 |
 |
Tropical Cowboys: Westerns, Violence, and Masculinity in Kinshasa |
Ch. Didier Gondola |
|
| 2007 |
 |
Race and the Revolutionary Impulse in The Spook Who Sat by the Door |
Michael T. Martin, David C. Wall and Marilyn Yaquinto (eds.) |
|
| 2008 |
 |
Main Street Movies: The History of Local Film in the United States |
Martin L. Johnson |
|
| 2009 |
 |
Silver Screen, Hasidic Jews: The Story of an Image |
Shaina Hammerman |
|
| 2010 |
 |
Fatih Akin's Cinema and the New Sound of Europe |
Berna Gueneli |
|
| 2011 |
 |
Movement and Performance in Berlin School Cinema |
Olivia Landry |
|
| 2012 |
 |
Orson Welles in Focus: Texts and Contexts |
James Gilmore |
|
| 2013 |
 |
Introduction to Documentary [3 ed.] |
Bill Nichols |
3 |
| 2014 |
 |
Antisemitism in Film Comedy in Nazi Germany |
Valerie Weinstein |
|
| 2015 |
 |
Socialist Senses: Film, Feeling, and the Soviet Subject, 1917–1940 |
Emma Widdis |
|
| 2016 |
 |
The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism |
Adam R. Ochonicky |
|
| 2017 |
 |
Roots of the New Arab Film |
Roy Armes |
|
| 2018 |
 |
Love and Loss in Hollywood: Florence Deshon, Max Eastman, and Charlie Chaplin |
Cooper C Graham, Christoph Irmscher |
|
| 2019 |
 |
Provenance and Early Cinema (Early Cinema in Review: Proceedings of Domitor) [Illustrated] |
Joanne Bernardi (editor), Paolo Cherchi Usai (editor), Tami Williams (editor), Joshua Yumibe (editor) |
|
| 2020 |
 |
African Cinema and Human Rights |
Mette Hjort, Eva Jørholt |
|
| 2021 |
 |
Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema |
Rachel S Harris, Dan Chyutin |
|
| 2022 |
 |
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s [Illustrated] |
Marina Dahlquist (editor), Joel Frykholm (editor) |
|
| 2023 |
 |
Household Horror: Cinematic Fear and the Secret Life of Everyday Objects |
Marc Olivier |
|
| 2024 |
 |
Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia |
Nayoung Aimee Kwon (editor), Takushi Odagiri (editor), Moonim Baek (editor) |
|
| 2025 |
 |
Documentary Across Platforms: Reverse Engineering Media, Place, and Politics |
Patricia R. Zimmermann |
|
| 2026 |
 |
White Terror: The Horror Film from Obama to Trump |
Russell Meeuf |
|
| 2027 |
 |
You Are Tearing Me Apart, Lisa! The Year's Work on The Room, the Worst Movie Ever Made |
Adam M. Rosen (editor) |
|
| 2028 |
 |
French B Movies: Suburban Spaces, Universalism, and the Challenge of Hollywood |
David A. Pettersen |
|
| 2029 |
 |
Consent Culture and Teen Films: Adolescent Sexuality in US Movies |
Michele Meek |
|
| 2030 |
 |
African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record―Declarations, Resolutions, Manifestos, Speeches |
Michael Martin (editor), Gaston Jean-Marie Kaboré (editor) |
|
| 2031 |
 |
Israeli Bourekas Films: Their Origins and Legacy |
Deborah Starr |
|
| 2032 |
 |
The Year's Work in Showgirls Studies (The Year's Work: Studies in Fan Culture and Cultural Theory) |
Melissa Hardie (editor), Meaghan Morris (editor), Kane Race (editor) |
|
| 2033 |
 |
Global Perspectives on Amateur Film Histories and Cultures |
Masha Salazkina, Enrique Fibla-Gutiérrez |
|
| 2034 |
 |
Radical Documentary and Global Crises: Militant Evidence in the Digital Age |
Ryan Watson |
|
| 2035 |
 |
Provocauteurs and Provocations: Screening Sex in 21st Century Media |
Maria San Filippo |
|
| 2036 |
 |
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking |
Laura Di Bianco |
|
| 2037 |
 |
Indiana University Cinema: The New Model (Well House Books) |
Brittany D. Friesner, Jon Vickers |
|
| 2038 |
 |
African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACO―Formation, Evolution, Challenges |
Michael T. Martin (editor), Gaston Jean-Marie Kaboré (editor) |
|
| 2039 |
 |
The Cinema of Sara Gómez: Reframing Revolution |
Susan Lord, María Caridad Cumaná (eds.) |
|
| 2040 |
 |
Indiscretions: Avant-Garde Film, Video and Feminism |
Patricia Mellencamp |
|
| 2041 |
 |
Pleading the Blood: Bill Gunn's Ganja & Hess |
Christopher Sieving |
|
| 2042 |
 |
Political Camerawork: Documentary and the Lasting Impact of Reenacting Historical Trauma |
D. Andy Rice |
|
| 2043 |
 |
Animated Film and Disability: Cripping Spectatorship |
Slava Greenberg |
|
| 2044 |
 |
African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations |
Michael T. Martin (editor), Gaston Jean-Marie Kaboré (editor) |
|
| 2045 |
 |
Francophone African Women Documentary Filmmakers: Beyond Representation |
Suzanne Crosta, Sada Niang, Alexie Tcheuyap (eds.) |
|
| 2046 |
 |
Ideology and the Image: Social Representation in the Cinema and Other Media |
Bill Nichols |
|
| 2047 |
 |
Kubrick: Inside a Film Artist's Maze |
Thomas A Nelson |
|
| 2048 |
 |
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book) [First Edition] |
David Desser |
|
| 2049 |
 |
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) |
Kaja Silverman |
|
| 2050 |
 |
The woman at the keyhole : feminism and women’s cinema |
Judith Mayne |
|
| 2051 |
 |
Colonialism and Nationalism in Asian Cinema |
Wimal Dissanayake |
|
| 2052 |
 |
The Early Film Criticism of François Truffaut |
Wheeler Winston Dixon |
|
| 2053 |
 |
Reel Families: A Social History of Amateur Film |
Patricia Rodden zimmermann |
|
| 2054 |
 |
The Vision Machine. Perspectives |
Paul Virilio |
|
| 2055 |
 |
The films of Andrei Tarkovsky: a visual fugue |
Vida T. Johnson, Graham Petrie |
|
| 2056 |
 |
The Picture of Abjection: Film, Fetish, and the Nature of Difference |
Tina Chanter |
|
| 2057 |
 |
Inside the Gaze: The Fiction Film and Its Spectator |
Francesco Casetti |
|
| 2058 |
 |
Godard; images, sounds, politics |
Colin MacCabe |
|
| 2059 |
 |
The Analysis of Film |
Raymond Bellour, Constance Penley |
|
| 2060 |
 |
English Filming, English Writing |
Jefferson Hunter |
|
| 2061 |
 |
African American actresses: the struggle for visibility, 1900-1960 |
Charlene B. Regester |
|
| 2062 |
 |
Beyond Dolby (Stereo): Cinema in the Digital Sound Age |
Mark Kerins |
|
| 2063 |
 |
Screens and Veils: Maghrebi Women's Cinema |
Florence Martin |
|
| 2064 |
 |
The Classic French Cinema, 1930-1960 |
Colin Crisp |
|
| 2065 |
 |
African Cinema: Politics and Culture |
Manthia Diawara |
|
| 2066 |
 |
Film and Revolution |
James Roy MacBean |
|
| 2067 |
 |
From Mouse to Mermaid: The Politics of Film, Gender, and Culture |
Elizabeth Bell, Lynda Haas, Laura Sells |
|
| 2068 |
 |
Melodrama & Meaning – History, Culture & the Films of Douglas Sirk |
Barbara Klinger |
|
| 2069 |
 |
The Aesthetics and Psychology of the Cinema |
Jean Mitry, Christopher King |
|
| 2070 |
 |
Representing Reality: Issues and Concepts in Documentary |
Bill Nichols |
|
| 2071 |
 |
Straight Lick: The Cinema of Oscar Micheaux [First Edition] |
J. Ronald Green |
|
| 2072 |
 |
Oscar Micheaux & [and] his circle: African-American filmmaking and race cinema of the silent era |
Musser, Charles,Gaines, Jane Marie,Bowser, Pearl,Jane Gaines,Charles Musser |
|
| 2073 |
 |
Animation in Asia and the Pacific |
John A. Lent (ed) |
|
| 2074 |
 |
Genre, Myth, and Convention in the French Cinema, 1929-1939 |
Colin Crisp |
|
| 2075 |
 |
Cinephilia And History, or the Wind in the Trees |
Christian Keathley |
|
| 2076 |
 |
The Year’s Work in Lebowski Studies |
Edward P. Comentale, Aaron Jaffe |
|
| 2077 |
 |
Insiders and Outsiders in Russian Cinema |
Stephen M. Norris, Zara M. Torlone (eds.) |
|
| 2078 |
 |
Dictionary of African Filmmakers |
Roy Armes |
|
| 2079 |
 |
Jane Campion: Authorship and Personal Cinema |
Alistair Fox |
|
| 2080 |
 |
Hollywood Gamers: Digital Convergence in the Film and Video Game Industries |
Robert Alan Brookey |
|
| 2081 |
 |
Ousmane Sembène ; The Making of a Militant Artist |
Samba Gadjigo , Moustapha Diop (translator) , Danny Glover (foreword) |
|
| 2082 |
 |
Cinepaternity: fathers and sons in Soviet and post-Soviet film |
Helena Goscilo, Yana Hashamova |
|
| 2083 |
 |
Introduction to Documentary, Second Edition [Second edition] |
Nichols, Bill |
2 |
| 2084 |
 |
Technologies of gender: essays on theory, film, and fiction [Nachdr. ed.] |
De Lauretis, Teresa |
|
| 2085 |
 |
Disney’s Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South |
Jason Sperb |
|
| 2086 |
 |
Multiculturalism and the Mouse: Race and Sex in Disney Entertainment |
Douglas Brode |
|
| 2087 |
 |
From Walt to Woodstock: how Disney created the counterculture [1st ed] |
Walt Disney Company.,Brode, Douglas,Disney, Walt |
1 |
| 2088 |
 |
The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History |
Nathalia Holt |
|
| 2089 |
 |
Catalyst: A Rogue One Novel (Star Wars) [Hardcover ed.] |
James Luceno |
|
| 2090 |
 |
Filmguide to 2001: A Space Odyssey |
Carolyn Geduld |
|
| 2091 |
 |
Fairy-Tale Films Beyond Disney: International Perspectives |
Jack Zipes, Pauline Greenhill, Kendra Magnus-Johnston |
|
| 2092 |
 |
Mouse Morality: The Rhetoric of Disney Animated Film |
Annalee R. Ward, Clifford Christians |
|
| 2093 |
 |
Disney Discourse: Producing the Magic Kingdom [1 ed.] |
Eric Smoodin (editor) |
1 |
| 2094 |
 |
Semiotics and the Analysis of Film |
Jean Mitry |
|
| 2095 |
 |
Disney and His Worlds |
Alan Bryman |
|
| 2096 |
 |
Deconstructing Disney |
Eleanor Byrne, Martin McQuillan |
|
| 2097 |
 |
Learning from Mickey, Donald and Walt: Essays on Disney's Edutainment Films |
A. Bowdoin Van Riper, A. Bowdoin Van Riper |
|
| 2098 |
 |
The Idea of Nature in Disney Animation (Ashgate Studies in Childhood, 1700 to the Present) |
David Whitley |
|
| 2099 |
 |
The hand behind the mouse: an intimate biography of the man Walt Disney called "the greatest animator in the world" [1 ed.] |
Leslie Iwerks and John Kenworthy |
1 |
| 2100 |
 |
The Illusion of Life: Disney Animation |
|
|
| 2101 |
 |
The illusion of life: Disney animation [Rev Sub ed.] |
Frank Thomas, Ollie Johnston |
|
| 2102 |
 |
Disney Voice Actors: A Biographical Dictionary |
Thomas S. Hischak |
|
| 2103 |
 |
World Spectators [1 ed.] |
Kaja Silverman |
1 |
| 2104 |
 |
Law on the Screen [1 ed.] |
Austin Sarat, Lawrence Douglas, Martha Umphrey |
1 |
| 2105 |
 |
The Ends of Mourning: Psychoanalysis, Literature, Film |
Alessia Ricciardi |
|
| 2106 |
 |
The time of the crime : phenomenology, psychoanalysis, Italian film |
Torlasco, Domietta |
|
| 2107 |
 |
Police Aesthetics: Literature, Film, and the Secret Police in Soviet Times |
Cristina Vatulescu |
|
| 2108 |
 |
Technics and Time, 3: Cinematic Time and the Question of Malaise (Meridian: Crossing Aesthetics) [1 ed.] |
Bernard Stiegler |
1 |
| 2109 |
 |
Unexpected Alliances: Independent Filmmakers, the State, and the Film Industry in Postauthoritarian South Korea [Hardcover ed.] |
Young-A Park |
|
| 2110 |
 |
Arresting Cinema: Surveillance in Hong Kong Film [1 ed.] |
Karen Fang |
1 |
| 2111 |
 |
Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out |
Sean P. Griffin |
|
| 2112 |
 |
Dolores del Río beauty in light and shade |
Del Rio, Dolores, Hall, Linda Biesele |
|
| 2113 |
 |
America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures (1929-2001) |
Christensen, Jerome |
|
| 2114 |
 |
Off the planet : music, sound and science fiction cinema |
Philip Hayward |
|
| 2115 |
 |
Animation Behind the Iron Curtain [1 ed.] |
Eleanor Cowen |
1 |
| 2116 |
 |
The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture |
Patricia Pisters |
|
| 2117 |
 |
Disney TV |
J. P. Telotte |
|
| 2118 |
 |
The Disney Interviews: Volume I |
Lou Mongello |
|
| 2119 |
 |
The Geopolitical Aesthetic: Cinema and Space in the World System |
Fredric R. Jameson |
|
| 2120 |
 |
Handsome Heroes and Vile Villains: Masculinity in Disney’s Feature Films |
Amy M. Davis |
|
| 2121 |
 |
Cinema as a Worldbuilding Machine in the Digital Era: Essay on Multiverse Films and TV Series |
Alain Boillat |
|
| 2122 |
 |
Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001 |
Amy M. Davis |
|
| 2123 |
 |
Good Girls and Wicked Witches: Women in Disney’s Feature Animation, 1937-2001 |
Amy M. Davis |
|
| 2124 |
 |
Who's Afraid of the Song of the South? And Other Forbidden Disney Stories |
Jim Korkis, Bob McLain (editor) |
|
| 2125 |
 |
The Art of Up (Disney) |
Tim Hauser |
|
| 2126 |
 |
Boundless Realm: Deep Explorations Inside Disney's Haunted Mansion (Theme Park Design Book) |
Foxx Nolte |
|
| 2127 |
 |
The Art of Cars 2 |
Karen Paik, Ben Queen, Zach Hample, Stuart Miller, Walt Disney Company |
|
| 2128 |
 |
Robert Bresson |
James Quandt (editor) |
|
| 2129 |
 |
White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan |
Tom Rice |
|
| 2130 |
 |
The Emperor’s Old Groove: Decolonizing Disney's Magic Kingdom [New ed.] |
Brenda Ayres (editor) |
|
| 2131 |
 |
The Mouse that Roared: Disney and the End of Innocence |
Henry A. Giroux |
|
| 2132 |
 |
The Scorsese Connection |
Lesley Stern |
|
| 2133 |
 |
Cinderella (Disney Movie) |
Mack David, Al Hoffman, Jerry Livingston |
|
| 2134 |
 |
Too funny for words: Disney's greatest sight gags [1 ed.] |
Frank Thomas &, Ollie Johnston |
1 |
| 2135 |
 |
Mary Poppins |
Walt Disney |
|
| 2136 |
 |
Demystifying Disney : a history of Disney feature animation [1 ed.] |
Pallant, Chris |
1 |
| 2137 |
 |
The Color of Pixar: (History of Pixar, Book about Movies, Art of Pixar) (Disney Pixar x Chronicle Books) [Illustrated] |
Tia Kratter |
|
| 2138 |
 |
The Art of Toy Story 4: (Toy Story Art Book, Pixar Animation Process Book) (Disney Pixar x Chronicle Books) [Illustrated] |
Josh Cooley |
|
| 2139 |
 |
Life Moves Pretty Fast: The Lessons We Learned from Eighties Movies (and Why We Don't Learn Them from Movies Anymore) |
Hadley Freeman |
|
| 2140 |
 |
A Cuban Cinema Companion |
Salvador Jiménez Murguía, Sean O'Reilly, Amanda McMenamin (eds.) |
|
| 2141 |
 |
Walt Disney's Lady and the Tramp: The Sketchbook Series [Limited] |
Disney Studios |
|
| 2142 |
 |
The pirates and the mouse: Disney's war against the counterculture |
Levin, Bob |
|
| 2143 |
 |
Tim Burton's Nightmare Before Christmas: The Film - The Art - The Vision (Disney Editions Deluxe (Film)) [1 ed.] |
Frank Thompson |
1 |
| 2144 |
 |
Walt Disney: Hollywood's Dark Prince |
Marc Eliot |
|
| 2145 |
 |
The Disney Villain [1 ed.] |
Ollie Johnston and Frank Thomas |
1 |
| 2146 |
 |
Disney's Aladdin: The Making of an Animated Film [1 ed.] |
John Culhane |
1 |
| 2147 |
 |
Working with Disney: Interviews with Animators, Producers, and Artists |
Don Peri |
|
| 2148 |
 |
Architecture and Film |
Mark Lamster |
|
| 2149 |
 |
Film and the American Moral Vision of Nature: Theodore Roosevelt to Walt Disney [First Edition] |
Ronald B. Tobias |
|
| 2150 |
 |
Walt Disney. Animator & Founder |
Grace Hansen |
|
| 2151 |
 |
Disney Gothic: Dark Shadows in the House of Mouse (Lexington Books Horror Studies) |
Lorna Piatti-Farnell, Jeffrey Weinstock |
|
| 2152 |
 |
The Disney Classics Quiz Book |
C.J. Booth |
|
| 2153 |
 |
Little Audrey's Daydream: The Life of Audrey Hepburn |
Sean Hepburn Ferrer, Karin Hepburn Ferrer |
|
| 2154 |
 |
Saving Cinderella: what feminists get wrong about Disney princesses and how to set it right |
Moore, Faith |
|
| 2155 |
 |
Social Order and Authority in Disney and Pixar Films |
Kellie Deys, Denise F. Parrillo |
|
| 2156 |
 |
Film Noir Photography |
Freeman, Neil, |
|
| 2157 |
 |
El lado oscuro de Disney |
Leonard Kinsey,Natalia Águeda Guio |
|
| 2158 |
 |
Family Films in Global Cinema: The World Beyond Disney |
Noel Brown (editor), Bruce Babington (editor) |
|
| 2159 |
 |
Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance |
Peter C. Kunze |
|
| 2160 |
 |
Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema [1 ed.] |
Pavle Levi |
1 |
| 2161 |
 |
The Disney Animation Renaissance: Behind the Glass at the Florida Studio |
Mary E. Lescher |
|
| 2162 |
 |
The Unfilmable Confederacy of Dunces |
Stephan Eicke: How Ignatius J. Reilly Defeated Hollywood |
|
| 2163 |
 |
Reclaiming Popular Documentary |
Christie Milliken, Allison de Fren, Steve F. Anderson, Ezra Winton, Patricia Aufderheide, Zoë Druick, Devon Coutts, Sabiha Ahmad Khan, Anthony Kinik, Michael Brendan Baker |
|
| 2164 |
 |
Les Alices aux pays des cauchemars: De Walt Disney à Marilyn Manson |
Albert Montagne |
|
| 2165 |
 |
Biography And History In Film |
Thomas Freeman, David Smith |
|
| 2166 |
 |
On Disney: Deconstructing Images, Tropes and Narratives |
Ute Dettmar, Ingrid Tomkowiak |
|
| 2167 |
 |
The Cinematic Superhero as Social Practice [1 ed.] |
Joseph Zornado, Sara Reilly |
1 |
| 2168 |
 |
Jean-Luc Godard, cinema historian |
Godard, Jean-Luc,Witt, Michael |
|
| 2169 |
 |
Disneys Welt: Zeit, Leben, Kunst und Kommerz des Walt Disney |
Richard Schickel |
|
| 2170 |
 |
Cinema and Counter-History |
Marcia Landy |
|
| 2171 |
 |
Josephine Baker's Cinematic Prism |
Terri Simone Francis |
|
| 2172 |
 |
Zimbabwe's Cinematic Arts: Language, Power, Identity |
Katrina Daly Thompson |
|
| 2173 |
 |
Richard E. Norman and race filmmaking |
Lupack, Barbara Tepa,Martin, Michael T.,Norman, Richard E |
|
| 2174 |
 |
With a Crooked Stick—The Films of Oscar Micheaux |
J. Ronald Green |
|
| 2175 |
 |
Moroccan Noir : Police, Crime, and Politics in Popular Culture |
Jonathan Smolin |
|
| 2176 |
 |
Mass Culture in Soviet Russia: Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953 |
James Von Geldern (editor), Richard Stites (editor) |
|
| 2177 |
 |
Unsettling scores : German film, music, and ideology |
Hillman, Roger |
|
| 2178 |
 |
Boats on the Marne : Jean Renoir's Critique of Modernity |
Prakash Younger |
|
| 2179 |
 |
Army film and the avant garde : cinema and experiment in the Czechoslovak military |
Lovejoy, Alice |
|
| 2180 |
 |
Early Cinema in Asia |
Nick Deocampo, (editor) |
|
| 2181 |
 |
Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue |
Veronica Garibotto |
|
| 2182 |
 |
Mothers, comrades, and outcasts in East German women's films |
Creech, Jennifer L |
|
| 2183 |
 |
The invention of Robert Bresson the auteur and his market |
Burnett, Colin |
|
| 2184 |
 |
Descended from Hercules : Biopolitics and the Muscled Male Body on Screen |
Robert A. Rushing |
|
| 2185 |
 |
Cosmopolitan Film Cultures in Latin America, 1896-1960 |
Rielle Navitski, Colin Gunckel, Nicolas Poppe, Juan Sebastian Ospina Leon, Giorgio Bertellini, Sarah Wells, Andrea Cuarterolo, Ignacio M. Sanchez Prado, Jason Borge, Irene Rozsa |
|
| 2186 |
 |
Truffaut on Cinema |
Anne Gillain, Alistair Fox |
|
| 2187 |
 |
Cinema and Development in West Africa |
James E. Genova |
|
| 2188 |
 |
Seeing From Scratch |
Richard Dienst, |
|
| 2189 |
 |
The Image in Early Cinema : Form and Material |
Scott Curtis, Philippe Gauthier, Tom Gunning, Joshua Yumibe |
|
| 2190 |
 |
Italian Fascism's Empire Cinema |
Ruth Ben-Ghiat |
|
| 2191 |
 |
Optical poetry : the life and work of Oskar Fischinger |
William Moritz |
|
| 2192 |
 |
Profit Margins: The American Silent Cinema and the Marginalization of Advertising |
Jeremy Groskopf |
|
| 2193 |
 |
The Flaherty |
Zimmermann, Patricia R |
|
| 2194 |
 |
Film, Fashion, and the 1960s |
Eugenia Paulicelli,Drake Stutesman,Louise Wallenberg (editor) |
|
| 2195 |
 |
Cinema, Nation, and Empire in Uzbekistan, 1919-1937 |
Cloé Drieu, Adrian Morfee |
|
| 2196 |
 |
Uninvited : classical Hollywood cinema and lesbian representability |
Patricia White |
|
| 2197 |
 |
The Generic Closet : Black Gayness and the Black-Cast Sitcom. |
Alfred L Jr Martin |
|
| 2198 |
 |
The animated man: a life of Walt Disney |
J. Michael Barrier |
|
| 2199 |
 |
Reframing Japanese cinema : authorship, genre, history |
Nolletti, Jr. Arthur, Desser, David (eds.) |
|
| 2200 |
 |
Traveling Auteurs |
Luca Caminati, |
|
| 2201 |
 |
The desire to desire : the woman's film of the 1940s |
Mary Ann Doane |
|
| 2202 |
 |
Re-viewing fascism: Italian cinema 1922-1943 |
Garofalo, Piero,Reich, Jacqueline |
|
| 2203 |
 |
The queens of animation: the untold story of the women who transformed the world of Disney and made cinematic history [First edition] |
Walt Disney Animation Studios.,Walt Disney Company,Holt, Nathalia |
|
| 2204 |
 |
Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South |
Jason Sperb |
|
| 2205 |
 |
The Big Picture: Filmmaking Lessons from a Life on the Set |
Tom Reilly |
|
| 2206 |
 |
The Film Crew of Hollywood: Profiles of Grips, Cinematographers, Designers, a Gaffer, a Stuntman and a Makeup Artist |
James C. Udel |
|
| 2207 |
 |
Straitjacket Sexualities: Unbinding Asian American Manhoods in the Movies |
Celine Shimizu |
|
| 2208 |
 |
The Art of the Hunchback of Notre Dame |
Stephen Rebello |
|
| 2209 |
 |
Cinema and Urban Culture in Shanghai, 1922-1943 [1 ed.] |
Yingjin Zhang (editor) |
1 |
| 2210 |
 |
Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age |
Jason McGrath |
|
| 2211 |
 |
The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses |
Mick LaSalle |
|
| 2212 |
 |
Art of Ratatouille: Disney, Pixar (The Art of) [1 ed.] |
Karen Paik |
1 |
| 2213 |
 |
Disney Culture |
John Wills |
|
| 2214 |
 |
After <I>La Dolce Vita</I>: A Cultural Prehistory of Berlusconi's Italy |
Alessia Ricciardi |
|
| 2215 |
 |
Stan Brakhage: The Realm Buster |
Marco Lori, Esther Leslie |
|
| 2216 |
 |
Screening the Stage : Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956 |
Steven Neale |
|
| 2217 |
 |
Better Left Unsaid : Victorian Novels, Hays Code Films, and the Benefits of Censorship [1 ed.] |
Nora Gilbert |
1 |
| 2218 |
 |
The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film |
Domietta Torlasco |
|
| 2219 |
 |
The Disney Fetish [1 ed.] |
Seán J. Harrington, Seán J. Harrington |
1 |
| 2220 |
 |
Haunted by Vertigo : Hitchcock's Masterpiece Then and Now |
Sidney Gottlieb, Donal Martin |
|
| 2221 |
 |
The Disaster Film As Social Practice |
Joseph Zornado,Sara Reilly,, Sara Reilly |
|
| 2222 |
 |
The Studios after the Studios: Neoclassical Hollywood (1970-2010) |
J. D. Connor |
|
| 2223 |
 |
The mouse that roared : Disney and the end of innocence |
Henry A. Giroux |
|
| 2224 |
 |
The Adventures of Jonathan Dennis: Bicultural Film Archiving Practice in Aotearoa New Zealand |
Emma Jean Kelly |
|
| 2225 |
 |
The Kinetoscope: A British History |
Richard Brown, Barry Anthony |
|
| 2226 |
 |
Performing New Media, 1890-1915 |
Frank Gray, Louis Pelletier, Joshua Yumibe, Tami Williams, Kaveh Askari, Scott Curtis |
|
| 2227 |
 |
The Hollywood MBA: A Crash Course in Management from a Life in the Film Business |
Tom Reilly |
|
| 2228 |
 |
Cinematography: Theory and Practice: Image Making for Cinematographers and Directors, 3rd Edition [3rd edition] |
Safari, an O'Reilly Media Company., Brown, Blain |
3 |
| 2229 |
 |
The mouse that roared: Disney and the end of innocence [Updated and revised ed.] |
Walt Disney Company,Giroux, Henry A.,Pollock, Grace |
|
| 2230 |
 |
The Political Economy of Disney: The Cultural Capitalism of Hollywood [1 ed.] |
Alexandre Bohas (auth.) |
1 |
| 2231 |
 |
Debating Disney : Pedagogical Perspectives on Commercial Cinema |
Douglas Brode, Shea T. Brode |
|
| 2232 |
 |
The Art of Tron: Legacy |
Justin Springer |
|
| 2233 |
 |
Brain Storm |
Don Hahn |
|
| 2234 |
 |
It's the Disney Version! : Popular Cinema and Literary Classics |
Douglas Brode, Shea T. Brode |
|
| 2235 |
 |
The Art of Zootopia |
Walt Disney Pictures,Julius, Jessica |
|
| 2236 |
 |
They Drew as They Pleased: The Hidden Art of Disney’s Golden Age (The 1930s) |
Didier Ghez, Peter Docter |
|
| 2237 |
 |
The Hidden Art of Disney’s Mid-Century Era: The 1950s and 1960s |
Didier Ghez, Eric Goldberg (foreword), Susan Goldberg (foreword) |
|
| 2238 |
 |
The World of a Wrinkle in Time: The Making of the Movie |
Walt Disney Company, Kate Egan |
|
| 2239 |
 |
Frozen Fever: Junior Novel |
Disney Books |
|
| 2240 |
 |
Music in Disney's animated features: Snow White and the Seven Dwarfs to The jungle book |
Walt Disney Productions.,Bohn, James Matthew,Disney, Walt |
|
| 2241 |
 |
The Life and Times of Ward Kimball: Maverick of Disney Animation |
Todd James Pierce |
|
| 2242 |
 |
The Off-Screen: An Investigation of the Cinematic Frame |
Eyal Peretz |
|
| 2243 |
 |
Into the Woods Songbook: Vocal Selections from the Disney Movie |
Stephen Sondheim |
|
| 2244 |
 |
Cartoons in Hard Times: The Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945 |
Tracey Louise Mollet |
|
| 2245 |
 |
Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan |
Sean D. O’Reilly |
|
| 2246 |
 |
Vicious Circuits: Korea’s IMF Cinema and the End of the American Century |
Joseph Jonghyun Jeon |
|
| 2247 |
 |
The Queer German Cinema |
Alice A. Kuzniar |
|
| 2248 |
 |
The Material Image: Art and the Real in Film |
Brigitte Peucker |
|
| 2249 |
 |
Fantasm and Fiction: On Textual Envisioning |
Peter Schwenger |
|
| 2250 |
 |
Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory |
Frances L. Restuccia |
|
| 2251 |
 |
Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China |
Yomi Braester |
|
| 2252 |
 |
Crimesploitation |
Daniel LaChance |
|
| 2253 |
 |
Coming Attractions?: Hollywood, High Tech, and the Future of Entertainment |
Philip E. Meza |
|
| 2254 |
 |
Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses |
Eyal Peretz |
|
| 2255 |
 |
Cinematic Thinking: Philosophical Approaches to the New Cinema |
James Phillips (editor) |
|
| 2256 |
 |
Disney's Star Wars: Forces of Production, Promotion, and Reception |
Richard McCulloch (editor), William Proctor (editor) |
|
| 2257 |
 |
The filmmaker says: quotes, quips, and words of wisdom |
Stern, Jamie Thompson |
|
| 2258 |
 |
Walt Disney |
Joan Stoltman |
|
| 2259 |
 |
Hocus Pocus in Focus: The Thinking Fan's Guide to Disney's Halloween Classic |
Aaron Wallace |
|
| 2260 |
 |
Ealing Revisited |
Mark Duguid, Lee Freeman, Keith M. Johnston, Melanie Williams (editor) |
|
| 2261 |
 |
Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951-1997 |
Karina Longworth |
|
| 2262 |
 |
Walt Disney's The Jungle Book: Making a Masterpiece |
Andreas Deja, Walt Disney Family Museum |
|
| 2263 |
 |
American Energy Cinema [1 ed.] |
Robert Lifset, Raechel Lutz, Sarah Stanford-McIntyre |
1 |
| 2264 |
 |
Disney and the Dialectic of Desire: Fantasy as Social Practice [1 ed.] |
Joseph Zornado (auth.) |
1 |
| 2265 |
 |
Le Mythe Star Wars VII, VIII & IX. Disney et l’héritage de George Lucas |
Thibaut Claudel |
|
| 2266 |
 |
Walt Disney and Europe : European influences on the animated feature films of Walt Disney |
Robin Allan |
|
| 2267 |
 |
French Cinema--Critical Filmography: Volume 2, 1940-1958 |
Colin Crisp |
|
| 2268 |
 |
If truth be told, can ’toons tell it? Documentary and animation |
Sybil DelGaudio |
|
| 2269 |
 |
Die Wüste Lebt: nach dem Film beschrieben von Manfred Hausmann |
Walt Disney, Manfred Hausmann |
|
| 2270 |
 |
Eisenstein |
Yon Barna, Jay Leyda (foreword) |
|
| 2271 |
 |
The making & unmaking of Que Viva Mexico! |
Sergei M. Eisenstein, Upton Sinclair |
|
| 2272 |
 |
And Why We Don't Learn Them From Movies Any More: Life Moves Pretty Fast: The Lessons We Learned From Eighties Movies |
Freeman, Hadley |
|
| 2273 |
 |
Derivative Images: Financial Derivatives in French Film, Literature and Thought (Edinburgh Studies in Film and Intermediality) [1 ed.] |
Calum Watt |
1 |
| 2274 |
 |
Mughal-e-Azam: legend as epic |
Zankar, Anil |
|
| 2275 |
 |
Ästhetik und Politik im Werk des italienischen Filmregisseurs Elio Petri |
Simon Lang |
|
| 2276 |
 |
Alternate Oscars: One Critic's Defiant Choices for Best Picture, Actor and Actress - From 1927 to the Present |
Danny Peary |
|
| 2277 |
 |
American Film History: Selected Readings, Origins to 1960 [1 ed.] |
Cynthia Lucia, Roy Grundmann, Art Simon |
1 |
| 2278 |
 |
American Film History: Selected Readings, 1960 to the Present |
Lucia, Cynthia(Editor),Grundmann, Roy(Editor),Simon, Arthur(Editor) |
|
| 2279 |
 |
Belle de jour a film. |
Buñuel, Luis, Kessel, Joseph |
|
| 2280 |
 |
British Colour Cinema: Practices and Theories |
Simon Brown, Sarah Street, Liz Watkins (editors) |
|
| 2281 |
 |
Cinematic Encounters with Disaster: Realisms for the Anthropocene |
Simon R. Troon |
|
| 2282 |
 |
Chinese Urban Shi-nema: Cinematicity, Society and Millennial China [1st ed.] |
David H. Fleming, Simon Harrison |
1 |
| 2283 |
 |
Bergman on Bergman [1973 ed.] |
Jonas Sima, Stig Björkman, and Torsten Manns |
1973 |
| 2284 |
 |
Dangerous Knowledge: The JFK Assassination in Art and Film [Revised edition] |
Art Simon |
|
| 2285 |
 |
Color and the Moving Image: History, Theory, Aesthetics, Archive [1 ed.] |
Simon Brown (editor), Sarah Street (editor), Liz Watkins (editor) |
1 |
| 2286 |
 |
Fields of View: Film, Art and Spectatorship |
A. L. Rees, Simon Payne |
|
| 2287 |
 |
Four screenplays of Ingmar Bergman : translated from the Swedish. |
Ingmar Bergman |
|
| 2288 |
 |
Guide for the Film Fanatic: A Critical Checklist of Over 1,500 Movies [Paperback ed.] |
Danny Peary |
|
| 2289 |
 |
Hitchcock (Revised Edition) [Revised] |
Helen G. Scott, Francois Truffaut |
|
| 2290 |
 |
Inside the Worlds of Star Wars, Episode II - Attack of the Clones: The Complete Guide to the Incredible Locations [1st ed.] |
Simon Beecroft, Richard Chasemore, Hans Jenssen |
1 |
| 2291 |
 |
Kurt Kren : Structural Films [1 ed.] |
Nicky Hamlyn, Simon Payne, A. L. Rees |
1 |
| 2292 |
 |
Music and Sound in Silent Film: From the Nickelodeon to The Artist |
Ruth Barton, Simon Trezise |
|
| 2293 |
 |
Out at the movies: a history of gay cinema [Revised edition] |
Callow, Simon,Davies, Stephen Paul |
|
| 2294 |
 |
Paradoxe Säulen - Athletik der Askese: Luis Buñuels "Simón del Desierto" und die Realität des Surrealismus |
Stefan Gross |
|
| 2295 |
 |
Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who [1 ed.] |
Piers D. Britton, Simon J. Barker |
1 |
| 2296 |
 |
Pinnacle Studio HD Version 15: Die große Filmwerktstatt |
Simon Gabathuler |
|
| 2297 |
 |
Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who |
Piers D. Britton, Simon J. Barker |
|
| 2298 |
 |
Screening Stephen King: Adaptation and the Horror Genre in Film and Television |
Simon Brown |
|
| 2299 |
 |
Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare’s Language |
Simon Ryle (auth.) |
|
| 2300 |
 |
Sound and Vision : The Music Video Reader [1 ed.] |
Simon Frith, Andrew Goodwin, Lawrence Grossberg |
1 |
| 2301 |
 |
Storyboards |
Mark Simon (Auth.) |
|
| 2302 |
 |
Storyboards : motion in art [3rd ed.] |
Mark Simon |
3 |
| 2303 |
 |
The Art and Soul of Dune |
Tanya Lapointe |
|
| 2304 |
 |
The Night of the Hunter |
Simon Callow |
|
| 2305 |
 |
The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made |
Greg Sestero, Tom Bissell |
|
| 2306 |
 |
The Evolution of Horror in the Twenty-First Century (Lexington Books Horror Studies) |
Simon Bacon (editor) |
|
| 2307 |
 |
Transnational Film Culture in New Zealand [1 ed.] |
Simon Sigley |
1 |
| 2308 |
 |
The Greatest Movies You’ll Never See: Unseen Masterpieces by the World’s Greatest Directors |
Simon Braund |
|
| 2309 |
 |
The Philosophy of David Cronenberg |
Simon Riches, |
|
| 2310 |
 |
The Wiley-Blackwell History of American Film, Four Volume Set [1 ed.] |
Cynthia Lucia, Roy Grundmann, Art Simon |
1 |
| 2311 |
 |
Ava Gardner |
Ava Gardner Peter Evans |
|
| 2312 |
 |
Using Film As a Source [1 ed.] |
Sian Barber, Jonathan Blaney, Simon Trafford |
1 |
| 2313 |
 |
Utopia and Reality: Documentary, Activism and Imagined Words |
Simon Spiegel, Andrea Reiter and Marcy Goldberg |
|
| 2314 |
 |
Utopias in Nonfiction Film [1 ed.] |
Simon Spiegel |
1 |
| 2315 |
 |
Women, Pleasure, Film: What Lolas Want |
Simon Richter (auth.) |
|
| 2316 |
 |
Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films [Paperback ed.] |
Nadine Farghaly, Tanya Carinae Pell Jones, Hannah Priest, Kristine Larsen, J.L. Schatz, Margo Collins, Simon Bacon, Adam M. Crowley, Stephen Cadwell, Broc Holmquest, Suzan E. Aiken, James Stone, Jenny Platz, Daniel Muller, Nicolas J. Lalone |
|
| 2317 |
 |
Charlie Chaplin vs. America: When Art, Sex, and Politics Collided |
Scott Eyman |
|
| 2318 |
 |
A Life of Barbara Stanwyck |
Victoria Wilson |
|
| 2319 |
 |
Clint Eastwood: Icon: The Essential Film Art Collection |
Insight Editions |
|
| 2320 |
 |
Becoming a Film Producer |
Boris Kachka |
|
| 2321 |
 |
Ava Gardner: the Secret Conversations |
Gardner, Ava,Peter Evans |
|
| 2322 |
 |
Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen |
Brian Raftery |
|
| 2323 |
 |
Empire of Dreams |
Eyman, Scott |
|
| 2324 |
 |
Film Flam : Essays on Hollywood [1 ed.] |
Larry McMurtry |
1 |
| 2325 |
 |
Cinematography. A Guide for Film Makers and Film Teachers [3rd ed.] |
Kris J. Malkiewicz, M. David Mullen |
3 |
| 2326 |
 |
Best.movie.year.ever.: how 1999 blew up the big screen |
Raftery, Brian |
|
| 2327 |
 |
Cary Grant: A Brilliant Disguise |
Scott Eyman |
|
| 2328 |
 |
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood |
Peter Biskind |
|
| 2329 |
 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film [1 ed.] |
Peter Biskind |
1 |
| 2330 |
 |
Elizabeth Taylor: The Last Star |
Kitty Kelley |
|
| 2331 |
 |
Cocktail Chemistry: The Art and Science of Drinks from Iconic TV Shows and Movies |
Nick Fisher |
|
| 2332 |
 |
Ernst Lubitsch: laughter in paradise [First Simon & Schuster paperback edition] |
Eyman, Scott,Lubitsch, Ernst |
|
| 2333 |
 |
Do the Movies Have a Future? |
David Denby |
|
| 2334 |
 |
Mom in the movies : the iconic screen mothers you love (and a few you love to hate) [1st ed.] |
Corliss, Richard |
1 |
| 2335 |
 |
Movie Geek: The Den of Geek Guide to the Movieverse |
Simon Brew |
|
| 2336 |
 |
Ingrid: ingrid bergman, a personal biography |
Chandler, Charlotte |
|
| 2337 |
 |
It's Only a Movie, An Alfred Hitchcock Biography |
Chandler, Charlotte |
|
| 2338 |
 |
Hitchcock = fwith the collaboration of Helen G. Scott [Revised edition] |
Hitchcock, Alfred,Truffaut, François |
|
| 2339 |
 |
Hollywood: A Third Memoir |
Larry McMurtry |
|
| 2340 |
 |
John Wayne: The Life and Legend [First Edition] |
Scott Eyman |
|
| 2341 |
 |
I Know Where I'm Going: Katharine Hepburn, A Personal Biography |
Charlotte Chandler |
|
| 2342 |
 |
Lion of Hollywood: the Life and Legend of Louis B. Mayer |
Mayer, Louis B.,Mayer, Louis Burt,Eyman, Scott |
|
| 2343 |
 |
John Wayne: the life and legend [1. Simon & Schuster trade paperback ed] |
Eyman, Scott,Wayne, John |
1 |
| 2344 |
 |
Love Life |
Lowe, Rob |
|
| 2345 |
 |
Making a Scene |
Constance Wu |
|
| 2346 |
 |
Movie Nights with the Reagans: A Memoir |
Mark Weinberg |
|
| 2347 |
 |
Marlene by Charlotte Chandler |
Charlotte Chandler |
|
| 2348 |
 |
Life, Camera, Action |
Mitchell Burns |
|
| 2349 |
 |
Now Playing At The Valencia: Pulitzer Prize-Winning Essays On Movies |
Stephen Hunter |
|
| 2350 |
 |
Monkey business: the lives and legends of the marx brothers |
Marx Brothers.,Louvish, Simon |
|
| 2351 |
 |
My Father's Daughter |
Tina Sinatra, Jeff Coplon |
|
| 2352 |
 |
Postcards From the Edge |
Fisher, Carrie |
|
| 2353 |
 |
Print the legend : the life and times of John Ford [First Simon & Schuster paperback edition] |
Eyman, Scott, Ford, John |
|
| 2354 |
 |
Shooting the Actor [First Picador edition] |
Callow, Simon,Makavejev, Dušan |
|
| 2355 |
 |
Spiritual cinema: a guide to movies that inspire, heal, and empower your life |
Hendricks, Gay,Simon, Stephen |
|
| 2356 |
 |
Stan and Ollie: the roots of comedy: the double life of Laurel and Hardy [First St. Martin's Griffin edition] |
Hardy, Oliver,Laurel, Stan,Louvish, Simon |
|
| 2357 |
 |
Stanley Kubrick and me: thirty years at his side |
D'Alessandro, Emilio,Kubrick, Stanley,Marsh, Simon,Ulivieri, Filippo |
|
| 2358 |
 |
Song of Spider-Man: the inside story of the most controversial musical in Broadway history |
Berger, Glen,Bono |
|
| 2359 |
 |
Sleepless in Hollywood : tales from the new abnormal in the movie business [First Simon & Schuster hardcover edition] |
Obst, Lynda Rosen |
|
| 2360 |
 |
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece |
Michael Benson |
|
| 2361 |
 |
Star: How Warren Beatty Seduced America [First Edition] |
Biskind, Peter |
|
| 2362 |
 |
sTORI Telling [1st Simon Spotlight Entertainment hardcover ed] |
Liftin, Hilary,Spelling, Tori |
1 |
| 2363 |
 |
That Thing about Bollywood |
Supriya Kelkar |
|
| 2364 |
 |
The Christmas Movie Cookbook : Recipes from Your Favorite Holiday Films |
Julia Rutland |
|
| 2365 |
 |
The Ghost Photographer: A Hollywood Executive’s True Story of Discovering the Real World of Make-Believe |
Julie Rieger, Simon &, Schuster |
|
| 2366 |
 |
The incredible true story of Blondy Baruti: my unlikely journey from the Congo to Hollywood [First Simon & Schuster hardcover edition] |
Blondy Baruti,Joe Layden |
|
| 2367 |
 |
The Movie Doctors |
Kermode, Mark,Mayo, Simon |
|
| 2368 |
 |
The movie doctors [Paperback edition] |
Kermode, Mark, Mayo, Simon, Toseland, Martin, Toseland, Simon |
|
| 2369 |
 |
The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930 |
Scott Eyman |
|
| 2370 |
 |
'Tis Herself: A Memoir |
Maureen O'Hara, John Nicoletti |
|
| 2371 |
 |
Turning Right at Hollywood and Vine: The Perils of Coming Out Conservative in Tinseltown (Large Print 16pt) |
Roger L. Simon |
|
| 2372 |
 |
Total recall: my unbelievably true life story [First Simon & Schuster hardcover edition] |
Petre, Peter,Schwarzenegger, Arnold |
|
| 2373 |
 |
Vin Diesel. Fueled for Success |
Nancy Krulik |
|
| 2374 |
 |
Waterloo - Making an Epic: The Spectacular Behind-The-Scenes Story of a Movie Colossus |
Simon Lewis |
|
| 2375 |
 |
Inventory: 16 films featuring manic pixie dream girls, 10 great songs nearly ruined by the saxophone, and 100 more obsessively specific pop-culture lists [1st Scribner trade pbk. ed] |
Club, A, V |
1 |
| 2376 |
 |
Hit and run: how Jon Peters and Peter Guber took Sony for a ride in Hollywood [1st Touchstone ed] |
Columbia Pictures.,Guber-Peters Company.,Griffin, Nancy,Guber, Peter,Masters, Kim,Peters, Jon |
1 |
| 2377 |
 |
Hitchcock: A Definitive Study of Alfred Hitchcock |
Truffaut, Francois |
|
| 2378 |
 |
Alice Guy Blaché : lost visionary of the cinema |
Guy, Alice, Guy, Alice, McMahan, Alison |
|
| 2379 |
 |
Mimesis, Movies, and Media: Violence, Desire, and the Sacred, Volume 3 |
Scott Cowdell, Chris Fleming, Joel Hodge |
|
| 2380 |
 |
Classical Japanese Cinema Revisited |
Catherine Russell |
|
| 2381 |
 |
Postcolonial Theory and Avatar |
Gautam Basu Thakur |
|
| 2382 |
 |
Kenneth Lonergan: Filmmaker and Philosopher |
Todd May |
|
| 2383 |
 |
Telecinematic Stylistics |
Christian Hoffmann (editor), Monika Kirner-Ludwig (editor) |
|
| 2384 |
 |
Wim Wenders’s Road Movie Philosophy: Education Without Learning |
René V. Arcilla |
|
| 2385 |
 |
The Oneiric in the Films of David Lynch: A Phenomenological Approach |
Raphael Morschett |
|
| 2386 |
 |
Young Women, Girls and Postfeminism in Contemporary British Film |
Sarah Hill |
|
| 2387 |
 |
Babes in Toyland’s Fontanelle |
Selena Chambers |
|
| 2388 |
 |
FILM THEORY IN PRACTICE: Critical Race Theory and Bamboozled |
ALESSANDRA RAENGO |
|
| 2389 |
 |
From France With Love: Gender and Identity in French Romantic Comedy [Reprint ed.] |
Mary Harrod |
|
| 2390 |
 |
Horror Film: A Critical Introduction |
Murray Leeder |
|
| 2391 |
 |
Queering The Terminator: Sexuality and Cyborg Cinema |
David Greven |
|
| 2392 |
 |
Merchants of Menace: The Business of Horror Cinema |
Richard Nowell (editor) |
|
| 2393 |
 |
Surveillance and Film |
J. Macgregor Wise |
|
| 2394 |
 |
An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine |
Robert G. White |
|
| 2395 |
 |
The French Film Musical: Phil Powrie and Marie Cadalanu |
Phil Powrie, Marie Cadalanu |
|
| 2396 |
 |
Deleuze and Lola Montès |
Richard Rushton |
|
| 2397 |
 |
Feeling Cinema: Emotional Dynamics in Film Studies |
Tarja Laine |
|
| 2398 |
 |
Fellini’s Eternal Rome: Paganism and Christianity in the Films of Federico Fellini |
Alessandro Carrera |
|
| 2399 |
 |
Hollywood Independent: How the Mirisch Company Changed Cinema |
Paul Kerr (editor) |
|
| 2400 |
 |
Noir and Blanchot: Deteriorations of the Event |
William S. Allen |
|
| 2401 |
 |
Live Cinema: Cultures, Economies, Aesthetics |
Sarah Atkinson (editor), Helen W. Kennedy (editor) |
|
| 2402 |
 |
Terrence Malick: Filmmaker and Philosopher |
Robert Sinnerbrink |
|
| 2403 |
 |
From the Margins to the Mainstream: Women in Film and Television |
Marianne Kac-Vergne, Julie Assouly (editors) |
|
| 2404 |
 |
Angelo Badalamenti's Soundtrack from Twin Peaks |
Clare Nina Norelli |
|
| 2405 |
 |
Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship |
CarrieLynn D. Reinhard (editor), Christopher J. Olson (editor) |
|
| 2406 |
 |
Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image |
John J. Murphy |
|
| 2407 |
 |
Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought |
Rachel Elizabeth Barraclough |
|
| 2408 |
 |
The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema |
Basil Glynn |
|
| 2409 |
 |
The Space of Sex: The Porn Aesthetic in Contemporary Film and Television |
Shelton Waldrep |
|
| 2410 |
 |
The Third Act: Writing a Great Ending to Your Screenplay [3 ed.] |
Yanno, Drew |
3 |
| 2411 |
 |
Shadow Cinema: The Historical and Production Contexts of Unmade Films |
James Fenwick, Kieran Foster, David Eldridge (editors) |
|
| 2412 |
 |
American science fiction film and television |
Geraghty, Lincoln |
|
| 2413 |
 |
Cinematic terror: a global history of terrorism on film [Online-ausg ed.] |
Shaw, Tony |
|
| 2414 |
 |
Fiction and Imagination in Early Cinema: A Philosophical Approach to Film History |
Mario Slugan |
|
| 2415 |
 |
The Vigilante Thriller: Violence, Spectatorship and Identification in American Cinema, 1970-76 |
Cary Edwards |
|
| 2416 |
 |
Quentin Tarantino's Django unchained : the continuation of metacinema |
Speck, Oliver C |
|
| 2417 |
 |
The Bloomsbury Companion to Stanley Kubrick |
Nathan Abrams, I. Q. Hunter (editors) |
|
| 2418 |
 |
Daughters of Desire: Lesbian Representations in Film |
Shameem Kabir |
|
| 2419 |
 |
German essays on film |
McCormick, Richard W., Guenther-Pal, Alison |
|
| 2420 |
 |
Feminist Film Theory and Pretty Woman |
Mari Ruti |
|
| 2421 |
 |
Something Wicked: Witchcraft in Movies, Television, and Popular Culture |
Douglas Brode, Leah Deyneka |
|
| 2422 |
 |
‘Guilty Pleasures’: European Audiences and Contemporary Hollywood Romantic Comedy |
Alice Guilluy |
|
| 2423 |
 |
Gaslight Melodrama: From Victorian London to 1940s Hollywood |
Guy Barefoot |
|
| 2424 |
 |
Movie Stunts & Special Effects: A Comprehensive Guide to Planning and Execution |
Andrew Lane |
|
| 2425 |
 |
The Jaws Book: New Perspectives on the Classic Summer Blockbuster |
I. Q. Hunter, Matthew Melia (editors) |
|
| 2426 |
 |
Cinema of Simulation: Hyperreal Hollywood in the Long 1990s |
Randy Laist |
|
| 2427 |
 |
The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-fi |
Shelagh Rowan-Legg |
|
| 2428 |
 |
The Middle Ages in Popular Imagination: Memory, Film and Medievalism |
Paul B. Sturtevant |
|
| 2429 |
 |
The Screening of America: Movies and Values from Rocky to Rain Man |
Tom O’Brien (editor) |
|
| 2430 |
 |
Blockbusters and the Ancient World: Allegory and Warfare in Contemporary Hollywood |
Chris Davies |
|
| 2431 |
 |
Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too! |
Thomas Lennon, Robert Ben Garant |
|
| 2432 |
 |
Film and Television Genres of the Late Soviet Era |
Alexander Prokhorov, Elena Prokhorova |
|
| 2433 |
 |
Contemporary Sino-Japanese Relations on Screen: A History, 1989-2005 |
Griseldis Kirsch |
|
| 2434 |
 |
Filmspeak: How to understand literary theory by watching movies |
Edward L. Tomarken |
|
| 2435 |
 |
Postmodern Theory and Blade Runner |
Matthew Flisfeder |
|
| 2436 |
 |
More Than Illustrated Music: Aesthetics of Hybrid Media Between Pop, Art and Video |
Kathrin Dreckmann, Elfi Vomberg |
|
| 2437 |
 |
The Architecture of David Lynch |
Richard Martin |
|
| 2438 |
 |
Screenwriting: the sequence approach |
Gulino, Paul Joseph |
|
| 2439 |
 |
Representing Religion in Film |
Tenzan Eaghll, Rebekka King (editors) |
|
| 2440 |
 |
Sound and Music in Film and Visual Media: A Critical Overview |
Graeme Harper, Ruth Doughty, Jochen Eisentraut |
|
| 2441 |
 |
The Cinema of the Precariat: The Exploited, Underemployed, and Temp Workers of the World |
Thomas Zaniello, Tom Zaniello |
|
| 2442 |
 |
The Transformative Cinema of Alejandro Jodorowsky |
George Melnyk |
|
| 2443 |
 |
Revolution and Rebellion in Mexican Film |
Niamh Thornton |
|
| 2444 |
 |
Global South Asia on Screen |
John Hutnyk |
|
| 2445 |
 |
Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television |
Jed Dannenbaum, Doe Mayer |
|
| 2446 |
 |
Peggy Webling and the Story behind Frankenstein: The Making of a Hollywood Monster |
Peggy Webling, Dorian Gieseler Greenbaum (editor), Bruce Graver (editor) |
|
| 2447 |
 |
Science Fiction and Narrative Form |
David Roberts, Andrew Milner, Peter Murphy |
|
| 2448 |
 |
The Pleasures of Horror |
Matt Hills |
|
| 2449 |
 |
Nancy Meyers |
Deborah Jermyn |
|
| 2450 |
 |
Women Artists, Feminism and the Moving Image: Contexts and Practices |
Lucy Reynolds (editor) |
|
| 2451 |
 |
Fashion’s Double: Representations of fashion in painting, photography and film |
Adam Geczy, Vicki Karaminas |
|
| 2452 |
 |
Brazilian Cinema and the Aesthetics of Ruins |
Guilherme Carréra |
|
| 2453 |
 |
Film and the Holocaust: New Perspectives on Dramas, Documentaries, and Experimental Films |
Aaron Kerner |
|
| 2454 |
 |
European Cinema: An Introduction |
Jill Forbes, Sarah Street |
|
| 2455 |
 |
Full-Throttle Franchise: The Culture, Business and Politics of Fast & Furious |
Joshua Gulam, Fraser Elliott, Sarah Feinstein (editors) |
|
| 2456 |
 |
Traversing the Fantasy: The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema |
Sandra Meiri, Odeya Kohen-Raz |
|
| 2457 |
 |
Making Waves: New Cinemas of the 1960s |
Geoffrey Nowell-Smith |
|
| 2458 |
 |
Mass Producing European Cinema: Studiocanal and Its Works |
Christopher Meir |
|
| 2459 |
 |
The Journalist in British Fiction and Film: Guarding the Guardians from 1900 to the Present |
Sarah Lonsdale |
|
| 2460 |
 |
Documentary as Exorcism: Resisting the Bewitchment of Colonial Christianity |
Robert Beckford |
|
| 2461 |
 |
Compact Cinematics: The Moving Image in the Age of Bit-Sized Media |
Pepita Hesselberth (editor), Maria Poulaki (editor) |
|
| 2462 |
 |
Deeper than Oblivion: Trauma and Memory in Israeli Cinema |
Raz Yosef, Boaz Hagin (editors) |
|
| 2463 |
 |
Ghost in the Well: The Hidden History of Horror Films in Japan |
Michael Crandol |
|
| 2464 |
 |
Silent Films/Loud Music: New Ways of Listening to and Thinking about Silent Film Music |
Phillip Johnston |
|
| 2465 |
 |
Stars in World Cinema |
Andrea Bandhauer, Michelle Royer |
|
| 2466 |
 |
The Myth of Harm: Horror, Censorship and the Child |
Sarah Cleary |
|
| 2467 |
 |
Hollywood's American Tragedies: Dreiser, Eisenstein, Sternberg, Stevens |
Mandy Merck |
|
| 2468 |
 |
Interpreting Star Wars: Reading a Modern Film Franchise |
Miles Booy |
|
| 2469 |
 |
Bollywood in Britain: Cinema, Brand, Discursive Complex |
Lucia Krämer |
|
| 2470 |
 |
Intimacy and the Anxieties of Cinematic Flesh: Between Phenomenology and Psychoanalysis |
Patrick Fuery |
|
| 2471 |
 |
Science Fiction Cinema and 1950s Britain: Recontextualizing Cultural Anxiety |
Matthew Jones |
|
| 2472 |
 |
Sound design for moving image: From Concept to Realization |
Kahra Scott-james |
|
| 2473 |
 |
Romanticism and Film: Franz Liszt and Audio-Visual Explanation |
Will Kitchen |
|
| 2474 |
 |
European Cinema and Continental Philosophy: Film as Thought Experiment |
Thomas Elsaesser |
|
| 2475 |
 |
Cinematic Modernism and Contemporary Film: Aesthetics and Narrative in the International Art Film |
Howard Finn |
|
| 2476 |
 |
Film and Television of the Late Soviet Era |
Alexander Prokhorov, Elena Prokhorova |
|
| 2477 |
 |
The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy |
Colleen Kennedy-Karpat, Feride Çiçekoğlu (editors) |
|
| 2478 |
 |
Funny Frames: The Filmic Concepts of Michael Haneke [1 ed.] |
Oliver C. Speck |
1 |
| 2479 |
 |
The War of the Worlds: From H. G. Wells to Orson Welles, Jeff Wayne, Steven Spielberg and Beyond |
Peter J. Beck |
|
| 2480 |
 |
_Deconstructing Brad Pitt |
Christopher Schaberg, Robert Bennett (editors) |
|
| 2481 |
 |
History and Film: A Tale of Two Disciplines |
Eleftheria Thanouli |
|
| 2482 |
 |
Joseph Cornell Versus Cinema |
Michael Pigott |
|
| 2483 |
 |
Understanding Machinima: Essays on Filmmaking in Virtual Worlds |
Jenna Ng |
|
| 2484 |
 |
Animated Landscapes: History, Form and Function [Illustrated] |
Chris Pallant |
|
| 2485 |
 |
Petrocinema: Sponsored Film and the Oil Industry |
Marina Dahlquist and Patrick Vonderau |
|
| 2486 |
 |
Music/Video: Histories, Aesthetics, Media |
Daniel Cookney, Michael Goddard |
|
| 2487 |
 |
Snuff: real death and screen media |
Jackson, Neil(Editor),Kimber, Shaun(Editor),Walker, Johnny(Editor),Watson, Thomas Joseph(Editor) |
|
| 2488 |
 |
The Metanarrative Hall of Mirrors: Reflex Action in Fiction and Film |
Garrett Stewart |
|
| 2489 |
 |
Gay Conversion Practices in Memoir, Film and Fiction: Stories of Repentance and Defiance |
James Bennett, Marguerite Johnson |
|
| 2490 |
 |
The Beatles on Screen: From Pop Stars to Musicians |
Stephanie Fremaux |
|
| 2491 |
 |
Time Regained: World Literature and Cinema |
Delia Ungureanu |
|
| 2492 |
 |
World Cinema and the Ethics of Realism |
Lúcia Nagib |
|
| 2493 |
 |
From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters across Old and New Media [1 ed.] |
Costas Constandinides |
1 |
| 2494 |
 |
Grindhouse: Cultural Exchange on 42nd Street, and Beyond |
Johnny Walker |
|
| 2495 |
 |
Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images |
Janna Houwen |
|
| 2496 |
 |
Making time in Stanley Kubrick's Barry Lyndon: art, history and empire |
Pramaggiore, Maria,Thackeray, William Makepeace |
|
| 2497 |
 |
Secular Magic and the Moving Image: Mediated Forms and Modes of Reception [Reprint ed.] |
Max Sexton |
|
| 2498 |
 |
The Bloomsbury Handbook to Sofia Coppola |
Suzanne Ferriss (editor) |
|
| 2499 |
 |
Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy |
Vanessa Rocco |
|
| 2500 |
 |
Allegro non troppo: Bruno Bozzetto’s Animated Music |
Marco Bellano |
|
| 2501 |
 |
Space Oddities: Women and Outer Space in Popular Film and Culture, 1960-2000 [1 ed.] |
Marie Lathers |
1 |
| 2502 |
 |
Screening Bosnia: Geopolitics, Gender and Nationalism in Film and Television Images of the 1992–1995 War |
Stephen Harper |
|
| 2503 |
 |
Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses |
Simin Nina Littschwager |
|
| 2504 |
 |
Dark energy : Hitchcock's absolute camera and the physics of cinematic spacetime |
Hitchcock, Alfred, Skerry, Philip J., Hitchcock, Alfred |
|
| 2505 |
 |
The Battle of Britain on Screen: ‘The Few’ in British Film and Television Drama |
S. P. MacKenzie (editor) |
|
| 2506 |
 |
Wes Anderson’s Symbolic Storyworld : a Semiotic Analysis. |
Anderson, Wes, Wes / Anderson, Buckland, Warren |
|
| 2507 |
 |
Adaptation Studies: New Challenges, New Directions [Paperback ed.] |
Jørgen Bruhn, Anne Gjelsvik, Eirik Frisvold Hanssen |
|
| 2508 |
 |
Art in the Cinema: The Mid-century Art Documentary |
Steven Jacobs, Birgit Cleppe, Dimitrios Latsis (editors) |
|
| 2509 |
 |
Childhood and Nation in Contemporary World Cinema: Borders and Encounters |
Stephanie Hemelryk Donald, Emma Wilson, Sarah Wright |
|
| 2510 |
 |
Let’s Go Stag!: A History of Pornographic Film from the Invention of Cinema to 1970 |
Dan Erdman |
|
| 2511 |
 |
Rape in Art Cinema [1 ed.] |
Dominique Russell |
1 |
| 2512 |
 |
Alain Delon: Style, Stardom, and Masculinity |
Nick Rees-Roberts, Darren Waldron (editors) |
|
| 2513 |
 |
Rediscovered Classics of Japanese Animation: The Adaptation of Children’s Novels into the World Masterpiece Theater Series |
Maria Chiara Oltolini |
|
| 2514 |
 |
Spectacular Posthumanism: The Digital Vernacular of Visual Effects |
Drew Ayers |
|
| 2515 |
 |
Film lighting: talks with Hollywood's cinematographers and gaffers [2nd ed] |
Malkiewicz, J. Kris |
2 |
| 2516 |
 |
Afterlives: Allegories of Film and Mortality in Early Weimar Germany |
Choe, Steve |
|
| 2517 |
 |
American Epic |
MacMahon, Bernard,McGourty, Allison,Wald, Elijah |
|
| 2518 |
 |
Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe |
Costas Constandinides, Yiannis Papadakis |
|
| 2519 |
 |
Writing the Horror Movie [Annotated] |
Marc Blake, Sara Bailey |
|
| 2520 |
 |
The New Wave Cinema in Iran: A Critical Study |
Parviz Jahed |
|
| 2521 |
 |
Third Cinema, World Cinema and Marxism |
Ewa Mazierska, Lars Kristensen (editors) |
|
| 2522 |
 |
Haunted Histories and Troubled Pasts: Twenty-First-Century Screen Horror and the Historical Imagination |
Amanda Howell (editor), Stephanie Green (editor) |
|
| 2523 |
 |
The Language and Imagery of Coma and Brain Injury: Representations in Literature, Film and Media |
Matthew Colbeck |
|
| 2524 |
 |
Write What You Don't Know: An Accessible Manual for Screenwriters |
Julian Hoxter |
|
| 2525 |
 |
Werner Herzog: Filmmaker and Philosopher |
Richard Eldridge |
|
| 2526 |
 |
The Film Archipelago: Islands in Latin American Cinema |
Antonio Gómez, Francisco-J. Hernández Adrián (editors) |
|
| 2527 |
 |
Opera Cinema: A New Cultural Experience |
Joseph Attard |
|
| 2528 |
 |
Martin Scorsese’s Divine Comedy: Movies and Religion |
Catherine O’Brien |
|
| 2529 |
 |
The Orientation of Future Cinema: Technology, Aesthetics, Spectacle [1 ed.] |
Bruce Isaacs |
1 |
| 2530 |
 |
Movies with Meaning: Existentialism Through Film |
Daniel Shaw |
|
| 2531 |
 |
Aardman Animations: Beyond Stop-motion |
Annabelle Honess Roe |
|
| 2532 |
 |
Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy |
Chris Pallant, Christopher Holliday (editors) |
|
| 2533 |
 |
The Origins of the Film Star System: Persona, Publicity and Economics in Early Cinema |
Andrew Shail |
|
| 2534 |
 |
Romanian Cinema: Thinking Outside the Screen |
Doru Pop |
|
| 2535 |
 |
Eastern Approaches to Western Film: Asian Reception and Aesthetics in Cinema |
Stephen Teo |
|
| 2536 |
 |
Masculinity and Gender in Greek Cinema: 1949-1967 [Reprint ed.] |
Achilleas Hadjikyriacou |
|
| 2537 |
 |
Being There and the Evolution of a Screenplay: 3 Draft Scripts with Commentary |
Aaron Hunter |
|
| 2538 |
 |
Blood Money: A History of the First Teen Slasher Film Cycle |
Richard Nowell |
|
| 2539 |
 |
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up |
Jiří Anger |
|
| 2540 |
 |
Hitchcock’s Appetites: The corpulent plots of desire and dread |
Casey McKittrick |
|
| 2541 |
 |
Horror Films for Children: Fear and Pleasure in American Cinema |
Catherine Lester |
|
| 2542 |
 |
Georges Didi-Huberman and Film : The Politics of the Image |
Alison Smith |
|
| 2543 |
 |
Lars von Trier's Women |
Rex Butler (editor), David Denny (editor) |
|
| 2544 |
 |
Ozu International: Essays on the Global Influences of a Japanese Auteur |
Wayne Stein, Marc DiPaolo |
|
| 2545 |
 |
The Bloomsbury Handbook to Ageing in Contemporary Literature and Film |
Sarah Falcus, Heike Hartung, Raquel Medina |
|
| 2546 |
 |
Hollywood Beyond the Screen: Design and Material Culture [1st ed.] |
Anne Massey |
1 |
| 2547 |
 |
Martin Scorsese’s Documentary Histories: Migrations, Movies, Music |
Mike Meneghetti |
|
| 2548 |
 |
Popular Ethiopian Cinema: Love and Other Genres |
Michael W. Thomas |
|
| 2549 |
 |
Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism |
Dominic Lash |
|
| 2550 |
 |
The Discourse of Italian Cinema and Beyond: Let Cinema Speak [1 ed.] |
Roberta Piazza |
1 |
| 2551 |
 |
The Switch Image: Television Philosophy [1 ed.] |
Lorenz Engell, Bernd Herzogenrath, Patricia Pisters |
1 |
| 2552 |
 |
Decolonizing the Undead: Rethinking Zombies in World-Literature, Film, and Media |
Stephen Shapiro, Giulia Champion, Roxanne Douglas |
|
| 2553 |
 |
Poitier Revisited: Reconsidering a Black Icon in the Obama Age |
Ian Gregory Strachan, Mia Mask (editors) |
|
| 2554 |
 |
Kubrick's total cinema : philosophical themes and formal qualities |
Kubrick, Stanley, Kubrick, Stanley, Kuberski, Philip |
|
| 2555 |
 |
Literary Lost: Viewing Television Through the Lens of Literature [1 ed.] |
Sarah Clarke Stuart |
1 |
| 2556 |
 |
Pier Paolo Pasolini, Framed and Unframed: A Thinker for the Twenty-First Century |
Luca Peretti, Karen T. Raizen |
|
| 2557 |
 |
Sensuous Cinema: The Body in Contemporary Maghrebi Film |
Kaya Davies Hayon |
|
| 2558 |
 |
The Grace of Destruction: A Vital Ethology of Extreme Cinemas |
Elena del Río |
|
| 2559 |
 |
After the Fact: The Holocaust in Twenty-First Century Documentary Film |
Brad Prager |
|
| 2560 |
 |
Marxist Film Theory and Fight Club |
Anna Kornbluh |
|
| 2561 |
 |
David Bowie and the Art of Music Video (New Approaches to Sound, Music, and Media) |
Lisa Perrott |
|
| 2562 |
 |
Are You Not Entertained?: Mapping the Gladiator Across Visual Media |
Lindsay Steenberg |
|
| 2563 |
 |
The Films of Aki Kaurismaki: Ludic Engagements |
Thomas Austin (editor) |
|
| 2564 |
 |
Grendel Grendel Grendel: Animating Beowulf |
Dan Torre, Lienors Torre |
|
| 2565 |
 |
Global Animation Theory: International Perspectives at Animafest Zagreb |
Franziska Bruckner, Holger Lang, Nikica Gilic, Daniel Šuljic, Hrvoje Turkovic |
|
| 2566 |
 |
Transmodern Cinema and Decolonial Film Theory: A Study of Youssef Chahine's al-Masir |
Robert K. Beshara |
|
| 2567 |
 |
On Dangerous Ground: Freud’s Visual Cultures of the Unconscious |
Diane O’Donoghue |
|
| 2568 |
 |
Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound (New Approaches to Sound, Music, and Media) |
Kevin J. Donnelly (editor) |
|
| 2569 |
 |
Shadow Craft: Visual Aesthetics of Black and White Hindi Cinema |
Gayathri Prabhu, Nikhil Govind |
|
| 2570 |
 |
The State of European Cinema: A New Dose of Reality |
Angus Finney |
|
| 2571 |
 |
Teen Film: A Critical Introduction |
Catherine Driscoll |
|
| 2572 |
 |
As if! : the oral history of Clueless as told by Amy Heckerling, the cast, and the crew [First Touchstone trade paperback edition] |
Chaney, Jen |
|
| 2573 |
 |
André Bazin and Italian Neorealism [1 ed.] |
André Bazin, Bert Cardullo |
1 |
| 2574 |
 |
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era |
Murray Leeder (editor) |
|
| 2575 |
 |
Me and You and Memento and Fargo: How Independent Screenplays Work |
J. J. Murphy |
|
| 2576 |
 |
Monstrosity, Identity and Music: Mediating Uncanny Creatures from Frankenstein to Videogames |
Alexis Luko, James Wright |
|
| 2577 |
 |
Skepticism Films:Knowing and Doubting the World in Contemporary Cinema |
Philipp Schmerheim |
|
| 2578 |
 |
Violating Time: History, Memory, and Nostalgia in Cinema |
Christina Lee (editor) |
|
| 2579 |
 |
The Cinema of Jia Zhangke: Realism and Memory in Chinese Film |
Cecília Mello |
|
| 2580 |
 |
The Classical Animated Documentary and Its Contemporary Evolution |
Cristina Formenti |
|
| 2581 |
 |
Film Noir: A critical introduction |
Ian Brookes |
|
| 2582 |
 |
New Wave, New Hollywood: Reassessment, Recovery, and Legacy |
Nathan Abrams, Gregory Frame (editors) |
|
| 2583 |
 |
Kenji Mizoguchi and the Art of Japanese Cinema [1 ed.] |
Tadao Sato, A. Vasudev, L. Padgaonkar (eds.) |
1 |
| 2584 |
 |
The Environmental Documentary: Cinema Activism in the Twenty-First Century |
John A. Duvall |
|
| 2585 |
 |
Following Norberg-Schulz: An Architectural History through the Essay Film |
Anna Ulrikke Andersen |
|
| 2586 |
 |
Cinematic Homecomings: Exile and Return in Transnational Cinema |
Rebecca Prime |
|
| 2587 |
 |
Film Music in ‘Minor’ National Cinemas |
Germán Gil-Curiel (editor) |
|
| 2588 |
 |
Adaptations in the Franchise Era: 2001–16 |
Kyle Meikle |
|
| 2589 |
 |
Movies with Stanley Cavell in Mind |
David LaRocca |
|
| 2590 |
 |
Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema |
David Church |
|
| 2591 |
 |
The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity |
Jacob Leigh |
|
| 2592 |
 |
Philippe Grandrieux: Sonic Cinema |
Greg Hainger |
|
| 2593 |
 |
Reframing 9/11: Film, Popular Culture and the “War on Terror” |
Jeff Birkenstein, Anna Froula, Karen Randell (editors) |
|
| 2594 |
 |
The “Disguised” Political Film in Contemporary Hollywood: A Genre’s Construction |
Betty Kaklamanidou |
|
| 2595 |
 |
Screening Solidarity: Neoliberalism and Transnational Cinemas |
Helga Druxes, Alexandar Mihailovic, Patricia Anne Simpson |
|
| 2596 |
 |
Subversive Spanish Cinema: The Politics of Performance |
Fiona Noble |
|
| 2597 |
 |
Yōko Kanno's Cowboy Bebop Soundtrack |
Rose Bridges |
|
| 2598 |
 |
Silver Screen Buddha: Buddhism in Asian and Western Film |
Sharon A. Suh |
|
| 2599 |
 |
Derek Jarman’s Visionary Arts: Exploring Land and Depth |
Michael Charlesworth |
|
| 2600 |
 |
Ingmar Bergman at the Crossroads: Between Theory and Practice |
Maaret Koskinen, Louise Wallenberg (editors) |
|
| 2601 |
 |
Representing Social Precarity in German Literature and Film (New Directions in German Studies) |
Sophie Duvernoy (editor), Karsten Olson (editor), Ulrich Plass (editor) |
|
| 2602 |
 |
Aesthetics of Displacement: Turkey and its Minorities on Screen |
Özlem Köksal |
|
| 2603 |
 |
The Films of Lenny Abrahamson: A Filmmaking of Philosophy |
Barry Monahan |
|
| 2604 |
 |
The New Generation in Chinese Animation [1 ed.] |
Shaopeng Chen |
1 |
| 2605 |
 |
Hitchcock's Appetites: The Corpulent Plots of Desire and Dread |
Casey McKittrick |
|
| 2606 |
 |
Mimetic Theory and Film |
Paolo Diego Bubbio, Chris Fleming |
|
| 2607 |
 |
China’s iGeneration: Cinema and Moving Image Culture for the Twenty-First Century |
Matthew D. Johnson, Keith B. Wagner, Tianqi Yu, Luke Vulpiani (editors) |
|
| 2608 |
 |
American Disaster Movies of the 1970s: Crisis, Spectacle and Modernity |
Scott Freer |
|
| 2609 |
 |
Experiencing Cinema: Participatory Film Cultures, Immersive Media and the Experience Economy |
Emma Pett |
|
| 2610 |
 |
Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960S and 1970s |
Isolde Standish |
|
| 2611 |
 |
Esfir Shub: Pioneer of Documentary Filmmaking |
Ilana Shub Sharp |
|
| 2612 |
 |
Crossover Stardom: Popular Male Music Stars in American Cinema |
Julie Lobalzo Wright |
|
| 2613 |
 |
Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited |
Daniel Barnett |
|
| 2614 |
 |
Adaptations in the Sound Era: 1927–37 |
Deborah Cartmell |
|
| 2615 |
 |
István Szabó: Filmmaker of Existential Choices (Philosophical Filmmakers) |
Susan Rubin Suleiman |
|
| 2616 |
 |
Hollywood Math and Aftermath: The Economic Image and the Digital Recession |
J.D. Connor |
|
| 2617 |
 |
Italian Cinema Audiences: Histories and Memories of Cinemagoing in Post-War Italy |
Daniela Treveri Gennari, Catherine O’Rawe, Danielle Hipkins, Silvia Dibeltulo, Sarah Culhane |
|
| 2618 |
 |
Science Fiction Film: A Critical Introduction |
Keith M. Johnston |
|
| 2619 |
 |
Cinematic Art and Reversals of Power: Deleuze via Blanchot |
Eugene Brent Young |
|
| 2620 |
 |
The Film Cheat: Screen Artifice and Viewing Pleasure |
Murray Pomerance |
|
| 2621 |
 |
I’m Not a Film Star: David Bowie as Actor |
Ian Dixon, Brendan Blackis |
|
| 2622 |
 |
The Continental Philosophy of Film Reader |
|
|
| 2623 |
 |
Authoring Hal Ashby: The Myth of the New Hollywood Auteur |
Aaron Hunter |
|
| 2624 |
 |
Walled Life: Concrete, Cinema, Art |
Jenny Stümer |
|
| 2625 |
 |
The Creative Screenwriter: Exercises to Expand Your Craft [1 ed.] |
Craig Batty, Zara Waldeback |
1 |
| 2626 |
 |
Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film |
Chelsea Birks |
|
| 2627 |
 |
Sleazoid Express: A Mind-twisting Tour Through the Grindhouse Cinema of Times Square [Original ed.] |
Bill Landis, Michelle Clifford |
|
| 2628 |
 |
Critical Theory and Film: Rethinking ideology through fi lm noir |
Fabio Vighi |
|
| 2629 |
 |
Dancing With the Nation: Courtesans in Bombay Cinema |
Ruth Vanita |
|
| 2630 |
 |
Fantasy and Myth in the Anthropocene: Imagining Futures and Dreaming Hope in Literature and Media |
Marek Oziewicz, Brian Attebery, Tereza Dědinová (editor) |
|
| 2631 |
 |
A New History of Documentary Film: Second Edition [2nd Edition] |
Betsy A. McLane |
2 |
| 2632 |
 |
Documenting Syria: Film-making, Video Activism and Revolution |
Joshka Wessels |
|
| 2633 |
 |
Filming the End of the Holocaust: Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps |
John J. Michalczyk |
|
| 2634 |
 |
The Bloomsbury Companion to Religion and Film |
William L. Blizek (editor) |
|
| 2635 |
 |
Peter Jackson |
Alfio Leotta |
|
| 2636 |
 |
The Cinematic Influence: Interaction and Exchange Between the Cinemas of France and Japan |
Peter C. Pugsley, Ben McCann |
|
| 2637 |
 |
Feminist Film Theory and Cléo from 5 to 7 |
Hilary Neroni |
|
| 2638 |
 |
Divine Work, Japanese Colonial Cinema and its Legacy |
Kate Taylor-Jones |
|
| 2639 |
 |
CineWorlding: Scenes of Cinematic Research-Creation |
Michael B. MacDonald |
|
| 2640 |
 |
The Reception of Cleopatra in the Age of Mass Media |
Gregory N. Daugherty |
|
| 2641 |
 |
Black Boys: The Social Aesthetics of British Urban Film |
Clive Chijioke Nwonka |
|
| 2642 |
 |
Bollypolitics: Popular Hindi Cinema and Hindutva [1 ed.] |
Ajay Gehlawat |
1 |
| 2643 |
 |
Spanish Cinema: A Student's Guide |
Barry Jordan, Mark Allinson |
|
| 2644 |
 |
Fashioning Bollywood: The Making and Meaning of Hindi Film Costume |
Clare M. Wilkinson-Weber |
|
| 2645 |
 |
Nazis and the Cinema [illustrated] |
Susan Tiegel |
|
| 2646 |
 |
Auteur Theory and My Son John |
James Morrison |
|
| 2647 |
 |
Capitalism and the Enchanted Screen: Myths and Allegories in the Digital Age |
Aleks Wansbrough |
|
| 2648 |
 |
Wag the Dog: A Study on Film and Reality in the Digital Age |
Eleftheria Thanouli |
|
| 2649 |
 |
Design for Doctor Who: Vision and Revision in Science Fiction Television |
Piers D. Britton |
|
| 2650 |
 |
Popular Music and the Moving Image in Eastern Europe |
Ewa Mazierska (editor), Zsolt Gyori (editor) |
|
| 2651 |
 |
The Mad Max Effect: Road Warriors in International Exploitation Cinema |
James Newton |
|
| 2652 |
 |
The Politics of Nordsploitation: History, Industry, Audiences |
Pietari Kääpä, Tommy Gustafsson |
|
| 2653 |
 |
Hollywood and the Baby Boom: A Social History |
James Russell, Jim Whalley |
|
| 2654 |
 |
A Guide to Post-classical Narration. The Future of Film Storytelling |
Eleftheria Thanouli |
|
| 2655 |
 |
Magical Musical Tour: Rock and Pop in Film Soundtracks |
K.J. Donnelly |
|
| 2656 |
 |
Norman McLaren : between the frames |
Nichola Dobson |
|
| 2657 |
 |
Portuguese Film, 1930-1960,: The Staging of the New State Regime |
Patricia Vieira |
|
| 2658 |
 |
Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film |
David Schroeder |
|
| 2659 |
 |
Hitchcock's ear : music and the director's art |
Schroeder, David P., Hitchcock, Alfred |
|
| 2660 |
 |
The History of French Literature on Film |
Kate Griffiths, Andrew Watts |
|
| 2661 |
 |
Pixar with Lacan: The Hysteric’s Guide to Animation |
Lilian Munk Rösing |
|
| 2662 |
 |
Shakespeare and the Apocalypse : Visions of Doom from Early Modern Tragedy to Popular Culture [1 ed.] |
Shakespeare, William, Christofides, R. M., Shakespeare, William |
1 |
| 2663 |
 |
Politics as Form in Lars von Trier: A Post-Brechtian Reading |
Angelos Koutsourakis |
|
| 2664 |
 |
Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age |
Jihoon Kim |
|
| 2665 |
 |
China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century |
Matthew D. Johnson, Luke Vulpiani, Keith B. Wagner, Kiki Tianqi Yu |
|
| 2666 |
 |
Feminist Posthumanism in Contemporary Science Fiction Film and Media: From Annihilation to High Life and Beyond |
Julia A. Empey (editor) |
|
| 2667 |
 |
Histories on Screen: The Past and Present in Anglo-American Cinema and Television |
Sam Edwards, Michael Dolski, Faye Sayer (editors) |
|
| 2668 |
 |
Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930–2017 |
Jonathan Stubbs |
|
| 2669 |
 |
Isabelle Huppert: Stardom, Performance, Authorship |
Darren Waldron |
|
| 2670 |
 |
Cinema in the Arab World: New Histories, New Approaches |
Ifdal Elsaket, Daniel Biltereyst, Philippe Meers |
|
| 2671 |
 |
Now About All These Women in the Swedish Film Industry |
Louise Wallenberg, Frantzeska Papadopoulou, Maaret Koskinen, Tytti Soila |
|
| 2672 |
 |
Alfred Hitchcock: Filmmaker and Philosopher |
Mark William Roche |
|
| 2673 |
 |
Watership Down: Perspectives On and Beyond Animated Violence |
Catherine Lester |
|
| 2674 |
 |
Italian Cinema: From the Silent Screen to the Digital Image |
Joseph Luzzi |
|
| 2675 |
 |
James Joyce and Photography |
Georgina Binnie-Wright |
|
| 2676 |
 |
New Perspectives on Early Cinema History: Concepts, Approaches, Audiences |
Mario Slugan, Daniël Biltereyst (editor) |
|
| 2677 |
 |
Lost Decade, The: Altman, Coppola, Friedkin and the Hollywood Renaissance Auteur in the 1980s |
Chris Horn |
|
| 2678 |
 |
Re-Writing Jesus: Christ in 20th-Century Fiction and Film |
Graham Holderness |
|
| 2679 |
 |
After Kubrick: A Filmmaker’s Legacy |
Jeremi Szaniawski |
|
| 2680 |
 |
The Fetish: Literature, Cinema, Visual Art |
Massimo Fusillo, Thomas Haskell Simpson |
|
| 2681 |
 |
Non-Cinema: Global Digital Film-making and the Multitude |
William Brown |
|
| 2682 |
 |
Darren Aronofsky’s Films and the Fragility of Hope |
Jadranka Skorin-Kapov |
|
| 2683 |
 |
Toward a New Film Aesthetic |
Bruce Isaacs |
|
| 2684 |
 |
Virtuoso: Film Performance and the Actor’s Magic |
Murray Pomerance |
|
| 2685 |
 |
The Lost Worlds of John Ford Beyond the Western |
Jeffrey Richards |
|
| 2686 |
 |
Exploiting East Asian Cinemas: Genre, Circulation, Reception |
Ken Provencher, Mike Dillon |
|
| 2687 |
 |
3D : History, Theory and Aesthetics of the Transplane Image |
Jens Schröter, Brigitte Pichon, Dorian Rudnytsky |
|
| 2688 |
 |
Ida Lupino, Filmmaker |
Phillip Sipiora |
|
| 2689 |
 |
Critical Race Theory and Jordan Peele's Get Out |
Kevin Wynter |
|
| 2690 |
 |
Popular Tropes of Identity in Contemporary Russian Television and Film |
Irina Souch |
|
| 2691 |
 |
The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies |
Paul Joseph Gulino, Connie Shears |
|
| 2692 |
 |
The Reenactment in Contemporary Screen Culture: Performance, Mediation, Repetition |
Megan Carrigy |
|
| 2693 |
 |
Elizabeth Taylor: A Private Life for Public Consumption |
Ellis Cashmore |
|
| 2694 |
 |
Television Aesthetics and Style |
Steven Peacock, Jason Jacobs |
|
| 2695 |
 |
The War Body on Screen |
Karen Randell, Sean Redmond (editors) |
|
| 2696 |
 |
Sin Documentos |
Héctor Fouce, Fernán del Val |
|
| 2697 |
 |
Terrence Malick: Film and Philosophy |
Kendall, Stuart(Editor) |
|
| 2698 |
 |
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics |
Carol Vernallis, Holly Rogers, Lisa Perrott |
|
| 2699 |
 |
The Cinema of Sofia Coppola: Fashion, Culture, Celebrity |
Suzanne Ferriss |
|
| 2700 |
 |
Film Editing: Emotion, Performance and Story |
Julie Lambden |
|
| 2701 |
 |
Christopher Nolan: Filmmaker and Philosopher |
Robbie B. H. Goh |
|
| 2702 |
 |
Fashioning Horror: Dressing to Kill on Screen and in Literature |
Julia Petrov, Gudrun D. Whitehead |
|
| 2703 |
 |
The Acoustics of the Social on Page and Screen |
Nathalie Aghoro |
|
| 2704 |
 |
The Comic Event: Comedic Performance from the 1950s to the Present |
Judith Roof |
|
| 2705 |
 |
The History of American Literature on Film |
Thomas Leitch |
|
| 2706 |
 |
The cinema of things : globalization and the posthuman object |
Ezra, Elizabeth |
|
| 2707 |
 |
Claude Lanzmann’s Shoah Outtakes: Holocaust Rescue and Resistance |
Sue Vice |
|
| 2708 |
 |
The Cinema of Things: Globalization and the Posthuman Object [Hardcover ed.] |
Elizabeth Ezra |
|
| 2709 |
 |
Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe |
Cyrus R.K. Patell |
|
| 2710 |
 |
Thinking in Film: The Politics of Video Art Installation According to Eija-Liisa Ahtila |
Mieke Bal |
|
| 2711 |
 |
Sense8: Transcending Television |
Deborah Shaw, Rob Stone |
|
| 2712 |
 |
Secret Violences: The Political Cinema of Michelangelo Antonioni, 1960–75 |
Slawomir Maslon (editor) |
|
| 2713 |
 |
City Limits: Filming Belfast, Beirut and Berlin in Troubled Times |
Stephanie Schwerter |
|
| 2714 |
 |
The Cinema of Yorgos Lanthimos: Films, Form, Philosophy |
Eddie Falvey (editor) |
|
| 2715 |
 |
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War |
Adam Plummer |
|
| 2716 |
 |
The American Marshall Plan Film Campaign and the Europeans: A Captivated Audience? |
Maria Fritsche |
|
| 2717 |
 |
The cinema of Hal Hartley |
Sebastian Manley |
|
| 2718 |
 |
Harrison Ford: Masculinity and Stardom in Hollywood |
Virginia Luzón-Aguado |
|
| 2719 |
 |
Psychoanalytic Film Theory and The Rules of the Game |
Todd McGowan, Todd McGowan |
|
| 2720 |
 |
Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance |
Michelle Langford |
|
| 2721 |
 |
Reframing Cult Westerns: From The Magnificent Seven to The Hateful Eight |
Lee Broughton |
|
| 2722 |
 |
Black in the British Frame: The Black Experience in British Film and Television |
Stephen Bourne |
|
| 2723 |
 |
Let's Go Stag!: A History of Pornographic Film from the Invention of Cinema to 1970 |
Dan Erdman |
|
| 2724 |
 |
The Cinema of Norman Mailer: Film is Like Death |
Justin Bozung (ed), Norman Mailer |
|
| 2725 |
 |
Luchino Visconti: Filmmaker and Philosopher |
Joan Ramon Resina |
|
| 2726 |
 |
Monster Culture in the 21st Century: A Reader |
Marina Levina, Diem-My T. Bui (editors) |
|
| 2727 |
 |
On Women’s Films: Across Worlds and Generations |
Ivone Margulies, Jeremi Szaniawski |
|
| 2728 |
 |
Popular Cinemas of Europe: Studies of Texts, Contexts and Frameworks |
Dimitris Eleftheriotis |
|
| 2729 |
 |
Television and Totalitarianism in Czechoslovakia: From the First Democratic Republic to the Fall of Communism |
Martin Štoll |
|
| 2730 |
 |
Screening Queer Memory: LGBTQ Pasts in Contemporary Film and Television |
Anamarija Horvat |
|
| 2731 |
 |
Screening the Crisis: US Cinema and Social Change in the Wake of the 2008 Crash |
Juan A. Tarancón, Hilaria Loyo (editors) |
|
| 2732 |
 |
Postfeminism and Contemporary Vampire Romance: Representations of Gender and Sexuality in Film and Television |
Lea Gerhards |
|
| 2733 |
 |
Kidding Around: The Child in Film and Media |
Alexander N. Howe, Wynn Yarbrough |
|
| 2734 |
 |
Queer and Deleuzian Temporalities: Toward a Living Present |
Rachel Loewen Walker |
|
| 2735 |
 |
Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft |
Mihailova Mihaela (editor) |
|
| 2736 |
 |
The Thought of Stanley Cavell and Cinema: Turning Anew to the Ontology of Film a Half-Century after The World Viewed |
David LaRocca |
|
| 2737 |
 |
American History/American Film: Interpreting the Hollywood Image |
John E. O’Connor, Martin A. Jackson |
|
| 2738 |
 |
Noir in the North: Genre, Politics and Place |
Stacy Gillis, Gunnthorunn Gudmundsdottir |
|
| 2739 |
 |
The Multilingual Screen: New Reflections on Cinema and Linguistic Difference |
Tijana Mamula, Lisa Patti (editors) |
|
| 2740 |
 |
As You Wish: Inconceivable Tales from the Making of The Princess Bride |
Elwes, Cary,Layden, Joe |
|
| 2741 |
 |
Toy Story: How Pixar Reinvented the Animated Feature |
Susan Smith, Noel Brown, Sam Summers |
|
| 2742 |
 |
What’s Eating You? Food and Horror on Screen |
Cynthia J. Miller and A. Bowdoin Van Riper |
|
| 2743 |
 |
Crisis Cinema in the Middle East: Creativity and Constraint in Iran and the Arab World |
Shohini Chaudhuri |
|
| 2744 |
 |
Narrative Theory and Adaptation. |
Jason Mittell |
|
| 2745 |
 |
Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks |
Maria Walsh |
|
| 2746 |
 |
Reel Gender: Palestinian and Israeli Cinema |
Sa’ed Atshan, Katharina Galor (editors) |
|
| 2747 |
 |
Art History for Filmmakers: The Art of Visual Storytelling [Reprint ed.] |
Gillian McIver |
|
| 2748 |
 |
The Semiotics of Light and Shadows: Modern Visual Arts and Weimar Cinema |
Piotr Sadowski |
|
| 2749 |
 |
The Legacy of the New Wave in French Cinema |
Douglas Morrey |
|
| 2750 |
 |
The Aesthetic Pleasures of Girl Teen Film |
Samantha Colling |
|
| 2751 |
 |
The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema |
Gerald Sim |
|
| 2752 |
 |
Composing for the Films |
Theodor W. Adorno, Hanns Eisler |
|
| 2753 |
 |
Constructing Dialogue: From Citizen Kane to Midnight in Paris |
Mark Axelrod |
|
| 2754 |
 |
Roland Barthes and Film: Myth, Eroticism and Poetics |
Patrick ffrench |
|
| 2755 |
 |
Samuel Beckett and Cinema |
Anthony Paraskeva |
|
| 2756 |
 |
Deleuze and Film: A Feminist Introduction [1 ed.] |
Teresa Rizzo |
1 |
| 2757 |
 |
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Julian Ross, Deborah Shaw, Lúcia Nagib |
|
| 2758 |
 |
New Philosophies of Film: Thinking Images [1 ed.] |
Robert Sinnerbrink |
1 |
| 2759 |
 |
The Art of Caregiving in Fiction, Film, and Memoir |
Jeffrey Berman |
|
| 2760 |
 |
Cinema and Unconventional Warfare in the Twentieth Century: Insurgency, Terrorism and Special Operations |
Paul B. Rich |
|
| 2761 |
 |
The Screen Media Reader: Culture, Theory, Practice |
|
|
| 2762 |
 |
Riefenstahl Screened: An Anthology of New Criticism |
Neil Christian Pages, Mary Rhiel, Ingeborg Majer-O’Sickey (editors) |
|
| 2763 |
 |
Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema |
Catherine Wheatley |
|
| 2764 |
 |
The Australian Film Revival: 1970s, 1980s, and Beyond |
Susan Barber |
|
| 2765 |
 |
The History of British Literature on Film, 1895–2015 |
Greg M. Colón Semenza, Bob Hasenfratz |
|
| 2766 |
 |
The Endless End of Cinema: A History of Crisis and Survival in Hollywood |
Gianluca Sergi, Gary Rydstrom |
|
| 2767 |
 |
Fathers on Film: Paternity and Masculinity in 1990s Hollywood |
Katie Barnett |
|
| 2768 |
 |
The Politics of Insects: David Cronenberg’s Cinema of Confrontation |
Scott Wilson |
|
| 2769 |
 |
The Visual Narrative Reader |
Neil Cohn (editor) |
|
| 2770 |
 |
The Art of Czech Animation: A History of Political Dissent and Allegory |
Adam Whybray |
|
| 2771 |
 |
Writing for Animation |
Laura Beaumont, Paul Larson |
|
| 2772 |
 |
Videographic Cinema: An Archaeology of Electronic Images and Imaginaries |
Jonathan Rozenkranz |
|
| 2773 |
 |
Watching Doctor Who: Fan Reception and Evaluation |
Paul Booth, Craig Owen Jones |
|
| 2774 |
 |
Bomber Boys on Screen: RAF Bomber Command in Film and Television Drama |
S. P. MacKenzie |
|
| 2775 |
 |
Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television |
Thomas J. Connelly |
|
| 2776 |
 |
Documentary Case Studies: Behind the Scenes of the Greatest (True) Stories Ever Told |
Jeff Swimmer |
|
| 2777 |
 |
SceneWriting: The Missing Manual for Screenwriters |
Chris Perry, Eric Henry Sanders |
|
| 2778 |
 |
The Rhythm Image: Music Videos and New Audiovisual Forms (New Approaches to Sound, Music, and Media) |
Steven Shaviro |
|
| 2779 |
 |
Dangerous Mediations: Pop Music in a Philippine Prison Video |
Áine Mangaoang |
|
| 2780 |
 |
A history of Greek cinema |
Karalēs, Vrasidas |
|
| 2781 |
 |
The Psychology of Screenwriting: Theory and practice |
Jason Lee |
|
| 2782 |
 |
Douglas Sirk: Filmmaker and Philosopher |
Robert B. Pippin |
|
| 2783 |
 |
Steampunk Film: A Critical Introduction |
Robbie McAllister |
|
| 2784 |
 |
Manga and Anime Go to Hollywood |
Northrop Davis |
|
| 2785 |
 |
Pablo Trapero and the Politics of Violence |
Douglas Mulliken |
|
| 2786 |
 |
Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s |
Carrie Tarr, Brigitte Rollet |
|
| 2787 |
 |
The British Film Industry in 25 Careers: The Mavericks, Visionaries and Outsiders Who Shaped British Cinema |
Geoffrey Macnab |
|
| 2788 |
 |
Design in Motion: Applying design principles to filmmaking |
Penny Hilton |
|
| 2789 |
 |
Eric Rohmer: Filmmaker and Philosopher |
Vittorio Hösle |
|
| 2790 |
 |
Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity and Femininity at the End of the World |
Eve Bennett |
|
| 2791 |
 |
Comedy Italian Style: The Golden Age of Italian Film Comedies |
Rémi Fournier Lanzoni |
|
| 2792 |
 |
Reimagining the Promised Land: Israel and America in Post-war Hollywood Cinema |
Rodney Wallis |
|
| 2793 |
 |
Hollywood Screwball Comedy 1934-1945: Sex, Love, and Democratic Ideals |
Gregoire Halbout |
|
| 2794 |
 |
Screening the Novel: Rediscovered American Fiction in Film |
Gabriel Miller |
|
| 2795 |
 |
British War Films, 1939-1945: The Cinema and the Services |
S.P. MacKenzie |
|
| 2796 |
 |
The City in American Cinema: Film and Postindustrial Culture |
|
|
| 2797 |
 |
American Eccentric Cinema |
Kim Wilkins |
|
| 2798 |
 |
Vertov, Snow, Farocki: Machine Vision and the Posthuman |
David Tomas |
|
| 2799 |
 |
Analyzing Literature-to-Film Adaptations: A Novelist’s Exploration and Guide |
Mary H. Snyder |
|
| 2800 |
 |
Dreams in American Television Narratives: From Dallas to Buffy |
Cynthia Burkhead |
|
| 2801 |
 |
Godard Between Identity and Difference |
John E. Drabinski |
|
| 2802 |
 |
Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator |
Raz Greenberg |
|
| 2803 |
 |
Italian Style: Fashion & Film from Early Cinema to the Digital Age |
Eugenia Paulicelli |
|
| 2804 |
 |
Wim Wenders: Making Films that Matter |
Olivier Delers, Martin Sulzer-Reichel |
|
| 2805 |
 |
Cinematic Chronotopes : Here, Now, Me |
Pepita Hesselberth |
|
| 2806 |
 |
Powell and Pressburger’s War: The Art of Propaganda, 1939-1946 |
Greg M. Colón Semenza, Garrett A. Sullivan Jr. |
|
| 2807 |
 |
Indigeneity in Latin American Cinema |
Milton Fernando Gonzalez Rodriguez |
|
| 2808 |
 |
Screening Love and War in Troy: Fall of a City |
Antony Augoustakis, Monica S. Cyrino (editors) |
|
| 2809 |
 |
New American Teenagers: The Lost Generation of Youth in 1970s Film |
Barbara Jane Brickman |
|
| 2810 |
 |
The Biopic and Beyond: Celebrities as Characters in Screen Media |
Melanie Piper |
|
| 2811 |
 |
Uncanny Cinema: Agonies of the Viewing Experience |
Murray Pomerance |
|
| 2812 |
 |
German cinema: Since unification |
David Clarke (editor) |
|
| 2813 |
 |
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s |
Rachel Garfield |
|
| 2814 |
 |
Spanish Meta-Art and Contemporary Cinema: Mirrors to the Unconscious |
Guillermo Rodríguez-Romaguera |
|
| 2815 |
 |
Video Theories: A Transdisciplinary Reader |
Dieter Daniels, Jan Thoben |
|
| 2816 |
 |
Beyond the Bottom Line: The Producer in Film and Television Studies |
Andrew Spicer, A.T. McKenna, Christopher Meir (editors) |
|
| 2817 |
 |
A new history of documentary film [Second edition] |
McLane, Betsy A |
|
| 2818 |
 |
Noël Carroll and Film: A Philosophy of Art and Popular Culture |
Mario Slugan |
|
| 2819 |
 |
Film: the key concepts |
Ben-Shaul, Nitzan |
|
| 2820 |
 |
Creating Compelling Characters for Film, TV, Theatre and Radio |
Rib Davis |
|
| 2821 |
 |
Mario Bava: The Artisan as Italian Horror Auteur |
Leon Hunt |
|
| 2822 |
 |
The Act of Documenting: Documentary Film in the 21st Century |
Brian Winston, Gail Vanstone, Wang Chi |
|
| 2823 |
 |
Walls Without Cinema: State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking |
Larrie Dudenhoeffer |
|
| 2824 |
 |
Brief Encounters: Lesbians and Gays in British Cinema 1930–1971 |
Stephen Bourne |
|
| 2825 |
 |
Equivocal Subjects: Between Italy and Africa—Constructions of Racial and National Identity in the Italian Cinema |
Shelleen Greene |
|
| 2826 |
 |
Cesare Zavattini’s Neo-realism and the Afterlife of an Idea: An Intellectual Biography |
David Brancaleone |
|
| 2827 |
 |
Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg |
James Kendrick |
|
| 2828 |
 |
Thinking Film: Philosophy at the Movies |
Richard Kearney, Murray Littlejohn |
|
| 2829 |
 |
Using Film to Understand Childhood and Practice |
Sue Aitken (editor) |
|
| 2830 |
 |
A Foreigner’s Cinematic Dream of Japan: Representational Politics and Shadows of War in the Japanese–German Co-production New Earth (1937) |
Iris Haukamp |
|
| 2831 |
 |
A Philosophy of Fashion Through Film: On the Body, Style, and Identity |
Laura T. Di Summa |
|
| 2832 |
 |
The Global Auteur: The Politics of Authorship in 21st Century Cinema |
Seung-hoon Jeong, Jeremi Szaniawski (editors) |
|
| 2833 |
 |
Cult Film as a Guide to Life: Fandom, Adaptation and Identity |
I.Q. Hunter |
|
| 2834 |
 |
Directing Screen Performances |
Robert Klenner |
|
| 2835 |
 |
Amateur Filmmaking: The Home Movie, the Archive, the Web |
Laura Rascaroli, Barry Monahan, Gwenda Young |
|
| 2836 |
 |
A History of Italian Cinema [2 ed.] |
Peter Bondanella, Federico Pacchioni |
2 |
| 2837 |
 |
Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty |
James S. Williams |
|
| 2838 |
 |
Luis Buñuel: A Life in Letters |
|
|
| 2839 |
 |
Vocal Projections: Voices in Documentary |
Annabelle Honess Roe (editor) |
|
| 2840 |
 |
Adaptation theory and criticism : postmodern literature and cinema in the USA / Gordon E. Slethaug |
Gordon E. Slethaug |
|
| 2841 |
 |
New Philosophies of Film: An Introduction to Cinema as a Way of Thinking |
Robert Sinnerbrink |
|
| 2842 |
 |
Guillermo del Toro: Film as Alchemic Art |
Keith McDonald, Roger Clark |
|
| 2843 |
 |
New Nonfiction Film: Art, Poetics, and Documentary Theory |
Dara Waldron |
|
| 2844 |
 |
The Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema |
Kate Ince |
|
| 2845 |
 |
The Animation Studies Reader |
Nichola Dobson (editor), Annabelle Honess Roe (editor), Amy Ratelle (editor), Caroline Ruddell (editor) |
|
| 2846 |
 |
Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era |
Cristelle Maury, David Roche |
|
| 2847 |
 |
A History of Spanish Film: Cinema and Society 1910–2010 |
Sally Faulkner |
|
| 2848 |
 |
Dissolving Views: Key Writings on British Cinema |
Andrew Higson (editor) |
|
| 2849 |
 |
Dramatic Effects with a Movie Camera |
Gail Segal, Sheril Antonio |
|
| 2850 |
 |
Pop Stars on Film: Popular Culture in a Global Market |
Fairclough Kirsty, Wood Jason (editors) |
|
| 2851 |
 |
Teaching Politics beyond the Book: Film, Texts, and New Media in the Classroom |
Robert W. Glover, Daniel Tagliarina (editors) |
|
| 2852 |
 |
Mastering Fear: Women, Emotions, and Contemporary Horror |
Rikke Schubart |
|
| 2853 |
 |
The Digital Imaginary: Literature and Cinema of the Database |
|
|
| 2854 |
 |
The Franco-Algerian War through a Twenty-First Century Lens: Film and History |
Nicole Beth Wallenbrock |
|
| 2855 |
 |
Art and the Historical Film: Between Realism and the Sublime |
Gillian McIver |
|
| 2856 |
 |
Becoming Carole Lombard: Stardom, Comedy, and Legacy |
Olympia Kiriakou |
|
| 2857 |
 |
Seeing It on Television: Televisuality in the Contemporary US ‘High-End’ Series |
Max Sexton, Dominic Lees |
|
| 2858 |
 |
Cinema and Brexit: The Politics of Popular English Film |
Neil Archer |
|
| 2859 |
 |
Fredric Jameson and The Wolf of Wall Street |
Clint Burnham |
|
| 2860 |
 |
The Bloomsbury Introduction to Adaptation Studies: Adapting the Canon in Film, TV, Novels and Popular Culture |
Yvonne Griggs |
|
| 2861 |
 |
Film, Lacan and the subject of religion : a psychoanalytic approach to religious film analysis [1 ed.] |
Lacan, Jacques, Nolan, Steve |
1 |
| 2862 |
 |
Smartphone Filmmaking: Theory and Practice |
Max Schleser |
|
| 2863 |
 |
The Cinema of Discomfort: Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film |
Geoff King |
|
| 2864 |
 |
The Dark Interval: Film Noir, Iconography, and Affect |
Padraic Killeen |
|
| 2865 |
 |
Resisting James Bond: Power and Privilege in the Daniel Craig Era |
Lisa Funnell, Christoph Lindner (editors) |
|
| 2866 |
 |
Shyam Benegal: Filmmaker and Philosopher |
Samir Chopra |
|
| 2867 |
 |
Writing the Comedy Movie |
Marc Blake |
|
| 2868 |
 |
Lars von Trier’s Women |
Rex Butler, David Denny (editors) |
|
| 2869 |
 |
Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause |
Lawrence Frascella, Al Weisel |
|
| 2870 |
 |
Mixed Race Cinemas: Multiracial Dynamics in America and France |
Zélie Asava |
|
| 2871 |
 |
Princess Mononoke: Understanding Studio Ghibli’s Monster Princess |
Rayna Denison |
|
| 2872 |
 |
Post Sound Design: The Art and Craft of Audio Post Production for The Moving Image |
John Avarese |
|
| 2873 |
 |
Spiritual Sensations: Cinematic Religious Experience and Evolving Conceptions of the Sacred |
Sarah K. Balstrup |
|
| 2874 |
 |
The American Abroad: The Imperial Gaze in Postwar Hollywood Cinema |
Anna Cooper |
|
| 2875 |
 |
A History of Video Art [2 ed.] |
Chris Meigh-Andrews |
2 |
| 2876 |
 |
Film Figures: An Organological Approach |
Warwick Mules |
|
| 2877 |
 |
Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements |
Anne Gjelsvik, Rikke Schubart (editors) |
|
| 2878 |
 |
Ecology and Contemporary Nordic Cinemas: From Nation-building to Ecocosmopolitanism |
Pietari Kääpä |
|
| 2879 |
 |
Robert Redford and American Cinema: Modern Film Stardom and the Politics of Celebrity |
Michael Allen |
|
| 2880 |
 |
Seduced by Mrs. Robinson: how The Graduate became the touchstone of a generation [First edition] |
Gray, Beverly |
|
| 2881 |
 |
The Marvel Studios Phenomenon: Inside a Transmedia Universe |
Martin Flanagan, Mike McKenny, Andy Livingstone |
|
| 2882 |
 |
Media, Masculinities, and the Machine: F1, Transformers, and Fantasizing Technology at its Limits |
Dan Fleming, Damion Sturm |
|
| 2883 |
 |
Experimental Film and Anthropology |
Arnd Schneider, Caterina Pasqualino |
|
| 2884 |
 |
Pulling Focus: Intersubjective Experience, Narrative Film, and Ethics |
Jane Stadler |
|
| 2885 |
 |
The Cinema of Manoel de Oliveira: Modernity, Intermediality and the Uncanny |
Hajnal Király |
|
| 2886 |
 |
Cesare Zavattini Selected Writings Volume 2 |
David Brancaleone |
|
| 2887 |
 |
The Last Western: Deadwood and the end of American empire |
Paul Stasi, Jennifer Greiman (editors) |
|
| 2888 |
 |
Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice |
William Verrone |
|
| 2889 |
 |
Introduction to Peircean Visual Semiotics |
Tony Jappy |
|
| 2890 |
 |
Costa-Gavras: Encounters with History |
John J. Michalczyk, Susan A. Michalczyk |
|
| 2891 |
 |
Fat on Film: Gender, Race and Body Size in Contemporary Hollywood Cinema |
Barbara Plotz |
|
| 2892 |
 |
Shocking Cinema of the 70s |
Xavier Mendik, Julian Petley (editors) |
|
| 2893 |
 |
Anime: A Critical Introduction |
Rayna Denison |
|
| 2894 |
 |
Theo Angelopoulos: Filmmaker and Philosopher |
Vrasidas Karalis |
|
| 2895 |
 |
Euro-Visions: Europe in Contemporary Cinema |
Mariana Liz |
|
| 2896 |
 |
Divergent Tracks: How Three Film Communities Revolutionized Digital Film Sound |
Vanessa Theme Ament |
|
| 2897 |
 |
Animation – Process, Cognition and Actuality |
Dan Torre |
|
| 2898 |
 |
Critical Race Theory and Jordan Peele’s Get Out |
Kevin Wynter |
|
| 2899 |
 |
Masculinity in Fiction and Film: Representing men in popular genres, 1945-2000 [1 ed.] |
Brian Baker |
1 |
| 2900 |
 |
World Cinema On Demand: Global Film Cultures in the Era of Online Distribution |
Stefano Baschiera, Alexander Fisher (eds.) |
|
| 2901 |
 |
The Prison of Time: Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino |
Elisa Pezzotta |
|
| 2902 |
 |
The Eisenstein Universe |
Ian Christie, Julia Vassilieva (editors) |
|
| 2903 |
 |
Morality and the movies : reading ethics through film |
Shaw, Daniel |
|
| 2904 |
 |
The Films In My Life |
Francois Truffaut |
|
| 2905 |
 |
Designing Russian Cinema: The Production Artist and the Material Environment in Silent Era Film |
Eleanor Rees |
|
| 2906 |
 |
Jesus in Twentieth Century Literature, Art, and Movies [1 ed.] |
Paul C. Burns |
1 |
| 2907 |
 |
Adaptation for Screenwriters |
Robert Edgar, John Marland |
|
| 2908 |
 |
The Perils of Moviegoing in America: 1896-1950 [1 ed.] |
Gary D. Rhodes |
1 |
| 2909 |
 |
Animating Short Stories: Narrative Techniques and Visual Design |
Cheryl Briggs |
|
| 2910 |
 |
Contemporary Masculinities in Fiction, Film and Television |
Brian Baker |
|
| 2911 |
 |
Forms of the Cinematic: Architecture, Science, and the Arts |
Mark E. Breeze |
|
| 2912 |
 |
The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era |
Peter Krämer, Yannis Tzioumakis (editors) |
|
| 2913 |
 |
Women’s Cinema in Contemporary Portugal |
Mariana Liz, Hilary Owen |
|
| 2914 |
 |
Devised and Directed by Mike Leigh |
Bryan Cardinale-Powell, Marc DiPaolo (editors) |
|
| 2915 |
 |
Dreams, Vampires and Ghosts: Anthropological Perspectives on the Sacred and Psychology in Film and Television |
Louise Child |
|
| 2916 |
 |
David Bowie and the Moving Image: A Standing Cinema |
Katherine Reed |
|
| 2917 |
 |
Inheriting Stanley Cavell: Memories, Dreams, Reflections |
David LaRocca (editor) |
|
| 2918 |
 |
Contemporary Cinema of Latin America: Ten Key Films |
Deborah Shaw |
|
| 2919 |
 |
Queer Theory and Brokeback Mountain |
Matthew Tinkcom |
|
| 2920 |
 |
Cinema and Agamben: Ethics, Biopolitics and the Moving Image |
Asbjorn Gronstad, Henrik Gustafsson |
|
| 2921 |
 |
Genndy Tartakovsky: Sincerity in Animation |
Kwasu David Tembo |
|
| 2922 |
 |
Remote Control |
Caetlin Benson-Allott |
|
| 2923 |
 |
Beyond the Screen: Emerging Cinema and Engaging Audiences |
Sarah Atkinson |
|
| 2924 |
 |
Romy Schneider: A Star Across Europe |
Marion Hallet |
|
| 2925 |
 |
Contemporary Chinese Cinema and Visual Culture: Envisioning the Nation |
Sheldon H. Lu |
|
| 2926 |
 |
Global Genres, Local Films: The Transnational Dimension of Spanish Cinema |
Elena Oliete-Aldea, Beatriz Oria, Juan A. Tarancón (editors) |
|
| 2927 |
 |
Color it True: Impressions of Cinema |
Murray Pomerance |
|
| 2928 |
 |
Historical Film: A Critical Introduction |
Jonathan Stubbs |
|
| 2929 |
 |
The American Dream and Contemporary Hollywood Cinema [1 ed.] |
J. Emmett Winn |
1 |
| 2930 |
 |
Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility |
David Deamer |
|
| 2931 |
 |
Transatlantic Crossings: British Feature Films in the United States |
Sarah Street |
|
| 2932 |
 |
Ex-centric Cinema: Giorgio Agamben and Film Archaeology |
Janet Harbord |
|
| 2933 |
 |
The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production [Pap/DVD ed.] |
Anthony Q. Artis |
|
| 2934 |
 |
The Art of the Storyboard, : A filmmaker's introduction [2 ed.] |
John Hart |
2 |
| 2935 |
 |
Animation: A World History: Volume II: The Birth of a Style - The Three Markets [2, 1 ed.] |
Giannalberto Bendazzi |
1 |
| 2936 |
 |
Instant Encore DVD 1.5 |
Douglas Spotted Eagle |
|
| 2937 |
 |
The Architecture of Story: A Technical Guide for the Dramatic Writer |
Will Dunne |
|
| 2938 |
 |
Timing for Animation [2 ed.] |
John Halas OBE, Harold Whitaker, Tom Sito |
2 |
| 2939 |
 |
Animation : a world history. Volume 3, Contemporary times |
Bendazzi, Giannalberto |
|
| 2940 |
 |
Directing the Documentary [4th ed.] |
Michael Rabiger |
4 |
| 2941 |
 |
Video Production Workshop (DMA Series) (DV Expert Series) [Bk & DVD ed.] |
Tom Wolsky |
|
| 2942 |
 |
If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling |
Patti Bellantoni |
|
| 2943 |
 |
Contesting Tears The Hollywood Melodrama of the Unknown Woman |
Stanley Cavell |
|
| 2944 |
 |
Video Editing with Avid: Media Composer, Symphony, Xpress |
Roger Shufflebottom |
|
| 2945 |
 |
Video Color Correction for Non-Linear Editors: A Step-by-Step Guide |
Stuart Blake Jones |
|
| 2946 |
 |
On Film Editing |
EDWARD DMYTRYK |
|
| 2947 |
 |
The Alexander Medvedkin Reader |
Alexander Medvedkin, Nikita Lary, Jay Leyda |
|
| 2948 |
 |
Hollywood & God |
Robert Polito |
|
| 2949 |
 |
Direct Your Own Damn Movie! |
Lloyd Kaufman, Sara Antill, Kurly Tlapoyawa |
|
| 2950 |
 |
Making a Scene in Documentary Film: Iconic Filmmakers Discuss What Works and Why |
Maxine Trump |
|
| 2951 |
 |
Investing in movies: strategies for producers and investors |
Cohen, Joseph N |
|
| 2952 |
 |
Stop Motion: Passion, Process and Performance |
Barry J C Purves |
|
| 2953 |
 |
Two Thumbs Up: How Critics Aid Appreciation |
Stephanie Ross |
|
| 2954 |
 |
Producing and Directing the Short Film and Video, Third Edition [3 ed.] |
David K. Irving, Peter W. Rea |
3 |
| 2955 |
 |
3D Storytelling: Stereoscopic Cinematography and Directing for Movies, TV, and Games |
Block, Bruce,McNally, Phil MR |
|
| 2956 |
 |
The EDCF Guide to Digital Cinema Production [1 ed.] |
Lars Svanberg |
1 |
| 2957 |
 |
Hollywood and the Rise of Physical Culture (Studies in American Popular History and Culture) |
Heather Addison |
|
| 2958 |
 |
The Final Rewrite: How to View Your Screenplay with a Film Editor’s Eye |
John Rosenberg |
|
| 2959 |
 |
Production Pipeline Fundamentals for Film and Games |
Dunlop, Renee |
|
| 2960 |
 |
Directing Film Techniques And Aesthetics [4 ed.] |
Michael Rabiger |
4 |
| 2961 |
 |
Digital Video for the Desktop |
Ken Pender |
|
| 2962 |
 |
Herzog by Ebert |
Ebert, Roger,Herzog, Werner |
|
| 2963 |
 |
Hollywood in Havana: US Cinema and Revolutionary Nationalism in Cuba before 1959 |
Megan Feeney |
|
| 2964 |
 |
The Art and Technique of Digital Color Correction [2 ed.] |
Steve Hullfish |
2 |
| 2965 |
 |
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know |
Gregory Bernstein |
|
| 2966 |
 |
Innovation in ethnographic film : from innocence to consciousness, 1955-85 |
Loizos, Peter |
|
| 2967 |
 |
Youth without youth |
Mircea Eliade, Matei Calinescu, Mac Linscott Ricketts, Francis Ford Coppola |
|
| 2968 |
 |
Studio and outside broadcast camerawork: a guide to multi-camerawork production [1 ed.] |
Peter Ward |
1 |
| 2969 |
 |
The Technique of Film and Video Editing, Fourth Edition: History, Theory, and Practice [4 ed.] |
Ken Dancyger |
4 |
| 2970 |
 |
DVD Production: A Practical Resource for DVD Publishers [Bk&CD ed.] |
Mark Ely, Phil De Lancie |
|
| 2971 |
 |
Documentary Storytelling, Second Edition: Making Stronger and More Dramatic Nonfiction Films [2 ed.] |
Sheila Curran Bernard |
2 |
| 2972 |
 |
Ebert's Bests |
Ebert, Roger |
|
| 2973 |
 |
Scorsese by Ebert |
Ebert, Roger |
|
| 2974 |
 |
Writing the Short Film [3 ed.] |
Patricia Cooper, Ken Dancyger |
3 |
| 2975 |
 |
The Art and Technique of Digital Color Correction [Pap/Dvdr ed.] |
Steve Hullfish |
|
| 2976 |
 |
Creating Special Effects for TV and Film 1977 [Not Indicat ed.] |
Bernard Wilkie |
|
| 2977 |
 |
Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies and More!, Third Edition [1 ed.] |
Dan Selakovich |
1 |
| 2978 |
 |
The Green screen handbook: real-world production techniques [2a ed.] |
Foster, Jeff |
2 |
| 2979 |
 |
Film Directing Fundamentals: See Your Film Before Shooting [3 ed.] |
Nicholas T. Proferes |
3 |
| 2980 |
 |
Cinemas of the Other: A Personal Journey with Film-Makers from Central Asia [2 ed.] |
Gonul Domez–Colin |
2 |
| 2981 |
 |
Beyond Continuity: Script Supervision for the Modern Filmmaker [2 ed.] |
Mary Cybulski |
2 |
| 2982 |
 |
Sound for film and television, Volume 1 [2 ed.] |
Tomlinson Holman |
2 |
| 2983 |
 |
An Amorous History of the Silver Screen: Shanghai Cinema, 1896-1937 |
Zhang Zhen |
|
| 2984 |
 |
Final Cut Pro 4 Editing Essentials: Master the Art and Technique with Step-by-Step Tutorials (DV Expert Series) [3 ed.] |
Tom Wolsky |
3 |
| 2985 |
 |
Awake in the Dark: The Best of Roger Ebert |
Ebert, Roger,Bordwell, David(Foreword by) |
|
| 2986 |
 |
Possessed: Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema |
Stefan Andriopoulos, Peter Jansen, Stefan Andriopoulos |
|
| 2987 |
 |
The Music of Film: Collaborations and Conversations |
Steven A. Saltzman |
|
| 2988 |
 |
Awake in the Dark: The Best of Roger Ebert: Second Edition |
Roger Ebert, David Bordwell |
|
| 2989 |
 |
Film Directing Shot by Shot: Visualizing from Concept to Screen [1 ed.] |
Steven D. Katz |
1 |
| 2990 |
 |
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition [1 ed.] |
Gustavo Mercado |
1 |
| 2991 |
 |
Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series [Pap/Dvdr ed.] |
Barry Braverman |
|
| 2992 |
 |
Introduction to media production: the path to digital media production [3 ed.] |
Robert B. Musburger, Gorham Kindem |
3 |
| 2993 |
 |
The visual story : creating the structure of film, television, and visual media [2 ed.] |
Bruce A Block |
2 |
| 2994 |
 |
Audio for Single Camera Operation [1 ed.] |
Tony Grant |
1 |
| 2995 |
 |
Nixon at the Movies: A Book about Belief |
Mark Feeney |
|
| 2996 |
 |
Comics for film, games, and animation : using comics to construct your transmedia storyworld [1 ed.] |
Weaver, Tyler |
1 |
| 2997 |
 |
Is There Anyone Out There?: Exhibition and the Formation of Silent Film Audiences in South India |
Stephen Putnam Hughes |
|
| 2998 |
 |
High Definition Postproduction: Editing and Delivering HD Video [1 ed.] |
Steven E. Browne |
1 |
| 2999 |
 |
Shooting movies without shooting yourself in the foot : becoming a cinematographer |
Jack Anderson |
|
| 3000 |
 |
Making the Cut at Pixar: The Art of Editing Animation |
Bill Kinder, Bobbie O'Steen |
|
| 3001 |
 |
The Filmmaker's Guide to Visual Effects: The Art and Techniques of VFX for Directors, Producers, Editors and Cinematographers [2 ed.] |
Eran Dinur |
2 |
| 3002 |
 |
Changing Direction: A Practical Approach to Directing Actors in Film and Theatre: Foreword by Ang Lee [1 ed.] |
Lenore DeKoven |
1 |
| 3003 |
 |
Digital Compositing for Film and Video, [2 ed.] |
Steve Wright |
2 |
| 3004 |
 |
Voice and Vision: A Creative Approach to Narrative Film and DV Production [2nd edition] |
Hurbis-Cherrier, Mick |
2 |
| 3005 |
 |
Voice and Vision [2nd edition] |
Hurbis-Cherrier, Mick |
2 |
| 3006 |
 |
Conjugations: Marriage and Form in New Bollywood Cinema |
Sangita Gopal |
|
| 3007 |
 |
Grammar of the Edit, [2 ed.] |
Roy Thompson, Christopher J. Bowen |
2 |
| 3008 |
 |
Grammar of the Shot, [2 ed.] |
Roy Thompson, Christopher J. Bowen |
2 |
| 3009 |
 |
Script Supervising and Film Continuity, Third Edition [3 ed.] |
Pat P Miller |
3 |
| 3010 |
 |
The Videomaker guide to digital video and DVD production [2nd ed.] |
Videomaker |
2 |
| 3011 |
 |
The camera assistant's manual [4th ed.] |
David E Elkins |
4 |
| 3012 |
 |
Cutting Rhythms: Intuitive Film Editing [2 ed.] |
Karen Pearlman |
2 |
| 3013 |
 |
Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers [1 ed.] |
Blain Brown |
1 |
| 3014 |
 |
Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry |
Eve Light Honthaner |
|
| 3015 |
 |
An Archaeology of Sympathy: The Sentimental Mode in Literature and Cinema |
James Chandler |
|
| 3016 |
 |
The makeup artist handbook : techniques for film, television, photography, and theatre [2nd ed.] |
Gretchen Davis, Mindy Hall |
2 |
| 3017 |
 |
Picture composition for film and television [2nd ed.] |
PETER WARD |
2 |
| 3018 |
 |
Acting and performance for animation |
Hayes, Derek, Webster, Chris |
|
| 3019 |
 |
From SWEETBACK to SUPER FLY: Race and Film Audiences in Chicago's Loop |
Gerald R. Butters |
|
| 3020 |
 |
The Filmmaker's Guide to Creatively Embracing Limitations: Not Getting What You Want Leading to Creating What You Need |
William Pace, Ingrid Stobbe |
|
| 3021 |
 |
Placing Shadows: Lighting Techniques for Video Production [3 ed.] |
Chuck Gloman, Tom LeTourneau |
3 |
| 3022 |
 |
Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil |
Jonathan Munby |
|
| 3023 |
 |
The Visual Story, : Creating the Visual Structure of Film, TV and Digital Media [2 ed.] |
Bruce Block |
2 |
| 3024 |
 |
Practical art of motion picture sound [4th rev. ed.] |
Yewdall, David Lewis |
4 |
| 3025 |
 |
The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers |
Thomas A. Crowell |
|
| 3026 |
 |
To desire differently : feminism and the French cinema |
Sandy Flitterman-Lewis |
|
| 3027 |
 |
Hidden Hitchcock |
D. A. Miller |
|
| 3028 |
 |
Designing sound for animation [2nd ed.] |
Beauchamp, Robin |
2 |
| 3029 |
 |
Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors [2nd ed.] |
Blain Brown |
2 |
| 3030 |
 |
The Complete Film Production Handbook [4 ed.] |
Eve Light Honthaner |
4 |
| 3031 |
 |
Representing : Hip-hop Culture and the Production of Black Cinema |
Samuel Craig Watkins |
|
| 3032 |
 |
The Insider's Guide to Film Finance |
Philip Alberstat |
|
| 3033 |
 |
Screening the Operatic Stage : Television and Beyond |
Christopher Morris, |
|
| 3034 |
 |
Location Audio Simplified: Capturing Your Audio... and Your Audience [1 ed.] |
Dean Miles |
1 |
| 3035 |
 |
Adoption at the movies: a year of adoption friendly movie nights to get your family talking |
Cooper, Addison,Soronen, Rita L |
|
| 3036 |
 |
Crafting Short Screenplays That Connect, [3 ed.] |
Claudia H. Johnson |
3 |
| 3037 |
 |
Designing Sound for Animation |
Robin Beauchamp |
|
| 3038 |
 |
Final Cut Pro Workflows: The Independent Studio Handbook |
Jason Osder, Robbie Carman |
|
| 3039 |
 |
Lighting for Animation: The Art of Visual Storytelling |
Jasmine Katatikarn, Michael Tanzillo |
|
| 3040 |
 |
The Ashtray |
Errol Morris |
|
| 3041 |
 |
Robert Paul and the Origins of British Cinema [1 ed.] |
Ian Christie |
1 |
| 3042 |
 |
The Great Movies IV |
Roger Ebert |
|
| 3043 |
 |
Every Frame a Rembrandt: Art and Practice of Cinematography |
Andrew Laszlo, Andrew Quicke |
|
| 3044 |
 |
Filming the Fantastic: A Guide to Visual Effects Cinematography |
Mark Sawicki |
|
| 3045 |
 |
Fix It In Post: Solutions for Postproduction Problems |
Jack James |
|
| 3046 |
 |
Better Location Shooting: Techniques for Video Production |
Paul Martingell |
|
| 3047 |
 |
Between the black box and the white cube : expanded cinema and postwar art [1 ed.] |
Uroskie, Andrew V |
1 |
| 3048 |
 |
The Art Direction Handbook for Film |
Michael Rizzo |
|
| 3049 |
 |
Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling [1 ed.] |
David Bordwell |
1 |
| 3050 |
 |
Before Mickey: The Animated Film 1898-1928 |
Donald Crafton |
|
| 3051 |
 |
Filmed Thought: Cinema as Reflective Form |
Robert B. Pippin |
|
| 3052 |
 |
Digital Compositing for Film and Video, Third Edition [3 ed.] |
Steve Wright |
3 |
| 3053 |
 |
The Philosophical Hitchcock: “Vertigo” and the Anxieties of Unknowingness |
Robert B. Pippin |
|
| 3054 |
 |
Days of Twilight, Nights of Frenzy: A Memoir |
Werner Schroeter |
|
| 3055 |
 |
Minding movies: observations on the art, craft, and business of filmmaking |
Bordwell, David,Thompson, Kristin |
|
| 3056 |
 |
Coming Together: The Cinematic Elaboration of Gay Male Life, 1945-1979 [1 ed.] |
Ryan Powell |
1 |
| 3057 |
 |
The Camera Assistant's Manual, Fourth Edition [4 ed.] |
David E. Elkins s.o.c. |
4 |
| 3058 |
 |
The Visual Effects Arsenal: VFX Solutions for the Independent Filmmaker [Pap/Cdr ed.] |
Bill Byrne |
|
| 3059 |
 |
Set lighting technician's handbook : film lighting equipment, practice, and electrical distribution [3rd ed.] |
Harry C Box |
3 |
| 3060 |
 |
Avid Editing: A Guide for Beginning and Intermediate Users [Paperback ed.] |
Sam Kauffmann, Ashley Kennedy |
|
| 3061 |
 |
IFP/Los Angeles Independent Filmmaker's Manual, Second Edition [2 ed.] |
Eden H. Wurmfeld, Nicole Laloggia |
2 |
| 3062 |
 |
Nightmares in the dream sanctuary ; war and the animated film |
Donna Kornhaber |
|
| 3063 |
 |
Animation: A World History: Volume I: Foundations - The Golden Age [1 ed.] |
Giannalberto Bendazzi |
1 |
| 3064 |
 |
Film, Music, Memory |
Berthold Hoeckner |
|
| 3065 |
 |
Visual Effects for Film and Television [1 ed.] |
A. J. Mitchell |
1 |
| 3066 |
 |
Screen Adaptation: Beyond the Basics: Techniques for Adapting Books, Comics and Real-Life Stories Into Screenplays |
Eric R. Williams |
|
| 3067 |
 |
[Dissertation] The Eye of Daedalus: A History and Theory of IMAX Cinema |
Allison Patricia Whitney |
|
| 3068 |
 |
Two Weeks in the Midday Sun: A Cannes Notebook |
Roger Ebert, Martin Scorsese |
|
| 3069 |
 |
Dialogue Editing for Motion Pictures: A Guide to the Invisible Art |
John Purcell |
|
| 3070 |
 |
The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema |
Paul Henley |
|
| 3071 |
 |
Crafting Short Screenplays that Connect [4 ed.] |
Claudia Hunter Johnson |
4 |
| 3072 |
 |
The sound studio: audio techniques for radio, television, film and recording [7 ed.] |
Alec Nisbett |
7 |
| 3073 |
 |
Guide to Postproduction for TV and Film: Managing the Process [2 ed.] |
Barbara Clark, Susan Spohr |
2 |
| 3074 |
 |
Nollywood: The Creation of Nigerian Film Genres |
Jonathan Haynes |
|
| 3075 |
 |
FilmCraft. Editing |
Chang, Justin |
|
| 3076 |
 |
Directing for animation: behind the scenes with animation greats [1 ed.] |
Bancroft, Tony |
1 |
| 3077 |
 |
Directing. Film techniques and aesthetics. 5th, rev. ed [5th edition] |
Rabiger |
5 |
| 3078 |
 |
The Cool Stuff in Premiere Pro: Learn advanced editing techniques to dramatically speed up your workflow [2 ed.] |
Jarle Leirpoll, Dylan Osborn, Paul Murphy, Andy Edwards |
2 |
| 3079 |
 |
Atmospheres of Projection: Environmentality in Art and Screen Media [1 ed.] |
Giuliana Bruno |
1 |
| 3080 |
 |
The Camera Assistants Manual [5Th Edition] |
David E. Elkins,S.O.C. |
5 |
| 3081 |
 |
Alternative Scriptwriting: Rewriting the Hollywood Formula [4 ed.] |
Ken Dancyger, Jeff Rush |
4 |
| 3082 |
 |
Directing the Documentary [6th edition] |
Rabiger, Michael |
6 |
| 3083 |
 |
The Resurrection of the Body: Pier Paolo Pasolini from Saint Paul to Sade |
Armando Maggi |
|
| 3084 |
 |
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition [2 ed.] |
Gustavo Mercado |
2 |
| 3085 |
 |
The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures |
Jeffrey A. Okun, Susan Zwerman |
|
| 3086 |
 |
Film Directing Fundamentals: See Your Film Before Shooting [2 ed.] |
Nicholas T. Proferes |
2 |
| 3087 |
 |
Final Cut Express HD 3.5 Editing Workshop [3 ed.] |
Tom Wolsky |
3 |
| 3088 |
 |
Digital Image Processing with Application to Digital Cinema.(Focal Press) |
KS Thyagarajan |
|
| 3089 |
 |
Producing great sound for film and video: expert tips from preproduction to final mix [4th edition] |
Rose, Jay |
4 |
| 3090 |
 |
In Excess: Sergei Eisenstein's Mexico |
Masha Salazkina |
|
| 3091 |
 |
Introduction to media production: the path to digital media production [4 ed.] |
Robert B. Musburger, Gorham Kindem |
4 |
| 3092 |
 |
Ideas for the animated short: finding and building stories [2nd ed.] |
Karen Sullivan, Kate Alexander, Aubry Mintz, Ellen Besen |
2 |
| 3093 |
 |
Sound for Moving Pictures: The Four Sound Areas [1 ed.] |
Neil Hillman |
1 |
| 3094 |
 |
Filming the Fantastic: A Guide to Visual Effects Cinematography, Second Edition [2 ed.] |
Mark Sawicki |
2 |
| 3095 |
 |
The Filmmaker's Guide to Digital Imaging: for Cinematographers, Digital Imaging Technicians, and Camera Assistants [1 ed.] |
Blain Brown |
1 |
| 3096 |
 |
Bette Davis Black and White [1 ed.] |
Julia A. Stern |
1 |
| 3097 |
 |
Developing Story Ideas: The Power and Purpose of Storytelling [Paperback ed.] |
Michael Rabiger |
|
| 3098 |
 |
Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables [1 Pap/Cdr ed.] |
Mitch Jacobson |
1 |
| 3099 |
 |
The philosophical Hitchcock : Vertigo and the anxieties of unknowingness |
Pippin, Robert B. |
|
| 3100 |
 |
Adobe Production Premium for Final Cut Studio Editors |
Focal Press |
|
| 3101 |
 |
Elemental Magic, Volume II: The Technique of Special Effects Animation [1 ed.] |
Joseph Gilland |
1 |
| 3102 |
 |
The Rhapsodes: How 1940s Critics Changed American Film Culture |
David Bordwell |
|
| 3103 |
 |
Modern Post: Workflows and Techniques for Digital Filmmakers [1 ed.] |
Scott Arundale, Tashi Trieu |
1 |
| 3104 |
 |
Alternative Scriptwriting: Beyond the Hollywood Formula [5 ed.] |
Ken Dancyger, Jeff Rush |
5 |
| 3105 |
 |
Professional Storyboarding: Rules of Thumb [1 ed.] |
Sergio Paez, Anson Jew |
1 |
| 3106 |
 |
The Technique of Film and Video Editing, Fifth Edition: History, Theory, and Practice [5 ed.] |
Ken Dancyger |
5 |
| 3107 |
 |
Smartphone Cinema: Making Great Films with Your Mobile Phone [1 ed.] |
Bart Weiss |
1 |
| 3108 |
 |
The Great Movies III |
Ebert, Roger |
|
| 3109 |
 |
Digital Intermediates for Film and Video |
Jack James |
|
| 3110 |
 |
Stand-Out Shorts: Shooting and Sharing Your Films Online [1 ed.] |
Russell Evans |
1 |
| 3111 |
 |
16mm Film Cutting [Online-Ausg ed.] |
John Burder |
|
| 3112 |
 |
Inclusive Screenwriting for Film and Television |
Jess King |
|
| 3113 |
 |
The Business of Film: A Practical Introduction [3 ed.] |
Stephen R. Greenwald, Paula Landry |
3 |
| 3114 |
 |
The great movies. 3 [Paperback edition] |
Ebert, Roger |
|
| 3115 |
 |
The Insider's Guide to Independent Film Distribution [2 ed.] |
Stacey Parks (Auth.) |
2 |
| 3116 |
 |
Digital cinematography: fundamentals, tools, techniques, and workflows |
Stump, David |
|
| 3117 |
 |
3D Postproduction Stereoscopic Workflows and Techniques |
Rick Baumgartner |
|
| 3118 |
 |
An Introduction to Film and TV Production From Concept to Market |
Joseph Richie, Karen Russell, Airielle J. Taylor, Tameka Winston |
|
| 3119 |
 |
Portable Video, Fifth Edition: ENG & EFP [5 ed.] |
Norman Medoff, Edward J. Fink |
5 |
| 3120 |
 |
Closed Circuits: Screening Narrative Surveillance |
Garrett Stewart |
|
| 3121 |
 |
Film Language: A Semiotics of the Cinema |
Christian Metz, Michael Taylor |
|
| 3122 |
 |
The Visual Effects Producer: Understanding the Art and Business of VFX |
Charles Finance, Susan Zwerman |
|
| 3123 |
 |
Aesthetics of Film Production: A Hands-On Guide to Authorial Voice |
James B. Joyce |
|
| 3124 |
 |
Power Filmmaking Kit [Pap/DVD ed.] |
Jason Tomaric |
|
| 3125 |
 |
VFX Artistry: A Visual Tour of How the Studios Create Their Magic |
Spencer Drate, Judith Salavetz |
|
| 3126 |
 |
Compression for Great Video and Audio [2nd Edition] |
Waggoner, Ben |
2 |
| 3127 |
 |
Flash MX Most Wanted Effects & Movies [1 ed.] |
Sham Bhangal, Chad Corbin, David Doull, Keith Peters, Adam Phillips, Jordan Stone, Todd Yard (auth.) |
1 |
| 3128 |
 |
Vegas Pro 9 editing workshop |
Douglas Spotted Eagle |
|
| 3129 |
 |
Film Directing Fundamentals: From Script to Screen [1 ed.] |
Nicholas T. Proferes |
1 |
| 3130 |
 |
Video Shooter, Second Edition: Storytelling with HD Cameras [2 ed.] |
Barry Braverman |
2 |
| 3131 |
 |
3D Movie Making Stereoscopic Digital Cinema from Script to Screen |
Bernard Mendiburu |
|
| 3132 |
 |
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation [1 ed.] |
Francis Glebas |
1 |
| 3133 |
 |
From Reverence to Rape: The Treatment of Women in the Movies [3rd ed.] |
Molly Haskell, Manohla Dargis |
3 |
| 3134 |
 |
A Grammar of Murder: Violent Scenes and Film Form |
Karla Oeler |
|
| 3135 |
 |
Cinemachines: An Essay on Media and Method |
Garrett Stewart |
|
| 3136 |
 |
Quick: Time for Filmmakers |
Richard K. Ferncase (Auth.) |
|
| 3137 |
 |
DIRECTING: FILM TECHNIQUES AND AESTHETICS [Fifth Edition] |
Michael Rabiger, Mick Hurbis-Cherrier |
|
| 3138 |
 |
The hair stylist handbook : techniques for film and television |
Yvette Rivas, Gretchen Davis |
|
| 3139 |
 |
Made to Be Seen: Perspectives on the History of Visual Anthropology |
Banks, Marcus(Editor),Ruby, Jay(Editor) |
|
| 3140 |
 |
The nine old men: lessons, techniques, and inspiration from Disney's great animators |
Deja, Andreas |
|
| 3141 |
 |
Digital Compositing for Film and Video [1st ed.] |
Steve Wright |
1 |
| 3142 |
 |
Off-screen cinema : Isidore Isou and the Lettrist avant-garde |
Cabañas, Kaira Marie, Isou, Isidore |
|
| 3143 |
 |
Location Lighting for Television [1 ed.] |
Alan Bermingham |
1 |
| 3144 |
 |
The Steadicam® Operator's Handbook [2 ed.] |
Jerry Holway, Laurie Hayball |
2 |
| 3145 |
 |
Dream Worlds: Production Design for Animation |
Hans Bacher |
|
| 3146 |
 |
Beyond continuity: script supervision for the modern filmmaker |
Cybulski, Mary |
|
| 3147 |
 |
After Effects @ Work: DV Expert Series [Pap/Dvdr ed.] |
Richard Harrington |
|
| 3148 |
 |
Framed Time: Toward a Postfilmic Cinema |
Garrett Stewart |
|
| 3149 |
 |
Cutting Rhythms: Shaping the Film Edit |
Karen Pearlman |
|
| 3150 |
 |
Pictures and the Past: Media, Memory, and the Specter of Fascism in Postmodern Art |
Alexander Bigman |
|
| 3151 |
 |
Lighting for Digital Video & Television, [2 ed.] |
John Jackman |
2 |
| 3152 |
 |
Premiere 6.5 Fundamentals [1st ed.] |
Dennis Chominsky |
1 |
| 3153 |
 |
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
| 3154 |
 |
Fine Cuts: The Art of European Film Editing |
Roger Crittenden |
|
| 3155 |
 |
Documentary Storytelling: Creative Nonfiction on Screen [3rd ed.] |
Sheila Curran Bernard |
3 |
| 3156 |
 |
Pasolini requiem [2nd edition] |
Pasolini, Pier Paolo,Schwartz, Barth David |
2 |
| 3157 |
 |
3D Automotive Modeling: An Insider's Guide to 3D Car Modeling and Design for Games and Film |
Andrew Gahan |
|
| 3158 |
 |
Flash Video Creativity [1 ed.] |
Kristian Besley, Erwan Bezie, Murat Bodur, Neal Boyd, Hoss Gifford, Tim Hawkins, Bruce Herbert, Diana Johnson, Ken Jokol, Leonhard Lass, Lifaros, Doug Mcdermott, Anthony Onumonu, Jerome Turner (auth.) |
1 |
| 3159 |
 |
Techniques of Special Effects of Cinematography [4th ed.] |
Raymond Fielding |
4 |
| 3160 |
 |
Compositing Visual Effects: Essentials for the Aspiring Artist |
Steve Wright |
|
| 3161 |
 |
Make Your Movie: What You Need to Know About the Business and Politics of Filmmaking [1 ed.] |
Barbara Freedman Doyle |
1 |
| 3162 |
 |
The Art of Film Acting: A Guide For Actors and Directors [1 ed.] |
Jeremiah Comey |
1 |
| 3163 |
 |
Stop Motion: Craft Skills for Model Animation, Second Edition [2 ed.] |
Susannah Shaw |
2 |
| 3164 |
 |
The Camera Assistant's Manual [5 ed.] |
David E. Elkins SOC |
5 |
| 3165 |
 |
Screening Modernism: European Art Cinema, 1950-1980 |
András Bálint Kovács |
|
| 3166 |
 |
Writing the Comedy Pilot Script |
Manny Basanese |
|
| 3167 |
 |
The Dos and Don'ts of Successful Filmmaking |
Patrick Winters |
|
| 3168 |
 |
Fire and Desire: Mixed-Race Movies in the Silent Era |
Jane M. Gaines |
|
| 3169 |
 |
Screenwriting for Micro-Budget Films: Tips, Tricks and Hacks for Reverse Engineering Your Screenplay |
David Greenberg |
|
| 3170 |
 |
Final Cut Pro 5 Editing Essentials [4 ed.] |
Tom Wolsky |
4 |
| 3171 |
 |
Lighting technology: a guide for television, film, and theatre [2 ed.] |
BRIAN FITT, JOE THORNLEY |
2 |
| 3172 |
 |
Understanding Digital Cinema: A Professional Handbook [1 ed.] |
Charles S. Swartz |
1 |
| 3173 |
 |
Crafting the Scene: Lessons in Storytelling from the Masters of Cinema |
Will Hong |
|
| 3174 |
 |
Film Technology in Post Production, [2 ed.] |
Dominic Case |
2 |
| 3175 |
 |
Videomaker Guide to Digital Video and DVD Production, [3 ed.] |
Videomaker |
3 |
| 3176 |
 |
Writing for the green light: how to make your script the one hollywood notices [Online-ausg ed.] |
Kirkpatrick, Scott |
|
| 3177 |
 |
Animating with Stop Motion Pro |
Mark Sawicki |
|
| 3178 |
 |
Screenwriter's Compass: Character As True North [1 ed.] |
Guy Gallo |
1 |
| 3179 |
 |
Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker [1 ed.] |
Dan Rahmel |
1 |
| 3180 |
 |
Compositing visual effects in after effects: essential techniques |
Lanier, Lee |
|
| 3181 |
 |
Movies That Mattered: More Reviews from a Transformative Decade |
Dave Kehr |
|
| 3182 |
 |
Representing Talent: Hollywood Agents and the Making of Movies |
Violaine Roussel |
|
| 3183 |
 |
Composing for the Screen |
Scott W. Hallgren |
|
| 3184 |
 |
Nightmares in the Dream Sanctuary: War and the Animated Film |
Donna Kornhaber |
|
| 3185 |
 |
The Science and Art of Acting for the Camera: A Practical Approach to Film, Television, and Commercial Acting [1 ed.] |
John Howard Swain |
1 |
| 3186 |
 |
More Contemporary Cinematographers on Their Art |
Pauline B. Rogers (Auth.) |
|
| 3187 |
 |
Directing: Film Techniques and Aesthetics [3 ed.] |
Michael Rabiger |
3 |
| 3188 |
 |
Making Media: Foundations of Sound and Image Production [5 ed.] |
Jan Roberts-Breslin |
5 |
| 3189 |
 |
Production Safety for Film, Television and Video |
Robin Small |
|
| 3190 |
 |
Write to TV: Out of Your Head and onto the Screen |
Martie Cook |
|
| 3191 |
 |
Nuts and Bolts Filmmaking. Practical Techniques for the Guerilla Filmaker |
Dan Rahmel (Auth.) |
|
| 3192 |
 |
Panaflex User's Manual |
David W. Samuelson (Auth.) |
|
| 3193 |
 |
The filmmaker's guide to digital imaging for cinematographers, digital imaging technicians, and camera assistants |
Brown, Blain |
|
| 3194 |
 |
The Director's Idea: The Path to Great Directing [1 ed.] |
Ken Dancyger |
1 |
| 3195 |
 |
Sound FX: Unlocking the Creative Potential of Recording Studio Effects [1 ed.] |
Alex Case |
1 |
| 3196 |
 |
Raindance Producers' Lab Lo-To-No Budget Filmmaking |
Elliot Grove |
|
| 3197 |
 |
Crank it up: Jason Statham: star! |
Steven Gerrard, Robert Shail (editors) |
|
| 3198 |
 |
Conversations with Gus Van Sant |
Mario Falsetto |
|
| 3199 |
 |
Lindsay Anderson: Cinema Authorship |
John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard |
|
| 3200 |
 |
Jean-Jacques Beineix |
Philip Powrie |
|
| 3201 |
 |
Contemporary Australian cinema: An introduction |
Jonathan Rayner |
|
| 3202 |
 |
Agnes Varda |
Alison Smith |
|
| 3203 |
 |
Troy Kennedy Martin |
Lez Cooke |
|
| 3204 |
 |
Smart Chicks on Screen: Representing Women's Intellect in Film and Television |
Laura Mattoon D'Amore (editor) |
|
| 3205 |
 |
Time-Travel Television : The Past from the Present, the Future from the Past |
Sherry Ginn, Gillian I. Leitch |
|
| 3206 |
 |
British Cinema in the 1950's: An Art in Peacetime |
Ian MacKillop, Neil Sinyard |
|
| 3207 |
 |
Projecting The Holocaust Into The Present: The Changing Focus of Contemporary Holocaust Cinema |
Lawrence Baron |
|
| 3208 |
 |
The ABC Movie of the Week. Big Movies for the Small Screen |
Michael McKenna |
|
| 3209 |
 |
Descending with angels: Islamic exorcism and psychiatry: a film monograph |
Christian Suhr |
|
| 3210 |
 |
Joss Whedon's Dollhouse : Confounding Purpose, Confusing Identity |
Sherry Ginn, Alyson R. Buckman, Heather M. Porter |
|
| 3211 |
 |
James Newton Howard's Signs : A Film Score Guide |
Erik Heine |
|
| 3212 |
 |
Gone with the Glory: The Civil War in Cinema |
Brian Steel Wills |
|
| 3213 |
 |
The naval war film: Genre, history and national cinema |
Jonathan Rayner |
|
| 3214 |
 |
Filming the Everyday: Independent Documentaries in Twenty-First-Century China |
Paul G. Pickowicz, Yingjin Zhang (eds.) |
|
| 3215 |
 |
Upstairs and downstairs: British costume drama television from ''The Forsyte saga'' to ''Downtown Abbey |
Leggott, James,Taddeo, Julie Anne |
|
| 3216 |
 |
Catherine Breillat |
Douglas Keesey |
|
| 3217 |
 |
100 Greatest Cult Films |
Christopher J. Olson |
|
| 3218 |
 |
Adapting philosophy: Jean Baudrillard and "the matrix trilogy." |
Catherine Constable |
|
| 3219 |
 |
Philosophy, myth, and epic cinema : beyond mere illusions |
Magerstädt, Sylvie |
|
| 3220 |
 |
Historical Dictionary of Horror Cinema [2nd ed.] |
Peter Hutchings |
2 |
| 3221 |
 |
Alain Resnais |
Emma Wilson |
|
| 3222 |
 |
Cinema, democracy and perfectionism: Joshua Foa Dienstag in dialogue |
Joshua Foa Dienstag (editor) |
|
| 3223 |
 |
The Child in World Cinema |
Debbie C. Olson (editor) |
|
| 3224 |
 |
Emilio Fernández: Pictures in the margins |
Dolores Tierney |
|
| 3225 |
 |
Zeppo |
Robert S. Bader |
|
| 3226 |
 |
Surrealism and film after 1945: Absolutely modern mysteries |
Kristoffer Noheden and Abigail Susik |
|
| 3227 |
 |
Propaganda Documentaries in France : 1940-1944 |
Jean Pierre Bertin-Maghit, Marcelline Block |
|
| 3228 |
 |
Constructing the Coens: from Blood simple to Inside Llewyn Davis |
Coen, Ethan, Coen, Ethan, Coen, Ethan / Criticism and interpretation, Coen, Joel, Coen, Joel, Coen, Joel / Criticism and interpretation, Redmon, Allen H |
|
| 3229 |
 |
TV antiquity: Swords, sandals, blood and sand |
Sylvie Magerstädt |
|
| 3230 |
 |
Terry Gilliam |
Peter Marks |
|
| 3231 |
 |
The Apocalypse in Film : Dystopias, Disasters, and Other Visions about the End of the World |
Karen A. Ritzenhoff, Angela Krewani |
|
| 3232 |
 |
Contemporary Korean cinema: Culture, identity and politics |
Hyangjin Lee |
|
| 3233 |
 |
Michael Winterbottom |
Brian McFarlane, Deane Williams |
|
| 3234 |
 |
French Cinema and the Great War : Remembrance and Representation |
Marcelline Block, Barry Nevin |
|
| 3235 |
 |
The Encyclopedia of British Film: Fourth Edition [4 ed.] |
Brian McFarlane, Anthony Slide |
4 |
| 3236 |
 |
The Life of Mise-en-scene: Visual style and British film criticism, 1946-78 [Illustrated] |
John Gibbs |
|
| 3237 |
 |
Spaghetti Westerns: A Viewer's Guide |
Aliza S. Wong |
|
| 3238 |
 |
Screening the Paris suburbs: From the silent era to the 1990s |
Philippe Met, Derek Schilling (editors) |
|
| 3239 |
 |
Picturing Culture Explorations of Film and Anthropology [1 ed.] |
Jay Ruby |
1 |
| 3240 |
 |
David Lean |
Lean, David,Williams, Mélanie |
|
| 3241 |
 |
Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture |
David Melbye |
|
| 3242 |
 |
Historical Dictionary of Italian Cinema [2 ed.] |
Gino Moliterno |
2 |
| 3243 |
 |
Shakespeare's Cinema of Love: A Study in Genre and Influence [1 ed.] |
R. S. White |
1 |
| 3244 |
 |
No other way to tell it: Docudrama on film and television (second edition) [2 ed.] |
Derek Paget |
2 |
| 3245 |
 |
Directing Scenes and Senses : The Thinking of Regie [1 ed.] |
Peter Boenisch |
1 |
| 3246 |
 |
Georges Franju |
Kate Ince |
|
| 3247 |
 |
The Annotated Godfather: 50th Anniversary Edition with the Complete Screenplay, Commentary on Every Scene, Interviews, and Little-Known Facts [Anniversary ed.] |
Jenny M. Jones |
|
| 3248 |
 |
1939: Hollywood's golden year |
Hischak, Thomas S |
|
| 3249 |
 |
The Spanish <i>quinqui</i> film: Delinquency, sound, sensation |
Tom Whittaker |
|
| 3250 |
 |
Contemporary French cinema: An introduction (revised edition) [2 ed.] |
Guy Austin |
2 |
| 3251 |
 |
The 12-Hour Film Expert |
Noah Charney, James Charney |
|
| 3252 |
 |
European Film Noir |
Andrew Spicer (editor) |
|
| 3253 |
 |
Abbas Kiarostami's Cinema of Life: From Homework to Like Someone in Love |
Julian Rice |
|
| 3254 |
 |
Lukácsian Film Theory and Cinema: A Study of Georg Lukács’ Writings on Film 1913-1971 |
Ian Aitken |
|
| 3255 |
 |
The medium and the magician : Orson Welles, the radio years, 1934-1952 |
Welles, Orson, Welles, Orson, Welles, Orson, Heyer, Paul |
|
| 3256 |
 |
Bringing history to life through film : the art of cinematic storytelling |
Kathryn Anne Morey |
|
| 3257 |
 |
Charlie Chaplin's Red Letter Days: At Work with the Comic Genius |
Fred Goodwins |
|
| 3258 |
 |
A year of movies : 365 films to watch on the date they happened |
Walters, Ivan |
|
| 3259 |
 |
Julio Medem |
Robert Stone |
|
| 3260 |
 |
Firefly Revisited: Essays on Joss Whedon's Classic Series |
Michael Goodrum, Philip Smith |
|
| 3261 |
 |
Tyler Perry's America : Inside His Films |
Shayne Lee |
|
| 3262 |
 |
Georges Melies |
Elizabeth Ezra |
|
| 3263 |
 |
Coline Serreau |
Brigitte Rollet |
|
| 3264 |
 |
Medieval film |
Anke Bernau, Bettina Bildhauer (editors) |
|
| 3265 |
 |
Reframing Trauma in Contemporary Fiction Film |
Tarja Laine |
|
| 3266 |
 |
Movies and Meaning: An Introduction to Film [6th ed] |
Prince, Stephen R |
6 |
| 3267 |
 |
A Book about the Film Monty Python’s Life of Brian: All the References from Assyrians to Zeffirelli |
Darl Larsen |
|
| 3268 |
 |
What Do Pictures Want?: The Lives and Loves of Images [1 ed.] |
W. J. T. Mitchell |
1 |
| 3269 |
 |
The cinema of Lucrecia Martel |
Martel, Lucrecia,Martin, Deborah |
|
| 3270 |
 |
Living Screens: Melodrama and Plasticity in Contemporary Film and Television (Disruptions) |
Monique Rooney |
|
| 3271 |
 |
From Small Screen to Vinyl : A Guide to Television Stars Who Made Records, 1950-2000 |
Bob Leszczak |
|
| 3272 |
 |
Sex and Desire in British Films of the 2000s: Love in a Damp Climate [1 ed.] |
Nigel Mather |
1 |
| 3273 |
 |
Contemporary Latin American cinema: breaking into the global market |
Shaw, Deborah(Editor),Barrow, Sarah(Contributor),Finnegan, Nuala(Contributor),Foster, David William(Contributor) |
|
| 3274 |
 |
Julien Duvivier |
McCann, Ben |
|
| 3275 |
 |
Film Theory - An Introduction |
Robert Lapsley, Michael Westlake |
|
| 3276 |
 |
Black Lenses, Black Voices: African American Film Now (Genre and Beyond) |
Mark A. Reid |
|
| 3277 |
 |
Microdystopias: Aesthetics and Ideologies in a Broken Moment |
Asbjørn Grønstad, Lene Johannessen |
|
| 3278 |
 |
Spanish cinema 1973–2010: Auteurism, politics, landscape and memory |
Maria M. Delgado, Robin Fiddian (editors) |
|
| 3279 |
 |
Luis Malle |
Hugo Frey |
|
| 3280 |
 |
Screening Difference : How Hollywood's Blockbuster Films Imagine Race, Ethnicity, and Culture |
Van Jaap Ginneken, Jaap Ginneken |
|
| 3281 |
 |
Laurel and Hardy's Comic Catastrophes : Laughter and Darkness in the Features and Short Films |
Michael Bliss |
|
| 3282 |
 |
Watching the World: Screen documentary and audiences |
Thomas Austin |
|
| 3283 |
 |
Monstrous adaptations: Generic and thematic mutations in horror film |
Richard Hand, Jay McRoy (editors) |
|
| 3284 |
 |
Postcolonial African cinema: Ten directors |
David Murphy, Patrick Williams |
|
| 3285 |
 |
The A to Z of Spanish Cinema |
Alberto Mira |
|
| 3286 |
 |
Young Frankenstein |
Mel Brooks, Rebecca Keegan, Judd Apatow |
|
| 3287 |
 |
Invasions USA : The Essential Science Fiction Films of The 1950s |
Michael Bliss |
|
| 3288 |
 |
Beyond observation: A history of authorship in ethnographic film |
Paul Henley |
|
| 3289 |
 |
Barry Hines: <i>Kes</i>, <i>Threads</i> and beyond |
David Forrest, Sue Vice |
|
| 3290 |
 |
Representing 9/11 : Trauma, Ideology, and Nationalism in Literature, Film, and Television |
Paul Petrovic |
|
| 3291 |
 |
Film and Faith |
Micah Watson,Carson Holloway, |
|
| 3292 |
 |
Derek Jarman |
Rowland Wymer |
|
| 3293 |
 |
The documentary diaries: Working experiences of a non-fiction filmmaker |
Alan Rosenthal |
|
| 3294 |
 |
The Essential Films of Ingrid Bergman |
Constantine Santas, James M. Wilson |
|
| 3295 |
 |
The Persona of Ingmar Bergman: Conquering Demons Through Film |
Barbara Young |
|
| 3296 |
 |
Cult Midnight Movies: Discover the 37 Best Weird, Sleazy, Sexy, and Crazy Good Cinema Classics |
Danny Peary |
|
| 3297 |
 |
Goodbye Cinema, Hello Cinephilia: Film Culture in Transition |
Jonathan Rosenbaum |
|
| 3298 |
 |
The Encyclopedia of Film Composers |
Thomas S. Hischak |
|
| 3299 |
 |
Irish cinema in the twenty-first century |
Ruth Barton |
|
| 3300 |
 |
Cue and Cut: A practical approach to working in multi-camera studios |
Roger Singleton-Turner |
|
| 3301 |
 |
Swedish crime fiction: Novel, film, television |
Steven Peacock |
|
| 3302 |
 |
Nobody expects the Spanish Inquisition: cultural contexts in Monty Python |
Monty Python.,Dobrogoszcz, Tomasz |
|
| 3303 |
 |
Historical Dictionary of Australian and New Zealand Cinema |
Karina Aveyard, Albert Moran, Errol Vieth (eds.) |
|
| 3304 |
 |
Cult Sci-Fi Movies: Discover the 10 Best Intergalactic, Astonishing, Far-Out, and Epic Cinema Classics |
Danny Peary |
|
| 3305 |
 |
Cinemas and cinemagoing in wartime Britain, 1939–45: The utility dream palace |
Richard Farmer |
|
| 3306 |
 |
The films of Costa-Gavras: New perspectives |
Homer B. Pettey (editor) |
|
| 3307 |
 |
New Soviet man : gender and masculinity in Stalinist Soviet cinema |
John Haynes |
|
| 3308 |
 |
David Milch |
Jason Jacobs |
|
| 3309 |
 |
The Monster Movies of Universal Studios |
James L. Neibaur |
|
| 3310 |
 |
Carol Reed |
Peter William Evans |
|
| 3311 |
 |
State of play: Contemporary 'high-end' TV drama |
Robin Nelson |
|
| 3312 |
 |
Movies in the Age of Obama : The Era of Post-Racial and Neo-Racist Cinema |
David Garrett Izzo, Peter C. Grosvenor, Linda Belau, Thomas Britt, Sonya C. Brown, Brian E. Butler, Ed Cameron, Kwakiutl L. Dreher, Rodney M. D. Fierce, Andrew Grossman |
|
| 3313 |
 |
Monstrous Media/Spectral Subjects: Imaging Gothic From the Nineteenth Century to the Present |
Fred Botting, Catherine Spooner |
|
| 3314 |
 |
Building a New China in Cinema: The Chinese Left-wing Cinema Movement, 1932-1937 |
Laikwan Pang |
|
| 3315 |
 |
Memory and Popular Film |
Paul Grainge |
|
| 3316 |
 |
Jack Rosenthal [1 ed.] |
Sue Vice |
1 |
| 3317 |
 |
Historical Dictionary of African American Cinema (Historical Dictionaries of Literature and the Arts) |
S. Torriano Berry, Venise T. Berry |
|
| 3318 |
 |
Hitchcock and Adaptation |
Osteen, Mark |
|
| 3319 |
 |
Chantal Akerman |
Marion Schmid |
|
| 3320 |
 |
Five Directors: Auteurism from Assayas to Ozon |
Kate Ince (editor) |
|
| 3321 |
 |
A Book about the Film Monty Python's the Meaning of Life: All the References from Americans to Zulu Nation |
Darl Larsen |
|
| 3322 |
 |
Doctor Who – New Dawn: Essays on the Jodie Whittaker era |
Brigid Cherry, Matthew Hills, Andrew O'Day (editors) |
|
| 3323 |
 |
The Clint Eastwood Westerns |
James L. Neibaur |
|
| 3324 |
 |
Adapting Science Fiction to Television : Small Screen, Expanded Universe |
Max Sexton, Malcolm Cook |
|
| 3325 |
 |
The Essential James Garner |
Stephen H. Ryan, Paul J. Ryan |
|
| 3326 |
 |
Cult horror movies : discover the 33 best scary, suspenseful, gory, and monstrous cinema classics |
Peary, Danny |
|
| 3327 |
 |
The new pornographies: Explicit sex in recent French fiction and film |
Victoria Best, Martin Crowley |
|
| 3328 |
 |
Jacques Rivette |
Douglas Morrey and Alison Smith |
|
| 3329 |
 |
Jack Clayton |
Neil Sinyard |
|
| 3330 |
 |
Popular cinema in Brazil, 1930–2001 |
Stephanie Dennison, Lisa Shaw |
|
| 3331 |
 |
Pixar's boy stories: masculinity in a postmodern age [First paperback edition] |
Gillam, Ken,Wooden, Shannon R |
|
| 3332 |
 |
The war that won't die: The Spanish Civil War in cinema |
David Archibald |
|
| 3333 |
 |
Christians in the Movies : A Century of Saints and Sinners |
Peter E. Dans, Joseph Bottum |
|
| 3334 |
 |
Bill Duke: my 40-year career on screen and behind the camera |
Duke, Bill |
|
| 3335 |
 |
A Critical Companion to Christopher Nolan |
Claire Parkinson,Isabelle Labrouillre, |
|
| 3336 |
 |
Politics and Film: The Political Culture of Television and Movies |
Daniel P. Franklin |
|
| 3337 |
 |
Alain Robbe-Grillet |
John Phillips |
|
| 3338 |
 |
J. Lee Thompson |
Steve Chibnall |
|
| 3339 |
 |
The Westerns and War Films of John Ford |
Sue Matheson |
|
| 3340 |
 |
Historical Dictionary of Spanish Cinema [2 ed.] |
Alberto Mira |
2 |
| 3341 |
 |
Performance and Spanish film [1 ed.] |
Dean Allbritton (editor), Alejandro Melero (editor), Tom Whittaker (editor) |
1 |
| 3342 |
 |
Laughing Matters: Understanding Film, Television and Radio Comedy |
John Mundy, Glyn White |
|
| 3343 |
 |
Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen |
Mary P. Nichols |
|
| 3344 |
 |
A Critical Companion to Sofia Coppola |
Naaman Wood,Christopher Booth, |
|
| 3345 |
 |
Jean Vigo |
Michael Temple |
|
| 3346 |
 |
Bertrand Tavernier |
Lynn Anthony Higgins |
|
| 3347 |
 |
A Critical Companion to Wes Craven |
Fernando Gabriel Pagnoni Berns,John Darowski, |
|
| 3348 |
 |
Queer Muslim diasporas in contemporary literature and film |
Alberto Fernández Carbajal |
|
| 3349 |
 |
Real war vs. reel war: veterans, Hollywood, and WWII |
Broderick, Suzanne |
|
| 3350 |
 |
Bertrand Blier |
Sue Harris |
|
| 3351 |
 |
Screening songs in Hispanic and Lusophone cinema |
Lisa Shaw, Robert Stone (editors) |
|
| 3352 |
 |
François Ozon |
Andrew Asibong |
|
| 3353 |
 |
The Essential Jack Nicholson |
James L. Neibaur |
|
| 3354 |
 |
Approaches to Popular Film |
Joanne Hollows, Mark Jancovich |
|
| 3355 |
 |
La Parisienne in cinema: Between art and life |
Felicity Chaplin |
|
| 3356 |
 |
Critical Approaches to African Cinema Discourse [electronic ed.] |
Nwachukwu Frank Ukadike (editor) |
|
| 3357 |
 |
Adapting philosophy: Jean Baudrillard and *The Matrix Trilogy* |
Catherine Constable |
|
| 3358 |
 |
Teaching sound film: a reader |
Cardullo, Bert |
|
| 3359 |
 |
Hollywood Romantic Comedy: States of Union, 1934–1965 |
Kathrina Glitre |
|
| 3360 |
 |
Hans-Jürgen Syberberg, the film director as critical thinker: essays and interviews |
Cardullo, Bert,Syberberg, Hans Jürgen |
|
| 3361 |
 |
Maurice Pialat: French Film Directors |
Warehime, Marja |
|
| 3362 |
 |
Capital and Popular Cinema: The Dollars Are Coming! [1 ed.] |
Valentina Vitali |
1 |
| 3363 |
 |
Cinesonica: Sounding film and video |
Andy Birtwistle |
|
| 3364 |
 |
James Cagney films of the 1930s |
Cagney, James,Neibaur, James L |
|
| 3365 |
 |
Fighting the Forces: What's at Stake in Buffy the Vampire Slayer |
Rhonda V. Wilcox |
|
| 3366 |
 |
Naked Screenwriting |
Lew Hunter, Meg Gifford |
|
| 3367 |
 |
Space and being in contemporary French cinema |
James S. Williams |
|
| 3368 |
 |
Montage |
Sam Rohdie |
|
| 3369 |
 |
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro [1 ed.] |
Stockman, Steve |
1 |
| 3370 |
 |
The JFK Image : Profiles in Docudrama |
Raluca Lucia Cimpean |
|
| 3371 |
 |
Reframing Difference: Beur and Banlieue Filmmaking in France [Illustrated] |
Carrie Tarr |
|
| 3372 |
 |
D. W. Griffith's <i>The Birth of a Nation</i>: Art, culture and ethics in black and white |
Jenny Barrett, Douglas Field, Ian Scott (editors) |
|
| 3373 |
 |
Cinematic countrysides |
Robert Fish (editor) |
|
| 3374 |
 |
The Encyclopedia of Epic Films |
Constantine Santas, James M. Wilson, Maria Colavito, Djoymi Baker |
|
| 3375 |
 |
Projecting 9/11: Race, Gender, and Citizenship in Recent Hollywood Films |
Mary K. Bloodsworth-Lugo, Carmen R. Lugo-Lugo |
|
| 3376 |
 |
KILLING FOR SHOW |
JULIAN STALLABRASS |
|
| 3377 |
 |
Faking it: Mock-documentary and the subversion of factuality |
Craig Hight, Jane Roscoe |
|
| 3378 |
 |
Cultivating Creativity through World Films: Exploring Cinematic Narratives Featuring Child Protagonists |
David Campos, Ericka Knudson |
|
| 3379 |
 |
Reelpolitik II |
Kelley, Beverly Merrill. |
|
| 3380 |
 |
Screenplay and Narrative Theory |
George Varotsis |
|
| 3381 |
 |
Alejandro Amenábar |
Barry Jordan |
|
| 3382 |
 |
André Téchiné |
Bill Marshall |
|
| 3383 |
 |
Remaking Red Classics in Post-Mao China: TV Drama as Popular Media |
Qian Gong |
|
| 3384 |
 |
Patrice Leconte |
Lisa Downing |
|
| 3385 |
 |
Regarding the real : cinema, documentary, and the visual arts |
Des O'Rawe |
|
| 3386 |
 |
Political Theory and Film: From Adorno to Zizek |
Ian Fraser |
|
| 3387 |
 |
Gangsters and G-men on screen: crime cinema then and now |
Phillips, Gene D |
|
| 3388 |
 |
The British monarchy on screen |
Mandy Merck (editor) |
|
| 3389 |
 |
Behind the scene: Walter Murch on feature film editing, Final Cut Pro, and the future of cinema |
Murch, Walter,Koppelman, Charles |
|
| 3390 |
 |
Claude Chabrol |
Guy Austin |
|
| 3391 |
 |
Food on Film |
Hertweck, Tom, |
|
| 3392 |
 |
China on Film : A Century of Exploration, Confrontation, and Controversy |
Pickowicz, Paul G. |
|
| 3393 |
 |
Talking about Pauline Kael: critics, filmmakers, and scholars remember an icon |
Kael, Pauline,Stengel, Wayne B |
|
| 3394 |
 |
The eye |
Don Granger,Paula Wagner,Michelle Manning,Sebastian Gutierrez,David Moreau,All authors |
|
| 3395 |
 |
The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón [1 ed.] |
Deborah Shaw |
1 |
| 3396 |
 |
Critical Perspectives on the Western : From a Fistful of Dollars to Django Unchained |
Lee Broughton |
|
| 3397 |
 |
The Epic in Film: From Myth to Blockbuster |
Constantine Santas |
|
| 3398 |
 |
Beckett and media |
Balazs Rapcsak, Mark Nixon, Philipp Schweighauser (editors) |
|
| 3399 |
 |
Color Correction Look Book: Creative Grading Techniques for Film and Video (Digital Video & Audio Editing Courses) |
Van Hurkman, Alexis |
|
| 3400 |
 |
Karel Reisz |
Colin Gardner |
|
| 3401 |
 |
Claire Denis |
Martine Beugnet |
|
| 3402 |
 |
Native Americans in the Movies: Portrayals from Silent Films to the Present [Hardback ed.] |
Michael Hilger |
|
| 3403 |
 |
Journalism Ethics Goes to the Movies |
Howard Good, Berrin A. Beasley, Sandra L. Borden, Robert Brown, John Carvalho, Michael Dillon, Matthew C. Ehrlich, Joseph C. Harry, Lee Anne Peck, Bill Reader, Joe Saltzman, S Holly Stocking |
|
| 3404 |
 |
Hammer and beyond: The British horror film |
Johnny Walker (editor) |
|
| 3405 |
 |
Philippe Garrel |
Michael Leonard |
|
| 3406 |
 |
Marcel Carné |
Jonathan Driskell |
|
| 3407 |
 |
The secret life of romantic comedy |
Celestino Deleyto |
|
| 3408 |
 |
The looking machine: Essays on cinema, anthropology and documentary filmmaking |
David MacDougall |
|
| 3409 |
 |
The Cultural Politics of Contemporary Hollywood Film: Power, Culture, and Society |
Chris Beasley, Heather Brook |
|
| 3410 |
 |
The Seventies: The Decade That Changed American Film Forever |
Vincent LoBrutto |
|
| 3411 |
 |
Jacques Audiard |
Gemma King |
|
| 3412 |
 |
British cinema of the 1950s: A celebration |
Ian Mackillop, Neil Sinyard (editors) |
|
| 3413 |
 |
Screenwriters in French Cinema |
Sarah Leahy and Isabelle Vanderschelden |
|
| 3414 |
 |
Steven Spielberg and Duel: The Making of a Film Career |
Steven Awalt |
|
| 3415 |
 |
French literature on screen [1 ed.] |
Homer B. Pettey (editor), R. Barton Palmer (editor) |
1 |
| 3416 |
 |
Chris Marker |
Sarah Cooper |
|
| 3417 |
 |
European Cinema after the Wall : Screening East-West Mobility |
Leen Engelen, Kris Van Heuckelom |
|
| 3418 |
 |
Release the Snyder Cut |
Sean O'Connell, |
|
| 3419 |
 |
Beginning Film Studies [2 ed.] |
Andrew Dix |
2 |
| 3420 |
 |
The Last Isle : Contemporary Film, Culture and Trauma in Global Taiwan [1 ed.] |
Sheng-mei Ma |
1 |
| 3421 |
 |
Joseph Losey |
Colin Gardner |
|
| 3422 |
 |
Avid Media Composer | First: Fundamentals of Video Editing (Avid Learning) |
Avid Technology |
|
| 3423 |
 |
The Tim Burton encyclopedia |
Burton, Tim,Umland, Samuel J |
|
| 3424 |
 |
Four from the forties: Arliss, Crabtree, Knowles and Huntington |
Brian McFarlane |
|
| 3425 |
 |
Taking the Long View : A Study of Longitudinal Documentary [1 ed.] |
Richard Kilborn |
1 |
| 3426 |
 |
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System |
Lesley L. Coffin |
|
| 3427 |
 |
The Encyclopedia of Musicians and Bands on Film |
Melissa U. D. Goldsmith, Paige A. Willson, Anthony J. Fonseca |
|
| 3428 |
 |
Sitcom writers talk shop: behind the scenes with Carl Reiner, Norman Lear, and other geniuses of TV comedy |
Finn, Paula |
|
| 3429 |
 |
The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón |
Deborah Shaw |
|
| 3430 |
 |
The cinema of Oliver Stone: Art, authorship and activism |
Ian Scott, Henry Thompson |
|
| 3431 |
 |
Historical Dictionary of South American Cinema |
Peter H. Rist |
|
| 3432 |
 |
The Zombie Renaissance in Popular Culture |
Laura Hubner, Marcus Leaning, Paul Manning |
|
| 3433 |
 |
Cinema - Italy |
Stefania Parigi |
|
| 3434 |
 |
From Perversion to Purity: The stardom of Catherine Deneuve |
Lisa Downing, Sue Harris (editors) |
|
| 3435 |
 |
The A to Z of African American Cinema |
Torriano S. Berry,Venise T. Berry |
|
| 3436 |
 |
Entertaining television: The BBC and popular television culture in the 1950s |
Su Holmes |
|
| 3437 |
 |
British rural landscapes on film |
Paul Newland (editor) |
|
| 3438 |
 |
French cinema in the 1970s: The echoes of May |
Alison Smith |
|
| 3439 |
 |
Louis Malle |
Hugo Frey |
|
| 3440 |
 |
1939: Hollywood's Greatest Year |
Thomas S. Hischak |
|
| 3441 |
 |
Lee J. Cobb: Characters of an Actor |
Donald Dewey |
|
| 3442 |
 |
Queer Images: A History of Gay and Lesbian Film in America |
Harry M. Benshoff |
|
| 3443 |
 |
A Critical Companion to David Fincher |
Francis Mickus, |
|
| 3444 |
 |
The Ambivalent Legacy of Elia Kazan : The Politics of the Post-HUAC Films |
Ron Briley |
|
| 3445 |
 |
Contemporary Spanish cinema and genre |
Jay Beck, Vicente Rodríguez Ortega (editors) |
|
| 3446 |
 |
The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players |
Peter Nowalk, Hillary Stamm |
|
| 3447 |
 |
100 Greatest American and British Animated Films |
Thomas S. Hischak |
|
| 3448 |
 |
British art cinema: Creativity, experimentation and innovation |
Paul Newland, Brian Hoyle (editors) |
|
| 3449 |
 |
A Book about the Film Monty Python's Life of Brian: All the References from Assyrians to Zeffirelli |
Darl Larsen |
|
| 3450 |
 |
A grammar of cinepoiesis: poetic cameras of Italian cinema |
Carlorosi, Silvia |
|
| 3451 |
 |
Scottish cinema: Texts and contexts |
Christopher Meir |
|
| 3452 |
 |
The child in Spanish cinema [1 ed.] |
Sarah Wright |
1 |
| 3453 |
 |
Heroes and happy endings: Class, gender, and nation in popular film and fiction in interwar Britain (Studies in Popular Culture) |
Christine Grandy |
|
| 3454 |
 |
The 100 Greatest Silent Film Comedians |
James Roots |
|
| 3455 |
 |
British films of the 1970s |
Paul Newland |
|
| 3456 |
 |
Queer cinema in contemporary France: Five directors |
Todd Reeser |
|
| 3457 |
 |
Hans Zimmer and James Newton Howard's the Dark Knight : A Film Score Guide |
Vasco Hexel |
|
| 3458 |
 |
From the headlines to hollywood - the birth and boom of warner bros |
Yogerst, Chris |
|
| 3459 |
 |
Partners in suspense: Critical essays on Bernard Herrmann and Alfred Hitchcock |
Steven Rawle, Kevin J. Donnelly (editors) |
|
| 3460 |
 |
Transplantation Gothic: Tissue transfer in literature, film, and medicine |
Sara Wasson |
|
| 3461 |
 |
The Alfred Hitchcock Encyclopedia |
Stephen Whitty |
|
| 3462 |
 |
Assault on the Small Screen: Representations of Sexual Violence on Prime Time Television Dramas |
Molly Ann Magestro |
|
| 3463 |
 |
There is no soundtrack: Rethinking art, media, and the audio-visual contract [1 ed.] |
Ming-Yuen S. Ma |
1 |
| 3464 |
 |
The playboy and James Bond: 007, Ian Fleming, and Playboy magazine [1 ed.] |
Claire Hines |
1 |
| 3465 |
 |
Listening to Stanley Kubrick : the music in his films [1st paperback ed.] |
Gengaro, Christine Lee, Kubrick, Stanley |
1 |
| 3466 |
 |
The Spanish Quinqui Film: Delinquency, Sound, Sensation |
Tom Whittaker |
|
| 3467 |
 |
Regarding the real: Cinema, documentary, and the visual arts |
Des O'Rawe |
|
| 3468 |
 |
Selling Sex on Screen: From Weimar Cinema to Zombie Porn |
Karen A. Ritzenhoff, Catriona McAvoy |
|
| 3469 |
 |
The Silence of the Lambs: Critical Essays on a Cannibal, Clarice, and a Nice Chianti |
Cynthia J. Miller (editor) |
|
| 3470 |
 |
Oxi: An Act of Resistance : The Screenplay and Commentary, Including interviews with Derrida, Cixous, Balibar and Negri [1 ed.] |
Ken McMullen, Martin McQuillan |
1 |
| 3471 |
 |
The Coen Brothers’ America |
M. Keith Booker |
|
| 3472 |
 |
The Essential Humphrey Bogart |
Constantine Santas |
|
| 3473 |
 |
Jean Epstein: Corporeal cinema and film philosophy |
Christophe Wall-Romana |
|
| 3474 |
 |
Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Perspectives on a Multiracial America) |
C. Richard King, Carmen R. Lugo-Lugo, Mary K. Bloodsworth-Lugo (Editors) |
|
| 3475 |
 |
Star Wars: The Triumph of Nerd Culture |
Josef Benson |
|
| 3476 |
 |
Sinascape: contemporary Chinese cinema |
Xu, Gary G |
|
| 3477 |
 |
Screening the Paris Suburbs : From the Silent Era to The 1990s [1 ed.] |
Philippe Met, Derek Schilling |
1 |
| 3478 |
 |
Movies and Meaning: Pearson New International Edition [6th ed] |
Prince, Stephen |
6 |
| 3479 |
 |
Teaching History with Science Fiction Films |
A. Bowdoin Van Riper |
|
| 3480 |
 |
The British working class in postwar film |
Philip Gillett |
|
| 3481 |
 |
Marilyn Monroe Day by Day: A Timeline of People, Places, and Events |
Carl Rollyson |
|
| 3482 |
 |
Contemporary Korean cinema: Identity, culture and politics |
Hyangjin Lee |
|
| 3483 |
 |
Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg |
Andrew M. Gordon |
|
| 3484 |
 |
The Reel World: Scoring for Pictures, Television, and Video Games [3 ed.] |
Jeff Rona |
3 |
| 3485 |
 |
Charlotte Gainsbourg: Transnational and transmedia stardom |
Felicity Chaplin |
|
| 3486 |
 |
Engaging Film: Geographies of Mobility and Identity |
Tim Cresswell, Deborah Dixon (eds.) |
|
| 3487 |
 |
Screening the Hollywood rebels in 1950s Britain |
Anna Ariadne Knight |
|
| 3488 |
 |
Amateur film: Meaning and practice c. 1927–77 |
Heather Nicholson |
|
| 3489 |
 |
Eric Rohmer |
Derek Schilling |
|
| 3490 |
 |
Red Aesthetics: Rodchenko, Brecht, Eisenstein |
Todd Cronan |
|
| 3491 |
 |
Ancient Rome on the Silver Screen: Myth versus Reality |
Gregory S. Aldrete, Graham Sumner |
|
| 3492 |
 |
Buccaneer : James Stuart Blackton and the Birth of American Movies |
Donald Dewey |
|
| 3493 |
 |
The Archaeology of Hollywood: Traces of the Golden Age |
Paul G. Bahn |
|
| 3494 |
 |
The X-Men Films : A Cultural Analysis |
Claudia Bucciferro |
|
| 3495 |
 |
Adapting the Beat Poets: Burroughs, Ginsberg, and Kerouac on Screen (Film and History) |
Michael J. Prince |
|
| 3496 |
 |
Mike Leigh |
Tony Whitehead |
|
| 3497 |
 |
A sense of place: Regional British television drama, 1956–82 |
Lez Cooke |
|
| 3498 |
 |
Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity |
Davide Panagia |
|
| 3499 |
 |
From silent screen to multi-screen: A history of cinema exhibition in Britain since 1896 |
Stuart Hanson |
|
| 3500 |
 |
Best Pick: A Journey through Film History and the Academy Awards |
John Dorney, Jessica Regan, Tom Salinsky |
|
| 3501 |
 |
Realist film theory and cinema: the nineteenth-century Lukácsian and intuitionist realist traditions |
Manchester University Press,, Aitken, Ian, Bazin, André, Grierson, John, Kracauer, Siegfried, Lukács, György |
|
| 3502 |
 |
The Naval War Film : Genre, History and National Cinema [1 ed.] |
Jonathan Rayner |
1 |
| 3503 |
 |
Film audiences: Personal journeys with film |
Bridgette Wessels, Peter Merrington, Matthew Hanchard, David Forrest |
|
| 3504 |
 |
The Elvis Movies |
James L. Neibaur |
|
| 3505 |
 |
The never-ending <i>Brief Encounter</i> |
Brian McFarlane |
|
| 3506 |
 |
Reel Photos : Balancing Art and Truth in Contemporary Film |
Wendy Sterba |
|
| 3507 |
 |
The Virtual Ninja Manifesto : Fighting Games, Martial Arts and Gamic Orientalism [1 ed.] |
Chris Goto-Jones |
1 |
| 3508 |
 |
Laurent Cantet |
Martin O'Shaughnessy |
|
| 3509 |
 |
Cult Crime Movies |
Peary, Danny |
|
| 3510 |
 |
Cold War Fantasies: Film, Fiction, and Foreign Policy |
Ronnie D. Lipschutz |
|
| 3511 |
 |
The A to Z of German Cinema |
Robert C. Reimer,Carol J. Reimer |
|
| 3512 |
 |
The Encyclopedia of Racism in American Films |
Salvador Jiménez Murguía |
|
| 3513 |
 |
Anthony Asquith |
Tom Ryall |
|
| 3514 |
 |
Cowboy Hamlets and zombie Romeos: Shakespeare in genre film |
Kinga Földváry |
|
| 3515 |
 |
The wounds of nations: Horror cinema, historical trauma and national identity |
Linnie Blake |
|
| 3516 |
 |
The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland |
Cynthia J. Miller (editor), A. Bowdoin Van Riper (editor) |
|
| 3517 |
 |
Film editing - history, theory and practice: Looking at the invisible |
Don Fairservice |
|
| 3518 |
 |
Elizabeth taylor - tribute to a legend |
Hadleigh, Boze |
|
| 3519 |
 |
Classical Hollywood Cinema: Point of View and Communication |
James Zborowski |
|
| 3520 |
 |
Charles Crichton |
Quentin Falk |
|
| 3521 |
 |
Idols of the Odeons: Post-war British film stardom |
Andrew Roberts |
|
| 3522 |
 |
Secret Cinema and the immersive experience industry |
Sarah Atkinson, Helen W. Kennedy |
|
| 3523 |
 |
Luc Besson |
Susan Hayward |
|
| 3524 |
 |
Based on a True Story: Latin American History at the Movies [1 ed.] |
Donald F. Stevens |
1 |
| 3525 |
 |
Leos Carax |
Fergus Daly, Garin Dowd |
|
| 3526 |
 |
Adapting Frankenstein: The monster's eternal lives in popular culture |
Dennis R. Cutchins, Dennis R. Perry (editors) |
|
| 3527 |
 |
Heroines of film and television: portrayals in popular culture [First paperback edition] |
Bajac-Carter, Maja,Batchelor, Bob,Jones, Norma |
|
| 3528 |
 |
Lance Comfort |
Brian McFarlane |
|
| 3529 |
 |
The Encyclopedia of Japanese Horror Films |
Salvador Jiménez Murguía |
|
| 3530 |
 |
The British New Wave: A Certain Tendency? |
B. F. Taylor |
|
| 3531 |
 |
Diane Kurys |
Carrie Tarr |
|
| 3532 |
 |
There is no soundtrack: Rethinking art, media, and the audio-visual contract |
Ming-Yuen S. Ma |
|
| 3533 |
 |
Love in the Post: From Plato to Derrida: The Screenplay and Commentary |
Martin McQuillan, Joanna Callaghan |
|
| 3534 |
 |
The Hollywood Trust : Trade Associations and the Rise of the Studio System |
Kia Afra |
|
| 3535 |
 |
Elmer Bernstein's The Magnificent Seven: A Film Score Guide |
Mariana Whitmer |
|
| 3536 |
 |
The Movie Lover's Tour of Texas. Reel-Life Rambles Through the Lone Star State |
Veva Vonler |
|
| 3537 |
 |
The bipolar express. Movies and their makers under the influence of mania and depression |
Coleman, Dave |
|
| 3538 |
 |
Beyond Representation: Television Drama and the Politics and Aesthetics of Identity |
Geraldine Harris |
|
| 3539 |
 |
A World in Chaos: Social Crisis and the Rise of Postmodern Cinema |
Carl Boggs, Thomas Pollard |
|
| 3540 |
 |
Jacques Demy |
Demy, Jacques,Waldron, Darren |
|
| 3541 |
 |
Hispanic and Lusophone women filmmakers: Theory, practice and difference |
Parvati Nair, Julian Gutierrez-Albilla (editors) |
|
| 3542 |
 |
Heroines of Film and Television: Portrayals in Popular Culture edited [First paperback edition] |
Norma Jones, Maja Bajac-Carter, Bob Batchelor, Suzy D'Enbeau, Patrice M. Buzzanell, Katie Snyder, Jennifer K. Stuller, Jeffrey A. Brown, Maura Grady, Ryan Castillo, Katie Gibson, Pedro Ponce, Cassandra Bausman, Cynthia J. Miller, Catherine Bailey Kyle, Rekha Sharma, Carol A. Savery, Robin R. Means Coleman, Lien Fan Shen, A. Bowdoin Van Riper, Carolyn Cocca |
|
| 3543 |
 |
The Films of Martin Scorsese |
Eric San Juan |
|
| 3544 |
 |
Guerrilla Film Scoring: Practical Advice from Hollywood Composers |
Jeremy Borum |
|
| 3545 |
 |
Experimental British television |
Mulvey, Laura, Sexton, Jamie |
|
| 3546 |
 |
Movie Speak: How to Talk Like You Belong on a Movie Set [Original ed.] |
Tony Bill |
|
| 3547 |
 |
The films of Luc Besson: Master of spectacle |
Susan Hayward, Philip Powrie (editors) |
|
| 3548 |
 |
Great Britons of Stage and Screen : In Conversation |
Barbara Roisman Cooper, Robert Osborne, Kevin Brownlow |
|
| 3549 |
 |
Tony Garnett |
Stephen Lacey |
|
| 3550 |
 |
The Encyclopedia of Sexism in American Films (National Cinemas) |
Salvador Jiménez Murguía, Erica Joan Dymond, Kristina Fennelly (eds.) |
|
| 3551 |
 |
Sex, Sadism, Spain, and Cinema : The Spanish Horror Film |
Nicholas G. Schlegel |
|
| 3552 |
 |
Image operations: visual media and political conflict [Hardback ed.] |
Eder, Jens,Klonk, Charlotte |
|
| 3553 |
 |
The Political Christopher Nolan: Liberalism and the Anglo-American Vision |
Jesse Russell |
|
| 3554 |
 |
Heroes and happy endings: Class, gender, and nation in popular film and fiction in interwar Britain |
Christine Grandy |
|
| 3555 |
 |
Tears of laughter: Comedy-drama in 1990s British cinema |
Nigel Mather |
|
| 3556 |
 |
Hollywood Enlists!: Propaganda Films of World War II |
Ralph Donald |
|
| 3557 |
 |
The A to Z of Australian and New Zealand Cinema |
Albert Moran,Errol Vieth |
|
| 3558 |
 |
Julio Medem [First Edition] |
Rob Stone |
|
| 3559 |
 |
Performance and Spanish film |
Dean Allbritton, Alejandro Melero, Tom Whittaker (editors) |
|
| 3560 |
 |
Picturing home: Domestic life and modernity in 1940s British film |
Hollie Price |
|
| 3561 |
 |
The Cinema of Álex de la Iglesia |
Peter Buse, Núria Triana-Toribio, Andrew Willis |
|
| 3562 |
 |
Moving Pictures: A History of American Animation from Gertie to Pixar and Beyond |
Darl Larsen |
|
| 3563 |
 |
Terence Fisher |
Peter Hutchings |
|
| 3564 |
 |
J.J. Abrams vs. Joss Whedon |
Sterba, Wendy |
|
| 3565 |
 |
Movies to See before You Graduate from High School |
Michael Howarth |
|
| 3566 |
 |
Framing Piracy: Globalization and Film Distribution in Greater China |
Shujen Wang |
|
| 3567 |
 |
Moral Theory at the Movies: An Introduction to Ethics |
Dean Kowalski |
|
| 3568 |
 |
The cinema of Pedro Almodóvar |
Ana María Sanchez-Arce |
|
| 3569 |
 |
Jean Renoir |
Martin O'Shaughnessy |
|
| 3570 |
 |
Robert Bresson |
Keith Reader |
|
| 3571 |
 |
Popular television drama: Critical perspectives |
Jonathan Bignell, Stephen Lacey (editors) |
|
| 3572 |
 |
Alan Clarke |
Dave Rolinson |
|
| 3573 |
 |
In conversation with cinematographers |
David A. Ellis author of Conversations with Cinematographers |
|
| 3574 |
 |
David Shire's The Conversation : A Film Score Guide |
Juan Chattah |
|
| 3575 |
 |
Richard Attenborough |
Attenborough, Richard,Dux, Sally |
|
| 3576 |
 |
Henri-Georges Clouzot |
Christopher Lloyd |
|
| 3577 |
 |
Film Stories [Volume IV ed.] |
Michael Roemer |
|
| 3578 |
 |
The Wounds of Nations: Horror Cinema , Historical Trauma and National Identity |
Linnie Blake |
|
| 3579 |
 |
Daniel Calparsoro |
Ann Davies |
|
| 3580 |
 |
The life of mise-en-scène: Visual style and British film criticism, 1946–78 |
John Gibbs |
|
| 3581 |
 |
Through a Catholic lens : religious perspectives of nineteen film directors from around the world |
Peter Malone, Peter Malone, Rose Pacatte, Greg Friedman, Gaye Ortiz, Maggie Roux, Michael Paul Gallagher, Claire Openshaw, Dario Vigano, Rob Rix, Jan Epstein, Lloyd Baugh, Nick Cruz, Jose Tavares de Barros, Ricardo Yanez, Luis Garcia Orso, Guido Convents, Marc Gervais, Tom Aitken, James Abbott |
|
| 3582 |
 |
Hollywood and the Holocaust |
Henry Gonshak |
|
| 3583 |
 |
Richard Matheson's Monsters: Gender in the Stories, Scripts, Novels, and Twilight Zone Episodes |
June M. Pulliam, Anthony J. Fonseca |
|
| 3584 |
 |
Hollywood and the End of the Cold War: Signs of Cinematic Change |
Bryn Upton |
|
| 3585 |
 |
Cinematic perspectives on international law |
Olivier Corten, François Dubuisson, Martyna Fałkowska-Clarys |
|
| 3586 |
 |
Humphrey Jennings |
Keith Beattie |
|
| 3587 |
 |
The Dimensions of Difference: Space, Time and Bodies in Women’s Cinema and Continental Philosophy |
Caroline Godart |
|
| 3588 |
 |
Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema [electronic ed.] |
Kameelah L. Martin |
|
| 3589 |
 |
Sean Connery: Acting, stardom and national identity |
Andrew Spicer |
|
| 3590 |
 |
Decentring France: multilingualism and power in contemporary French cinema |
King, Gemma |
|
| 3591 |
 |
The Documentarian: The Way to a Successful and Creative Professional Life in the Documentary Business |
Roger Nygard |
|
| 3592 |
 |
Film Modernism |
Sam Rohdie |
|
| 3593 |
 |
The Reality of Film: Theories of Filmic Reality |
Richard Rushton |
|
| 3594 |
 |
Slow Places in Béla Tarr's Films: The Intersection of Geography, Ecology and Slow Cinema |
Clara Orban |
|
| 3595 |
 |
Cinema and Radio in Britain and America, 1920–60 |
Jeffrey Richards |
|
| 3596 |
 |
Robert Guédiguian |
Joseph Mai |
|
| 3597 |
 |
Cinematic Quests for Identity: The Hero's Encounter with the Beast |
Maria Garcia |
|
| 3598 |
 |
Aesthetic evaluation and film |
Andrew Klevan |
|
| 3599 |
 |
Popular Films for Language Use Resource Book 1 |
Workman Graham. |
|
| 3600 |
 |
The Aesthetics of Violence: Art, Fiction, Drama and Film |
Robert Appelbaum |
|
| 3601 |
 |
The Blunt Affair: Official secrecy and treason in literature, television and film, 1980–89 |
Jonathan Bolton |
|
| 3602 |
 |
Popular Films for Language Use 1 Teacher Notes |
Workman Graham. |
|
| 3603 |
 |
Five Directors: Auteurism from Assayas to Ozon [1 ed.] |
Kate Ince (editor) |
1 |
| 3604 |
 |
Algerian national cinema |
Guy Austin |
|
| 3605 |
 |
Clark Gable in the 1930s: The Films That Made Him King of Hollywood |
James L. Neibaur |
|
| 3606 |
 |
The Architecture of Vision: Writings and Interviews on Cinema |
Michelangelo Antonioni |
|
| 3607 |
 |
No other way to tell it: Docudrama on film and television [2 ed.] |
Derek Paget |
2 |
| 3608 |
 |
British Cinema in the 1950s: A celebration |
Ian Mackillop and Neil Sinyard |
|
| 3609 |
 |
Negotiating the auteur: Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux |
Julia Dobson |
|
| 3610 |
 |
The Essential Mickey Rooney |
James L. Neibaur |
|
| 3611 |
 |
The Philosophy of Documentary Film |
LaRocca, Dave |
|
| 3612 |
 |
Louis Malle (French Film Directors) |
Hugo Frey |
|
| 3613 |
 |
Women in War Films : From Helpless Heroine to G.I. Jane |
Ralph Donald, Karen MacDonald |
|
| 3614 |
 |
Francois Truffaut |
Diana Holmes, Robert Ingram |
|
| 3615 |
 |
The Christopher Lee Film Encyclopedia |
Jr. Robert W. Pohle, Douglas C. Hart, Rita Pohle Baldwin |
|
| 3616 |
 |
Mathieu Kassovitz |
Will Higbee |
|
| 3617 |
 |
Taking the long view: a study of longitudinal documentary |
Richard Kilborn |
|
| 3618 |
 |
Jean-Luc Godard |
Douglas Morrey |
|
| 3619 |
 |
Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans |
Frederick Gooding Jr. |
|
| 3620 |
 |
Hollywood's Road to Riches |
David Waterman |
|
| 3621 |
 |
Storytelling in Film and Television |
Kristin Thompson |
|
| 3622 |
 |
Miniature Metropolis: Literature in an Age of Photography and Film |
Andreas Huyssen |
|
| 3623 |
 |
Child of Paradise: Marcel Carné and the Golden Age of French Cinema [Reprint 2014 ed.] |
Edward Baron Turk |
2014 |
| 3624 |
 |
On the History of Film Style |
David Bordwell |
|
| 3625 |
 |
Planet Hong Kong: Popular Cinema and the Art of Entertainment (Second edition) |
David Bordwell |
|
| 3626 |
 |
Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave (Harvard Film Studies) [Revised] |
Jim Hillier (editor) |
|
| 3627 |
 |
Making Meaning: Inference and Rhetoric in the Interpretation of Cinema |
Bordwell, David |
|
| 3628 |
 |
Storytelling in the New Hollywood [1] |
Kristin Thompson |
1 |
| 3629 |
 |
Science, Literature, and Film in the Hispanic World |
Jerry Hoeg Ph. D. Arizona State University, Kevin S. Larsen Ph. D. Harvard University (eds.) |
|
| 3630 |
 |
Two or Three Things I Know about Her: Analysis of a Film by Godard [Reprint 2014 ed.] |
Alfred Guzzetti |
2014 |
| 3631 |
 |
Writing for Hire: Unions, Hollywood, and Madison Avenue |
Catherine L. Fisk |
|
| 3632 |
 |
Movie Greats: A Critical Study of Classic Cinema |
Gillett, Philip |
|
| 3633 |
 |
Harvard, Hollywood, Hitmen, and Holy Men |
Paul W. Williams |
|
| 3634 |
 |
The Ministry of Illusion: Nazi Cinema and Its Afterlife |
Eric Rentschler |
|
| 3635 |
 |
The Emergence of Cinematic Time: Modernity, Contingency, the Archive |
Mary Ann Doane |
|
| 3636 |
 |
Widescreen Cinema |
John Belton |
|
| 3637 |
 |
Babel and Babylon: spectatorship in American silent film [3rd print ed.] |
Hansen, Miriam Bratu |
3 |
| 3638 |
 |
Our Shining Beast: Godfrey Reggios Koyaanisqatsi zwischen conditio humana und conditio americana |
Fabian Kaufmann |
|
| 3639 |
 |
Harvard, Hollywood, Hitmen, and Holy Men: A Memoir (Screen Classics) |
Paul W. Williams |
|
| 3640 |
 |
Envisioning Freedom: Cinema and the Building of Modern Black Life |
Cara Caddoo |
|
| 3641 |
 |
Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses |
Howard Hampton |
|
| 3642 |
 |
From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China |
Ellen Widmer (editor), David Der-wei Wang (editor) |
|
| 3643 |
 |
Disaster Drawn: Visual Witness, Comics, and Documentary Form |
Hillary L. Chute |
|
| 3644 |
 |
Storytelling in the New Hollywood: Understanding Classical Narrative Technique |
Kristin Thompson |
|
| 3645 |
 |
Visions of the Past: The Challenge of Film to Our Idea of History |
Robert A. Rosenstone |
|
| 3646 |
 |
Film Noir and the Spaces of Modernity |
Edward Dimendberg |
|
| 3647 |
 |
Jean Renoir: The French Films, 1924–1939 [Reprint 2014 ed.] |
Alexander Sesonske |
2014 |
| 3648 |
 |
Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation |
William Elison, Christian Lee Novetzke, Andy Rotman |
|
| 3649 |
 |
Pursuits of Happiness: The Hollywood Comedy of Remarriage |
Stanley Cavell |
|
| 3650 |
 |
From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China (Harvard Contemporary China) |
Ellen Widmer, David Der-wei Wang |
|
| 3651 |
 |
The virtual life of film |
American Council of Learned Societies.,Rodowick, David Norman |
|
| 3652 |
 |
On the History of Film Style [1st ed.] |
David Bordwell |
1 |
| 3653 |
 |
The Asian Family in Literature and Film: Challenges and Contestations-South Asia, Southeast Asia and Asian Diaspora, Volume II |
Bernard Wilson, Sharifah Aishah Osman |
|
| 3654 |
 |
War Representation In British Cinema And Television: From Suez To Thatcher, And Beyond |
Kevin M. Flanagan |
|
| 3655 |
 |
An Investigative Cinema [1st ed.] |
Fabrizio Cilento |
1 |
| 3656 |
 |
Film Moments: Criticism, History, Theory |
Tom Brown, James Walters (editors) |
|
| 3657 |
 |
Australian Screen in the 2000s [1 ed.] |
Mark David Ryan, Ben Goldsmith (eds.) |
1 |
| 3658 |
 |
Animality and Children's Literature and Film |
Amy Ratelle |
|
| 3659 |
 |
Reboot Culture: Comics, Film, Transmedia |
William Proctor |
|
| 3660 |
 |
The Audiovisual Chord: Embodied Listening in Film |
Martine Huvenne |
|
| 3661 |
 |
The Transnational Fantasies of Guillermo del Toro |
Ann Davies, Deborah Shaw, Dolores Tierney (eds.) |
|
| 3662 |
 |
2001: A Space Odyssey and Lacanian Psychoanalytic Theory [1 ed.] |
Daniel Bristow (auth.) |
1 |
| 3663 |
 |
Women Screenwriters: An International Guide |
Jill Nelmes, Jule Selbo (eds.) |
|
| 3664 |
 |
Data and Doctor Doom: An Empirical Approach To Transmedia Characters (Palgrave Studies in Comics and Graphic Novels) |
Mark Hibbett |
|
| 3665 |
 |
Animality and Children’s Literature and Film [1 ed.] |
Amy Ratelle (auth.) |
1 |
| 3666 |
 |
Blade Runner |
Scott Bukatman |
|
| 3667 |
 |
Blockbuster Performances: How Actors Contribute to Cinema’s Biggest Hits [1st ed.] |
Daniel Smith-Rowsey |
1 |
| 3668 |
 |
Film as a Medium of Seduction: Introduction to the Seduction-Theory of Film |
Marcus Stiglegger, Lothar Mikos |
|
| 3669 |
 |
The Palgrave Handbook of Experimental Cinema |
Kim Knowles, Jonathan Walley |
|
| 3670 |
 |
Polly Platt: Hollywood Production Design and Creative Authorship |
Aaron Hunter |
|
| 3671 |
 |
Sweet Smell of Success |
James Naremore |
|
| 3672 |
 |
The History of Trans Representation in American Television and Film Genres |
Traci B. Abbott |
|
| 3673 |
 |
Video Game Narrative and Criticism: Playing the Story |
Tamer Thabet (auth.) |
|
| 3674 |
 |
W. C. Fields from Burlesque and Vaudeville to Broadway: Becoming a Comedian [1 ed.] |
Arthur Frank Wertheim (auth.) |
1 |
| 3675 |
 |
Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity |
Montré Aza Missouri (auth.) |
|
| 3676 |
 |
The Asian Family in Literature and Film: Changing Perceptions in a New Age-East Asia, Volume I |
Bernard Wilson, Sharifah Aishah Osman |
|
| 3677 |
 |
Toward a Philosophy of the Documentarian [1st ed.] |
Dan Geva |
1 |
| 3678 |
 |
A Long Hard Look at ‘Psycho’ |
Raymond Durgnat |
|
| 3679 |
 |
Anthony Burgess, Stanley Kubrick and A Clockwork Orange |
Matthew Melia, Georgina Orgill |
|
| 3680 |
 |
Visual and Other Pleasures [1 ed.] |
Laura Mulvey (auth.) |
1 |
| 3681 |
 |
American Science Fiction Television and Space: Productions and (Re)configurations (1987-2021) |
Joel Hawkes, Alexander Christie, Tom Nienhuis |
|
| 3682 |
 |
Besides the Screen: Moving Images through Distribution, Promotion and Curation |
Virginia Crisp, Gabriel Menotti Gonring (eds.) |
|
| 3683 |
 |
Hong Kong Popular Culture: Worlding Film, Television, and Pop Music (Hong Kong Studies Reader Series) |
Klavier J. Wang |
|
| 3684 |
 |
The Medial Afterlives of H.P. Lovecraft: Comic, Film, Podcast, TV, Games |
Tim Lanzendörfer, Max José Dreysse Passos de Carvalho |
|
| 3685 |
 |
Therapy and Emotions in Film and Television: The Pulse of Our Times |
Claudia Wassmann (eds.) |
|
| 3686 |
 |
The Transmedia Franchise of Star Wars TV |
Dominic J. Nardi, Derek R. Sweet |
|
| 3687 |
 |
Arrival: Film Tie-In |
Ted Chiang |
|
| 3688 |
 |
Food, Consumption, and Masculinity in American Hardboiled Fiction |
Marta Usiekniewicz |
|
| 3689 |
 |
Fun In A Chinese Laundry [1 ed.] |
Josef Von Sternberg |
1 |
| 3690 |
 |
BLACK MASCULINITY ON FILM : native sons and white lies |
O'BRIEN, DANIEL |
|
| 3691 |
 |
In Search of Donna Reed |
Jay Fultz |
|
| 3692 |
 |
The Representation of Economics in Cinema: Scarcity, Greed and Utopia |
Santiago Sanchez-Pages |
|
| 3693 |
 |
Adaptation Considered as a Collaborative Art: Process and Practice [1st ed.] |
Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
1 |
| 3694 |
 |
Transgender on Screen [annotated edition] |
John Phillips |
|
| 3695 |
 |
British Gothic Cinema [1 ed.] |
Barry Forshaw (auth.) |
1 |
| 3696 |
 |
Fan Sites: Film Tourism and Contemporary Fandom |
Abby S. Waysdorf |
|
| 3697 |
 |
Transgender on Screen [1 ed.] |
John Phillips (auth.) |
1 |
| 3698 |
 |
Adaptation in Visual Culture: Images, Texts, and Their Multiple Worlds [1 ed.] |
Julie Grossman, R. Barton Palmer (eds.) |
1 |
| 3699 |
 |
Cities, words and images: from Poe to Scorsese |
Patrizia Lombardo |
|
| 3700 |
 |
Andrei Tarkovsky : the winding quest |
Peter Green |
|
| 3701 |
 |
Darcy Lange, Videography as Social Practice |
Mercedes Vicente |
|
| 3702 |
 |
Adaptation, Authorship, and Contemporary Women Filmmakers |
Shelley Cobb (auth.) |
|
| 3703 |
 |
True Event Adaptation: Scripting Real Lives [1st ed.] |
Davinia Thornley |
1 |
| 3704 |
 |
Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture [1st ed.] |
David Blanke |
1 |
| 3705 |
 |
Adaptation, awards culture, and the value of prestige |
Kennedy-Karpat, Colleen, Sandberg, Eric |
|
| 3706 |
 |
Contemporary European Science Fiction Cinemas [1st ed.] |
Aidan Power |
1 |
| 3707 |
 |
Film Stardom and the Ancient Past: Idols, Artefacts and Epics [1 ed.] |
Michael Williams (auth.) |
1 |
| 3708 |
 |
Film/Music Analysis: A Film Studies Approach [1 ed.] |
Emilio Audissino (auth.) |
1 |
| 3709 |
 |
The Occult in Modernist Art, Literature, and Cinema [1st ed.] |
Tessel M. Bauduin, Henrik Johnsson |
1 |
| 3710 |
 |
Victorians on Screen: The Nineteenth Century on British Television, 1994–2005 |
Iris Kleinecke-Bates (auth.) |
|
| 3711 |
 |
Bernard Shaw and the Censors: Fights and Failures, Stage and Screen [1st ed.] |
Bernard F. Dukore |
1 |
| 3712 |
 |
The Post-2000 Film Western: Contexts, Transnationality, Hybridity |
Marek Paryz, John R. Leo (eds.) |
|
| 3713 |
 |
The McGurk Universe: The Physiological and the Psychological in Audiovisual Culture (Palgrave Studies in Audio-Visual Culture) |
K.J. Donnelly |
|
| 3714 |
 |
World Cinema’s ‘Dialogues’ with Hollywood |
Paul Cooke (eds.) |
|
| 3715 |
 |
Women Directors: The Italian Way and Beyond |
Paola Profeta, Livia Amidani Aliberti, Alessandra Casarico, Marilisa D’Amico, Anna Puccio (auth.) |
|
| 3716 |
 |
Alice in Wonderland in Film and Popular Culture |
Antonio Sanna (editor) |
|
| 3717 |
 |
Why Europe? Problems of Culture and Identity: Volume 2: Media, Film, Gender, Youth and Education |
Joe Andrew, Malcolm Crook, Diana Holmes, Eva Kolinsky (eds.) |
|
| 3718 |
 |
In the Shadow of The Birth of a Nation: Racism, Reception and Resistance |
Melvyn Stokes, Paul McEwan |
|
| 3719 |
 |
Aesthetics and Politics in the Mexican Film Industry |
Misha MacLaird (auth.) |
|
| 3720 |
 |
The Geo-Doc: Geomedia, Documentary Film, and Social Change (Palgrave Studies in Media and Environmental Communication) |
Mark Terry |
|
| 3721 |
 |
Work in Cinema: Labor and the Human Condition |
Ewa Mazierska (eds.) |
|
| 3722 |
 |
World Cinema and Cultural Memory |
Inez Hedges (auth.) |
|
| 3723 |
 |
Comparative Cinema: Late and Last Things in Literature and Film |
Paul Coates |
|
| 3724 |
 |
Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema |
K. J. Donnelly, Ann-Kristin Wallengren (eds.) |
|
| 3725 |
 |
Violent Women in Contemporary Cinema [1 ed.] |
Janice Loreck (auth.) |
1 |
| 3726 |
 |
When Warners Brought Broadway to Hollywood, 1923–1939 |
Martin Shingler (auth.) |
|
| 3727 |
 |
Documentary and Stereotypes: Reducing Stigma through Factual Media |
Catalin Brylla |
|
| 3728 |
 |
Musical Modernism and German Cinema from 1913 to 1933 [1 ed.] |
Francesco Finocchiaro (auth.) |
1 |
| 3729 |
 |
Chinese Adaptations of Brecht Appropriation and Intertextuality [1 ed.] |
Wei Zhang |
1 |
| 3730 |
 |
Romance and Power in the Hollywood Eastern [1st ed.] |
Nalini Natarajan |
1 |
| 3731 |
 |
The Medieval Motion Picture: The Politics of Adaptation |
Andrew James Johnston, Margitta Rouse, Philipp Hinz (eds.) |
|
| 3732 |
 |
Urban Landscapes and National Visions in Post-Millennial South Korean Cinema: From Seoul to Soul |
Gemma Ballard |
|
| 3733 |
 |
Visions of Struggle in Women’s Filmmaking in the Mediterranean |
Flavia Laviosa (eds.) |
|
| 3734 |
 |
Visions of Struggle in Women's Filmmaking in the Mediterranean (Comparative Feminist Studies) |
Flavia Laviosa, Laura Mulvey |
|
| 3735 |
 |
Italian Americans in Film and Other Media: The Immigrant Experience from Silent Films to the Internet Age |
Daniele Fioretti, Fulvio Orsitto |
|
| 3736 |
 |
Transmedia in Asia and the Pacific: Industry, Practice and Transcultural Dialogues (Palgrave Series in Asia and Pacific Studies) |
Filippo Gilardi (editor), Celia Lam (editor) |
|
| 3737 |
 |
Adapting Poe: Re-Imaginings in Popular Culture |
Dennis R. Perry, Carl H. Sederholm (eds.) |
|
| 3738 |
 |
Alice Doesn’t: Feminism, Semiotics, Cinema |
Teresa de Lauretis (auth.) |
|
| 3739 |
 |
A Philosophical History of Documentary, 1895–1959 [1st ed. 2021] |
Dan Geva |
1 |
| 3740 |
 |
Rethinking Horror in the New Economies of Television |
Stella Marie Gaynor |
|
| 3741 |
 |
Streaming and Screen Culture in Asia-Pacific |
Michael Samuel (editor), Louisa Mitchell (editor) |
|
| 3742 |
 |
The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks [1 ed.] |
Liz Greene, Danijela Kulezic-Wilson (eds.) |
1 |
| 3743 |
 |
Three films : Smoke, Blue in the face, and Lulu on the bridge |
Auster, Paul |
|
| 3744 |
 |
Women on the Edge: Twelve Political Film Practices |
Sharon Lin Tay |
|
| 3745 |
 |
American TV Detective Dramas: Serial Investigations |
Mareike Jenner (auth.) |
|
| 3746 |
 |
'Bad' Women of Bombay Films: Studies in Desire and Anxiety [1st ed. 2019] |
Saswati Sengupta, Shampa Roy, Sharmila Purkayastha |
1 |
| 3747 |
 |
Celebrity and the Feminist Blockbuster [1 ed.] |
Anthea Taylor (auth.) |
1 |
| 3748 |
 |
The Scandal of Adaptation |
Thomas Leitch |
|
| 3749 |
 |
Trauma in American Popular Culture and Cult Texts, 1980-2020 [1 ed.] |
Sean Travers |
1 |
| 3750 |
 |
American War Cinema and Media since Vietnam: Politics, Ideology, and Class |
Patricia Keeton, Peter Scheckner (auth.) |
|
| 3751 |
 |
Women and Home in Cinema: Form, Feeling, Practice |
Louise Radinger Field |
|
| 3752 |
 |
Women on Screen: Feminism and Femininity in Visual Culture |
Stacy Gillis, Melanie Waters |
|
| 3753 |
 |
Contemporary Film Music: Investigating Cinema Narratives and Composition [1 ed.] |
Lindsay Coleman, Joakim Tillman (eds.) |
1 |
| 3754 |
 |
The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment |
Annie Dell'Aria |
|
| 3755 |
 |
Skateboard Video: Archiving the City from Below |
Duncan McDuie-Ra |
|
| 3756 |
 |
Space Race Television: Image Vehicles as Agents of (trans-)global Mediatisation |
Sven Grampp |
|
| 3757 |
 |
With nails: the film diaries of Richard E. Grant |
Grant, Richard E |
|
| 3758 |
 |
Culture Wars and Horror Movies: Gender Debates in Post-2010’s US Horror Cinema |
Noelia Gregorio-Fernández, Carmen M. Méndez-García |
|
| 3759 |
 |
Filmic Sociology: Theory and Practice (Social Visualities) |
Joyce Sebag, Jean-Pierre Durand |
|
| 3760 |
 |
Women on Screen: Feminism and Femininity in Visual Culture [1 ed.] |
Melanie Waters (eds.) |
1 |
| 3761 |
 |
The Precarious in the Cinemas of the Americas [1st ed.] |
Constanza Burucúa, Carolina Sitnisky |
1 |
| 3762 |
 |
Althusser and Pasolini: Philosophy, Marxism, and Film [1 ed.] |
Agon Hamza (auth.) |
1 |
| 3763 |
 |
The British Boxing Film |
Stephen Glynn |
|
| 3764 |
 |
Social Trauma and Telecinematic Memory: Imagining the Turkish Nation since the 1980 Coup [1 ed.] |
Pelin Başcı (auth.) |
1 |
| 3765 |
 |
The Financial Image: Finance, Philosophy and Contemporary Film |
Alasdair King |
|
| 3766 |
 |
The Modernist Screenplay: Experimental Writing for Silent Film [1st ed.] |
Alexandra Ksenofontova |
1 |
| 3767 |
 |
The Palgrave Handbook of Violence in Film and Media |
Steve Choe |
|
| 3768 |
 |
Alien Audiences: Remembering and Evaluating a Classic Movie |
Martin Barker, Kate Egan, Tom Phillips, Sarah Ralph (auth.) |
|
| 3769 |
 |
The Palgrave Handbook of Script Development |
Stayci Taylor (editor), Craig Batty (editor) |
|
| 3770 |
 |
British Silent Cinema and the Great War |
Michael Williams, Michael Hammond (editors) |
|
| 3771 |
 |
Celluloid Sisters: Women And Popular Cinema |
Janet Thumim (auth.), Jo Campling (eds.) |
|
| 3772 |
 |
The Migration and Politics of Monsters in Latin American Cinema [1st ed.] |
Gabriel Eljaiek-Rodríguez |
1 |
| 3773 |
 |
Class on Screen: The Global Working Class in Contemporary Cinema [1st ed. 2020] |
Sarah Attfield |
1 |
| 3774 |
 |
Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey |
Craig Batty |
|
| 3775 |
 |
American Film Satire in the 1990s: Hollywood Subversion |
Johan Nilsson (auth.) |
|
| 3776 |
 |
Monstrous Possibilities: The Female Monster in 21st Century Screen Horror |
Amanda Howell, Lucy Baker |
|
| 3777 |
 |
Quadrophenia and Mod(ern) Culture [1 ed.] |
Pamela Thurschwell (eds.) |
1 |
| 3778 |
 |
The Writer on Film: Screening Literary Authorship |
Judith Buchanan |
|
| 3779 |
 |
Time Travel in World Literature and Cinema |
Bernard Montoneri |
|
| 3780 |
 |
Basilicata and Southern Italy Between Film and Ecology |
Alberto Baracco, Manuela Gieri |
|
| 3781 |
 |
Class Representation in Modern Fiction and Film |
Keith Gandal (auth.) |
|
| 3782 |
 |
Film and Television Production in the Age of Climate Crisis: Towards a Greener Screen (Palgrave Studies in Media and Environmental Communication) |
Pietari Kääpä (editor), Hunter Vaughan (editor) |
|
| 3783 |
 |
The Rhetoric of Violence: Arab-Jewish Encounters in Contemporary Palestinian Literature and Film [1 ed.] |
Kamal Abdel-Malek (auth.) |
1 |
| 3784 |
 |
Women, Desire, and Power in Italian Cinema |
Marga Cottino-Jones |
|
| 3785 |
 |
Cognitive Approaches to German Historical Film: Seeing is Not Believing [1 ed.] |
Jennifer Marston William (auth.) |
1 |
| 3786 |
 |
W. C. Fields from Sound Film and Radio Comedy to Stardom: Becoming a Cultural Icon (Palgrave Studies in Theatre and Performance History) |
Arthur Frank Wertheim |
|
| 3787 |
 |
Women Filmmakers in Contemporary Hindi Cinema: Looking through their Gaze |
Aysha Iqbal Viswamohan (editor) |
|
| 3788 |
 |
Conflict Cinemas in Northern Ireland and Brazil |
Ketlyn Mara Rosa |
|
| 3789 |
 |
Durational Cinema: A Short History of Long Films |
Michael Walsh |
|
| 3790 |
 |
Youth Subcultures in Fiction, Film and Other Media: Teenage Dreams [1st ed. 2018] |
Nick Bentley, Beth Johnson, Andrzej Zieleniec |
1 |
| 3791 |
 |
Ireland and Cinema: Culture and Contexts |
Barry Monahan |
|
| 3792 |
 |
Generations of Jewish Directors and the Struggle for America’s Soul: Wyler, Lumet, and Spielberg |
Sam B. Girgus |
|
| 3793 |
 |
Muslim Heroes on Screen [1 ed.] |
Daniel O'Brien |
1 |
| 3794 |
 |
Those Who Made It: Speaking with the Legends of Hollywood [1 ed.] |
John C. Tibbetts (auth.) |
1 |
| 3795 |
 |
European Cinema in the Streaming Era: Policy, Platforms, and Production |
Christopher Meir, Roderik Smits |
|
| 3796 |
 |
A Feminine Cinematics: Luce Irigaray, Women and Film [1 ed.] |
Caroline Bainbridge (auth.) |
1 |
| 3797 |
 |
A History of the Screenplay [1 ed.] |
Steven Price (auth.) |
1 |
| 3798 |
 |
The North East of England on Film and Television |
James Leggott |
|
| 3799 |
 |
Vampires on the Silent Screen: Cinema’s First Age of Vampires 1897-1922 |
David Annwn Jones |
|
| 3800 |
 |
American–Australian Cinema: Transnational Connections |
Adrian Danks, Stephen Gaunson, Peter C. Kunze |
|
| 3801 |
 |
Neo-Victorianism on Screen: Postfeminism and Contemporary Adaptations of Victorian Women [1 ed.] |
Antonija Primorac (auth.) |
1 |
| 3802 |
 |
Cinematic Homelands: The Cultural and Gendered Imaginaries of Iranian Diasporic Women’s Filmmaking |
Mara Antic |
|
| 3803 |
 |
Media and Genre: Dialogues in Aesthetics and Cultural Analysis |
Ivo Ritzer (editor) |
|
| 3804 |
 |
Amácio Mazzaropi in the Film and Culture of Brazil: After Cinema Novo |
Eva Paulino Bueno (auth.) |
|
| 3805 |
 |
Japanese Cinema Between Frames [1 ed.] |
Laura Lee (auth.) |
1 |
| 3806 |
 |
Philosophy of Film Without Theory |
Craig Fox, Britt Harrison |
|
| 3807 |
 |
Women and Death in Film, Television, and News: Dead but Not Gone |
Joanne Clarke Dillman (auth.) |
|
| 3808 |
 |
Contemporary Argentine Women Filmmakers |
Mirna Vohnsen, Daniel Mourenza |
|
| 3809 |
 |
Missionaries in the Golden Age of Hollywood: Race, Gender, and Spirituality on the Big Screen (Palgrave Studies in the History of the Media) |
Douglas Carl Abrams |
|
| 3810 |
 |
The United Red Army on Screen: Cinema, Aesthetics and The Politics of Memory |
Christopher Perkins (auth.) |
|
| 3811 |
 |
Twenty first century horror films |
Keesey, Douglas |
|
| 3812 |
 |
American Gangster Cinema: From 'Little Caesar' to 'Pulp Fiction' |
Fran Mason |
|
| 3813 |
 |
Contemporary Hollywood Masculinities: Gender, Genre, and Politics |
Susanne Kord, Elisabeth Krimmer (eds.) |
|
| 3814 |
 |
Hong Kong's New Indie Cinema (East Asian Popular Culture) |
Ruby Cheung |
|
| 3815 |
 |
Nonprofessional Film Performance |
Miguel Gaggiotti |
|
| 3816 |
 |
Class, Crime and International Film Noir: Globalizing America’s Dark Art |
Dennis Broe (auth.) |
|
| 3817 |
 |
Comedy and the Politics of Representation [1st ed.] |
Helen Davies, Sarah Ilott |
1 |
| 3818 |
 |
Renegotiating Film Genres in East Asian Cinemas and Beyond [1st ed.] |
Lin Feng, James Aston |
1 |
| 3819 |
 |
Adaptation Before Cinema: Literary and Visual Convergence from Antiquity through the Nineteenth Century |
Lissette Lopez Szwydky, Glenn Jellenik |
|
| 3820 |
 |
A Clockwork Orange (Controversies) |
Peter Kramer, P. Krämer |
|
| 3821 |
 |
Performative Figures of Queer Masculinity: A Media History of Film and Cinema in Germany Until 1945 |
Christiane König |
|
| 3822 |
 |
Inside The Writers' Room: Conversations with American TV Writers |
Christina Kallas |
|
| 3823 |
 |
3D Cinema: Optical Illusions and Tactile Experiences |
Miriam Ross (auth.) |
|
| 3824 |
 |
Asian Children's Literature and Film in a Global Age: Local, National, and Transnational Trajectories |
Sharmani Patricia Gabriel (editor), Bernard Wilson (editor) |
|
| 3825 |
 |
3D Cinematic Aesthetics and Storytelling [1st ed.] |
Yong Liu |
1 |
| 3826 |
 |
Domestic Violence in Hollywood Film: Gaslighting [1 ed.] |
Diane L. Shoos (auth.) |
1 |
| 3827 |
 |
A Poetics of Editing [1st ed.] |
Susan L. Greenberg |
1 |
| 3828 |
 |
Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual Film |
Dominic Lash, Hoi Lun Law |
|
| 3829 |
 |
Air Travel Fiction and Film: Cloud People [1st ed.] |
Erica Durante |
1 |
| 3830 |
 |
Home and Homeland in Asian Diaspora: Transnational Reflections in Art, Literature, and Film [1 ed.] |
Kyunghee Pyun (editor), Jean Amato (editor) |
1 |
| 3831 |
 |
The Child in British Cinema |
Matthew Smith |
|
| 3832 |
 |
Affective Moments in the Films of Martel, Carri, and Puenzo [1st ed.] |
Inela Selimović |
1 |
| 3833 |
 |
Atmosphere, Architecture, Cinema: Thematic Reflections on Ambiance and Place [1st ed. 2022] |
Michael Tawa |
1 |
| 3834 |
 |
Mind, Body, and Emotion in the Reception and Creation Practices of Fan Communities: Thinking Through Feels (Palgrave Fan Studies) |
Jessica Hautsch |
|
| 3835 |
 |
Cinema of the Arab World: Contemporary Directions in Theory and Practice |
Terri Ginsberg (editor), Chris Lippard (editor) |
|
| 3836 |
 |
The Palgrave Handbook of Comparative New Cinema Histories |
Daniela Treveri Gennari, Lies Van de Vijver, Pierluigi Ercole |
|
| 3837 |
 |
The Revolting Child in Horror Cinema: Youth Rebellion and Queer Spectatorship |
Andrew Scahill (auth.) |
|
| 3838 |
 |
Virtual Reality Narratives: Embodied Encounters in Space |
Kath Dooley |
|
| 3839 |
 |
British Television Animation 1997–2010: Drawing Comic Tradition |
Van Norris (auth.) |
|
| 3840 |
 |
Rethinking Film Festivals in the Pandemic Era and After |
Marijke de Valck, Antoine Damiens |
|
| 3841 |
 |
Transforming Faces for the Screen: Horror and Romance in the 1920s |
Karen Randell, Alexis Weedon |
|
| 3842 |
 |
Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond [1st ed.] |
Dana Renga |
1 |
| 3843 |
 |
Visible and Invisible Whiteness: American White Supremacy through the Cinematic Lens |
Alice Mikal Craven |
|
| 3844 |
 |
Ambiguity and Film Criticism: Reasonable Doubt |
Hoi Lun Law |
|
| 3845 |
 |
Cannibalism in Literature and Film |
Jennifer Brown (auth.) |
|
| 3846 |
 |
The Making of Bram Stoker's "Dracula" |
Francis Ford Coppola, James V. Hart |
|
| 3847 |
 |
Transnational Horror Cinema: Bodies of Excess and the Global Grotesque [1 ed.] |
Sophia Siddique, Raphael Raphael (eds.) |
1 |
| 3848 |
 |
Uncle Tom’s Cabin on the American Stage and Screen |
John W. Frick (auth.) |
|
| 3849 |
 |
Animated Documentary [1 ed.] |
Annabelle Honess Roe (auth.) |
1 |
| 3850 |
 |
Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction |
Francesco Sticchi |
|
| 3851 |
 |
Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment |
Tracey Mollet (editor), Lindsey Scott (editor) |
|
| 3852 |
 |
Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema [1 ed.] |
Troy Bordun (auth.) |
1 |
| 3853 |
 |
The Hollywood Musical |
Jane Feurer |
|
| 3854 |
 |
Action Chicks: New Images of Tough Women in Popular Culture [First Edition] |
Sherrie A. Inness |
|
| 3855 |
 |
5001 Nights at the Movies |
Pauline Kael |
|
| 3856 |
 |
Culture Wars and Horror Movies: Social Fears and Ideology in post-2010 Horror Cinema |
Noelia Gregorio-Fernández, Carmen M. Méndez-García |
|
| 3857 |
 |
Rewriting White Masculinities in Contemporary Fiction and Film |
Josep M. Armengol |
|
| 3858 |
 |
Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films [1st ed.] |
Delphine Letort, Benaouda Lebdai |
1 |
| 3859 |
 |
Uncle Tom’s Cabin on the American Stage and Screen [1 ed.] |
John W. Frick (auth.) |
1 |
| 3860 |
 |
Women, Ageing and the Screen Industries: Falling off a Cliff? |
Susan Liddy (editor) |
|
| 3861 |
 |
Modes of the Tragic in Spanish Cinema |
Luis M. González |
|
| 3862 |
 |
Choreographing the Global in European Cinema and Theater |
Katrin Sieg (auth.) |
|
| 3863 |
 |
The Sounds of Silent Films: New Perspectives on History, Theory and Practice |
Claus Tieber, Anna K. Windisch (eds.) |
|
| 3864 |
 |
Heightened Genre and Women's Filmmaking in Hollywood: The Rise of the Cine-fille |
Mary Harrod |
|
| 3865 |
 |
The Long Take: Critical Approaches [1 ed.] |
John Gibbs,Douglas Pye (eds.) |
1 |
| 3866 |
 |
Žižek through Hitchcock |
Laurence Simmons |
|
| 3867 |
 |
Action Figures: Men, Action Films, and Contemporary Adventure Narratives |
Mark Gallagher |
|
| 3868 |
 |
The Politics of Horror [1st ed.] |
Damien K. Picariello |
1 |
| 3869 |
 |
Being Bollywood: Postfeminism, Celebrity Culture and Femininity in the Global South (Palgrave Series in Asia and Pacific Studies) [1st ed. 2023] |
Viraj Suparsad |
1 |
| 3870 |
 |
Animation And Memory [1st Edition] |
Maarten van Gageldonk, László Munteán, Ali Shobeiri |
1 |
| 3871 |
 |
The New Hollywood Historical Film: 1967-78 [1 ed.] |
Tom Symmons (auth.) |
1 |
| 3872 |
 |
The Palgrave Handbook of Multilingualism and Language Varieties on Screen [2024 ed.] |
Irene Ranzato (editor), Patrick Zabalbeascoa (editor) |
2024 |
| 3873 |
 |
The Shawshank Experience: Tracking the History of the World’s Favorite Movie [1 ed.] |
Maura Grady, Tony Magistrale (auth.) |
1 |
| 3874 |
 |
Transnational Screen Culture in Scandinavia: Mediating Regional Space and Identity in the Øresund Region (Palgrave European Film and Media Studies) |
Pei-Sze Chow |
|
| 3875 |
 |
Bruce Campbell: If Chins Could Kill |
Bruce Campbell |
|
| 3876 |
 |
Cinema After Fascism: The Shattered Screen |
Siobhan S. Craig (auth.) |
|
| 3877 |
 |
Animation, Embodiment, and Digital Media: Human Experience of Technological Liveliness |
Kenny K. N. Chow (auth.) |
|
| 3878 |
 |
A Critique of Judgment in Film and Television |
Silke Panse, Dennis Rothermel (eds.) |
|
| 3879 |
 |
Cognitive Theory and Documentary Film [1st ed.] |
Catalin Brylla, Mette Kramer |
1 |
| 3880 |
 |
Cinema after Fascism: The Shattered Screen (Studies in European Culture and History) [1 ed.] |
Siobhan S. Craig |
1 |
| 3881 |
 |
Postcolonial Screen Adaptation and the British Novel [1st ed.] |
Vivian Y. Kao |
1 |
| 3882 |
 |
Affirmative Aesthetics and Wilful Women: Gender, Space and Mobility in Contemporary Cinema [1st ed. 2020] |
Maud Ceuterick |
1 |
| 3883 |
 |
The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory |
Richard Rushton |
|
| 3884 |
 |
David Bowie and Film: Hooked to the Silver Screen |
Stephen Glynn |
|
| 3885 |
 |
Directing Desire: Intimacy Choreography and Consent in the Twenty-First Century |
Kari Barclay |
|
| 3886 |
 |
Wandering Women in French Film and Literature: A Study of Narrative Drift |
Mariah Devereux Herbeck (auth.) |
|
| 3887 |
 |
The Palgrave Handbook of Screen Production |
Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
|
| 3888 |
 |
Urbanization and the Migrant in British Cinema: Spectres of the City [1 ed.] |
Gareth Millington (auth.) |
1 |
| 3889 |
 |
The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory [1 ed.] |
Richard Rushton (auth.) |
1 |
| 3890 |
 |
CRACKING THE CODE: MY JOURNEY IN BOLLYWOOD |
Ayushmann Khurrana, Tahira Kashyap |
|
| 3891 |
 |
Cinematic Virtual Reality: A Critical Study of 21st Century Approaches and Practices |
Kath Dooley |
|
| 3892 |
 |
Animation, Sport and Culture |
Paul Wells (auth.) |
|
| 3893 |
 |
The Palgrave Handbook of Music in Comedy Cinema |
Emilio Audissino, Emile Wennekes (eds.) |
|
| 3894 |
 |
From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West |
Susan Napier |
|
| 3895 |
 |
The Soul of Film Theory |
Sarah Cooper (auth.) |
|
| 3896 |
 |
Weimar Film and Modern Jewish Identity |
Ofer Ashkenazi (auth.) |
|
| 3897 |
 |
Torture Porn: Popular Horror after Saw [1 ed.] |
Steve Jones |
1 |
| 3898 |
 |
Anime Aesthetics: Japanese Animation and the “Post-Cinematic” Imagination |
Alistair D. Swale (auth.) |
|
| 3899 |
 |
The Visual Music Film |
Aimee Mollaghan (auth.) |
|
| 3900 |
 |
British TV Comedies: Cultural Concepts, Contexts and Controversies |
Jürgen Kamm, Birgit Neumann (eds.) |
|
| 3901 |
 |
A Media Epigraphy of Video Compression: Reading Traces of Decay [1 ed.] |
Marek Jancovic |
1 |
| 3902 |
 |
Television Series as Literature [1 ed.] |
Reto Winckler (editor), Víctor Huertas-Martín (editor) |
1 |
| 3903 |
 |
From Outlaw to Rebel: Oppositional documentaries in Contemporary Algeria |
Meryem Belkaïd |
|
| 3904 |
 |
Adaptation and the New Art Film: Remaking the Classics in the Twilight of Cinema (Palgrave Studies in Adaptation and Visual Culture) [1st ed. 2021] |
William H. Mooney |
1 |
| 3905 |
 |
Cinema and Society in the British Empire, 1895-1940 |
James Burns |
|
| 3906 |
 |
Audiovisual Translation in a Global Context: Mapping an Ever-changing Landscape |
Rocío Baños Piñero, Jorge Díaz Cintas (eds.) |
|
| 3907 |
 |
Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin |
Juli A. Kroll |
|
| 3908 |
 |
Transnational Feminism in Film and Media [1 ed.] |
Katarzyna Marciniak, Anikó Imre, Áine O’Healy (eds.) |
1 |
| 3909 |
 |
Virtual Weaponry: The Militarized Internet in Hollywood War Films [1 ed.] |
Aaron Tucker (auth.) |
1 |
| 3910 |
 |
Youth fantasies: the perverse landscape of the media [1 ed.] |
Jan Jagodzinski (editor) |
1 |
| 3911 |
 |
Adapting Margaret Atwood: The Handmaid's Tale and Beyond (Palgrave Studies in Adaptation and Visual Culture) [1st ed. 2021] |
Shannon Wells-Lassagne (editor), Fiona McMahon (editor) |
1 |
| 3912 |
 |
Anime from Akira to Howl's Moving Castle, Updated Edition: Experiencing Contemporary Japanese Animation [Revised and Updated] |
Susan J. Napier |
|
| 3913 |
 |
Translating Popular Film |
Carol O'Sullivan |
|
| 3914 |
 |
Cinema and Society in the British Empire, 1895–1940 |
James Burns (auth.) |
|
| 3915 |
 |
British Women Film Directors in the New Millennium [1 ed.] |
Stella Hockenhull (auth.) |
1 |
| 3916 |
 |
Onscreen Allusions to Shakespeare: International Films, Television, and Theatre (Global Shakespeares) |
Alexa Alice Joubin (editor), Victoria Bladen (editor) |
|
| 3917 |
 |
Film Festivals and the Enrichment Economy: Cultural Value Chains in a Digital Media Age |
Ann Vogel, Alan Shipman |
|
| 3918 |
 |
Transnational European Television Drama: Production, Genres and Audiences [1 ed.] |
Ib Bondebjerg et al. |
1 |
| 3919 |
 |
Understanding Film Theory [2 ed.] |
Ruth Doughty, Christine Etherington-wright |
2 |
| 3920 |
 |
Womanist and Black Feminist Responses to Tyler Perry’s Productions [1 ed.] |
LeRhonda S. Manigault-Bryant, Tamura A. Lomax, Carol B. Duncan (eds.) |
1 |
| 3921 |
 |
Cinema and the Imagination in Katherine Mansfield’s Writing |
Maurizio Ascari (auth.) |
|
| 3922 |
 |
Biographical Television Drama: Real Lives on Television [1st ed. 2021] |
Hannah Andrews |
1 |
| 3923 |
 |
Audiovisual Translation: Language Transfer on Screen [First Edition] |
Gunilla Anderman, Jorge Diaz-Cintas |
|
| 3924 |
 |
Schwarzenegger: Uses of the Foreign Star |
Gábor Gergely |
|
| 3925 |
 |
Gothic Dissections in Film and Literature: The Body in Parts [1 ed.] |
Ian Conrich,Laura Sedgwick (auth.) |
1 |
| 3926 |
 |
(Re)Creating Language Identities in Animated Films: Dubbing Linguistic Variation [1 ed.] |
Vincenza Minutella |
1 |
| 3927 |
 |
Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation |
Susan J. Napier |
|
| 3928 |
 |
Cohesion in Film: Tracking Film Elements |
Chiao-I Tseng (auth.) |
|
| 3929 |
 |
David Lynch: Blurred Boundaries |
Anne Jerslev |
|
| 3930 |
 |
Cinema and the swastika: the international expansion of Third Reich cinema [First Edition] |
Roel Vande Winkel, David Welch |
|
| 3931 |
 |
How Toddlers Learn the Secret Language of Movies |
Cary Bazalgette |
|
| 3932 |
 |
Domestic Labor in Twenty-First Century Latin American Cinema |
Elizabeth Osborne (editor), Sofía Ruiz-Alfaro (editor) |
|
| 3933 |
 |
Thinking Italian Animals: Human and Posthuman in Modern Italian Literature and Film |
Deborah Amberson, Elena Past (eds.) |
|
| 3934 |
 |
The Instinctive Screenplay: Watching and Writing Screen Drama |
Sam North |
|
| 3935 |
 |
The Palgrave Handbook of Children's Film and Television [1st ed.] |
Casie Hermansson, Janet Zepernick |
1 |
| 3936 |
 |
A history of 1970s experimental film: Britain's decade of diversity |
Gaal-Holmes, Patti |
|
| 3937 |
 |
Anatomy of the Superhero Film [1 ed.] |
Larrie Dudenhoeffer (auth.) |
1 |
| 3938 |
 |
Landscape and the Environment in Hollywood Film: The Green Machine [1 ed.] |
Ellen E. Moore (auth.) |
1 |
| 3939 |
 |
Charlie Chaplin’s Little Tramp in America, 1947–77 [1 ed.] |
Lisa Stein Haven (auth.) |
1 |
| 3940 |
 |
The Politics of Harry Potter [1 ed.] |
Bethany Barratt (auth.) |
1 |
| 3941 |
 |
Fate and Freedom in Korean Historical Films (East Asian Popular Culture) |
Kyung Moon Hwang |
|
| 3942 |
 |
A History of 1970s Experimental Film: Britain’s Decade of Diversity |
Patti Gaal-Holmes (auth.) |
|
| 3943 |
 |
The US-Mexico Border in American Cold War Film: Romance, Revolution, and Regulation [1 ed.] |
Stephanie Fuller (auth.) |
1 |
| 3944 |
 |
Star Attractions: Twentieth-Century Movie Magazines and Global Fandom [1 ed.] |
Tamar Jeffers McDonald (editor), Lies Lanckman (editor) |
1 |
| 3945 |
 |
Comedies of Nihilism: The Representation of Tragedy Onscreen [1 ed.] |
Amir Khan (auth.) |
1 |
| 3946 |
 |
Baroque Aesthetics in Contemporary American Horror [1st ed. 2021] |
Gabriel Eljaiek-Rodríguez |
1 |
| 3947 |
 |
British Novelists in Hollywood, 1935–1965: Travelers, Exiles, and Expats |
Lisa Colletta (auth.) |
|
| 3948 |
 |
Pinewood: Anatomy of a Film Studio in Post-war Britain |
Sarah Street |
|
| 3949 |
 |
Cinema and the Swastika: The International Expansion of Third Reich Cinema [2007 ed.] |
Roel Vande Winkel, D. Welch |
2007 |
| 3950 |
 |
Ethnographies of ‘On Demand’ Films: Anthropological Explorations of Commissioned Audiovisual Productions |
Alex Vailati, Gabriela Zamorano Villarreal |
|
| 3951 |
 |
Children in the Films of Alfred Hitchcock |
Debbie Olson (eds.) |
|
| 3952 |
 |
Woman in Lars von Trier’s Cinema, 1996–2014 [1 ed.] |
Ahmed Elbeshlawy (auth.) |
1 |
| 3953 |
 |
The Musicality of Narrative Film |
Danijela Kulezic-Wilson (auth.) |
|
| 3954 |
 |
Cyborgs, Ethics, and The Matrix: Simulations of Sex and Gender |
Rebecca Gibson |
|
| 3955 |
 |
Reading Westworld |
Alex Goody (editor), Antonia Mackay (editor) |
|
| 3956 |
 |
The Modern Supernatural and the Beginnings of Cinema [1 ed.] |
Murray Leeder (auth.) |
1 |
| 3957 |
 |
The Palgrave Handbook of Screenwriting Studies |
Rosamund Davies (editor), Paolo Russo (editor), Claus Tieber (editor) |
|
| 3958 |
 |
Bringing Light to Twilight: Perspectives on a Pop Culture Phenomenon |
Giselle Liza Anatol |
|
| 3959 |
 |
Cinema Anime [1st ed.] |
Steven T. Brown |
1 |
| 3960 |
 |
Farida Benlyazid and Moroccan Cinema |
Florence Martin |
|
| 3961 |
 |
Transnational European Cinema: Representation, Audiences, Identity |
Huw Jones |
|
| 3962 |
 |
Cinema Anime: Critical Engagements with Japanese Animation [1 ed.] |
Steven T. Brown (eds.) |
1 |
| 3963 |
 |
Testing Coherence in Narrative Film [1 ed.] |
Katerina Virvidaki (auth.) |
1 |
| 3964 |
 |
Stagestruck Filmmaker: D. W. Griffith and the American Theatre [1 ed.] |
David Mayer |
1 |
| 3965 |
 |
Peripheral Locations in European TV Crime Series |
Kim Toft Hansen, Valentina Re |
|
| 3966 |
 |
Beyond Shakespeare: Film Studies, Performance Studies, and Netflix [1st ed. 2023] |
Iris H. Tuan |
1 |
| 3967 |
 |
Virtual Orientalism in Brazilian Culture [1 ed.] |
Edward King (auth.) |
1 |
| 3968 |
 |
The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms |
Antônio Márcio da Silva (auth.) |
|
| 3969 |
 |
Interactional Approach to Cinematic Discourse: How Do Woody Allen’s Characters Talk? |
Neda Chepinchikj |
|
| 3970 |
 |
Mapping Tokyo in Fiction and Film [1 ed.] |
Barbara E. Thornbury |
1 |
| 3971 |
 |
Production Design & the Cinematic Home |
Jane Barnwell |
|
| 3972 |
 |
Representing Education in Film: How Hollywood Portrays Educational Thought, Settings, and Issues [1 ed.] |
David Resnick (auth.) |
1 |
| 3973 |
 |
Moments in Indonesian Film History Film and Popular Culture in a Developing Society 1950-2020 |
David Hanan |
|
| 3974 |
 |
The Spectacle of Politics and Religion in the Contemporary Turkish Cinema [1st ed.] |
Ebru Thwaites Diken |
1 |
| 3975 |
 |
Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field |
Davinia Thornley (auth.) |
|
| 3976 |
 |
Theorizing Stupid Media: De-Naturalizing Story Structures In The Cinematic, Televisual, And Videogames |
Aaron Kerner, Julian Hoxter |
|
| 3977 |
 |
Representation in Steven Universe |
John R. Ziegler (editor), Leah Richards (editor) |
|
| 3978 |
 |
British Crime Film: Subverting the Social Order [1 ed.] |
Barry Forshaw (auth.) |
1 |
| 3979 |
 |
Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules |
Daniel O’Brien (auth.) |
|
| 3980 |
 |
A New Guide To Italian Cinema |
Carlo Celli, Marga Cottino-Jones |
|
| 3981 |
 |
Audiovisual Tourism Promotion: A Critical Overview [1 ed.] |
Diego Bonelli, Alfio Leotta |
1 |
| 3982 |
 |
The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico |
Laura Podalsky |
|
| 3983 |
 |
Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film [1 ed.] |
Madhavi Menon (auth.) |
1 |
| 3984 |
 |
The Forgotten Victims of Sexual Violence in Film, Television and New Media: Turning to the Margins |
Stephanie Patrick (editor), Mythili Rajiva (editor) |
|
| 3985 |
 |
Advancing Media Production Research: Shifting Sites, Methods, and Politics |
Chris Paterson, David Lee, Anamik Saha, Anna Zoellner (eds.) |
|
| 3986 |
 |
Cinema, Gender, and Everyday Space: Comedy, Italian Style |
Natalie Fullwood (auth.) |
|
| 3987 |
 |
Working Women on Screen: Paid Labour and Fourth Wave Feminism |
Ellie Tomsett, Nathalie Weidhase, Poppy Wilde |
|
| 3988 |
 |
Classical Myth on Screen |
Monica S. Cyrino, Meredith E. Safran (eds.) |
|
| 3989 |
 |
Bad Boy Bubby |
Gabrielle Murray |
|
| 3990 |
 |
BBC Wildlife Documentaries In The Age Of Attenborough |
Jean-Baptiste Gouyon |
|
| 3991 |
 |
Living and Dying in the Roman Republic: The Series Spartacus and its Cinematic Examination of Freedom, Violence and Identity |
Thomas Wilke |
|
| 3992 |
 |
Indigenous Plots in Twenty-First Century Latin American Cinema |
Maria Chiara D'Argenio |
|
| 3993 |
 |
The Palgrave Encyclopedia of American Horror Film Shorts: 1915–1976 [1st ed. 2022] |
Gary D. Rhodes, David J. Hogan |
1 |
| 3994 |
 |
Empathetic Space on Screen: Constructing Powerful Place and Setting [1 ed.] |
Amedeo D'Adamo (auth.) |
1 |
| 3995 |
 |
Cinema, Law, and the State in Asia |
Corey K. Creekmur, Mark Sidel (eds.) |
|
| 3996 |
 |
Visual Storytelling in the 21st Century: The Age of the Long Fragment |
David Callahan |
|
| 3997 |
 |
Animating Unpredictable Effects. Nonlinearity in Hollywood’s R&D Complex |
Jordan Gowanlock |
|
| 3998 |
 |
Ecuadorian Cinema for the 21st Century |
María Fernanda Miño Puga |
|
| 3999 |
 |
Cinema, Pain and Pleasure: Consent and the Controlled Body |
Steven Allen (auth.) |
|
| 4000 |
 |
The Sentimental in Chinese Cinema [1 ed.] |
Hui Miao |
1 |
| 4001 |
 |
The Tropes of War: Visual Hyperbole and Spectacular Culture [1 ed.] |
Andrea Greenbaum (auth.) |
1 |
| 4002 |
 |
The Politics of Adaptation: Media Convergence and Ideology |
Dan Hassler-Forest, Pascal Nicklas |
|
| 4003 |
 |
Bad History and the Logics of Blockbuster Cinema: Titanic, Gangs of New York, Australia, Inglourious Basterds |
Patrick McGee (auth.) |
|
| 4004 |
 |
Hermeneutics of the Film World: A Ricœurian Method for Film Interpretation [1 ed.] |
Alberto Baracco (auth.) |
1 |
| 4005 |
 |
Cinema, Technologies of Visibility, and the Reanimation of Desire |
Vincent J. Hausmann |
|
| 4006 |
 |
The Search for Meaning in Film and Television: Disenchantment at the Turn of the Millennium |
Marcus Maloney (auth.) |
|
| 4007 |
 |
Theodor Adorno and Film Theory: The Fingerprint of Spirit |
Brian Wall (auth.) |
|
| 4008 |
 |
The British Sitcom Spinoff Film |
Stephen Glynn |
|
| 4009 |
 |
The Image of the Puppet in Italian Theater, Literature and Film |
Federico Pacchioni |
|
| 4010 |
 |
The Palgrave Handbook of Asian Cinema [1st ed.] |
Aaron Han Joon Magnan-Park, Gina Marchetti, See Kam Tan |
1 |
| 4011 |
 |
Cinema, Technologies of Visibility, and the Reanimation of Desire [1 ed.] |
Vincent J. Hausmann (auth.) |
1 |
| 4012 |
 |
Chinese Film Festivals: Sites of Translation [1 ed.] |
Chris Berry, Luke Robinson (eds.) |
1 |
| 4013 |
 |
Cinematic Geographies and Multicultural Spectatorship in America [1st ed.] |
Amy Lynn Corbin |
1 |
| 4014 |
 |
The Palgrave Handbook of Asian Cinema |
Aaron Han Joon Magnan-Park, Gina Marchetti, See Kam Tan |
|
| 4015 |
 |
MUBI and the Curation Model of Video on Demand [1 ed.] |
Mattias Frey |
1 |
| 4016 |
 |
Transnational Memories and Post-Dicatorship Cinema: Brazil, Chile and Argentina |
Tatiana Heise |
|
| 4017 |
 |
The Making of… Adaptation and the Cultural Imaginary [1st ed. 2019] |
Jan Cronin |
1 |
| 4018 |
 |
The Politics and International Relations of Fantasy Films and Television: To Win or Die |
Joel R. Campbell |
|
| 4019 |
 |
The Structure of Complex Images [1st ed.] |
Robert B. Ray |
1 |
| 4020 |
 |
Art Cinema and Theology: The Word Was Made Film [1 ed.] |
Justin Ponder (auth.) |
1 |
| 4021 |
 |
Body, Soul and Cyberspace in Contemporary Science Fiction Cinema: Virtual Worlds and Ethical Problems |
Sylvie Magerstädt (auth.) |
|
| 4022 |
 |
Homosexuality and Italian Cinema: From the Fall of Fascism to the Years of Lead [1 ed.] |
Mauro Giori (auth.) |
1 |
| 4023 |
 |
Polish Popular Music on Screen |
Ewa Mazierska |
|
| 4024 |
 |
Pure Fatherhood and the Hollywood Family Film (Palgrave Macmillan Studies in Family and Intimate Life) |
Denise McNulty Norton |
|
| 4025 |
 |
Rules of the Father in The Last of Us: Masculinity Among the Ruins of Neoliberalism (Palgrave Studies in (Re)Presenting Gender) |
J. Jesse Ramirez |
|
| 4026 |
 |
Irreversible |
Tim Palmer |
|
| 4027 |
 |
The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film |
Matthew Flisfeder (auth.) |
|
| 4028 |
 |
Tragic Time in Drama, Film, and Videogames : The Future in the Instant [1 ed.] |
Rebecca Bushnell (auth.) |
1 |
| 4029 |
 |
Broadcast hysteria : Orson Welles's War of the worlds and the art of fake news [1. ed] |
Schwartz, A. Brad, Welles, Orson |
1 |
| 4030 |
 |
Constructing Transgressive Sexuality in Screenwriting: The Feiticeiro/a as Character [1 ed.] |
LJ Theo (auth.) |
1 |
| 4031 |
 |
Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" (Literary Disability Studies) [1st ed. 2021] |
Erik Grayson (editor), Maren Scheurer (editor) |
1 |
| 4032 |
 |
Contemporary Latin American Cinema [1st ed.] |
Claudia Sandberg, Carolina Rocha |
1 |
| 4033 |
 |
Screenwriting for Virtual Reality: Story, Space and Experience |
Kath Dooley, Alex Munt |
|
| 4034 |
 |
Žižek and Media Studies: A Reader |
Matthew Flisfeder, Louis-Paul Willis |
|
| 4035 |
 |
Studio Ghibli: An Industrial History |
Rayna Denison |
|
| 4036 |
 |
Animal Horror Cinema: Genre, History and Criticism |
Katarina Gregersdotter, Johan Höglund, Nicklas Hållén (eds.) |
|
| 4037 |
 |
Cinematic Perspectives on Digital Culture: Consorting with the Machine |
Norman Taylor (auth.) |
|
| 4038 |
 |
Cinematic Intermedialities and Contemporary Holocaust Memory [1st ed.] |
Victoria Grace Walden |
1 |
| 4039 |
 |
Bakhtin and the Movies: New Ways of Understanding Hollywood Film |
Martin Flanagan (auth.) |
|
| 4040 |
 |
The Screen Education Reader: Cinema, Television, Culture |
Manuel Alvarado, Edward Buscombe, Richard Collins (eds.) |
|
| 4041 |
 |
Visualizing the Palestinian Struggle: Towards a Critical Analytic of Palestine Solidarity Film [1 ed.] |
Terri Ginsberg (auth.) |
1 |
| 4042 |
 |
Drones in Society: New Visual Aesthetics |
Elisa Serafinelli |
|
| 4043 |
 |
Farmed Animals on Film: A Manifesto for a New Ethic |
Stephen Marcus Finn |
|
| 4044 |
 |
Cinematic Philosophy [1 ed.] |
Tal S. Shamir (auth.) |
1 |
| 4045 |
 |
Beckett, Deleuze and the Televisual Event: Peephole Art [2012 ed.] |
C. Gardner |
2012 |
| 4046 |
 |
Is it French? Popular Postnational Screen Fiction from France (Palgrave European Film and Media Studies) |
Mary Harrod (editor), Raphaëlle Moine (editor) |
|
| 4047 |
 |
Europe in Upheaval: Identity in Politics, Literature and Film |
Michaela Nicole Raß (editor), Kay Wolfinger (editor) |
|
| 4048 |
 |
Lacanian Perspectives on Blade Runner 2049 [1st ed.] |
Calum Neill |
1 |
| 4049 |
 |
Children, Film and Literacy |
Becky Parry (auth.) |
|
| 4050 |
 |
Cinematic Urban Geographies |
François Penz, Richard Koeck |
|
| 4051 |
 |
Theorizing Desire: From Freud to Feminism to Film [First Edition] |
Kristyn Gorton |
|
| 4052 |
 |
The British Cinema Boom, 1909–1914: A Commercial History [1 ed.] |
Jon Burrows (auth.) |
1 |
| 4053 |
 |
Contemporary Chinese Films and Celebrity Directors [1 ed.] |
Shenshen Cai (auth.) |
1 |
| 4054 |
 |
Film and Counterculture in the 2011 Egyptian Uprising |
Amir Taha |
|
| 4055 |
 |
Valuing Films: Shifting Perceptions of Worth |
Laura Hubner (eds.) |
|
| 4056 |
 |
The Poetics of Chinese Cinema [1 ed.] |
Gary Bettinson, James Udden (eds.) |
1 |
| 4057 |
 |
Consuming Gothic: Food and Horror in Film [1 ed.] |
Lorna Piatti-Farnell (auth.) |
1 |
| 4058 |
 |
Anamorphic Authorship in Canonical Film Adaptation: A Case Study of Shakespearean Films [1st ed.] |
Robert Geal |
1 |
| 4059 |
 |
Mobile Storytelling in an Age of Smartphones |
Max Schleser (editor), Xiaoge Xu (editor) |
|
| 4060 |
 |
Screening Contemporary Irish Fiction and Drama |
Marc C. Conner, Julie Grossman, R. Barton Palmer |
|
| 4061 |
 |
Consuming Cultural Hegemony: Bollywood in Bangladesh [1st ed. 2020] |
Harisur Rahman |
1 |
| 4062 |
 |
Knights of Cinema: The Story of the Palestine Film Unit (Palgrave Studies in Arab Cinema) [1st ed. 2023] |
Khadijeh Habashneh |
1 |
| 4063 |
 |
Actor-Network Theory At The Movies: Reassembling The Contemporary American Teen Film With Latour |
Björn Sonnenberg-Schrank |
|
| 4064 |
 |
Chinese Independent Animation: Renegotiating Identity in Modern China [1st ed.] |
Wenhai Zhou |
1 |
| 4065 |
 |
Contemporary Cinema and 'Old Age': Gender and the Silvering of Stardom [1 ed.] |
Josephine Dolan (auth.) |
1 |
| 4066 |
 |
The Queer Greek Weird Wave: Ethics, Politics and the Crisis of Meaning [1 ed.] |
Marios Psaras (auth.) |
1 |
| 4067 |
 |
Screening Ulster: Cinema and the Unionists |
Richard Gallagher |
|
| 4068 |
 |
Bollywood and Its Other(s): Towards New Configurations |
Vikrant Kishore, Amit Sarwal, Parichay Patra (eds.) |
|
| 4069 |
 |
The Zoo and Screen Media: Images of Exhibition and Encounter [1 ed.] |
Michael Lawrence, Karen Lury (eds.) |
1 |
| 4070 |
 |
Italian Americans in Film: Establishing and Challenging Italian American Identities |
Daniele Fioretti, Fulvio Orsitto |
|
| 4071 |
 |
Bollywood Shakespeares |
Craig Dionne, Parmita Kapadia (eds.) |
|
| 4072 |
 |
The Palgrave Handbook of Posthumanism in Film and Television |
Michael Hauskeller, Thomas D. Philbeck, Curtis D. Carbonell (eds.) |
|
| 4073 |
 |
Small Cinemas of the Andes: New Aesthetics, Practices and Platforms |
Diana Coryat, Christian Leon, Noah Zweig |
|
| 4074 |
 |
The Queer Film Festival: Popcorn and Politics [1 ed.] |
Stuart James Richards (auth.) |
1 |
| 4075 |
 |
Danish Mothers On-Screen (Palgrave Studies in (Re)Presenting Gender) |
Djuna Hallsworth |
|
| 4076 |
 |
A Hitchcock Reader |
Marshall Deutelbaum, Leland A. Poague |
|
| 4077 |
 |
Barbara Hammer in the Seventies: Or, What a Body Can Do |
Krystyna Mazur |
|
| 4078 |
 |
3-D Cinema and Trauma: Poetics of Remembrance and Loss |
Dor Fadlon |
|
| 4079 |
 |
Behind the Screen: Inside European Production Cultures |
Petr Szczepanik, Patrick Vonderau (eds.) |
|
| 4080 |
 |
Italy Through The Red Lens: Italian Politics And Society In Communist Propaganda Films (1946–79) [1st Edition] |
Gianluca Fantoni |
1 |
| 4081 |
 |
Alien-Invasion Films: Imperialism, Race and Gender in the American Security State, 1950-2020 |
Mark E. Wildermuth |
|
| 4082 |
 |
Black Children in Hollywood Cinema: Cast in Shadow [1 ed.] |
Debbie Olson (auth.) |
1 |
| 4083 |
 |
Nazi Cinema |
Erwin Leiser, Gertrud Mander |
|
| 4084 |
 |
Serial Killing on Screen: Adaptation, True Crime and Popular Culture |
Sarah E. Fanning, Claire O’Callaghan |
|
| 4085 |
 |
The Ministry of Education Film Experiment: From Post-War Visual Education to 21st Century Literacy [1 ed.] |
Alex Southern (auth.) |
1 |
| 4086 |
 |
Visual Synergies in Fiction and Documentary Film from Latin America (Studies of the Americas) [1st ed.] |
Miriam Haddu, Joanna Page |
1 |
| 4087 |
 |
Agatha Christie on Screen [1 ed.] |
Mark Aldridge (auth.) |
1 |
| 4088 |
 |
The Postfeminist Biopic: Narrating the Lives of Plath, Kahlo, Woolf and Austen |
Bronwyn Polaschek (auth.) |
|
| 4089 |
 |
Screenwriting from the Inside Out: Think and Write like a Creative |
Margaret McVeigh |
|
| 4090 |
 |
Transnational Television Drama: Special Relations and Mutual Influence between the US and UK |
Elke Weissmann (auth.) |
|
| 4091 |
 |
Traveling in French Cinema |
Sylvie Blum-Reid (auth.) |
|
| 4092 |
 |
The Representation of Masochism and Queer Desire in Film and Literature [1 ed.] |
Barbara Mennel (auth.) |
1 |
| 4093 |
 |
Visual Synergies in Fiction and Documentary Film from Latin America [1 ed.] |
Miriam Haddu, Joanna Page (eds.) |
1 |
| 4094 |
 |
Visual Synergies in Fiction and Documentary Film from Latin America |
Miriam Haddu, Joanna Page (eds.) |
|
| 4095 |
 |
Urban Crime Control in Cinema: Fallen Guardians and the Ideology of Repression |
Vladimir Rizov |
|
| 4096 |
 |
The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination [1 ed.] |
Malte Hagener, Vinzenz Hediger, Alena Strohmaier (eds.) |
1 |
| 4097 |
 |
Sexual Diversity in Young Cuban Cinema |
Margaret G. Frohlich |
|
| 4098 |
 |
The Palgrave Handbook Of The Philosophy Of Film And Motion Pictures |
Noël Carroll, Laura Teresa Di Summa-Knoop, Shawn Loht |
|
| 4099 |
 |
The Ethics of Horror: Spectral Alterity in Twenty-First-Century Horror Film |
Michael J. Burke |
|
| 4100 |
 |
Anatomy of Film |
Bernard F. Dick (auth.), Patricia Mansfield Phelan (eds.) |
|
| 4101 |
 |
Contemporary Argentine Women Filmmakers [1st ed. 2023] |
Mirna Vohnsen (editor), Daniel Mourenza (editor) |
1 |
| 4102 |
 |
Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge (Palgrave Film Studies and Philosophy) |
Matilda Mroz |
|
| 4103 |
 |
The World According to Philip K. Dick |
Alexander Dunst, Stefan Schlensag (eds.) |
|
| 4104 |
 |
Theorising Drones in Visual Culture: Views from the Blue [2024 ed.] |
Elisa Serafinelli |
2024 |
| 4105 |
 |
Theorising Desire: From Freud to Feminism to Film |
Kristyn Gorton (auth.) |
|
| 4106 |
 |
The Works of Tim Burton: Margins to Mainstream |
Jeffrey Andrew Weinstock (eds.) |
|
| 4107 |
 |
Women in European Holocaust Films: Perpetrators, Victims and Resisters [1 ed.] |
Ingrid Lewis (auth.) |
1 |
| 4108 |
 |
Screen Adaptations and the Politics of Childhood: Transforming Children's Literature into Film [1 ed.] |
Robyn McCallum (auth.) |
1 |
| 4109 |
 |
Emotional Ethics of The Hunger Games (Palgrave Film Studies and Philosophy) |
Tarja Laine |
|
| 4110 |
 |
Gothic War on Terror: Killing, Haunting, and PTSD in American Film, Fiction, Comics, and Video Games |
Danel Olson |
|
| 4111 |
 |
Screenwriting for Neurotics: A Beginner’s Guide to Writing a Feature-Length Screenplay from Start to Finish [1 ed.] |
Scott Winfield Sublett |
1 |
| 4112 |
 |
Toward a Counternarrative Theology of Race and Whiteness: Studies in Philosophy of Race, Science Fiction Cinema, and Superhero Stories |
Christopher M. Baker |
|
| 4113 |
 |
Bond and Beyond: The Political Career of a Popular Hero |
Tony Bennett, Janet Woollacott (auth.) |
|
| 4114 |
 |
Australian Animation: An International History [1st ed.] |
Dan Torre, Lienors Torre |
1 |
| 4115 |
 |
The Prosody of Dubbed Speech: Beyond the Character's Words [1st ed. 2020] |
Sofía Sánchez-Mompeán |
1 |
| 4116 |
 |
Philosophy and Blade Runner [2014 ed.] |
Timothy Shanahan |
2014 |
| 4117 |
 |
Script Development: Critical Approaches, Creative Practices, International Perspectives |
Craig Batty (editor), Stayci Taylor (editor) |
|
| 4118 |
 |
Transnational Stardom: International Celebrity in Film and Popular Culture |
Russell Meeuf, Raphael Raphael (eds.) |
|
| 4119 |
 |
Shashi Kapoor: The Householder, the Star [First impression ed.] |
Chabra, Aseem,Kapoor, Shashi |
|
| 4120 |
 |
The Nineteenth-Century Novel and the Pre-Cinematic Imagination: Fragmentation, Animated Movement and the Modern Episteme |
Alberto Gabriele |
|
| 4121 |
 |
The Palgrave Handbook of Music and Sound in Japanese Animation |
Marco Pellitteri |
|
| 4122 |
 |
Abel Gance and the End of Silent Cinema Sounding out Utopia [1st edition] |
Cuff, Paul |
1 |
| 4123 |
 |
Balzac Reframed: The Classical and Modern Faces of Éric Rohmer and Jacques Rivette [1st ed. 2019] |
Zahra Tavassoli Zea |
1 |
| 4124 |
 |
British film music and film musicals |
K J Donnelly, Palgrave Connect (Online service) |
|
| 4125 |
 |
British Film Music: Musical Traditions in British Cinema, 1930s–1950s |
Paul Mazey |
|
| 4126 |
 |
Post-Unification Turkish German Cinema: Work, Globalisation and Politics Beyond Representation [1 ed.] |
Gozde Naiboglu (auth.) |
1 |
| 4127 |
 |
Screen Production Research: Creative Practice as a Mode of Enquiry [1 ed.] |
Craig Batty,Susan Kerrigan (eds.) |
1 |
| 4128 |
 |
The Female Gaze in Documentary Film: An International Perspective |
Lisa French |
|
| 4129 |
 |
When Music Takes Over in Film |
Anna K. Windisch, Claus Tieber, Phil Powrie |
|
| 4130 |
 |
Abel Gance and the End of Silent Cinema: Sounding out Utopia [1 ed.] |
Paul Cuff (auth.) |
1 |
| 4131 |
 |
Adultery and the Female Star [1st ed.] |
Edward Gallafent |
1 |
| 4132 |
 |
American Cinema and Cultural Diplomacy: The Fragmented Kaleidoscope [1st ed.] |
Thomas J. Cobb |
1 |
| 4133 |
 |
Black Masculinity and the Cinema of Policing [1 ed.] |
Jared Sexton (auth.) |
1 |
| 4134 |
 |
Realism, Myth, and the Vernacular in Pasolini's Film and Philosophy: Beyond the Middle-Class Matrix |
Max Ryynänen |
|
| 4135 |
 |
Australian Film Festivals: Audience, Place, and Exhibition Culture [1 ed.] |
Kirsten Stevens (auth.) |
1 |
| 4136 |
 |
Britain and the Cinema in the Second World War |
Philip M. Taylor (eds.) |
|
| 4137 |
 |
Vietnam Images: War and Representation |
Jeffrey Walsh, James Aulich (eds.) |
|
| 4138 |
 |
Film Restoration: The Culture and Science of Audiovisual Heritage [1st ed. 2013] |
L. Enticknap |
1 |
| 4139 |
 |
A Brief History of Comic Book Movies [1 ed.] |
Wheeler Winston Dixon, Richard Graham (auth.) |
1 |
| 4140 |
 |
And the Mirror Cracked: Feminist Cinema and Film Theory [1 ed.] |
Anneke Smelik (auth.) |
1 |
| 4141 |
 |
Luis Buñuel: New Readings |
Peter William Evans, Isabel Santaolalla (editors) |
|
| 4142 |
 |
Swedish Children’s Cinema: History, Ideology and Aesthetics |
Malena Janson |
|
| 4143 |
 |
Towards a Philosophy of Cinematography |
Alexander Nevill |
|
| 4144 |
 |
Misfit Sisters: Screen Horror as Female Rites of Passage |
S. Short |
|
| 4145 |
 |
Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature |
Rina Arya (auth.) |
|
| 4146 |
 |
Beckett, Deleuze and the Televisual Event: Peephole Art |
Colin Gardner (auth.) |
|
| 4147 |
 |
Fairy Tales on the Teen Screen: Rituals of Girlhood [1 ed.] |
Athena Bellas (auth.) |
1 |
| 4148 |
 |
Campus Cinephilia in Neoliberal South Korea: A Different Kind of Fun (East Asian Popular Culture) |
Josie Jung Yeon Sohn |
|
| 4149 |
 |
Zainichi Cinema: Korean-in-Japan Film Culture [1 ed.] |
Oliver Dew (auth.) |
1 |
| 4150 |
 |
Screening Twentieth Century Europe: Television, History, Memory [1st ed.] |
Ib Bondebjerg |
1 |
| 4151 |
 |
W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen: Becoming a Character Comedian [1 ed.] |
Arthur Frank Wertheim (auth.) |
1 |
| 4152 |
 |
Slow fade to black the Negro in American film, 1900-1942 |
Cripps, Thomas |
|
| 4153 |
 |
Storytelling and Mythmaking: Images from Film and Literature |
Frank McConnell |
|
| 4154 |
 |
The World of Luis Buñuel: Essays in Criticism |
Joan Mellen (Editor) |
|
| 4155 |
 |
Howard Hawks, Storyteller |
Gerald Mast |
|
| 4156 |
 |
Cary Grant, the Making of a Hollywood Legend |
Mark Glancy |
|
| 4157 |
 |
Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film |
Ana Hedberg Olenina |
|
| 4158 |
 |
A Medium Seen Otherwise: Photography in Documentary Film |
Roger Hallas |
|
| 4159 |
 |
The Sublimity of Document: Cinema as Diorama (Avant-Doc 2) |
Scott MacDonald (Editor) |
|
| 4160 |
 |
André Bazin's Film Theory: Art, Science, Religion |
Angela Dalle Vacche |
|
| 4161 |
 |
Fractured Fifties: The Cinematic Periodization and Evolution of a Decade |
Christine Sprengler |
|
| 4162 |
 |
Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image |
Sean Cubitt |
|
| 4163 |
 |
Cinema Pessimism |
Joshua Foa Dienstag |
|
| 4164 |
 |
The Shape of Motion: Cinema and the Aesthetics of Movement |
Jordan Schonig |
|
| 4165 |
 |
Biopolitical Ethics in Global Cinema |
Jeong |
|
| 4166 |
 |
Tropical Dream Palaces: Cinema in Colonial West Africa |
Odile Goerg |
|
| 4167 |
 |
Metacinema: The Form and Content of Filmic Reference and Reflexivity |
David LaRocca |
|
| 4168 |
 |
Acoustic Profiles: A Sound Ecology of the Cinema (OXFORD MUSIC/MEDIA SERIES) |
Randolph Jordan |
|
| 4169 |
 |
Perpetual carnival : essays on film and literature [1 ed.] |
Colin MacCabe |
1 |
| 4170 |
 |
Locating the voice in film : critical approaches and global practices [1 ed.] |
Whittaker, Tom, Wright, Sarah |
1 |
| 4171 |
 |
The Oxford Handbook of New Audiovisual Aesthetics |
Carol Vernallis (editor), Claudia Gorbman (editor), John Richardson (editor) |
|
| 4172 |
 |
Narrating South Asian Partition: Oral History, Literature, Cinema |
Anindya Raychaudhuri |
|
| 4173 |
 |
Maghrebs in Motion: North African Cinema in Nine Movements |
Suzanne Gauch |
|
| 4174 |
 |
William Faulkner at Twentieth Century-Fox : the annotated screenplays [Annotated] |
Faulkner, William, Gleeson-White, Sarah |
|
| 4175 |
 |
Roland Barthes' cinema [First edition] |
Andrew, Dudley,Barthes, Roland,Watts, Philip |
|
| 4176 |
 |
Roland Barthes’ cinema [1 ed.] |
Watts, Philip |
1 |
| 4177 |
 |
The documentary film reader: history, theory, criticism |
Kahana, Jonathan,Musser, Charles |
|
| 4178 |
 |
Metafilm Music in Jean-Luc Godard's Cinema [1 ed.] |
Michael Baumgartner |
1 |
| 4179 |
 |
Politics, Theory, and Film: Critical Encounters with Lars Von Trier [Paperback ed.] |
Bonnie Honig, Lori J Marso |
|
| 4180 |
 |
The Oxford Handbook of Silent Cinema (Oxford Handbooks) |
Charlie Keil (editor), Rob King (editor) |
|
| 4181 |
 |
Hearing Haneke: The Sound Tracks of a Radical Auteur |
Elsie Walker |
|
| 4182 |
 |
In Person: Reenactment in Postwar and Contemporary Cinema |
Ivone Margulies |
|
| 4183 |
 |
Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film |
Richard I Suchenski |
|
| 4184 |
 |
They Made Us Happy: Betty Comden & Adolph Green's Musicals & Movies |
Andy Propst |
|
| 4185 |
 |
Music by Max Steiner: The Epic Life of Hollywood's Most Influential Composer |
Steven C. Smith |
|
| 4186 |
 |
Through The Looking Glass: John Cage and Avant-Garde Film |
Richard H. Brown Jr |
|
| 4187 |
 |
French Musical Culture and the Coming of Sound Cinema [online ed.] |
Hannah Lewis |
|
| 4188 |
 |
Hollywood aesthetic : pleasure in American cinema [1 ed.] |
Berliner, Todd |
1 |
| 4189 |
 |
On Streisand: An Opinionated Guide [Illustrated] |
Ethan Mordden |
|
| 4190 |
 |
The Novel after Film: Modernism and the Decline of Autonomy |
Jonathan Foltz |
|
| 4191 |
 |
Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film |
Robert P. Kolker, Nathan Abrams |
|
| 4192 |
 |
Cinema, MD: A History of Medicine on Screen |
Eelco F. M. Wijdicks |
|
| 4193 |
 |
Philosophy and the Moving Image |
Noël Carroll |
|
| 4194 |
 |
Love, War, and Other Longings: Essays on Cinema in Pakistan |
Vazira Fazila-Yacoobali Zamindar (editor), Asad Ali (editor) |
|
| 4195 |
 |
Silent Film: A Very Short Introduction |
Donna Kornhaber |
|
| 4196 |
 |
The Oxford Handbook of Cinematic Listening |
Carlo Cenciarelli |
|
| 4197 |
 |
Reorienting Ozu: a master and his influence |
Choi, Jinhee,Ozu, Yasujirō |
|
| 4198 |
 |
Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies |
Steven Cohan |
|
| 4199 |
 |
To Be Real: Truth and Racial Authenticity in African American Standup Comedy |
Lanita Jacobs |
|
| 4200 |
 |
The Proximity of Other Skins: Ethical Intimacy in Global Cinema |
Celine Parreñas Shimizu |
|
| 4201 |
 |
The Oxford Handbook of Film Theory |
Kyle Stevens (ed.) |
|
| 4202 |
 |
The Art of Pure Cinema Hitchcock and His Imitators |
Isaacs Bruce |
|
| 4203 |
 |
Get Close: Lean Team Documentary Filmmaking |
Rustin Thompson |
|
| 4204 |
 |
Monstrous Forms: Moving Image Horror Across Media [Illustrated] |
Adam Charles Hart |
|
| 4205 |
 |
Sternberg and Dietrich: The Phenomenology of Spectacle [Hardcover ed.] |
James Phillips |
|
| 4206 |
 |
The Presence of the Past: Temporal Experience and the New Hollywood Soundtrack |
Daniel Bishop |
|
| 4207 |
 |
Practices of Projection: Histories & Technologies |
Gabriel Menotti, Virginia Crisp |
|
| 4208 |
 |
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema |
Usha Iyer |
|
| 4209 |
 |
Cinema Expanded: Avant-Garde Film in the Age of Intermedia |
Jonathan Walley |
|
| 4210 |
 |
Play the Way You Feel: The Essential Guide to Jazz Stories on Film |
Kevin Whitehead |
|
| 4211 |
 |
Movies, Modernism, and the Science Fiction Pulps |
J. P. Telotte |
|
| 4212 |
 |
American Avant-Garde Cinema's Philosophy of the In-Between |
Rebecca A. Sheehan |
|
| 4213 |
 |
A Dictionary of Film Studies |
Annette Kuhn, Guy Westwell |
|
| 4214 |
 |
Indian Cinema: A Very Short Introduction [First edition] |
Rajadhyaksha, Ashish |
|
| 4215 |
 |
The tenth muse: writing about cinema in the modernist period |
Laura Marcus |
|
| 4216 |
 |
Film noir: a very short introduction [First edition] |
Naremore, James |
|
| 4217 |
 |
The empathic screen : cinema and neuroscience |
Frances Anderson, Vittorio Gallese, Michele Guerra |
|
| 4218 |
 |
Complicating Articulation in Art Cinema |
Benedict Morrison |
|
| 4219 |
 |
The major film theories: an introduction |
Andrew, J. Dudley |
|
| 4220 |
 |
How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory [3 ed.] |
James Monaco |
3 |
| 4221 |
 |
Storytelling and Myth Making: Images from Film and Literature |
Frank D. McConnell |
|
| 4222 |
 |
The Major Film Theories: An Introduction [1 ed.] |
J. Dudley Andrew |
1 |
| 4223 |
 |
Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era |
Thomas Cripps |
|
| 4224 |
 |
The Altering Eye |
Robert Phillip Kolker |
|
| 4225 |
 |
Concepts in film theory |
Andrew, James Dudley |
|
| 4226 |
 |
Documentary: A History of the Non-Fiction Film [2nd Revised] |
Erik Barnouw |
2 |
| 4227 |
 |
A Song in the Dark: The Birth of the Musical Film [1st ed.] |
Richard Barrios |
1 |
| 4228 |
 |
World War II, Film, and History |
John Whiteclay Chambers, David Culbert |
|
| 4229 |
 |
Hitchcock's America |
Jonathan Freedman, Richard Millington |
|
| 4230 |
 |
Alfred Hitchcock: filming our fears |
Hitchcock, Alfred, Hitchcock, Alfred, Adair, Gene |
|
| 4231 |
 |
Shots in the mirror: crime films and society |
Rafter, Nicole Hahn |
|
| 4232 |
 |
Dreams & dead ends: the American gangster film [2 ed.] |
Jack Shadoian |
2 |
| 4233 |
 |
Visionary Film: The American Avant-Garde, 1943-2000 [3 ed.] |
P. Adams Sitney |
3 |
| 4234 |
 |
Dreams and Dead Ends: The American Gangster Film [2 ed.] |
Jack Shadoian |
2 |
| 4235 |
 |
Jesus of Hollywood |
Adele Reinhartz |
|
| 4236 |
 |
Visionary Film: The American Avant-Garde, 1943-2000 [3rd edition] |
Sitney, P. Adams |
3 |
| 4237 |
 |
Orson Welles's Citizen Kane: A Casebook (Casebooks in Criticism) |
James Naremore |
|
| 4238 |
 |
Stanley Kubrick's 2001: A Space Odyssey: New Essays |
Robert Kolker |
|
| 4239 |
 |
Natural Selection: Gary Giddins on Comedy, Film, Music, and Books |
Gary Giddins |
|
| 4240 |
 |
Hollywood Left and Right: How Movie Stars Shaped American Politics |
Steven J. Ross |
|
| 4241 |
 |
Film Music A Very Short Introduction |
|
|
| 4242 |
 |
Robert Bresson: A Passion for Film [1 ed.] |
Tony Pipolo |
1 |
| 4243 |
 |
Robert Bresson: a passion for film |
Bresson, Robert,Pipolo, Tony |
|
| 4244 |
 |
Hearing the movies: music and sound in film history [1 ed.] |
David Neumeyer, James Buhler, Rob Deemer |
1 |
| 4245 |
 |
How to Read a Film: Movies, Media, and Beyond [4th ed.] |
James Monaco |
4 |
| 4246 |
 |
Catholics in the Movies |
Colleen McDannell |
|
| 4247 |
 |
The Oxford Handbook of Film Music Studies |
David Neumeyer |
|
| 4248 |
 |
Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson [1 ed.] |
P. Adams Sitney |
1 |
| 4249 |
 |
Teaching Religion and Film |
Gregory J Watkins |
|
| 4250 |
 |
D. W. Griffith's The birth of a nation a history of ''the most controversial motion picture of all time'' |
Griffith, David Wark,Stokes, Melvyn |
|
| 4251 |
 |
The Songs of Hollywood |
Philip Furia, Laurie Patterson |
|
| 4252 |
 |
The Hollywood Film Music Reader |
Mervyn Cooke |
|
| 4253 |
 |
Ethics at the cinema [1 ed.] |
Ward E. Jones, Samantha Vice |
1 |
| 4254 |
 |
ReAction! : Chemistry in the Movies |
Mark A. Griep, Marjorie L. Mikasen |
|
| 4255 |
 |
Film Theory and Criticism [Seventh Edition] |
Leo Braudy, Marshall Cohen |
|
| 4256 |
 |
Cinema in Turkey: A New Critical History [1 ed.] |
Savas Arslan |
1 |
| 4257 |
 |
Film Music: A Very Short Introduction (Very Short Introductions) |
Kathryn Kalinak |
|
| 4258 |
 |
Documentary Filmmaking - A Contemporary Field Guide |
John Hewitt, Gustavo Vazquez |
|
| 4259 |
 |
Movie Anecdotes |
Peter Hay |
|
| 4260 |
 |
Saving Cinema: The Politics of Preservation |
Caroline Frick |
|
| 4261 |
 |
The Goddess as Role Model: Sita and Radha in Scripture and on Screen |
Heidi R.M. Pauwels |
|
| 4262 |
 |
Understanding Love: Philosophy, Film, and Fiction |
Susan Wolf, Christopher Grau |
|
| 4263 |
 |
Global art cinema : new theories and histories |
Rosalind Galt, Karl Schoonover |
|
| 4264 |
 |
Ideology of the Hindi Film: A Historical Construction |
M. Madhava Prasad |
|
| 4265 |
 |
Guru Dutt: A Life in Cinema |
Nasreen Munni Kabir |
|
| 4266 |
 |
Japanese Cinema: An Introduction |
Donald Richie |
|
| 4267 |
 |
Pakistan Cinema, 1947-1997 |
Mushtāq Gazdar |
|
| 4268 |
 |
The Oxford Handbook of the Hollywood Musical |
Dominic Broomfield-McHugh |
|
| 4269 |
 |
Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine |
Tanya Shilina-Conte |
|
| 4270 |
 |
A Very Nervous Person's Guide to Horror Movies |
Mathias Clasen |
|
| 4271 |
 |
Theorizing Adaptation |
Kamilla Elliott |
|
| 4272 |
 |
Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 (Oxford Music / Media) |
Michael Slowik |
|
| 4273 |
 |
Drawing the Line - What to Do with the Work of Immoral Artists from Museums to the Movies [1 ed.] |
Erich Hatala Matthes |
1 |
| 4274 |
 |
The Camera Lies: Acting for Hitchcock |
Dan Callahan |
|
| 4275 |
 |
Robert Altman and the Elaboration of Hollywood Storytelling [1 ed.] |
Mark Minett |
1 |
| 4276 |
 |
Cognitive Film and Media Ethics |
Wyatt Moss-Wellington |
|
| 4277 |
 |
How Documentaries Work |
Jacob Bricca |
|
| 4278 |
 |
Alien Legacies: The Evolution of the Franchise [1 ed.] |
Nathan Abrams and Gregory Frame |
1 |
| 4279 |
 |
Totally Truffaut: 23 Films for Understanding the Man and the Filmmaker |
Anne Gillain |
|
| 4280 |
 |
The Oxford Handbook of New Science Fiction Cinemas |
J P Telotte |
|
| 4281 |
 |
Screening the Posthuman |
Missy Molloy, Pansy Duncan, Claire Henry |
|
| 4282 |
 |
Soviet Art House: Lenfilm Studio under Brezhnev [Illustrated] |
Catriona Kelly |
|
| 4283 |
 |
Enacting the Worlds of Cinema |
Steffen Hven |
|
| 4284 |
 |
How Documentaries Went Mainstream: A History, 1960-2022 |
Nora Stone |
|
| 4285 |
 |
The Oxford Handbook of New Science Fiction Cinemas |
J. P. Telotte |
|
| 4286 |
 |
Classical Projections: The Practice and Politics of Film Quotation |
Eleni Palis |
|
| 4287 |
 |
Life 24x a Second: Cinema, Selfhood, and Society |
Elsie Walker |
|
| 4288 |
 |
Movies on Our Minds: The Evolution of Cinematic Engagement |
James E. Cutting |
|
| 4289 |
 |
Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary |
Jihoon Kim |
|
| 4290 |
 |
Dmitry Shostakovich and Music for Stalinist Cinema (1936-1953) |
Joan Titus |
|
| 4291 |
 |
Between Images: Montage and the Problem of Relation |
Ryan Conrath |
|
| 4292 |
 |
The Moving Form of Film: Historicising the Medium through Other Media |
Lúcia Nagib (editor), Stefan Solomon (editor) |
|
| 4293 |
 |
Frames of Minds: A History of Neuropsychiatry on Screen |
Eelco F.M. Wijdicks |
|
| 4294 |
 |
Virgil's Cinematic Art: Vision as Narrative in the Aeneid |
Kirk Freudenburg |
|
| 4295 |
 |
Cinema, Media, and Human Flourishing |
Timothy Corrigan |
|
| 4296 |
 |
Film Music: A Very Short Introduction [2 ed.] |
Kathryn Kalinak |
2 |
| 4297 |
 |
The Exorcist Effect: Horror, Religion, and Demonic Belief |
Joseph P. Laycock, Eric Harrelson |
|
| 4298 |
 |
The Art of the Filmmaker: The Practical Aesthetics of the Screen |
Peter Markham |
|
| 4299 |
 |
On Marilyn Monroe: An Opinionated Guide |
Richard Barrios |
|
| 4300 |
 |
Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 2 |
Dominic Broomfield-McHugh, Reader in Musicology Dominic Broomfield-McHugh |
|
| 4301 |
 |
The Oxford Handbook of Musical Theatre Screen Adaptations |
Dominic McHugh |
|
| 4302 |
 |
The Traces of Jacques Derrida's Cinema |
Timothy Holland |
|
| 4303 |
 |
Stars, Studios, and the Musical Theatre Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 3 |
Dominic Broomfield-McHugh, Reader in Musicology Dominic Broomfield-McHugh |
|
| 4304 |
 |
Screen Stories and Moral Understanding |
Plantinga |
|
| 4305 |
 |
Our Country/Whose Country?: Early Westerns and Travel Films as Stories of Settler Colonialism |
Richard Abel |
|
| 4306 |
 |
Why We Watch: The Attractions of Violent Entertainment |
Jeffrey Goldstein |
|
| 4307 |
 |
Experimental Film and Queer Materiality |
Juan A. Suárez |
|
| 4308 |
 |
Untimely Bollywood |
Amit S. Rai |
|
| 4309 |
 |
Bipolar Identity: Region, Nation and the Kannada Language Film [!st ed.] |
MK Raghavendra |
|
| 4310 |
 |
The Oxford History of World Cinema |
Geoffrey Nowell-Smith |
|
| 4311 |
 |
Pasolini: Forms of Subjectivity |
Robert S. C. Gordon |
|
| 4312 |
 |
British Cinema of the 1950s: The Decline of Deference [illustrated edition] |
Sue Harper, Vincent Porter |
|
| 4313 |
 |
The History of Cinema: A Very Short Introduction [1 ed.] |
Geoffrey Nowell-Smith |
1 |
| 4314 |
 |
Novel to Film: An Introduction to the Theory of Adaptation [1 ed.] |
Brian McFarlane |
1 |
| 4315 |
 |
Moving modernisms : motion, technology, and modernity [First edition] |
Bradshaw, David, Marcus, Laura, Roach, Rebecca |
|
| 4316 |
 |
French Cinema: A Very Short Introduction |
Dudley Andrew |
|
| 4317 |
 |
May '68 in French Fiction and Film: Rethinking Society, Rethinking Representation |
Margaret Atack |
|
| 4318 |
 |
The Oxford History of World Cinema [illustrated edition] |
Geoffrey Nowell-Smith |
|
| 4319 |
 |
James Joyce and the Phenomenology of Film |
Hanaway-Oakley, Cleo, |
|
| 4320 |
 |
Film, art, and the third culture : a naturalized aesthetics of film [1 ed.] |
Smith, Murray |
1 |
| 4321 |
 |
Video Culture in India : The Analog Era |
Ishita Tiwary |
|
| 4322 |
 |
European Cinema |
Elizabeth Ezra |
|
| 4323 |
 |
Refractions of the Third Reich in German and Austrian Fiction and Film |
Chloe Paver |
|
| 4324 |
 |
The Oxford Handbook of Adaptation Studies [online version ed.] |
Thomas M. Leitch |
|
| 4325 |
 |
Making Music in Selznick's Hollywood |
Nathan Platte |
|
| 4326 |
 |
Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism |
Kyle Stevens |
|
| 4327 |
 |
Mike Nichols : sex, language, and the reinvention of psychological realism [1 ed.] |
Stevens, Kyle |
1 |
| 4328 |
 |
Back to the Fifties: Nostalgia, Hollywood Film, and Popular Music of the Seventies and Eighties [1 ed.] |
Michael D. Dwyer |
1 |
| 4329 |
 |
Watching jazz : encounters with jazz performance on screen [1 ed.] |
Doctor, Jennifer R., Elsdon, Peter, Heile, Björn |
1 |
| 4330 |
 |
Rock 'N' Film: Cinema's Dance With Popular Music [1 ed.] |
David E. James |
1 |
| 4331 |
 |
The age of new waves: art cinema and the staging of globalization |
James Tweedie |
|
| 4332 |
 |
Theories Of The Soundtrack |
James Buhler |
|
| 4333 |
 |
When Broadway went to Hollywood |
Ethan Mordden |
|
| 4334 |
 |
A Modernist Cinema: Film Art from 1914 to 1941 |
Scott W. Klein (editor), Michael Valdez Moses (editor) |
|
| 4335 |
 |
Talking Films and Songs: Javed Akhtar in conversation with Nasreen Munni Kabir |
Nasreen Munni Kabir |
|
| 4336 |
 |
Avant-Doc: Intersections of Documentary and Avant-Garde Cinema |
MacDonald, Scott |
|
| 4337 |
 |
A Dictionary of Film Studies |
Annette Kuhn |
|
| 4338 |
 |
Paul Tillich and the Possibility of Revelation through Film (Oxford Theology and Religion Monographs) [1 ed.] |
Jonathan Brant |
1 |
| 4339 |
 |
Paul Tillich and the possibility of revelation through film : a theoretical account grounded by empirical research into the experiences of filmgoers [1 ed.] |
Brant, Jonathan |
1 |
| 4340 |
 |
Shakespeare and the English-speaking Cinema |
Russell Jackson |
|
| 4341 |
 |
Ancient Greek Women in Film [1 ed.] |
Konstantinos P. Nikoloutsos |
1 |
| 4342 |
 |
Time in fiction [1 ed.] |
Bourne, Craig, Caddick Bourne, Emily |
1 |
| 4343 |
 |
British Cinema: A Very Short Introduction |
Charles Barr |
|
| 4344 |
 |
Dancefilm: Choreography and the Moving Image |
Erin Brannigan |
|
| 4345 |
 |
The Oxford Handbook of Japanese Cinema [1 ed.] |
Daisuke Miyao |
1 |
| 4346 |
 |
A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman [4 ed.] |
Robert Kolker |
4 |
| 4347 |
 |
Opening Bazin: postwar film theory and its afterlife |
Dudley Andrew, Herve Joubert-Laurencin |
|
| 4348 |
 |
The Documentary Film Reader: History, Theory, Criticism [1 ed.] |
Jonathan Kahana (ed.) |
1 |
| 4349 |
 |
The Imperial Trace: Recent Russian Cinema |
Nancy Condee |
|
| 4350 |
 |
The Picture of Health: Medical Ethics and the Movies [1 ed.] |
Henri Colt, Silvia Quadrelli, Friedman Lester |
1 |
| 4351 |
 |
We'll Meet Again: Musical Design in the Films of Stanley Kubrick [1 ed.] |
Kate McQuiston |
1 |
| 4352 |
 |
The essay film: from Montaigne, after Marker |
American Council of Learned Societies., Corrigan, Timothy |
|
| 4353 |
 |
A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman [4th ed] |
Kolker, Robert Phillip |
4 |
| 4354 |
 |
Composing for Moving Pictures: The Essential Guide |
Jason M. Gaines |
|
| 4355 |
 |
The Oxford Handbook of Sound and Image in Digital Media |
Carol Vernallis, Amy Herzog, John Richardson |
|
| 4356 |
 |
American Obscurantism: History and the Visual in U.S. Literature and Film [Illustrated] |
Peter Lurie |
|
| 4357 |
 |
The Oxford handbook of Chinese cinemas |
Rojas, Carlos |
|
| 4358 |
 |
The Social Science of Cinema [1 ed.] |
James C. Kaufman, Dean Keith Simonton |
1 |
| 4359 |
 |
Unruly Media: YouTube, Music Video, and the New Digital Cinema [1 ed.] |
Carol Vernallis |
1 |
| 4360 |
 |
André Bazin [Rev. paperback ed] |
Andrew, James Dudley,Bazin, André |
|
| 4361 |
 |
Psychocinematics: Exploring Cognition at the Movies [1 ed.] |
Arthur P. Shimamura |
1 |
| 4362 |
 |
The Music of James Bond |
Jon Burlingame |
|
| 4363 |
 |
Devices of Curiosity: Early Cinema and Popular Science |
Oliver Gaycken |
|
| 4364 |
 |
Vital crises in Italian cinema : iconography, stylistics, politics [2nd ed (Online-ausg.)] |
Sitney, Adams P |
2 |
| 4365 |
 |
Understanding Sound Tracks Through Film Theory [1 ed.] |
Elsie Walker |
1 |
| 4366 |
 |
Popular Music and the New Auteur: Visionary Filmmakers after MTV |
Arved Ashby |
|
| 4367 |
 |
The Oxford Handbook of Dance and the Popular Screen |
Melissa Blanco Borelli |
|
| 4368 |
 |
Anglo-American Stage and Screen Drama: The Post-Democratic World Order |
Mike Ingham |
|
| 4369 |
 |
André Bazin [Rev. paperback ed] |
Andrew, James Dudley, Bazin, André |
|
| 4370 |
 |
Cinema by other means [1 ed.] |
Pavle Levi |
1 |
| 4371 |
 |
Urban Film and Everyday Practice: Bridging Divisions in Johannesburg [1 ed.] |
Alexandra Parker (auth.) |
1 |
| 4372 |
 |
Roadshow!: The Fall of Film Musicals in the 1960s |
Matthew Kennedy |
|
| 4373 |
 |
Sensing the Past: Hollywood Stars and Historical Visions |
Jim Cullen |
|
| 4374 |
 |
Cinema by other means |
Levi, Pavle |
|
| 4375 |
 |
Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song [1 ed.] |
Jayson Beaster-Jones |
1 |
| 4376 |
 |
Now Playing: Learning Mythology Through Film |
Gail Rosen, Eva M. Thury, Margaret K. Devinney |
|
| 4377 |
 |
The age of new waves : art cinema and the staging of globalization |
Tweedie, James |
|
| 4378 |
 |
The Men Who Knew Too Much Henry James and Alfred Hitchcock |
Griffin, Susan M.,Nadel, Alan |
|
| 4379 |
 |
Hollywood: A Very Short Introduction |
Peter Decherney |
|
| 4380 |
 |
America Is Elsewhere : The Noir Tradition in the Age of Consumer Culture |
Erik Dussere |
|
| 4381 |
 |
Stars in Modern French Film |
Guy Austin |
|
| 4382 |
 |
Contemporary Hollywood Stardom |
Martin Barker, Thomas Austin |
|
| 4383 |
 |
Studying film |
Nathan Abrams, Ian A. F. Bell, Jan Udris |
|
| 4384 |
 |
Key Film Texts |
Graham Roberts, Heather Wallis |
|
| 4385 |
 |
Composing for the Red Screen: Prokofiev and Soviet Film [1 ed.] |
Kevin Bartig |
1 |
| 4386 |
 |
Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television |
Gross, Larry(Editor) |
|
| 4387 |
 |
Flicker: your brain on movies |
Zacks, Jeffrey M |
|
| 4388 |
 |
The Desiring-Image : Gilles Deleuze and Contemporary Queer Cinema |
Nick Davis |
|
| 4389 |
 |
Ready when you are, Mr Coppola, Mr Spielberg, Mr Crowe |
Ziesmer, Jerry |
|
| 4390 |
 |
The new Brazilian cinema [First edition] |
University of Oxford. Centre for Brazilian Studies.,Nagib, Lúcia |
|
| 4391 |
 |
Slow Fade to Black (Galaxy Books) |
Thomas Cripps |
|
| 4392 |
 |
Hollywood Cartoons: American Animation in Its Golden Age [1st ed] |
Michael Barrier |
1 |
| 4393 |
 |
Oxford Film Locations |
Taplin, Phoebe |
|
| 4394 |
 |
Queering Bunuel: Sexual Dissidence and Psychoanalysis in his Mexican and Spanish Cinema |
Julian Daniel Gutierrez-Albilla |
|
| 4395 |
 |
The New Brazilian Cinema [illustrated edition] |
Lúcia Nagib |
|
| 4396 |
 |
Peter Lorre: face maker: stardom and performance between Hollywood and Europe [First paperback edition] |
Lorre, Peter,Thomas, Sarah |
|
| 4397 |
 |
The Emergence of the Bombay Film Industry, 1913-1936 |
Bhaumik, K. |
|
| 4398 |
 |
Trashing the Academy: Taste, Excess and an Emerging Politics of Cinematic Style |
Jeffrey Sconce |
|
| 4399 |
 |
Engaging Characters: Fiction, Emotion, and the Cinema |
Murray Smith |
|
| 4400 |
 |
"It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age |
Anthony Slide (editor), Jim Moore (editor) |
|
| 4401 |
 |
Megastar: Chiranjeevi and Telugu Cinema After N.T. Rama Rao |
S. V. Srinivas |
|
| 4402 |
 |
101 Marvellous Movies You May Have Missed |
David Stratton |
|
| 4403 |
 |
A Search for Belonging: The Mexican Cinema of Luis Buñuel |
Marc Ripley |
|
| 4404 |
 |
A History of Pain: Trauma in Modern Chinese Literature and Film |
Michael Berry |
|
| 4405 |
 |
A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood |
Eithne Quinn |
|
| 4406 |
 |
Absence in Cinema: The Art of Showing Nothing |
Justin Remes |
|
| 4407 |
 |
Acting Wales: Stars of Stage and Screen |
Peter Stead |
|
| 4408 |
 |
“Keep ’Em in the East”: Kazan, Kubrick, and the Postwar New York Film Renaissance |
Richard Koszarski |
|
| 4409 |
 |
Éric Rohmer: A Biography |
Antoine de Baecque, Noël Herpe, Steven Rendall, Lisa Neal |
|
| 4410 |
 |
A 'Toxic Genre': The Iraq War Films |
Martin Barker |
|
| 4411 |
 |
African Film and Literature: Adapting Violence to the Screen |
Lindiwe Dovey |
|
| 4412 |
 |
After Uniqueness: A History of Film and Video Art in Circulation |
Erika Balsom |
|
| 4413 |
 |
After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 |
Michael Slowik |
|
| 4414 |
 |
Alien Woman: The Making of Lt. Ellen Ripley |
Ximena C. Gallardo, C. Jason Smith |
|
| 4415 |
 |
Aliens R us : the other in science fiction cinema |
Cubitt, Sean, Sardar, Ziauddin |
|
| 4416 |
 |
Alluring Monsters: The Pontianak and Cinemas of Decolonization |
Rosalind Galt |
|
| 4417 |
 |
Alien Identities: Exploring Differences in Film and Fiction [1 ed.] |
Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan |
1 |
| 4418 |
 |
An annotated bibliography of Taiwan film studies |
Cheng, Jim, Noguchi, Sachie, Wicks, James |
|
| 4419 |
 |
An Annotated Bibliography for Taiwan Film Studies |
Cheng, Jim(Editor) |
|
| 4420 |
 |
Antichrist |
Simmons, Amy,Trier, Lars von |
|
| 4421 |
 |
Anxious Cinephilia: Pleasure and Peril at the Movies (Film and Culture) |
Sarah Keller |
|
| 4422 |
 |
Ang Lee (Asian Americans of Achievement) [1 ed.] |
Clifford W. Mills |
1 |
| 4423 |
 |
Anxious Cinephilia: Pleasure and Peril at the Movies |
Sarah Keller |
|
| 4424 |
 |
At the end of the street in the shadow Orson Welles and the city |
Gear, Matthew Asprey |
|
| 4425 |
 |
Audio-Vision: Sound on Screen |
Michel Chion, Claudia Gorbman |
|
| 4426 |
 |
Avengers assemble!: critical perspectives on the Marvel cinematic universe |
McSweeney, Terence |
|
| 4427 |
 |
Avengers Assemble!: Critical Perspectives on the Marvel Cinematic Universe |
Terence McSweeney (editor) |
|
| 4428 |
 |
Barthes’ Image-Music-Text |
Ed White |
|
| 4429 |
 |
Before Marilyn: The Blue Book Modeling Years |
Astrid Franse, Michelle Morgan |
|
| 4430 |
 |
Beyond Bruce Lee: Chasing the Dragon Through Film, Philosophy, and Popular Culture |
Paul Bowman |
|
| 4431 |
 |
Bio-pics : a life in pictures |
Cheshire, Ellen |
|
| 4432 |
 |
Bio-pics: A Life in Pictures |
Ellen Cheshire |
|
| 4433 |
 |
Billy Wilder: Dancing on the Edge |
Joseph McBride |
|
| 4434 |
 |
Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film |
Xavier Aldana Reyes |
|
| 4435 |
 |
Bond on Bond: The Ultimate Book on 50 Years of Bond Movies |
Moore, Roger,Owen, Gareth |
|
| 4436 |
 |
Box Office Archaeology |
Julie M Schablitsky |
|
| 4437 |
 |
Bombay Hustle: Making Movies in a Colonial City |
Debashree Mukherjee |
|
| 4438 |
 |
Bond on Bond: reflections on 50 years of James Bond movies |
Bond, James,Owen, Gareth,Moore, Roger |
|
| 4439 |
 |
Brie Larson Is Captain Marvel® |
Katie Kawa |
|
| 4440 |
 |
Bring Me the Head of Alfredo Garcia |
Cooper, Ian |
|
| 4441 |
 |
Brazilian cinema [Expanded ed., Morningside ed] |
Randal Johnson and Robert Stam, editors. |
|
| 4442 |
 |
Bronson |
Charles Bronson |
|
| 4443 |
 |
Camera Historica: The Century in Cinema [1 ed.] |
Antoine de Baecque |
1 |
| 4444 |
 |
Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America |
Alison Griffiths |
|
| 4445 |
 |
Chinese Chinese Women's Cinema: Transnational Contexts |
Lingzhen Wang |
|
| 4446 |
 |
Chris Pratt--The Biography |
Joe Allan |
|
| 4447 |
 |
Christian Slater--Back from the Edge |
Nigel Goodall |
|
| 4448 |
 |
China on Screen: Cinema and Nation (Film and Culture Series) |
Christopher Berry Ph.D., Mary Ann Farquhar Ph.D. |
|
| 4449 |
 |
Chinese Film Classics, 1922-1949 |
Christopher G Rea |
|
| 4450 |
 |
Cinema in the Digital Age |
Nicholas Rombes |
|
| 4451 |
 |
Cinema Militant Political Filmmaking and May 1968 2016 |
Grant, Paul Douglas |
|
| 4452 |
 |
Cinema/Politics/Philosophy |
Nico Baumbach |
|
| 4453 |
 |
Cinema by Design : Art Nouveau, Modernism, and Film History |
Lucy Fischer |
|
| 4454 |
 |
Cinematic Overtures: How to Read Opening Scenes |
Annette Insdorf |
|
| 4455 |
 |
Cinesonic: The World of Sound in Film |
Philip Brophy (Ed.) |
|
| 4456 |
 |
Civilized Violence: Subjectivity, Gender and Popular Cinema |
David Hansen-Miller |
|
| 4457 |
 |
Citizen Kane: a filmmaker's journey |
Lebo, Harlan |
|
| 4458 |
 |
Chromatic modernity: color, cinema, and media of the 1920s |
Sarah Street |
|
| 4459 |
 |
Cinema and the Republic : Filming on the Margins in Contemporary France [1 ed.] |
Jonathan Ervine |
1 |
| 4460 |
 |
Chromatic Modernity: Color, Cinema, and Media of the 1920s |
Sarah Street, Joshua Yumibe |
|
| 4461 |
 |
Cinema of paradox : french filmmaking under the german occupation |
Evelyn Ehrlich |
|
| 4462 |
 |
Cinematic Howling: Women’s Films, Women’s Film Theories [First edition] |
Hoi F. Cheu |
|
| 4463 |
 |
Citizen Hollywood: How the Collaboration between LA and DC Revolutionized American Politics |
Timothy Stanley |
|
| 4464 |
 |
Cinéma Militant: Political Filmmaking and May 1968 |
Paul Douglas Grant |
|
| 4465 |
 |
Cinematic Appeals: The Experience of New Movie Technologies |
Ariel Rogers |
|
| 4466 |
 |
Cinesonic: Cinema and the sound of music |
Philip Brophy (ed.) |
|
| 4467 |
 |
Columbia Pictures: Portrait of a Studio [Reprint ed.] |
Bernard F. Dick |
|
| 4468 |
 |
Continental Strangers: German Exile Cinema, 1933-1951 |
Gem?nden, Gerd |
|
| 4469 |
 |
Continental Strangers: German Exile Cinema, 1933–1951 |
Gerd Gemünden |
|
| 4470 |
 |
Contemporary Romanian Cinema: The History of an Unexpected Miracle |
Dominique Nasta |
|
| 4471 |
 |
Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète |
Paula Amad |
|
| 4472 |
 |
Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture |
Casey Charles |
|
| 4473 |
 |
Creaturely poetics: animality and vulnerability in literature and film |
Pick, Anat |
|
| 4474 |
 |
Creaturely Poetics: Animality and Vulnerability in Literature and Film |
Anat Pick |
|
| 4475 |
 |
Critical Cinema: Beyond the Theory of Practice |
Myer, Clive,Nichols, Bill |
|
| 4476 |
 |
Cultures of representation: disability in world cinema contexts |
Fraser, Benjamin |
|
| 4477 |
 |
Crooked, but Never Common: The Films of Preston Sturges |
Stuart Klawans |
|
| 4478 |
 |
Cultures of Representation Disability in World Cinema Contexts [NONE ed.] |
Fraser, Benjamin |
|
| 4479 |
 |
Danger: Diabolik |
Leon Hunt |
|
| 4480 |
 |
Dangerous men: pre-code Hollywood and the birth of the modern man |
LaSalle, Mick |
|
| 4481 |
 |
Daniel Radcliffe |
Sue Blackhall |
|
| 4482 |
 |
Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh |
Lotte Hoek |
|
| 4483 |
 |
Daddy Cool: Finding my father, the singer who swapped Hollywood fame for home in Australia |
Darleen Bungey |
|
| 4484 |
 |
Deep Red |
Argento, Dario,Kannas, Alexia |
|
| 4485 |
 |
Designing women: cinema, art deco, and the female form |
Lucy Fischer |
|
| 4486 |
 |
Disaster Movies: The Cinema Of Catastrophe [2 ed.] |
Stephen Keane |
2 |
| 4487 |
 |
Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film |
Iván Villarmea Álvarez |
|
| 4488 |
 |
Documenting cityscapes : urban change in contemporary non-fiction film |
Villarmea Álvarez, Iván |
|
| 4489 |
 |
Documents of Utopia: The Politics of Experimental Documentary |
Paolo Magagnoli |
|
| 4490 |
 |
Documents of utopia : the politics of experimental documentary |
Magagnoli, Paolo |
|
| 4491 |
 |
Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima |
Anne Gjelsvik |
|
| 4492 |
 |
Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima |
Anne Gjelsvik (editor), Rikke Schubart (editor) |
|
| 4493 |
 |
Electric Dreamland: Amusement Parks, Movies, and American Modernity |
Lauren Rabinovitz |
|
| 4494 |
 |
Electric Sounds: Technological Change and the Rise of Corporate Mass Media (Film and Culture Series) |
Steve J. Wurtzler |
|
| 4495 |
 |
Enser’s Filmed Books and Plays: A List of Books and Plays from which Films have been Made, 1928–2001 |
Ellen Baskin |
|
| 4496 |
 |
Essays on the Essay Film |
Nora M. Alter (editor), Timothy Corrigan (editor) |
|
| 4497 |
 |
Essays on the Essay Film |
Nora M. Alter, Timothy Corrigan |
|
| 4498 |
 |
European Film Music |
Miguel Mera, David Burnand (ed.) |
|
| 4499 |
 |
Experiencing Music Video: Aesthetics and Cultural Context |
Carol Vernallis |
|
| 4500 |
 |
Exception Taken: How France Has Defied Hollywood's New World Order |
Jonathan Buchsbaum |
|
| 4501 |
 |
Exploring Morality and Sexuality in Asian Cinema: Cinematic Boundaries [1 ed.] |
Peter C. Pugsley |
1 |
| 4502 |
 |
Eye of the Century: Film, Experience, Modernity |
Francesco Casetti |
|
| 4503 |
 |
Fate in Film: A Deterministic Approach to Cinema |
Thomas M. Puhr |
|
| 4504 |
 |
Feasting Our Eyes: Food Films and Cultural Identity in the United States |
Laura Lindenfeld, Fabio Parasecoli |
|
| 4505 |
 |
Female Masochism in Film: Sexuality, Ethics and Aesthetics [New edition] |
McPhee, Ruth |
|
| 4506 |
 |
Faster, Pussycat! Kill! Kill! |
Dean DeFino |
|
| 4507 |
 |
Fast Forward: The Future(s) of the Cinematic Arts |
Holly Willis |
|
| 4508 |
 |
Film and the City |
George Melnyk |
|
| 4509 |
 |
Film and the Natural Environment: Elements and Atmospheres |
Adam O'Brien |
|
| 4510 |
 |
Film Dialogue |
Jaeckle, Jeff |
|
| 4511 |
 |
Film studies: an introduction |
Ed Sikov |
|
| 4512 |
 |
Film Violence: History, Ideology, Genre |
James Kendrick |
|
| 4513 |
 |
Film worlds: a philosophical aesthetics of cinema |
Yacavone, Daniel |
|
| 4514 |
 |
Film; A sound Art [1 ed.] |
Chion, Michel |
1 |
| 4515 |
 |
Film genre: from iconography to ideology |
Grant, Barry Keith |
|
| 4516 |
 |
Film Studies, second edition: An Introduction |
Ed Sikov |
|
| 4517 |
 |
Film Studies: An Introduction |
Butler, Andrew M |
|
| 4518 |
 |
Film studies: an introduction [2nd print ed.] |
Sikov, Ed |
2 |
| 4519 |
 |
Film and Stereotype: A Challenge for Cinema and Theory |
Jörg Schweinitz, Laura Schleussner |
|
| 4520 |
 |
Film Censorship: Regulating America's Screen |
Sheri Chinen Biesen |
|
| 4521 |
 |
Films Beget Films: A Study of the Compilation Film |
Jay Leyda |
|
| 4522 |
 |
Film Performance: From Achievement to Appreciation |
Andrew Klevan |
|
| 4523 |
 |
Film Programming: Curating for Cinemas, Festivals, Archives |
Peter Bosma |
|
| 4524 |
 |
Film Sound: Theory and Practice |
Elisabeth Weis (editor), John Belton (editor) |
|
| 4525 |
 |
Filming History from Below: Microhistorical Documentaries |
Efrén Cuevas |
|
| 4526 |
 |
Filming the Unfilmable: Casper Wrede's One Day in the Life of Ivan Denisovich |
Ben Hellmann |
|
| 4527 |
 |
Finding Ourselves at the Movies: Philosophy for a New Generation |
Paul Kahn |
|
| 4528 |
 |
Firestorm: American Film in the Age of Terrorism [First Edition] |
Stephen Prince |
|
| 4529 |
 |
Film Theory: Creating a Cinematic Grammar |
Felicity Colman |
|
| 4530 |
 |
Flickering Empire: How Chicago Invented the U.S. Film Industry |
Adam Selzer, Michael Glover Smith |
|
| 4531 |
 |
Flickering Empire: How Chicago Invented the U.S. Film Industry |
Michael Glover Smith, Adam Selzer |
|
| 4532 |
 |
Flaming Creatures |
Constantine Verevis |
|
| 4533 |
 |
For His Eyes Only: The Women of James Bond [Pilot project. eBook available to selected US libraries only] |
Lisa Funnell (editor) |
|
| 4534 |
 |
Foucault at the Movies |
Michel Foucault, Patrice Maniglier, Dork Zabunyan |
|
| 4535 |
 |
French Cinema: From Its Beginnings to the Present |
Remi Fournier Lanzoni |
|
| 4536 |
 |
From Silver Screen to Spanish Stage |
Stuart Green |
|
| 4537 |
 |
Gay Directors, Gay Films?: Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters |
Emanuel Levy |
|
| 4538 |
 |
George Gallup in Hollywood |
Susan Ohmer |
|
| 4539 |
 |
George Cukor's People : Acting for A Master Director |
Joseph McBride |
|
| 4540 |
 |
Ghosts on the Somme: Filming the Battle, June-July 1916 |
Alastair H. Fraser, Andrew Robertshaw, Steve Roberts |
|
| 4541 |
 |
Global Cinematic Cities: New Landscapes of Film and Media |
Johan Andersson and Lawrence Webb |
|
| 4542 |
 |
Gloria Swanson: The Ultimate Star |
Shearer, Stephen Michael,Swanson, Gloria |
|
| 4543 |
 |
Gothic Machine: Textualities, Pre-cinematic Media and Film in Popular Visual Culture 1670-1910 |
David J. Jones |
|
| 4544 |
 |
Hail to the chin: further confessions of a B movie actor |
Campbell, Bruce,Sanborn, Craig |
|
| 4545 |
 |
Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall |
Thomas Waugh |
|
| 4546 |
 |
Harun Farocki: Forms of Intelligence |
Nora M. Alter |
|
| 4547 |
 |
Hayao Miyazaki: Japan's Premier Anime Storyteller [1 ed.] |
Jeff Lenburg |
1 |
| 4548 |
 |
Hearst Over Hollywood [First Edition] |
Louis Pizzitola |
|
| 4549 |
 |
Herstories on Screen Feminist Subversions of Frontier Myths [: ed.] |
Kathleen Cummins |
|
| 4550 |
 |
Herstories on Screen: Feminist Subversions of Frontier Myths |
Kathleen Cummins |
|
| 4551 |
 |
Heritage Film: Nation, Genre, and Representation |
Belén Vidal |
|
| 4552 |
 |
Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema |
Angela Smith |
|
| 4553 |
 |
Hitchcock’S Films Revisited |
Robin Wood, Ken Venezio |
|
| 4554 |
 |
Hitchcock's Romantic Irony |
Richard Allen |
|
| 4555 |
 |
Hindi Film Songs and the Cinema |
Anna Morcom |
|
| 4556 |
 |
Hitchcock’s Films Revisited [Paperback ed.] |
Robin Wood |
|
| 4557 |
 |
Hitchcock's Magic |
Neil Badmington |
|
| 4558 |
 |
Hollywood and Israel: A History |
Anthony Shaw, Giora Goodman |
|
| 4559 |
 |
Hollywood Androgyny |
Rebecca Bell-Metereau |
|
| 4560 |
 |
Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies |
Hunter Vaughan |
|
| 4561 |
 |
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship (Film and Culture) |
Virginia Wright Wexman |
|
| 4562 |
 |
Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies |
Hunter Vaughan |
|
| 4563 |
 |
Home in Hollywood: The Imaginary Geography of Cinema |
Elisabeth Bronfen |
|
| 4564 |
 |
Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s |
Annette Davison |
|
| 4565 |
 |
Hollis Frampton: Navigating the Infinite Cinema |
Michael Zryd |
|
| 4566 |
 |
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World |
Ross Melnick |
|
| 4567 |
 |
Hollywood and Hitler, 1933-1939 [First Edition /First Printing] |
Thomas Doherty |
|
| 4568 |
 |
Hollywood and Hitler, 1933-1939 |
Doherty, Thomas Patrick |
|
| 4569 |
 |
Hollywood and the culture elite: how the movies became american |
Peter Decherney |
|
| 4570 |
 |
Hollywood from Vietnam to Reagan ... and Beyond: a Revised and Expanded Edition of the Classic Text [Expanded edition] |
Wood, Robin |
|
| 4571 |
 |
Hollywood and the Culture Elite: How the Movies Became American |
Peter Decherney |
|
| 4572 |
 |
Hollywood Lighting from the Silent Era to Film Noir |
Patrick Keating |
|
| 4573 |
 |
Hollywood Beauty: Linda Darnell and the American Dream [1st ed.] |
Ronald L. Davis |
1 |
| 4574 |
 |
Hollywood Science: Movies, Science, and the End of the World |
Sidney Perkowitz |
|
| 4575 |
 |
Hollywood from Vietnam to Reagan |
Robin Wood |
|
| 4576 |
 |
Hollywood's Censor: Joseph I. Breen and the Production Code Administration [First Edition] |
Thomas Doherty |
|
| 4577 |
 |
Hollywood Hollywood Lighting from the Silent Era to Film Noir |
Patrick Keating |
|
| 4578 |
 |
Hollywood Italians: Dagos, Palookas, Romeos, Wise Guys, and Sopranos |
Peter Bondanella |
|
| 4579 |
 |
Hollywood North: The Feature Film Industry in British Columbia |
Mike Gasher |
|
| 4580 |
 |
Hollywood's copyright wars: from Edison to the Internet [1 ed.] |
Peter Decherney |
1 |
| 4581 |
 |
Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics of Representation [Pilot project. eBook available to selected US libraries only] |
Gerd Bayer Bayer (editor), Oleksandr Kobrynskyy Kobrynskyy (editor) |
|
| 4582 |
 |
How Did Lubitsch Do It? |
Joseph McBride |
|
| 4583 |
 |
Homemade Hollywood: Fans Behind the Camera |
Clive Young |
|
| 4584 |
 |
Horror Film and Otherness |
Adam Lowenstein |
|
| 4585 |
 |
Humphrey Jennings and British Documentary Film: A Re-assessment |
Philip C. Logan |
|
| 4586 |
 |
If chins could kill : confessions of a B movie actor : an autobiography [1st ed.] |
Campbell, Bruce |
1 |
| 4587 |
 |
If Chins Could Kill: Confessions of a B Movie Actor [New edition] |
Campbell, Bruce,Sanborn, Craig |
|
| 4588 |
 |
I-Docs: The Evolving Practices of Interactive Documentary |
Judith Aston (editor), Sandra Gaudenzi (editor), Mandy Rose (editor) |
|
| 4589 |
 |
Impersonal Enunciation, or the Place of Film |
Christian Metz, Cormac Deane, Dana Polan |
|
| 4590 |
 |
Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film |
Christopher Hanscom |
|
| 4591 |
 |
In Love with Movies: From New Yorker Films to Lincoln Plaza Cinemas |
Daniel Talbot, Toby Talbot (editor) |
|
| 4592 |
 |
Indie : an American film culture |
Newman, Michael Z |
|
| 4593 |
 |
Indie: An American Film Culture |
Michael Z. Newman |
|
| 4594 |
 |
Ingmar Bergman's Face to Face |
Michael Tapper |
|
| 4595 |
 |
Installation and the moving image |
Elwes, Catherine |
|
| 4596 |
 |
International Politics and Film: Space, Vision, Power |
Klaus Dodds, Sean Carter |
|
| 4597 |
 |
International Perspectives on Business Innovation and Disruption in the Creative Industries: Film, Video and Photography |
Robert DeFillippi, Patrik Wikström |
|
| 4598 |
 |
Italian Neorealism: Rebuilding the Cinematic City |
Shiel, Mark |
|
| 4599 |
 |
It's the Pictures that Got Small: Charles Brackett on Billy Wilder and Hollywood's Golden Age |
Anthony Slide |
|
| 4600 |
 |
Jacking In to the Matrix Franchise: Cultural Reception and Interpretation |
Matthew Kapell, William G. Doty (editors) |
|
| 4601 |
 |
Jack Nicholson--The Biography |
John Parker |
|
| 4602 |
 |
Jack--The Biography of Jack Nicholson |
John Parker |
|
| 4603 |
 |
John Ford: Hollywood's Old Master |
Ronald L. Davis |
|
| 4604 |
 |
JJ Abrams--A Study in Genius: The Unofficial Biography |
Neil Daniels |
|
| 4605 |
 |
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars |
Jill Godmilow |
|
| 4606 |
 |
KINO: A History of the Russian and Soviet Film |
Jay Leyda |
|
| 4607 |
 |
Knock me up, knock me down : images of pregnancy in Hollywood films |
Oliver, Kelly |
|
| 4608 |
 |
Lady in the Dark: Iris Barry and the Art of Film |
Robert Sitton |
|
| 4609 |
 |
Lars von Trier Beyond Depression: Contexts and Collaborations |
Linda Badley |
|
| 4610 |
 |
Laughing on the outside: the life of John Candy |
Candy, John,Knelman, Martin |
|
| 4611 |
 |
Last words: considering contemporary cinema |
Wood, Jason |
|
| 4612 |
 |
Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious |
Dona Kercher |
|
| 4613 |
 |
Latin Hitchcock: how Almodâovar, Amenâabar, De la Iglesia, Del Toro and Campanella became notorious |
Kercher, Dona M |
|
| 4614 |
 |
Lesbian Film Guide (Sexual Politics) [4th Revised] |
Alison Darren |
4 |
| 4615 |
 |
Leonardo DiCaprio - The Biography |
Wight, Douglas |
|
| 4616 |
 |
Let the Right One In |
Alfredson, Tomas,Billson, Anne |
|
| 4617 |
 |
Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine |
Sam B. Girgus |
|
| 4618 |
 |
Liquid Metal The Science Fiction Film Reader |
Redmond, Sean |
|
| 4619 |
 |
Literature and Film in Cold War South Korea: Freedom's Frontier |
Theodore Hughes |
|
| 4620 |
 |
Love in Motion : Erotic Relationships in Film |
Due, Reidar |
|
| 4621 |
 |
Love in Motion: Erotic Relationships in Film |
Reidar Due |
|
| 4622 |
 |
Made in Censorship: The Tiananmen Movement in Chinese Literature and Film |
Thomas Chen |
|
| 4623 |
 |
Making Worlds: Affect and Collectivity in Contemporary European Cinema |
Claudia Breger |
|
| 4624 |
 |
Masculine Interests: Homoerotics in Hollywood Film |
Robert Lang |
|
| 4625 |
 |
Masks in Horror Cinema: Eyes Without Faces (Horror Studies) [1 ed.] |
Alexandra Heller-Nicholas |
1 |
| 4626 |
 |
Matthew McConaughey: The Biography |
Neil Daniels |
|
| 4627 |
 |
Maya Deren : incomplete control |
Deren, Maya, Deren, Maya, Keller, Sarah K |
|
| 4628 |
 |
Mediamorphosis: Kafka and the Moving Image |
Shai Biderman (editor), Ido Lewit (editor) |
|
| 4629 |
 |
Mel Gibson--Man on a Mission |
Wensley Clarkson |
|
| 4630 |
 |
Melodrama Unbound: Across History, Media, and National Cultures |
Christine Gledhill (editor), Linda Williams (editor) |
|
| 4631 |
 |
Melodrama and Modernity: Early Sensational Cinema and Its Contexts [illustrated] |
Ben Singer |
|
| 4632 |
 |
Melodrama: Genre, Style and Sensibility |
John Mercer, Martin Shingler |
|
| 4633 |
 |
Melodramatic Voices: Understanding Music Drama |
Sarah Hibberd |
|
| 4634 |
 |
Mise-en-scène: film style and interpretation [Repr ed.] |
Gibbs, John |
|
| 4635 |
 |
Modernism and the Cult of Mountains: Music, Opera, Cinema |
Christopher Morris |
|
| 4636 |
 |
Modernist Montage: The Obscurity of Vision in Cinema and Literature |
P. Adams Sitney |
|
| 4637 |
 |
Movie journal: the rise of the new American cinema, 1959-1971 [Second edition] |
Mekas, Jonas |
|
| 4638 |
 |
Motion(less) pictures : the cinema of stasis |
Remes, Justin |
|
| 4639 |
 |
Movie Journal: The Rise of the New American Cinema, 1959-1971 [second edition] |
Jonas Mekas, Gregory Smulewicz-Zucker, Jonas Mekas, Peter Bogdanovich |
|
| 4640 |
 |
Movie Journal: The Rise of the New American Cinema, 1959–1971 [2nd ed.] |
Jonas Mekas |
2 |
| 4641 |
 |
Ms. 45 |
Alexandra Heller-Nicholas |
|
| 4642 |
 |
Must we kill the thing we love?: Emersonian perfectionism and the films of Alfred Hitchcock |
Emerson, Ralph Waldo,Hitchcock, Alfred,Rothman, William |
|
| 4643 |
 |
Mythopoetic Cinema: On the Ruins of European Identity |
Kriss Ravetto–biagiol |
|
| 4644 |
 |
Music in Cinema |
Michel Chion |
|
| 4645 |
 |
Music in Cinema |
Michel Chion, Claudia Gorbman |
|
| 4646 |
 |
Musical Sincerity and Transcendence in Film: Reflexive Fictions (Ashgate Screen Music Series) [1 ed.] |
Timothy B. Cochran |
1 |
| 4647 |
 |
Must we kill the thing we love? : Emersonian perfectionism and the films of Alfred Hitchcock |
Emerson, Ralph Waldo, Hitchcock, Alfred, Emerson, Ralph Waldo, Hitchcock, Alfred, Rothman, William |
|
| 4648 |
 |
My Affair with Art House Cinema |
Phillip Lopate |
|
| 4649 |
 |
Must We Kill the Thing We Love?: Emersonian Perfectionism and the Films of Alfred Hitchcock [Pilot project. eBook available to selected US libraries only] |
William Rothman |
|
| 4650 |
 |
Mystifying Movies: Fads & Fallacies in Contemporary Film Theory |
Noël Carroll |
|
| 4651 |
 |
Mythopoetic Cinema: On the Ruins of European Identity |
Kriss Ravetto-Biagioli |
|
| 4652 |
 |
My Affair with Art House Cinema: Essays and Reviews |
Phillip Lopate |
|
| 4653 |
 |
My Word Is My Bond: A Memoir [Lrg ed.] |
Roger Moore, Gareth Owen |
|
| 4654 |
 |
National fictions: Literature, film and the construction of Australian narrative [2. edition] |
Turner, Graeme |
2 |
| 4655 |
 |
Narrative and Narration: Analyzing Cinematic Storytelling |
Warren Buckland |
|
| 4656 |
 |
New Blood: Critical Approaches to Contemporary Horror |
Eddie Falvey (editor), Joe Hickinbottom (editor), Jonathan Wroot (editor) |
|
| 4657 |
 |
Neo-Noir |
Mark Bould (editor), Kathrina Glitre (editor), Greg Tuck (editor), Mike Hodges (editor) |
|
| 4658 |
 |
New Hollywood Cinema: An Introduction |
Geoff King |
|
| 4659 |
 |
New Tunisian Cinema: Allegories of Resistance |
Robert Lang |
|
| 4660 |
 |
Neurological Cinematographic Atlas |
S. Philip Goodhart, Benjamin Harris Balser |
|
| 4661 |
 |
New Queer Horror Film and Television (Horror Studies) [Illustrated] |
Darren Elliott-Smith (editor), John Edgar Browning (editor) |
|
| 4662 |
 |
New Tunisian Cinema: Allegories of Resistance [ebook ed.] |
Robert Lang |
|
| 4663 |
 |
Night passages: philosophy, literature, and film |
Brenner, David,Bronfen, Elisabeth |
|
| 4664 |
 |
Night Passages: Philosophy, Literature, and Film [Paperback ed.] |
Elisabeth Bronfen |
|
| 4665 |
 |
Nosferatu: a symphony of horror |
Massaccesi, Cristina |
|
| 4666 |
 |
Nonlinear Editing. Storytelling, Aesthetics, and Craft |
Bryce Button (Auth.) |
|
| 4667 |
 |
On the Screen: Displaying the Moving Image, 1926–1942 |
Ariel Rogers |
|
| 4668 |
 |
Parallel lines : post-9/11 American cinema |
Westwell, Guy |
|
| 4669 |
 |
Peep shows: cult film and the cine-erotic |
Mendik, Xavier |
|
| 4670 |
 |
Performing the Socialist State: Modern Chinese Theater and Film Culture |
Xiaomei Chen |
|
| 4671 |
 |
Perplexing Plots: Popular Storytelling and the Poetics of Murder [1 ed.] |
David Bordwell |
1 |
| 4672 |
 |
Perpetrator Cinema: Confronting Genocide in Cambodian Documentary |
Raya Morag |
|
| 4673 |
 |
Perplexing Plots: Popular Storytelling and the Poetics of Murder |
David Bordwell |
|
| 4674 |
 |
Peter O'Toole: the definitive biography [First U.S. edition] |
Burton, Tim,O'Toole, Peter,Sellers, Robert |
|
| 4675 |
 |
Philosophers on Film from Bergson to Badiou: A Critical Reader |
Christopher Kul-Want (editor) |
|
| 4676 |
 |
Pier Paolo Pasolini: performing authorship |
Annovi, Gian Maria,Pasolini, Pier Paolo |
|
| 4677 |
 |
Pier Paolo Pasolini: Performing Authorship |
Gian Maria Annovi |
|
| 4678 |
 |
Plastic reality: special effects, technology, and the emergence of 1970s blockbuster aesthetics |
Turnock, Julie A |
|
| 4679 |
 |
Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics |
Julie Turnock |
|
| 4680 |
 |
Playing Cowboys: Low Culture and High Art in the Western |
Robert Murray Davis |
|
| 4681 |
 |
Play Time: Jacques Tati and Comedic Modernism (Film and Culture Series) |
Malcolm Turvey |
|
| 4682 |
 |
Political Film: The Dialectics of Third Cinema |
Mike Wayne |
|
| 4683 |
 |
Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture |
Jeff Menne |
|
| 4684 |
 |
Postmodernism and film: rethinking Hollywood's aesthestics |
Constable, Catherine |
|
| 4685 |
 |
Postmodernism and Film: Rethinking Hollywood's Aesthestics |
Catherine Constable |
|
| 4686 |
 |
Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture [Paperback ed.] |
Jeff Menne |
|
| 4687 |
 |
Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950 |
Dana Polan |
|
| 4688 |
 |
Pre-Code Hollywood |
Thomas Doherty |
|
| 4689 |
 |
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934 [First edition, first printing (full number line)] |
Thomas Doherty |
|
| 4690 |
 |
Precarious Sociality, Ethics and Politics: French Documentary Cinema in the Early Twenty-First Century |
Audrey Evrard |
|
| 4691 |
 |
Pretty : film and the decorative image |
Galt, Rosalind |
|
| 4692 |
 |
Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema |
Rey Chow |
|
| 4693 |
 |
Prison Movies: Cinema Behind Bars |
Kevin Kehrwald |
|
| 4694 |
 |
Producing Videos: A Complete Guide [2nd ed.] |
Martha Mollison |
2 |
| 4695 |
 |
Projecting Race: Postwar America, Civil Rights, and Documentary Film |
Stephen Charbonneau |
|
| 4696 |
 |
Psycho in the Shower: The History of Cinema’s Most Famous Scene |
Philip J. Skerry |
|
| 4697 |
 |
Projections of War: Hollywood, American Culture, and World War II |
Thomas Doherty |
|
| 4698 |
 |
Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945 |
Hikari Hori |
|
| 4699 |
 |
Quadrophenia |
Stephen Glynn |
|
| 4700 |
 |
Quentin Tarantino--The Man, the Myths and the Movies |
Wensley Clarkson |
|
| 4701 |
 |
Raising an Eyebrow: My Life with Sir Roger Moore |
Gareth Owen |
|
| 4702 |
 |
Reading the Gospels in the Dark: Portrayals of Jesus in Film |
Richard G. Walsh |
|
| 4703 |
 |
Reconstructing Strangelove: Inside Stanley Kubrick's "Nightmare Comedy" |
Mick Broderick |
|
| 4704 |
 |
Reel Power: Hollywood Cinema and American Supremacy [1st Ed.] |
Matthew Alford |
1 |
| 4705 |
 |
Reeled In: Pre-existing Music in Narrative Film |
Jonathan Godsall |
|
| 4706 |
 |
Reflections on 50 years of James Bond movies |
Bond, James, Bond, James, Owen, Gareth, Moore, Roger |
|
| 4707 |
 |
Reform Cinema in Iran: Film and Political Change in the Islamic Republic |
Atwood, Blake |
|
| 4708 |
 |
Reform Cinema in Iran: Film and Political Change in the Islamic Republic |
Blake Atwood |
|
| 4709 |
 |
Re-Locating the Sounds of the Western |
Kendra Preston Leonard, Mariana Whitmer |
|
| 4710 |
 |
Religion and Film: Cinema and the Re-creation of the World |
S. B. Plate |
|
| 4711 |
 |
Representing Atrocity in Taiwan: The 2/28 Incident and White Terror in Fiction and Film |
Sylvia Lin |
|
| 4712 |
 |
Retrovisions: reinventing the past in film and fiction |
Deborah Cartmell, I. Q. Hunter, Imelda Whelehan (editors) |
|
| 4713 |
 |
Rewriting Indie Cinema: Improvisation, Psychodrama, and the Screenplay |
J. J. Murphy |
|
| 4714 |
 |
Rising Sun, Divided Land: Japanese and South Korean Filmmakers |
Kate Taylor-Jones |
|
| 4715 |
 |
Revolutionary Becomings: Documentary Media in Twentieth-Century China |
Ying Qian |
|
| 4716 |
 |
Robert Bresson: a spiritual style in film / |
Joseph Cunneen. |
|
| 4717 |
 |
Ryan Gosling: Hollywood's Finest |
Nick Johnstone |
|
| 4718 |
 |
Scoring the Hollywood Actor in the 1950s [1 ed.] |
Gregory Camp |
1 |
| 4719 |
 |
Satyajit Ray on Cinema |
Ray, Sandip,Ray, Satyajit |
|
| 4720 |
 |
Screen Media: Analysing Film and Television |
Jane Stadler, Kelly McWilliam |
|
| 4721 |
 |
Screening Generation X : the politics and popular memory of youth in contemporary cinema |
Christina Lee |
|
| 4722 |
 |
Second Take: Australian Film-Makers Talk |
Raffaele Caputo, Geoff Burton |
|
| 4723 |
 |
Second Time Around: From Art House to DVD |
D. A. Miller |
|
| 4724 |
 |
Second Time Around - from Art House to DVD |
D. A. Miller |
|
| 4725 |
 |
Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility |
Rey Chow |
|
| 4726 |
 |
Show Trial: Hollywood, HUAC, and the Birth of the Blacklist |
Thomas Doherty |
|
| 4727 |
 |
Silent Cinema: Before the Pictures Got Small |
Lawrence Napper |
|
| 4728 |
 |
Silent Film Sound |
Rick Altman |
|
| 4729 |
 |
Slow Movies: Countering the Cinema of Action [Pilot project. eBook available to selected US libraries only] |
Ira Jaffe |
|
| 4730 |
 |
Sound Technology and the American Cinema: Perception, Representation, Modernity |
James Lastra |
|
| 4731 |
 |
Spaces Mapped and Monstrous: Digital 3D Cinema and Visual Culture |
Nick Jones |
|
| 4732 |
 |
Special effects: still in search of wonder |
Michele Pierson |
|
| 4733 |
 |
Specters of Slapstick and Silent Film Comediennes |
Maggie Hennefeld |
|
| 4734 |
 |
Star as Icon: Celebrity in the Age of Mass Consumption |
Herwitz, Daniel |
|
| 4735 |
 |
Stars and Strikes: Unionization of Hollywood |
Murray Ross |
|
| 4736 |
 |
Stars and Stardom in French Cinema: In-Depth Studies of Brigitte Bardot, Jeanne Moreau, Jean-Paul Belmondo, Alain Delon, Juliette Binoche, and More |
Ginette Vincendeau |
|
| 4737 |
 |
Still in the Saddle: The Hollywood Western, 1969–1980 |
Andrew Patrick Nelson |
|
| 4738 |
 |
Storytelling in World Cinemas: Contexts |
Lina Khatib |
|
| 4739 |
 |
Stunt man: the autobiography of Yakima Canutt with Oliver Drake |
Yakima Canutt, Oliver Drake |
|
| 4740 |
 |
Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space |
Brian Jacobson |
|
| 4741 |
 |
Studying Fight Club |
Mark Ramey |
|
| 4742 |
 |
Studying Hot Fuzz |
Archer, Neil, Wright, Edgar |
|
| 4743 |
 |
Suburban Fantastic Cinema: Growing Up in the Late Twentieth Century |
Angus McFadzean |
|
| 4744 |
 |
Swords and Cinema |
Jeremiah McCall |
|
| 4745 |
 |
Sweet and Lowdown: Woody Allen's Cinema of Regret |
Lloyd Michaels |
|
| 4746 |
 |
Suspiria |
Heller-Nicholas, Alexandra |
|
| 4747 |
 |
Suzuki Seijun and Postwar Japanese Cinema |
William Carroll |
|
| 4748 |
 |
The 21st Century Screenplay: A Comprehensive Guide to Writing Tomorrow's Films |
Linda Aronson |
|
| 4749 |
 |
The Art of Rogue One: A Star Wars Story |
Josh Kushins, Doug Chiang, Neil Lamont, Gareth Edwards |
|
| 4750 |
 |
The Ashgate Encyclopedia of Literary and Cinematic Monsters |
Jeffrey Andrew Weinstock |
|
| 4751 |
 |
The Blaxploitation Horror Film: Adaptation, Appropriation and the Gothic |
Jamil Mustafa |
|
| 4752 |
 |
The Blade Runner Experience: The Legacy of a Science Fiction Classic |
Will Brooker (editor) |
|
| 4753 |
 |
The Blade Runner Experience the Legacy of a Science Fiction Classic |
Brooker, Will |
|
| 4754 |
 |
The Chaplin Machine-Slapstick , Fordism and the Communist Avant-Garde [1 ed.] |
Owen Hatherley |
1 |
| 4755 |
 |
The Chaplin Machine: Slapstick, Fordism and the International Communist Avant-Garde |
Owen Hatherley |
|
| 4756 |
 |
The Children's Film: Genre, Nation, and Narrative |
Noel Brown |
|
| 4757 |
 |
The Chaplin machine: slapstick, Fordism and the Communist avant-garde |
Chaplin, Charlie,Hatherley, Owen |
|
| 4758 |
 |
The Cinema of Aki Kaurismäki: Contrarian Stories |
Andrew Nestingen |
|
| 4759 |
 |
The Cinema of Alexander Sokurov: Figures of Paradox |
Jeremi Szaniawski |
|
| 4760 |
 |
The Cinema of James Cameron: Bodies in Heroic Motion |
James Clarke |
|
| 4761 |
 |
The Cinema of Louis Malle: Transatlantic Auteur |
Philippe Met (editor) |
|
| 4762 |
 |
The cinema of Michael Mann : vice and vindication |
Mann, Michael, Rayner, Jonathan, Mann, Michael Kenneth |
|
| 4763 |
 |
The Cinema of Ang Lee: The Other Side of the Screen [second edition] |
Whitney Crothers Dilley |
|
| 4764 |
 |
The Cinema of Michael Mann: Vice and Vindication |
Jonathan Rayner |
|
| 4765 |
 |
The Cinema of Hal Hartley: Flirting With Formalism |
Steven Rybin |
|
| 4766 |
 |
The Cinema of Michael Winterbottom: Borders, Intimacy, Terror |
Bruce Bennett |
|
| 4767 |
 |
The cinema of Krzysztof Kieślowski : variations on destiny and chance |
Kie*slowski, Krzysztof, Kie*slowski, Krzysztof <,1941->, - Critique et interprétation, Kieślowski, Krzysztof, Kieślowski, Krzysztof, Haltof, Marek |
|
| 4768 |
 |
The Cinema of Paul Thomas Anderson: American Apocrypha |
Ethan Warren |
|
| 4769 |
 |
The Cinema of Latin America |
Alberto Elena |
|
| 4770 |
 |
The cinema of Sean Penn: in and out of place |
Penn, Sean, Williams, Deane |
|
| 4771 |
 |
The Cinema of Richard Linklater: Walk, Don't Run |
Rob Stone |
|
| 4772 |
 |
The Cinema of Steven Spielberg: Empire of Light |
Nigel Morris |
|
| 4773 |
 |
The cinema of Robert Altman: Hollywood maverick |
Altman, Robert, Niemi, Robert |
|
| 4774 |
 |
The Cinema of Tom DiCillo: Include Me Out |
Wayne Byrne, Steve Buscemi |
|
| 4775 |
 |
The cinema of Steven Soderbergh : indie sex, corporate lies, and digital videotape |
Andrew deWaard, R. Colin Tait, Thomas Schatz |
|
| 4776 |
 |
The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape |
Andrew deWaard |
|
| 4777 |
 |
The Cinema of the Coen Brothers: Hard-Boiled Entertainments |
Jeffrey Adams |
|
| 4778 |
 |
The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth |
Herzog, Werner,Thompson, Kirsten Moana |
|
| 4779 |
 |
The cinema of Béla Tarr: the circle closes |
Kovács, András Bálint,Tarr, Béla |
|
| 4780 |
 |
The Cinema of Béla Tarr: The Circle Closes |
András Kovács |
|
| 4781 |
 |
The Cinema of Christopher Nolan: Imagining the Impossible |
Stuart Joy |
|
| 4782 |
 |
The Cinema of Agnès Varda: Resistance and Eclecticism |
Delphine Benezet |
|
| 4783 |
 |
The Cinema of Clint Eastwood: Chronicles of America |
David Sterritt |
|
| 4784 |
 |
The cinema of Aki Kaurismaki : contrarian stories |
Kaurismäki, Aki, Nestingen, Andrew K., Kaurismäki, Aki |
|
| 4785 |
 |
The Cinema of Clint Eastwood: Chronicles of America [Hardcover ed.] |
David Sterritt |
|
| 4786 |
 |
The Collaboration: Hollywood's Pact with Hitler |
Ben Urwand |
|
| 4787 |
 |
The Cinema of Hal Hartley: Flirting with Formalism |
Steven Rybin (editor) |
|
| 4788 |
 |
The cinema of George A. Romero : knight of the living dead [Second edition] |
Romero, George A., Williams, Tony |
|
| 4789 |
 |
The Cinema of István Szabó: Visions of Europe |
John Cunningham |
|
| 4790 |
 |
The Cinema of George A. Romero: Knight of the Living Dead |
Tony Williams |
|
| 4791 |
 |
The Cinema of Paolo Sorrentino: Commitment to Style |
Russell Kilbourn |
|
| 4792 |
 |
The Cinema of George A. Romero: Knight of the Living Dead, Second Edition [second edition] |
Tony Williams |
|
| 4793 |
 |
The cinema of Richard Linklater : walk, don't run |
Linklater, Richard, Stone, Rob |
|
| 4794 |
 |
The cinema of István Szábo : visions of Europe |
Cunningham, John, Szabó, István |
|
| 4795 |
 |
The cinema of Terrence Malick : poetic visions of America [2nd ed] |
Malick, Terrence, Malick, Terrence, Patterson, Hannah |
2 |
| 4796 |
 |
The cinema of Michael Winterbottom : borders, intimacy, terror |
Winterbottom, Michael, Winterbottom, Michael, Bennett, Bruce |
|
| 4797 |
 |
The cinema of the Coen brothers: hard-boiled entertainers |
Adams, Jeffrey Todd,Coen, Ethan,Coen, Joel |
|
| 4798 |
 |
The Cinema of Raúl Ruiz: Impossible Cartographies |
Michael N. Goddard |
|
| 4799 |
 |
The Cinema of Wes Anderson: Bringing Nostalgia to Life |
Whitney Crothers Dilley |
|
| 4800 |
 |
The cinema of Robert Altman: Hollywood maverick |
Altman, Robert,Niemi, Robert |
|
| 4801 |
 |
The Cinema of Takeshi Kitano: Flowering Blood |
Redmond, Sean |
|
| 4802 |
 |
The Cinema of Terry Gilliam: It's a Mad World |
Jeff Birkenstein (editor), Anna Froula (editor), Karen Randell (editor) |
|
| 4803 |
 |
The Cinema of Terry Gilliam: It's a Mad World (Directors' Cuts) |
Jeff Birkenstein |
|
| 4804 |
 |
The Cinema of the Dardenne Brothers: Responsible Realism |
Philip Mosley |
|
| 4805 |
 |
The Columbia companion to American history on film : how the movies have portrayed the American past |
edited by Peter C. Rollins. |
|
| 4806 |
 |
The Columbia companion to American history on film: how the movies have portrayed the American past |
Rollins, Peter C |
|
| 4807 |
 |
The Contemporary Superhero Film: Projections of Power and Identity |
Terence McSweeney |
|
| 4808 |
 |
The Continuum companion to religion and film |
William L. Blizek |
|
| 4809 |
 |
The Disappearing Christ: Secularism in the Silent Era |
Phil Maciak |
|
| 4810 |
 |
The dynamic frame camera movement inclassical Hollywood |
Keating, Patrick |
|
| 4811 |
 |
The Dynamic Frame: Camera Movement in Classical Hollywood |
Patrick Keating |
|
| 4812 |
 |
The end of cinema?: a medium in crisis in the digital age |
Gaudreault, André(Translation),Marion, Philippe,Barnard, Timothy(Translation) |
|
| 4813 |
 |
The End of Cinema?: A Medium in Crisis in the Digital Age |
André Gaudreault, Philippe Marion, Timothy Barnard |
|
| 4814 |
 |
The Essay Film After Fact and Fiction |
Nora M. Alter |
|
| 4815 |
 |
The Essay Film: Dialogue, Politics, Utopia |
Elizabeth Papazian (editor), Caroline Eades (editor) |
|
| 4816 |
 |
The films of Clint Eastwood : chronicles of America |
Eastwood, Clint, Sterritt, David |
|
| 4817 |
 |
The Films of Elías Querejeta: A Producer of Landscapes |
Tom Whittaker |
|
| 4818 |
 |
The film business: a history of British cinema, 1896-1972. |
Ernest Betts |
|
| 4819 |
 |
The Gangster Film: Fatal Success in American Cinema [Pilot project. eBook available to selected US libraries only] |
Ron Wilson |
|
| 4820 |
 |
The good, the bad, and the Godawful: 21st-century movie reviews [First edition] |
Loder, Kurt |
|
| 4821 |
 |
The Golden Age of Movie Musicals and Me [First Edition] |
Saul Chaplin |
|
| 4822 |
 |
The Golden Age of Science Fiction: A Journey Into Space with 1950s Radio, Tv, Films, Comics and Books |
John Wade |
|
| 4823 |
 |
The Guttenberg Bible: A Memoir |
Steve Guttenberg |
|
| 4824 |
 |
The Heist Film: Stealing with Style [Pilot project. eBook available to selected US libraries only] |
Daryl Lee |
|
| 4825 |
 |
The heist film : stealing with style |
Daryl Lee |
|
| 4826 |
 |
The History of British Film 1906-1914 (Volume II) [2, Reprint ed.] |
Rachael Low |
2 |
| 4827 |
 |
The History of British Film 1914-1918 (Volume III) [Reprint ed.] |
Rachael Low |
|
| 4828 |
 |
The History of British Film 1918-1929 (Volume IV) [Reprint ed.] |
Rachael Low |
|
| 4829 |
 |
The History of the British Film 1896–1906 (Volume I) [Reprint ed.] |
Rachael Low, Roger Manvell |
|
| 4830 |
 |
The Horror Genre: From Beelzebub to Blair Witch |
Paul Wells |
|
| 4831 |
 |
The Impossible David Lynch (Film and Culture Series) |
Todd McGowan |
|
| 4832 |
 |
The Information Film |
Gloria Waldron, Cecile Starr |
|
| 4833 |
 |
The Lumière galaxy : seven key words for the cinema to come |
Casetti, Francesco |
|
| 4834 |
 |
The Lumière Galaxy: Seven Key Words for the Cinema to Come |
Francesco Casetti |
|
| 4835 |
 |
The merchant prince of Poverty Row: Harry Cohn of Columbia Pictures |
Columbia Pictures Corporation,Cohn, Harry,Dick, Bernard F |
|
| 4836 |
 |
The music of Harry Potter and The Lord of the rings: sounds of home in the fantasy franchise |
Daniel White |
|
| 4837 |
 |
The New Yorker Theater and Other Scenes from a Life at the Movies |
Toby Talbot, Martin Scorsese |
|
| 4838 |
 |
The New European Cinema: Redrawing the Map (Film and Culture Series) |
Rosalind Galt PhD |
|
| 4839 |
 |
The New Yorker Theater and Other Scenes from a Life at the Movies [First Edition] |
Toby Talbot, Martin Scorsese |
|
| 4840 |
 |
The New Hollywood: From Bonnie and Clyde to Star Wars |
Peter Krämer |
|
| 4841 |
 |
The Politics and Poetics of Cinematic Realism |
Hermann Kappelhoff, Daniel Hendrickson |
|
| 4842 |
 |
The Psycho Records |
Laurence A. Rickels |
|
| 4843 |
 |
The Psycho Records |
Laurence Rickels |
|
| 4844 |
 |
The Real Peter Sellers |
Andrew Norman |
|
| 4845 |
 |
The Rebirth of Suspense : Slowness and Atmosphere in Cinema |
Rick Warner |
|
| 4846 |
 |
The Road Movie: In Search of Meaning |
Neil Archer |
|
| 4847 |
 |
The scary screen : media anxiety in The ring |
Kristen Lacefield |
|
| 4848 |
 |
The Shape of Spectatorship : Art, Science, and Early Cinema in Germany |
Curtis, Scott |
|
| 4849 |
 |
The Sports Film: Games People Play [Pilot project. eBook available to selected US libraries only] |
Bruce Babington |
|
| 4850 |
 |
The Stardom Film: Creating the Hollywood Fairy Tale |
Karen McNally |
|
| 4851 |
 |
The Struggle for Form: Perspectives on Polish Avant-Garde Film, 1916–1989 [Pilot project. eBook available to selected US libraries only] |
Kamila Kuc (editor), Michael O'Pray (editor) |
|
| 4852 |
 |
The subject of torture : psychoanalysis and biopolitics in television and film |
Neroni, Hilary |
|
| 4853 |
 |
The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film |
Hilary Neroni |
|
| 4854 |
 |
The Ultimate Stallone Reader : Sylvester Stallone as Star, Icon, Auteur |
Chris Holmlund (ed.) |
|
| 4855 |
 |
The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik |
Christopher Pavsek |
|
| 4856 |
 |
The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present [Pilot project. eBook available to selected US libraries only] |
Eric Rentschler |
|
| 4857 |
 |
The Voice in Cinema |
Michel Chion |
|
| 4858 |
 |
Theorising the Contemporary Zombie: Contextual Pasts, Presents, and Futures |
Scott Hamilton, Conor Heffernan |
|
| 4859 |
 |
Third Take: Australian Film-makers Talk |
Anthony Minghella, Anthony Minghella, Raffaele Caputo, Geoff Burton |
|
| 4860 |
 |
Through a Noir Lens: Adapting Film Noir Visual Style |
Sheri Chinen Biesen |
|
| 4861 |
 |
Tom Hardy--Rise of a Legend |
James Haydock |
|
| 4862 |
 |
Tom Holland Is Spider-Man® |
Katie Kawa |
|
| 4863 |
 |
Tom Hiddleston--The Biography |
Sarah Marshall |
|
| 4864 |
 |
Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films [4 ed.] |
Donald Bogle |
4 |
| 4865 |
 |
Tradition, Culture and Aesthetics in Contemporary Asian Cinema |
Peter C. Pugsley |
|
| 4866 |
 |
Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body |
Joel Gwynne, (ed.) |
|
| 4867 |
 |
Transgressive Bodies: Representations in Film and Popular Culture |
Niall Richardson |
|
| 4868 |
 |
Trash Cinema: The Lure of the Low |
Guy Barefoot |
|
| 4869 |
 |
Twenty-First-Century Hollywood: Rebooting the System |
Neil Archer |
|
| 4870 |
 |
Underground U.S.A. |
Mendik, Xavier,Schneider, Steven Jay,Kaufman, Lloyd |
|
| 4871 |
 |
Understanding Film: Marxist Perspectives |
Mike Wayne |
|
| 4872 |
 |
Unspeakable Histories: Film and the Experience of Catastrophe |
William Guynn |
|
| 4873 |
 |
Video Art Historicized: Traditions and Negotiations |
Malin Hedlin Hayden |
|
| 4874 |
 |
Videophilosophy: The Perception of Time in Post-Fordism |
Maurizio Lazzarato, Jay Hetrick |
|
| 4875 |
 |
Video Revolutions: On the History of a Medium |
Michael Z. Newman |
|
| 4876 |
 |
Visions of the Apocalypse : spectacles of destruction in American cinema |
Dixon, Wheeler Winston, |
|
| 4877 |
 |
Weimar Cinema: An Essential Guide to Classic Films of the Era |
Noah Isenberg |
|
| 4878 |
 |
What is Japanese Cinema? |
Yomota Inuhiko |
|
| 4879 |
 |
What Is Japanese Cinema?: A History |
Yomota Inuhiko, Philip Kaffen |
|
| 4880 |
 |
When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film |
William Paul |
|
| 4881 |
 |
Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking |
Hunter Vaughan |
|
| 4882 |
 |
Of Mice and Magic: History of American Animated Cartoons |
Maltin, Leonard |
|
| 4883 |
 |
Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution [1 ed.] |
Brian McKernan |
1 |
| 4884 |
 |
Piracy in the Indian Film Industry: Copyright and Cultural Consonance [1, 1 ed.] |
Arul George Scaria |
1 |
| 4885 |
 |
Obscenity and Film Censorship: An Abridgement of the Williams Report |
Bernard Williams |
|
| 4886 |
 |
Jean-Luc Godard’s Pierrot le fou |
David Wills |
|
| 4887 |
 |
Jean-Luc Godard's Pierrot le fou |
David Wills |
|
| 4888 |
 |
Neil LaBute : stage and cinema |
C. W. E Bigsby |
|
| 4889 |
 |
The Cambridge Companion to Literature on Screen (Cambridge Companions to Literature) [1 ed.] |
Deborah Cartmell, Imelda Whelehan |
1 |
| 4890 |
 |
Neil LaBute: Stage and Cinema [1 ed.] |
Christopher Bigsby |
1 |
| 4891 |
 |
Congressional theatre: dramatizing McCarthyism on stage, film, and television |
Brenda Murphy |
|
| 4892 |
 |
John Ford's Stagecoach |
Barry Keith Grant |
|
| 4893 |
 |
Inside Soviet Film Satire |
Andrew Horton |
|
| 4894 |
 |
Inside Soviet film satire: laughter with a lash |
Andrew Horton |
|
| 4895 |
 |
The Bible on Silent Film : Spectacle, Story and Scripture in the Early Cinema |
David J. Shepherd |
|
| 4896 |
 |
The Cambridge Companion to Film Music |
Cooke, Mervyn, Ford, Fiona (eds.) |
|
| 4897 |
 |
Screen Writings: Partial Views of a Total Art, Classic to Contemporary [Illustrated] |
Bert Cardullo |
|
| 4898 |
 |
Fantasy of Modernity: Romantic Love in Bombay Cinema of the 1950s |
Aarti Wani |
|
| 4899 |
 |
Rhetoric and Representation in Nonfiction Film |
Carl R. Plantinga |
|
| 4900 |
 |
Film Sequels: Theory and Practice from Hollywood to Bollywood |
Carolyn Jess-Cooke |
|
| 4901 |
 |
A Philosophy of Cinematic Art [1 ed.] |
Berys Gaut |
1 |
| 4902 |
 |
Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa |
Anthony Davies |
|
| 4903 |
 |
Film and Phenomenology: Towards a Realist Theory of Cinematic Representation |
Allan Casebier |
|
| 4904 |
 |
Ozu's Tokyo story |
David Desser |
|
| 4905 |
 |
The Gorgon’s Gaze: German Cinema, Expressionism, and the Image of Horror |
Paul Coates |
|
| 4906 |
 |
The Gorgon's gaze: German cinema, expressionism, and the image of horror |
Paul Coates |
|
| 4907 |
 |
Melodrama and Asian Cinema |
Wimal Dissanayake (ed.) |
|
| 4908 |
 |
Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction [Illustrated] |
Tony Howard |
|
| 4909 |
 |
Roberto Rossellini's Rome open city |
Sidney Gottlieb |
|
| 4910 |
 |
Visconti: Explorations of Beauty and Decay |
Henry Bacon |
|
| 4911 |
 |
The Cambridge Companion to Shakespeare on Film (Cambridge Companions to Literature) |
Russell Jackson |
|
| 4912 |
 |
Shakespeare Films in the Making: Vision, Production and Reception [1 ed.] |
Russell Jackson |
1 |
| 4913 |
 |
Stanley Kubrick's A Clockwork Orange (Cambridge Film Handbooks) [Illustrated] |
Stuart Y. McDougal (editor) |
|
| 4914 |
 |
The Films of Woody Allen (Cambridge Film Classics) [2 ed.] |
Sam B. Girgus |
2 |
| 4915 |
 |
Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Kapra, and Kazan [First Edition] |
Sam B. Girgus |
|
| 4916 |
 |
The ’I’ of the Camera: Essays in Film Criticism, History, and Aesthetics [2 ed.] |
William Rothman |
2 |
| 4917 |
 |
The films of Woody Allen |
Sam B. Girgus |
|
| 4918 |
 |
Documentary Film Classics [Hardcover ed.] |
William Rothman |
|
| 4919 |
 |
Cinema and the Urban Poor in South India |
Sara Dickey |
|
| 4920 |
 |
The "I" of the camera: essays in film criticism, history, and aesthetics |
William Rothman |
|
| 4921 |
 |
The films of Paul Morrissey |
Maurice Yacowar |
|
| 4922 |
 |
Modern American Drama on Screen |
William Robert Bray, R. Barton Palmer |
|
| 4923 |
 |
The Historian and Film |
Paul Smith |
|
| 4924 |
 |
The Films of Michelangelo Antonioni |
Peter Brunette |
|
| 4925 |
 |
The films of Joseph Losey |
James Palmer, Michael Riley |
|
| 4926 |
 |
The Films of Ingmar Bergman (Cambridge Film Classics) [illustrated edition] |
Jesse Kalin |
|
| 4927 |
 |
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940-1960 |
Salma Siddique |
|
| 4928 |
 |
The Films of Federico Fellini (Cambridge Film Classics) [1 ed.] |
Peter Bondanella |
1 |
| 4929 |
 |
The Films of Federico Fellini [1 ed.] |
Peter Bondanella |
1 |
| 4930 |
 |
The films of Federico Fellini |
Peter E. Bondanella |
|
| 4931 |
 |
American Ethnographic Film and Personal Documentary: The Cambridge Turn |
Scott MacDonald |
|
| 4932 |
 |
The Cambridge Companion to American Horror [1 ed.] |
Stephen Shapiro (editor) |
1 |
| 4933 |
 |
Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia |
Vera Dika |
|
| 4934 |
 |
Ways of Remembering, Volume 1: Law, Cinema and Collective Memory in the New India |
Oishik Sircar |
|
| 4935 |
 |
Hollywood and Anti-Semitism: A Cultural History up to World War II |
Steven Alan Carr |
|
| 4936 |
 |
The Cognitive Semiotics of Film |
Warren Buckland |
|
| 4937 |
 |
The Films of Mike Leigh |
Ray Carney, Leonard Quart |
|
| 4938 |
 |
Networked Bollywood: How Star Power Globalized Hindi Cinema |
Swapnil Rai |
|
| 4939 |
 |
Crime Films (Genres in American Cinema) [illustrated edition] |
Thomas Leitch |
|
| 4940 |
 |
Crime Films [illustrated edition] |
Thomas Leitch |
|
| 4941 |
 |
Sam Peckinpah's The wild bunch |
Stephen Prince |
|
| 4942 |
 |
Understanding cinema: a psychological theory of moving imagery |
Per Persson |
|
| 4943 |
 |
Modern British Drama on Screen |
R. Barton Palmer, William Robert Bray, William Robert Bray, William Robert Bray |
|
| 4944 |
 |
Nonindifferent Nature: Film and the Structure of Things [Frist ed.] |
Sergei Eisenstein |
|
| 4945 |
 |
19th century american fiction on screen [1 ed.] |
R. Barton Palmer |
1 |
| 4946 |
 |
The Cinema of Hong Kong: History, Arts, Identity |
Poshek Fu, David Desser |
|
| 4947 |
 |
When Opera Meets Film [1 ed.] |
Marcia J. Citron |
1 |
| 4948 |
 |
Horror film and psychoanalysis: Freud's worst nightmare |
Steven Jay Schneider |
|
| 4949 |
 |
When Hollywood Was Right How Movie Stars, Studio Moguls, and Big Business Remade American Politics |
Donald T. Critchlow |
|
| 4950 |
 |
The Coen brothers' Fargo |
William Luhr |
|
| 4951 |
 |
The Politics of the Soviet Cinema 1917-1929 |
Richard Taylor |
|
| 4952 |
 |
Theorizing the Moving Image |
Noel Carroll |
|
| 4953 |
 |
Digital Filmmaking for Beginners A Practical Guide to Video Production |
Michael Hughes |
|
| 4954 |
 |
Digital filmmaking for beginners: a practical guide to video production |
Hughes, Michael K |
|
| 4955 |
 |
Listen 'n' Learn Spanish with Your Favorite Movies (Listen N Learn) [1 ed.] |
Scott Thomas, Gaby Thomas |
1 |
| 4956 |
 |
Charles McGraw: biography of a film noir tough guy |
McGraw, Charles,Rode, Alan K |
|
| 4957 |
 |
Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television (Rochester Studies in Medical History) [1 ed.] |
Leslie J. Reagan, Nancy Tomes, Paula A. Treichler |
1 |
| 4958 |
 |
Medicinema Doctors In Films |
Brian Glasser |
|
| 4959 |
 |
Cinemeducation: Using Film and Other Visual Media in Graduate and Medical Education [1 ed.] |
Alexander Matthew, Patricia Lenahan, Anna Pavlov |
1 |
| 4960 |
 |
Medical Visions: Producing the Patient Through Film, Television, and Imaging Technologies |
Kirsten Ostherr |
|
| 4961 |
 |
Healthcare Ethics on Film : A Guide for Medical Educators [1st ed.] |
M. Sara Rosenthal |
1 |
| 4962 |
 |
Film and the Chinese Medical Humanities |
Vivienne Lo, Chris Berry, Guo Liping |
|
| 4963 |
 |
Health Education Films in the Twentieth Century [1 ed.] |
Christian Bonah (editor), Dr. David Cantor (editor), Anja Laukötter (editor) |
1 |
| 4964 |
 |
Health, Trade and Human Rights : Using Film and Other Visual Media in Graduate and Medical Education, volume 2 [First edition.] |
Chickadonz, Grace H., MacDonald, Theodore H., Tutu, Archbishop Desmond |
|
| 4965 |
 |
Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film [1 ed.] |
Jeremiah Morelock |
1 |
| 4966 |
 |
Pandemics, Authoritarian Populism, and Science Fiction: Medicine, Military, and Morality in American Film |
Jeremiah Morelock |
|
| 4967 |
 |
Staging Science: Scientific Performance on Street, Stage and Screen [1 ed.] |
Martin Willis (eds.) |
1 |
| 4968 |
 |
Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama [1st ed.] |
Iris H. Tuan |
1 |
| 4969 |
 |
Using AI for Dialoguing with Texts: From Psychology to Cinema and Literature |
Yair Neuman, Marcel Danesi, Dan Vilenchik |
|
| 4970 |
 |
Maya Python for games and film a complete reference for the Maya Python and the Maya Python API |
Mechtley, Adam,Trowbridge, Ryan |
|
| 4971 |
 |
Spy Fiction, Spy Films and Real Intelligence [1 ed.] |
Wesley K. Wark (editor) |
1 |
| 4972 |
 |
William Greaves: Filmmaking as Mission |
Scott MacDonald (editor), Jacqueline Najuma Stewart (editor) |
|
| 4973 |
 |
Words on Screen |
Michel Chion, Claudia Gorbman |
|
| 4974 |
 |
Writing Your Screenplay |
Lisa Dethridge |
|
| 4975 |
 |
Negative Space: Manny Faber on the Movies [First Edition] |
Manny Farber |
|
| 4976 |
 |
EcoMedia (Contemporary Cinema 1) (Contemporary Cinema) |
Sean Cubitt |
|
| 4977 |
 |
Voice-over for animation |
Lallo, M. J., Wright, Jean Ann |
|
| 4978 |
 |
Nonfiction Sound and Story for Film and Video-A Practical Guide for Filmmakers and Digital Content Creators [1 ed.] |
Amy DeLouise (Author), Cheryl Ottenritter (Author) |
1 |
| 4979 |
 |
The Hollywood book of death: the bizarre, often sordid, passings of more than 125 American movie and TV idols |
Parish, James Robert |
|
| 4980 |
 |
Creating Digital Content: Video Production for Web, Broadcast, and Cinema [1st edition] |
John Rice |
1 |
| 4981 |
 |
The Art of Watching Films, 8th Edition [8 ed.] |
Joe M. Boggs, Dennis W. Petrie |
8 |
| 4982 |
 |
The Art of Watching Films [7 ed.] |
Joe Boggs, Dennis Petrie |
7 |
| 4983 |
 |
The Art of Watching Films [7th ed.] |
Joseph M. Boggs |
7 |
| 4984 |
 |
The Art of Watching Films [9 ed.] |
Dennis W. Petrie, Joseph M. Boggs |
9 |
| 4985 |
 |
DVD Confidential 2 The Sequel |
|
|
| 4986 |
 |
The Bollywood Reader |
Rajinder Kumar Dudrah, Jigna Desai |
|
| 4987 |
 |
Pitch Like Hollywood |
Peter Desberg, Jeffrey Davis |
|
| 4988 |
 |
Comunismo del hombre solo: Un ensayo sobre Aki Kaurismäki |
Federico Galende |
|
| 4989 |
 |
American Cinema/American Culture [4th ed.] |
John Belton |
4 |
| 4990 |
 |
The Cult Film Reader [1 ed.] |
Ernest Mathijs, Xavier Mendik |
1 |
| 4991 |
 |
Film Art: An Introduction [8th ed.] |
David Bordwell, Kristin Thompson |
8 |
| 4992 |
 |
Film Art: An Introduction [8 ed.] |
David Bordwell, Kristin Thompson |
8 |
| 4993 |
 |
Film art: an introduction [Eleventh edition] |
Bordwell, David,Thompson, Kristin,Smith, Jeff |
|
| 4994 |
 |
Film art: an introduction [11th ed] |
Bordwell, David,Smith, Jeff,Thompson, Kristin |
11 |
| 4995 |
 |
Adaptation: Studying Film and Literature [1 ed.] |
John Desmond, Peter Hawkes |
1 |
| 4996 |
 |
Film Art: An Introduction [12 ed.] |
David Bordwell, Kristin Thompson, Jeff Smith |
12 |
| 4997 |
 |
Film Art: An Introduction 9th edition [9 ed.] |
David Bordwell, Kristin Thompson |
9 |
| 4998 |
 |
Film Art: An Introduction 10th Edition [10 ed.] |
David Bordwell, Kristin Thompson |
10 |
| 4999 |
 |
Art of Watching Films [7th ed.] |
Joseph M. Boggs, Dennis W. Petrie |
7 |
| 5000 |
 |
Film Art: An Introduction ISE [13 ed.] |
David Bordwell, Kristin Thompson, Jeff Smith |
13 |
| 5001 |
 |
Film Art: An Introduction [with Connect Access Code] [11th ed.] |
David Bordwell, Kristin Thompson, Jeff Smith |
11 |
| 5002 |
 |
Film Art: An Introduction, 11th Edition [11 ed.] |
David Bordwell, Kristin Thompson, Jeff Smith |
11 |
| 5003 |
 |
Film Art: An Introduction, 12th Edition [12 ed.] |
David Bordwell, Kristin Thompson, Jeff Smith |
12 |
| 5004 |
 |
Film History: An Introduction [2 ed.] |
Kristin Thompson, David Bordwell |
2 |
| 5005 |
 |
Film History: An Introduction (International Student Edition) [5 ed.] |
Kristin Thompson, David Bordwell |
5 |
| 5006 |
 |
Bad Movie Beware!: Over 100 Movies That No Human Being Should Watch. Ever. [Paperback ed.] |
Jason H Gilbert, Melissa Gilbert |
|
| 5007 |
 |
Cinema of/for the Anthropocene: Affect, Ecology, and More-Than-Human Kinship |
Katarzyna Paszkiewicz, Andrea Ruthven (eds.) |
|
| 5008 |
 |
Gendered Violence and Human Rights in Black World Literature and Film |
Naomi Nkealah, Obioma Nnaemeka |
|
| 5009 |
 |
Human Rights Film Festivals: Activism in Context |
Sonia M. Tascón (auth.) |
|
| 5010 |
 |
Human Rights Education Through Ciné Débat: Film as a Tool to Fight Against Female Genital Mutilation in Burkina Faso [1 ed.] |
Johanna Richter (auth.) |
1 |
| 5011 |
 |
Human Rights, Social Movements and Activism in Contemporary Latin American Cinema [1st ed.] |
Mariana Cunha, Antônio Márcio da Silva |
1 |
| 5012 |
 |
Indian Cinema and Human Rights: An Intersectional Tale [2024 ed.] |
Adam Dubin (editor), Ruchira Goswami (editor), Ishita Sharma (editor) |
2024 |
| 5013 |
 |
Monsters of Film, Fiction, and Fable: The Cultural Links between the Human and Inhuman |
Lisa Wenger Bro, Mary Ann Gareis, Crystal O'Leary-Davidson |
|
| 5014 |
 |
Realist Responses to Post-Human Society: Ex Machina |
Margaret S. Archer, Ismael Al-Amoudi, Jamie Morgan |
|
| 5015 |
 |
Screening Nature: Cinema beyond the Human [1 ed.] |
Anat Pick, Guinevere Narraway |
1 |
| 5016 |
 |
Screening Nature: Cinema beyond the Human |
Anat Pick, Guinevere Narraway (editors) |
|
| 5017 |
 |
Spatial dialectics. Montage and spatially organised narrative in stories without human leads |
Alifragkis S., Penz F. |
|
| 5018 |
 |
The Human Figure on Film: Natural, Pictorial, Institutional, Fictional (Horizons of Cinema) |
Seth Barry Watter |
|
| 5019 |
 |
The Human in Superhuman: The Power of the Sidekick in Popular Culture |
Sandra Eckard (editor), Alex Romagnoli (editor) |
|
| 5020 |
 |
Twilight of the Idols: Hollywood and the Human Sciences in 1920s America |
Mark Lynn Anderson |
|
| 5021 |
 |
War Pictures : Cinema, Violence, and Style in Britain, 1939-1945 [1 ed.] |
Kent Puckett |
1 |
| 5022 |
 |
Watching Human Rights: The 101 Best Films [1 ed.] |
Mark Gibney |
1 |
| 5023 |
 |
Jiya Jale: The Stories of Songs |
Gulzar (In conversation with Nasreen Munni Kabir) |
|
| 5024 |
 |
World Cinema, Theology, and the Human: Humanity in Deep Focus [1 ed.] |
Antonio Sison |
1 |
| 5025 |
 |
Hollywood Stories |
Vanity Fair |
|
| 5026 |
 |
Creating Unforgettable Characters: A Practical Guide to Character Development in Films, TV Series, Advertisements, Novels & Short Stories |
Linda Seger |
|
| 5027 |
 |
Hollywood Victory: The Movies, Stars, and Stories of World War II (Turner Classic Movies) |
Christian Blauvelt, Dr. Robert M. Citino |
|
| 5028 |
 |
I Was Saved by the Bell: Stories of Life, Love, and Dreams That Do Come True |
Peter Engel |
|
| 5029 |
 |
Russell Crowe: A Life in Stories |
Gabor H Wylie |
|
| 5030 |
 |
Russell Crowe: A Life in Stories |
Gabor H. Wylie |
|
| 5031 |
 |
Aristotle in Hollywood: Visual Stories That Work (Studies in Scriptwriting) |
Ari Hiltunen |
|
| 5032 |
 |
Five Stars! How to Become a Film Critic, the World's Greatest Job |
Christopher Null |
|
| 5033 |
 |
How I Broke into Hollywood: Success Stories from the Trenches |
Pablo F. Fenjves, Rocky Lang |
|
| 5034 |
 |
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley [1 ed.] |
Philip Furia, Michael Lasser |
1 |
| 5035 |
 |
Ideas for the Animated Short with DVD. Finding and Building Stories |
Karen Sullivan, Gary Schumer and Kate Alexander (Auth.) |
|
| 5036 |
 |
All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners |
Rutger Hauer, Patrick Quinlan |
|
| 5037 |
 |
Where's My F*cking Latte? (and Other Stories About Being an Assistant in Hollywood) [1 ed.] |
Mark Yoshimoto Nemcoff |
1 |
| 5038 |
 |
Josh Hartnett Definitely Wants To Do This . . . True Stories From A LifeIn The Screen Trade |
Bruce Beresford |
|
| 5039 |
 |
Stories I Only Tell My Friends: An Autobiography [First Edition] |
Rob Lowe |
|
| 5040 |
 |
Hollywood Stories: a Book about Celebrities, Movie Stars, Gossip, Directors, Famous People, History, and more! [1st ed] |
Schochet, Stephen |
1 |
| 5041 |
 |
Tales from the Script: 50 Hollywood Screenwriters Share Their Stories [1 ed.] |
Peter Hanson, Paul Robert Herman |
1 |
| 5042 |
 |
Hollywood Stories: a Book about Celebrities, Movie Stars, Gossip, Directors, Famous People, History, and more! |
Schochet, Stephen |
|
| 5043 |
 |
Stories I Only Tell My Friends |
Rob Lowe |
|
| 5044 |
 |
Stories I only tell my friends: an autobiography |
Lowe, Rob |
|
| 5045 |
 |
The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories [1 ed.] |
Frank Rose |
1 |
| 5046 |
 |
Stories I only tell my friends the autobiography |
Lowe, Rob |
|
| 5047 |
 |
Docudrama Performs the Past : Arenas of Argument in Films based on True Stories [1 ed.] |
Steven N. Lipkin |
1 |
| 5048 |
 |
Read my lips: stories of a Hollywood life [1st ed] |
Kellerman, Sally |
1 |
| 5049 |
 |
Stories I Only Tell My Friends: An Autobiography [First St. Martin's Griffin edition] |
Rob Lowe |
|
| 5050 |
 |
My Hollywood Stories |
Morris, Eric |
|
| 5051 |
 |
DECODING BOLLYWOOD: STORIES OF 15 FILM DIRECTORS |
Sonia Golani |
|
| 5052 |
 |
75 masterpieces every Christian should know: the fascinating stories behind great works of art, literature, music, and film |
Glaspey, Terry W |
|
| 5053 |
 |
My Hollywood stories |
Morris, Eric |
|
| 5054 |
 |
The stories we tell : how TV and movies long for and echo the truth |
Mike Cosper |
|
| 5055 |
 |
Hollywood Love Stories: True Love Stories from the Golden Days of the Silver Screen |
Gill Paul |
|
| 5056 |
 |
Telling and Re-Telling Stories: Studies on Literary Adaptation to Film [1st Unabridged] |
Paula Baldwin Lind |
1 |
| 5057 |
 |
Tales from the script: 50 hollywood screenwriters share their stories |
Hanson, Peter,Herman, Paul Robert |
|
| 5058 |
 |
75 masterpieces every Christian should know : the fascinating stories behind great works of art, literature, music, and film |
Glaspey, Terry W |
|
| 5059 |
 |
I blame Dennis Hopper: and other stories from a life lived in and out of the movies [First edition] |
Douglas, Illeana |
|
| 5060 |
 |
50 Keys to the Success of Twilight: The saga that revolutionized vampire-themed stories |
Graham Collins |
|
| 5061 |
 |
Remembering Katharine Hepburn: Stories of Wit and Wisdom about America's Leading Lady |
Ann Nyberg |
|
| 5062 |
 |
Stories Make the World: Reflections on Storytelling and the Art of the Documentary |
Stephen Most |
|
| 5063 |
 |
Encyclopedia of Weird War Stories : Supernatural and Science Fiction Elements in Novels, Pulps, Comics, Film, Television, Games and Other Media [1 ed.] |
Paul Green |
1 |
| 5064 |
 |
The best film I never made: and other stories about a life in the arts |
Beresford, Bruce |
|
| 5065 |
 |
Hollywood: Photos and Stories from Foreverland |
Keegan Allen |
|
| 5066 |
 |
Stories of Oka: Land, Film, and Literature |
Isabelle St. Amand, S. E. Stewart (trans.) |
|
| 5067 |
 |
Transcultural Screenwriting : Telling Stories for a Global World [1 ed.] |
Carmen Sofia Brenes, Patrick Cattrysse, Margaret McVeigh |
1 |
| 5068 |
 |
From the third eye: the Evergreen review film reader [Seven Stories Press first edition] |
Halter, Ed,Rosset, Barney |
|
| 5069 |
 |
Stories: Screen Narrative in the Digital Era |
Ian Christie (editor), Annie Oever (editor) |
|
| 5070 |
 |
Prewriting Your Screenplay: A Step-by-Step Guide to Generating Stories [1 ed.] |
Michael Tabb |
1 |
| 5071 |
 |
Transmedial Narration: Narratives and Stories in Different Media [1st ed.] |
Lars Elleström |
1 |
| 5072 |
 |
The Truth Has Changed |
Josh Fox |
|
| 5073 |
 |
How Films Tell Stories: the Narratology of Cinema |
Larry A. Brown |
|
| 5074 |
 |
Ephemeral Cinema Spaces: Stories of Reinvention, Resistance and Community |
Maria Velez-Serna |
|
| 5075 |
 |
A Life in Movies: Stories from 50 years in Hollywood |
Irwin Winkler |
|
| 5076 |
 |
He Put My Buddha In The Freezer: The Hopes, Letdowns & Disastrous Almost-Love Stories Of One Woman's Hollywood Decade |
Amy Karl |
|
| 5077 |
 |
Wie Stories zu History werden: Zur Authentizität von Zeitgeschichte im Spielfilm |
Björn Bergold |
|
| 5078 |
 |
Possibility’s Parents: Stories at the End of Liberalism (Politics, Literature, & Film) |
Margaret Seyford Hrezo, Nicholas Pappas |
|
| 5079 |
 |
Ripped from the Headlines!: The Shocking True Stories Behind the Movies' Most Memorable Crimes |
Harold Schechter |
|
| 5080 |
 |
Short Stories: The Autobiography of Columbus Short |
Columbus Short, Marisa Mendez |
|
| 5081 |
 |
Gay Conversion Practices in Memoir, Film and Fiction Stories of Repentance and Defiance (Library of Gender and Popular Culture) |
James E. Bennett,Marguerite Johnson, |
|
| 5082 |
 |
Best Possible Place, Worst Possible Time: True Stories from a Career in Hollywood |
Barry Sonnenfeld |
|
| 5083 |
 |
Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature |
Steven Willemsen (editor), Miklós Kiss (editor) |
|
| 5084 |
 |
Stories I Must Tell: The Emotional Life of an Actor [1 ed.] |
Kabir Bedi |
1 |
| 5085 |
 |
The Press Gang: Writings on Cinema from New York Press, 1991-2011 |
Godfrey Cheshire, Matt Zoller Seitz, Armond White |
|
| 5086 |
 |
Writing the Romantic Comedy, 20th Anniversary Expanded and Updated Edition: The Art of Crafting Funny Love Stories for the Screen |
Billy Mernit |
|
| 5087 |
 |
The Phenomenon of Benji: The Life Story of America's Most Huggable Hero-a Scrapbook [1ST ed.] |
Inn Frank |
1 |
| 5088 |
 |
Indecent Exposure: True Story Of Hollywood And Wall Street [Reprint ed.] |
David McClintick |
|
| 5089 |
 |
The Way Hollywood Tells It: Story and Style in Modern Movies [1 ed.] |
David Bordwell |
1 |
| 5090 |
 |
Keep Watching the Skies! : American Science Fiction Movies of the Fifties, The 21st Century Edition [21th ed] |
Bill Warren, Bill Thomas |
21 |
| 5091 |
 |
The Films of Apichatpong Weerasethakul |
Anik Sarkar (editor), Jayjit Sarkar (editor) |
|
| 5092 |
 |
Film After Film: [First Edition, First Printing] |
J. Hoberman |
|
| 5093 |
 |
National Identity in 21st-Century Cuban Cinema: Screening the Repeating Island [1st ed.] |
Dunja Fehimović |
1 |
| 5094 |
 |
My Place in the Sun: Life in the Golden Age of Hollywood and Washington |
George Stevens Jr. |
|
| 5095 |
 |
Peter Ho-Sun Chan's He's a Woman, She's a Man |
Lisa Stokes |
|
| 5096 |
 |
Milkyway Image: Producing Hong Kong Film Genres for Global Consumption [1st ed. 2021] |
Yi Sun |
1 |
| 5097 |
 |
Inside Linda Lovelace's Deep Throat |
Porter, Darwin |
|
| 5098 |
 |
Brando Unzipped: Marlon Brando: Bad Boy, Megastar, Sexual Outlaw |
Darwin Porter |
|
| 5099 |
 |
The Peter Lawford Story: Life with the Kennedys, Monroe, and the Rat Pack |
Patricia Lawford Stewart, Ted Schwarz |
|
| 5100 |
 |
Dark Matter: Independent Filmmaking in the 21st Century |
Michael Winterbottom |
|
| 5101 |
 |
Rock Hudson Erotic Fire [1 ed.] |
Darwin Porter, Danforth Prince |
1 |
| 5102 |
 |
How to Sell a Screenplay in the 21st Century: Your No-Nonsense Screenwriter's Guide to Launching a Film Career (Book 5 of the "Screenplay Writing Made Stupidly Easy" Collection) |
Michael Rogan |
|
| 5103 |
 |
Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films [1 ed.] |
Tingting Hu |
1 |
| 5104 |
 |
Moon Man: The True Story of a Filmmaker on the CIA Hit List |
Bart Sibrel |
|
| 5105 |
 |
STORY. Concevoir des personnages pour la scène et l'écran |
Robert McKee |
|
| 5106 |
 |
Hollywood Beach Beauties: Sea Sirens, Sun Goddesses, and Summer Style 1930-1970 |
Wills, David |
|
| 5107 |
 |
The American Sun & Wind Moving Picture Company [1 ed.] |
Jay Neugeboren |
1 |
| 5108 |
 |
Blood Moon's guide to gay and lesbian film [2nd Edition] |
Blood Moon Productions.,Prince, Danforth,Porter, Darwin |
2 |
| 5109 |
 |
The Way Hollywood Tells It: Story and Style in Modern Movies |
David Bordwell |
|
| 5110 |
 |
Inside Angels & Demons: The Story Behind the International Bestseller, The Unauthorized Guide to the Bestselling Novel and the Blockbuster Movie |
Dan Burstein, Arne de Keijzer |
|
| 5111 |
 |
Burnt by the Sun |
Birgit Beumers |
|
| 5112 |
 |
Story: Substance, Structure, Style and the Principles of Screenwriting |
Robert McKee |
|
| 5113 |
 |
Power Screenwriting: The 12 Steps of Story Development |
Michael Chase Walker |
|
| 5114 |
 |
Unlikely couples: movie romance as social criticism |
Thomas E. Wartenberg |
|
| 5115 |
 |
On Story: Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival |
|
| 5116 |
 |
Story: substance, structure, style, and the principles of screenwriting |
MacKee, Robert |
|
| 5117 |
 |
Visions of virtue in popular film |
Joseph H Kupfer |
|
| 5118 |
 |
I'm Not There |
Noah Tsika |
|
| 5119 |
 |
A Lot Can Happen in the Middle of Nowhere: The Untold Story of the Making of Fargo |
Todd Melby |
|
| 5120 |
 |
Black Cinema & Visual Culture: Art and Politics in the 21st Century |
Artel Great, Ed Guerrero |
|
| 5121 |
 |
Science Fiction Double Feature: The Science Fiction Film as Cult Text [1 ed.] |
J. P. Telotte (editor), Gerald Duchovnay (editor) |
1 |
| 5122 |
 |
Kiss Tomorrow Goodbye: The Barbara Payton Story [2nd Edition] |
John O'Dowd |
2 |
| 5123 |
 |
Into the Woods. A five-act journey into story |
John Yorke |
|
| 5124 |
 |
Anything You Can Imagine: Peter Jackson and the Making of Middle-earth |
Ian Nathan, Andy Serkis |
|
| 5125 |
 |
Spanish Horror Film and Television in the 21st Century (Routledge Focus on Media and Cultural Studies) [1 ed.] |
Vicente Rodríguez Ortega, Rubén Romero Santos |
1 |
| 5126 |
 |
Film Stars Don't Die in Liverpool: A True Love Story |
Turner, Peter |
|
| 5127 |
 |
When the Moon Waxes Red: Representation, Gender and Cultural Politics [Edition Unstated] |
Trinh T. Minh-ha |
|
| 5128 |
 |
The murder house, or the archaic mother in ''American Horror Story.'' |
Komsta, Marta |
|
| 5129 |
 |
Katharine the Great: Hepburn: Secrets of a Life Revealed |
Darwin Porter |
|
| 5130 |
 |
Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece |
Jason Bailey |
|
| 5131 |
 |
Madhubala: Her Real Life Story |
Manju Gupta [Gupta, Manju] |
|
| 5132 |
 |
Story and Character: Interviews with British Screenwriters |
Alistair Owen |
|
| 5133 |
 |
The Moon’s a Balloon |
Niven, David |
|
| 5134 |
 |
Representations of Social Inequality in 21st Century Global Art Cinema |
György Kalmár et.al. |
|
| 5135 |
 |
Funny! : Twenty-Five Years of Laughter from the Pixar Story Room |
John Lasseter, Jason Katz |
|
| 5136 |
 |
Emotional structure : creating the story beneath the plot ; a guide for screenwriters [3rd print ed.] |
Dunne, Peter |
3 |
| 5137 |
 |
HONG Sangsoo |
Huh Moon-yung |
|
| 5138 |
 |
Screenwriting 101 - Mastering the Art of Story (Audiobook) |
Professor Angus Fletcher |
|
| 5139 |
 |
To Infinity and Beyond!: The Story of Pixar Animation Studios |
Karen Paik, Leslie Iwerks, John Lasseter, Ed Catmull, Steve Jobs |
|
| 5140 |
 |
The Earth Dies Streaming: Film Writing, 2002-2018 |
A. S. Hamrah |
|
| 5141 |
 |
Back From the Future: A Celebration of the Greatest Time Travel Story Ever Told (Back to the Future Time Travel Facts and Trivia) |
Brad Gilmore |
|
| 5142 |
 |
The Act of Documenting: Documentary Film in the 21st Century |
Brian Winston, Chi Wang (Documentary film scholar), and Gail Vanstone |
|
| 5143 |
 |
Gospel of the Living Dead: George Romero's Visions of Hell on Earth |
Kim Paffenroth |
|
| 5144 |
 |
World Film Locations: Liverpool |
Conolly, Jez(Editor),Whelan, Caroline(Editor) |
|
| 5145 |
 |
A Murder in Hollywood - The Untold Story of Tinseltown's Most Shocking Crime [1 ed.] |
Casey Sherman |
1 |
| 5146 |
 |
Crazy Old Ladies: The Story of Hag Horror |
Caroline Young |
|
| 5147 |
 |
The Indian Cinema Story |
Nasreen Munni Kabir |
|
| 5148 |
 |
The Marvel Studios Story: How a Failing Comic Book Publisher Became a Hollywood Superhero (The Business Storybook) |
Charlie Wetzel |
|
| 5149 |
 |
The Nine Lives of Michael Todd: The Story of One of the World's Most Fabulous Showmen |
Art Cohn |
|
| 5150 |
 |
A Nice Place to Visit : The Story of Two American Filmmakers [1 ed.] |
Sky Gilbert |
1 |
| 5151 |
 |
Screenplay Story Analysis |
Asher Garfinkel |
|
| 5152 |
 |
The Art of Toy Story 3 |
Charles Solomon, John Lasseter, Lee Unkrich, Darla K. Anderson |
|
| 5153 |
 |
The Nosferatu Story: The Seminal Horror Film, Its Predecessors and Its Enduring Legacy [Illustrated] |
Rolf Giesen |
|
| 5154 |
 |
The Story of Film |
Mark Cousins |
|
| 5155 |
 |
Lana Turner: Hearts and Diamonds Take All |
Darwin Porter, Danforth Prince |
|
| 5156 |
 |
The Story of Hollywood: An Illustrated History |
Gregory Paul Williams |
|
| 5157 |
 |
The suppression of Salt of the earth: how Hollywood, big labor, and politicians blacklisted a movie in Cold War America |
James J. Lorence |
|
| 5158 |
 |
Spike Lee: Finding the Story and Forcing the Issue |
Jason P. Vest |
|
| 5159 |
 |
The Twilight Saga: New Moon - The Official Illustrated Movie Companion |
Mark Cotta Vaz |
|
| 5160 |
 |
Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in Hi story [1 ed.] |
Tom Pope |
1 |
| 5161 |
 |
Hollywood Moon: A Novel [1 ed.] |
Joseph Wambaugh |
1 |
| 5162 |
 |
Film's First Family: The Untold Story of the Costellos |
Terry Chester Shulman |
|
| 5163 |
 |
Screenplay : building story through character [Second edition.] |
Selbo, Jule |
|
| 5164 |
 |
Mediating War and Identity: Figures of Transgression in 20th and 21st Century War Representation |
Lisa Purse, Ute Wölfel |
|
| 5165 |
 |
The Star Wars Album: The Incredible Behind-the-Scenes Story of the Most Extraordinary Motion Picture of Our Time [Official collector's ed] |
Diane Masters Watson (ed.) |
|
| 5166 |
 |
Star Wars: The Magic of Myth |
Mary S. Henderson |
|
| 5167 |
 |
Made Men: the story of goodfellas |
Glenn Kenny |
|
| 5168 |
 |
Those Glamorous Gabors |
Porter, Darwin |
|
| 5169 |
 |
The Ghosts of Songs: The Film Art of the Black Audio Film Collective [1 ed.] |
Kodwo Eshun, Anjalika Sagar |
1 |
| 5170 |
 |
Blueprint for Screenwriting: A Complete Writer's Guide to Story Structure and Character Development [2 ed.] |
Rachel Ballon |
2 |
| 5171 |
 |
Screening The Sacred: Religion, Myth, And Ideology In Popular American Film [1 ed.] |
Joel Martin, Conrad E. Ostwalt, Conrad E Ostwalt Jr, EDITOR * (editor) |
1 |
| 5172 |
 |
The Tyranny of Story: Audience Expectations and the Short Screenplay |
Ric Beairsto |
|
| 5173 |
 |
Story design: creating popular Hollywood movies [2nd ed] |
Stefanik, Richard Michaels |
2 |
| 5174 |
 |
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
| 5175 |
 |
Hollywood: her story: an illustrated history of women in film |
Bridges, Barbara,Tietjen, Jill S |
|
| 5176 |
 |
Story and Discourse: Narrative Structure in Fiction and Film |
Seymour B. Chatman |
|
| 5177 |
 |
Queer Events: Post-deconstructive Subjectivities in Spanish Writing and Film 1960s-1990s (Contemporary Hispanic and Lusophone Cultures, 4) [1 ed.] |
David Vilaseca |
1 |
| 5178 |
 |
When blanche met brando: the scandalous story of ''a streetcar named desire'' |
Sam Staggs |
|
| 5179 |
 |
Bright Boulevards, Bold Dreams: The Story of Black Hollywood |
Donald Bogle |
|
| 5180 |
 |
The Sun and Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood |
Donna Rifkind |
|
| 5181 |
 |
The Making of Star Wars: The Definitive Story Behind the Original Film [1St Edition] |
J.W. Rinzler, Peter Jackson |
1 |
| 5182 |
 |
Movies |
Annie Buckley |
|
| 5183 |
 |
Sight, Sound, Motion: Applied Media Aesthetics [5 ed.] |
Herbert Zettl |
5 |
| 5184 |
 |
Blood Cold. Fame, Sex, and Murder in Hollywood |
Dennis McDougal,Mary Murphy |
|
| 5185 |
 |
Cinemastrology: The Movie Lover's Guide to the Sun, the Moon, and the Stars |
Stella Wonderly, zoe Wodarz |
|
| 5186 |
 |
Play It Again, Sam: Retakes on Remakes [1 ed.] |
Andrew Horton, Stuart Y. McDougal, Leo Braudy |
1 |
| 5187 |
 |
What’s the Story? The Director Meets Their Screenplay [1 ed.] |
Peter Markham |
1 |
| 5188 |
 |
The Story of Cinema: An Illustrated History, Vol. 2: From Citizen Kane to the Present Day [2, 1 ed.] |
David Shipman |
1 |
| 5189 |
 |
LIFE Willy Wonka & The Chocolate Factory: The Treasured Movie. The Inspiring Story. |
The Editors of LIFE |
|
| 5190 |
 |
More Than a Woman: An Intimate Biography of Bette Davis |
James Spada |
|
| 5191 |
 |
Shaping the Future of African American Film: Color-Coded Economics and the Story Behind the Numbers |
Monica White Ndounou |
|
| 5192 |
 |
Elizabeth and Michael: The Queen of Hollywood and the King of Pop—A Love Story |
Donald Bogle |
|
| 5193 |
 |
Fantastic Voyages of the Cinematic Imagination: Georges Melies's Trip to the Moon [Pap/DVD ed.] |
Matthew Solomon |
|
| 5194 |
 |
Film Production Technique: Creating the Accomplished Image [5 ed.] |
Bruce Mamer |
5 |
| 5195 |
 |
On Story—Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor), James Franco (editor) |
|
| 5196 |
 |
Patriotism or national betrayal?: On the reactionary film Inside story of the Ching court |
Pen-yu Chi |
|
| 5197 |
 |
Inside Story: The Power of the Transformational Arc |
Dara Marks |
|
| 5198 |
 |
Movie Director |
Joseph O'Neill |
|
| 5199 |
 |
Salt of the Earth: The Story of a Film (50th Anniversary Edition) |
By Herbert Biberman, Publisher's Preface by James Monaco |
|
| 5200 |
 |
James Bond in the 21st century : why we still need 007 |
Glenn Yeffeth (ed.) |
|
| 5201 |
 |
Psychoanalysis and Film [1st ed.] |
Glen O. Gabbard |
1 |
| 5202 |
 |
The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film |
Richard J. Gray II, Betty Kaklamanidou, Richard J. Gray II, Betty Kaklamanidou |
|
| 5203 |
 |
Working With a Contemporary Step Outline: The tool of choice for story development: Includes the full step outline for the film story: Bella |
David Baboulene |
|
| 5204 |
 |
Colors of Film: The Story of Cinema in 50 Palettes |
Charles Bramesco |
|
| 5205 |
 |
On Story - Screenwriters and Their Craft |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor) |
|
| 5206 |
 |
Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson |
Tom Sito |
|
| 5207 |
 |
Christian Bale: The Inside Story of the Darkest Batman |
Harrison Cheung, Nicola Pittam |
|
| 5208 |
 |
Dancing with the Stars: A Story of the Golden Era of Hollywood Musicals |
Norman Borine |
|
| 5209 |
 |
Memo From the Story Department: Secrets of Structure and Character |
Christopher Vogler, David McKenna |
|
| 5210 |
 |
Animation: the Whole Story |
Beckerman, Howard |
|
| 5211 |
 |
Excavating the Future: Archaeology and Geopolitics in Contemporary North American Science Fiction Film and Television |
Shawn Malley |
|
| 5212 |
 |
The Toho Studios Story: A history and complete filmography |
Stuart Galbraith IV |
|
| 5213 |
 |
Reel Black Talk: A Sourcebook of 50 American Filmmakers [First Edition] |
Linda Allen, Spencer Moon |
|
| 5214 |
 |
The American Jewish Story through Cinema |
Eric A. Goldman |
|
| 5215 |
 |
To infinity and beyond!: the story of Pixar Animation Studios [Unabridged] |
Pixar Animation Studios,Catmull, Ed,Iwerks, Leslie,Lasseter, John,Paik, Karen |
|
| 5216 |
 |
Screenplay: Building Story Through Character |
Jule Selbo |
|
| 5217 |
 |
Fly By Night: The Secret Story of Steven Spielberg, Warner Bros, and the Twilight Zone Deaths |
Steven Chain |
|
| 5218 |
 |
Hollywood: Her Story, An Illustrated History of Women and the Movies |
Jill Tietjen, Barbara Bridges |
|
| 5219 |
 |
On Brokeback Mountain: Meditations about Masculinity, Fear, and Love in the Story and the Film |
Eric Patterson |
|
| 5220 |
 |
Dark Matter: Independent Filmmaking in the 21st Century [1 ed.] |
Michael Winterbottom |
1 |
| 5221 |
 |
Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency |
James Andrew Miller |
|
| 5222 |
 |
A Cinema of Hopelessness : The Rhetoric of Rage in 21st Century Popular Culture |
Kendall R. Phillips |
|
| 5223 |
 |
Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition |
Torben Grodal |
|
| 5224 |
 |
Bela Lugosi and Boris Karloff: the expanded story of a haunting collaboration, with a complete filmography of their films together [Rev. ed] |
Karloff, Boris,Lugosi, Bela,Mank, Gregory W |
|
| 5225 |
 |
Blood Cold: Fame, Sex, and Murder in Hollywood |
Dennis McDougal, Mary Murphy |
|
| 5226 |
 |
Play it Again, Sam: Retakes on Remakes [Reprint 2020 ed.] |
Andrew Horton (editor), Stuart Y. McDougal (editor), Leo Braudy (editor) |
2020 |
| 5227 |
 |
Rock Hudson: His Story |
Rock Hudson, Sara Davidson |
|
| 5228 |
 |
New Hong Kong cinema: transitions to becoming Chinese in 21st-century East Asia |
Cheung, Ruby |
|
| 5229 |
 |
Reign of Chucky: The True Hollywood Story of a Not So Good Guy |
Dustin McNeill, Travis Mullins |
|
| 5230 |
 |
Transformers Dark of the Moon |
Edwards Lynda. |
|
| 5231 |
 |
A Christmas story: behind the scenes of a holiday classic |
Gaines, Caseen |
|
| 5232 |
 |
Don't Disturb the Dead: The Story of the Ramsay Brothers |
Shamya Dasgupta |
|
| 5233 |
 |
New Jews? Race and American Jewish Identity in 21st-Century Film |
David L. Reznik |
|
| 5234 |
 |
The Story of Cinema: An Illustrated History, Vol. 1: From the Beginnings to Gone with the Wind [1, 1 ed.] |
David Shipman |
1 |
| 5235 |
 |
Critical Flicker Fusion: Psychoanalysis at the Movies |
William Fried |
|
| 5236 |
 |
Writing Screenplays That Sell: The Complete Guide to Turning Story Concepts into Movie and Television Deals [New Twentieth Anniversary Edition] |
Hauge, Michael |
|
| 5237 |
 |
Sell Your Story in A Single Sentence: Advice from the Front Lines of Hollywood |
Lane Shefter Bishop |
|
| 5238 |
 |
STORY MAPS: The Dark Knight Trilogy (Batman Begins, The Dark Knight, The Dark Knight Rises) |
Daniel Calvisi, William Robert Rich |
|
| 5239 |
 |
Action heroes and superheroes |
Sutherland, Adam |
|
| 5240 |
 |
Shaping True Story Into Screenplay |
Candace Kearns Read |
|
| 5241 |
 |
Vivre Ici: Space, Place and Experience in Contemporary French Documentary |
Alison J. Murray Levine |
|
| 5242 |
 |
Bollywood FAQ: All That's Left to Know About the Greatest Film Story Never Told |
Dr. Piyush Roy |
|
| 5243 |
 |
Cinema: The Whole Story [1 ed.] |
Philip Kemp |
1 |
| 5244 |
 |
Film after film: (or, what became of 21st century cinema?) |
Hoberman, J |
|
| 5245 |
 |
Hollywood Confidential: A True Story of Wiretapping, Friendship, and Betrayal |
Moldea, Dan E. |
|
| 5246 |
 |
The Bourne Movies |
William C. Martell |
|
| 5247 |
 |
A Brief Guide to Star Wars: the Unauthorised Inside Story |
Robb, Brian J |
|
| 5248 |
 |
Undead Apocalypse: Vampires and Zombies in the 21st Century |
Stacey Abbott |
|
| 5249 |
 |
James Dean: Tomorrow Never Comes |
Darwin Porter, Danforth Prince |
|
| 5250 |
 |
Powerhouse: the untold story of Hollywood's Creative Artists Agency [First edition] |
Creative Artists Agency,Miller, James Andrew |
|
| 5251 |
 |
Bonnie Sherr Klein's 'Not a Love Story' |
Rebecca Sullivan |
|
| 5252 |
 |
Born to Be Hurt: The Untold Story of Imitation of Life [1 ed.] |
Sam Staggs |
1 |
| 5253 |
 |
Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 [1st ed.] |
Charlie Keil |
1 |
| 5254 |
 |
Television Movies of the 21st Century |
Vincent Terrace (author) |
|
| 5255 |
 |
Reimagining the Italian South: Migration, Translation and Subjectivity in Contemporary Italian Literature and Cinema |
Goffredo Polizzi |
|
| 5256 |
 |
Spike Lee: That’s My Story and I’m Sticking to It |
Kaleem Aftab |
|
| 5257 |
 |
Shrek The Story Behind the Screen |
Andrew Adamson |
|
| 5258 |
 |
The Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past [1 ed.] |
Terrie Waddell |
1 |
| 5259 |
 |
The Movie Mystery |
|
|
| 5260 |
 |
21st-Century Hollywood: Movies in the Era of Transformation |
Wheeler Winston Dixon, Gwendolyn Audrey Foster |
|
| 5261 |
 |
Loving Garbo: The Story of Greta Garbo,Cecil Beaton and Mercedes de Acosta |
Hugo Vickers |
|
| 5262 |
 |
Cahiers du Cinéma, n° 309 (Mars 1980) |
Serge Daney, Serge Toubiana |
|
| 5263 |
 |
Reel Racism: Confronting Hollywood's Construction of Afro-American Culture |
Vincent F. Rocchio |
|
| 5264 |
 |
Kinotalk: 21st Century |
Olga M. Mesropova |
|
| 5265 |
 |
Western movies : the story of the West on screen |
Walter Clapham |
|
| 5266 |
 |
Electric Edwardians: The Story of the Mitchell & Kenyon Collection |
Vanessa Toulmin |
|
| 5267 |
 |
Indecent Exposure: A True Story of Hollywood and Wall Street (Collins Business Essentials) |
David McClintick |
|
| 5268 |
 |
Animating Truth: Documentary and Visual Culture in the 21st Century |
Nea Ehrlich |
|
| 5269 |
 |
Summer Movies: 30 Sun-Drenched Classics |
John Malahy, Leonard Maltin (foreword) |
|
| 5270 |
 |
Coming Out to the Mainstream: New Queer Cinema in the 21st Century |
David Jones (editor) |
|
| 5271 |
 |
Developing story ideas [2nd ed] |
Rabiger, Michael |
2 |
| 5272 |
 |
Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV [y First edition] |
Ben Shapiro |
|
| 5273 |
 |
The Alaskan Blonde: Sex, Secrets and the Hollywood Story that Shocked America |
James T. Bartlett |
|
| 5274 |
 |
The Visual Story, Second Edition: Creating the Visual Structure of Film, TV and Digital Media [2 ed.] |
Bruce Block |
2 |
| 5275 |
 |
Setting up your story cinematically : the 100 most powerful film conventions every filmmaker must know |
Van Sijll, Jennifer |
|
| 5276 |
 |
The Big Screen: The Story of the Movies |
Thomson, David |
|
| 5277 |
 |
My Story [Illustrated ed., 1st Taylor Trade Pub. ed] |
Monroe, Marilyn,Hecht, Ben |
1 |
| 5278 |
 |
Screening the Scars: The Cinematic (In)visibility of Social Trauma |
Andreas Hamburger (editor) |
|
| 5279 |
 |
Age of Anxiety: Meaning, Identity, and Politics in 21st-Century Film and Literature (Politics, Literature, & Film) |
Anthony M. Wachs, Jon D. Schaff |
|
| 5280 |
 |
Freddie Francis: The Straight Story from Moby Dick to Glory, a Memoir |
Freddie Francis, Tony Dalton |
|
| 5281 |
 |
West Side Story: The Jets, the Sharks, and the Making of a Classic (Turner Classic Movies) |
Richard Barrios |
|
| 5282 |
 |
Guru Dutt: An Unfinished Story [1 ed.] |
Yasser Usman |
1 |
| 5283 |
 |
The Director’s Cut: Picturing Hollywood in the 21st Century |
Stephan Littger (editor) |
|
| 5284 |
 |
I Want to Live: The Story of Madhubala |
Katijia Akbar |
|
| 5285 |
 |
James Bond in the 21st Century : Why We Still Need 007. |
Glenn Yeffeth (ed.) |
|
| 5286 |
 |
H.G. Wells, Modernity and the Movies (Liverpool University Press - Liverpool Science Fiction Texts & Studies) |
Keith Williams |
|
| 5287 |
 |
James Cameron's Story of Science Fiction |
|
|
| 5288 |
 |
Fast Times at Ridgemont High: A True Story |
Cameron Crowe |
|
| 5289 |
 |
Howard Hughes: Hell’s Angel [2nd ed.] |
Darwin Porter |
2 |
| 5290 |
 |
I Lost it at the Movies [3rd Printing ed.] |
Pauline Kael |
3 |
| 5291 |
 |
The Becoming Room: Filming Bion’s "A Memoir of the Future" |
Meg Harris Williams |
|
| 5292 |
 |
Spanish Horror Film and Television in the 21st Century |
Vicente Rodríguez Ortega, Rubén Romero Santos |
|
| 5293 |
 |
The Naked and the Undead: Evil and the Appeal of Horror [1st ed.] |
Cynthia A. Freeland |
1 |
| 5294 |
 |
Cinematic Fictions: The Impact of the Cinema on the American Novel up to the Second World War [2 ed.] |
David Seed |
2 |
| 5295 |
 |
Each man in his time : the life story of a director |
Raoul Walsh |
|
| 5296 |
 |
The Elements of Story |
Flaherty, Francis |
|
| 5297 |
 |
Get Your Story Straight: A Step-by-Step Guide to Screenwriting by a Million-Dollar Screenwriter |
Diane Drake |
|
| 5298 |
 |
Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather |
Mark Seal |
|
| 5299 |
 |
Celluloid Mushroom Clouds: Hollywood And Atomic Bomb (Critical Studies in Communication and in the Cultural Industries) |
Joyce Evans |
|
| 5300 |
 |
Born to Be Hurt: The Untold Story of Imitation of Life |
Sam Staggs |
|
| 5301 |
 |
Funny!: Twenty-Five Years of Laughter from the Pixar Story Room |
Jason Katz, John Lasseter |
|
| 5302 |
 |
Mary Pickford: Hollywood and the new woman |
Kathleen A. Feeley,Pickford, Mary |
|
| 5303 |
 |
Brangelina: The Untold Story of Brad Pitt and Angelina Jolie |
Ian Halperin |
|
| 5304 |
 |
Synthetic Cinema: The 21st-Century Movie Machine [1st ed.] |
Wheeler Winston Dixon |
1 |
| 5305 |
 |
Story : substance, structure, style, and principles of screenwriting |
Robert McKee |
|
| 5306 |
 |
Film after film: |
Hoberman, J |
|
| 5307 |
 |
The sound of music story: how one young nun, one handsome Austrian captain, and seven singing Von Trapp children inspired the most beloved film of all time |
Santopietro, Tom |
|
| 5308 |
 |
Uggie, the artist: my story |
Uggie |
|
| 5309 |
 |
The Art of Solo: A Star Wars Story |
Phil Szostak, Neil Lamont, James Clyne |
|
| 5310 |
 |
Cahiers du Cinéma - 309 - Mars 1980 |
Cahiers du Cinéma |
|
| 5311 |
 |
Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption |
James Aston |
|
| 5312 |
 |
Solo: A Star Wars Story: The Official Guide |
Pablo Hidalgo |
|
| 5313 |
 |
Argentine Cinema and National Identity (1966-1976) (Liverpool Latin American Studies, 16) |
Carolina Rocha |
|
| 5314 |
 |
The Hammer story |
Hearn marcus, barnes alan |
|
| 5315 |
 |
Blood Moons guide to gay and lesbian film |
Porter, Darwin,Prince, Danforth |
|
| 5316 |
 |
Elizabeth Taylor: there is nothing like a dame |
Sisavath, Sam,Taylor, Elizabeth,Prince, Danforth,Porter, Darwin |
|
| 5317 |
 |
How My Book Became a Movie: A True Story |
Robin Jones Gunn |
|
| 5318 |
 |
The Terminator Movies |
William C. Martell |
|
| 5319 |
 |
Marilyn at Rainbow's End: sex lies, murder, and the great cover-up |
Monroe, Marilyn,Porter, Darwin |
|
| 5320 |
 |
Meta-Narrative in the Movies: Tell Me a Story |
Joseph Kupfer (auth.) |
|
| 5321 |
 |
The Liverpool Companion to World Science Fiction Film [1 ed.] |
Sonja Fritzsche (editor) |
1 |
| 5322 |
 |
Hollywood Babylon strikes again!: another overview of exhibitionism, sexuality, and sin as filtered through 85 years of Hollywood scandal |
Porter, Darwin,Prince, Danforth |
|
| 5323 |
 |
Turning The Century: Essays In Media And Cultural Studies |
Carol Stabile |
|
| 5324 |
 |
Blake Snyder-Save the Cat Goes to the Movies-The Screenwriter's Guide to Every Story Ever Told |
Snyder, Blake |
|
| 5325 |
 |
Dramatic Story Structure: A Primer for Screenwriters |
Edward J. Fink |
|
| 5326 |
 |
Five Came Back: A Story of Hollywood and the Second World War [1 ed.] |
Mark Harris |
1 |
| 5327 |
 |
Story: Die Prinzipien des Drehbuchschreibens |
Robert McKee |
|
| 5328 |
 |
Cruising (Devil's Advocates) |
Eugenio Ercolani, Marcus Stiglegger |
|
| 5329 |
 |
Alice & Eiffel: A New History of Early Cinema and the Love Story Kept Secret for a Century |
Janelle Dietrick |
|
| 5330 |
 |
Paddington: the story of the movie |
(Fictitious character) Paddington Bear, Willis, Jeanne |
|
| 5331 |
 |
Liverpool Bank Robber To Hollywood Butler |
Moogan, Terry |
|
| 5332 |
 |
Story: style, structure, substance, and the principles of screenwriting |
Robert McKee |
|
| 5333 |
 |
Dream Projects in Theatre, Novels and Films |
Yehuda Moraly, |
|
| 5334 |
 |
A Life on Film |
Astor, Mary |
|
| 5335 |
 |
Dream Projects in Theatre, Novels and Films: The Works of Paul Claudel, Jean Genet, and Federico Fellini [None ed.] |
Yehuda Moraly |
|
| 5336 |
 |
Special Effects Technician |
Matt Mullins |
|
| 5337 |
 |
The Lord of the Films: The Unofficial Guide to Tolkien's Middle-Earth on the Big Screen [First Edition] |
J. W. Braun |
|
| 5338 |
 |
Anvil!: the story of Anvil |
Kudlow, Steve,Reiner, Robb,Uhlig, Robert |
|
| 5339 |
 |
Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road |
Kyle Buchanan |
|
| 5340 |
 |
The Contender: The Story of Marlon Brando |
William J. Mann |
|
| 5341 |
 |
The sun and her stars Salka Viertel and Hitler's exiles in the golden age of Hollywood |
Rifkind, Donna |
|
| 5342 |
 |
Charlie Chaplin's Own Story |
Charlie Chaplin |
|
| 5343 |
 |
The Way They Were: How Epic Battles and Bruised Egos Brought a Classic Hollywood Love Story to the Screen |
Robert Hofler |
|
| 5344 |
 |
Fatal Subtraction: The Inside Story of Buchwald V. Paramount |
Pierce O'Donnell |
|
| 5345 |
 |
Those glamorous Gabors : bombshells from Budapest |
Gabor, Eva, Gabor, Magda, Gabor, Zsa Zsa, Porter, Darwin, Gábor, Zsa Zsa, Gabor, Eva, Gábor, Magda |
|
| 5346 |
 |
PINK: The Inside Story |
Gautam Chintamani |
|
| 5347 |
 |
Save the cat! goes to the movies: the screenwriter's guide to every story ever told |
Snyder, Blake |
|
| 5348 |
 |
Spanishness in the Spanish Novel and Cinema of the 20th-21st Century [1st ed.] |
Cristina Sánchez-Conejero |
1 |
| 5349 |
 |
Invaders From Mars Press Kit Book (Cannon 1986) |
Tobe Hooper |
|
| 5350 |
 |
Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration, with a Complete Filmography of Their Films Together |
Gregory William Mank |
|
| 5351 |
 |
Paradoxical Japaneseness: Cultural Representation in 21st Century Japanese Cinema [1 ed.] |
Andrew Dorman (auth.) |
1 |
| 5352 |
 |
Loving Garbo: The Story of Greta Garbo, Cecil Beaton, and Mercedes de Acosta |
Vickers, Hugo |
|
| 5353 |
 |
Writing the Pilot: Creating the Series |
William Rabkin |
|
| 5354 |
 |
Dancing with Hollywood: The inside story of how New Zealand movies became world-famous |
Lindsay Shelton |
|
| 5355 |
 |
Hollywood Babylon—It’s Back!: All Those Celebrities, All Those Scandals, All That Nudity, and All That Sin |
Darwin Porter, Danforth Prince |
|
| 5356 |
 |
Hollywood Beach Beauties: Sea Sirens, Sun Goddesses, and Summer Style 1930–1970 |
David Wills |
|
| 5357 |
 |
Indie Science Fiction Cinema Today: Conversations with 21st Century Filmmakers [Illustrated] |
Kathleen Fernandez-Vander Kaay, Chris Vander Kaay |
|
| 5358 |
 |
Caddyshack: The Making of a Hollywood Cinderella Story |
Chris Nashawaty |
|
| 5359 |
 |
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation |
Francis Glebas |
|
| 5360 |
 |
Lord of the Films : The Unofficial Guide to Tolkien's Middle-Earth on the Big Screen |
J W Braun |
|
| 5361 |
 |
Dean & me: (a love story) [1st ed] |
Lewis, Jerry,Martin, Dean,Kaplan, James |
1 |
| 5362 |
 |
Revisioning Duras : Film, Race, Sex. |
Duras, Marguerite, Williams, James S. |
|
| 5363 |
 |
Shadow of a Doubt |
Diane Negra |
|
| 5364 |
 |
Beyond the Hero's Journey: A Screenwriting Guide for When You've Got a Different Story to Tell |
Anthony Mullins |
|
| 5365 |
 |
Women and Migration in Contemporary Italian Cinema: Screening Hospitality |
Giovanna Faleschini Lerner |
|
| 5366 |
 |
Paul Newman, the Man Behind the Baby Blues: His Secret Life Exposed |
Darwin Porter |
|
| 5367 |
 |
Ink Spots: The Collected Writings of Brian McDonald on Story Structure, Filmmaking, and Craftsmanship |
McDonald, Brian |
|
| 5368 |
 |
The Story of Looking |
Mark Cousins |
|
| 5369 |
 |
All About All About Eve: The Complete Behind-The-Scenes Story of the Bitchiest Film Ever Made! |
Sam Staggs |
|
| 5370 |
 |
Prepare to Board! Creating Story and Characters for Animated Features and Shorts [3 ed.] |
Nancy Beiman |
3 |
| 5371 |
 |
Confidential Confidential: the inside story of Hollywood's notorious scandal magazine |
Barbas, Samantha,Harrison, Robert |
|
| 5372 |
 |
Traumatic Reliving in History, Literature and Film |
Rudolph Binion |
|
| 5373 |
 |
Hollywood's America: Social And Political Themes In Motion Pictures |
Stephen Powers, Stephen P Powers, David J Rothman, Stanley Rothman |
|
| 5374 |
 |
Ron Howard: from Mayberry to the moon-- and beyond |
Howard, Ron,Gray, Beverly |
|
| 5375 |
 |
Bring It On: The Complete Story of the Cheerleading Movie That Changed, Like, Everything (No, Seriously) |
Kase Wickman |
|
| 5376 |
 |
The Twilight Saga--New Moon (Songbook): Music from the Motion Picture Soundtrack |
Hal Leonard Corp. |
|
| 5377 |
 |
When The Shooting Stops ... The Cutting Begins: A Film Editor's Story |
Rosenblum, Ralph,Karen, Robert |
|
| 5378 |
 |
Double Life: A Love Story from Broadway to Hollywood |
Shayne, Alan, Sunshine, Norman |
|
| 5379 |
 |
The Social Architecture of French Cinema : 1929-1939 [1 ed.] |
Margaret C. Flinn |
1 |
| 5380 |
 |
Ink Spots: Collected Writings on Story Structure, Filmmaking and Craftsmanship |
Brian McDonald |
|
| 5381 |
 |
A Retake Please!: Night Mail to Western Approaches |
Pat Jackson |
|
| 5382 |
 |
Planetary Cinema: Film, Media and the Earth |
Tiago Luca |
|
| 5383 |
 |
Solo: A Star Wars Story Songbook: Music from the Motion Picture Soundtrack |
John Williams |
|
| 5384 |
 |
'All Quiet On the Western Front': The Story of a Film (British Film Guides) |
Andrew Kelly |
|
| 5385 |
 |
I am c-3po--the inside story: Foreword by J.J. Abrams |
Daniels, Anthony |
|
| 5386 |
 |
In The Box: The Screenwriter's Simple Guide To Telling A Great Story And Finishing That F*****g Script |
Ahmed Aki Aslan |
|
| 5387 |
 |
Sight, Sound, Motion: Applied Media Aesthetics (Wadsworth Series in Broadcast and Production) [6 ed.] |
Herbert Zettl |
6 |
| 5388 |
 |
Jacques Rivette and French New Wave Cinema: Interviews, Conversations, Chronologies |
James R Russo |
|
| 5389 |
 |
Inside Linda Lovelace's Deep Throat: Degradation, Porno Chic, and the Rise of Feminism |
Darwin Porter |
|
| 5390 |
 |
The Anatomy of Genres: How Story Forms Explain the Way the World Works |
John Truby |
|
| 5391 |
 |
Fantastic Female Filmmakers |
Suzanne Simoni |
|
| 5392 |
 |
Hollywood Babylon--It's Back!: All Those Celebrities, All Those Scandals, All That Nudity, and All That Sin |
Porter, Darwin,Prince, Danforth |
|
| 5393 |
 |
Witchcraft Through the Ages: The Story of Haxan, the World's Strangest Film, and the Man Who Made It |
Jack Stevenson |
|
| 5394 |
 |
Bogie & Bacall: The Surprising True Story of Hollywood's Greatest Love Affair |
William J. Mann |
|
| 5395 |
 |
Women and Images of Men in Cinema: Gender Construction in La Belle et la Bête by Jean Cocteau |
Andreas Hamburger |
|
| 5396 |
 |
Stuntwomen: The Untold Hollywood Story |
Mollie Gregory |
|
| 5397 |
 |
Think Pink: The Story of DePatie-Freleng |
Mark Arnold |
|
| 5398 |
 |
Ozu's Tokyo Story (Cambridge Film Handbooks) |
David Desser |
|
| 5399 |
 |
John Dos Passos and Cinema |
Lisa Nanney |
|
| 5400 |
 |
Double life: a love story from Broadway to Hollywood |
Shayne, Alan,Sunshine, Norman |
|
| 5401 |
 |
Green Documentary: Environmental Documentary in the 21st Century |
Helen Hughes |
|
| 5402 |
 |
Anakin Skywalker the Story of Darth Vader |
Stephen J. Sansweet |
|
| 5403 |
 |
Tokyo Story |
Alastair Phillips |
|
| 5404 |
 |
A Kim Jong-Il production: the extraordinary true story of a kidnapped filmmaker, his star actress, and a young dictator's rise to power |
Fischer, Paul |
|
| 5405 |
 |
Teen Dreams: Reading Teen Film and Television from ‘Heathers’ to ‘Veronica Mars’ |
Roz Kaveney |
|
| 5406 |
 |
The Art of Toy Story 3 [1 ed.] |
Charles Solomon |
1 |
| 5407 |
 |
Screenwriting 101: Mastering the Art of Story |
Angus Fletcher |
|
| 5408 |
 |
The visual story : creating the visual structure of film, TV, and digital media [Third ed.] |
Bruce Block |
|
| 5409 |
 |
Ends of Cinema |
Richard A. Grusin (editor), Jocelyn Szczepaniak-Gillece (editor) |
|
| 5410 |
 |
My Story |
Marilyn Monroe, Ben Hecht |
|
| 5411 |
 |
Story Climax: How to Avoid Disappointed Audiences and Craft a Screenplay or Novel Climax Which Thrills and Delights |
D'Costa, H R |
|
| 5412 |
 |
More than a Grain of Truth: The official true story behind the film Mr. Jones, starring James Norton |
Margaret Siriol Colley, Nigel Linsan Colley, Naomi Field (editor) |
|
| 5413 |
 |
Story and Discourse : Narrative Structure in Fiction and Film |
Seymour Chatman |
|
| 5414 |
 |
Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film |
Liz Harvey-Kattou |
|
| 5415 |
 |
A foreigner's cinematic dream of Japan : representational politics and shadows of war in the Japanese-German coproduction new earth (1937) |
Iris Haukamp |
|
| 5416 |
 |
Film school: the true story of a midwestern family man who went to the world's most famous film school, fell flat |
University of Southern California. School of Cinematic Arts,Boman, Steve |
|
| 5417 |
 |
When The Shooting Stops ... The Cutting Begins: A Film Editor’s Story [Original retail ed.] |
Ralph Rosenblum, Robert Karen |
|
| 5418 |
 |
Television Directors, Race, and Gender: Written Out of the Story |
Jonathan J. Cavallero |
|
| 5419 |
 |
Screening The Sacred: Religion, Myth, And Ideology In Popular American Film [Reprint ed.] |
Joel Martin, Conrad E. Ostwalt Jr. |
|
| 5420 |
 |
Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career (The Filmmaker's Guide to the 21st Century) [2nd ed.] |
Scott Billups |
2 |
| 5421 |
 |
The Reclining Nude: Agnes Varda, Catherine Breillat, and Nan Goldin |
Emma Wilson |
|
| 5422 |
 |
Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media) [1st ed] |
Rousseau, David Harland,Phillips, Benjamin Reid |
1 |
| 5423 |
 |
Spanish Screen Fiction: Between Cinema and Television |
Paul Julian Smith |
|
| 5424 |
 |
Toy Story: a critical reading |
Tom Kemper |
|
| 5425 |
 |
Kingdom of Heaven: The Ridley Scott Film and the History Behind the Story (Newmarket Pictorial Moviebook) [1 ed.] |
Diana Landau (editor), Nancy Friedman (editor) |
1 |
| 5426 |
 |
Film stars don't die in Liverpool: a true love story [First U.S. edition] |
Grahame, Gloria,Turner, Peter |
|
| 5427 |
 |
The Brokeback Book: From Story to Cultural Phenomenon [1st ed.] |
William R. Handley |
1 |
| 5428 |
 |
The Ufa Story: A History of Germany's Greatest Film Company, 1918-1945 (Weimar and Now: German Cultural Criticism) [1 ed.] |
Klaus Kreimeier |
1 |
| 5429 |
 |
PIXAR’S 22 RULES OF STORY (that aren’t really Pixar’s) ANALYZED [1, 1 ed.] |
Stephan Vladimir Bugaj |
1 |
| 5430 |
 |
Story: Substance, Structure, Style and The Principles of Screenwriting [1 ed.] |
Robert Mckee |
1 |
| 5431 |
 |
The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid: The Untold Story of Peckinpah’s :ast Western |
Paul Seydor |
|
| 5432 |
 |
An Empire Of Their Own: How The Jews Invented Hollywood [1 ed.] |
GABLER, Neal |
1 |
| 5433 |
 |
Selling your story in 60 seconds: the guaranteed way to get your screenplay or novel read |
Hauge, Michael |
|
| 5434 |
 |
Quebec Cinema in the 21st Century: Transcending the National |
Michael Gott (editor), Thibaut Schilt (editor) |
|
| 5435 |
 |
Dark Dreams 2.0: A Psychological History of the Modern Horror Film from the 1950s to the 21st Century |
Charles Derry |
|
| 5436 |
 |
Bessere Videos drehen: Ein Leitfaden zu Recherche, Story, Aufnahme, Schnitt und Effekten |
Reinhard M. Nikschick |
|
| 5437 |
 |
Jang Sun-woo<br> |
Tony Rayns |
|
| 5438 |
 |
Fasten your seat belts: the story of Bette Davis |
Davis, Bette,Quirk, Lawrence J |
|
| 5439 |
 |
Life at the Marmont: The Inside Story of Hollywood's Legendary Hotel of the Stars—Chateau Marmont |
Raymond Sarlot, Fred E. Basten |
|
| 5440 |
 |
Nonfiction Sound and Story for Film and Video: A Practical Guide for Filmmakers and Digital Content Creators |
Amy Delouise, Cheryl Ottenritter |
|
| 5441 |
 |
The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted a Movie in the American Cold War |
James J. Lorence |
|
| 5442 |
 |
I Am C-3PO - The Inside Story |
Anthony Daniels, J.J. Abrams |
|
| 5443 |
 |
Rising Sun, Divided Land: Japanese and South Korean Filmmakers |
Kate E. Taylor-Jones |
|
| 5444 |
 |
The Inner Game of Screenwriting: 20 Winning Story Forms |
Sandy Frank |
|
| 5445 |
 |
The Sacred Cinema of Andrei Tarkovsky |
Jeremy Mark Robinson |
|
| 5446 |
 |
Screen Interiors: From Country Houses to Cosmic Heterotopias |
Pat Kirkham, Sarah A. Lichtman (editors) |
|
| 5447 |
 |
A Girl Walks Home Alone at Night |
Farshid Kazemi |
|
| 5448 |
 |
Our Own Image: A Story of a Maori Filmmaker |
Barry Barclay, Jeff Bear |
|
| 5449 |
 |
Screen Couple Chemistry: The Power of 2 |
Martha P. Nochimson |
|
| 5450 |
 |
Filming with Attenborough: The Making of Cry Freedom |
Donald Woods |
|
| 5451 |
 |
Performing-Authorship: Self-Inscription and Corporeality in the Cinema |
Cecilia Sayad |
|
| 5452 |
 |
Queer horror film and television: sexuality and masculinity at the margins [First edition] |
Elliott-Smith, Darren |
|
| 5453 |
 |
Blade Runners, Deer Hunters Blowing the Bloody Doors Off: My Life in Cult Movies [Hardcover] |
Michael Deeley |
Hardcover |
| 5454 |
 |
Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir (Cinema and Society) |
Mike Chopra-Gant |
|
| 5455 |
 |
Viewing Positions: Ways of Seeing Film (Rutgers Depth of Field) |
Linda Williams (editor) |
|
| 5456 |
 |
Iranian Cinema: A Political History |
|
|
| 5457 |
 |
Stars in World Cinema: Film Icons and Star Systems across Cultures |
Andrea Bandhauer, Michelle Royer (editors) |
|
| 5458 |
 |
New Hollywood Cinema: An Introduction |
Geoff King (editor) |
|
| 5459 |
 |
Withnail and Us: Cult Films and Film Cults in British Cinema |
Justin Smith |
|
| 5460 |
 |
The Cinema of Jia Zhangke: Realism and Memory in Chinese Film |
Cecília Mallo |
|
| 5461 |
 |
Russia on Reels: The Russian Idea in Post-Soviet Cinema |
Birgit Beumers (editor) |
|
| 5462 |
 |
Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours On-Screen |
Ewa Mazierska, Lars Kristensen, Eva Näripea |
|
| 5463 |
 |
Cinema and Soviet Society: From the Revolution to the Death of Stalin |
Peter Kenez |
|
| 5464 |
 |
Delivering Dreams: A Century of British Film Distribution |
Geoffrey MacNab |
|
| 5465 |
 |
The Finest Years: British Cinema of the 1940s |
Charles Drazin |
|
| 5466 |
 |
An Everyday Magic: Cinema and Cultural Memory |
Annette Kuhn |
|
| 5467 |
 |
The Zombie Reader [1 ed.] |
Kieran Murphy |
1 |
| 5468 |
 |
Once Upon A Time in the Italian West: The Filmgoers’ Guide to Spaghetti Westerns |
Howard Hughes |
|
| 5469 |
 |
Crime Wave: The Filmgoers’ Guide to the Great Crime Movies |
Howard Hughes |
|
| 5470 |
 |
Cross-dressing in Turkish Cinema: Politics, Gender and National Trauma |
Burcu Dabak ÖZDEMİR |
|
| 5471 |
 |
The Film Experience: Lecture Outlines |
Prof. David Thorburn |
|
| 5472 |
 |
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker [Revised and Updated] |
Andrew Robinson |
|
| 5473 |
 |
Elia Kazan: the cinema of an American outsider [First edition] |
Kazan, Elia,Neve, Brian |
|
| 5474 |
 |
The Film Experience: Lecture Notes |
Prof. David Thorburn |
|
| 5475 |
 |
Makhmalbaf at Large: The Making of a Rebel Filmmaker |
Hamid Dabashi |
|
| 5476 |
 |
Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature and Film |
Lizelle Bisschoff, Stefanie Van De Peer (editors) |
|
| 5477 |
 |
Film and Community in Britain and France: From La Regle du Jeu to Room at the Top [illustrated edition] |
Margaret Butler |
|
| 5478 |
 |
The Cinema of Nuri Bilge Ceylan: The Global Vision of a Turkish Filmmaker |
BüLent Diken, Graeme Gilloch, Craig Hammond |
|
| 5479 |
 |
Stop the Clocks!: Time And Narrative In Cinema |
Helen Powell (editor) |
|
| 5480 |
 |
Superheroes!: Capes and Crusaders in Comics and Films |
Roz Kaveney |
|
| 5481 |
 |
Hunting the Dark Knight: Twenty-First Century Batman |
Will Brooker |
|
| 5482 |
 |
Powell & Pressburger: A Cinema of Magic Spaces |
Andrew Moor |
|
| 5483 |
 |
Hollywood Catwalk: Exploring Costume and Transformation in American Film |
Tamar Jeffers McDonald |
|
| 5484 |
 |
Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema |
Robert Robertson |
|
| 5485 |
 |
Beyond Dixon of Dock Green: Early British Police Series |
Susan Sydney-Smith |
|
| 5486 |
 |
Cinema Italiano: The Complete Guide from Classics to Cult |
Howard Hughes |
|
| 5487 |
 |
Le Jour Se Lève: French Film Guide |
Ben McCann |
|
| 5488 |
 |
New Argentine Cinema |
Jens Andermann |
|
| 5489 |
 |
La Regle du Jeu: French Film Guide (Cine-Files: the French Film Guides) |
Keith Reader |
|
| 5490 |
 |
Abject Spaces in American Cinema: Institutional Settings, Identity and Psychoanalysis in Film |
Frances Pheasant-Kelly (editor) |
|
| 5491 |
 |
New Directions in German Cinema |
Paul Cooke, Chris Homewood (editors) |
|
| 5492 |
 |
Stephen King at the Movies [First Edition] |
Jessie Horsting |
|
| 5493 |
 |
Entertainment Industrialised: The Emergence of the International Film Industry, 1890-1940 [1 ed.] |
Gerben Bakker |
1 |
| 5494 |
 |
X Films: True Confessions of a Radical Filmmaker |
Alex Cox (editor) |
|
| 5495 |
 |
My Beautiful Laundrette |
Christine Geraghty |
|
| 5496 |
 |
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Deborah Shaw (editors) |
|
| 5497 |
 |
Making Film and Television Histories: Australia and New Zealand |
James E Bennett, Rebecca Beirne (editors) |
|
| 5498 |
 |
Elia Kazan: The Cinema of an American Outsider |
Brian Neve |
|
| 5499 |
 |
Mamma Mia! The Movie: Exploring a Cultural Phenomenon |
Louise FitzGerald, Melanie Williams (editors) |
|
| 5500 |
 |
Ageing Femininity on Screen: The Older Woman in Contemporary Cinema |
Niall Richardson (editor) |
|
| 5501 |
 |
Chapaev: Kinofile Filmmakers' Companion, 11 (The Kinofiles Filmmaker's Companions) |
Julian Graffy |
|
| 5502 |
 |
From Alien to The Matrix: Reading Science Fiction Film |
Roz Kaveney |
|
| 5503 |
 |
Hollywood Riots: Violent Crowds and Progressive Politics in American Film |
Doug Dibbern (editor) |
|
| 5504 |
 |
The Cinema of Alexander Sokurov |
Beumers, Birgit,Condee, Nancy |
|
| 5505 |
 |
Forward Soviet!: History and Non-fiction Film in the USSR |
Graham Roberts |
|
| 5506 |
 |
Best of British: Cinema and Society from 1930 to the Present |
Anthony Aldgate, Jeffrey Richards |
|
| 5507 |
 |
Waltzing with Bashir: Perpetrator Trauma and Cinema |
Ryay Morag |
|
| 5508 |
 |
Freedom and Vengeance on Film |
Watkins, Robert E., |
|
| 5509 |
 |
Ingmar Bergman: The Life and Films of the Last Great European Director |
Geoffrey Macnab, Sheila Whitaker (editor) |
|
| 5510 |
 |
Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema |
Fisher, Austin |
|
| 5511 |
 |
Believing in Film: Christianity and Classic European Cinema |
Mark Le Fanu |
|
| 5512 |
 |
Impure cinema: intermedial and intercultural approaches to film [First edition] |
Jerslev, Anne,Nagib, Lúcia |
|
| 5513 |
 |
Horror Zone: The Cultural Experience of Contemporary Horror Cinema |
Ian Conrich |
|
| 5514 |
 |
Family Films in Global Cinema: The World Beyond Disney |
Noel Brown, Bruce Babington (editors) |
|
| 5515 |
 |
The History of Genocide in Cinema: Atrocities on Screen [Hardcover ed.] |
Jonathan Friedman, William Hewitt |
|
| 5516 |
 |
Beyond a Joke: Parody in English Film and Television Comedy |
Neil Archer |
|
| 5517 |
 |
The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema |
Nathan Abrams |
|
| 5518 |
 |
THE BRITISH FILM GUIDES: Whisky Galore! and The Maggie |
McArthur Colin |
|
| 5519 |
 |
Cinema Italiano: The Complete Guide from Classics to Cult |
Howar Hughes (editor) |
|
| 5520 |
 |
The Films of Claire Denis: Intimacy on the Border |
Marjorie Vecchio |
|
| 5521 |
 |
Cinema and Soviet Society from the Revolution to the Death of Stalin |
Peter Kenez |
|
| 5522 |
 |
Film: a montage of theories [1 ed.] |
Richard D. MacCann (editor) |
1 |
| 5523 |
 |
Contemporary New Zealand Cinema: From New Wave to Blockbuster (Tauris World Cinema) |
Ian Conrich, Stuart Murray |
|
| 5524 |
 |
Outlaw Masters of Japanese Film [illustrated edition] |
Chris Desjardins |
|
| 5525 |
 |
East Asian Cinemas: Exploring Transnational Connections on Film |
Leon Hunt, Leung Wing-Fai (editors) |
|
| 5526 |
 |
La Grande Illusion: French Film Guide (Cine-Files: the French Film Guides) |
Martin O'Shaughnessy |
|
| 5527 |
 |
Israeli Cinema: East/West and the Politics of Representation |
Ella Shohat |
|
| 5528 |
 |
À Bout De Souffle |
Ramona Fotiade (editor) |
|
| 5529 |
 |
Beyond the Bridge: Contemporary Danish Television Drama |
Tobias Hochscherf, Heidi Philipsen (editors) |
|
| 5530 |
 |
Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema |
Katharina Lindner |
|
| 5531 |
 |
Arnold: Schwarzenegger and the Movies [1 Original ed.] |
Dave Saunders |
1 |
| 5532 |
 |
The Cinema of Tarkovsky: Labyrinths of Space and Time |
Nariman Skakov |
|
| 5533 |
 |
Ecology Documentaries: Their Function and Value Seen Through the Lens of Doughnut Economics |
Susan Hayward |
|
| 5534 |
 |
Laughter in Occupied Palestine: Comedy and Identity in Art and Film |
Chrisoula Lionis |
|
| 5535 |
 |
Brazil on Screen: Cinema Novo, New Cinema, Utopia |
Lúcia Nagib |
|
| 5536 |
 |
Spectacular Narratives: Hollywood in the Age of the Blockbuster |
Geoff King |
|
| 5537 |
 |
Stairways to Heaven: Rebuilding the British Film Industry |
Geoffrey Macnab |
|
| 5538 |
 |
Home Movies: The American Family in Contemporary Hollywood |
Claire Jenkins (editor) |
|
| 5539 |
 |
American Independent Cinema |
Geoff King |
|
| 5540 |
 |
Sofia Coppola: A Cinema of Girlhood |
Fiona Handyside |
|
| 5541 |
 |
La Reine Margot: (Patrice Chéreau, 1994) |
Julianne Pidduck |
|
| 5542 |
 |
Joss Whedon, a creative portrait: from Buffy the Vampire Slayer to Marvel's The Avengers [First edition] |
Lavery, David,Whedon, Joss |
|
| 5543 |
 |
Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema |
Colin McArthur |
|
| 5544 |
 |
Tainted Love: Screening Sexual Perversion |
Darren Kerr, Donna Peberdy |
|
| 5545 |
 |
The End of St. Petersburg: The Film Companion |
Vance Kepley |
|
| 5546 |
 |
Political animals: the new feminist cinema [First edition] |
Mayer, Sophie |
|
| 5547 |
 |
Performing Femininity: Woman as Performer in Early Russian Cinema |
Rachel Morley |
|
| 5548 |
 |
Thai Cinema: The Complete Guide |
Mary J Ainslie, Katarzyna Ancuta (editors) |
|
| 5549 |
 |
Film England: Culturally English Filmmaking since the 1990s |
Andrew Higson |
|
| 5550 |
 |
Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood |
Lynch, David, Todd, Antony |
|
| 5551 |
 |
Queer Horror Film and Television: sexuality and masculinity at the margins |
Darren Elliott-smith |
|
| 5552 |
 |
Les Diaboliques: (Henri-Georges Clouzot, 1955) |
Susan Hayward |
|
| 5553 |
 |
Filming the First: Cinematic Portrayals of Freedom of the Press (Politics, Literature, & Film) |
Helen J. Knowles-Gardner, Bruce E. Altschuler, Brandon T. Metroka |
|
| 5554 |
 |
Sex and Storytelling in Modern Cinema: Explicit Sex, Performance and Cinematic Technique |
Lindsay Coleman (editor) |
|
| 5555 |
 |
A Spanish Labyrinth: The Films of Pedro Almodóvar |
Mark Allinson |
|
| 5556 |
 |
Roman Polanski: The Cinema of a Cultural Traveller |
Ewa Mazierska |
|
| 5557 |
 |
The New Scottish Cinema |
Jonathan Murray |
|
| 5558 |
 |
Cosmopolitan Cinema: Cross-cultural Encounters in East Asian Film |
Felicia Chan, Julian Ross, Lúcia Nagib |
|
| 5559 |
 |
Outlaw Masters of Japanese Film |
Chris, D |
|
| 5560 |
 |
Children, Cinema and Censorship: From Dracula to Dead End (Turner Classic Movies British Film Guides) |
Sarah Smith |
|
| 5561 |
 |
Popular Cinemas in East Central Europe: Film Cultures and Histories |
Dorota Ostrowska, Francesco Pitassio, Zsuzsanna Varga (editors) |
|
| 5562 |
 |
Insultingly stupid movie physics: Hollywood's best mistakes, goofs and flat-out destructions of the basic laws of the universe |
Rogers, Tom |
|
| 5563 |
 |
Adventures in the Lives of Others: Ethical Dilemmas in Factual Filmmaking |
James Quinn (editor) |
|
| 5564 |
 |
Lebanese Cinema: Imagining the Civil War and Beyond (Tauris World Cinema) |
Lina Khatib |
|
| 5565 |
 |
Home Movies: The American Family in Contemporary Hollywood Cinema |
Claire Jenkins |
|
| 5566 |
 |
Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon [First ed.] |
Xavier Aldana Reyes, Linnie Blake |
|
| 5567 |
 |
The Cinema of Cuba: Contemporary Film and the Legacy of Revolution |
Guy Baron, Ann Marie Stock, Antonio Álvarez Pitaluga (editors) |
|
| 5568 |
 |
Performing Authorship: Self-Inscription and Corporeality in the Cinema |
Cecilia Sayad |
|
| 5569 |
 |
Jews, Nazis, and the Cinema of Hungary: The Tragedy of Success, 1929-44 |
David Frey |
|
| 5570 |
 |
Why We Remake: The Politics, Economics and Emotions of Film and TV Remakes [1° ed.] |
Lauren Rosewarne |
1 |
| 5571 |
 |
Ink-stained amazons and cinematic warriors : superwomen in modern mythology |
Stuller, Jennifer K |
|
| 5572 |
 |
La Haine [Hate]: (Mathieu Kassovitz, 1995) |
Ginette Vincendeau |
|
| 5573 |
 |
The Moving Image: A Guide to Cinematic Literacy. [1 ed.] |
Robert Gessner |
1 |
| 5574 |
 |
Black Narcissus: Turner Classic Movies British Film Guide |
Sarah Street |
|
| 5575 |
 |
Jazz as Visual Language: Film, Television and the Dissonant Image |
Nicolas Pillai |
|
| 5576 |
 |
Storm Over Asia: KINOfiles Film Companion 11 |
Amy Sargeant |
|
| 5577 |
 |
Screening Twilight: Critical Approaches to a Cinematic Phenomenon |
Wickham Clayton, Sarah Harman |
|
| 5578 |
 |
Outlaw Masters of Japanese Film [First Edition] |
Chris Desjardins |
|
| 5579 |
 |
Cinema in Central Asia: Rewriting Cultural Histories |
Michael Rouland, Gulnara Abikeyeva, Birgit Beumers |
|
| 5580 |
 |
The Age of the Dream Palace: Cinema and Society in 1930s Britain [Reissue ed.] |
Jeffrey Richards |
|
| 5581 |
 |
After Dracula: The 1930s Horror Film [First edition] |
Peirse, Alison |
|
| 5582 |
 |
Typical Men: The Representation of Masculinity in Popular British Cinema |
Andrew Spicer |
|
| 5583 |
 |
Investigating Firefly and Serenity: Science Fiction on the Frontier |
Rhonda V. Wilcox, Tanya R. Cochran (editors) |
|
| 5584 |
 |
Basque Cinema: A Cultural and Political History |
Rob Stone, María Pilar Rodríguez |
|
| 5585 |
 |
Femininity in the Frame: Women and 1950s British Popular Cinema (Cinema and Society) |
Melanie Bell |
|
| 5586 |
 |
Authorship and the Films of David Lynch: Aesthetic receptions in contemporary Hollywood |
Antony Todd |
|
| 5587 |
 |
Mysterious Skin: Male Bodies in Contemporary Cinema |
Santiago Fouz-Hernández (editor) |
|
| 5588 |
 |
The films of Claire Denis: intimacy on the border [First edition] |
Denis, Claire,Vecchio, Marjorie,Wenders, Wim |
|
| 5589 |
 |
Expanded Cinema [First Edition] |
Gene Youngblood |
|
| 5590 |
 |
Realism of the Senses in World Cinema: The Experience of Physical Reality |
Tiago De Luca |
|
| 5591 |
 |
Nikita (Luc Besson, 1990) |
Hayward, Susan |
|
| 5592 |
 |
Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia |
Rico Isaacs |
|
| 5593 |
 |
Spectacular Television: Exploring Televisual Pleasure |
Helen Wheatley |
|
| 5594 |
 |
Freedom and Vengeance on Film: Precarious Lives and the Politics of Subjectivity |
Robert E Watkins |
|
| 5595 |
 |
Best of British: Cinema and Society from 1930 to Present |
Jeffrey Richards, Anthony Aldgate |
|
| 5596 |
 |
Towards a theory of montage |
Sergei Eisenstein |
|
| 5597 |
 |
Children, Cinema and Censorship: From Dracula to Dead End Kids |
Sarah J. Smith |
|
| 5598 |
 |
The History of Genocide in Cinema: Atrocities on Screen |
Jonathan C Friedman, William L Hewitt (editors) |
|
| 5599 |
 |
Alphaville: (Jean-Luc Godard, 1965) |
Chirs Darke |
|
| 5600 |
 |
Dracula: A British Film Guide |
Peter Hutchings |
|
| 5601 |
 |
The Europeanness of European Cinema: Identity, Meaning, Globalization |
Mary Harrod, Mariana Liz, Alissa Timoshkina (editors) |
|
| 5602 |
 |
Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone |
Christopher Frayling |
|
| 5603 |
 |
WR: Mysteries of the Organism |
Raymond Durgnat |
|
| 5604 |
 |
Once upon a time in paradise Canadians in the Golden Age of Hollywood |
Foster, Charles |
|
| 5605 |
 |
The Economics of the Audiovisual Industry: Financing TV, Film and Web [1 ed.] |
Mario La Torre (auth.) |
1 |
| 5606 |
 |
From France with Love: Gender and Identity in French Romantic Comedy |
Mary Harrod |
|
| 5607 |
 |
Positioning Art Cinema: Film and Cultural Value |
Geoff King |
|
| 5608 |
 |
Real Images: Soviet Cinema and the Thaw |
Josephine Woll |
|
| 5609 |
 |
War Movies and Economics |
Laura J. Ahlstrom, LH Ahlstrom, FG Mixon Jr [retail] |
|
| 5610 |
 |
Auschwitz and Afterimages: Abjection, Witnessing and Representation |
Nicholas Chare |
|
| 5611 |
 |
WR — Mysteries of the Organism |
Raymond Durgnat |
|
| 5612 |
 |
Contemporary Peruvian Cinema: History, Identity and Violence on Screen |
Sarah Barrow (editor) |
|
| 5613 |
 |
After Dracula The 1930s Horrror Film |
Alison Peirse (editor) |
|
| 5614 |
 |
‘Russian Americans’ in Soviet Film: Cinematic Dialogues between the US and the USSR |
Marina L Levitina |
|
| 5615 |
 |
Withnail and Us: Cult Films and Film Cults in British Cinema (Cinema and Society) |
Justin Smith |
|
| 5616 |
 |
The Cranes Are Flying: The Film Companion (KINOfiles Film Companion) |
Josephine Woll |
|
| 5617 |
 |
From Moscow to Madrid: European Cities, Postmodern Cinema [illustrated edition] |
Ewa Mazierska, Laura Rascaroli |
|
| 5618 |
 |
Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir |
Mike Chopra-Gant |
|
| 5619 |
 |
The French Screen Goddess |
Jonathan Driskell |
|
| 5620 |
 |
The Red Shoes: Turner Classic Movie British Film Guide |
Mark Connelly |
|
| 5621 |
 |
Queer Masculinities in Latin American Cinema: Male Bodies and Narrative Representations |
Gustavo Subero |
|
| 5622 |
 |
Film Propaganda: Soviet Russia and Nazi Germany |
Richard Taylor |
|
| 5623 |
 |
Falling in Love Again: Romantic Comedy in Contemporary Cinema |
Stacey Abbott, Deborah Jermyn (editors) |
|
| 5624 |
 |
Realism in Greek Cinema: From the Post-War Period to the Present |
Vrasidas Karalis |
|
| 5625 |
 |
Animation in the Middle East: Practice and Aesthetics from Baghdad to Casablanca |
Stefanie Van de Peer |
|
| 5626 |
 |
British Cinema and the Cold War: The State, Propaganda and Consensus |
Tony Shaw |
|
| 5627 |
 |
Film and Community in Britain and France: From La Régle du Jeu to Room at the Top |
Margaret Butler |
|
| 5628 |
 |
From Steam to Screen: Cinema, the Railways and Modernity |
Rebecca Harrison |
|
| 5629 |
 |
Cléo de 5 à 7: (Agnès Varda, 1961) |
Valerie Orpen |
|
| 5630 |
 |
Spectacular Narratives: Hollywood in the Age of the Blockbuster |
Geoff King (editor) |
|
| 5631 |
 |
Lebanese Cinema: Imagining the Civil War and Beyond |
Lina Khatib |
|
| 5632 |
 |
Propaganda and the German Cinema 1933–1945 |
David Welch |
|
| 5633 |
 |
The Europeanness of European Cinema: Identity, Globalisation, Meaning |
Alissa Timoshkina, Mary Harrod, Mariana Liz |
|
| 5634 |
 |
Theorizing World Cinema |
Lúcia Nagib, Chris Perriam, Rajinder Dudrah (editors) |
|
| 5635 |
 |
Kira Muratova: The Filmmaker's Companion 4 (The Kinofiles Filmmaker's Companions) |
Jane Taubman |
|
| 5636 |
 |
The Economics of the Audiovisual Industry: Financing TV, Film and Web |
Mario La Torre |
|
| 5637 |
 |
Gendering History on Screen: Women Filmmakers and Historical Films |
Julia Erhart |
|
| 5638 |
 |
Liquid Space: Science Fiction Film and Television in the Digital Age |
Sean Redmond |
|
| 5639 |
 |
Acting for the Silent Screen: Film Actors and Aspiration between the Wars |
Chris O’Rourke (editor) |
|
| 5640 |
 |
Gender and Austerity in Popular Culture: Femininity, Masculinity & Recession In Film & Television |
Helen Davies, Claire O’Callaghan (editors) |
|
| 5641 |
 |
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent |
Ahmed Ghazal |
|
| 5642 |
 |
Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde |
Amy Sargeant |
|
| 5643 |
 |
Savage Junctures: Sergei Eisenstein and the Shape of Thinking |
Anne Nesbet |
|
| 5644 |
 |
Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry [1 edition] |
De Vany, Arthur |
1 |
| 5645 |
 |
Un chien andalou: French Film Guide |
Adamowicz, Elza |
|
| 5646 |
 |
Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981 |
Laura Wittern-Keller |
|
| 5647 |
 |
La Régle Du Jeu: (Jean Renoir, 1939) |
Keith Reader |
|
| 5648 |
 |
Stagecoach to Tombstone: The Filmgoers’ Guide to the Great Westerns |
Howard Hoghes |
|
| 5649 |
 |
Reading Deadwood: A Western to Swear By |
David Lavery (editor) |
|
| 5650 |
 |
One hit wonders: using film to analyze the music industry [First edition] |
Krugman, Murrary |
|
| 5651 |
 |
Drone Age Cinema: Action Film and Sensory Assault |
Steen Ledet Christiansen |
|
| 5652 |
 |
Erinnerungskultur und kultureller Widerstand in den palästinensischen Gebieten: Jenin, »Cinema Jenin« und das »Freedom Theatre« |
Anne Rohrbach |
|
| 5653 |
 |
The New Iranian Cinema: Politics, Representation and Identity |
Richard Tapper |
|
| 5654 |
 |
Believing in Film: Christianity and Classic European Cinema (Cinema and Society) |
Mark Le Fanu |
|
| 5655 |
 |
Keeping Quiet: Visual Comedy in the Age of Sound |
Julian Dutton |
|
| 5656 |
 |
Impure Cinema: Intermedial and Intercultural Approaches to Film |
Lúcia Nagib, Anne Jerslev |
|
| 5657 |
 |
hollywood catwalk: Exploring Costume and Transformation in American Film |
Tamar Jeffers McDonald (editor) |
|
| 5658 |
 |
Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future |
Marianne Kac-Vergne |
|
| 5659 |
 |
Hollywood’s New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush |
Ben Dickenson |
|
| 5660 |
 |
The Battleship Potemkin: The Film Companion |
Richard Taylor |
|
| 5661 |
 |
Indiewood, USA: Where Hollywood meets Independent Cinema |
Geoff King (editor) |
|
| 5662 |
 |
TV Horror: Investigating the Dark Side of the Small Screen |
Lorna Jowett, Stacey Abbott |
|
| 5663 |
 |
Waltzing with Bashir: Perpetrator Trauma and Cinema |
Raya Morag |
|
| 5664 |
 |
Brazil on screen: Cinema Novo, New Cinema and Utopia |
Nagib, Lúcia |
|
| 5665 |
 |
Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions) |
John Riley |
|
| 5666 |
 |
Reading Asian Television Drama: Crossing Borders and Breaking Boundaries |
Jeongmee Kim (editor) |
|
| 5667 |
 |
French Film Guide: Rififi (Jules Dassin, 1955) |
Alastair Phillips |
|
| 5668 |
 |
Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema |
Austin Fisher |
|
| 5669 |
 |
Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours on Screen |
Ewa Mazierska, Lars Kristensen, Eva Näripea |
|
| 5670 |
 |
Sex and Storytelling in Modern Cinema: Explicit Sex, Performance and Cinematic Technique |
Lindsay Coleman |
|
| 5671 |
 |
Soviet Cinema: Politics and Persuasion Under Stalin |
Miller Jamie |
|
| 5672 |
 |
There’s No Place Like Home: The Migrant Child in World Cinema |
Stephanie Hemelryk Donald |
|
| 5673 |
 |
Ink-stained amazons and cinematic warriors: superwomen in modern mythology |
Stuller, Jennifer K |
|
| 5674 |
 |
Cinema and the Audiovisual Imagination: Music, Image, Sound |
Robert Robertson |
|
| 5675 |
 |
Lorca, Buñuel, Dalí : forbidden pleasures and connected lives [1 ed.] |
Buñuel, Luis, Dalí, Salvador, García Lorca, Federico, García Lorca, Federico, Edwards, Gwynne, Dalí, Salvador, Buñuel, Luis |
1 |
| 5676 |
 |
Screening the Undead: Vampires and Zombies in Film and Television |
Leon Hunt, Sharon Lockyer, Milly Williamson |
|
| 5677 |
 |
Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World |
Lina Khatib |
|
| 5678 |
 |
Doris Day confidential : Hollywood, sex and stardom |
Day, Doris, Day, Doris, McDonald, Tamar Jeffers |
|
| 5679 |
 |
Rififi : French Film Guide. |
Phillips, Alastair |
|
| 5680 |
 |
East Asian Cinemas: Exploring Transnational Connections on Film (Tauris World Cinema Series) [First Edition] |
Leon Hunt, Leung Wing-Fai |
|
| 5681 |
 |
Once upon a time in the Italian West : the filmgoers’ guide to spaghetti westerns |
Howard Hughes |
|
| 5682 |
 |
Outer Limits: The Filmgoers’ Guide to the Great Science-Fiction Films |
Howard Hughes |
|
| 5683 |
 |
Film Ecology: Defending the Biosphere — Doughnut Economics and Film Theory and Practice |
Susan Hayward |
|
| 5684 |
 |
The Economics of Making a Movie |
Robin Johnson |
|
| 5685 |
 |
Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard |
Albertine Fox |
|
| 5686 |
 |
Women and Resistance in Contemporary Bengali Cinema: A Freedom Incomplete [1° ed.] |
Srimati Mukherjee |
1 |
| 5687 |
 |
Shi'i Islam in Iranian Cinema: Religion and Spirituality in Film [1 ed.] |
Nacim Pak-Shiraz |
1 |
| 5688 |
 |
The Making of Kubrick's 2001 |
Agel Jerome |
|
| 5689 |
 |
The Catholic Church and Hollywood: Censorship and Morality in
1930s Cinema |
Alexander McGregor |
|
| 5690 |
 |
Britain Can Take It: British Cinema in the Second World War |
Anthony Aldgate, Jeffrey Richards |
|
| 5691 |
 |
Ukrainian Cinema: Belonging and Identity during the Soviet Thaw |
Joshua First |
|
| 5692 |
 |
Waltz with Bashir : perpetrator trauma and cinema |
Raya Morag |
|
| 5693 |
 |
From Moscow To Madrid: Postmodern Cities, European Cinema |
Ewa Mazierska, Laura Rascaroli |
|
| 5694 |
 |
Once Upon a Time in the Italian West [illustrated edition] |
Howard Hughes |
|
| 5695 |
 |
Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia |
Rico Isaacs (editor) |
|
| 5696 |
 |
Insultingly Stupid Movie Physics: Hollywood's Best Mistakes, Goofs and Flat-Out Destructions of the Basic Laws of the Universe [1 ed.] |
Tom Rogers |
1 |
| 5697 |
 |
The Hollywood Family Film: A History, from Shirley Temple to Harry Potter |
Noel Brown (editor) |
|
| 5698 |
 |
Contemporary New Zealand Cinema: From New Wave to Blockbuster |
Ian Conrich, Stuart Murray (editors) |
|
| 5699 |
 |
Israeli Cinema: East West and the Politics of Representation (Library of Modern Middle East Studies) [Revised] |
Ella Shohat |
|
| 5700 |
 |
From Iran to Hollywood and Some Places In-Between: Reframing Post-Revolutionary Iranian Cinema |
Christopher Gow (editor) |
|
| 5701 |
 |
Freedom to Offend: How New York Remade Movie Culture |
Raymond J. Haberski Jr. |
|
| 5702 |
 |
The Man with the Movie Camera |
Graham Roberts |
|
| 5703 |
 |
Brigadoon, Braveheart and the Scots: Scotland in Hollywood Cinema |
Colin McArthur |
|
| 5704 |
 |
Kira Muratova |
Muratova, Kira,Taubman, Jane |
|
| 5705 |
 |
Movie Comedy Teams |
Leonard Maltin |
|
| 5706 |
 |
Crime Wave: The Filmgoers' Guide to the Great Crime Movies |
Howard Hughes |
|
| 5707 |
 |
The Cinema of Globalization: A Guide to Films about the New Economic Order |
Tom Zaniello |
|
| 5708 |
 |
China and the Chinese in Popular Film: From Fu Manchu to Charlie Chan |
Jeffrey Richards |
|
| 5709 |
 |
Muslim Masculinities in Literature and Film: Transcultural Identity and Migration in Britain |
Peter Cherry |
|
| 5710 |
 |
Religion and Film: An Introduction |
Melanie J Wright |
|
| 5711 |
 |
Hollywood's New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush (Cinema and Society) [annotated edition] |
Ben Dickenson |
|
| 5712 |
 |
Amélie: Le Fabuleux destin d'Amélie Poulain (Jean-Pierre Jeunet, 2001) |
Isabelle Vanderschelden |
|
| 5713 |
 |
Get Carter: A British Film Guide 6 |
Steve Chibnall |
|
| 5714 |
 |
Un Chien Andalou: French Film Guide (Cine-Files: the French Film Guides) |
Elza Adamowicz |
|
| 5715 |
 |
Iranian Cinema Uncensored: Contemporary Film-Makers since the Islamic Revolution |
Shiva Rahbaran, Maryam Mohajer, Shiva Rahbaran (editors) |
|
| 5716 |
 |
Alex Cox X films : true confessions of a radical filmmaker |
Cox, Alex, Cox, Alex |
|
| 5717 |
 |
Film and Fairy Tales: The Birth of Modern Fantasy |
Moen, Kristian |
|
| 5718 |
 |
39 Steps. The British Film Guide 3 |
Mark Glancy |
|
| 5719 |
 |
Chasing Hepburn: A Memoir of Shanghai, Hollywood, and a Chinese Family's Fight for Freedom |
Gus Lee |
|
| 5720 |
 |
Rififi: French Film Guide |
Phillips, Alastair |
|
| 5721 |
 |
Once Upon a Time in the Italian West: A Filmgoer's Guide to Spaghetti Westerns |
Howard Hughes |
|
| 5722 |
 |
The End of St Petersburg |
Vance Kepley, Jr |
|
| 5723 |
 |
International Film Festivals: Contemporary Cultures and History Beyond Venice and Cannes |
Tricia Jenkins (editor) |
|
| 5724 |
 |
Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology |
Jennifer K. Stuller |
|
| 5725 |
 |
Nikita: (Luc Besson, 1990) |
Susan Hayward |
|
| 5726 |
 |
The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film |
Yvonne Kozlovsky-Golan (editor) |
|
| 5727 |
 |
Nikita Mikhalkov : between nostalgia and nationalism |
Birgit Beumers |
|
| 5728 |
 |
The Origins of the Film Star System: Persona, Publicity and Economics in Early Cinema (International Library of the Moving Image) |
Andrew Shail |
|
| 5729 |
 |
Queer Sexualities in Early Film: Cinema and Male–Male Intimacy |
Shane Brown |
|
| 5730 |
 |
The Colored Cartoon: Black Presentation in American Animated Short Films, 1907-1954 |
Christopher P. Lehman |
|
| 5731 |
 |
Documenting Syria: Film-making, Video Activism and Revolution |
Josepha Ivanka Wessels |
|
| 5732 |
 |
Alien Zone II: The Spaces of Science Fiction Cinema |
Annette Kuhn |
|
| 5733 |
 |
Stagecoach to Tombstone: The Filmgoers' Guide to Great Westerns |
Howard Hughes |
|
| 5734 |
 |
The Middle Ages in Popular Imagination: Memory, Film and Medievalism |
Paul B Sturtevant |
|
| 5735 |
 |
The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France |
Jonathan Driskell |
|
| 5736 |
 |
British Children’s Cinema: From the Thief of Bagdad to Wallace and Gromit |
Noel Brown |
|
| 5737 |
 |
Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond |
Kristopher Karl Woofter, Lorna Jowett (editors) |
|
| 5738 |
 |
The Queer Cinema of Derek Jarman: Critical and Cultural Readings |
Niall Richardson |
|
| 5739 |
 |
Bed and Sofa: The Film Companion |
Julian Graffy |
|
| 5740 |
 |
Towards a Comparative Economic History of Cinema, 1930–1970 (Frontiers in Economic History) |
John Sedgwick (editor) |
|
| 5741 |
 |
Re-viewing Television History: Critical Issues in Television Historiography |
Helen Wheatley (editor) |
|
| 5742 |
 |
Christmas at the Movies: Images of Christmas in American, British and European Cinema |
Mark Connelly |
|
| 5743 |
 |
Leonard Maltin's Family Film Guide |
Leonard Maltin |
|
| 5744 |
 |
The Poetics of Iranian Cinema: Aesthetics, Modernity and Film after the Revolution |
Khatereh Sheibani |
|
| 5745 |
 |
‘Banned in the USA’: British films in the United States and their censorship, 1933-1960 |
Anthony Slide |
|
| 5746 |
 |
The Cranes are Flying: KINOfiles Film Companion 7 |
Josephine Woll |
|
| 5747 |
 |
Stagecoach to tombstone : the filmgoers’ guide to the great westerns |
Howard Hughes |
|
| 5748 |
 |
Michael Snow: lives and works |
King, James,Snow, Michael |
|
| 5749 |
 |
The Cinema of Alexander Sokurov |
Birgit Beumers, Nancy Condee (editors) |
|
| 5750 |
 |
Classic French Noir: Gender and the Cinema of Fatal Desire |
Deborah Walker-Morrison |
|
| 5751 |
 |
Soviet Cinema: Politics and Persuasion under Stalin |
Jamie Miller |
|
| 5752 |
 |
The Apu Trilogy: Satyajit Ray and the Making of an Epic |
Andrew Robinson |
|
| 5753 |
 |
Dark Energy: Hitchcock's Absolute Camera and the Physics of Cinematic Spacetime |
Philip J. Skerry |
|
| 5754 |
 |
Portugal's Global Cinema: Industry, History and Culture |
Mariana Liz (editor) |
|
| 5755 |
 |
La Grande Illusion: (Jean Renoir, 1937) |
Martin O’Shaughnessy |
|
| 5756 |
 |
TV Critics and Popular Culture: A History of British Television Criticism |
Paul Rixon |
|
| 5757 |
 |
The Euro-Western: Reframing Gender, Race and The ‘Other’ in Film |
Lee Broughton |
|
| 5758 |
 |
Iranian Culture in Bahram Beyzaie’s Cinema and Theatre: Paradigms of Being and Belonging (1959-1979) |
Saeed Talajooy (editor) |
|
| 5759 |
 |
Outer Limits: The Filmgoers' Guide to the Great Science-fiction Films |
Howard Hughes |
|
| 5760 |
 |
Screening The Undead: Vampires and Zombies in Film and Television |
Leon Hunt, Sharon Lockyer, Milly Williamson (editors) |
|
| 5761 |
 |
Screening Fears: On Protective Media [1 ed.] |
Francesco Casetti |
1 |
| 5762 |
 |
Shooting The Civil War: Cinema, History and American National Identity |
Jenny Barrett |
|
| 5763 |
 |
The Unknown 1930s: An alternative history of the British cinema, 1929–39 |
Jeffrey Richards (editor) |
|
| 5764 |
 |
Cinema in Central Asia: Rewriting Cultural Histories |
Michael Rouland, Gulnara Abikeyeva, Birgit Beumers (editors) |
|
| 5765 |
 |
Sergei Eisenstein Volume 1: Selected Works Writings, 1922–34 |
Richard Taylor |
|
| 5766 |
 |
The 39 Steps: A British Film Guide |
Mark Glancy |
|
| 5767 |
 |
The Dam Busters: A British Film Guide |
John Ramsden |
|
| 5768 |
 |
Documentary Cinema in Israel-Palestine: Performance, the Body, the Home |
Shirly Bahar |
|
| 5769 |
 |
Remaking the Movies : Digital Content and the Evolution of the Film and Video Industries. |
OECD |
|
| 5770 |
 |
Theorizing World Cinema |
Lucia Nagib, Chris Perriam, Rajinder Dudrah |
|
| 5771 |
 |
Ousmane Sembene: Dialogues With Critics and Writers |
Samba Gadjigo, Ralph Faulkingham |
|
| 5772 |
 |
Live Flesh: The Male Body in Contemporary Spanish Cinema |
Santiago Fouz-Hernández, Alfredo Martínez-Expósito (editors) |
|
| 5773 |
 |
Film and Community: Britain and France: From La Règle du jeu to Room at the Top |
Margaret Butler |
|
| 5774 |
 |
Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism 1949–1966 |
Jessica Ka Yee Chan |
|
| 5775 |
 |
Propaganda and the German Cinema 1933-1945 (Cinema and Society) [Revised] |
David Welch |
|
| 5776 |
 |
Film England: Culturally English Filmmaking since the 1990s |
Andrew Higson (editor) |
|
| 5777 |
 |
Hitchcock and The Cinema of Sensations: Embodied Film Theory and Cinematic Reception |
Paul Elliott (editor) |
|
| 5778 |
 |
When Eagles Dared: The Filmgoers' History of World War II |
Howard Hughes |
|
| 5779 |
 |
Screening Fears: On Protective Media |
Francesco Casetti |
|
| 5780 |
 |
Rififi: (Jules Dassin, 1955) |
Phillips Alaistar |
|
| 5781 |
 |
Other Cinemas: Politics, Culture and Experimental Film in the 1970s |
Sue Clayton, Laura Mulvey |
|
| 5782 |
 |
Hollywood and the Americanization of Britain: From the 1920S to the Present |
Mark Glancy |
|
| 5783 |
 |
Propaganda and the German Cinema, 1933-1945 (Cinema and Society) [Revised] |
David Welch |
|
| 5784 |
 |
The Titanic in Myth and Memory: Representations in Visual and Literary Culture |
Tim Bergfelder, Sarah Street (editors) |
|
| 5785 |
 |
When Eagles Dared: The Filmgoers’ History of World War II |
Howard Hughes (editor) |
|
| 5786 |
 |
A Spanish Labyrinth: Films of Pedro Almodovar, The |
Mark Allinson |
|
| 5787 |
 |
Le Corbeau: (Henri-Georges Clouzot, 1943) |
Judith Mayne |
|
| 5788 |
 |
Freedom’s Pioneer: John McGrath’s Work in Theatre, Film and Television |
David Bradby, Susanna Capon |
|
| 5789 |
 |
Hollywood Economics: How extreme uncertainty shapes the film industry (Contemporary Politicaleconomy) |
Arthur De Vany |
|
| 5790 |
 |
Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde (Kino:The Russian Cinema) |
Amy Sargeant |
|
| 5791 |
 |
Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia |
Oksana Sarkisova |
|
| 5792 |
 |
Parasite : a graphic novel in storyboards [First edition.] |
Chun-ho Pong, Chun-ho Pong |
|
| 5793 |
 |
Sportswomen in Cinema: Film and the Frailty Myth |
Nicholas Chare |
|
| 5794 |
 |
Queering Buñuel: Sexual Dissidence and Psychoanalysis in his Mexican and Spanish Cinema |
Julián Daniel Gutiérrez-Albilla |
|
| 5795 |
 |
Economics in Film and Fiction |
Milica Z. Bookman, Aleksandra S. Bookman |
|
| 5796 |
 |
Hollywood’s History Films |
David Eldridge |
|
| 5797 |
 |
Tom Cruise: Performing Masculinity in Post-Vietnam Hollywood |
Ruth O’Donnell |
|
| 5798 |
 |
Aesthetics and Neo-Romanticism in Film: Landscapes in Contemporary British Cinema |
Stella Hockenhull |
|
| 5799 |
 |
Atatürk on Screen: Documentary Film and the Making of a Leader |
Enis Dinç |
|
| 5800 |
 |
Film Criticism and Digital Cultures: Journalism, Social Media and The Democratisation of Opinion |
Andrew McWhirter |
|
| 5801 |
 |
Un Chien Andalou: (Luis Buñuel and Salvador Dalí, 1929) |
Elza Adamowicz (editor) |
|
| 5802 |
 |
Mirror: The Film Companion |
Natasha Synessios |
|
| 5803 |
 |
Parasite: A Graphic Novel in Storyboards [Reprint ed.] |
Bong Joon Ho |
|
| 5804 |
 |
Sergei Eisenstein Volume II: Selected Works: Towards a Theory of Montage |
Michael Glenny, Richard Taylor, Michael Glenny |
|
| 5805 |
 |
Doris Day Confidential: Hollywood, Sex and Stardom |
Tamar Jeffers McDonald |
|
| 5806 |
 |
Stars for Freedom : Hollywood, Black Celebrities, and the Civil Rights Movement. |
Emilie Raymond |
|
| 5807 |
 |
Conversations with My Agent |
Rob Long |
|
| 5808 |
 |
Cracks in the Pedestal: Ideology and Gender in Hollywood |
Philip Green |
|
| 5809 |
 |
Dark Energy: Hitchcock’s absolute camera and the physics of cinematic spacetime |
Philip J. Skerry |
|
| 5810 |
 |
Dziga Vertov: Defining Documentary Film |
Jeremy Hicks |
|
| 5811 |
 |
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy |
Jay Chandrasekhar |
|
| 5812 |
 |
Repentance: The Film Companion |
Josephine Woll, Denise Youngblood |
|
| 5813 |
 |
Frank Capra’s Eastern Horizons: American Identity and the Cinema of International Relations |
Elizabeth Rawitsch |
|
| 5814 |
 |
Hollywood's New Radicalism: War, Globalisation and the Movies from Reagan to George W. Bush |
Dickenson, Ben |
|
| 5815 |
 |
Culture and Propaganda in World War II: Music, Film and the Battle for National Identity |
John Morris |
|
| 5816 |
 |
British Film Design: A History |
Laurie N. Ede |
|
| 5817 |
 |
A Night to Remember: The Definitive Titanic Film |
Jeffrey Richards |
|
| 5818 |
 |
Aim for the Heart: The Films of Clint Eastwood |
Howard Hughes |
|
| 5819 |
 |
Quality Hollywood: Markers of Distinction in Contemporary Studio Film |
Geoff King |
|
| 5820 |
 |
The Child in Film: Tears, Fears and Fairytales |
Karen Lury |
|
| 5821 |
 |
Film and Fairy Tales: The Birth of Modern Fantasy |
Kristian Moen |
|
| 5822 |
 |
Nikita: French Film Guide |
Susan Hayward |
|
| 5823 |
 |
Loving the L word: The Complete Series in Focus |
Dana Heller (editor) |
|
| 5824 |
 |
Casque D’Or: (Jacques Becker, 1952) |
Sarah Leahy |
|
| 5825 |
 |
Hollywood Chemistry: When Science Met Entertainment |
Sidney Perkowitz, Donna J. Nelson, Kevin R. Grazier, Jaime Paglia |
|
| 5826 |
 |
Film Criticism and Digital Cultures: Journalism, Social Media and the Democratization of Opinion |
Andrew McWhirter |
|
| 5827 |
 |
George A. Romero's Independent Cinema: Horror, Industry, Economics |
Tom Fallows |
|
| 5828 |
 |
Portugal’s Global Cinema: Industry, History and Culture |
Mariana Liz (editor) |
|
| 5829 |
 |
Little Vera |
Frank Beardow |
|
| 5830 |
 |
East Asian Film Noir: Transantional Encounters and Intercultural Dialogue |
Chi-Yun Shin, Mark Gallagher (editors) |
|
| 5831 |
 |
Shi‘i Islam In Iranian Cinema: Religion and Spirituality in Film |
Nacim Pak-Shiraz |
|
| 5832 |
 |
Korda: Britain's Movie Mogul |
Charles Drazin |
|
| 5833 |
 |
Hollywood Heroines: Women in Film Noir and the Female Gothic Film |
Helen Hanson |
|
| 5834 |
 |
THE MOTION PICTURE INDUSTRY: AN ECONOMIC STUDY OF THE HISTORY AND PRACTICES OF A BUSINESS |
GREENWALD, WILLIAM IRVING |
|
| 5835 |
 |
Sportswomen In Cinema: Film and the Frailty Myth |
Nicholas Chare (editor) |
|
| 5836 |
 |
The Worst Movies of All Time: Or : What Were They Thinking? [1st Printing ed.] |
Sauter, Michael |
1 |
| 5837 |
 |
Drawn to sound: animation film music and sonicity |
Coyle, Rebecca |
|
| 5838 |
 |
Allied Artists: Horror, Science Fiction and Fantasy Films |
Michael R. Pitts |
|
| 5839 |
 |
Art and the moving image: a critical reader |
Tanya Leighton |
|
| 5840 |
 |
Thinking Media Aesthetics: Media Studies, Film Studies and the Arts |
Liv Hausken |
|
| 5841 |
 |
1950s science fiction films and 9/11: hostile aliens, Hollywood, and today's news / |
Melvin E. Matthews, Jr. |
|
| 5842 |
 |
The Hutchinson Pocket Dictionary of Cinema |
|
|
| 5843 |
 |
The geopolitical aesthetic : cinema and space in the world system |
Fredric Jameson |
|
| 5844 |
 |
The Women of Warner Brothers: The Lives and Careers of 15 Leading Ladies, With Filmographies for Each |
Daniel Bubbeo |
|
| 5845 |
 |
Obituaries in the Performing Arts, 2010 |
Harris M. &, Iii Lentz |
|
| 5846 |
 |
Cary Grant: Dark Angel |
Grant, Cary, Wansell, Geoffrey |
|
| 5847 |
 |
Les clés d'un scénario réussi: Cinéma, TV, pub, docu, corporate |
Matte Martin, Coffineau Virginie, Coffineau Aurélie |
|
| 5848 |
 |
Making of the Trek Films , 1995 |
Gross, Edward |
|
| 5849 |
 |
The complete guide to standard script formats |
Cole, Hillis R,Haag, Judith H, Haag, Judith H |
|
| 5850 |
 |
The Film book : a complete guide to the world of cinema |
Ronald Bergan |
|
| 5851 |
 |
Hick Flicks: The Rise and Fall of Redneck Cinema |
Scott von Doviak, Chris Gore |
|
| 5852 |
 |
Filmmaking for Dummies [2nd ed] |
Bryan Michael Stoller |
2 |
| 5853 |
 |
Droidmaker George Lucas and the Digital Revolution |
Michael Rubin |
|
| 5854 |
 |
Star Wars, episode I: the visual dictionary [First American Edition] |
David West Reynolds, Hans Jenssen, Richard Chasemore |
|