Number |
Cover |
TextBook for Music |
Author |
Edition |
0 |
|
Music, neurology, and neuroscience Evolution, the musical brain, medical conditions, and therapies |
Vincent Walsh |
|
1 |
|
From Sounds to Music and Emotions: 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers [1 ed.] |
Emery Schubert, Sam Ferguson, Natasha Farrar, David Taylor, Gary E. McPherson (auth.), Mitsuko Aramaki, Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad (eds.) |
1 |
2 |
|
Timbre: Acoustics, Perception, and Cognition [1st ed.] |
Kai Siedenburg, Charalampos Saitis, Stephen McAdams, Arthur N. Popper, Richard R. Fay |
|
3 |
|
Music Perception [1 ed.] |
Mari Riess Jones, Richard R. Fay, Arthur N. Popper |
|
4 |
|
Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture |
Emilia Simao, Armando Malheiro da Silva, Sergio Tenreiro de Magalhaes |
|
5 |
|
The psychological and human brain effects of music in combination with psychedelic drugs |
Mendel Kaelen |
|
6 |
|
Czech Bluegrass : Notes from the Heart of Europe |
Lee Bidgood, Tony Trischka |
|
7 |
|
I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon |
Crystal Zevon |
|
8 |
|
Soothing Music for Sleep. The Journey Home |
Jeffrey Thompson |
|
9 |
|
Music as Medicine: The Science of How Music Can Help Induce Sleep, Relieves Anxiety and Pain in Patients |
Sparkman, Robert |
|
10 |
|
Storm Static Sleep: A Pathway Through Post Rock |
Jack Chuter |
|
11 |
|
Sukuma labor songs from Western Tanzania: "we never sleep, we dream of farming |
Frank D. Gunderson |
|
12 |
|
Where did you sleep last night? : a personal history [1st ed] |
Senna, Danzy |
1 |
13 |
|
A Theory of Harmony: With A New Introduction by Paul Wilkinson |
Ernst Levy, Siegmund Levarie (editor) |
|
14 |
|
Ardit Gjebrea's Projekt Jon |
Head of Musicology and Ethnomusicology Nicholas Tochka |
|
15 |
|
Audio Mastering: Separating the Science from Fiction [1 ed.] |
JP Braddock |
1 |
16 |
|
Beethoven's Ninth Symphony: Rehearsing and Performing its 1824 Premiere |
Theodore Albrecht |
|
17 |
|
Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year |
Paul Alexander |
|
18 |
|
Blacksound: Making Race and Popular Music in the United States [1 ed.] |
Matthew D. Morrison |
1 |
19 |
|
Complete SuperCollider Opus. [1 ed.] |
Masao Abe, Fujihiko Kaneda |
1 |
20 |
|
Composers Who Changed History |
D.K. Publishing |
|
21 |
|
Cardi B's Invasion of Privacy |
Ma'Chell M. Duma |
|
22 |
|
Children of the World: Children of the World |
Bob Stanley |
|
23 |
|
Popular Music and Automobiles |
Beate Peter (editor) |
|
24 |
|
Metallica and Philosophy: A Crash Course in Brain Surgery (The Blackwell Philosophy and Pop Culture Series) [1 ed.] |
William Irwin |
1 |
25 |
|
Arrow Through the Heart: The Biography of Andy Gibb |
Matthew Hild |
|
26 |
|
Music in the Westward Expansion: Songs of Heart and Place on the American Frontier |
Laura Dean |
|
27 |
|
The Roots & Rhythm of the Heart: Our Musical Connection to Identity, Spirit, and Lineage |
Krystal L Demaine |
|
28 |
|
Heart Full of Rhythm: The Big Band Years of Louis Armstrong |
Ricky Riccardi |
|
29 |
|
Heart Full of Soul: Keith Relf of the Yardbirds |
David French |
|
30 |
|
Tell It to My Heart: How I Lost My S#*t, Conquered My Fear, and Found My Voice |
Taylor Dayne |
|
31 |
|
The Happiness Playlist: The True Story Of Healing My Heart With Feel-Good Music |
Mark Mallman |
|
32 |
|
The Heart of a Woman: The Life and Music of Florence B. Price |
Rae Linda Brown |
|
33 |
|
Katie Lyn’s Guarded Heart: Sweethearts of Country Music, Book 4 |
Savage, Marie &, Press, Sweet Promise |
|
34 |
|
A Song in My Heart: 366 Devotions from Our Best-Loved Hymns |
Robert J. Morgan |
|
35 |
|
Neil Young heart of gold |
Kubernik, Harvey, Young, Neil |
|
36 |
|
My Heart Is Bleeding: The Life of Dorothy Squires |
Johnny Tudor |
|
37 |
|
The Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart |
Jan Brokken |
|
38 |
|
Anyone who had a heart: my life and music |
Bacharach, Burt,Greenfield, Robert |
|
39 |
|
Between a Heart and a Rock Place |
Benatar, Pat |
|
40 |
|
Heart and Soul: Critical Essays on Joy Division |
Martin J. Power (editor), Eoin Devereux (editor), Aileen Dillane (editor) |
|
41 |
|
The Heart of Songwriting: A Comprehensive Guide to Writing Memorable Songs |
John G. Elliott |
|
42 |
|
Unbreak My Heart: A Memoir |
Toni Braxton |
|
43 |
|
The Heart of Vocal Harmony : Emotional Expression in Group Singing |
Deke Sharon |
|
44 |
|
Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists |
Kay Larson |
|
45 |
|
Francis Poulenc, Articles and Interviews: Notes from the Heart |
Nicolas Southon, Roger Nichols |
|
46 |
|
Alabama musicians: Musical Heritage from the Heart of Dixie |
C.S. Fuqua |
|
47 |
|
Rush and Philosophy: Heart and Mind United |
Jim Berti, Durrell Bowman |
|
48 |
|
Play it from the heart: what you learn from music about success in life |
Moore, J. Steven |
|
49 |
|
How to listen to great music: a guide to its history, culture, and heart |
Greenberg, Robert |
|
50 |
|
Belieber!: Fame, Faith and the Heart of Justin Bieber |
Cathleen Falsani |
|
51 |
|
Heart-Shaped Box: A Novel |
Joe Hill |
|
52 |
|
Accept : Metal Heart Songbook |
Accept |
|
53 |
|
The Beatles - Sgt. Pepper's Lonely Hearts Club Band Songbook: Guitar Recorded Versions |
|
|
54 |
|
My Heart Will Go On: Celine Dion |
|
|
55 |
|
Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues |
Joe Evans, Christopher Brooks |
|
56 |
|
Give My Poor Heart Ease: Voices of the Mississippi Blues |
William Ferris |
|
57 |
|
Heart and Soul Sheet Music: Piano Duet |
Hoagy Carmichael |
|
58 |
|
Heart and soul. Duet. Вариант 1 |
Carmichael H. |
|
59 |
|
Heart: In the Studio |
Jake Brown |
|
60 |
|
In the Heart of the Beat: The Poetry of Rap (African American Cultural Theory and Heritage) |
Alexs Pate |
|
61 |
|
Jealous Heart, Recorded by Al Morgan for London Records |
Jenny Lou Carson |
|
62 |
|
By Heart: Piano Solos |
Jeannette Delisa |
|
63 |
|
Morrissey: The Pageant of His Bleeding Heart |
Gavin Hopps |
|
64 |
|
My heart will go on |
Celine Dion - |
|
65 |
|
Nagauta: The Heart of Kabuki Music |
William P. Malm |
|
66 |
|
Take Another Little Piece of My Heart: A Groupie Grows Up |
Barres, Pamela Des, Barres, Michael Des |
|
67 |
|
Becoming a Global Audience: Longing and Belonging in Indian Music Television |
Juluri Vamsee |
|
68 |
|
The Book of Chocolate Saints. A novel |
Jeet Thayil |
|
69 |
|
Certificate in Performing Arts - Hindustani Music (CPAHM) |
IGNOU |
|
70 |
|
Certificate in Performing Arts - Karnataka Music (CPAKM) |
IGNOU |
|
71 |
|
India Authentic: Volume 2 |
Saurav Mohapatra, Various Artists |
|
72 |
|
Deepak Chopra Presents India Authentic Lakshmi |
Saurav Mohapatra, Various Artists |
|
73 |
|
Finding the Raga: An Improvisation on Indian Music |
Amit Chaudhuri |
|
74 |
|
Jiya Jale: The Stories of Songs |
Gulzar (In conversation, Nasreen Munni Kabir) |
|
75 |
|
Satyajit Ray's Ravi Shankar |
Satyajit Ray, Sandip Ray (editor) |
|
76 |
|
Vocal Settings of Rabindranath Tagore's Gitanjali (Song Offerings): Fusing Western Art Song with Indian Mystical Poetry |
Sangeetha Rayapati, Carlo Coppola |
|
77 |
|
Tabalā grantha mañjūshā |
पण्डित छोटेलाल मिश्र |
|
78 |
|
Taal Prasunan |
पं. छोटेलाल मिश्र |
|
79 |
|
Bhārūḍ, Vāghyā-muraḷī and the Ḍaff-gān of the Deccan: Notentranskriptionen |
Bigamudre Chaitanya Deva, Josef Kuckertz |
|
80 |
|
સર્વાંગી શિક્ષણ (શારીરિક શિક્ષણ, સંગીત અને ચિત્રકલા) ધોરણ ૮ / Comprehensive Education (Physical Education, Music, and Art) Class 8 |
Various |
|
81 |
|
Taal Prasunan |
Choṭe Lāla Miśra |
|
82 |
|
Tabla Granth |
Pt. Chhote Lal Misra |
|
83 |
|
Tal Prabandh |
Chhote Lal Misra |
|
84 |
|
bhajan-sangrah |
|
|
85 |
|
A Shostakovich companion |
Michael Mishra |
|
86 |
|
Acoustic Communication |
Barry Truax |
2 |
87 |
|
An introduction to Tchaikovsky's operas |
Henry Zajaczkowski |
|
88 |
|
Australian Piano Music of the Twentieth Century (Music Reference Collection) |
Larry Sitsky |
|
89 |
|
Communicating Hip-Hop: How Hip-Hop Culture Shapes Popular Culture |
Nick J Sciullo |
|
90 |
|
Dark Mirror: The Pathology of the Singer-Songwriter |
Donald Brackett |
|
91 |
|
Discordant Melody: Alexander Zemlinsky, His Songs, and the Second Viennese School |
Lorraine Gorrell |
|
92 |
|
Elvis Costello, Joni Mitchell, and the Torch Song Tradition |
Larry David Smith |
|
93 |
|
Elvis Presley, Reluctant Rebel: His Life and Our Times |
Glen Jeansonne, David F. Luhrssen, Dan Sokolovic |
|
94 |
|
Free Stylin': How Hip Hop Changed the Fashion Industry |
Elena Romero |
|
95 |
|
George Gershwin: A New Biography |
William G. Hyland |
|
96 |
|
I Know What I Know: The Music of Charles Mingus |
Todd S. Jenkins |
|
97 |
|
In Their Own Words: Songwriters Talk About the Creative Process |
Bill DeMain |
|
98 |
|
Is Hip Hop Dead?: The Past, Present, and Future of America's Most Wanted Music |
Mickey Hess |
|
99 |
|
Jazz Notes: Interviews Across the Generations |
Sanford Josephson |
|
100 |
|
Krzysztof Penderecki: A Bio-Bibliography |
Cindy Bylander |
|
101 |
|
Macho Man: The Disco Era and Gay America's Coming Out |
Mark Bego, Randy Jones |
|
102 |
|
Marc Blitzstein: A Bio-Bibliography |
Leonard Lehrman |
|
103 |
|
Mods, rockers, and the music of the British invasion |
James E. Perone |
|
104 |
|
Music History During the Renaissance Period, 1520-1550: A Documented Chronology |
Blanche M. Gangwere |
|
105 |
|
Oy Oy Oy Gevalt!: Jews and Punk |
Croland, Michael |
|
106 |
|
Passport to Jewish Music: Its History, Traditions, and Culture |
Irene Heskes |
|
107 |
|
Perspectives on the Grateful Dead: Critical Writings |
Robert G. Weiner |
|
108 |
|
A Guide to Piano Music by Women Composers: Women born after 1900 |
Pamela Y. Dees |
|
109 |
|
Rock 'n' Roll Wisdom: What Psychologically Astute Lyrics Teach about Life and Love |
Barry A. Farber |
|
110 |
|
Sounds of Resistance [2 Volumes]: The Role of Music in Multicultural Activism |
Eunice Rojas and Lindsay Michie |
|
111 |
|
The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations [4 Volumes] |
James E. Perone |
|
112 |
|
The Cultural Context of Medieval Music |
Nancy Van Deusen |
|
113 |
|
The Richard Strauss Companion |
Mark-Dan Schmid |
|
114 |
|
The Sound of Stevie Wonder: His Words and Music |
James E. Perone |
|
115 |
|
The Vietnam War in Popular Culture: The Influence of America's Most Controversial War on Everyday Life [2 Volumes] |
Ron Milam (editor) |
|
116 |
|
The Words and Music of Alanis Morissette |
Karen Fournier |
|
117 |
|
The Words and Music of Billy Joel |
Ken Bielen |
|
118 |
|
The Words and Music of Bob Marley |
David Moskowitz |
|
119 |
|
The Words and Music of Brian Wilson |
Christian Matijas-Mecca |
|
120 |
|
The words and music of Carole King |
James E. Perone |
|
121 |
|
The words and music of David Bowie |
James E. Perone |
|
122 |
|
The Words and Music of Dolly Parton: Getting to Know Country's "Iron Butterfly" |
Nancy Cardwell |
|
123 |
|
The Words and Music of Elvis Costello |
James E. Perone |
|
124 |
|
The Words and Music of Frank Zappa |
Kelly Fisher Lowe |
|
125 |
|
The words and music of Ice Cube |
Gail Hilson Woldu |
|
126 |
|
The Words and Music of James Taylor |
James E. Perone |
|
127 |
|
The words and music of John Lennon |
Ben Urish, Ken Bielen |
|
128 |
|
The Words and Music of Melissa Etheridge |
James E. Perone |
|
129 |
|
The words and music of Paul Simon |
James Bennighof |
|
130 |
|
The Words and Music of Prince |
James E. Perone |
|
131 |
|
The Words and Music of Sheryl Crow |
Christopher Gable |
|
132 |
|
The words and music of Sting |
Christopher Gable |
|
133 |
|
The words and music of Tom Waits |
Kessel, Corinne,Waits, Tom |
|
134 |
|
Underground Dance Masters: Final History of a Forgotten Era |
Thomas Guzman-Sanchez |
|
135 |
|
Writing Dylan: The Songs of a Lonesome Traveler |
Dylan, Bob,Smith, Larry David |
|
136 |
|
Inner Awakening and Practice of Nada Yoga |
Edward Salim Michael |
|
137 |
|
The Yoga of Sound: Tapping the Hidden Power of Music and Chant |
Russill Paul |
|
138 |
|
Dhrupad: Tradition and Performance in Indian Music |
Ritwik Sanyal, Richard Widdess |
|
139 |
|
Yoga for Singing: A Developmental Tool for Technique and Performance |
Judith E. Carman |
|
140 |
|
Yoga in the Music Studio |
Lesley S. McAllister |
|
141 |
|
Yoga Music for Piano Solo: 24 Chill Songs to Soothe Your Soul |
Hal Leonard Corp. |
|
142 |
|
Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape |
Jim Sykes, Julia Suzanne Byl |
|
143 |
|
Indian Classical Music and the Gramophone, 1900–1930 |
Vikram Sampath |
|
144 |
|
The Queen of Indian Pop: The Authorised Biography of Usha Uthup |
Vikas Kumar Jha |
|
145 |
|
T.N. Rajarattinam Pillai: Charisma, Caste Rivalry and the Contested Past in South Indian Music |
Terada Yoshitaka |
|
146 |
|
Kshetrayya |
Balantrapu Rajanikanta Rao |
|
147 |
|
Dance, Music and Cultures of Decolonisation in the Indian Diaspora |
Tina K Ramnarine |
|
148 |
|
Indian Sun: The Life and Music of Ravi Shankar |
Oliver Craske |
|
149 |
|
The Indian Drum of the King-God and the Pakhavaj of Nathdwara |
Paolo Pacciolla |
|
150 |
|
Acoustical Analysis of the Tanpura: Indian Plucked String Instrument |
Asoke Kumar Datta, Ranjan Sengupta, Kaushik Banerjee, Dipak Ghosh |
|
151 |
|
Indian Classical Music, Theory, Musical Instrument Making, Tuning, Playing and most important Players |
coll. |
|
152 |
|
Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility |
Stefan Fiol |
|
153 |
|
Music in Contemporary Indian Film: Memory, Voice, Identity |
Jayson Beaster-Jones (editor), Natalie Sarrazin (editor) |
|
154 |
|
Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music |
David P. Nelson |
|
155 |
|
More Than Bollywood: Studies in Indian Popular Music |
Gregory D. Booth, Bradley Shope |
|
156 |
|
The Flute |
Prof. P. Sambamurthy |
|
157 |
|
The Harmonium in North Indian Music |
Birgit Abels |
|
158 |
|
Engendering Performance: Indian Women Performers in Search of an Identity |
Bishnupriya Dutt, Urmimala Sarkar Munsi |
|
159 |
|
Time in Indian music : rhythm, metre, and form in North Indian rāg performance |
Clayton, Martin |
|
160 |
|
The dawn of Indian music in the West |
Peter Lavezzoli |
|
161 |
|
Indian Performing Arts : A Mosaic |
Utpal Kumar Banerjee |
|
162 |
|
Two Men and Music: Nationalism in the Making of an Indian Classical Tradition |
Janaki Bakhle |
|
163 |
|
Brass Baja: Stories From the World of Indian Wedding Bands |
Gregory D. Booth |
|
164 |
|
Vintage Tabla Repertory: Drum Compositions of North Indian Classical Music |
Gert-Matthias Wegner |
|
165 |
|
Alaap: A Discovery Of Indian Classical Music |
Sri Aurobindo Society |
|
166 |
|
Creating Their Own Space: The Development of an Indian-Caribbean Musical Tradition |
Tina K. Ramnarine |
|
167 |
|
Indian Music and the West (Clarendon Paperbacks) |
Gerry Farrell |
|
168 |
|
The rāgas of early Indian music : modes, melodies, and musical notations from the Gupta period to c. 1250 |
Richard Widdess |
|
169 |
|
Rasa: The Indian Performing Arts in the Last Twenty-five Years. Music and dance |
Bimal Mukherjee, Sunil Kothari |
|
170 |
|
Evolution of Rāga and Tāla in Indian Music |
M. R. Gautam |
|
171 |
|
Foundations of Indian Musicology |
Pradip Kumar Sengupta |
|
172 |
|
Musicological literature |
Emmie te Nijenhuis |
|
173 |
|
Improvisation in Indian Music / L'improvisation dans la musique Indienne |
Vivek Datta &, Mukund Lath |
|
174 |
|
History of Indian music |
Sambamoorthy, P. |
|
175 |
|
A Catalogue of Recorded Classical and Traditional Indian Music: With an Introd. on Indian Musical Theory and Instruments |
Daniélou, Alain |
|
176 |
|
Indian Music |
Fyzee-Rahamin B. (Shahinda) |
|
177 |
|
A Dream I Lived Alone |
Ustad Ghulam Mustafa Khan, Namrata Gupta Khan |
|
178 |
|
About Music Industry for Beginners: For Budding Sound Engineers (Audiophiles), Music Performers, Music Educators, Musical Content Creators, Music Business Startups, Film & Music Lovers |
Girish Patro |
|
179 |
|
BAAT NIKLEGI TOH PHIR: the life and music of jagjit singh |
Saran, Sathya |
|
180 |
|
Bodies of song : Kabir oral traditions and performative worlds in North India |
Hess, Linda, Kabir, Kabir |
|
181 |
|
Brought to Life by the Voice: Playback Singing and Cultural Politics in South India |
Amanda Weidman |
|
182 |
|
Focus: Popular Music in Contemporary India |
Natalie Sarrazin |
|
183 |
|
Gaata rahe mera dil: 50 classic Hindi film songs |
Bhattacharjee, Anirudha,Vittal, Balaji |
|
184 |
|
H-Pop |
Kunal Purohit |
|
185 |
|
Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication |
Bob van der Linden (auth.) |
|
186 |
|
Music and Musical Thought in Early India |
Lewis Rowell |
|
187 |
|
Music and Musicians in Late Mughal India: Histories of the Ephemeral, 1748–1858 |
Katherine Butler Schofield |
|
188 |
|
Music and Temple Ritual in South India: Performing for Śiva |
William Tallotte |
|
189 |
|
Music, Modernity, and Publicness in India |
Tejaswi Niranjana (ed.) |
|
190 |
|
Notes of a dream: the authorized biography of A. R. Rahman |
Rahman, A. R.,Trilok, Krishna |
|
191 |
|
On Stage with Lata |
Deora, Mohan,Kabir, Nasreen Munni,Maṅgeśakara, Latā,Shah, Rachana |
|
192 |
|
Pop Empires: Transnational And Diasporic Flows Of India And Korea |
S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku |
|
193 |
|
Resonances of the Raj: India in the English Musical Imagination,1897-1947 |
Nalini Ghuman |
|
194 |
|
Speech, Sound and Music Processing: Embracing Research in India: 8th International Symposium, CMMR 2011, 20th International Symposium, FRSM 2011, Bhubaneswar, India, March 9-12, 2011, Revised Selected Papers |
Chitralekha Gupta, Preeti Rao (auth.), Sølvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet, Kristoffer Jensen, Sanghamitra Mohanty (eds.) |
|
195 |
|
Tellings and Texts: Music, Literature and Performance in North India |
Fracesca Orsini, Katherine Butler Schofield (eds.) |
|
196 |
|
The Inner Light: How India Influenced the Beatles |
Susan Shumsky |
|
197 |
|
The Tamil Padam: A Dance Music Genre of South India |
Matthew Harp Allen |
|
198 |
|
Unearthing Gender : Folksongs of North India |
Smita Tewari Jassal |
|
199 |
|
Voice of the Veena: S Balachander |
Vikram Sampath |
|
200 |
|
Zakir Hussain: a life in music |
Hussain, Zakir,Kabir, Nasreen Munni |
|
201 |
|
Get It On: How the ’70s Rocked Football |
Jon Spurling |
|
202 |
|
Football and Popular Culture: Singing Out from the Stands |
Stephen R. Millar, Martin J. Power, Paul Widdop, Daniel Parnell, James Carr |
|
203 |
|
A Compendium of Musical Mathematics |
Franck Jedrzejewski |
|
204 |
|
Bad Vibrations. The History of the Idea of Music as a Cause of Disease |
James Kennaway |
|
205 |
|
Science, Music, And Mathematics: The Deepest Connections |
Michael Edgeworth Mcintyre |
|
206 |
|
I Shot a Man in Reno: A History of Death by Murder, Suicide, Fire, Flood, Drugs, Disease and General Misadventure, as Related in Popular Song |
Graeme Thomson |
|
207 |
|
Moon Tennessee: With the Smoky Mountains: Outdoor Recreation, Live Music, Whiskey, Beer & BBQ [9 ed.] |
Margaret Littman |
9 |
208 |
|
Trauma-Informed Music Therapy Theory and Practice |
Laura E. Beer, Jacqueline C. Birnbaum |
|
209 |
|
Beer Drinkers and Hell Raisers: The Rise of Motörhead |
Martin Popoff |
|
210 |
|
Sounds and Sweet Airs: The Forgotten Women of Classical Music |
Anna Beer |
|
211 |
|
Your Child's Career in Music and Entertainment: The Prudent Parent's Guide from Start to Stardom |
Steven C. Beer |
|
212 |
|
Singing Out: An Oral History of America's Folk Music Revivals |
David King Dunaway, Molly Beer |
|
213 |
|
Brown Neon |
Raquel Gutiérrez |
|
214 |
|
The Sprawl |
Jason Diamond |
|
215 |
|
Idiophone: An Essay |
Amy Fusselman |
|
216 |
|
Never Can Say Goodbye (Michael Jackson. Vintage Pop Katherine Jackson Archives) (Michael Jackson Coffee Table Book) [1st Edition] |
Katherine Jackson |
1 |
217 |
|
Black Coffee Blues, Part 1 |
Rollins, Henry |
|
218 |
|
Do I Come Here Often? |
Henry Rollins |
|
219 |
|
The Edinburgh Companion to Literature and Sound Studies |
Helen Groth (editor), Julian Murphet (editor) |
|
220 |
|
Freak Scenes: American Indie Cinema and Indie Music Cultures [1 ed.] |
Jamie Sexton |
1 |
221 |
|
Ranciere and Music |
João Pedro Cachopo, Patrick Nickleson, Chris Stover |
|
222 |
|
Who's in the Money?: The Great Depression Musicals and Hollywood’s New Deal |
Harvey G. Cohen |
|
223 |
|
Mapping the Rockumentary: Images of Sound and Fury |
Gunnar Iversen, Scott MacKenzie |
|
224 |
|
British Music Videos 1966 - 2016: Genre, Authenticity and Art |
Emily Caston |
|
225 |
|
The Edinburgh Companion to Literature and Music |
Delia da Sousa Correa |
|
226 |
|
Jazz in American Culture |
Peter Townsend |
|
227 |
|
Modernism, Music and the Politics of Aesthetics |
Gemma Moss |
|
228 |
|
From Rumi to the Whirling Dervishes: Music, Poetry, and Mysticism in the Ottoman Empire |
Walter Feldman |
|
229 |
|
The Awakening of Islamic Pop Music [1 ed.] |
Jonas Otterbeck |
1 |
230 |
|
Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou [1 ed.] |
Sarah Hickmott |
1 |
231 |
|
Deleuze and Music |
Marcel Swiboda, Ian Buchanan |
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232 |
|
The Edinburgh companion to the First World War and the arts [Enhanced Credo edition] |
Baxter, Katherine Isobel,Einhaus, Ann-Marie |
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233 |
|
Contemporary Musical Film |
K.J. Donnelly, Beth Carroll (eds) |
|
234 |
|
Lyric Cousins: Poetry and Musical Form |
Fiona Sampson |
|
235 |
|
Contributions to Musical Collections and Miscellaneous Songs |
James Hogg, Kirsteen McCue |
|
236 |
|
Literature and Music in the Atlantic World, 1767-1867 |
Catherine Jones |
|
237 |
|
Virginia Woolf and Classical Music: Politics, Aesthetics, Form [1 ed.] |
Emma Sutton |
1 |
238 |
|
The International Film Musical |
Corey Creekmur, Linda Mokdad |
|
239 |
|
Media and Popular Music [1 ed.] |
Peter Mills |
1 |
240 |
|
Music Video and the Politics of Representation [1 ed.] |
Diane Railton, Paul Watson |
1 |
241 |
|
Music, Sound and Multimedia: From the Live to the Virtual |
Jamie Sexton |
|
242 |
|
Film's Musical Moments |
Ian Conrich, Estella Ticknell |
|
243 |
|
Music and youth culture |
Dan Laughey |
|
244 |
|
The Philosophy of Music: Theme and Variations |
Aaron Ridley |
|
245 |
|
Music and Copyright 2nd Edition |
Simon Frith, Lee Marshall |
2 |
246 |
|
Popular Music Genres: An Introduction |
Stuart Borthwick, Ron Moy |
|
247 |
|
Philosophy, Music and Emotion |
Geoffrey Madell |
|
248 |
|
Film Music: Critical Approaches |
Kevin J. Donnelly |
|
249 |
|
Songs of the Women Migrants: Performance and Identity in South Africa [1 ed.] |
Deborah James |
1 |
250 |
|
Vox Humana Craftsmanship: Origins, Intersections and Influence on Lithuanian Pipe Organ Building (Numanities - Arts and Humanities in Progress, 23) |
Girėnas Povilionis, Diego Cannizzaro, Rima Povilionienė |
|
251 |
|
Turn the Wheel (Vox Humana) [1 ed.] |
David Cope |
1 |
252 |
|
Cremona Violins: A Physicist's Quest for Secrets of Stradivari [Har/DVD ROM ed.] |
Kameshwar C. Wali |
|
253 |
|
Introduction To Digital Signal Processing: Computer Musically Speaking |
Tae Hong Park |
|
254 |
|
Baker's Biographical Dictionary of Popular Musicians Since 1990 (Volume 1) |
David Freeland |
|
255 |
|
Baker's Biographical Dictionary of Popular Musicians Since 1990 (Volume 2) |
David Freeland |
|
256 |
|
The Music Yearbook: A Survey and Directory with Statistics and Reference Articles for 1972–3 |
Arthur Jacobs (eds.) |
|
257 |
|
Reforming Music: Music and the Religious Reformations of the Sixteenth Century |
Chiara Bertoglio |
|
258 |
|
The Topos of Music: Geometric Logic of Concepts, Theory, and Performance [1 ed.] |
Guerino Mazzola |
1 |
259 |
|
Commodore 64 Music Book |
James Vogel, Nevin B. Scrimshaw |
1 |
260 |
|
Singing and teaching singing : a holistic approach to classical voice [Fourth ed.] |
Janice L. Chapman, (Speech and language therapist) Ron Morris |
4 |
261 |
|
Sound and Robotics: Speech, Non-Verbal Audio and Robotic Musicianship [1 ed.] |
Richard Savery |
1 |
262 |
|
A History of the Rutgers University Glee Club |
David F. Chapman |
|
263 |
|
David Bowie FAQ: All That's Left to Know about Rock's Finest Actor |
Ian Chapman |
|
264 |
|
Jazz Italiano: A History of Italian Syncopated Music 1904-1946 |
David Chapman |
|
265 |
|
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture |
Dale Chapman |
|
266 |
|
Music data analysis: foundations and applications |
Jannach, Dietmar, Rudolph, Guenter, Vatolkin, Igor, Weihs, Claus |
|
267 |
|
Between Heaven and the Real World |
Steven Curtis Chapman |
|
268 |
|
Singing and Teaching Singing : A Holistic Approach to Classical Voice [3 ed.] |
Janice Chapman |
3 |
269 |
|
The theory and technique of electronic music |
Miller Puckette |
|
270 |
|
Psychedelia and Other Colours |
Rob Chapman |
|
271 |
|
Making Music with Computers: Creative Programming in Python |
Brown, Andrew R., Manaris, Bill |
|
272 |
|
Hip Hop and Social Change in Africa : Ni Wakati |
Msia Kibona Clark, Sheba Lo, Mickie Mwanzia Koster, Shaheen Ariefdien, Asligül Berktay, Klara Boyer-Rossol, Rico Chapman, Msia Kibona Clark, Katharina Greven, John Idriss Lahai |
|
273 |
|
Music Data Mining [1 ed.] |
Tao Li, Mitsunori Ogihara, George Tzanetakis |
1 |
274 |
|
Syd Barrett and British Psychedelia |
Rob Chapman |
|
275 |
|
A Very Irregular Head: The Life of Syd Barrett |
Rob Chapman |
|
276 |
|
Statistics in Musicology (Interdisciplinary Statistics,) [1 ed.] |
Jan Beran |
1 |
277 |
|
Guitar: Music, History, Players [1 ed.] |
Richard Chapman |
1 |
278 |
|
Listening to Classic American Popular Songs |
Mr. Allen Forte, Richard Lalli, Gary Chapman |
|
279 |
|
Mel Bay's Finger Gymnastics: Warm-Up, Flexibility, Speed and Strength |
Charles Chapman |
|
280 |
|
Selling the Sixties: The Pirates and Pop Music Radio [1 ed.] |
Robert Chapman |
1 |
281 |
|
Music for Pleasure: Essays in the Sociology of Pop |
Simon Frith |
|
282 |
|
Iroquois Music and Dance : Ceremonial Arts of Two Seneca Longhouses [1 ed.] |
Gertrude Prokosch Kurath |
1 |
283 |
|
Cuban Underground Hip Hop: Black Thoughts, Black Revolution, Black Modernity |
Tanya L. Saunders |
|
284 |
|
Jimi Hendrix London |
Hendrix, Jimi,Saunders, William |
|
285 |
|
The Ashgate Research Companion to Experimental Music |
James Saunders (editor) |
|
286 |
|
Rock Over the Edge: Transformations in Popular Music Culture |
Roger Beebe (editor), Denise Fulbrook (editor), Ben Saunders (editor) |
|
287 |
|
Falling Up : The Days and Nights of Carlisle Floyd, The Authorized Biography |
Thomas Holliday, Placido Domingo |
|
288 |
|
Old Violins and Violin Lore. Famous Makers of Cremona and Brescia, and of England, France, and Germany (with Biographical Dictionary) |
Hugh Reginald Haweis |
|
289 |
|
Music Copyright Basics |
Library Of Congress Copyright Office |
|
290 |
|
How to Play the Piano |
Mark Hambourg |
|
291 |
|
Piano Playing, With Piano Questions Answered |
Josef Hofmann |
|
292 |
|
Pages from the Life of Dmitri Shostakovich [1st ed.] |
Dmitri Sollertinsky |
1 |
293 |
|
Cosima Wagner's Diaries: Volume 2 |
Dietrich Mack, Cosima Wagner, Martin Gregor-Dellin, Geoffrey Skelton |
1 |
294 |
|
Cosima Wagner's Diaries: Volume 2 |
Cosima Wagner, Geoffrey Skelton, Martin Gregor-Dellin, Dietrich Mack |
2 |
295 |
|
King Death [1st ed] |
Cohn, Nik |
1 |
296 |
|
Young men with unlimited capital: The Inside Story of the Legendary Woodstock Festival Told By The Two People Who Paid for It |
Rosenman, Joel,Roberts, John (John Peter),Pilpel, Robert H |
|
297 |
|
Composing the Party Line: Music and Politics in Early Cold War Poland and East Germany |
David G. Tompkins |
|
298 |
|
A Knight at the opera : Heine, Wagner, Herzl, Peretz, and the legacy of der Tannhäuser |
Perec, Icchok Leib, Wagner, Richard, Heine, Heinrich, Garrett, Leah, Herzl, Theodor |
|
299 |
|
Blues |
Dick Weissman, Craig Morrison |
|
300 |
|
Folk by Richard Carlin, Ronald D. Cohen |
Richard Carlin, Ronald D. Cohen |
|
301 |
|
Country: american popular music |
Richard Carlin, Barbara Ching |
|
302 |
|
Rhythm and Blues, Rap, and Hip-Hop (American Popular Music) |
Frank W. Hoffmann |
|
303 |
|
Rock and Roll |
Craig Morrison, Kevein J., Ph.D. Holm-Hudson |
|
304 |
|
The Facts on File Dictionary of Music [4 ed.] |
Christine Ammer |
4 |
305 |
|
A to Z of American Women in the Performing Arts (Facts On File Library of American History: A to Z of Women) |
Liz Sonneborn |
|
306 |
|
Music of the Civil War Era |
Steven H. Cornelius |
|
307 |
|
Cultural Codes: Makings of a Black Music Philosophy |
William C. Banfield |
|
308 |
|
Punk Rock |
Stephens, Simon |
|
309 |
|
Jethro Tull's Aqualung |
Allan Moore |
|
310 |
|
Dusty Springfield's Dusty in Memphis |
Warren Zanes |
|
311 |
|
An Introduction to Audio Content Analysis: Music Information Retrieval Tasks and Applications [2 ed.] |
Alexander Lerch |
2 |
312 |
|
Music Navigation with Symbols and Layers: Toward Content Browsing with IEEE 1599 XML Encoding |
|
|
313 |
|
An Introduction to Audio Content Analysis: Applications in Signal Processing and Music Informatics |
Alexander Lerch(auth.) |
|
314 |
|
Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s |
Richard Aquila |
|
315 |
|
Musical Maryland: A History of Song and Performance from the Colonial Period to the Age of Radio [Hardcover ed.] |
David Hildebrand, Elizabeth M Schaaf, William J Biehl |
|
316 |
|
Modernism and opera |
Begam, Richard,Smith, Matthew Wilson |
|
317 |
|
Sublime Noise: Musical Culture and the Modernist Writer |
Josh Epstein |
|
318 |
|
Rock star : the making of musical icons from Elvis to Springsteen |
Shumway, David R |
|
319 |
|
Why the Amish Sing: Songs of Solidarity and Identity |
D. Rose Elder, Terry E. Miller |
|
320 |
|
Music in the Shadows: Noir Musical Films |
Sheri Chinen Biesen |
|
321 |
|
Black Soundscapes White Stages: The Meaning of Francophone Sound in the Black Atlantic |
Edwin C. Hill Jr: |
|
322 |
|
Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP |
Susan Schmidt Horning |
|
323 |
|
Beatlemania: Technology, Business, and Teen Culture in Cold War America |
Millard, André J.,Beatles |
|
324 |
|
Good Vibrations: The Physics of Music |
Barry Parker |
|
325 |
|
On criticizing music: five philosophical perspectives |
Kingsley Price |
|
326 |
|
Have A Bleedin Guess: The Story of Hex Enduction Hour |
Paul Hanley |
|
327 |
|
The Last Seat in the House: The Story of Hanley Sound |
John Kane |
|
328 |
|
The Big Midweek: Life Inside the Fall |
Steve Hanley, Olivia Piekarski |
|
329 |
|
We rock!: a fun family guide for exploring rock music history |
Hanley, Jason |
|
330 |
|
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 |
Jason James Hanley |
|
331 |
|
Music and Technology |
James E. Perone |
|
332 |
|
The Science and Psychology of Music: from Beethoven at the Office to Beyoncé at the Gym |
Thompson, William Forde, Olsen, Kirk N., |
|
333 |
|
Listen to Psychedelic Rock! Exploring a Musical Genre |
Christian Matijas-Mecca |
|
334 |
|
Music around the World [3 volumes]: A Global Encyclopedia |
Andrew R. Martin, Matthew Mihalka Ph.D. |
|
335 |
|
Encyclopedia of Classic Rock |
David Luhrssen, Michael Larson |
|
336 |
|
The Beatles Encyclopedia: Everything Fab Four |
Beatles,Womack, Kenneth |
|
337 |
|
Eminem: The Real Slim Shady |
Marcia Alesan Dawkins |
|
338 |
|
Bono: A Biography |
David Kootnikoff |
|
339 |
|
Lady Gaga |
Paula Johanson |
|
340 |
|
The Wu-Tang Clan and RZA: A Trip Through Hip Hop's 36 Chambers |
Alvin Blanco |
|
341 |
|
Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art (3 Volume Set) [2nd ed.] |
Charlie T. McCormick, Kim Kennedy White |
2 |
342 |
|
Hip Hop Culture |
Emmett G. Price III |
|
343 |
|
Focus: Gamelan Music of Indonesia |
Henry Spiller |
|
344 |
|
The Music of European Nationalism. Cultural Identity and Modern History |
Philip V. Bohlman |
|
345 |
|
Music of the Great Depression |
William H. Young,Nancy K. Young |
|
346 |
|
Bearing witness : a resource guide to literature, poetry, art, music, and videos by Holocaust victims and survivors |
Apfelbaum, Nina, Rosen, Philip |
|
347 |
|
A composer's guide to game music |
Phillips, Winifred |
|
348 |
|
A Generative Theory of Tonal Music |
Fred Lerdahl &, Ray Jackendoff |
|
349 |
|
Popular Music in America: The Beat Goes On [5 ed.] |
Michael Campbell |
5 |
350 |
|
Harmony and Voice Leading [5 ed.] |
Edward Aldwell, Carl Schachter, Allen Cadwallader |
5 |
351 |
|
Teaching Percussion [3 ed.] |
Gary D. Cook |
3 |
352 |
|
Worlds of Music: An Introduction to the Music of the World's Peoples [6 ed.] |
Jeff Todd Titon |
6 |
353 |
|
Anthology for musical analysis: the common-practice period [7th Edition] |
Burkhart, Charles L.,Rothstein, William Nathan |
7 |
354 |
|
Modern Radio and Audio Production: Programming and Performance [10 ed.] |
Carl Hausman, Frank Messere, Philip Benoit |
10 |
355 |
|
Logic Pro X power!: the comprehensive guide |
Anker, Kevin,Merton, Orren |
|
356 |
|
The Music Producer's Survival Guide: Chaos, Creativity, and Career in Independent and Electronic Music [1st ed.] |
Brian M. Jackson |
1 |
357 |
|
The Music Producer's Survival Stories: Interviews with Veteran, Independent, and Electronic Music Professionals [1st ed.] |
Brian M. Jackson |
1 |
358 |
|
Listening to Music, 7th Edition [Seventh edition] |
Wright, Craig M |
|
359 |
|
Music2 [2 ed.] |
Michael Campbell |
2 |
360 |
|
Using Logic Pro's Synthesizers |
Anker, Kevin |
|
361 |
|
Going pro with Ableton Live |
Childs, G. W |
|
362 |
|
Pro Tools 101: an introduction to Pro Tools 11 |
Cook, Frank D |
|
363 |
|
The Essential Listening to Music [2 ed.] |
Craig Wright |
2 |
364 |
|
The Recording Engineer's Handbook [3 ed.] |
Bobby Owsinski |
3 |
365 |
|
Ableton Live 9 Power!: The Comprehensive Guide [1 ed.] |
Jon Margulies |
1 |
366 |
|
The Mixing Engineer's Handbook [3 ed.] |
Bobby Owsinski |
3 |
367 |
|
Integrating Music into the Elementary Classroom [9 ed.] |
William Anderson |
9 |
368 |
|
Listening to Western Music [7 ed.] |
Craig Wright |
7 |
369 |
|
Recording Drums: The Complete Guide |
Mike Major |
1 |
370 |
|
The Essential Listening to Music [1 ed.] |
Craig Wright |
1 |
371 |
|
A Creative Approach to Music Fundamentals [11th ed.] |
William Duckworth |
11 |
372 |
|
Your Free Open Source Music Studio [1 ed.] |
G. W. Childs |
1 |
373 |
|
GarageBand '11 Power!: The Comprehensive Recording and Podcasting Guide [1 ed.] |
Todd Howard |
1 |
374 |
|
Going Pro with Cubase 6 [1 ed.] |
Steve (Steve Pacey) Pacey |
1 |
375 |
|
Logic Pro 9 power!: the comprehensive guide |
Merton, Orren, Anker, Kevin |
|
376 |
|
Listening to Music [6 ed.] |
Craig Wright |
6 |
377 |
|
Logic Pro 8 power!: the comprehensive guide [1 ed.] |
Kevin (Kevin Anker) Anker |
1 |
378 |
|
The Recording Engineer's Handbook [2nd ed] |
Bobby Owsinski |
2 |
379 |
|
Keeping Score: Interviews with Today’s Top Film, Television, and Game Music Composers [1 ed.] |
Tom Hoover |
1 |
380 |
|
Cengage Advantage Books: A Creative Approach to Music Fundamentals [1 ed.] |
William Duckworth |
1 |
381 |
|
Pro Tools 7 Power! [2 ed.] |
Colin MacQueen, Steve Albanese |
2 |
382 |
|
Reason 4 Ignite! The Visual Guide for New Users [1st ed.] |
Matt Piper |
1 |
383 |
|
Pro Tools LE 7 Ignite! [2 ed.] |
Andrew Lee Hagerman |
2 |
384 |
|
Project5 Power! [1 ed.] |
Simon Cann |
1 |
385 |
|
Techniques and Materials of Music: From the Common Practice Period Through the Twentieth Century [7 ed.] |
Thomas Benjamin, Michael Horvit, Robert Nelson |
7 |
386 |
|
Pro Tools 101 Official Courseware, Version 7.4 [2nd ed.] |
Digidesign |
2 |
387 |
|
The Art of Mixing: A Visual Guide to Recording, Engineering, and Production |
David Gibson |
2 |
388 |
|
Computer Music: Synthesis, Composition, and Performance [2 ed.] |
Charles Dodge, Thomas A. Jerse |
2 |
389 |
|
German for Singers: A Textbook of Diction and Phonetics [2 ed.] |
William Odom, Benno Schollum |
2 |
390 |
|
Becoming a Synthesizer Wizard: From Presets to Power User |
Cann, Simon |
|
391 |
|
All in the Downs: Reflections on Life, Landscape, and Song |
Shirley Collins |
|
392 |
|
Bass mid tops: An Oral History of Sound System Culture |
Joe Muggs, Brian Stevens |
|
393 |
|
Between the Tracks: Musicians on Selected Electronic Music |
Miller Puckette, Kerry L. Hagan |
|
394 |
|
Beyond the Creative Species: Making Machines That Make Art and Music |
Oliver Bown |
|
395 |
|
Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism |
Roy Christopher (editor) |
|
396 |
|
Cracked Media: The Sound of Malfunction |
Caleb Kelly |
|
397 |
|
Decomposed: The Political Ecology of Music |
Kyle Devine |
|
398 |
|
Digital signatures: the impact of digitization on popular music sound |
Brøvig-Hanssen, Ragnhild,Danielsen, Anne |
|
399 |
|
Drifting on a Read: Jazz As a Model for Writing (S U N Y Series in American Labor History) [illustrated edition] |
Michael Jarrett |
|
400 |
|
Embodied Music Cognition and Mediation Technology [1 ed.] |
Marc Leman |
1 |
401 |
|
England's Hidden Reverse, Revised and Expanded Edition : A Secret History of the Esoteric Underground |
David Keenan, |
|
402 |
|
Everything Keeps Dissolving : Conversations with Coil |
Nick Soulsby, |
|
403 |
|
Evolutionary Computer Music [1 ed.] |
PHIL HUSBANDS, PETER COPLEY, ALICE ELDRIDGE, JAMES MANDELIS (auth.), Eduardo Reck Miranda MSc, PhD, John Al Biles BA, MS, PhD (eds.) |
1 |
404 |
|
Foundations Of Computer Music |
Curtis Roads, John Strawn |
|
405 |
|
Fourteenth-century French secular polyphony and the problem of tonal structure |
Jennifer Lynne Bain |
|
406 |
|
From Blues to Beyonc |
Alexis McGee, |
|
407 |
|
From Kung Fu to Hip Hop: Globalization, Revolution, and Popular Culture |
M. T. Kato |
|
408 |
|
Game sound : an introduction to the history, theory, and practice of video game music and sound design [1 ed.] |
Collins, Karen |
1 |
409 |
|
Guide to Brain-Computer Music Interfacing [1 ed.] |
Eduardo Reck Miranda, Julien Castet (eds.) |
1 |
410 |
|
Guitar Talk: Conversations with Visionary Players |
Joel Harrison |
|
411 |
|
Hawkwind: Radical Escapism in the Age Of Paranoia |
Joe Banks |
|
412 |
|
High Static Dead Lines: Sonic Spectres & the Object Hereafter |
Kristen Gallerneaux |
|
413 |
|
Imagination, Music, and the Emotions: A Philosophical Study |
Saam Trivedi |
|
414 |
|
Improvisation, Creativity, and Consciousness: Jazz As Integral Template for Music, Education, and Society |
Wilber, Ken, Sarath, Ed, Wilber, Ken |
|
415 |
|
Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018 |
David Toop |
|
416 |
|
Guide to Computing for Expressive Music Performance [1 ed.] |
Alexis Kirke, Eduardo R. Miranda (auth.), Alexis Kirke, Eduardo R. Miranda (eds.) |
1 |
417 |
|
Language, Music, and Mind [1 ed.] |
Diana Raffman |
1 |
418 |
|
Listening, Playing, Creating: Essays on the Power of Sound |
Carolyn Kenny |
|
419 |
|
Live Coding: A User's Manual [1 ed.] |
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean, Thor Magnusson |
1 |
420 |
|
Machine Models of Music' |
Stephan Schwanauer, David Levitt |
|
421 |
|
Machine musicianship |
Robert Rowe |
|
422 |
|
Melodic Similarity: Concepts, Procedures, and Applications |
Walter B. Hewlett, Eleanor Selfridge-Field |
|
423 |
|
Microsound |
Curtis Roads |
|
424 |
|
Muse, Odalisque, Handmaiden: A Girl’s Life in the Incredible String Band |
Rose Simpson |
|
425 |
|
Music and Connectionism |
Peter M. Todd, D. Gareth Loy |
|
426 |
|
Music and Human-Computer Interaction [1 ed.] |
Simon Holland, Katie Wilkie, Paul Mulholland (auth.), Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago (eds.) |
1 |
427 |
|
Music and Memory: an Introduction |
Snyder, Bob |
|
428 |
|
Music and Probability [annotated edition] |
David Temperley |
|
429 |
|
Music and the Making of Modern Science |
Peter Pesic |
|
430 |
|
Music and the Myth of Wholeness: Toward a New Aesthetic Paradigm [1 ed.] |
Tim Hodgkinson |
1 |
431 |
|
Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics |
Perry R. Cook |
|
432 |
|
Music, cosmology, and the politics of harmony in early China |
Brindley, Erica |
|
433 |
|
Musical Bodies, Musical Minds: Enactive Cognitive Science and the Meaning of Human Musicality |
Dylan van der Schyff, Andrea Schiavio, David J. Elliott |
|
434 |
|
Musical Networks: Parallel Distributed Perception and Performance |
Niall Griffith, Peter M. Todd (eds.) |
|
435 |
|
Musimathics: the mathematical foundations of music [vol 1, First Edition] |
Gareth Loy |
1 |
436 |
|
Musimathics: the mathematical foundations of music. Vol. 2 |
Gareth Loy, John Chowning |
|
437 |
|
Noise, water, meat : a history of voice, sound, and aurality in the arts |
Kahn, Douglas |
|
438 |
|
PhanFood : From the Kitchen Pot to the Tour Lot [1 ed.] |
Taraleigh Weathers, Pete Mason |
1 |
439 |
|
Playing with sound : a theory of interacting with sound and music in video games |
Collins, Karen |
|
440 |
|
Polyphonic minds: music of the hemispheres |
Pesic, Peter |
|
441 |
|
Punk Productions: Unfinished Business |
Stacy Thompson |
|
442 |
|
Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four |
Kenneth Womack and Todd F. Davis (Editors) |
|
443 |
|
Resonances Against Fascism: Modernist and Avant-Garde Sounds from Kurt Weill to Black Lives Matter |
Laura Chiesa (editor) |
|
444 |
|
Rhythm and Transforms [1 ed.] |
William A. Sethares Ph.D. (auth.) |
1 |
445 |
|
Rhythm science: Paul D. Miller, aka DJ Spooky that Subliminal Kid |
Lunenfeld, Peter,Miller, Paul D |
|
446 |
|
Rock on Record |
Albin J. Zak |
|
447 |
|
Sex Sounds: Vectors of Difference in Electronic Music |
Danielle Sofer |
|
448 |
|
Social Dissonance |
Mattin |
|
449 |
|
Sonic interaction design |
Karmen Franinović, Stefania Serafin |
|
450 |
|
Sonic Warfare: Sound, Affect, and the Ecology of Fear [1 ed.] |
Steve Goodman |
1 |
451 |
|
Sound by Caleb Kelly [1 ed.] |
Caleb Kelly |
1 |
452 |
|
Sound Actions: Conceptualizing Musical Instruments |
Alexander Refsum Jensenius |
|
453 |
|
Sound as Popular Culture: A Research Companion [1 ed.] |
Jens Gerrit Papenburg, Holger Schulze |
1 |
454 |
|
Sound unbound: sampling digital music and culture |
DJ Spooky That Subliminal Kid |
|
455 |
|
Sounding Bodies: Music and the Making of Biomedical Science |
Peter Pesic |
|
456 |
|
Sounds Like Helicopters: Classical Music in Modernist Cinema |
Matthew Lau |
|
457 |
|
Spotify Teardown: Inside the Black Box of Streaming Music |
Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, Patrick Vonderau |
|
458 |
|
State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness |
Joseph S. C. Lam |
|
459 |
|
Stereophonica: Sound and Space in Science, Technology, and the Arts |
Gascia Ouzounian, |
|
460 |
|
Structures in the mind : essays on language, music, and cognition in honor of Ray Jackendoff |
Toivonen, Ida, Csúri, Piroska, Zee, Emile van der |
|
461 |
|
Studying Sound: A Theory and Practice of Sound Design |
Karen Collins |
|
462 |
|
Sweet Anticipation: Music and the psychology of expectation |
David Huron |
|
463 |
|
Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century |
Dhanveer Singh Brar |
|
464 |
|
The Audio Programming Book [1st ed.] |
Richard Boulanger (ed.), Victor Lazzarini (ed.), Max Mathews (foreword) |
1 |
465 |
|
The Cognition of Basic Musical Structures |
David Temperley |
|
466 |
|
The computer music tutorial |
Curtis Roads , with John Strawn ... [et al.] |
|
467 |
|
The Computer Music Tutorial, second edition [2 ed.] |
Curtis Roads |
2 |
468 |
|
The Csound book: perspectives in software synthesis, sound design, signal processing, and programming |
Richard Boulanger |
|
469 |
|
The Evolving Animal Orchestra: In Search of What Makes Us Musical |
Henkjan Honing |
|
470 |
|
The Expressive Moment: How Interaction (with Music) Shapes Human Empowerment [1 ed.] |
Marc Leman |
1 |
471 |
|
The Guitar and the New World: A Fugitive History |
Joe Gioia |
|
472 |
|
The Mental Life of Modernism: Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century |
Samuel Jay Keyser |
|
473 |
|
The Musical Representation: Meaning, Ontology, and Emotion (Bradford Books) [1 ed.] |
Charles O. Nussbaum |
1 |
474 |
|
The Origins of Music |
Nils L. Wallin, Björn Merker, Steven Brown |
|
475 |
|
The origins of music [New edition] |
Nils L. Wallin, Björn Merker, Steven Brown |
|
476 |
|
The Origins of Musicality [Hardcover ed.] |
Henkjan Honing |
|
477 |
|
The psychophysical ear : musical experiments, experimental sounds, 1840-1910 |
Alexandra Hui |
|
478 |
|
The Rhythmic Event: Art, Media, and the Sonic |
Eleni Ikoniadou |
|
479 |
|
The Ringtone Dialectic : Economy and Cultural Form [1 ed.] |
Sumanth Gopinath |
1 |
480 |
|
The science-music borderlands: reckoning with the past and imagining the future |
Elizabeth H. Margulis, Psyche Loui, Deirdre Loughridge |
|
481 |
|
The Sound of Innovation: Stanford and the Computer Music Revolution [1 ed.] |
Andrew J. Nelson |
1 |
482 |
|
The SuperCollider Book (The MIT Press) |
Scott Wilson (editor), David Cottle (editor), Nick Collins (editor) |
|
483 |
|
Truckin' with Sam : A Father and Son, the Mick and the Dyl, Rockin' and Rollin', on the Road [1 ed.] |
Lee Gutkind, Sam Gutkind |
1 |
484 |
|
Tuning, Timbre, Spectrum, Scale [2 ed.] |
William A. Sethares Ph.D. (auth.) |
2 |
485 |
|
Understanding the Art of Sound Organization |
Leigh Landy |
|
486 |
|
Virtual Music: Computer Synthesis of Musical Style |
David Cope |
|
487 |
|
Voice Leading: The Science Behind a Musical Art |
David Huron |
|
488 |
|
Waves and Forms: Electronic Music Devices and Computer Encodings in China |
Basile Zimmermann |
|
489 |
|
Ways Of Hearing [1st Edition] |
Damon Krukowski, Emily Thompson |
1 |
490 |
|
Whale Music: Thousand Mile Songs in a Sea of Sound |
David Rothenberg |
|
491 |
|
The Trumpet |
John Wallace, Alexander McGrattan |
|
492 |
|
Music teaching problems and aids for their solution |
Rogers, Harold Madison |
|
493 |
|
Gustav Mahler [Tra ed.] |
Jens Malte Fischer |
|
494 |
|
Music and Sentiment [Reprint ed.] |
Charles Rosen |
|
495 |
|
Saxophone For Dummies |
Denis Gäbel ,Michael Villmow |
|
496 |
|
Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations [1 ed.] |
Mark Ribowsky |
1 |
497 |
|
All access: your backstage pass to concert photography |
Hess, Alan |
|
498 |
|
All the Things You Are: The Life of Tony Bennett [1 ed.] |
David Evanier |
1 |
499 |
|
Banjo For Dummies |
Bill Evans |
|
500 |
|
Bluegrass Banjo For Dummies [Video and audio access edition] |
Evans, Bill |
|
501 |
|
Blues Guitar For Dummies |
Jon Chappell |
|
502 |
|
Blues Harmonica For Dummies [1 ed.] |
Yerxa, Winslow |
1 |
503 |
|
Blues: thinking deep about feeling low |
Abrol FairweatherSteinberg, Jesse R.,Fairweather, Abrol |
|
504 |
|
Bob Dylan The Never Ending Star [1., Auflage] |
Lee Marshall |
1 |
505 |
|
Guitar All-in-One For Dummies: Book + Online Video and Audio Instruction |
JON CHAPPELL |
2 |
506 |
|
Classical Music For Dummies [2 ed.] |
David Pogue, Scott Speck |
2 |
507 |
|
Club Cultures Music, Media and Subcultural Capital [1., Auflage] |
Thornton, Sarah |
1 |
508 |
|
DJing For Dummies [2nd ed] |
Steventon, John |
2 |
509 |
|
Guitar For Dummies |
Phillips, Mark |
|
510 |
|
Getting Started Playing Guitar For Dummies, Enhanced Edition |
Mark Phillips, Jon Chappell |
|
511 |
|
GUITAR ALL-IN-ONE FOR DUMMIES [2 ed.] |
|
2 |
512 |
|
Guitar Amps and Effects for Dummies |
Hunter, Dave |
|
513 |
|
Guitar For Dummies |
Chappell, Jon,Co., Cherry Lane Music,Phillips, Mark |
|
514 |
|
Guitar For Dummies [4th Edition] |
Chappell, Jon,Co., Cherry Lane Music,Phillips, Mark |
4 |
515 |
|
Guitar For Dummies, with DVD [3rd ed] |
Chappell, Jon, Phillips, Mark |
3 |
516 |
|
Guitar Songs and Styles For Dummies, Enhanced Edition |
Mark Phillips, Jon Chappell |
|
517 |
|
Guitar theory for dummies |
Desi Serna |
|
518 |
|
GUITAR THEORY FOR DUMMIES [2 ed.] |
DESI SERNA |
2 |
519 |
|
Harmonica For Dummies [2nd edition] |
Yerxa, Winslow |
2 |
520 |
|
Heaven And Hell: My Life In The Eagles, 1974-2001 |
Felder, Don,Holden, Wendy |
|
521 |
|
Home Recording For Musicians For Dummies [5th edition] |
Strong, Jeff |
5 |
522 |
|
Hotel California |
Hoskyns, Barney |
|
523 |
|
iPad and iPhone For Musicians For Dummies [1 ed.] |
Williams, Ryan C, Levine, Mike |
1 |
524 |
|
Led Zeppelin: the oral history of the world's greatest rock band |
Hoskyns, Barney |
|
525 |
|
Music composition for dummies |
Scott Jarrett, Holly Day |
|
526 |
|
Music Composition For Dummies [2 ed.] |
Scott Jarrett, Holly Day |
2 |
527 |
|
Music Composition For Dummies [3 ed.] |
Scott Jarrett, Holly Day |
3 |
528 |
|
Music Theory For Dummies [3 ed.] |
Holly Day, Michael Pilhofer |
3 |
529 |
|
Music Theory For Dummies [4 ed.] |
Michael Pilhofer, Holly Day |
4 |
530 |
|
Musical Techniques Frequencies and Harmonics |
Paret, Dominique,Sibony, Serge |
|
531 |
|
Paul Simon |
Eliot, Marc |
|
532 |
|
PIANO EXERCISES FOR DUMMIES. [2 ed.] |
DAVID PEARL |
2 |
533 |
|
Songwriting For Dummies [2 ed.] |
Jim Peterik, Dave Austin, Cathy Lynn Austin |
2 |
534 |
|
Spotify For Dummies |
Gilmour, Kim |
|
535 |
|
Why music matters |
Hesmondhalgh, David |
|
536 |
|
World on a String: A Musical Memoir [1 ed.] |
John Pizzarelli, Joseph Cosgriff |
1 |
537 |
|
An Encyclopedia of Quotations About Music [1 ed.] |
Nat Shapiro (auth.), Nat Shapiro (eds.) |
1 |
538 |
|
Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method |
Lutz Trautmann, Rudolf Rabenstein (auth.) |
1 |
539 |
|
Engineering the Guitar: Theory and Practice [1 ed.] |
Richard Mark French (auth.) |
1 |
540 |
|
Mathematical and Computational Modeling of Tonality: Theory and Applications |
Elaine Chew (auth.) |
1 |
541 |
|
Meter in Music, 1600-1800: Performance, Perception and Notation (Music: Scholarship & Performance) |
G Houle |
|
542 |
|
Modern Viola Technique |
Robert Dolejší (auth.) |
|
543 |
|
Music, Mind, and Brain: The Neuropsychology of Music [1 ed.] |
Marvin Minsky (auth.), Manfred Clynes (eds.) |
1 |
544 |
|
Music, Sound, and Technology [2 ed.] |
John M. Eargle (auth.) |
2 |
545 |
|
Musical Sound: An Introduction to the Physics of Music [1 ed.] |
Michael J. Moravcsik (auth.) |
1 |
546 |
|
Technology of the Guitar [1 ed.] |
Richard Mark French (auth.) |
1 |
547 |
|
The Art of Accompanying and Coaching [1 ed.] |
Kurt Adler (auth.) |
1 |
548 |
|
The Concert Song Companion: A Guide to the Classical Repertoire [1 ed.] |
Charles Osborne (auth.) |
1 |
549 |
|
Singing Exercises For Dummies |
Pamelia S. Phillips |
|
550 |
|
Ready For a Brand New Beat: How "Dancing in the Street" Became the Anthem for a Changing America |
Mark Kurlansky |
|
551 |
|
Fleetwood Mac: The Complete Illustrated History |
Unterberger, Richie |
|
552 |
|
Selected Essays on Intermediality by Werner Wolf (1992–2014): Theory and Typology, Literature-Music Relations, Transmedial Narratology, Miscellaneous Transmedial Phenomena |
Wolf Werner, Walter Bernhart (editor) |
|
553 |
|
Song Acts: Writings on Words and Music |
Lawrence Kramer |
|
554 |
|
E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera |
Francien Markx |
|
555 |
|
Wittgenstein as Philosophical Tone-Poet: Philosophy and Music in Dialogue |
Bela Szabados |
|
556 |
|
Music's Obedient Daughter: The Opera Libretto from Source to Score |
Sabine Lichtenstein (ed.) |
|
557 |
|
On Voice |
Walter Bernhart, Lawrence Kramer (eds.) |
|
558 |
|
The Legacy of Opera: Reading Music Theatre as Experience and Performance |
Dominic Symonds, Pamela Karantonis |
|
559 |
|
Headaches among the overtones : music in Beckett / Beckett in music |
Laws, Catherine, Beckett, Samuel |
|
560 |
|
Word and Music Studies: Essays on Performativity and on Surveying the Field |
Walter Bernhart |
|
561 |
|
Wagner and the Novel: Wagner's Operas and the European Realist Novel: An Exploration of Genre |
Hugh Ridley |
|
562 |
|
Reading Song Lyrics. (Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft) |
Lars Eckstein |
|
563 |
|
The Jukebox in the Garden: Ecocriticism and American Popular Music Since 1960 |
David Ingram |
|
564 |
|
Self-Reference in Literature and Music |
Walter Bernhart (editor), Werner Wolf (editor) |
|
565 |
|
Sonic Interventions. (Thamyris Intersecting: Place, Sex & Race) |
Joy Smith, Marijke de Valck |
|
566 |
|
Essays on Word/Music Adaptation and on Surveying the Field.: 9 (Word and Music Studies) |
David Francis Urrows (editor) |
|
567 |
|
The St Gall Passion Play: Music and Performance |
Peter Macardle |
|
568 |
|
Music and the numinous |
Jones, Richard Elfyn |
|
569 |
|
Selected Essays on Opera by Ulrich Weisstein |
Walter Bernhart |
|
570 |
|
Debussy and the Fragment (Chiasma 18) |
Linda Cummins |
|
571 |
|
Essays on Literature and Music (1967-2004) |
Walter Bernhart, Werner Wolf |
|
572 |
|
Music, Popular Culture, Identities |
Richard Young |
|
573 |
|
Musico-poetics in Perspective: Calvin S. Brown in Memoriam |
Jean-Louis Weisstein |
|
574 |
|
Wagner in Retrospect: A Centennial Reappraisal |
Leroy Robert Shaw, Nancy Rockmore Cirillo, Marion S. Miller (eds.) |
|
575 |
|
Music for Silenced Voices: Shostakovich and His Fifteen Quartets |
Wendy Lesser |
|
576 |
|
Bob Dylan: Like a Complete Unknown |
David Yaffe, Mark Crispin Miller |
|
577 |
|
Mozart and the Nazis |
Jill Leslie McKeever Furst |
|
578 |
|
Shostakovich’s Preludes and Fugues: Contexts, Style, Performance |
Mark Mazullo |
|
579 |
|
French Opera: A Short History |
Vincent Giroud |
|
580 |
|
The Most Musical Nation: Jews and Culture in the Late Russian Empire |
James Loeffler |
|
581 |
|
Mozart's Third Brain |
Göran Sonnevi, Rika Lesser, Rosanna Warren |
|
582 |
|
Shostakovich's Preludes and Fugues: Contexts, Style, Performance |
Mark Mazullo |
|
583 |
|
The Anthology of Rap |
Adam Bradley (editor), Andrew DuBois (editor), Common (editor), Chuck D (editor), Henry Louis Gates, Jr. (editor) |
|
584 |
|
No Such Thing as Silence: John Cage's 4'33 |
Kyle Gann |
|
585 |
|
A Windfall of Musicians: Hitler's Emigres and Exiles in Southern California [First Edition] |
Ms. Dorothy Lamb Crawford |
|
586 |
|
Kander and Ebb (Yale Broadway Masters Series) [1 ed.] |
Professor James Leve |
1 |
587 |
|
To Cut the Gordian Knot: The Timbre System of Krzysztof Penderecki [JSTOR ed.] |
Danuta Mirka |
|
588 |
|
Singing for Freedom: The Hutchinson Family Singers and the Nineteenth-Century Culture of Reform |
Scott Gac |
|
589 |
|
Bach’s Well-tempered Clavier: The 48 Preludes and Fugues |
David Ledbetter |
|
590 |
|
A Little History of Music |
Robert Philip |
|
591 |
|
The Recorder |
David Lasocki, Robert Ehrlich, Nikolaj Tarasov, Michala Petri |
|
592 |
|
Schubert: A Musical Wayfarer |
Lorraine Bodley |
|
593 |
|
Oscar Hammerstein II and the Invention of the Musical |
Laurie Winer |
|
594 |
|
Music of Exile: The Untold Story of the Composers who Fled Hitler |
Michael Haas |
|
595 |
|
The War on Music: Reclaiming the Twentieth Century |
John Mauceri |
|
596 |
|
The Northern Silence: Journeys in Nordic Music and Culture |
Andrew Mellor |
|
597 |
|
More Real Life Rock: The Wilderness Years, 2014 - 2021 |
Greil Marcus |
|
598 |
|
Playing with Fire: The Story of Maria Yudina, Pianist in Stalin's Russia |
Elizabeth Wilson |
|
599 |
|
Folk Music: A Bob Dylan Biography in Seven Songs |
Greil Marcus |
|
600 |
|
The Parisian Worlds of Frédéric Chopin |
William Atwood |
|
601 |
|
Lines and Lyrics: An Introduction to Poetry and Song |
Matt BaileyShea |
|
602 |
|
Steinway and Sons |
Richard K. Lieberman |
|
603 |
|
The Life of Music: New Adventures in the Western Classical Tradition |
Nicholas Kenyon |
|
604 |
|
The Piano: A History in 100 Pieces |
Susan Tomes |
|
605 |
|
Ludwig van Beethoven: The Piano Sonatas; History, Notation, Interpretation |
Jan Marisse Huizing |
|
606 |
|
Five Operas and a Symphony: Word and Music in Russian Culture (Russian Literature and Thought Series) [First Edition] |
Boris Gasparov |
|
607 |
|
Fine and Dandy: The Life and Work of Kay Swift |
Vicki Ohl |
|
608 |
|
Beethoven: A Life in Nine Pieces |
Laura Tunbridge |
|
609 |
|
Poulenc: A Biography |
Roger Nichols |
|
610 |
|
Irving Berlin: New York Genius |
James Kaplan |
|
611 |
|
A New Hymnal for Colleges and Schools |
Kazik (Simha Rotem) (editor), Barbara Harshav (editor) |
|
612 |
|
Sibelius by Andrew Barnett |
Andrew Barnett |
|
613 |
|
The Letters of Cole Porter |
Cole Porter, Cliff Eisen, Dominic Mchugh |
|
614 |
|
Musical Composition: Craft and Art |
Alan Belkin |
|
615 |
|
The Classical Music Lover’s Companion to Orchestral Music |
Robert Philip |
|
616 |
|
The Structure of Atonal Music |
Thomas Sowell |
|
617 |
|
Hitchcock's Music [1ST ed.] |
Jack Sullivan |
1 |
618 |
|
Counterpoint: Fundamentals of Music Making |
Valerie A. Kivelson (editor), Joan Neuberger (editor) |
|
619 |
|
Brahms: The Four Symphonies |
Beth Baron |
|
620 |
|
The Other Feminists |
Nicola Vicentino (editor), Claude V. Palisca (editor), Maria Rika Maniates (editor) |
|
621 |
|
What to Listen For in Jazz |
George R. Urban |
|
622 |
|
The Tchaikovsky Papers: Unlocking the Family Archive |
Marina Kostalevsky (editor), Stephen Pearl (editor), Polina E. Vaidman (editor) |
|
623 |
|
New World Symphonies |
Stefano Ugo Baldassarri (editor), Arielle Saiber (editor) |
|
624 |
|
Splitting |
Markand Thakar |
|
625 |
|
French Masters of the Organ |
Donald C. Gallup |
|
626 |
|
Ear Training for Twentieth-Century Music |
Robert Scholes |
|
627 |
|
Musicology and Performance |
David R. Mayhew |
|
628 |
|
Richard Rodgers |
Edward K. Kaplan, Samuel H. Dresner |
|
629 |
|
Singing in Style |
Noel Sugimura |
|
630 |
|
Musical Poetics |
Nancy F. Cott |
|
631 |
|
Ancient Music Adapted to Modern Practice |
Nicola Vicentino, Maria R Maniates |
|
632 |
|
Composers' Voices from Ives to Ellington: An Oral History of American Music |
Vivian Perlis, Libby Van Cleve |
|
633 |
|
The Language of the Classical French Organ |
Larissa Juliet Taylor |
|
634 |
|
Calling on the Composer: A Guide to European Composer Houses and Museums [First Edition] |
Julie Anne Sadie, Stanley Sadie |
|
635 |
|
Messiaen |
Peter Hill, Nigel Simeone |
|
636 |
|
Notes from the Pianist's Bench: Second Edition, Multimedia Edition [Second Edition] |
Boris Berman |
2 |
637 |
|
The Poetry of Pop |
Adam Bradley |
|
638 |
|
The Opera Lover's Companion |
Charles Osborne |
|
639 |
|
The hatred of music [First Edition] |
Pascal Quignard |
|
640 |
|
Bach’s Major Vocal Works: Music, Drama, Liturgy |
Markus Rathey |
|
641 |
|
Stalin’s Music Prize: Soviet Culture and Politics [Hardcover ed.] |
Marina Frolova-Walker |
|
642 |
|
The Robert Shaw Reader |
Dean Robert Blocker |
|
643 |
|
Conversations in jazz: the Ralph J. Gleason interviews |
Gleason, Ralph J.,Gleason, Toby |
|
644 |
|
B¿la Bart¿k |
Bartók, Béla, Cooper, David |
|
645 |
|
Nietzsche's Orphans: Music, Metaphysics, and the Twilight of the Russian Empire (Eurasia Past and Present) [Illustrated] |
Rebecca Mitchell |
|
646 |
|
Louis Armstrong and Paul Whiteman: Two Kings of Jazz |
Joshua Berrett |
|
647 |
|
Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin |
Pauline Fairclough |
|
648 |
|
Barbra Streisand: Redefining Beauty, Femininity, and Power |
Neal Gabler |
|
649 |
|
Bach's Major Vocal Works: Music, Drama, Liturgy |
Markus Rathey |
|
650 |
|
The Hatred of Music |
Pascal Quignard, Matthew Amos, Fredrik Rönnbäck |
|
651 |
|
Performing Music in the Age of Recording |
Robert Philip |
|
652 |
|
A Schoenberg Reader: Documents of a life |
Joseph Auner |
|
653 |
|
Music in the Air: The Selected Writings of Ralph J. Gleason |
Ralph J. Gleason (editor), Toby Gleason (editor), Paul Scanlon (editor), Jann Wenner (editor) |
|
654 |
|
Franz Liszt: Musician, Celebrity, Superstar |
Oliver Hilmes, Stewart Spencer |
|
655 |
|
Beethoven: The Ninth Symphony (Yale Music Masterworks) [Revised] |
David Benjamin Levy |
|
656 |
|
Real Life Rock: The Complete Top Ten Columns, 1986-2014 |
Greil Marcus |
|
657 |
|
Emanuel Feuermann |
Annette Morreau |
|
658 |
|
Bill Evans |
Peter Pettinger |
|
659 |
|
Leonard Bernstein: An American Musician |
Allen Shawn |
|
660 |
|
Tainted Glory in Handel’s Messiah: The Unsettling History of the World’s Most Beloved Choral Work [1 ed.] |
Michael Marissen |
1 |
661 |
|
The History of Rock 'n' Roll in Ten Songs |
Greil Marcus |
|
662 |
|
The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier |
Roy Howat |
|
663 |
|
Piano Roles: A New History of the Piano |
James Parakilas |
|
664 |
|
Piano Roles: A New History of the Piano |
James Parakilas |
|
665 |
|
Bach's Well-tempered Clavier: The 48 Preludes and Fugues |
David Ledbetter |
|
666 |
|
Forbidden Music: The Jewish Composers Banned by the Nazis [First Edition /First Printing] |
Mr. Michael Haas |
|
667 |
|
The Leonard Bernstein Letters [1st ed.] |
Leonard Bernstein, Nigel Simeone |
1 |
668 |
|
The Saxophone |
Stephen Cottrell |
|
669 |
|
Debussy in Performance [1 ed.] |
James R. Briscoe (editor) |
1 |
670 |
|
Ravel [Illustrated] |
Roger Nichols |
|
671 |
|
The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges |
Robert J. Flanagan |
|
672 |
|
The Bassoon [1st ed.] |
James B. Kopp |
1 |
673 |
|
First Nights: Five Musical Premiers |
Thomas Forrest Kelly |
|
674 |
|
Ravel |
William Howard Adams |
|
675 |
|
The Perilous Life of Symphony Orchestras |
Robert J. Flanagan |
|
676 |
|
A Descriptive Catalogue of the Music of Charles Ives |
James B. Sinclair |
|
677 |
|
Cosima Wagner: The Lady of Bayreuth |
Oliver Hilmes, Stewart Spencer |
|
678 |
|
Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich |
Pamela Maxine Potter |
|
679 |
|
Schubert's Vienna |
Raymond Erickson |
|
680 |
|
Tenor: History of a Voice |
John Potter |
|
681 |
|
Opera and Politics: From Monteverdi to Henze [1 ed.] |
John Bokina |
1 |
682 |
|
Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer |
Boris Berman |
|
683 |
|
The Music of Alban Berg |
Dave Headlam |
|
684 |
|
On Opera |
Bernard Williams, Michael Tanner |
|
685 |
|
Jazz in Search of Itself |
Larry Kart |
|
686 |
|
Mavericks and Other Traditions in American Music [First Edition] |
Michael Broyles |
|
687 |
|
Bruno Walter: A World Elsewhere |
Mr. Erik Ryding, Ms. Rebecca Pechefsky |
|
688 |
|
Jerome Kern |
Stephen Banfield |
|
689 |
|
Stravinsky and Balanchine: A Journey of Invention |
Charles M. Joseph |
|
690 |
|
Andrew Lloyd Webber (Yale Broadway Masters Series) |
John Snelson |
|
691 |
|
The Selected Correspondence of Aaron Copland [annotated edition] |
Aaron Copland |
|
692 |
|
Imagining Native America in Music |
Michael V Pisani |
|
693 |
|
The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius |
Peter Kivy |
|
694 |
|
The Parisian Jazz Chronicles: An Improvisational Memoir |
Mike Zwerin |
|
695 |
|
A Portrait of Mendelssohn |
Clive Brown |
|
696 |
|
Beethoven: The Ninth Symphony: Revised Edition |
David Benjamin Levy |
|
697 |
|
Composers’ Voices from Ives to Ellington: An Oral History of American Music |
Vivian Perlis, Libby Van Cleve |
|
698 |
|
Oklahoma!: The Making of an American Musical |
Tim Carter |
|
699 |
|
Musica Enchiriadis: And, Scolica Enchiriadis |
Raymond Erickson |
|
700 |
|
Sigmund Romberg |
William A. Everett |
|
701 |
|
Beethoven's Piano Sonatas: A Short Companion |
Charles Rosen |
|
702 |
|
Jerry Herman: Poet of the Showtune |
Mr. Stephen Citron |
|
703 |
|
Bessie: Revised and expanded edition |
Chris Albertson |
|
704 |
|
Visible Deeds of Music: Art and Music from Wagner to Cage [1 ed.] |
Simon Shaw-Miller |
1 |
705 |
|
Russian Music and Nationalism: From Glinka to Stalin [1 ed.] |
Marina Frolova-Walker |
1 |
706 |
|
Opera in America: A Cultural History |
John Dizikes |
|
707 |
|
Beethoven's Ninth Symphony: A Portrayal of Its Musical Content, with Running Commentary on Performance and Literature as Well |
Heinrich Schenker |
|
708 |
|
Wagner: Race and Revolution [1 ed.] |
Paul Lawrence Rose |
1 |
709 |
|
Composers in the Movies: Studies in Musical Biography [First Edition] |
Professor John C. Tibbetts |
|
710 |
|
Gustav Mahler: A Life in Crisis [1 ed.] |
Stuart Feder |
1 |
711 |
|
Fundamentals of Music (De institutione musica) |
Saint Anicius Manlius Severinus Boethius, Calvin M. Bower |
|
712 |
|
Stringed Instruments of Ancient Greece |
Martha Maas, Jane McIntosh Snyder |
|
713 |
|
Richard Rodgers (Yale Broadway Masters) |
Geoffrey Block |
|
714 |
|
What to Listen For in Rock: A Stylistic Analysis |
Ken Stephenson |
|
715 |
|
The Flute [1 ed.] |
Ardal Powell |
1 |
716 |
|
Notes from the Pianist's Bench [Revised] |
Boris Berman |
|
717 |
|
Music Analysis in Theory and Practice |
Jonathan Dunsby |
|
718 |
|
Stravinsky inside out [1ST ed.] |
Professor Charles M. Joseph |
1 |
719 |
|
Songs of the Women Trouvères |
Eglal Doss-Quinby, Joan Tasker Grimbert, Wendy Pfeffer, Elizabeth Aubrey (Eds.) |
1 |
720 |
|
Musicology and Performance [1 ed.] |
Paul Henry Lang, Alfred Mann (editor), George J. Buelow (editor) |
1 |
721 |
|
What to listen to in jazz |
Barry Kernfeld |
|
722 |
|
Humanism in Italian Renaissance Musical Thought |
Claude V. Palisca |
|
723 |
|
Aspects of Schenkerian Theory |
David W. Beach (ed.) |
|
724 |
|
Berg's Wozzeck: Harmonic Language and Dramatic Design |
Janet Schmalfeldt |
|
725 |
|
The Art of Strict Musical Composition: Volumes 1-2 |
Johann Philipp Kirnberger, David Beach, Jurgen Thym |
|
726 |
|
Johann Mattheson; Spectator in Music |
Beekman Cox Cannon, Leo Schrade (Preface) |
|
727 |
|
Poulenc |
Roger Nichols |
|
728 |
|
The Music of Alexander Scriabin |
James M. Baker |
|
729 |
|
Securing Baritone, Bass-Baritone, and Bass Voices |
Miller R. |
|
730 |
|
Bowie : the sinner saints |
Adrienne Bell |
|
731 |
|
Resilience & Melancholy: Pop Music, Feminism, Neoliberalism |
Robin James |
|
732 |
|
The Authorized Roy Orbison |
Jr., Roy / Orbison, Alex / Slate, Jeff and Riesco, Marcel |
|
733 |
|
The Faber Pocket Guide to Bach (Pocket Guide: Music) |
Kenyon, Nicholas |
|
734 |
|
1001 discos que hay que escuchar antes de morir |
Robert Dimery |
|
735 |
|
Drums For Dummies |
Strong, Jeff |
|
736 |
|
FAust: Stretch Out Time 1970-75 |
Andy Wilson |
|
737 |
|
Rock Bottom |
Stain, Jane |
|
738 |
|
Rock the Boat |
Stain, Jane |
|
739 |
|
The Cambridge Companion to the Piano |
Rowland, David (ed.) |
|
740 |
|
Un solo de clarinete |
Fernando Almena |
|
741 |
|
Les rebelles du rock. Un XXe siècle underground pour un âge futur |
Dufaud, Marc |
|
742 |
|
Johnny Cash |
Laurie, Greg |
|
743 |
|
Suzuki Piano School, Vol 3: Book & CD |
Dr. Shinichi Suzuki |
|
744 |
|
Suzuki Piano School, Vol 5: Book & CD |
Dr. Shinichi Suzuki |
|
745 |
|
Les Miscellanées des Beatles |
Gilles Verlant, Jean-Eric Perrin &, Gilles VERLANT |
|
746 |
|
Les passions du choeur 1800-1950 |
Bernadette Lespinard |
|
747 |
|
Isaac Hayes |
Desvérité, David |
|
748 |
|
The Cambridge Companion to Liszt |
|
|
749 |
|
Rock Out |
Stain, Jane |
|
750 |
|
Rock Candy |
Stain, Jane |
|
751 |
|
And the Band Begins to Play. Part Ten: The Definitive Guide to the Beatles' Yellow Submarine 10 |
Steve Lambley |
|
752 |
|
100 Things Phish Fans Should Know & Do Before They Die |
Jason Gershuny |
|
753 |
|
K-POP a to Z |
Bina Lee |
|
754 |
|
Music Marketing for the DIY Musician |
Bobby Borg |
|
755 |
|
El Alma De Un Violín |
Helena Petrovna Blavatsky |
|
756 |
|
Siren Song |
Seymour Stein |
|
757 |
|
No Remedy for Love |
Liona Boyd |
|
758 |
|
Debussy: A painter in sound |
Walsh, Stephen |
|
759 |
|
the love galore mixtape |
House, Alexandria |
|
760 |
|
The Cambridge Companion to the Singer-Songwriter |
Katherine Williams &, Justin A. Williams (ed.) |
|
761 |
|
Audition Songs for Men |
Harvard, Paul |
|
762 |
|
Chord Bassics |
Jonas Hellborg |
|
763 |
|
The Autobiography of Gucci Mane |
Gucci Mane &, Neil Martinez-Belkin |
|
764 |
|
The Cambridge Companion to Mendelssohn (Cambridge Companions to Music) |
Peter Mercer-Taylor |
|
765 |
|
The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar |
Franz Nicolay |
|
766 |
|
You Never Give Me Your Money |
Peter Doggett |
|
767 |
|
Uriah Heep (Firefly to Conquest) |
Music Legends |
|
768 |
|
Guitar Mastery Simplified: How Anyone Can Quickly Become a Strumming, Chords, and Lead Guitar Ninja |
Andreas, Erich |
|
769 |
|
The Cambridge Companion to Handel |
Burrows, Donald (ed.) |
|
770 |
|
The Practice of Practice |
Harnum, Jonathan |
|
771 |
|
Wolfe Paul Bass Hanon Variations |
|
|
772 |
|
Musical Instrument Design: Practical Information for Instrument Design |
Hopkin, Bart |
|
773 |
|
guitar method |
Stefan Schyga |
|
774 |
|
88 Favourite Carols and Hymns for Christmas |
|
|
775 |
|
Les récits cachés de Richard Wagner |
|
|
776 |
|
Gammond - Bluff Your Way in Music |
Неизвестный Автор |
|
777 |
|
Eight Concert Studies, Op. 40 |
Nikolai Kapustin |
|
778 |
|
Genius & Anxiety |
Norman Lebrecht |
|
779 |
|
Substance: Inside new order |
Peter Hook |
|
780 |
|
The Cambridge Companion to the Saxophone (Cambridge Companions to Music) |
Richard Ingham |
|
781 |
|
To Feel the Music |
Young, Neil |
|
782 |
|
Souvenirs d'un musicien / précédés de notes biographiques écrites par lui même |
Adolphe Adam |
|
783 |
|
Derniers souvenirs d'un musicien |
Adolphe Adam |
|
784 |
|
Sixty Years of California Song |
Margaret Blake Alverson |
|
785 |
|
Amor, sexo y rock & roll |
Verónica García Montiel |
|
786 |
|
Con destino a la gloria |
Woody Guthrie |
|
787 |
|
Músicas negras |
|
|
788 |
|
Patrick: Detras de la musica volume 3 |
Yunnuen González |
|
789 |
|
Adele 21 (PVG) |
Adele |
|
790 |
|
All My Yesterdays |
Steve Howe |
|
791 |
|
Berlioz. Le roman du romantisme |
Remy |
|
792 |
|
Césaria Evora, La voix du Cap-vert |
Véronique Mortaigne |
|
793 |
|
Chart Toppers, 2011: Piano |
The Wanted, Katy Perry, Take That, Bruno Mars, Michael Bublé, Elbow, Jessie J feat. B.O.B., Cheryl Cole, Plain White T's, James Blunt, Israel Kamakawiwo'ole, The Wombats, Matt Cardle, Adele |
|
794 |
|
Complete Lyrics of all Songs |
The Beatles |
|
795 |
|
Danse et musique |
Paolacci, Claire |
|
796 |
|
Dirty Rocker |
Alice May Ball |
|
797 |
|
DIRTY ROCKER: A Rock Star Romance |
Daiko, SC |
|
798 |
|
Dissonance: A Rock Star Romance |
Wolf, Julia |
|
799 |
|
Dolly Parton, Songteller |
Parton, Dolly |
|
800 |
|
Drop Beat |
Sloan, Ryleigh |
|
801 |
|
Earl Scruggs And The Five String Banjo |
Earl Scruggs |
|
802 |
|
Edith Piaf |
Bensoussan, Albert |
|
803 |
|
Félix Leclerc |
Sévigny, Jean-Pierre &, Trottier, Danick &, Bellemare, Luc |
|
804 |
|
Glam Rock |
Simon Philo |
|
805 |
|
Hong Kong Rock |
James, Indiana |
|
806 |
|
I am Ozzy |
Ozzy Osbourne |
|
807 |
|
I'm your man: La vie de Leonard Cohen |
man, I am your |
|
808 |
|
Inteligencia musical |
Íñigo Pirfano |
|
809 |
|
Jazz among the Discourses |
Krin Gabbard |
|
810 |
|
Moondog |
Amaury CORNUT |
|
811 |
|
Le cerveau et la musique |
Michel Rochon |
|
812 |
|
Les paroles de 105 chansons |
Jean-Jacques Goldman |
|
813 |
|
Les paroles de 11 chansons |
|
|
814 |
|
Les paroles de 123 chansons |
Céline Dion |
|
815 |
|
Les paroles de 14 chansons |
Amel Bent |
|
816 |
|
Les paroles de 142 chansons |
Jacques Brel |
|
817 |
|
Les paroles de 15 chansons |
Renan Luce |
|
818 |
|
Les paroles de 172 chansons |
Joe Dassin |
|
819 |
|
Les paroles de 19 chansons |
Christophe Maé |
|
820 |
|
Les paroles de 20 chansons |
Kenza Farah |
|
821 |
|
Les paroles de 201 chansons |
Georges Brassens |
|
822 |
|
Les paroles de 23 chansons |
|
|
823 |
|
Les paroles de 255 chansons |
Edith Piaf |
|
824 |
|
Les paroles de 26 chansons |
Carla Bruni |
|
825 |
|
Les paroles de 262 chansons |
Charles Aznavour |
|
826 |
|
Les paroles de 4 chansons |
Fatal Bazooka |
|
827 |
|
Les paroles de 40 chansons |
Gildas Arzel |
|
828 |
|
Les paroles de 5 chansons |
|
|
829 |
|
Les paroles de 50 chansons |
|
|
830 |
|
Les paroles de 64 chansons |
Hélène Ségara |
|
831 |
|
Les paroles de 74 chansons |
Lara Fabian |
|
832 |
|
Les paroles de 76 chansons |
Patricia Kaas |
|
833 |
|
Les paroles de 8 chansons |
|
|
834 |
|
Les paroles de 87 chansons |
|
|
835 |
|
Les paroles de 9 chansons |
|
|
836 |
|
Les paroles de 94 chansons |
Mireille Mathieu |
|
837 |
|
Les paroles de 95 chansons |
Daniel Balavoine |
|
838 |
|
Les Suites pour violoncelle seul |
Eric Siblin |
|
839 |
|
Les Suprêmes chantent le blues |
Moore, Edward Kelsey |
|
840 |
|
Letters To A Young Lady, On The Art Of Playing The Pianoforte |
Carl Czerny |
|
841 |
|
Universale Economica Feltrinellia: Life |
Richards, Keith &, Fox, James |
|
842 |
|
Life by Keith RICHARDS |
Keith RICHARDS, James A. FOX &, Richards Keith &, Fox James |
|
843 |
|
LIFE |
Johnny Cash |
|
844 |
|
Lights, Music, Code! #3 |
Jo Whittemore &, Reshma Saujani |
|
845 |
|
Lynyrd Skynyrd |
Bertrand BOUARD |
|
846 |
|
Lyrics |
Pink Floyd |
|
847 |
|
Mémoires de Hector Berlioz / comprenant ses voyages en Italie, en Allemagne, en Russie / et en Angleterre, 1803-1865 |
Berlioz, Hector |
|
848 |
|
Música desordenada |
I. H. Marcos |
|
849 |
|
Miniature essays: Igor Stravinsky |
|
|
850 |
|
Mon Starmania |
Fabienne Thibeault |
|
851 |
|
Movies, Songs, and Electric Sound: Transatlantic Trends |
Charles O'Brien |
|
852 |
|
Mozart. Sociología de un genio |
Elias, Norbert |
|
853 |
|
Musicophilia - La musique, le cerveau et nous |
Oliver Sacks |
|
854 |
|
Ne mourez pas sans avoir exprimé votre musique intérieure |
Serena J. Dyer, Dr Wayne W. Dyer |
|
855 |
|
N'oublie jamais |
Gregory Charles |
|
856 |
|
Operas Every Child Should Know / Descriptions of the Text and Music of Some of the Most Famous Masterpieces |
Bacon, Mary Schell Hoke |
|
857 |
|
Original Jethro Tull |
Gary Parker |
|
858 |
|
The Music Demon |
Danann, Victoria |
|
859 |
|
Perfect Tunes |
Gould, Emily |
|
860 |
|
Pick: The recoil rock series 1 |
Osborn, K E |
|
861 |
|
Pink Floyd Classics |
Pink Floyd |
|
862 |
|
Poética musical |
Stravinski, Ígor |
|
863 |
|
Repertorio de vituperios musicales |
Nicolas Slonimsky |
|
864 |
|
Scar Tissue |
Kiedis, Anthony |
|
865 |
|
Sex Pistols |
Peter Smith |
|
866 |
|
Sing Sing, Musiques rebelles sous les verrous |
Ballandier, Franck |
|
867 |
|
Sonata Form |
Cummings, Carole |
|
868 |
|
The Doors |
Marcus, Greil |
|
869 |
|
The Final Melody |
Randell, Cecilia |
|
870 |
|
The Grateful Dead's 100 Essential Songs |
Barnes, Barry &, Trudeau, Bob |
|
871 |
|
The Incredible True Story of the Making of the Eve of Destruction |
Amy Brashear |
|
872 |
|
The Singing |
Croggon, Alison |
|
873 |
|
The Summer Tour: A Contemporary Rockstar Romance |
Melanson, Mandy |
|
874 |
|
Uriah Heep - Uncensored On the Record |
Ling, Dave |
|
875 |
|
Wagner and His Music-Dramas |
Bagar, Robert C. |
|
876 |
|
Wagner, Histoire D'Un Artiste |
Guy de Pourtalès |
|
877 |
|
Verdi and the French Aesthetic: Verse, stanza, and melody in nineteenth-century opera |
Andreas Giger |
|
878 |
|
Moustaki, une vie |
Calvet, Louis-Jean |
|
879 |
|
Let's Rock!: How 1950s America Created Elvis and the Rock and Roll Craze |
Richard Aquila |
|
880 |
|
Musical Memories |
Camille Saint-Saens |
|
881 |
|
Woman's Work in Music |
Arthur Elson |
|
882 |
|
For Every Music Lover |
Aubertine Woodward Moore |
|
883 |
|
Los Beatles |
Babusiaux, Florian |
|
884 |
|
Bass Hanon: 75 Exercises to Build Endurance and Flexibility for Bass Guitar Players |
Barnard, Scott |
|
885 |
|
Crónicas de la Era K-pop |
Basilio, Fernando San |
|
886 |
|
Secrets For Successful Flatpicking Tabs |
Bryan Sutton |
|
887 |
|
Murder on Beat |
By JOSEPH H. HERNANDEZ |
|
888 |
|
Silence: lectures and writings |
Cage, John |
|
889 |
|
Mavericks of sound: conversations with artists who shaped indie and roots music |
Ensminger, David |
|
890 |
|
Facing the Music |
Carter, Nick |
|
891 |
|
The Head Voice and Other Problems |
D. A. Clippinger |
|
892 |
|
Aaron's Rod |
D. H. Lawrence |
|
893 |
|
Bowie |
Dahlen, K.J. |
|
894 |
|
The Complete Book of 2010s Broadway Musicals |
Dan Dietz |
|
895 |
|
The Psychology of Singing |
David C. Taylor |
|
896 |
|
The Desert Fiddler |
William H. Hamby |
|
897 |
|
2012 Songwriter's Market |
Adria Haley |
|
898 |
|
A Village Stradivarius |
Kate Douglas Wiggin |
|
899 |
|
Gambara |
Honore de Balzac |
|
900 |
|
31 Songs |
Nick Hornby |
|
901 |
|
Massimilla Doni |
Honore de Balzac |
|
902 |
|
Mozart A Fantasy |
Elia Wilkinson Peattie |
|
903 |
|
Music and Other Poems |
Henry van Dyke |
|
904 |
|
Ode to Joy |
Anonymous |
|
905 |
|
The Piano |
Dorothy Canfield |
|
906 |
|
The Singing Lesson |
Katherine Mansfield |
|
907 |
|
Elvis o la virtud |
Delplanque, Frantz |
|
908 |
|
La Discothèque idéale de la musique classique |
Dermoncourt, Bertrand |
|
909 |
|
The Orchestral Revolution: Haydn and the Technologies of Timbre |
Dolan, Dr Emily I. |
|
910 |
|
Nietochka Nezvanova |
Dostoyevski, Fiódor |
|
911 |
|
El cantor del rancho |
Duque, Fidel Prado |
|
912 |
|
Shakespeare and Music |
Edward W. Naylor |
|
913 |
|
Just David |
Eleanor H. Porter |
|
914 |
|
La symphonie des siècles |
Elizabeth Haydon |
|
915 |
|
The Eurhythmics of Jaques-Dalcroze |
Emile Jaques-Dalcroze |
|
916 |
|
Caruso and Tetrazzini on the Art of Singing |
Enrico Caruso |
|
917 |
|
Una sonata para ti |
Erika Fiorucci |
|
918 |
|
Psicologia de la música y del desarrollo: Psicologia de la música y del desarrollo |
Español, Silvia |
|
919 |
|
The Brain and the Voice in Speech and Song |
F. W. Mott |
|
920 |
|
Discothèque |
Félix Romeo |
|
921 |
|
Tregua para la orquesta |
Fénelon, Fania |
|
922 |
|
Dr. Music Studio |
Federico Fernández |
|
923 |
|
Memorias de músicos |
Federico Sopeña |
|
924 |
|
Gardel |
Felipe Pigna |
|
925 |
|
Rock Star Recluse: A Curvy Woman Romance |
Cook, Piper |
|
926 |
|
Música moderna |
Fernando Márquez |
|
927 |
|
El vagabundo cantor |
Fidel Prado |
|
928 |
|
Chopin and Other Musical Essays |
Finck, Henry T. &, Lives, Blackmask |
|
929 |
|
Mi mejor canción |
Flor M. Urdaneta |
|
930 |
|
Correspondence of Wagner and Liszt, Volume 1 |
Francis Hueffer (translator) |
|
931 |
|
Correspondence of Wagner and Liszt, Volume 2 |
Francis Hueffer (translator) |
|
932 |
|
Stradella |
Francis Marion Crawford |
|
933 |
|
La verdadera historia de Frank Zappa. Memorias |
Frank Zappa &, Peter Occhiogrosso |
|
934 |
|
Violin Mastery |
Frederick H. Martens |
|
935 |
|
Nietzsche contra Wagner |
Friedrich Nietzsche |
|
936 |
|
FOUR WEEKS IN THE TRENCHES: THE WAR STORY OF A VIOLINIST |
FRITZ KREISLER |
|
937 |
|
Wagner's Tristan und Isolde |
George Ainslie Hight |
|
938 |
|
Beethoven |
George Alexander Fischer |
|
939 |
|
The Standard Oratorios |
George P. Upton |
|
940 |
|
The Standard Operas (12th edition) |
George P. Upton |
|
941 |
|
Great Italian and French Composers |
George T. Ferris |
|
942 |
|
Great Singers, First Series |
George T. Ferris |
|
943 |
|
Great Singers, Second Series |
George T. Ferris |
|
944 |
|
Great Violinists And Pianists |
George T. Ferris |
|
945 |
|
The Great German Composers |
George T. Ferris |
|
946 |
|
La symphonie d'une vie |
Georges Prêtre |
|
947 |
|
La Boheme |
Giuseppe Giacosa &, Luigi Illica, et al |
|
948 |
|
Handel in London |
Glover, Jane |
|
949 |
|
The Second Violin |
Grace S. Richmond |
|
950 |
|
The Pianolist |
Gustav Kobbe |
|
951 |
|
The Loves of Great Composers |
Gustav Kobbe |
|
952 |
|
Spirit and Music |
H. Ernest Hunt |
|
953 |
|
Chapters of Opera |
H.E. Krehbiel |
|
954 |
|
Haydn |
Hadden, J. Cuthbert |
|
955 |
|
Piano Mastery |
Harriette Brower |
|
956 |
|
Vocal Mastery |
Harriette Brower |
|
957 |
|
Famous Violinists of To-day and Yesterday |
Henry C. Lahee |
|
958 |
|
A Second Book Of Operas |
Henry Edward Krehbiel |
|
959 |
|
How to Listen to Music, 7th ed. |
Henry Edward Krehbiel |
|
960 |
|
Maurice Guest |
Henry Handel Richardson |
|
961 |
|
Learn Guitar the Easy Way: The easy way to play guitar using simplified chords |
Ocampo, Paolo |
|
962 |
|
Chopin: The Man and His Music |
Huneker, James |
|
963 |
|
Hindustani Lyrics |
Inayat Khan &, Jessie Westbrook |
|
964 |
|
Listening to China (New Material Histories of Music) |
Irvine, Thomas |
|
965 |
|
Essays Before a Sonata |
Ives, Charles |
|
966 |
|
The Fifth String |
J. P. Sousa |
|
967 |
|
The Pianoforte Sonata |
J.S. Shedlock |
|
968 |
|
À StarAcAdo |
Jade Bérubé, d'après l'idée de Marc Britan |
|
969 |
|
Música en el aire |
Jaio, Karmele |
|
970 |
|
Old Fogy |
James Huneker |
|
971 |
|
A Cathedral Singer |
James Lane Allen |
|
972 |
|
Film Music: A History |
JAMES WIERZBICKI |
|
973 |
|
Shirlie and Martin Kemp: It's a Love Story |
Martin Kemp &, Shirlie Kemp |
|
974 |
|
Expressive Voice Culture |
Jessie Eldridge Southwick |
|
975 |
|
The Star-Spangled Banner |
John A. Carpenter |
|
976 |
|
Edward MacDowell |
John F. Porte |
|
977 |
|
Old Scores and New Readings |
John F. Runciman |
|
978 |
|
Purcell |
John F. Runciman |
|
979 |
|
Richard Wagner |
John F. Runciman |
|
980 |
|
Wagner |
John F. Runciman |
|
981 |
|
Acis and Galatea |
John Gay |
|
982 |
|
Patti Smith |
Just Kids |
|
983 |
|
Hip-Hop Within and Without the Academy |
Karen Snell &, Johan Söderman |
|
984 |
|
Maestro Daniels |
Labouche, A.C. |
|
985 |
|
Beethoven's Letters 1790-1826, Vol. 1 of 2 |
Lady Wallace |
|
986 |
|
Debussy's Pelleas et Melisande |
Lawrence Gilman |
|
987 |
|
Musique absolue |
LE MAIRE, Bruno |
|
988 |
|
How to Sing |
Lilli Lehmann |
|
989 |
|
The Troubadour |
Lowndes, Robert Augustine Ward &, Munsey's |
|
990 |
|
Heartsong |
Macomber, Debbie |
|
991 |
|
Die wichtigsten Musiker im Porträt - Marix-Wissen |
Marixverlag GmbH |
|
992 |
|
The Stolen Singer |
Martha Idell Fletcher Bellinger |
|
993 |
|
Nirvana |
Martin Laliberté |
|
994 |
|
The First Soprano |
Mary Hitchcock |
|
995 |
|
Nina Simone |
Mathilde Hirsch, Florence Noiville &, Florence Noiville |
|
996 |
|
No Control |
Matson, TC |
|
997 |
|
A Different Stage: The remarkable and intimate life story of Gary Barlow told through music |
Gary Barlow |
|
998 |
|
The Consumer |
Michael Gira |
|
999 |
|
The Recent Revolution in Organ Building |
Miller, George Laing &, Lives, Blackmask |
|
1000 |
|
Death With Music, A Complete Novelet |
MONTANYE, C. S. &, Munsey's |
|
1001 |
|
A Talent to Amuse: A Life of Noel Coward |
Morley, Sheridan |
|
1002 |
|
Música, sólo música |
Murakami, Haruki &, Ozawa, Seiji |
|
1003 |
|
New Inspiration for the Lonely Rockstar |
Murdock, April |
|
1004 |
|
SAPHO: An Opera |
Music by Charles Gounod, Text by Emile Augier |
|
1005 |
|
Dave Mustaine: Splendeur Et Misère D'Une Icône Thrash |
Mustaine, Dave &, Layden, Joe |
|
1006 |
|
Musicophilia |
Oliver Sacks |
|
1007 |
|
The Good Old Songs We Used to Sing, '61 to '65 |
Osbourne H. Oldroyd |
|
1008 |
|
Musical Portraits |
Paul Rosenfeld |
|
1009 |
|
Lessons in Music Form |
Percy Goetschius |
|
1010 |
|
Dead Is a Killer Tune |
Perez, Marlene |
|
1011 |
|
Dead Is Just a Rumor |
Perez, Marlene |
|
1012 |
|
Dead Is Not an Option |
Perez, Marlene |
|
1013 |
|
Las neuronas encantadas: El cerebro y la música |
Pierre Boulez &, Jean-Pierre Changeux &, Phillipe Manoury |
|
1014 |
|
The Opera |
R.A. Streatfeild |
|
1015 |
|
Blind Tom |
Rebecca Harding Davis |
|
1016 |
|
Gedenkrede auf Wolfgang Amade Mozart |
Richard Beer-Hofmann |
|
1017 |
|
The Shanty Book, Part I, Sailor Shanties |
Richard Runciman Terry |
|
1018 |
|
THE DESTINY OF OPERA |
RICHARD WAGNER |
|
1019 |
|
The Art-Work Of The Future |
RICHARD WAGNER |
|
1020 |
|
On Conducting |
Richard Wagner |
|
1021 |
|
Tristan and Isolda |
Richard Wagner |
|
1022 |
|
A Night at the Opera |
Sir Denis Forman [Forman, Sir Denis] |
|
1023 |
|
Musicians of To-Day |
Romain Rolland |
|
1024 |
|
Simple Dreams |
Ronstadt, Linda |
|
1025 |
|
Among the Great Masters of Music |
Rowlands, Walter |
|
1026 |
|
Absolutely on music: conversations |
Recorded Books, Inc.,Murakami, Haruki,Ozawa, Seiji |
|
1027 |
|
Afternoon Raag |
Amit Chaudhuri, |
|
1028 |
|
This Savage Song |
Schwab, V.E. |
|
1029 |
|
Sound and Literature |
SNAITH, ANNA |
|
1030 |
|
Andromeda Klein |
Frank Portman |
|
1031 |
|
Beginning Blues Lead Guitar |
Steve Trovato |
|
1032 |
|
Beginning Blues Rhythm Guitar |
Steve Trovato |
|
1033 |
|
Is Jazz Dead?: Or Has It Moved to a New Address |
Stuart Nicholson |
|
1034 |
|
The Last Lullaby |
Sumida, Amy |
|
1035 |
|
Army of She: Icelandic, Iconoclastic, Irrepressible Bjork |
Evelyn McDonnell |
|
1036 |
|
The Story of the Hymns and Tunes |
Theron Brown &, Hezekiah Butterworth |
|
1037 |
|
The Little Violinist |
Thomas Bailey Aldrich |
|
1038 |
|
Captain Fantastic: Elton John's stellar trip through the '70s [First edition] |
Doyle, Tom,John, Elton |
|
1039 |
|
Resonance in Singing and Speaking |
Thomas Fillebrown |
|
1040 |
|
Under the Greenwood Tree, or The Mellstock Quire |
Thomas Hardy |
|
1041 |
|
Cerati: La biografía definitiva |
Juan Morris |
|
1042 |
|
Clapton: The Autobiography |
Clapton, Eric |
|
1043 |
|
CASTOR AND POLLUX, By Rameau and Bernard, An Opera |
Translated &, adapted by Frank J. Morlock |
|
1044 |
|
DIDO By Marmontel Music by Piccini |
Translated &, adapted by Frank J. Morlock |
|
1045 |
|
Songs with Our Eyes Closed |
Tyler Kent White |
|
1046 |
|
Rockabilly 2 2- |
V/A |
|
1047 |
|
Style in Singing |
W. E. Haslam |
|
1048 |
|
Releasing Rhythm |
West, T.J. |
|
1049 |
|
A history of opera: the last four hundred years [Paperback edition] |
Abbate, Carolyn,Parker, Roger |
|
1050 |
|
Some Forerunners of Italian Opera |
William James Henderson |
|
1051 |
|
Eskiboy |
(Musician) Wiley |
|
1052 |
|
THE MUSIC OF ERICH ZANN |
|
|
1053 |
|
Further Adventures of a Grumpy Old Rock Star |
Wakeman, Rick,Roach, Martin |
|
1054 |
|
A man called destruction: the life and music of Alex Chilton, from Box Tops to Big Star to backdoor man |
Chilton, Alex,George-Warren, Holly |
|
1055 |
|
The Renaissance of the Vocal Art |
Edmund Myer |
|
1056 |
|
Symphonies and Their Meaning |
|
|
1057 |
|
Lemonade Mouth |
Hughes, Mark Peter |
|
1058 |
|
Loops 2: una historia de la música electrónica en el siglo XXI |
Javier Blánquez |
|
1059 |
|
Love Is a Mix Tape: Life and Loss, One Song at a Time |
Rob Sheffield |
|
1060 |
|
Luis Miguel: la historia: la verdad sobre la vida del cantante mexicano más exitoso de todos los tiempos [1 ed.] |
León Herrera, Javier,Luis Miguel |
1 |
1061 |
|
Slavery's Passed Away and Other Songs |
|
|
1062 |
|
Lyrics |
Sting |
|
1063 |
|
A New Day |
Secada, Jon |
|
1064 |
|
El violinista en el balcón |
|
|
1065 |
|
Motown Bass Classics |
|
|
1066 |
|
The Young Musician |
Horatio Alger |
|
1067 |
|
Shakey: Neil Young's biography [1st ed] |
Young, Neil,McDonough, Jimmy |
1 |
1068 |
|
Opera Stories from Wagner |
|
|
1069 |
|
Phil, the Fiddler |
Horatio Alger, Jr. |
|
1070 |
|
Music & Lyrics: The Wilder Books #4 |
Kade, Savannah |
|
1071 |
|
The double bass mystery |
Jeremy Harmer |
|
1072 |
|
Sobre el estilo tardío: música y literatura a contracorriente |
Said, Edward W |
|
1073 |
|
Led Zeppelin Guitar Method |
Ron Manus |
|
1074 |
|
Easy Rock Songs 82 |
Hal Leonard |
|
1075 |
|
Music and the mind |
Storr, Anthony |
|
1076 |
|
Le ton beau de Marot: in praise of the music of language |
Douglas Richard Hofstadter |
|
1077 |
|
Aux sources du reggae: musique, société et politique en Jamaïque |
Denis Martin |
|
1078 |
|
Moulin Rouge! Music from Baz Luhrmann's Film |
Meynendonckx, Fien |
|
1079 |
|
Beyond Talent: Creating a Successful Career in Music |
Beeching, Angela Myles |
|
1080 |
|
Die 187-Story |
Renner, Chris |
|
1081 |
|
Weißt du, was ich meine?: Vom Asylheim in die Charts |
Wehn, Jan &, Habib Omer, Nura |
|
1082 |
|
Lemmy - White Line Fever: Die Autobiographie. Erweiterte und aktualisierte Neuausgabe |
Kilmister, Lemmy |
|
1083 |
|
Die Bitch Bibel |
Krasavice, Katja |
|
1084 |
|
Bis das Herz brennt - die inoffizielle RAMMSTEIN Biografie |
GmbH, Heel Verlag &, Schatz, Thorsten |
|
1085 |
|
Lena - Einfach raus und leben! |
Schatz, Michael Fuchs-Gamböck, Thorsten |
|
1086 |
|
Justin Bieber - die ganze Geschichte |
Fuchs-Gamböck, Michael |
|
1087 |
|
Linkin Park - what they've done - die inoffizielle Biografie |
GmbH, Heel Verlag &, Schatz, Thorsten &, Rackow, Georg |
|
1088 |
|
Forever Yours |
Haber, Samu |
|
1089 |
|
APRENDA A TOCAR QUENA |
ERNESTO CAVOUR |
|
1090 |
|
Sade -The Best of Sade |
Sade |
|
1091 |
|
Surrender: 40 canciones, una historia / Surrender: 40 Songs, One Story |
Bono |
|
1092 |
|
Rockabilly Guitar Bible |
Hal Leonard |
|
1093 |
|
Greatest Hits (Guitar Signature Licks) |
Deep Purple |
|
1094 |
|
Piano Scales, Chords & Arpeggios Lessons with Elements of Basic Music Theory: Fun, Step-By-Step Guide for Beginner to Advanced Levels |
Damon Ferrante |
|
1095 |
|
Take-Off. American All-Girl Bands During World War II |
Tonya Bolden |
|
1096 |
|
Sylvie and the Songman |
Tim Binding |
|
1097 |
|
Corpus antiphonalium officii vol. 1 Manuscripti ''Cursus Romanus'' 1 |
Hesbert, Renatus-Joannes |
|
1098 |
|
Teach Yourself to Play Guitar Scales |
Hal Leonard Corp. |
|
1099 |
|
Classical Themes for Fingerstyle Ukulele |
Hal Leonard Corp. |
|
1100 |
|
Romantic pop piano |
Hans-Günter Heumann |
|
1101 |
|
Heumann Romantic Pop Piano 2 More Advanced Easy Pf |
Han-Günter Heumann |
|
1102 |
|
How Music Empowers: Listening to Modern Rap and Metal |
Steven Gamble |
|
1103 |
|
Celine Dion - Its Easy to Play Celine Dion |
Stephen Duro |
|
1104 |
|
Its Easy To Play Duran Duran |
Duran Duran |
|
1105 |
|
Elvis Presley - Its Easy To Play Elvis |
Cyril Watters |
|
1106 |
|
George Gershwin - Its Easy To Play George Gershwin |
Frank Booth |
|
1107 |
|
Gilbert Sullivan - Its Easy To Play Gilbert Sullivan |
Cyril Watters |
|
1108 |
|
Kickstart My Heart |
Black, Lacey |
|
1109 |
|
Played by the Rockstar |
Hovland, Christina |
|
1110 |
|
The Story of the Blues: The Making of Black Music (New Updated Edition) |
Paul Oliver |
|
1111 |
|
Músicas para un viaje interior |
Rams, Albert |
|
1112 |
|
La Novena Sinfonía de Beethoven |
Quintás, Alfonso López |
|
1113 |
|
El siglo de la Zarzuela (El Ojo del Tiempo) |
Temes, José Luis |
|
1114 |
|
Un asesinato musical (Nuevos Tiempos) |
Gur, Batya |
|
1115 |
|
La seducción de la música: Los secretos de nuestro instinto musical |
Drösser, Christoph |
|
1116 |
|
Música para leer (Plataforma Actual) |
Pirfano, Íñigo |
|
1117 |
|
Together alone : the story of the Finn brothers |
Finn, Neil, Finn, Tim, Apter, Jeff, Finn, Neil |
|
1118 |
|
Una Vida (Celebra) |
Nazario, Ednita |
|
1119 |
|
To a Young Jazz Musician: Letters from the Road |
Wynton Marsalis, Selwyn Seyfu Hinds |
|
1120 |
|
Inquebrantable: Mi historia, a mi manera |
Rivera, Jenni |
|
1121 |
|
La fórmula del talento y MAHLER |
Conde, Luis |
|
1122 |
|
Los 88 peldaños del éxito. Musicales: ¡Ponle música a tu éxito! |
Rodríguez, Anxo Pérez |
|
1123 |
|
Actividades musicales para niños pequeños (Psicología) |
Esther Ruiz Palomo &, Isabel Luis Rico &, Tamara De la Torre Cruz &, María Camino Escolar Llamazares &, Jonathan Huelmo García &, Sara Berbén Saiz &, Virginia Domingo Martínez |
|
1124 |
|
Expresión musical en Educación Infantil (Pentagrama) |
Ruiz Palomo, Esther |
|
1125 |
|
La música en la escuela infantil (0-6) (BIBLIOTECA DE INFANTIL) |
Judith Akoschky &, Pep Alsina Masmitjà &, Maravillas Díaz Gómez &, Andrea Giráldez Hayes |
|
1126 |
|
"was Deutsch Und Echt...": Richard Wagner and the Articulation of a German Opera, 1798-1876 |
Kasper van Kooten |
|
1127 |
|
Sobre el fundamento de la música (Biblioteca Clásica Gredos) |
Boecio |
|
1128 |
|
Sobre la música (Biblioteca Clásica Gredos) |
Agustín, San |
|
1129 |
|
La música que llevamos adentro: Autismo, Asperger y una manera distinta de ver el mundo |
Moret, Julia |
|
1130 |
|
The Complete, Undiluted, and Extremely Useful 5 String Bass Reference |
Productions, Fret Farm |
|
1131 |
|
Simple Christmas Songs |
Hal Leonard Corp. |
|
1132 |
|
Hal Leonard Piano for Teens Method |
Jennifer Linn |
|
1133 |
|
It's Easy to Play Folk |
Cyril Watters |
|
1134 |
|
The Carpenters. It's easy to play Carpenters. |
Cyril Watters |
|
1135 |
|
The Corrs. It's Easy To Play The Corrs |
Wise Publications |
|
1136 |
|
Various Artists - Its Easy To Play Blues |
Cyril Watters |
|
1137 |
|
Various Artists - Its Easy To Play Classic Film Themes |
Stephen Duro |
|
1138 |
|
Various Artists - Its Easy To Play Piano Duets |
Frank Booth |
|
1139 |
|
Various Artists - Its Easy To Play Pops 2 |
Cyril Watters |
|
1140 |
|
Various Artists - Its Easy To Play Pops 3 |
Frank Booth |
|
1141 |
|
Jazz Play Along. Frank Sinatra classics 81 81 |
Hal Leonard |
|
1142 |
|
The Large Forms of Musical Composition único |
Percy Goetschius |
|
1143 |
|
Geronimo Stilton Graphic Novels #8: Play It Again, Mozart! |
Stilton, Geronimo |
|
1144 |
|
Das dritte Ohr Vom Hören der Welt |
Berendt, Joachim-Emst |
|
1145 |
|
My Thoughts Exactly |
Allen, Lily |
|
1146 |
|
Roger Daltrey: Thanks a lot Mr Kibblewhite, The Sunday Times Bestseller |
Daltrey, Roger |
|
1147 |
|
Le Promeneur écoutant: Essais d'acoulogie |
Chion, Michel |
|
1148 |
|
RoseBlood |
Howard, A.G. |
|
1149 |
|
Sequential Christmas Piano Songs Songbook |
Hal Leonard Corp. |
|
1150 |
|
Cielo de Tango |
Osorio, Elsa |
|
1151 |
|
So You Want to Sing Barbershop: A Guide for Performers |
Diane M. Clark &, Billy J. Biffle |
|
1152 |
|
Even More Christmas Creations: 10 Seasonal Piano Favorites |
Randall Hartsell |
|
1153 |
|
Mélancolique Rodéo |
JARRE, Jean-Michel |
|
1154 |
|
Sentimental Voice |
Amagi, Shousuke |
|
1155 |
|
White Opera |
Amagi, Shousuke |
|
1156 |
|
Mixing Note |
Amagi, Shousuke |
|
1157 |
|
Blue Mazurka |
Amagi, Shousuke |
|
1158 |
|
Grey Concerto |
Amagi, Shousuke |
|
1159 |
|
Scarlet Oratorio |
Amagi, Shousuke |
|
1160 |
|
Hard Rock Daddy Box Set: Rock Star Romance Books 1-3 Sand & Fog Series |
Ward, Susan |
|
1161 |
|
Tu música en mi silencio |
Araceli Samudio |
|
1162 |
|
La Directora De Orquesta |
Maria Peters |
|
1163 |
|
#Superfan |
Hood, Jae |
|
1164 |
|
(Marvin's) World of Deadheads |
Atreides, Paul |
|
1165 |
|
(Jenna's) Gang of Deadheads: a World of Deadheads novel |
Atreides, Paul |
|
1166 |
|
Notes: 60 ans de vie musical confidences et anecdoes |
Claude Gingras |
|
1167 |
|
Strike a chord |
Laura Rocca |
|
1168 |
|
Cocteau Twins. Des punks célestes |
Manuceau, Jean-Christophe |
|
1169 |
|
Syd Barrett. Le diamant noir |
Watkinson, Mike &, Anderson, Pete |
|
1170 |
|
Elle chantait Ramona |
Henri Raczymow |
|
1171 |
|
NTM. Dans la fièvre du Suprême |
Cléraux, Pierre-Jean &, Piolet, Vincent |
|
1172 |
|
Rostropovitch Gainsbourg et Dieu |
Roy, Jules |
|
1173 |
|
La musique en france depuis 1870 |
François-Sappey, Brigitte |
|
1174 |
|
Entre la pierre et la plume |
IAM &, Bouthier, Baptiste |
|
1175 |
|
A Perfect Union of Contrary Things |
Maynard James Keenan &, Sarah Jensen |
|
1176 |
|
Westlake Soul |
Youers, Rio |
|
1177 |
|
The Tower of Songs |
Barrett, Casey |
|
1178 |
|
Bob Marley |
Catherine Thirard |
|
1179 |
|
Spotify |
Charlotte Bouillot |
|
1180 |
|
Die Legende der Böhsen Onkelz |
Lerchenfeldt, Conrad |
|
1181 |
|
Schlangen, Guillotinen und ein elektrischer Stuhl · Meine Abenteuer mit der Alice Cooper Group |
Dunaway, Dennis |
|
1182 |
|
The Complete David Bowie |
Pegg, Nicholas |
|
1183 |
|
Metallica: Enter Night: The Biography |
Wall, Mick |
|
1184 |
|
Bad Idea |
Suede, Damon |
|
1185 |
|
De Detroit a Triana |
Ken Appledorn |
|
1186 |
|
You Can Teach Yourself Accordion |
Neil Griffin |
|
1187 |
|
My Story My Dream |
Celine Dion |
|
1188 |
|
Decoded (Enhanced Edition) |
Jay-Z |
|
1189 |
|
Passage |
Céline Dion |
|
1190 |
|
Passion Baroque |
Cantagrel |
|
1191 |
|
Pauline Viardot |
Barbier, Patrick |
|
1192 |
|
Lounge Singers And Liars In Las Vegas |
Winters, A. R. |
|
1193 |
|
A Song for a New Day |
Sarah Pinsker |
|
1194 |
|
Guitar: How to Memorize the Fretboard: Quickly and Easily Learn the Notes on the Guitar Neck |
Alexander, Joseph |
|
1195 |
|
A song for you: my life with Whitney Houston |
Crawford, Robyn,Houston, Whitney |
|
1196 |
|
When Giants Walked the Earth: A Biography of Led Zeppelin |
Wall, Mick |
|
1197 |
|
Rock'n'Love (Ein Rockstar-Roman) |
Teresa Sporrer |
|
1198 |
|
Don't Go Breaking my Harp |
Kelly, Sahara |
|
1199 |
|
The Archies #3 |
Segura, Alex &, Rosenberg, Matt &, Eisma, Joe &, Herms, Matt &, Morelli, Jack |
|
1200 |
|
The Archies #6 |
Segura, Alex &, Rosenberg, Matt |
|
1201 |
|
The Archies #7 |
Segura, Alex &, Rosenberg, Matt |
|
1202 |
|
Rockstar Baby |
Quinn, Taryn |
|
1203 |
|
Voice of the Violin |
Camilleri, Andrea |
|
1204 |
|
Verdi – La vie, le mélodrame |
Orcel, Michel |
|
1205 |
|
Partition libre pour Isabelle |
|
|
1206 |
|
Jazz & Un locataire singulier |
Buck, Carole &, Street, Octavia |
|
1207 |
|
Archie Meets Ramones #1 |
Alex Segura &, Matthew Rosenberg |
|
1208 |
|
The Archies #4 |
Segura, Alex &, Rosenberg, Matt |
|
1209 |
|
The Archies #1 |
Alex Segura &, Matt Rosenberg |
|
1210 |
|
A Thousand Perfect Notes |
Drews, C. G. |
|
1211 |
|
Unlock Your Ukulele: Keys to Better Playing & More Fun! |
Swarthout, Mark W. |
|
1212 |
|
The Song of the Quarkbeast |
Fforde, Jasper |
|
1213 |
|
33 révolutions par minutes |
Lynskey, Dorian |
|
1214 |
|
Bruce Dickinson |
|
|
1215 |
|
El cerebro musical |
Daniel J. Levitin |
|
1216 |
|
El cadillac de Big Bopper |
Jim Dodge |
|
1217 |
|
Gustav Mahler |
Grange, Henry-Louise de La |
|
1218 |
|
Como escuchar la música |
Copland, Aaron |
|
1219 |
|
Rock Sexy |
DePaul, Virna |
|
1220 |
|
The Music of Love |
Spencer, Minerva |
|
1221 |
|
Musical Mayhem 1.5 |
Ciz, Alley |
|
1222 |
|
Prince. El reino púrpura |
Wall, Mick |
|
1223 |
|
Soy tu hombre. La vida de Leonard Cohen |
Simmons, Sylvie |
|
1224 |
|
Country Guitar for Beginners: A Complete Country Guitar Method to Learn Traditional and Modern Country Guitar Playing |
Clay, Levi |
|
1225 |
|
Devil Take the Hindmost, the Otherworldly Music of Allan Holdsworth: Loose Cog Edition |
Chang, Ed |
|
1226 |
|
Roadshow: Landscape with Drums: A Concert Tour by Motorcycle |
Peart, Neil |
|
1227 |
|
Early Music: A Very Short Introduction |
Kelly, Thomas Forrest |
|
1228 |
|
Early Music: A Very Short Introduction |
Kelly, Thomas Forrest |
|
1229 |
|
Folk Music: A Very Short Introduction |
Slobin, Mark |
|
1230 |
|
The Blues: A Very Short Introduction |
Wald, Elijah |
|
1231 |
|
The Beats: A Very Short Introduction |
Sterritt, David |
|
1232 |
|
Film Music: A Very Short Introduction |
Kalinak, Kathryn |
|
1233 |
|
The Orchestra: A Very Short Introduction |
Holoman, D. Kern |
|
1234 |
|
World Music: A Very Short Introduction |
Bohlman, Philip V. |
|
1235 |
|
Music: A Very Short Introduction |
Cook, Nicholas |
|
1236 |
|
¿Quienes fueron los Beatles? |
Geoff Edgers, Who HQ |
|
1237 |
|
Celldweller | Blackstar - Act One: Purified |
Viola, Joshua |
|
1238 |
|
The Cambridge Companion to Ravel (Cambridge Companions to Music) |
Deborah Mawer |
|
1239 |
|
Cultural Transfer of Music Between Byzantium and the West?: The Case of the Chants of the So-Called Missa Graeca |
Nina-Maria Wanek |
|
1240 |
|
The Cambridge Companion to Gilbert and Sullivan (Cambridge Companions to Music) |
Eden, David &, Saremba, Meinhard |
|
1241 |
|
DAS IST ALPHA! |
Kollegah |
|
1242 |
|
40 Jahre The Kelly Family: Die Biografie |
Frohner, Marc |
|
1243 |
|
Harmonielehre kompakt für Dummies |
Fehn, Oliver |
|
1244 |
|
Best of Ed Sheeran for Easy Piano |
Ed Sheeran |
|
1245 |
|
Ed Sheeran--Divide Songbook |
Ed Sheeran |
|
1246 |
|
Das Jahr, in dem sich Kurt Cobain das Leben nahm |
Foley, Jessie Ann |
|
1247 |
|
Tasten, Töne und Tumulte |
Schmitz, Rainer, Ure, Benno |
|
1248 |
|
The Cambridge Companion to Wagner (Cambridge Companions to Music) |
|
|
1249 |
|
The Cambridge Companion to Choral Music (Cambridge Companions to Music) |
|
|
1250 |
|
More Than Music 1 |
Briggs, Elizabeth |
|
1251 |
|
Ponte creativo |
Questlove |
|
1252 |
|
Rockin' Rollin' Hair & Hippies |
French, Jackie |
|
1253 |
|
The Cambridge Companion to Pop and Rock (Cambridge Companions to Music) |
Simon Frith &, Will Straw &, John Street |
|
1254 |
|
Feenin: R&B Music and the Materiality of BlackFem Voices and Technology |
Alexander Ghedi Weheliye |
|
1255 |
|
Middle School: Born to Rock |
James Patterson &, Chris Tebbetts |
|
1256 |
|
The Melody In My Head |
Nikki Lynn Barrett |
|
1257 |
|
The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music) |
|
|
1258 |
|
Unheilig · Der Graf und seine Welt |
Fuchs-Gamböck, Michael &, Schatz, Thorsten |
|
1259 |
|
Flyboy 2: The Greg Tate Reader |
Greg Tate |
|
1260 |
|
Friday I'm in Love |
Carr, Mari |
|
1261 |
|
Bing Crosby |
Gary Giddins |
|
1262 |
|
Captain Fantastic: The Definitive Biography of Elton John in the '70s |
David DeCouto |
|
1263 |
|
Mazal Tov, Amigos! Jews and Popular Music in the Americas |
Amalia Ran, Moshe Morad (eds.) |
|
1264 |
|
Medieval Arab Music and Musicians: Three Translated Texts [Annotated] |
Dwight F. Reynolds |
|
1265 |
|
My Voice Is My Weapon - Music, Nationalism and the Poetics of Palestinian Resistance |
David A. McDonald |
|
1266 |
|
Dance music manual: tools, toys and techniques [2. ed., reprinted] |
Snoman, Rick |
2 |
1267 |
|
Popular Music and the Poetics of Self in Fiction |
Norbert Bachleitner (editor), Juliane Werner (editor) |
|
1268 |
|
DJ Skills - The Essential Guide to Mixing and Scratching |
Stephen Webber |
|
1269 |
|
Renegade: The Lives and Tales of Mark E. Smith |
Mark E Smith |
|
1270 |
|
Representing Jazz |
Krin Gabbard (editor) |
|
1271 |
|
Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico |
Petra R. Rivera-Rideau |
|
1272 |
|
From demo to delivery: the process of production |
Russ Hepworth-Sawyer |
|
1273 |
|
Right to Rock: The Black Rock Coalition and the Cultural Politics of Race |
Maureen Mahon |
|
1274 |
|
Roadrunner |
Joshua Clover |
|
1275 |
|
Roadrunner: A Song by Jonathan Richman & the Modern Lovers |
Joshua Clover |
|
1276 |
|
Roll With It: Brass Bands in the Streets of New Orleans |
Matt Sakakeeny |
|
1277 |
|
Keeping Mozart in mind |
Gordon L. Shaw, Matthew Peterson |
|
1278 |
|
Keeping Mozart in Mind |
Gordon L Shaw |
|
1279 |
|
The Sound of Life's Unspeakable Beauty |
Martin Schleske, |
|
1280 |
|
Universal Tonality: The Life and Music of William Parker |
Cisco Bradley |
|
1281 |
|
Modern Recording Techniques [6th ed] |
David Miles Huber, Robert E. Runstein |
6 |
1282 |
|
Music Cognition |
W. Jay Dowling and J. L. Harwood (Auth.) |
|
1283 |
|
Music, neurology, and neuroscience : historical connections and perspectives [First edition] |
Altenmüller, Eckart, Boller, François, Finger, Stanley |
|
1284 |
|
Music, neurology, and neuroscience : evolution, the musical brain, medical conditions, and therapies [1 ed.] |
Altenmüller, Eckart, Boller, François, Finger, Stanley |
1 |
1285 |
|
Rip It Up and Start Again |
Reynolds, Simon |
|
1286 |
|
School and Amateur Orchestras [First Edition] |
John B. Dalby and K. A. Wright (Auth.) |
|
1287 |
|
The Art of Music Publishing : an entrepreneurial guide to publishing and copyright for the music, film and media industries |
Helen Gammons |
|
1288 |
|
The Digital Evolution of Live Music [1 ed.] |
Bennett, Rebecca Jane, Jones, Angela Cresswell |
1 |
1289 |
|
The Future of Music [First ed.] |
Edward J. Dent and K. A. Wright Obe (Auth.) |
|
1290 |
|
The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games [1 ed.] |
Richard Stevens, Dave Raybould |
1 |
1291 |
|
The Operas of Leoš Janáček [1st ed.] |
Erik Chisholm and K. A. Wright (Auth.) |
1 |
1292 |
|
The Singing Class |
Herbert Wiseman and K. A. Wright (Auth.) |
|
1293 |
|
The Remix Manual [1 ed.] |
Simon Langford |
1 |
1294 |
|
Bare by George Michael, Tony Parsons |
George Michael, Tony Parsons |
|
1295 |
|
Barney and Baby Bop's Band |
|
|
1296 |
|
Bass culture: when reggae was king |
Bradley, Lloyd |
|
1297 |
|
Synthetic instruments : concepts and applications |
Chris Nadovich |
|
1298 |
|
Beethoven in China: How the Great Composer Became an Icon in the People's Republic: Penguin Specials |
Jindong Cai, Sheila Melvin |
|
1299 |
|
Berlioz: Servitude and Greatness, 1832–1869 [2 ed.] |
David Cairns |
2 |
1300 |
|
Berlioz: The Making of an Artist, 1803–1832 |
David Cairns |
|
1301 |
|
50 años de rock en Argentina |
Bitar, Marcelo Fernández |
|
1302 |
|
2Stoned |
Rolling Stones.,Oldham, Andrew Loog |
|
1303 |
|
A dream about lightning bugs a life of music and cheap lessons |
Folds, Ben |
|
1304 |
|
A Night at the Opera: An Irreverent Guide to the Plots, the Singers, the Composers, the Recordings |
Sir Denis Forman |
|
1305 |
|
¡Ay, campaneras!: Canciones para seguir adelante |
Lidia García García |
|
1306 |
|
Alan lomax: the man who recorded the world |
Szwed, John |
|
1307 |
|
Americana - The Kinks, The Road and The Perfect Riff |
Ray Davies |
|
1308 |
|
An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation |
Menzies Duncan W.H., McPherson Andrew. |
|
1309 |
|
Billie Holiday: The Musician and the Myth |
Holiday, Billie,Szwed, John |
|
1310 |
|
Back In The Day: My Life And Times With Tupac Shakur |
Bastfield, Darrin Keith |
|
1311 |
|
Be Yourself and Happier |
Will Young |
|
1312 |
|
Before There Was Mozart: The Story of Joseph Boulogne, Chevalier de Saint-George |
Lesa Cline-Ransome |
|
1313 |
|
Beastie Boys Book |
Diamond, Michael,Horovitz, Adam,Adam Horovitz |
|
1314 |
|
Begin Again: A Biography of John Cage |
Kenneth Silverman |
|
1315 |
|
Beethoven. Un músico sobre un mar de nubes |
Ramon Gener, Fernando Vicente |
|
1316 |
|
Black Postcards |
Dean Wareham |
|
1317 |
|
Boy About Town |
Fletcher, Tony |
|
1318 |
|
Born for the Road: My Story So Far by Nathan Carter |
Nathan Carter |
|
1319 |
|
Bruce Springsteen's America: The People Listening, A Poet Singing |
Robert Coles |
|
1320 |
|
Candombe beat: Orígen y creadores de un sonido con identidad |
Nelson Caula |
|
1321 |
|
Canción de amor definitiva: La vida, como un disco, tiene dos caras |
Jorge Martí Aguas |
|
1322 |
|
Chopin: prince of the romantics |
Zamoyski,Adam,Lemmens,Nathalie,,translator |
|
1323 |
|
Classical music : the 50 greatest composers and their 1,000 greatest works |
Goulding, Phil G |
|
1324 |
|
Coal to diamonds: a memoir [1st ed] |
Ditto, Beth,Tea, Michelle |
1 |
1325 |
|
Como funciona la musica |
David byrne |
|
1326 |
|
Corazones en llamas: Historias del rock argentino en los 80 (Nueva edición) |
Laura Ramos, Cynthia Lejbowicz |
|
1327 |
|
Bollywood Melodies: A History of the Hindi Film Song |
Ganesh Anantharaman |
|
1328 |
|
Definitive Biography of P.D.Q. Bach |
Peter Schickele |
|
1329 |
|
Decoded |
Jay-Z |
|
1330 |
|
Def Jam, Inc.: Russell Simmons, Rick Rubin, and the Extraordinary Story of the World's Most Influential Hip-Hop Label |
Stacy Gueraseva |
|
1331 |
|
Do You Dream in Color?. Insights from a Girl Without Sight |
Laurie Rubin |
|
1332 |
|
Do you, Mr Jones?: Bob Dylan with the poets and professors |
Corcoran, Neil |
|
1333 |
|
Dream About Lightning Bugs, A: a Life of Music and Cheap Lessons [Unabridged] |
Folds, Ben |
|
1334 |
|
Bound for Glory |
Guthrie, Woody,Seeger, Pete |
|
1335 |
|
Electric shock: from the gramophone to the iPhone: 125 years of pop music |
Peter Doggett |
|
1336 |
|
El sonido de los sueños (Spanish Edition) |
Diego Fischerman |
|
1337 |
|
En las calles de Madrid |
José María Sanz 'Loquillo' |
|
1338 |
|
Every Good Boy Does Fine : A Love Story, in Music Lessons [1 ed.] |
Jeremy Denk |
1 |
1339 |
|
Brian Jones: the making of the Rolling Stones |
Rolling Stones., Jones, Brian, Trynka, Paul |
|
1340 |
|
FM |
Richard Neer |
|
1341 |
|
Frank: The Voice |
James Kaplan |
|
1342 |
|
Full Volume |
Robert Crawford |
|
1343 |
|
Givin' It Their All: The Backstreet Boys' Rise to the Top |
Sherri Rifkin |
|
1344 |
|
Grant & I: inside and outside the Go-Betweens |
Forster, Robert |
|
1345 |
|
Harlem's Little Blackbird: The Story of Florence Mills |
Renée Watson |
|
1346 |
|
Have You Met Miss Jones?: The Life and Loves of Radio's Most Controversial Diva |
Tarsha Jones |
|
1347 |
|
Highland Pipe Tutor Book (musica) |
Anon |
|
1348 |
|
Bumping Into Geniuses: My Life Inside the Rock and Roll Business |
Danny Goldberg |
|
1349 |
|
Hombres G. Nunca hemos sido los guapos del barrio: Cuatro décadas de historia, canciones y anécdotas del grupo más popular del pop-rock español |
Javier León Herrera |
|
1350 |
|
How Can I Keep from Singing? |
Dunaway, David King,Seeger, Pete |
|
1351 |
|
How Long Will They Mourn Me?: The Life and Legacy of Tupac Shakur |
Candace Sandy, Dawn Marie Daniels |
|
1352 |
|
Is this live?: inside the wild early years of MuchMusic: the nation's music station |
Ward, Christopher |
|
1353 |
|
Jem - Video Mischief |
|
|
1354 |
|
Jem - Dance Club Magic |
|
|
1355 |
|
Jem - Surprise at Starlight Mansion |
|
|
1356 |
|
Journey of a Thousand Miles: My Story |
Lang Lang, David Ritz |
|
1357 |
|
Julio Iglesias. La biografía |
Óscar García Blesa |
|
1358 |
|
Juanes: 1.577.836.800 segundos |
Diego Londoño |
|
1359 |
|
La fábrica de canciones: Cómo se hacen los hits |
John Seabrook |
|
1360 |
|
La Fórmula "Despacito" |
Leila Cobo |
|
1361 |
|
La música del cosmos: Nueve variaciones sobre temas científicos y tecnológicos, desde Pitágoras hasta las estrellas de neutrones |
ANDRES GOMBEROFF |
|
1362 |
|
Lang Lang. Playing with Flying Keys |
Lang Lang |
|
1363 |
|
Lift every voice and sing: a celebration of the Negro national anthem '100 years, 100 voices' |
Bond, Julian,Johnson, John Rosamond,Wilson, Sondra K |
|
1364 |
|
Loops 1 |
Javier Blánquez,Omar Morera |
|
1365 |
|
Made in Spain: Cómo un país cambió mi forma de ver la vida |
James Rhodes |
|
1366 |
|
Música al límite: tres décadas de ensayos y artículos musicales |
Said, Edward W |
|
1367 |
|
Me and Sister Bobbie: True Tales of the Family Band |
Willie Nelson, Bobbie Nelson, David Ritz |
|
1368 |
|
Moonwalk: A Memoir |
Michael Jackson |
|
1369 |
|
Mountain city girls: the McGarrigle family album |
McGarrigle, Anna,McGarrigle, Jane,McGarrigle, Kate |
|
1370 |
|
Moving to Higher Ground: How Jazz Can Change Your Life |
Wynton Marsalis, Geoffrey Ward |
|
1371 |
|
Mozart im Innern seiner Sprachen |
Ortheil, Hanns-Josef |
|
1372 |
|
Mozart: A Cultural Biography |
Robert W. Gutman |
|
1373 |
|
Musica Para Perros |
Paez Varela Alejandro |
|
1374 |
|
My Journey [Unabridged] |
Books on Tape, Inc.,Boyes, Kathleen,Karan, Donna,Streisand, Barbra |
|
1375 |
|
Old and New World Highland Bagpiping |
John G. Gibson |
|
1376 |
|
Odyssey of an African Opera Singer |
Ngqungwana, Musa |
|
1377 |
|
Otro tipo de música |
COLOMBINA PARRA |
|
1378 |
|
Oscar Peterson. The Man and His Jazz |
Jack Batten |
|
1379 |
|
People I Made Music with |
David Tidboald |
|
1380 |
|
Piano starts here: the young Art Tatum [1st ed] |
Schwartz,Wade Books.,Tatum, Art,Parker, Robert Andrew |
1 |
1381 |
|
Please be with me: a song for my father, Duane Allman |
Allman, Galadrielle |
|
1382 |
|
Post everything: outsider rock and roll, 1997-2005 |
Luke Haines |
|
1383 |
|
Que me entierren con narcocorridos |
Varios autores |
|
1384 |
|
Really Saying Something: Sara & Keren – Our Bananarama Story |
Sara Dallin, Keren Woodward |
|
1385 |
|
Recordando A Tito Puente: El Rey del Timbal |
Steven Loza |
|
1386 |
|
Reckless: My Life as a Pretender |
Hynde, Chrissie |
|
1387 |
|
Retrofilia: 50 años de política, alucine y rock |
Varios autores |
|
1388 |
|
Rise Up: The #Merky Story So Far |
Stormzy |
|
1389 |
|
Riders on the storm: my life with Jim Morrison and the Doors |
Densmore, John,Morrison, Jim |
|
1390 |
|
Rock and Roll Will Save Your Life: A Book by and for the Fanatics Among Us [1 ed.] |
Steve Almond |
1 |
1391 |
|
Ruth and Martin's Album Club |
Pepper, Penny,Martin Fitzgerald |
|
1392 |
|
Six String Rocketeer. Holding Life Together When Your Parents Split Apart |
Jesse Butterworth |
|
1393 |
|
Shine Bright : A Very Personal History of Black Women in Pop |
Danyel Smith |
|
1394 |
|
Singin’ and Swingin’ and Gettin’ Merry Like Christmas [1st ed.] |
Maya Angelou |
1 |
1395 |
|
Soda Stereo |
Marcelo Fernandez Bitar |
|
1396 |
|
So here it is: how the boy from Wolverhampton rocked the world with Slade |
Hill, Dave |
|
1397 |
|
So What: The Life of Miles Davis |
Szwed, John |
|
1398 |
|
Chopin's piano: a journey through Romanticism |
Chopin, Frédéric,Kildea, Paul Francis |
|
1399 |
|
Chords of Strength |
David Archuleta |
|
1400 |
|
Something in the air: radio, rock, and the revolution that shaped a generation [1st ed] |
Fisher, Marc |
1 |
1401 |
|
Songs My Mother Taught Me |
Marlon Brando, Robert Lindsey |
|
1402 |
|
Songs of America: patriotism, protest, and the music that made a nation [First edition] |
McGraw, Tim,Meacham, Jon |
|
1403 |
|
Stradivari's Genius: Five Violins, One Cello, and Three Centuries of Enduring Perfection [Reprint ed.] |
Toby Faber |
|
1404 |
|
Stoned |
Loog Oldham, Andrew |
|
1405 |
|
Strange Fascination: David Bowie: The Definitive Story |
David Buckley |
|
1406 |
|
Stories I Might Regret Telling You : A Memoir [1 ed.] |
Martha Wainwright |
1 |
1407 |
|
Sugar Man: The Life, Death and Resurrection of Sixto Rodriguez |
Craig Bartholomew Strydom, Stephen Segerman |
|
1408 |
|
The Beautiful Ones |
Piepenbring, Dan,Prince |
|
1409 |
|
The Book of Jose |
FAT JOE, Shaheem Reid |
|
1410 |
|
The definitive biography of P.D.Q. Bach (1807-1742?) |
Bach, Johann Sebastian,Bach, P. D. Q.,Schickele, Peter |
|
1411 |
|
The Emigrant Experience: Songs of Highland Emigrants in North America |
Margaret MacDonell |
|
1412 |
|
The Highland Bagpipe (Ashgate Popular and Folk Music) [Har/Com ed.] |
Joshua Dickson |
|
1413 |
|
The honey gatherers: travels with the Bauls, the wandering minstrels of rural India |
Das, Pavan,Sen, Mimlu |
|
1414 |
|
The Keys |
Khaled,D J |
|
1415 |
|
The Long Trail: My Life in the West [First Edition] |
Ian Tyson |
|
1416 |
|
The long trail: my life in the West |
Tyson, Ian,Klaszus, Jeremy |
|
1417 |
|
Coming Home to Myself |
Judd, Wynonna,Cox, Patsi Bale |
|
1418 |
|
The Never, Um, Ever Ending Story |
Molly Meldrum |
|
1419 |
|
The Ninth: Beethoven and the World in 1824 [Reprint ed.] |
Harvey Sachs |
|
1420 |
|
The Piano Shop on the Left Bank: Discovering a Forgotten Passion in a Paris Atelier |
Thaddeus Carhart |
|
1421 |
|
The Portable Henry Rollins |
Rollins, Henry |
|
1422 |
|
Composed: a memoir |
Cash, Rosanne |
|
1423 |
|
The Sun & The Moon & The Rolling Stones [1st Edition] |
Cohen, Rich |
1 |
1424 |
|
The Upright Piano Player |
David Abbott |
|
1425 |
|
Twenty thousand roads: the ballad of Gram Parsons and his cosmic American music [Villard books Trade pbk. ed] |
Meyer, David N |
|
1426 |
|
Season of the Witch: How the Occult Saved Rock and Roll |
Peter Bebergal |
|
1427 |
|
Wham!, George Michael, and Me: A Memoir |
Ridgeley, Andrew |
|
1428 |
|
We'll be here for the rest of our lives: a swingin' show-biz saga |
Shaffer, Paul,Ritz, David |
|
1429 |
|
What you want is in the limo : on the road with Led Zeppelin, Alice Cooper, and the Who in 1973, the year the sixties died and the modern rock star was born [First edition] |
Walker, Michael |
|
1430 |
|
When Ziggy Played Guitar: David Bowie, The Man Who Changed The World |
Dylan Jones |
|
1431 |
|
Why Mahler?: How One Man and Ten Symphonies Changed the World by Norman Lebrecht |
Norman Lebrecht |
|
1432 |
|
Yo by Elton John |
Elton John |
|
1433 |
|
You Don't Have to Say You Love Me |
Simon Napier-Bell |
|
1434 |
|
Zayn [First American edition] |
Zayn |
|
1435 |
|
A Companion to Guillaume de Machaut |
McGrady, Deborah L., Bain, Jennifer (eds.) |
|
1436 |
|
A Companion to Music in Sixteenth-Century Venice |
Katelijne Schiltz (ed.) |
|
1437 |
|
A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries |
Andrew H. Weaver (ed.) |
|
1438 |
|
Culture Is Our Weapon: Making Music and Changing Lives in Rio de Janeiro |
Patrick Neate, Damian Platt |
|
1439 |
|
A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad |
Richard T. Rodríguez |
|
1440 |
|
A Language of Song: Journeys in the Musical World of the African Diaspora |
Samuel Charters |
|
1441 |
|
A Treatise on Qanun Musical Ornaments |
George Dimitri Sawa |
|
1442 |
|
African Rhythms: The Autobiography of Randy Weston |
Randy Weston (editor), Willard Jenkins (editor), Ronald Radano (editor), Josh Kun (editor) |
|
1443 |
|
Ain't But a Few of Us: Black Music Writers Tell Their Story |
Willard Jenkins (editor) |
|
1444 |
|
Always magic in the air: the bomp and brilliance of the brill building era |
Ken Emerson |
|
1445 |
|
Arts of Incompletion: Fragments in Words and Music |
Walter Bernhart (editor) |
|
1446 |
|
Dickens and Prince: A Particular Kind of Genius |
Nick Hornby |
|
1447 |
|
Aurality: Listening and Knowledge in Nineteenth-Century Colombia |
Ana María Ochoa Gautier |
|
1448 |
|
Audible Empire: Music, Global Politics, Critique |
Ronald Radano, Tejumola Olaniyan (eds.) |
|
1449 |
|
Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad |
Kevin K. Birth |
|
1450 |
|
Bangtan Remixed: A Critical BTS Reader |
Patty Ahn (editor), Michelle Cho (editor), Vernadette Vicuña Gonzalez (editor), Rani Neutill (editor), Mimi Thi Nguyen (editor), Yutian Wong (editor) |
|
1451 |
|
Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan |
Marvin Sterling |
|
1452 |
|
Beyond Exoticism: Western Music and the World |
Timothy D. Taylor |
|
1453 |
|
Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain |
Falu Bakrania |
|
1454 |
|
Big Ears: Listening for Gender in Jazz Studies |
Nichole T. Rustin (editor), Sherrie Tucker (editor), Ronald Radano (editor), Josh Kun (editor) |
|
1455 |
|
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion |
Kevin Fellezs |
|
1456 |
|
Black Utopias : Speculative Life and the Music of Other Worlds |
Jayna Brown |
|
1457 |
|
Black Diamond Queens: African American Women and Rock and Roll |
Maureen Mahon |
|
1458 |
|
Book Reports: A Music Critic on His First Love, Which Was Reading |
Robert Christgau |
|
1459 |
|
Brazilian Popular Music and Citizenship |
Idelber Avelar (editor), Christopher Dunn (editor) |
|
1460 |
|
Breaks in the Air: The Birth of Rap Radio in New York City |
John Klaess |
|
1461 |
|
The Big Payback : The History of the Business of Hip-Hop [1 ed.] |
Dan Charnas |
1 |
1462 |
|
Dream weaver: a memoir ; music, meditation, and my friendship with george harrison |
Harrison, George,Wright, Gary |
|
1463 |
|
Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana |
Geoffrey Baker (editor), Ronald Radano (editor), Josh Kun (editor) |
|
1464 |
|
Canadian Pentecostals, the Trinity, and Contemporary Worship Music: The Things We Sing (Global Pentecostal and Charismatic Studies, 23) |
Michael A Tapper |
|
1465 |
|
Career in Music Education |
Institute For Career Research |
|
1466 |
|
Children’s Book of Music |
Dorling Kindersley |
|
1467 |
|
Choral Societies and Nationalism in Europe |
Lajosi Krisztina et Andreas Stynen eds |
|
1468 |
|
El cerebro musical: Relatos reunidos |
César Aira |
|
1469 |
|
Ella Fitzgerald |
Tanya Lee Stone |
|
1470 |
|
Elvis Presley |
Wilborn Hampton |
|
1471 |
|
Elvis presley: a life |
Mason, Bobbie Ann |
|
1472 |
|
Eminent Hipsters |
Fagen, Donald |
|
1473 |
|
Companion to Music in the Age of the Catholic Monarchs |
Tessa Knighton (ed.) |
|
1474 |
|
Empire State of Mind |
Zack O'Malley Greenburg |
|
1475 |
|
Empire State of Mind: How Jay-Z Went from Street Corner to Corner Office |
Zack O'Malley Greenburg |
|
1476 |
|
Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene |
Frederick Moehn |
|
1477 |
|
Cumbia! Scenes of a Migrant Latin American Music Genre |
Héctor Fernández L′Hoeste, Pablo Vila (eds.) |
|
1478 |
|
Cuban Music from A to Z |
Helio Orovio |
|
1479 |
|
Das Bildliche und das Unbildliche: Nietzsche, Wagner und das Musikdrama |
Matthias Schmidt, Arne Stollberg |
|
1480 |
|
Deep River: Music and Memory in Harlem Renaissance Thought |
Paul Allen Anderson (editor), Donald E. Pease (editor) |
|
1481 |
|
Die Wiener Klassiker und das Italien ihrer Zeit: Festschrift für Christian Speck zum 60. Geburtstag |
Petra Weber |
|
1482 |
|
Digital Sound Studies |
Mary Caton Lingold, Darren Mueller, Whitney Trettien (eds.) |
|
1483 |
|
Disintegrating the Musical: Black Performance and American Musical Film |
Arthur Knight |
|
1484 |
|
Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance |
Charles J. Stivale (editor), Stanley Fish (editor), Fredric Jameson (editor) |
|
1485 |
|
Dissonanz und Harmonie: in Romantik und Moderne |
Werner Keil |
|
1486 |
|
Dizzy, Duke, Brother Ray, and Friends |
Lillian Terry |
|
1487 |
|
Dreams in Double Time: On Race, Freedom, and Bebop |
Jonathan Leal |
|
1488 |
|
Duke Ellington studies |
Ellington, Duke, Howland, John |
|
1489 |
|
Dub: Finding Ceremony |
Alexis Pauline Gumbs |
|
1490 |
|
Duke Ellington's America |
Cohen, Harvey G |
|
1491 |
|
Dust of the Zulu: Ngoma Aesthetics after Apartheid |
Louise Meintjes |
|
1492 |
|
Dvorak to Duke Ellington : A Conductor Explores America's Music and Its African American Roots |
Maurice Peress |
|
1493 |
|
Earworm and Event: Music, Daydreams, and Other Imaginary Refrains |
Eldritch Priest |
|
1494 |
|
Eleanor Smith's Hull House Songs: The Music of Protest and Hope in Jane Addams's Chicago |
Graham Cassano, Rima Lunin Schultz, Jessica Payette |
|
1495 |
|
Essays on Literature and Music (1985-2013) by Walter Bernhart |
Walter Bernhart, Werner Wolf (ed.) |
|
1496 |
|
Extended Play: Sounding Off from John Cage to Dr. Funkenstein |
John Corbett |
|
1497 |
|
Fado Resounding: Affective Politics and Urban Life |
Lila Ellen Gray |
|
1498 |
|
Flying Saucers Rock ′n′ Roll: Conversations with Unjustly Obscure Rock 'n' Soul Eccentrics |
Jake Austen (ed.) |
|
1499 |
|
Footprints : the life and music of Wayne Shorter |
Michelle Mercer |
|
1500 |
|
Forever Words |
Cash, Johnny |
|
1501 |
|
Franz Liszt : A Story of Central European Subjectivity [1 ed.] |
Erika Quinn |
1 |
1502 |
|
Forget about today: Bob Dylan's genius for (re)invention, shunning the naysayers, and creating a personal revolution [First edition] |
Dylan, Bob,Friedman, Jon |
|
1503 |
|
From Ciconia to Sweelinck: donum natalicium Willem Elders |
Albert Clement, Eric Jas |
|
1504 |
|
Formula 50 |
50 Cent |
|
1505 |
|
From Memory to Imagination : Reforming the Church's Music |
C. Randall Bradley |
|
1506 |
|
Frank: the true story that inspired the movie |
Sievey, Chris,Ronson, Jon |
|
1507 |
|
G. Raynauds Bibliographie des altfranzösischen Liedes |
Hans Spanke |
|
1508 |
|
Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead |
Michael Kaler |
|
1509 |
|
Gitarren - Alle Modelle und Hersteller |
Bacon, Tony |
|
1510 |
|
Go-Go Live: The Musical Life and Death of a Chocolate City |
Natalie Hopkinson |
|
1511 |
|
Groove : an aesthetic of measured time [Lam ed.] |
Abel, Mark |
|
1512 |
|
Gurdjieff and music : the Gurdjieff/de Hartmann piano music and its esoteric significance [Lam ed.] |
Gurdjieff, Georges Ivanovitch, Gurdžiev, Georgij Ivanovič, Hartmann, Thomas, Hartmann, Thomas de, Petsche, Johanna J. M |
|
1513 |
|
Harmony and the Music of the Spheres: The Ars Musica in Ninth-Century Commentaries on Martianus Capella |
Mariken Teeuwen |
|
1514 |
|
Healing Songs |
Ted Gioia |
|
1515 |
|
Hearing Faith: Music as Theology in the Spanish Empire |
Andrew A. Cashner |
|
1516 |
|
Heavy Fundametalisms: Music, Metal and Politics [1 ed.] |
Rosemary Hill, Karl Spracklen |
1 |
1517 |
|
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil |
Bryan McCann |
|
1518 |
|
Help your kids with music: a unique step-by-step visual guide |
Vorderman, Carol |
|
1519 |
|
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) |
Israel Katz, Sheila M Craik, Amnon Shiloah |
|
1520 |
|
Henry Cow: The World Is a Problem |
Benjamin Piekut |
|
1521 |
|
Hidden in the Mix: The African American Presence in Country Music |
Diane Pecknold (editor) |
|
1522 |
|
Gimme Something Better: The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk From Dead Kennedys to Green Day |
Jack Boulware, Silke Tudor |
|
1523 |
|
Hip-Hop Japan: Rap and the Paths of Cultural Globalization |
Ian Condry |
|
1524 |
|
Glenn Gould |
Gould, Glenn,Kingwell, Mark |
|
1525 |
|
Hip Hop's Hostile Gospel (Studies in Critical Research on Religion) [Lam ed.] |
Daniel White Hodge |
|
1526 |
|
Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992 |
Tim Lawrence |
|
1527 |
|
Hit Me, Fred: Recollections of a Sideman |
Fred Wesley, Rickey Vincent |
|
1528 |
|
Hound Dog |
Eric Weisbard |
|
1529 |
|
How the Beatles rocked the Kremlin: the untold story of a noisy revolution |
Leslie Woodhead. |
|
1530 |
|
Gone 'Til November |
Lil Wayne |
|
1531 |
|
The Penguin Companion to Classical Music |
Paul Griffiths |
|
1532 |
|
Good Vibrations: my life as a beach boy |
Mike Love |
|
1533 |
|
Imperial Blues: Geographies of Race and Sex in Jazz Age New York |
Fiona I. B. Ngô |
|
1534 |
|
Imposing Harmony. Music and society in Colonial Cuzco [1 ed.] |
Geoffrey Baker |
1 |
1535 |
|
Improvisation and Social Aesthetics |
Georgina Born, Eric Lewis, Will Straw eds |
|
1536 |
|
In Praise of Song: The Making of Courtly Culture in Al-Andalus and Provence, 1005-1134 A.D (Medieval and Early Modern Iberian World) |
Cynthia Robinson |
|
1537 |
|
In the Mood for Mood [1 ed.] |
Tanja Mortelmans, Jesse Mortelmans, Walter de Mulder |
1 |
1538 |
|
Guitar Zero: The New Musician and the Science of Learning |
Gary Marcus |
|
1539 |
|
Guitar zero: the science of becoming musical at any age |
Marcus, Gary Fred |
|
1540 |
|
Intermedialität von Bild und Musik |
Elisabeth Oy-Marra, Klaus Pietschmann, Gregor Wedekind, Martin Zenck (eds.) |
|
1541 |
|
Intimate Distance: Andean Music in Japan |
Michelle Bigenho |
|
1542 |
|
Harry Styles |
C. H. Mitford |
|
1543 |
|
Harry Styles: The Biography, Offstage |
Ali Cronin |
|
1544 |
|
Invocations of Europe: Music Theatre and the Romanian Principalities 1775-1852 |
Sabina Cismas |
|
1545 |
|
Isaiah Shembe’s Hymns and the Sacred Dance in Ibandla Lamanazaretha |
Nkosinathi Sithole |
|
1546 |
|
Is It Still Good to Ya?: Fifty Years of Rock Criticism, 1967-2017 |
Robert Christgau |
|
1547 |
|
The Penguin Guide to the 1000 Finest Classical Recordings: The Must-Have CDs and DVDs |
Ivan March, Edward Greenfield, Robert Layton, Paul Czajkowski |
|
1548 |
|
Japanoise: Music at the Edge of Circulation |
David Novak |
|
1549 |
|
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana |
Steven Feld |
|
1550 |
|
Johann Sebastian Bach’s St. John Passion Bwv 245: A Theological Commentary |
Andreas Loewe |
|
1551 |
|
Judaism and Islam One God One Music |
Merav Rosenfeld-Hadad |
|
1552 |
|
Keywords in Sound |
David Novak, Matt Sakakeeny (eds.) |
|
1553 |
|
King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr. |
Maurice O. Wallace |
|
1554 |
|
Knowledge Reigns Supreme The Critical Pedagogy of Hip-Hop Artist KRS-ONE. |
Priya Parmar |
|
1555 |
|
Herbie Hancock: Possibilities [Reprint ed.] |
Herbie Hancock, Lisa Dickey |
|
1556 |
|
Here, There and Everywhere: My Life Recording the Music of the Beatles |
Geoff Emerick, Howard Massey |
|
1557 |
|
Latin and Music in the Early Modern Era Education, Theory, Composition, Performance and Reception (Brill Research Perspectives in Humanities and Social Sciences) |
&,lt, b&,gt, Robert Forgács&,lt, /b&,gt |
|
1558 |
|
Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area |
Oliver Wang |
|
1559 |
|
Hip Hop America |
Nelson George |
|
1560 |
|
Leonore und Fidelio: Vorträge und Aufsätze zu Beethovens Oper |
Helga Lühning |
|
1561 |
|
Life and death on the New York dance floor, 1980-1983 |
Lawrence, Tim |
|
1562 |
|
Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe |
Banning Eyre |
|
1563 |
|
Listening in Detail: Performances of Cuban Music |
Alexandra T. Vazquez |
|
1564 |
|
Listen Again: A Momentary History of Pop Music |
Eric Weisbard (editor) |
|
1565 |
|
Listening to Early Modern Catholicism: Perspectives from Musicology |
Daniele V. Filippi, Michael J. Noone (eds.) |
|
1566 |
|
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins |
David F. García |
|
1567 |
|
Listening Subjects: Music, Psychoanalysis, Culture |
David Schwarz |
|
1568 |
|
Listen but Don't Ask Question: Hawaiian Slack Key Guitar across the TransPacific |
Kevin Fellezs |
|
1569 |
|
Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Studies in the Grateful Dead) |
John Brackett |
|
1570 |
|
Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music |
Jesse Weaver Shipley |
|
1571 |
|
Love Saves the Day: A History of American Dance Music Culture, 1970-1979 |
Tim Lawrence |
|
1572 |
|
Making Samba: A New History of Race and Music in Brazil |
Marc A Hertzman |
|
1573 |
|
Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism |
Raymond Knapp |
|
1574 |
|
Making Jazz French: Music and Modern Life in Interwar Paris |
Jeffrey H. Jackson (editor), Gilbert M. Joseph (editor), Emily S. Rosenberg (editor) |
|
1575 |
|
Making Value: Music, Capital, and the Social |
Timothy D. Taylor |
|
1576 |
|
How Music Got Free |
Witt, Stephen R |
|
1577 |
|
How Music Works |
John Powell |
|
1578 |
|
Martin Luther and the Arts: Music, Images, and Drama to Promote the Reformation (Studies in Medieval and Reformation Traditions, 236) |
Andreas Loewe, Katherine Firth |
|
1579 |
|
Medium Cool: Music Videos from Soundies to Cellphones |
Roger Beebe (editor), Jason Middleton (editor) |
|
1580 |
|
Metal Rules the Globe: Heavy Metal Music around the World |
Jeremy Wallach (editor), Harris M. Berger (editor), Paul D. Greene (editor) |
|
1581 |
|
Mexican American Mojo: Popular music, dance, and urban culture in Los Angeles, 1935-1968 |
Anthony Macías |
|
1582 |
|
Microgroove: Forays Into Other Music |
John Corbett |
|
1583 |
|
Mobilizing India: Women, Music, and Migration between India and Trinidad |
Tejaswini Niranjana |
|
1584 |
|
How to Write One Song |
Jeff Tweedy |
|
1585 |
|
Monumental Sounds Art and Listening before Dante |
UMatthew G. Shoaf |
|
1586 |
|
MP3: The Meaning of a Format |
Jonathan Sterne |
|
1587 |
|
Hunger Makes Me a Modern Girl: A Memoir |
Brownstein, Carrie |
|
1588 |
|
Music by Neil Ardley |
Neil Ardley |
|
1589 |
|
Music and Esotericism |
Laurence Wuidar |
|
1590 |
|
Music and Exile: From 1933 to the Present Day |
Malcolm Miller, Jutta Raab Hansen (eds.) |
|
1591 |
|
Music and Knowledge : a Performer's Perspective |
Per Dahl |
|
1592 |
|
Music and Religious Education in Early Modern Europe: The Musical Edification of the Church |
Hyun-Ah Kim |
|
1593 |
|
Music in Early Franciscan Thought |
Peter Loewen |
|
1594 |
|
Music in the Apocalyptic Mode (Word and Music Studies, 20) |
Lorenzo Ditommaso (editor), Colin McAllister (editor) |
|
1595 |
|
Music in the Balkans |
Jim Samson |
|
1596 |
|
Music of the Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire (Handbook of Oriental Studies. Section 1 the Near and Middle East, 177) |
Walter Feldman |
|
1597 |
|
Music, Narrative and the Moving Image : Varieties of Plurimedial Interrelations [1 ed.] |
Walter Bernhart, David Francis Urrows |
1 |
1598 |
|
Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio |
Timothy D. Taylor, Mark Katz, Tony Grajeda |
|
1599 |
|
Musical and Socio-Cultural Anecdotes from Kitb al-Aghn al-Kabr |
George Dimitri Sawa |
|
1600 |
|
Musical Culture in the World of Adam de la Halle |
Jennifer Saltzstein (ed.) |
|
1601 |
|
Musical Echoes: South African Women Thinking in Jazz |
Carol Ann Muller, Sathima Bea Benjamin, Sathima Bea Benjamin |
|
1602 |
|
Musicians in Transit: Argentina and the Globalization of Popular Music |
Matthew B. Karush |
|
1603 |
|
Musicophilia in Mumbai: Performing Subjects and the Metropolitan Unconscious |
Tejaswini Niranjana |
|
1604 |
|
Musik - Und Die Geschichte Der Philosophie Und Naturwissenschaften Im Mittelalter: Fragen Zur Wechselwirkung Von 'musica' Und 'philosophia' Im ... Des Mittelalters) [Multilingual ed.] |
Hentschel (editor) |
|
1605 |
|
Musikalische Relationen |
Rasmus Nordholt-Frieling |
|
1606 |
|
Musikvermittlung Im ›Gewächshaus Der Ereignisse‹ Die Beschreibung Musikalischer Ereignisse Aus Bewegungssinnlicher Perspektive Als Ausgangspunkt Für Das Vermitteln Und Üben Musikalischer Praxis (Ästhetische Praxis) |
Lorenz Heimbrecht |
|
1607 |
|
My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach |
Calvin R. Stapert |
|
1608 |
|
I Know You Got Soul |
Jeremy Clarkson |
|
1609 |
|
Negotiated Moments: Improvisation, Sound, and Subjectivity |
Gillian Siddall, Ellen Waterman |
|
1610 |
|
I saw eternity the other night: King's College, Cambridge, and an English singing style |
Day, Timothy |
|
1611 |
|
I Want My MTV: The Uncensored Story of the Music Video Revolution |
Craig Marks, Rob Tannenbaum |
|
1612 |
|
Nietzsches Musikphilosophie: zur Performativität des Denkens |
Federico Celestini |
|
1613 |
|
No Machos or Pop Stars: When the Leeds Art Experiment Went Punk |
Gavin Butt |
|
1614 |
|
Off Beat : Pluralizing Rhythm [1 ed.] |
Jan Hein Hoogstad, Birgitte Stougaard Pedersen |
1 |
1615 |
|
Old Town Road |
Chris Molanphy |
|
1616 |
|
One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television |
Murray Forman |
|
1617 |
|
Orientalische Musik |
|
|
1618 |
|
In the pleasure groove: love, death, & Duran Duran |
Taylor, John,Sykes, Tom |
|
1619 |
|
In Their Lives: Great Writers on Great Beatles Songs |
Andrew Blauner |
|
1620 |
|
People Get Ready: The Future of Jazz Is Now! |
Ajay Heble and Rob Wallace (eds.) |
|
1621 |
|
Percussion: Drumming, Beating, Striking |
John Mowitt |
|
1622 |
|
Philosophical and Cultural Theories of Music |
Eduardo De La Fuente, Peter Murphy |
|
1623 |
|
Philosophies of Music in Medieval Islam |
Fadlou Shehadi |
|
1624 |
|
Phonographies: Grooves in Sonic Afro-Modernity |
Alexander G. Weheliye |
|
1625 |
|
Pink Noises: Women on Electronic Music and Sound |
Tara Rodgers |
|
1626 |
|
Playing for Keeps: Improvisation in the Aftermath |
Daniel Fischlin (editor), Eric Porter (editor) |
|
1627 |
|
Pop When the World Falls Apart: Music in the Shadow of Doubt |
Eric Weisbard (editor) |
|
1628 |
|
Beethoven et après |
Brisson, Elisabeth &, Fournier, Bernard &, Tual, François-Gildas |
|
1629 |
|
Present Tense: Rock & Roll and Culture |
Anthony DeCurtis (editor), Trent Hill (editor), Greil Marcus (editor), Glenn Gass (editor), Paul Julian Smith (editor) |
|
1630 |
|
Jagger: rebel, rocker, rambler, rogue [1st ed] |
Jagger, Mick,Spitz, Marc |
1 |
1631 |
|
Professional Careers in Music: Performer, Composer, Conductor |
Institute for Career Research |
|
1632 |
|
Prophets of the Hood: Politics and Poetics in Hip Hop |
Imani Perry |
|
1633 |
|
Proust et la musique (Marcel Proust Aujourd'hui, 17) (French Edition) |
Sous la direction de Sjef Houppermans, Manet van Montfrans, Annelies Schulte Nordholt, Sabine van Wesemael, Nell de Hullu-van Doeselaar |
|
1634 |
|
Jammin' with the Jonas Brothers: An Unauthorized Biography |
Lexi Ryals |
|
1635 |
|
Ptolemy Harmonics: Translation and Commentary |
Jon Solomon |
|
1636 |
|
Jim Morrison |
Davis, Stephen |
|
1637 |
|
Radiation Sounds: Marshallese Music and Nuclear Silences |
Jessica A. Schwartz |
|
1638 |
|
RAP AND THE PATHS OF CULTURAL GLOBALIZATION HIP HOP JAPAN |
Ian Condry |
|
1639 |
|
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars |
Cecelia Tichi (editor) |
|
1640 |
|
Real Country: Music and Language in Working-Class Culture |
Aaron A. Fox |
|
1641 |
|
Real Men Don't Sing: Crooning in American Culture |
Allison McCracken |
|
1642 |
|
Recollecting Resonances : Indonesian-Dutch Musical Encounters [1 ed.] |
Bart Barendregt, E. Bogaerts |
1 |
1643 |
|
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains |
Christopher A. Scales |
|
1644 |
|
Records ruin the landscape : John Cage, the sixties, and sound recording |
Cage, John, Cage, John, Grubbs, David, Cage, John |
|
1645 |
|
Reggaeton |
Raquel Z. Rivera (editor), Wayne Marshall (editor), Deborah Pacini Hernandez (editor), Ronald Radano (editor), Josh Kun (editor), Juan Flores (editor) |
|
1646 |
|
Remapping sound studies |
Gavin Steingo and Jim Sykes |
|
1647 |
|
Retellings: The Bible in Literature, Music, Art and Film |
J. Cheryl Exum |
|
1648 |
|
Retuning Culture: Musical Changes in Central and Eastern Europe |
Mark Slobin (editor) |
|
1649 |
|
Rhythm and Noise: An Aesthetics of Rock |
Theodore Gracyk |
|
1650 |
|
Richard Wagner und die Indische Geisteswelt |
Suneson |
|
1651 |
|
River of tears country music, memory, and modernity in Brazil |
Dent, Alexander Sebastian |
|
1652 |
|
Rock and Roll Always Forgets: A Quarter Century of Music Criticism |
Chuck Eddy |
|
1653 |
|
Rocking My Life Away: Writing about Music and Other Matters |
Anthony DeCurtis |
|
1654 |
|
Roy Cape: A Life on the Calypso and Soca Bandstand |
Jocelyne Guilbault, Roy Cape |
|
1655 |
|
Rumba Rules: The Politics of Dance Music in Mobutu’s Zaire |
Bob W. White |
|
1656 |
|
Kraftwerk: Future Music from Germany |
Uwe Schütte |
|
1657 |
|
Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow |
Karl Hagstrom Miller |
|
1658 |
|
Sensing Sound: Singing and Listening as Vibrational Practice |
Nina Sun Eidsheim |
|
1659 |
|
Late Night Thoughts on Listening to Mahler's Ninth Symphony |
Lewis Thomas |
|
1660 |
|
Silence and Absence in Literature and Music |
|
|
1661 |
|
Singing Alexandria: Music Between Practice and Textual Transmission |
Lucia Prauscello |
|
1662 |
|
Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India |
Amanda J. Weidman |
|
1663 |
|
Singing the Kyrgyz Manas : Saparbek Kasmambetov's Recitations of Epic Poetry [1 ed.] |
Keith Howard, Saparbek Kasmambetov |
1 |
1664 |
|
Sizhu Instrumental Music of South China: Ethos, Theory and Practice |
Alan R. Thrasher |
|
1665 |
|
Led Zeppelin: The Biography |
Bob Spitz |
|
1666 |
|
Songbooks: The Literature of American Popular Music |
Eric Weisbard |
|
1667 |
|
Songs of the Unsung: The Musical and Social Journey of Horace Tapscott |
Horace Tapscott (editor), Steven L. Isoardi (editor), William Marshall (editor) |
|
1668 |
|
Sonic Modernities in the Malay World : A History of Popular Music, Social Distinction and Novel Lifestyles (1930s – 2000s) [1 ed.] |
Bart Barendregt |
1 |
1669 |
|
Soul Covers : Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) [1 ed.] |
Michael Awkward, Charles McGovern, Ronald Radano |
1 |
1670 |
|
Sound Alignments: Popular Music in Asia's Cold Wars |
Michael K. Bourdaghs, Paola Iovene, Kaley Mason |
|
1671 |
|
Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression, 3rd edition with a new introduction by the author |
Steven Feld |
|
1672 |
|
Sound of Africa!: Making Music Zulu in a South African Studio |
Louise Meintjes |
|
1673 |
|
Sound: An Acoulogical Treatise |
Michel Chion |
|
1674 |
|
Sounding the modern woman: The songstress in Chinese cinema |
Jean Ma |
|
1675 |
|
Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño |
Alex E. Chávez |
|
1676 |
|
Sounds of Vacation: Political Economies of Caribbean Tourism |
Jocelyne Guilbault (editor), Timothy Rommen (editor) |
|
1677 |
|
Soundscapes of Liberation: African American Music in Postwar France |
Celeste Day Moore |
|
1678 |
|
Soundtrack Available: Essays on Film and Popular Music |
Pamela Robertson Wojcik, Arthur Knight, Rick Altman, Priscilla Barlow |
|
1679 |
|
Soundtracks of Asian America: Navigating Race through Musical Performance |
Grace Wang |
|
1680 |
|
Let's go |
Tweedy, Jeff |
|
1681 |
|
Srikandhi Dances Lengger: A Performance of Music and Shadow Theater in Central Java |
René T.A. Lysloff |
|
1682 |
|
Staging the Nation: Opera and Nationalism in 19th-Century Hungary [1 ed.] |
Krisztina Lajosi |
1 |
1683 |
|
Steve Lacy : Conversations [1 ed.] |
Jason Weiss |
1 |
1684 |
|
Lev's Violin: An Italian Adventure |
Helena Attlee |
|
1685 |
|
Streaming Music, Streaming Capital |
Eric Drott |
|
1686 |
|
Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts |
Robert Abels |
|
1687 |
|
Studies in the Hymnody of Isaac Watts |
David W. Music |
|
1688 |
|
Light my fire: my life with the Doors |
Manzarek, Ray |
|
1689 |
|
Lightfoot |
Jennings, Nicholas,Lightfoot, Gordon |
|
1690 |
|
Swing Shift: "All-Girl" Bands of the 1940s |
Sherrie Tucker |
|
1691 |
|
Symbolic Scores: Studies in the Music of the Renaissance |
Willem Elders |
|
1692 |
|
Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women |
LeRhonda S. Manigault-Bryant |
|
1693 |
|
Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music |
Farzaneh Hemmasi |
|
1694 |
|
Tell Tchaikovsky the News: Rock ’N’ Roll, the Labor Question, and the Musicians’ Union, 1942–1968 |
Michael James Roberts |
|
1695 |
|
Terminated for Reasons of Taste: Other Ways to Hear Essential and Inessential Music |
Chuck Eddy |
|
1696 |
|
Long Players: A Love Story in Eighteen Songs |
Peter Coviello |
|
1697 |
|
Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema |
Maghiel van Crevel, Tian Yuan Tan, Michel Hockx |
|
1698 |
|
The Brigands' Song: Serving in the Army of A Native Chieftain: A Traditional Song Text from Guangxi in Southern China [2, 1 ed.] |
David Holm, Meng Yuanyao |
1 |
1699 |
|
The Cambridge Companion to Duke Ellington |
Green, Edward (ed.) |
|
1700 |
|
The Classical Music Book |
Dorling Kindersley |
|
1701 |
|
Magical/Realism : Essays on Music, Memory, Fantasy, and Borders |
Vanessa Angélica Villarreal |
|
1702 |
|
Major Labels: A History of Popular Music in Seven Genres |
Kelefa Sanneh |
|
1703 |
|
The Dark Tree: Jazz and the Community Arts in Los Angeles |
Steven L. Isoardi |
|
1704 |
|
Dernière chanson avant la nuit |
Camacho, Francisco |
|
1705 |
|
Man of Constant Sorrow |
Ralph Stanley |
|
1706 |
|
The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of Cocreation |
Daniel Fischlin, Ajay Heble, George Lipsitz |
|
1707 |
|
The Fighting Art of Pencak Silat and Its Music: From Southeast Asian Village to Global Movement |
Uwe U Paetzold, Paul H Mason |
|
1708 |
|
The Frank C. Brown Collection of NC Folklore: Vol. V: The Music of the Folk Songs |
Newman Ivey White (editor), Jan Philip Schinhan (editor) |
|
1709 |
|
The Great Woman Singer: Gender and Voice in Puerto Rican Music |
Licia Fiol-Matta |
|
1710 |
|
The Meaning of Soul: Black Music and Resilience since the 1960s |
Emily J. Lordi |
|
1711 |
|
The Monk’s Record Player: Thomas Merton, Bob Dylan, and the Perilous Summer of 1966 |
Robert Hudson |
|
1712 |
|
The Monk's Record Player: Thomas Merton, Bob Dylan, and the Perilous Summer Of 1966 |
Baez, Joan,Dalton, David,Dylan, Bob,Hudson, Robert,Merton, Thomas |
|
1713 |
|
The Persistence of Voice: Instrumental Music and Romantic Orality [Hardcover ed.] |
John Neubauer |
|
1714 |
|
The Political Force of Musical Beauty |
Barry Shank |
|
1715 |
|
The Politics of Vibration: Music as a Cosmopolitical Practice |
Marcus Boon |
|
1716 |
|
The Race of Sound: Listening, Timbre, and Vocality in African American Music |
Nina Sun Eidsheim |
|
1717 |
|
The Real Hiphop: Battling for Knowledge, Power, and Respect in the LA Underground |
Marcyliena Morgan |
|
1718 |
|
Mixing Pop and Politics |
Toby Manning, |
|
1719 |
|
The Selling Sound: The Rise of the Country Music Industry |
Diane Pecknold (editor), Charles McGovern (editor), Ronald Radano (editor) |
|
1720 |
|
the time is out of joint: Transkomposition und Anachronismus im Werk von Johannes Schöllhorn |
Lang, Benjamin |
|
1721 |
|
Moon River and Me: A Memoir |
Andy Williams |
|
1722 |
|
The Urban Gaze: Exploring Urbanity Through Art, Architecture, Music, Fashion, Film and Media [1 ed.] |
Silvia Mazzucotelli Salice |
1 |
1723 |
|
The Voice and Its Doubles: Media and Music in Northern Australia |
Daniel Fisher |
|
1724 |
|
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront |
Cisco Bradley |
|
1725 |
|
Morning, Noon, and Night: Living the Creative Life |
Judy Collins |
|
1726 |
|
Theaterstücke für Musik II |
Richard Bletschacher |
|
1727 |
|
Theology and Music at the Early University: The Case of Robert Grosseteste and Anonymous IV |
Nancy van Deusen |
|
1728 |
|
Motown: The Golden Years: More than 100 rare photographs |
Bill Dahl |
|
1729 |
|
Theology As Improvisation: A Study in the Musical Nature of Theological Thinking |
Nathan Crawford |
|
1730 |
|
Theophrastus of Eresus, Volume 9.1: Commentary: Sources on Music Texts 714-726c [9.1] |
Massimo Raffa |
91 |
1731 |
|
Mozart: A life |
Mozart, Wolfgang Amadeus, Gay, Peter, Mozart, Wolfgang Amadeus |
|
1732 |
|
Mozart and His Operas |
David Cairns |
|
1733 |
|
Three early modern Hebrew scholars on the mysteries of song |
Harrán, Don, Modena, Leone, Moscato, Judah ben Joseph, Portaleone, Abraham ben David |
|
1734 |
|
Together, Somehow: Music, Affect, and Intimacy on the Dancefloor |
Luis Manuel Garcia-Mispireta |
|
1735 |
|
Tony Allen: An Autobiography of the Master Drummer of Afrobeat |
Tony Allen, Michael E. Veal |
|
1736 |
|
Toward a Materialist Conception of Music History |
Stephan Hammel |
|
1737 |
|
Tropical Renditions: Making Musical Scenes in Filipino America |
Christine Bacareza Balance |
|
1738 |
|
Tropical Riffs: Latin America and the Politics of Jazz |
Jason Borge |
|
1739 |
|
Tuning the Soul : Music As a Spiritual Process in the Teachings of Rabbi Naḥman of Bratzlav [1 ed.] |
Chani Haran Smith |
1 |
1740 |
|
Tween Pop: Children's Music and Public Culture |
Tyler Bickford |
|
1741 |
|
My own devices: essays from the road on music, science and senseless love: True Stories from the Road on Music, Science and Senseless Love |
(Vocalist) Dessa |
|
1742 |
|
Unfree Masters: Popular Music and the Politics of Work |
Matt Stahl |
|
1743 |
|
Unspooled: How the Cassette Made Music Shareable (Sign, Storage, Transmission) |
Rob Drew |
|
1744 |
|
Mystery Train |
OverDrive, Inc., Marcus, Greil |
|
1745 |
|
Vinyl Freak: Love Letters to a Dying Medium |
John Corbett |
|
1746 |
|
Vom Weghörer zum Hinhörer: Erschließung neuer Hör-Horizonte im Musikunterricht der gymnasialen Erprobungsstufe |
Antje-Karina Gerwin |
|
1747 |
|
Never broken: songs are only half the story |
Jewel |
|
1748 |
|
Why We Sing: Music, Word, and Liturgy in Early Christianity: Essays in Honour of Anders Ekenberg’s 75th Birthday [177] |
Carl Johan Berglund, Barbara Crostini, James Kelhoffer |
177 |
1749 |
|
Work Songs |
Ted Gioia |
|
1750 |
|
Working Musicians: Labor and Creativity in Film and Television Production |
Timothy D. Taylor |
|
1751 |
|
Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age |
Andrew F. Jones |
|
1752 |
|
NPR The Curious Listener's Guide to Opera [1st Perigee ed] |
William Berger |
1 |
1753 |
|
On the Lower Frequencies |
Erick Lyle, |
|
1754 |
|
On the Road with Janis Joplin |
Cooke, John Byrne,Joplin, Janis |
|
1755 |
|
Orchestra Of Exiles: the Story Of Bronislaw Huberman, the Israel Philharmonic, And The One Thousand J Ews He Saved From Nazi Horrors |
Recorded Books, Inc.,Aronson, Josh,George, Denise |
|
1756 |
|
Our Journey |
Rak-Su (Musical group) |
|
1757 |
|
Our world: Our OFFICIAL autobiography |
Little Mix (Musical group) |
|
1758 |
|
Para Selena, con amor |
Chris Perez |
|
1759 |
|
Porcelain: a memoir |
Moby |
|
1760 |
|
det Vies et légendes de Charles Aznavour |
Belleret, Robert |
|
1761 |
|
Racing in the street : the Bruce Springsteen reader |
Sawyers, June Skinner, Springsteen, Springsteen, Bruce |
|
1762 |
|
Read the Beatles |
JUNE SKINNER SAWYERS |
|
1763 |
|
Selections From the ’Carmina Burana’ |
Anonymous, David Parlett |
|
1764 |
|
Shining star: braving the elements of earth, wind & fire |
Earth, Wind,Bailey, Philip,Zimmerman, Keith,Zimmerman, Kent |
|
1765 |
|
Society's Child: My Autobiography |
Janis Ian |
|
1766 |
|
Sonny’s Blues |
James Baldwin |
|
1767 |
|
Sound Bites: Eating on Tour with Franz Ferdinand |
Alex Kapranos |
|
1768 |
|
Sound Man: A Life Recording Hits with The Rolling Stones, The Who, Led Zeppelin, The Eagles , Eric Clapton, The Faces . . . |
Johns, Glyn |
|
1769 |
|
Special Deluxe |
Young, Neil |
|
1770 |
|
Springsteen song by song: a critical look |
Springsteen, Bruce,Heylin, Clinton |
|
1771 |
|
Stayin Alive |
Michael Adams |
|
1772 |
|
Stone Alone |
Bill Wyman |
|
1773 |
|
Stone Me: The Wit and Wisdom of Keith Richards |
Mark Blake |
|
1774 |
|
Susan Boyle: dreams can come true |
Boyle, Susan,Montgomery, Alice |
|
1775 |
|
Sweet Dreams Are Made of This: A Life In Music |
Stewart, Dave |
|
1776 |
|
Tales From Beyond the Tap |
Randy Bachman |
|
1777 |
|
Talking to girls about duran duran: one young man's quest for true love and a cooler haircut |
Sheffield, Rob |
|
1778 |
|
Tammy wynette: tragic country queen |
McDonough, Jimmy |
|
1779 |
|
Taylor Swift |
Jennifer Poux |
|
1780 |
|
The Autobiography |
Johnnie Walker |
|
1781 |
|
The Complete Idiot's Guide Music Dictionary |
Dr. Stanford Felix |
|
1782 |
|
The Complete Idiot's Guide to Buying a Piano |
Flinn, Jennifer B.,Flinn, Marty C |
|
1783 |
|
The complete idiot's guide to classical music [1st ed.] |
Sherman, Robert, Seldon, Philip |
1 |
1784 |
|
The death of rhythm and blues |
George, Nelson |
|
1785 |
|
The Death of Rhythm and Blues [Reprint ed.] |
Nelson George |
|
1786 |
|
Haute fidélité |
Hornby, Nick |
|
1787 |
|
Haute Fidelite |
Hornby, Nick |
|
1788 |
|
The Hardest Working Man: How James Brown Saved the Soul of America |
James Sullivan |
|
1789 |
|
The Indispensables: A Critic’s Personal Guide to Classical Composers [Hardcover ed.] |
Anthony Tommasini |
|
1790 |
|
The Music Advantage: How Music Helps Your Child Develop, Learn, and Thrive |
Dr. Anita Collins |
|
1791 |
|
The music lesson: a spiritual search for growth through music [Kindle ed] |
Victor L Wooten |
|
1792 |
|
The New Penguin Book of English Folk Songs |
Steve Roud, Julia Bishop (eds.) |
|
1793 |
|
The New Songwriter's Guide to Music Publishing |
Randy Poe |
|
1794 |
|
The NPR Curious Listener's Guide to Classical Music |
Smith, Tim |
|
1795 |
|
The NPR curious listener's guide to opera [1st Perigee ed] |
Berger, William |
1 |
1796 |
|
The NPR Curious Listener's Guide to Popular Standards |
Max Morath |
|
1797 |
|
The One: The Life and Music of James Brown |
Brown, James,Smith, R. J |
|
1798 |
|
The Penguin Book of American Folk Songs |
Alan Lomax, E. Posten |
|
1799 |
|
The Penguin Book of English Song |
Richard Stokes |
|
1800 |
|
The Penguin Jazz Guide: The History of the Music in the 1000 Best Albums |
Brian Morton, Richard Cook |
|
1801 |
|
The Penguin Jazz Guide: The History of the Music in the 1001 Best Albums |
Brian Morton, Richard Cook |
|
1802 |
|
The Penguin Opera Guide |
Amanda Holden, Nicholas Kenyon, Stephen Walsh |
|
1803 |
|
The Pianist of Yarmouk |
Aeham Ahmad |
|
1804 |
|
The Ring of the Nibelung [Hardcover ed.] |
Richard Wagner |
|
1805 |
|
The Soloist (Movie Tie-In): A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music |
Steve Lopez |
|
1806 |
|
The Symphony |
Ralph Hill |
|
1807 |
|
The Tanning of America: How Hip-Hop Created a Culture That Rewrote the Rules of the New Economy |
Steve Stoute |
|
1808 |
|
The tanning of america: how hip-hop created a culture that rewrote the rules of thenew economy |
Stoute, Steve |
|
1809 |
|
The Tao of Willie: A Guide to the Happiness in Your Heart |
Willie Nelson, Turk Pipkin |
|
1810 |
|
The Tao of Wu |
RZA, The |
|
1811 |
|
The Wit and Wisdom of Ozzy Osbourne |
Dave Thompson |
|
1812 |
|
The world in six songs: how the musical brain created human nature |
Levitin, Daniel J |
|
1813 |
|
The World in Six Songs: How the Musical Brain Created Human Nature [Paperback ed.] |
Daniel Levitin |
|
1814 |
|
The Wu-Tang Manual |
The RZA, Chris Norris |
|
1815 |
|
There goes gravity : a life in rock and roll |
Robinson, Lisa |
|
1816 |
|
This is Your Brain on Music |
Daniel Levitin |
|
1817 |
|
To Air is Human: One Man's Quest to Become the World's Greatest Air Guitarist |
Bjorn Turoque, Dan Crane |
|
1818 |
|
To Anyone Who Ever Asks : The Life, Music, and Mystery of Connie Converse |
Howard Fishman |
|
1819 |
|
Traditional African and Oriental Music |
Ottó Károlyi |
|
1820 |
|
Twentieth-Century Classical Music |
Maddocks, Fiona |
|
1821 |
|
Two Beats Ahead: What Great Musical Minds Teach Us About Creativity and Innovation |
Panos A. Panay, R. Michael Hendrix |
|
1822 |
|
Una Vida |
Ednita Nazario |
|
1823 |
|
Unfaithful Music & Disappearing Ink |
Costello, Elvis |
|
1824 |
|
Voodoo Child: The Illustrated Legend of Jimi Hendrix (Penguin Studio Books) |
Martin I. Green |
|
1825 |
|
Waging Heavy Peace |
Neil Young |
|
1826 |
|
Wagner and Philosophy |
Bryan Magee |
|
1827 |
|
Wagner's Parsifal: The Music of Redemption |
Roger Scruton |
|
1828 |
|
Walk this way: Run-DMC, Aerosmith, and the song that changed American music forever |
Edgers, Geoff |
|
1829 |
|
Watch You Bleed: The Saga of Guns N' Roses |
Stephen Davis |
|
1830 |
|
Wham! George & Me |
Andrew Ridgeley |
|
1831 |
|
What Is Rock and Roll? [Paperback ed.] |
Jim O’Connor, Gregory Copeland |
|
1832 |
|
Who Are the Rolling Stones? |
Dana Meachen Rau |
|
1833 |
|
Who Was Bob Marley? |
Copeland, Gregory,Ellison, Katie,Marley, Bob |
|
1834 |
|
Who Was Elvis Presley? |
John O'Brien, Edgers, Geoff |
|
1835 |
|
Who Was Louis Armstrong? |
Harrison, Nancy,McDonough, Yona Zeldis,O'Brien, John |
|
1836 |
|
Who Was Michael Jackson? |
Jackson, Michael, Qiu, Joseph J. M., Stine, Megan |
|
1837 |
|
Who Was Pete Seeger? |
Noel MacCarry |
|
1838 |
|
Who was Wolfgang Amadeus Mozart? |
Mozart, Wolfgang Amadeus, Robbins, Carrie, Mozart, Wolfgang Amadeus, McDonough, Yona Zeldis |
|
1839 |
|
Who were the beatles? |
Je, remy Tugeau, Edgers, Geoff |
|
1840 |
|
Withdrawn traces: searching for the truth about Richey Manic |
Edwards, Richey,Noakes, Leon,Roberts, Sara Hawys |
|
1841 |
|
Woodstock--Peace, Music & Memories |
Brad Littleproud, Joanne Hague |
|
1842 |
|
Words will break cement : the passion of Pussy Riot [First Riverhead trade paperback edition] |
Gessen, Masha |
|
1843 |
|
World Within a Song : Music That Changed My Life and Life That Changed My Music |
Jeff Tweedy |
|
1844 |
|
Yo by Elton John |
Elton John |
|
1845 |
|
1001 Histoires Secrètes de Chansons |
Lecœuvre, Fabien |
|
1846 |
|
33 tours |
CHARIANDY, David |
|
1847 |
|
À la recherche d'une musique concrète |
Schaeffer, Pierre |
|
1848 |
|
À l'assaut de l'empire du disque |
Witt, Stephen |
|
1849 |
|
Écoute - Une histoire de nos oreilles |
Szendy, Peter |
|
1850 |
|
Évidemment. Daniel Balavoine, un homme de valeur |
Pernez, Pierre |
|
1851 |
|
AC/DC Let There Be Rock |
Masino, Susan |
|
1852 |
|
Accompagner l'éveil musical de l'enfant |
DIEDERICHS, Gilles |
|
1853 |
|
Accord parfait |
Gray, Ginna |
|
1854 |
|
Jethro Tull, Madness in the Spring |
Michenet-Delys, Adrian |
|
1855 |
|
Alain Bashung |
Patrick Amine |
|
1856 |
|
Alan Vega, conversation avec un indien |
Breton, Alexandre |
|
1857 |
|
Joe Dassin: Derniers secrets |
Toutan, Robert |
|
1858 |
|
Allegro appassionato |
Wiéner, Jean |
|
1859 |
|
Johnny, les cent jours où tout a basculé |
Rambert, Catherine &, REVEL, Renaud |
|
1860 |
|
Altamont |
Selvin, Joel |
|
1861 |
|
Alternative Rock |
|
|
1862 |
|
Amy Winehouse |
Newkey-Burden, Chas |
|
1863 |
|
Angus et Malcolm Young, Les frères qui ont forgé AC/DC |
Fink, Jesse |
|
1864 |
|
Anthologie du Hard Rock De bruit, de fureur et de larmes |
Alberola, Jérôme |
|
1865 |
|
Anthologie du rock progressif. Voyages en ailleurs |
Alberola, Jérôme |
|
1866 |
|
Anthologie musicale de l'effondrement |
Gaguet, Guillaume |
|
1867 |
|
La jeune fille au clavicorde |
Sautois, Agnès |
|
1868 |
|
Après, Fred Chichin est mort |
Clark, Pascale |
|
1869 |
|
Arcturus |
Servat, Gilles |
|
1870 |
|
Ashes To Ashes: The Songs Of David Bowie (1976-2016) II II |
Chris O'Leary |
|
1871 |
|
At the End of the Matinee |
Hirano, Keiichiro |
|
1872 |
|
Au commencement la nuit était musique |
Alissa Walser |
|
1873 |
|
Autobiographie |
Jackson,Michael |
|
1874 |
|
Avant Garde |
Maconie, Robin |
|
1875 |
|
Avis non autorisés... |
Hardy Francoise |
|
1876 |
|
Aznavour, « Non, je n'ai rien oublié » |
Bellaïche, Raoul |
|
1877 |
|
Bach en son temps |
Cantagrel, Gilles |
|
1878 |
|
Backstage |
Philippe Barbot |
|
1879 |
|
Backstage - Au nom du père, du fils et de John Lennon |
Goulven Hamel, Laurence Schaack |
|
1880 |
|
Balavoine |
Lecoeuvre, Fabien |
|
1881 |
|
Ballades en Blues |
Herzhaft, Gérard |
|
1882 |
|
Bande originale |
Sheffield, Rob |
|
1883 |
|
Beatlemaniac |
Buffa, Frédéric |
|
1884 |
|
Black Metal & art contemporain |
Coudert, Gwenn |
|
1885 |
|
Black Sabbath, la bête venue de Birmingham |
Roos, Guillaume |
|
1886 |
|
Bob Dylan |
Marcus, Greil |
|
1887 |
|
Bob Dylan |
Bon, François |
|
1888 |
|
Bob Marley, Love |
Deloeuvre, Guy |
|
1889 |
|
Bowie: L'autre histoire |
Eudeline, Patrick |
|
1890 |
|
Brassens ? |
Bertrand Dicale |
|
1891 |
|
Cabrel |
Royer, Hugues |
|
1892 |
|
Cabrel, les chemins de traverse |
Wodrascka, Alain |
|
1893 |
|
Cadence secrète. La vie invisible d'Alfred Schnittke |
Greveillac, Paul |
|
1894 |
|
California Über Alles, Dead Kennedys, The Early Years |
Ogg, Alex |
|
1895 |
|
Carnets d'un chanteur de casino hors saison |
Marchand, Guy |
|
1896 |
|
Caro carissimo Puccini |
Chambaz Bernard |
|
1897 |
|
Catfish Blues |
Herzhaft, Gérard |
|
1898 |
|
Ce que je peux dire de mieux sur la musique |
Walser, Robert |
|
1899 |
|
Ces musiciens qui ont fait l'Histoire |
Dautriche, Laure |
|
1900 |
|
Chaline Thomas |
Alain Souchon |
|
1901 |
|
Chansons Populaires De L'ère Showa |
Murakami, Ryû |
|
1902 |
|
Charles Aznavour |
Deloeuvre, Guy |
|
1903 |
|
Charles Gounod |
Condé, Gérard |
|
1904 |
|
Charlie Parker |
Médioni, Franck |
|
1905 |
|
Chemins de musique |
Collard Jean-Philippe |
|
1906 |
|
Choosing Death |
Mudrian, Albert |
|
1907 |
|
Chopin ou le Poète |
Guy de Pourtalès |
|
1908 |
|
Chroniques - 01 |
Dylan,Bob |
|
1909 |
|
Chroniques de ma vie |
Stravinsky, Igor |
|
1910 |
|
Claude Debussy |
Cassard, Philippe |
|
1911 |
|
Claude Nougaro |
Wodrascka, Alain |
|
1912 |
|
Comment la musique est devenue « romantique » |
Reibel, Emmanuel |
|
1913 |
|
Comment parler de musique ? |
Beffa, Karol |
|
1914 |
|
concert baroque |
Carpentier, Alejo |
|
1915 |
|
Concert baroque |
Carpentier Alejo |
|
1916 |
|
Concerto à la mémoire d'un ange, Alban Berg 1935 |
Galliari, Alain |
|
1917 |
|
Concerto en lingots d'os |
Vasseur, Claude |
|
1918 |
|
Concerto pour la main gauche |
Saint-Alban, Dominique |
|
1919 |
|
Concerto pour la main morte |
Bleys, Olivier |
|
1920 |
|
Concerto pour l'inconnu |
Bessière, Richard |
|
1921 |
|
Concerto pour quatre mains |
Colize, Paul |
|
1922 |
|
Concierto Para Instrumentos Desafinados |
Juan Antonio Vallejo-Nágera |
|
1923 |
|
Confidences d'un joueur de clarinette |
Erckmann-Chatrian |
|
1924 |
|
Constellations. Mozart, Rossini, Benjamin, Adorno |
Baricco, Alessandro |
|
1925 |
|
Dévotion |
Smith, Patti |
|
1926 |
|
Dans l'orchestre d'Auschwitz |
Felstein, Jean-Jacques |
|
1927 |
|
David Bowie |
Lepeltier, Gilbert |
|
1928 |
|
De la musique |
Ozawa Seiji - Murakami Haruki |
|
1929 |
|
De l'influence de david bowie sur la destinée des jeunes filles |
Guenassia Jean-michel |
|
1930 |
|
De Rock et de Metal |
Paillardet, Pascal |
|
1931 |
|
De Schütz à Bach |
Cantagrel, Gilles |
|
1932 |
|
Les Sex Pistols |
Fred &, Vermorel, Judy |
|
1933 |
|
De ton fils charmant et clarinettiste |
Ste-Marie, Richard |
|
1934 |
|
Deux temps trois mouvements, un pianiste au cinéma |
Cassard, Philippe &, Chevrie, Marc &, Narboni, Jean |
|
1935 |
|
Diamanda Galas |
Catherine Mavrikakis |
|
1936 |
|
Dictionnaire amoureux de l'opéra |
Rémy, Pierre-Jean |
|
1937 |
|
Dictionnaire amoureux de Mozart |
Ruggieri, Ève |
|
1938 |
|
Dictionnaire de la musique |
Pernon, Gérard |
|
1939 |
|
Dieterich Buxtehude |
Cantagrel, Gilles |
|
1940 |
|
Dimitri Chostokovitch |
Lemaire, Frans C. |
|
1941 |
|
Dr Ozzy. Les conseils de l'ultime survivant du rock |
Osbourne, Ozzy |
|
1942 |
|
El oído absoluto |
Longares, Manuel |
|
1943 |
|
Elvis Presley Une flamme éternelle |
Roman, Robert |
|
1944 |
|
Encore vivant |
Souchon, Pierre |
|
1945 |
|
Entretien avec Wolfang A. Mozart |
Olivier BELLAMY |
|
1946 |
|
Etat des lieux des musiques extrêmes |
Chaney, Damien &, Petite, Antoine &, Chaney, Ludovic |
|
1947 |
|
EVANESCENCE |
Nacass, Charles |
|
1948 |
|
Evidemment, Daniel Balavoine, un homme de valeur |
Pernez, Pierre |
|
1949 |
|
Faithfull une vie |
Faithfull, Marianne &, Dalton, David |
|
1950 |
|
Fast Eddie Clarke Par-delà les cimes de Motörhead |
Deléglise, Julien |
|
1951 |
|
Fauré et l'inexprimable |
Jankélévitch, Vladimir |
|
1952 |
|
Forever my Girl |
Mclaughlin, Heidi |
|
1953 |
|
Sangspruch / Spruchsang: Ein Handbuch |
Dorothea Klein (editor), Jens Haustein (editor), Horst Brunner (editor), Holger Runow (editor) |
|
1954 |
|
Frédérick: dérapages et rock'n roll |
Gray, Marie |
|
1955 |
|
France Gall |
Wodrascka, Alain |
|
1956 |
|
France Gall |
Pernez |
|
1957 |
|
Frank Zappa |
Darol, Guy |
|
1958 |
|
Frank Zappa & les mères de l'invention |
Delbrouck, Christophe |
|
1959 |
|
Franz Liszt ou l'Espérance du bon larron |
Galliari, Alain |
|
1960 |
|
Gainsbourg |
Verlant, Gilles |
|
1961 |
|
Gainsbourg à rebours |
Maubert, Franck |
|
1962 |
|
Genèse des musiques d'Amérique latine |
Bernand, Carmen |
|
1963 |
|
Georges Bizet |
Carrère, Paul |
|
1964 |
|
Gerry Boulet, avant de m'en aller |
Roy, Mario |
|
1965 |
|
Get Up ! Stand Up ! |
Henzell, Perry |
|
1966 |
|
GG Allin Antéchirst de l'extrême |
Avril, Pierre |
|
1967 |
|
Glenn Gould par Glenn Gould sur Glenn Gould |
Gould, Glenn |
|
1968 |
|
Goldberg: Variations |
Josipovici, Gabriel |
|
1969 |
|
Music and ceremony at the court of Charles V : the Capilla Flamenca and the art of political promotion |
Holy Roman Emperor Charles V, Ferer, Mary Tiffany, Holy Roman Emperor Charles V |
|
1970 |
|
Gradus ad Parnassum (12 Vortragsstücke für Akkordeon) Band 1-3 |
Rudolf Würthner (Herausgeber ) |
|
1971 |
|
Graeme Allwright par lui-même |
Allwright, Graeme &, Vassal, Jacques |
|
1972 |
|
Guide de la musique d'orgue |
Cantagrel, Gilles |
|
1973 |
|
Guide de l'opéra russe |
Lischke, André |
|
1974 |
|
Guitar-Code: The fast way to master the fretboard |
Thomas Ender |
|
1975 |
|
Guns N'Roses Paroles de fans |
Rolland, Gilles |
|
1976 |
|
Meisterlieder des 16. bis 18. Jahrhunderts |
Eva Klesatschke (editor), Horst Brunner (editor) |
|
1977 |
|
Hank jones |
Gerber Alain |
|
1978 |
|
Hard rock, heavy metal, metal |
Hein, Fabien |
|
1979 |
|
Il nous faut de l'amour: Felicity Lott |
Bellamy, Olivier |
|
1980 |
|
Il y a trop de notes |
Martin,Frédéric |
|
1981 |
|
Insensiblement (Django) |
Gerber, Alain |
|
1982 |
|
Intime |
Alain CHAMFORT |
|
1983 |
|
Iron Maiden, L'ED'dictionnaire |
Ury-Petesch, Jean-Philippe &, Bones |
|
1984 |
|
IRON MAN Mon voyage au Paradis et en Enfer avec Black Sabbath |
Iommi Tony |
|
1985 |
|
Israël en Égypte Étude Sur Un Oratorio De G.F. Hændel |
Bouchor, Maurice |
|
1986 |
|
It's only rock'n'roll & autres bricoles |
Paringaux, Philippe |
|
1987 |
|
J.-S. Bach - l'œuvre instrumentale |
Cantagrel, Gilles |
|
1988 |
|
J.-S. Bach: Passions, messes et motets |
Cantagrel, Gilles |
|
1989 |
|
J.S. connait la musique |
Morris-Dumoulin, G. |
|
1990 |
|
Fast Cars, Loud Music |
Winston, Samantha |
|
1991 |
|
Je suis toujours le plus grand, dit Johnny Angelo |
Cohn, Nik |
|
1992 |
|
The History of Music (Art and Science): From the Earliest Records to the Fall of the Roman Empire [1 ed.] |
William Chappell |
1 |
1993 |
|
Whiskey Bottles and Brand-New Cars: The Fast Life and Sudden Death of Lynyrd Skynyrd |
Ribowsky, Mark |
|
1994 |
|
Johann Strauss, le père, le fils et l'esprit de la valse |
Duault, Alain |
|
1995 |
|
John Lennon - Une vie |
Norman, Philip |
|
1996 |
|
Joy Division Fragments |
Morley, Paul |
|
1997 |
|
Joy Division, lumière et ténèbres |
Ralon, Fabien |
|
1998 |
|
Karaoké! |
Cousineau Melanie |
|
1999 |
|
Kick out the jams, motherfuckers! Punk rock, 1969-1978 |
Mikaïloff, Pierre |
|
2000 |
|
K-pop Love Story, sous les projecteurs |
Ae-Jung |
|
2001 |
|
Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise |
Joel Selvin |
|
2002 |
|
La balada de Tom el Negro |
Victor Lavalle |
|
2003 |
|
La bande du Conservatoire |
Durant, Philippe |
|
2004 |
|
La commode aux tiroirs de couleurs |
Ruiz, Olivia |
|
2005 |
|
La conquête du mystère musical |
Dubois, Pierre |
|
2006 |
|
La création du maestro |
Jones, Rhonda Leigh |
|
2007 |
|
La música del mundo |
Ibanez Andres |
|
2008 |
|
La musique adoucit les meurtres |
Morel, Gérard |
|
2009 |
|
La musique de l'énergie |
Wagner, Roland C. |
|
2010 |
|
La Musique des Ténèbres |
Bony, Éric |
|
2011 |
|
La Musique du hasard |
Auster, Paul |
|
2012 |
|
La musique du silence |
Rothfuss, Patrick |
|
2013 |
|
La partition |
Brasseur, Diane |
|
2014 |
|
La révolution digitale dans la musique |
LEHMANN, Harry |
|
2015 |
|
La Sonate de Franck |
Silvestre, Pascal |
|
2016 |
|
La sonate des adieux |
Noël, Denise |
|
2017 |
|
Là où chante l'étoile |
ZEITLINE, Olivia |
|
2018 |
|
L'ère Metal (1954-1988) |
Piszczorowicz, Bruno |
|
2019 |
|
L'Abécédaire d'un pianiste |
Alfred Brendel |
|
2020 |
|
Experiencing David Bowie : a listener's companion |
Bowie, David, Chapman, Ian |
|
2021 |
|
Judas Priest. Les défenseurs de la foi |
Daniels, Neil |
|
2022 |
|
La guitare magique de Frankie Presto |
Albom Mitch |
|
2023 |
|
La Hache et le Violon |
Fleischer, Alain |
|
2024 |
|
La légende de Marble Lesson |
Gifford, Barry |
|
2025 |
|
Last night a DJ saved my life |
Brewster, Bill &, Broughton, Frank |
|
2026 |
|
The Red Bird All-Indian Traveling Band |
Frances Washburn |
|
2027 |
|
Le Code de Dorabella |
Dennis HL |
|
2028 |
|
Le dictionnaire Rolling Stones, 50 ans de rock |
Ichbiah, Daniel |
|
2029 |
|
Le Heavy Metal au cinéma |
Rolland, Gilles |
|
2030 |
|
Le Hellfest - Un pèlerinage pour metalheads |
Charbonnier, Corentin |
|
2031 |
|
Le jeune chateur de jazz |
Osborne, Mary Pope |
|
2032 |
|
Le monde de demain |
Starr, Joey &, Manœuvre, Philippe |
|
2033 |
|
Le monde du rock, ethnographie du réel |
Hein, Fabien |
|
2034 |
|
Le Nouveau Dictionnaire des interprètes (Bouquins) |
PÂRIS, Alain |
|
2035 |
|
Le plaisir de la musique |
Lechevalier, Bernard |
|
2036 |
|
Le prix de la joie été 1963, l'affaire trenet |
Charneux Olivier |
|
2037 |
|
Le son de ma voix |
Butlin, Ron |
|
2038 |
|
Le sonneur noir du Bagad Quimper |
Nicol, Alex |
|
2039 |
|
Led Zeppelin |
Ducray, François |
|
2040 |
|
Led Zeppelin, Stairway To Heaven |
Cole, Richard &, Trubo, Richard |
|
2041 |
|
L'effroyable imposture du Rap |
Cardet |
|
2042 |
|
L'enfer aussi a son orchestre |
Azoulay, Hélios &, Dauzat, Pierre-Emmanuel |
|
2043 |
|
Les 150 plus belles chansons d'amour |
Bourdy, Alban |
|
2044 |
|
Les cantates de Bach |
Cantagrel, Gilles |
|
2045 |
|
Les derniers jours du rock'n'roll |
Achard, Pierre |
|
2046 |
|
Les Dieux du tango |
Carolina de Robertis |
|
2047 |
|
Les Fausses Notes |
Boulet Tania |
|
2048 |
|
Les formes de la musique |
Hodeir, André |
|
2049 |
|
Les formes de la musique |
Hodeir, Andre |
|
2050 |
|
Les perles des chanteuses et chanteurs français |
Lecoeuvre, Fabien |
|
2051 |
|
Les secrets des cordes |
Gurunlian, Agop |
|
2052 |
|
Les Stones |
Norman, Philip |
|
2053 |
|
Les violons du diable |
Grasset Jules |
|
2054 |
|
L'essence de la musique |
Steiner, Rudolf |
|
2055 |
|
Lettres à l'ami de l'ombre (1936-1959) |
Piaf, Edith |
|
2056 |
|
Life by Richards,Keith |
Richards,Keith |
|
2057 |
|
Life From A Window Paul Weller et l'Angleterre Pop |
Sauvage, Nicolas |
|
2058 |
|
L'Intégrale Gainsbourg |
Gilles Verlant, Jean-Eric Perrin &, Loïc Picaud |
|
2059 |
|
L'ombre de ma voix |
Kaas, Patricia |
|
2060 |
|
Los Angeles Nostalgie |
Cooder, Ry |
|
2061 |
|
Love Songs & Other Lies |
Pennington, Jessica |
|
2062 |
|
Loves Music Loves To Dance |
Mary Higgins Clark |
|
2063 |
|
M Train |
Smith, Patti |
|
2064 |
|
Ma vie est comme une chanson des années 80 |
Loiselle-Goulet, Alexandra |
|
2065 |
|
Mémoires d'un artiste |
Gounod Charles |
|
2066 |
|
Mémoires d'un arythmique |
Durand, Guillaume |
|
2067 |
|
Mötley Crüe, paroles de fans |
Merklen, Angélique |
|
2068 |
|
Marvin Gaye |
Frédéric Adrian |
|
2069 |
|
The Rough Guide to Guitar (Rough Guide Reference Series) [Original] |
Dave Hunter |
Original |
2070 |
|
Meurtre au Philharmonique |
Gour Batya |
|
2071 |
|
Meurtre en musique |
Greenwood Kerry |
|
2072 |
|
Michael Jackson |
Pierric Bailly |
|
2073 |
|
Mick sex and rock'n roll |
Andersen Christopher |
|
2074 |
|
Motörhead, en studio |
Brown, Jack &, Kilmister, Lemmy |
|
2075 |
|
Munkey Diaries (1957-1982) |
Birkin, Jane |
|
2076 |
|
Music & Love - Tome 1 |
Lanoix, Alexandra |
|
2077 |
|
Music & Love - Tome 2 |
Lanoix, Alexandra |
|
2078 |
|
Musique & Eros |
Döpp, Hans-Jürgen |
|
2079 |
|
Musiques numériques |
Ghosn Joseph |
|
2080 |
|
Musiques savantes |
Kosmicki, Guillaume |
|
2081 |
|
Musiques savantes, de Debussy au mur de Berlin (1882-1963) |
Kosmicki, Guillaume |
|
2082 |
|
Musiques Savantes, de Ligeti à La fin de la guerre froide (1963-1989) |
Kosmicki, Guillaume |
|
2083 |
|
My Life as an Album (Books 1-4) |
LJ Evans |
|
2084 |
|
My Way: An Autobiography |
Paul Anka &, David Dalton |
|
2085 |
|
Neon Angel |
Cherie Currie |
|
2086 |
|
Nos cœurs battent à l'unisson |
Kennedy Ryan |
|
2087 |
|
Nos musiques |
Faith, Hell |
|
2088 |
|
Now's the Time |
Harvey John |
|
2089 |
|
Nuages gris, le dernier pèlerinage de Franz Liszt |
Philippe André |
|
2090 |
|
One Direction la véritalbe histoire |
Danny White |
|
2091 |
|
Périclès et Verdi |
Deleuze, Gilles |
|
2092 |
|
Paringaux, Philippe |
bricoles, It's only rock'n'roll &, autres |
|
2093 |
|
Stupid Love Song |
Beudet, Christophe |
|
2094 |
|
Rock'n roll: Un portrait de Led Zeppelin |
Bon, François |
|
2095 |
|
Rock College |
Mark Derby |
|
2096 |
|
Une vie à l'opéra |
Mannoni, Gérard |
|
2097 |
|
Positively 4th Street |
Hajdu, David |
|
2098 |
|
Rolling Stones, 50 ans après |
LHOTE, Gilles |
|
2099 |
|
Piano intime |
Tharaud, Alexandre |
|
2100 |
|
The Doors - L'heritage tumultueux de Jim Morrison |
Densmore, John |
|
2101 |
|
The Musical Human |
Michael Spitzer |
|
2102 |
|
Rock Love - Tome 2 |
Roy, Amélia |
|
2103 |
|
Petites histoires des grandes chansons - Volume 3 |
Lecoeuvre, Fabien |
|
2104 |
|
Van Halen, Everybody Wants Some |
Christe, Ian |
|
2105 |
|
Phil Lynott, The Rocker |
Putterford, Mark |
|
2106 |
|
Rammstein, paroles de fans |
Rolland, Gilles |
|
2107 |
|
Swedish Death Metal |
Ekeroth, Daniel |
|
2108 |
|
The Neapolitan Canzone in the Early Nineteenth Century as Cultivated in the Passatempi Musicali of Guillaume Cottrau |
Francesco Cotticelli &, Raffaele Di Mauro &, Massimo Distilo &, Paologiovanni Maione &, Francesco Nocerino &, Giovanni Vitale |
|
2109 |
|
Soul Music |
Terry, Pratchett |
|
2110 |
|
Soul Singer |
Andre, Becca |
|
2111 |
|
Pink Floyd, Which One's Pink |
Higounet, Alexandre |
|
2112 |
|
Requiem en punk mineur |
David Sylvain |
|
2113 |
|
Slash Autobiographie |
Bozza, Anthony |
|
2114 |
|
Rockin' Love |
Ross, Isabelle |
|
2115 |
|
Richard Wagner ou le Salut corrompu |
Alain Galliari |
|
2116 |
|
Restart with song |
Seveno, Elle |
|
2117 |
|
Una música constante |
Vikram Seth |
|
2118 |
|
Let's Go!: Benjamin Orr and The Cars |
Joe Milliken |
|
2119 |
|
Fast Food, Stock Cars, and Rock-n-Roll : Place and Space in American Pop Culture |
George O. Carney |
|
2120 |
|
Falling Cars and Junkyard Dogs: Portraits From a Musical Life |
Jay Farrar |
|
2121 |
|
Brian Eno's Another Green World |
Dayal, Geeta |
|
2122 |
|
An Equal Music |
Vikram, Seth |
|
2123 |
|
La terre sous ses pieds |
Rushdie Salman |
|
2124 |
|
The Ground Beneath Her Feet |
Rushdie, Salman |
|
2125 |
|
High Times Hard Times |
Anita O'Day |
|
2126 |
|
Henry V and the Earliest English Carols: 1413–1440 |
David Fallows |
|
2127 |
|
The New (ethno)musicologies |
Henry Stobart, Tina K. Ramnarine, John Baily, Michelle Bigenho, Caroline Bithell, Philip V. Bohlman, Martin Clayton, Nicholas Cook, Fabian Holt, Laudan Nooshin |
|
2128 |
|
Chansons Franca̧ises. v.1 : adapteés pour la guitare |
Dyens, Roland |
|
2129 |
|
Tamil Folk Music as Dalit Liberation Theology |
Sherinian, Zoe C., Appavoo, James Theophilus |
|
2130 |
|
The philosopher's touch : Sartre, Nietzsche, and Barthes at the piano |
Barthes, Roland, Nietzsche, Friedrich Wilhelm, Sartre, Jean-Paul, Reilly, Brian J., Barthes, Roland, Noudelmann, François, Sartre, Jean-Paul, Nietzsche, Friedrich Wilhelm |
|
2131 |
|
Jelly Roll, Bix, and Hoagy: Gennett Records and the Rise of America's Musical Grassroots [Revised and Expanded Edition] |
Rick Kennedy |
|
2132 |
|
A Double Bassist’s Guide to Refining Performance Practices |
Murray Grodner, Michael P. Sweeney |
|
2133 |
|
Jascha Heifetz: Early Years in Russia [Reprint ed.] |
Galina Kopytova, Dario Sarlo, Alexandra Sarlo |
|
2134 |
|
The Philosopher's Touch: Sartre, Nietzsche, and Barthes at the Piano |
François Noudelmann, Brian Reilly |
|
2135 |
|
Hip Hop Africa: New African Music in a Globalizing World |
Eric Charry |
|
2136 |
|
Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi |
Paul Schleuse |
|
2137 |
|
Guide to the Pianist's Repertoire, Fourth Edition [Fourth edition] |
Hinson, Maurice, Roberts, Wesley |
|
2138 |
|
Music and the Skillful Listener: American Women Compose the Natural World |
Denise von Von Glahn |
|
2139 |
|
Meaning and Interpretation of Music in Cinema |
David P. Neumeyer |
|
2140 |
|
Mr. Tuba |
Harvey Phillips, David N. Baker |
|
2141 |
|
The Jazz Life of Dr. Billy Taylor [Revised Edition] |
Billy Taylor, Teresa L. Reed |
|
2142 |
|
Singing Jeremiah: Music and Meaning in Holy Week |
Robert L. Kendrick |
|
2143 |
|
Music and the Crises of the Modern Subject |
Michael L. Klein |
|
2144 |
|
Women's Songs from West Africa |
Thomas A. Hale, Aissata G. Sidikou |
|
2145 |
|
Fanfares and Finesse: A Performer’s Guide to Trumpet History and Literature |
Elisa Koehler |
|
2146 |
|
Jethro Tull’s Thick as a Brick and A Passion Play: Inside Two Long Songs |
Tim Smolko |
|
2147 |
|
Breaking time's arrow : experiment and expression in the music of Charles Ives |
Ives, Charles, Ives, Charles, McDonald, Matthew James |
|
2148 |
|
The Notation Is Not the Music: Reflections on Early Music Practice and Performance |
Barthold Kuijken |
|
2149 |
|
Greek Orthodox Music in Ottoman Istanbul |
Erol, Merih, |
|
2150 |
|
Sound, Speech, Music in Soviet and Post-Soviet Cinema |
Lilya Kaganovsky, Masha Salazkina |
|
2151 |
|
Palestinian Music and Song: Expression and Resistance since 1900 |
Moslih Kanaaneh, Stig-Magnus Thorsén, Heather Bursheh, David A. McDonald |
|
2152 |
|
Transition 112: The Django Issue |
IU Press Journals |
|
2153 |
|
Death in Winterreise: Musico-Poetic Associations in Schubert's Song Cycle |
Lauri Suurpää |
|
2154 |
|
Ex-Centric Migrations: Europe and the Maghreb in Mediterranean Cinema, Literature, and Music |
Hakim Abderrezak |
|
2155 |
|
Hip Hop at Europe’s Edge: Music, Agency, and Social Change |
Milosz Miszcynski, Adriana Helbig (eds.) |
|
2156 |
|
Shostakovich’s Music for Piano Solo: Interpretation and Performance |
Sofia Moshevich |
|
2157 |
|
Epic Sound: Music in Postwar Hollywood Biblical Films |
Stephen C. Meyer |
|
2158 |
|
History of Music in Russia from Antiquity to 1800, Vol. 2 [ebook ed.] |
Nikolai Findeizen, Milos Velimirovic, Claudia R Jensen |
|
2159 |
|
Sourcebook for Research in Music [3rd ed.] |
Allen Scott, Phillip D. Crabtree, Donald H. Foster |
3 |
2160 |
|
Roland Hayes: The Legacy of an American Tenor |
Christopher A. Brooks, Robert Sims, Simon Estes, George Shirley |
|
2161 |
|
New York Noise: Radical Jewish Music and the Downtown Scene |
Tamar Barzel |
|
2162 |
|
Abidjan USA: Music, Dance, and Mobility in the Lives of Four Ivorian Immigrants |
Daniel B. Reed |
|
2163 |
|
Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World |
Geoffrey Burgess |
|
2164 |
|
Bassoon Reed Making: A Pedagogic History |
Christin Schillinger |
|
2165 |
|
Music and the Armenian Diaspora: Searching for Home in Exile |
Sylvia Angelique Alajaji |
|
2166 |
|
Composing for the Screen in Germany and the USSR: Cultural Politics and Propaganda |
Robynn J. Stilwell, Phil Powrie |
|
2167 |
|
Meantone Temperaments on Lutes and Viols |
David Dolata |
|
2168 |
|
Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking |
Arnie Cox |
|
2169 |
|
Schumann’s Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany |
Alexander Stefaniak |
|
2170 |
|
Remixing the Classroom: Toward an Open Philosophy of Music Education |
Randall Everett Allsup |
|
2171 |
|
Intimacy, Performance, and the Lied in the Early Nineteenth Century |
Jennifer Ronyak |
|
2172 |
|
The Rite of Spring at 100 (Musical Meaning and Interpretation) |
|
|
2173 |
|
Beyond Boundaries: Rethinking Music Circulation in Early Modern England |
Linda Phyllis Austern Assoc, Candace Bailey, Amanda Eubanks Winkler |
|
2174 |
|
Dolly Parton, Gender, and Country Music |
Leigh H. Edwards |
|
2175 |
|
Sonata Fragments: Romantic Narratives in Chopin, Schumann, and Brahms |
Andrew Davis |
|
2176 |
|
Ferruccio Busoni and His Legacy |
Erinn E. Knyt |
|
2177 |
|
Guide to the Contemporary Harp [Illustrated] |
Mathilde Aubat-Andrieu, Laurence Bancaud, Aurélie Barbé, Hélène Breschand |
|
2178 |
|
Harps and Harpists [Revised Edition] |
Roslyn Rensch |
|
2179 |
|
The Year's Work in the Punk Bookshelf, Or, Lusty Scripts |
Brian James Schill |
|
2180 |
|
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries |
Natasha Loges, Laura Tunbridge (eds.) |
|
2181 |
|
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania [Illustrated] |
Sarah Justina Eyerly |
|
2182 |
|
Soundscapes of Uyghur Islam |
Rachel Harris |
|
2183 |
|
Allusion as Narrative Premise in Brahms’s Instrumental Music [Hardcover ed.] |
Jacquelyn E C Sholes |
|
2184 |
|
A Theory of Virtual Agency for Western Art Music |
Robert S Hatten |
|
2185 |
|
The Last Opera: "The Rake’s Progress" in the Life of Stravinsky and Sung Drama |
Chandler Carter |
|
2186 |
|
Atomic Tunes: The Cold War in American and British Popular Music |
Tim Smolko, Joanna Smolko |
|
2187 |
|
Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater [Illustrated] |
Caroline A. Kita |
|
2188 |
|
Performing tsarist Russia in New York : music, emigres, and the American imagination |
Natalie K Zelensky |
|
2189 |
|
Russian Composers Abroad: How They Left, Stayed, Returned |
Elena Dubinets |
|
2190 |
|
Humane Music Education for the Common Good |
Iris M. Yob (editor), Estelle R. Jorgensen (editor) |
|
2191 |
|
The Pianist's Dictionary, Second Edition [2 ed.] |
Maurice Hinson, Wesley Roberts |
2 |
2192 |
|
You Can't Go to War without Song: Performance and Community Mobilization in South Africa |
Omotayo Jolaosho |
|
2193 |
|
Storytelling in Opera and Musical Theater |
Nina Penner |
|
2194 |
|
Music in World War II: Coping with Wartime in Europe and the United States |
Pamela M Potter, Christina Baade, Roberta Montemorra Marvin |
|
2195 |
|
A Case for Charpentier: Treatise on Accompaniment and Composition |
Carla E. Williams |
|
2196 |
|
Composing Aid: Music, Refugees, and Humanitarian Politics |
Oliver Y. Shao, Oliver Shao |
|
2197 |
|
The Performing Pianist's Guide to Fingering |
Joseph Banowetz, Philip Fowke, Nancy Lee Harper |
|
2198 |
|
The Pedagogical Writings of Marguerite Long: A Reassessment of Her Impact on the French School of Piano |
John Ellis |
|
2199 |
|
Representing Islam: Hip-Hop of the September 11 Generation |
Kamaludeen Mohamed Nasir |
|
2200 |
|
At the Crossroads of Music and Social Justice |
Brenda M. Romero (editor), Susan M. Asai (editor), David A. McDonald (editor), Andrew G. Snyder (editor), Katelyn E. Best (editor) |
|
2201 |
|
The Symphonic Repertoire, Volume V: The Symphony in the Americas |
Brian Hart (editor) |
|
2202 |
|
Values and Music Education |
Estelle R. Jorgensen |
|
2203 |
|
Schubert's Instrumental Music and Poetics of Interpretation |
René Rusch |
|
2204 |
|
The Study of Folk Music in the Modern World (Folkloristics) |
Philip V. Bohlman |
|
2205 |
|
The Mexican corrido : a feminist analysis |
María Herrera-Sobek |
|
2206 |
|
Gregorian Chant (Midland Book) |
Willi Apel |
|
2207 |
|
Women and Music: A History [2nd ed.] |
Karin Anna Pendle |
2 |
2208 |
|
Transforming Music Education: |
Estelle R. Jorgensen |
|
2209 |
|
Thinking as You Play: Teaching Piano in Individual and Group Lessons [Illustrated] |
Sylvia Coats |
|
2210 |
|
The Art of Teaching Music |
Estelle R. Jorgensen |
|
2211 |
|
Johnny Cash and the Paradox of American Identity |
Leigh Edwards |
|
2212 |
|
Ricci on Glissando: The Shortcut to Violin Technique [Paperback ed.] |
Ruggiero Ricci |
|
2213 |
|
Deep Listeners: Music, Emotion, and Trancing |
Judith Becker |
|
2214 |
|
Making Music and Having a Blast!: A Guide for All Music Students |
Bonnie Blanchard, Cynthia Blanchard Acree |
|
2215 |
|
A Guide to Playing the Baroque Guitar (Publications of the Early Music Institute) |
James Tyler |
|
2216 |
|
Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations |
Bach, Johann Sebastian, Winold, Allen |
|
2217 |
|
Sound in Motion [Illustrated Edition] |
David McGill |
|
2218 |
|
Music and Globalization: Critical Encounters |
Bob W. White |
|
2219 |
|
Learning, Teaching, and Musical Identity: Voices Across Cultures |
Lucy Green (Editor) |
|
2220 |
|
Jazz Religion, the Second Line, and Black New Orleans |
Richard Brent Turner |
|
2221 |
|
Carlos Aldama's Life in Batá: Cuba, Diaspora, and the Drum |
Umi Vaughan, Carlos Aldama, John Mason |
|
2222 |
|
Continuo playing on the lute, archlute and theorbo |
Nigel North |
|
2223 |
|
Before the Chinrest: A Violinist's Guide to the Mysteries of Pre-Chinrest Technique and Style |
Stanley Ritchie |
|
2224 |
|
The Beethoven Sonatas and the Creative Experience [1St Edition] |
Kenneth Drake |
1 |
2225 |
|
Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond [Pap/Com ed.] |
Theodore Levin |
|
2226 |
|
The Beethoven sonatas and the creative experience [y First edition] |
Drake, Kenneth, Beethoven, Ludwig van |
|
2227 |
|
Guide to the Pianist's Repertoire, third edition [third edition] |
Maurice Hinson, Maurice Hinson |
|
2228 |
|
Music and Musical Life in Soviet Russia. 1917-1981 [Enlarged] |
Boris Schwarz |
|
2229 |
|
A Schnittke reader [First Edition] |
Ivashkin, Alexander, Schnittke, Alfred, Goodliffe, John Derek |
|
2230 |
|
Brahms’s Vocal Duets and Quartets with Piano: A Guide with Full Texts and Translations |
Lucien Stark |
|
2231 |
|
Singing, Acting, and Movement in Opera: A Guide to Singer-Getics |
Mark Ross Clark, Lynn V. Clark |
|
2232 |
|
Dance and the Music of J. S. Bach [Expanded ed.] |
Meredith Little, Natalie Jenne |
|
2233 |
|
A Handbook for Beginning Choral Educators |
Walter Lamble |
|
2234 |
|
Ernst von Dohnanyi: A Song of Life |
Ilona Von Dohnanyi, James A. Grymes |
|
2235 |
|
Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet |
Peter H. Smith |
|
2236 |
|
Music musique: french and american piano composition in the jazz age |
Meister, Barbara |
|
2237 |
|
Jazzwomen: Conversations With Twenty-One Musicians |
Wayne Enstice, Janis Stockhouse |
|
2238 |
|
The Piano in Chamber Ensemble: An Annotated Guide [Second Edition] |
Maurice Hinson, Wesley Roberts |
2 |
2239 |
|
Music as Philosophy: Adorno and Beethoven's Late Style |
Michael Spitzer |
|
2240 |
|
Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (Musical Meaning and Interpretation) |
Jairo Moreno |
|
2241 |
|
Approaches to Meaning in Music |
Byron Almén, Edward Pearsall |
|
2242 |
|
Making Music and Enriching Lives: A Guide for All Music Teachers (Music for Life) |
Cynthia Blanchard Acree |
|
2243 |
|
The musical topic: hunt, military and pastoral |
Raymond Monelle |
|
2244 |
|
Famous Pianists and Their Technique, New Edition [2 ed.] |
Reginald R. Gerig |
2 |
2245 |
|
Pleasure and meaning in the classical symphony |
Melanie Lowe |
|
2246 |
|
Fiddling in West Africa: touching the spirit in Fulbe, Hausa, and Dagbamba cultures |
Jacqueline Cogdell DjeDje |
|
2247 |
|
A Performer's Guide to Renaissance Music [Second Edition] |
Jeffery Kite-Powell |
|
2248 |
|
Juan Bautista Plaza and Musical Nationalism in Venezuela |
Marie Elizabeth Labonville |
|
2249 |
|
Anton Rubinstein: A Life in Music (Russian Music Studies) [annotated edition] |
Philip S. Taylor |
|
2250 |
|
Rush, Rock Music, and the Middle Class: Dreaming in Middletown (Profiles in Popular Music) |
Christopher J. McDonald |
|
2251 |
|
Tonal Space in the Music of Antonio Vivaldi |
Bella Brover-Lubovsky |
|
2252 |
|
Music and the language of love : seventeenth-century French airs |
Gordon-Seifert, Catherine Elizabeth |
|
2253 |
|
Mendelssohn in Performance |
Siegwart Reichwald (ed.) |
|
2254 |
|
Menahem Pressler: Artistry in Piano Teaching [1 ed.] |
William Brown |
1 |
2255 |
|
Radiohead and the resistant concept album : how to disappear completely |
Letts, Marianne Tatom |
|
2256 |
|
Ignaz Friedman: Romantic Master Pianist |
Allan Evans |
|
2257 |
|
Rachmaninoff’s Complete Songs: A Companion with Texts and Translations [Annotated] |
Richard D. Sylvester |
|
2258 |
|
Rachmaninoff's complete songs : a companion with texts and translations [Annotated] |
Sylvester, Richard D., Rachmaninoff, Sergei |
|
2259 |
|
Decorum of the Minuet, Delirium of the Waltz: A Study of Dance–Music Relations in 3/4 Time |
Eric J. McKee |
|
2260 |
|
The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera |
Nicholas Baragwanath |
|
2261 |
|
Historical Harpsichord Technique: Developing La douceur du toucher |
Yonit Lea Kosovske |
|
2262 |
|
A Theory of Musical Semiotics [Abridged] |
Eero Tarasti |
|
2263 |
|
David Baker: A Legacy in Music |
Monika Herzig |
|
2264 |
|
Musical Forces: Motion, Metaphor, and Meaning in Music |
Steve Larson |
|
2265 |
|
Live from Dar es Salaam: Popular Music and Tanzania's Music Economy [Illustrated] |
Alex Perullo |
|
2266 |
|
Expressive Intersections in Brahms: Essays in Analysis and Meaning |
Heather Platt, Peter H. Smith |
|
2267 |
|
A Performer's Guide to Seventeenth-Century Music [Second Edition] |
Stewart Carter, Jeffery Kite-Powell |
|
2268 |
|
A performer's guide to seventeenth-century music [2nd ed] |
Kite-Powell, Jeffery T., Carter, Stewart |
2 |
2269 |
|
Tonal Music: Twelve Analytic Studies |
Jeffrey Kresky |
|
2270 |
|
Music and the Politics of Negation |
James R. Currie |
|
2271 |
|
The sound of Greek: studies in the Greek theory and practice of euphony [audio recording included] |
Stanford, William Bedell |
|
2272 |
|
Gustav Mahler and Guido Adler: Records of a Friendship [1 ed.] |
Edward R. Reilly |
1 |
2273 |
|
Piano for the Developing Musician, Media Update (with Resource Center Printed Access Card) [6th ed.] |
Martha Hilley, Lynn Freeman Olson |
6 |
2274 |
|
Mastering Pro Tools effects : getting the most out of Pro Tools' effects processors [Third Edition] |
Jeffrey E. F. Friedl |
|
2275 |
|
The Disney Fake Book, 2nd Edition [2nd ed.] |
Hal Leonard Corp |
2 |
2276 |
|
Disney Solos for Violin [2nd ed.] |
Hal Leonard Corp. |
2 |
2277 |
|
Beethoven s Kiss: Pianism, Perversion, and the Mastery of Desire [1 ed.] |
Kevin Kopelson |
1 |
2278 |
|
Fractal Music, Hypercards and More Mathematical Recreations from "Scientific American" |
Martin Gardner |
|
2279 |
|
The Musical Experience: Sound, Movement, and Arrival |
Leonard G. Ratner |
|
2280 |
|
Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad [Hardcover ed.] |
M.T. Anderson |
|
2281 |
|
Disney's Aladdin Illustrated Songbook (Walt Disney Pictures Presents) |
Hal Leonard Corp. |
|
2282 |
|
Musica Ficta: Figures of Wagner |
Philippe Lacoue-Labarthe |
|
2283 |
|
The Literary Lorgnette: Attending Opera in Imperial Russia [1 ed.] |
Julie A. Buckler |
1 |
2284 |
|
Sound Figures (Meridian: Crossing Aesthetics) [1 ed.] |
Theodor W. Adorno |
1 |
2285 |
|
Opera and the city: the politics of culture in Beijing, 1770-1900 |
Andrea S. Goldman |
|
2286 |
|
The Disney Song Encyclopedia |
Thomas Hischak, Mark A. Robinson |
|
2287 |
|
Off the planet : music, sound and science fiction cinema |
Philip Hayward |
|
2288 |
|
Soundtrack of the Revolution: The Politics of Music in Iran [1 ed.] |
Nahid Siamdoust |
1 |
2289 |
|
The Complete Guide to Game Audio |
Jeff Rona |
|
2290 |
|
Cybersounds: Essays on Virtual Music Culture |
Michael D. Ayer, Elizabeth Buchanan, Markus Giesler, Andrew Whelan, Andre Pinard, Sean Jacob, Adam Haupt, Darah O'Reilly, Chris Anderton, Gabrielle Consentino, Trace Reddell, Kathy Doherty, Jonathan Sterne, John Ryan, Michael Hughes |
|
2291 |
|
Musical notations of the Orient: Notational systems of Continental, East, South and Central Asia |
Walter Kaufmann |
|
2292 |
|
How to Write Songs on Guitar: A Guitar-Playing and Songwriting Course [1 ed.] |
Rikky Rooksby |
1 |
2293 |
|
Disney Songs For Classical Guitar |
Hal Leonard Corp. |
|
2294 |
|
Making Musical Apps Real-time audio synthesis on Android and iOS |
Peter Brinkmann |
|
2295 |
|
My Life as I See It: The Amazing Dionne Warwick Story |
Dionne Warwick, David Freeman Wooley |
|
2296 |
|
New Illustrated Treasury of Disney Songs |
Disney Book Group (auth.) |
|
2297 |
|
Disney's My First Songbook. Volume 2 |
|
|
2298 |
|
The Harmony of Bill Evans |
Jack Reilly |
|
2299 |
|
Really Easy Piano - Disney Hits |
Hal Leonard Publishing Corporation |
|
2300 |
|
K-pop Live: Fans, Idols, and Multimedia Performance [1 ed.] |
Suk-Young Kim |
1 |
2301 |
|
Volume: Writings on Graphic Design, Music, Art, and Culture |
Kenneth FitzGerald, Rudy VanderLans |
|
2302 |
|
Cocinando!: Fifty Years of Latin Album Cover Art |
Pablo Yglesias, Izzy Sanabria |
|
2303 |
|
The Music of Antônio Carlos Jobim |
Peter Freeman |
|
2304 |
|
Quantz and His Versuch: Three Studies |
Edward R. Reilly |
|
2305 |
|
An American Dream, Realized: From the Tenements of New York City to the Eastman School of Music to the Boston Symphony Orchestra (1909-1997) |
Henry Freeman |
|
2306 |
|
Visualizing Music |
Eric Isaacson |
|
2307 |
|
Recording History: Jews, Muslims, and Music across Twentieth-Century North Africa [1 ed.] |
Christopher Silver |
1 |
2308 |
|
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 |
Abby Anderton |
|
2309 |
|
Moral and Intellectual Virtues in Practices: Through the Eyes of Scientists and Musicians |
Timothy Reilly, Darcia Narvaez, Mark Graves, Keke Kaikhosroshvili, Stefanie Israel de Souza |
|
2310 |
|
Hip Hop Ukraine: Music, Race, and African Migration |
Adriana N. Helbig |
|
2311 |
|
Virginia Woolf & music |
Varga, Adriana |
|
2312 |
|
Medieval Instrumental Dances |
Timothy J. McGee |
|
2313 |
|
Performing al-Andalus : music and nostalgia across the Mediterranean |
Jonathan Holt Shannon |
|
2314 |
|
The Philosopher’s Touch: Sartre, Nietzsche, and Barthes at the Piano |
François Noudelmann, Brian Reilly |
|
2315 |
|
Musical cultures in seventeenth-century Russia |
Claudia Rae Jensen |
|
2316 |
|
The Accompaniment in "Unaccompanied" Bach: Interpreting the Sonatas and Partitas for Violin |
Stanley Ritchie |
|
2317 |
|
Children's Home Musical Experiences Across the World [1 ed.] |
Beatriz Ilari, Susan Young |
1 |
2318 |
|
The hurdy-gurdy in eighteenth-century France [Second edition.] |
Dupuits des Bricettes, Jean-Baptiste, Green, Robert A. |
|
2319 |
|
Women in American Popular Music |
S. Kay Hoke |
|
2320 |
|
Music in Kenyan Christianity: Logooli religious song |
Jean Ngoya Kidula |
|
2321 |
|
Unsettling scores : German film, music, and ideology |
Hillman, Roger |
|
2322 |
|
Interpreting musical gestures, topics, and tropes : Mozart, Beethoven, Schubert [First paperback edition.] |
Beethoven, Ludwig van, Hatten, Robert S., Mozart, Wolfgang Amadeus, Schubert, Franz |
|
2323 |
|
African Music, Power, and Being in Colonial Zimbabwe |
Mhoze Chikowero |
|
2324 |
|
Guide to the Solo Horn Repertoire |
Richard Seraphinoff, Linda Dempf |
|
2325 |
|
Black Lives Matter and music: protest, intervention, reflection |
Maultsby, Portia K.,Orejuela, Fernando,Shonekan, Stephanie |
|
2326 |
|
Olivier Messiaen's opera, Saint François d'Assise |
Benitez Vincent Perez |
|
2327 |
|
Master Classes with Menahem Pressler |
William Brown |
|
2328 |
|
Highlife Saturday Night: Popular Music and Social Change in Urban Ghana |
Nathan Plageman |
|
2329 |
|
Psychedelic Popular Music: A History through Musical Topic Theory |
William Echard |
|
2330 |
|
Is Birdsong Music?: Outback Encounters with an Australian Songbird |
Hollis Taylor |
|
2331 |
|
Bartók for Piano : a Survey of His Solo Literature |
Yeomans, David, Bartók, Béla |
|
2332 |
|
The Italian Cantata in Vienna: Entertainment in the Age of Absolutism |
Lawrence Bennett |
|
2333 |
|
A theory of musical narrative [First paperback edition.] |
Almén, Byron |
|
2334 |
|
Singing Yoruba Christianity : Music, Media, and Morality |
Vicki L. Brennan |
|
2335 |
|
Mastering the Flute with William Bennett |
Roderick Seed |
|
2336 |
|
Handbook for Folklore and Ethnomusicology Fieldwork |
John Fenn, Lisa Gilman |
|
2337 |
|
Piano duet repertoire: music originally written for one piano, four hands [2nd edition] |
McGraw, Cameron,Christopher Fisher,Katherine Fisher,Greg Anderson,Elizabeth Joy Roe |
2 |
2338 |
|
Mahler & Strauss: in dialogue |
Mahler, Gustav,Strauss, Richard,Youmans, Charles Dowell |
|
2339 |
|
The eighteenth-century fortepiano grand and its patrons from Scarlatti to Beethoven |
Badura-Skoda, Eva |
|
2340 |
|
Spirited Wind Playing : The Performance Dimension |
Kim Walker, Peter J. Schoenbach, Peter J. Schoenbach |
|
2341 |
|
History of Music in Russia from Antiquity to 1800, Vol. 1 : From Antiquity to the Beginning of the Eighteenth Century |
Brown, Malcolm Hamrick, Findeizen, Nikolai, Jensen, Claudia R., Velimirovic, Milos, Waugh, Daniel C. |
|
2342 |
|
Dan Ge Performance: Masks and Music in Contemporary Côte D'Ivoire |
Daniel Boyce Reed |
|
2343 |
|
Il Trittico, Turandot, and Puccini's Late Style (Musical Meaning and Interpretation) |
Andrew Davis |
|
2344 |
|
Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance |
Timothy James McGee, A. G. Rigg, David N. Klausner |
|
2345 |
|
Virtuosi : a defense and a (sometimes erotic) celebration of great pianists |
Mitchell, Mark Lindsey |
|
2346 |
|
Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev |
Dassia N. Posner, Raissa Raskina, Kevin Bartig, Maria De Simone, Caryl Emerson, Alberto Beniscelli, Giulietta Bazoli, Domenico Pietropaolo, Ted Emery, Natalya Baldyga |
|
2347 |
|
Making music in the Polish Tatras: tourists, ethnographers, and mountain musicians |
Timothy J. Cooley |
|
2348 |
|
Tango: Creation of a Cultural Icon [Annotated Edition] |
Jo Baim |
|
2349 |
|
Leo Ornstein: modernist dilemmas, personal choices |
Michael Broyles, Denise Von Glahn |
|
2350 |
|
Marooned : the next generation of desert island discs [1st Da Capo Press ed] |
Freeman, Phil |
1 |
2351 |
|
Mamontov's Private Opera: The Search for Modernism in Russian Theater (Russian Music Studies) |
Olga Haldey |
|
2352 |
|
Idolized: Music, Media, and Identity in American Idol |
Katherine L. Meizel |
|
2353 |
|
Hungarian Gipsy Music and Indian Ragas [1 ed.] |
Bruno Buike |
1 |
2354 |
|
Beats of the heart: Popular music of the world [1 ed.] |
Jeremy Marre, Hannah Charlton |
1 |
2355 |
|
South African Music: A Century of Traditions in Transformation (World Music Series) |
Carol Muller |
|
2356 |
|
Giraffes, black dragons, and other pianos: a technological history from Cristofori to the modern concert grand |
Edwin M. Good |
|
2357 |
|
The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590-1810 |
Kristin Mann |
|
2358 |
|
Harmony and Counterpoint: Ritual Music in Chinese Context |
Bell Yung (editor), Evelyn S. Rawski (editor), Rubie S. Watson (editor) |
|
2359 |
|
Mysterious Music: Rhythm and Free Verse |
G. Burns Cooper |
|
2360 |
|
The Magic Maker. A Portrait of John Langstaff, Creator of the Christmas Revels |
Susan Cooper |
|
2361 |
|
The harmony of Bill Evans |
Jack Reilly, Bill Evans |
|
2362 |
|
Mixing musics: turkish jewry and the urban landscape of a sacred song |
Maureen Jackson |
|
2363 |
|
Screening the Stage : Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956 |
Steven Neale |
|
2364 |
|
Afro-Cuban Jazz [1 ed.] |
Scott Yanow |
1 |
2365 |
|
The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon |
Larry Wolff |
|
2366 |
|
A Dictionary for the Modern Conductor |
Brown, Emily Freeman |
|
2367 |
|
Kicking and Dreaming: A Story of Heart, Soul, and Rock and Roll |
Wilson, Ann , Wilson, Nancy |
|
2368 |
|
Camp Rock The Junior Novel |
Lucy Ruggles |
|
2369 |
|
Rock Stars! |
Steve Bramucci |
|
2370 |
|
The crisis of classical music in America: lessons from a life in the education of musicians |
Freeman, Robert |
|
2371 |
|
Christmas with Disney--Ukulele Songbook |
Hal Leonard Corp. |
|
2372 |
|
The "real easy" ear training book : a beginning/intermediate guide to hearing the chord changes [58974th ed.] |
Hatfield, Brad, Radley, Roberta |
58974 |
2373 |
|
Contemporary Disney (Songbook) [2 ed.] |
Hal Leonard Corp. |
2 |
2374 |
|
The Big Book of Disney Songs (Songbook): Flute |
Hal Leonard Corp. |
|
2375 |
|
The Disney Theme Park Songbook: Remember the Magic |
Hal Leonard Corp. |
|
2376 |
|
Disney Classics (Songbook): E-Z Play Today Volume 213 |
Hal Leonard Corp. |
|
2377 |
|
Disney Favorites (Songbook): E-Z Play Today Volume 392 |
Hal Leonard Corp. |
|
2378 |
|
The Disney Musical on Stage and Screen |
George Rodosthenous (editor) |
|
2379 |
|
Christmas with Disney (Songbook) |
Hal Leonard Corp. |
|
2380 |
|
Disney Hits (Songbook): Big-Note Piano |
Hal Leonard Corp. |
|
2381 |
|
Disney Mega-Hit Movies--Easy Piano (Songbook): 38 Contemporary Classics from The Little Mermaid to High School Musical 2 |
Hal Leonard Corp. |
|
2382 |
|
Disney Songs for Ukulele (Songbook) |
Hal Leonard Corp |
|
2383 |
|
Disney Giant Movie Hits (Songbook): 36 Contemporary Classics from The Little Mermaid to The Emperor's New Groove |
Hal Leonard Corp. |
|
2384 |
|
Religion in Hip Hop: Mapping the New Terrain in the US |
Monica R. Miller, Anthony B. Pinn, Bernard “Bun B” Freeman (editors) |
|
2385 |
|
Sting. Shape Of My Heart. Ноты к песне |
|
|
2386 |
|
Sting - Shape Of My Heart |
|
|
2387 |
|
Flute Trio. Трио флейт |
My Heart Will Go On. |
|
2388 |
|
Antoine Dufour - The Heart Of The Matter |
|
|
2389 |
|
Into the Woods Songbook: Easy Piano Selections from the Disney Movie |
Stephen Sondheim |
|
2390 |
|
Go the Distance Sheet Music: From Disney's Hercules |
Alan Menken |
|
2391 |
|
Disney Hits for Ukulele: 25 Songs to Strum & Sing |
Hal Leonard Corp. |
|
2392 |
|
The Best of Disney Songbook |
Hal Leonard Corp. |
|
2393 |
|
Contemporary Disney: 50 Favorite Songs |
|
|
2394 |
|
Disney Favorites: Jazz Piano Solos Series Volume 51 |
Hal Leonard Corp. Staff |
|
2395 |
|
Music in Disney's animated features: Snow White and the Seven Dwarfs to The jungle book |
Walt Disney Productions.,Bohn, James Matthew,Disney, Walt |
|
2396 |
|
Jazz As Critique: Adorno and Black Expression Revisited |
Fumi Okiji |
|
2397 |
|
Disney Recital Suites |
Phillip Keveren |
|
2398 |
|
Into the Woods Songbook: Vocal Selections from the Disney Movie |
Stephen Sondheim |
|
2399 |
|
The Disney Fake Book |
Hal Leonard Corp |
|
2400 |
|
Disney Songs for Harmonica: 30 Favorites Arranged for Diatonic Harmonica |
Hal Leonard Corp. |
|
2401 |
|
Phonopoetics: The Making of Early Literary Recordings |
Jason Camlot |
|
2402 |
|
Aladdin: Broadway's new musical comedy ; [piano/vocal selections] |
Ashman, Howard,Beguelin, Chad,Menken, Alan,Rice, Tim |
|
2403 |
|
Disney Fun Songs |
Hal Leonard Corp. |
|
2404 |
|
Beethoven’s Kiss: Pianism, Perversion, and the Mastery of Desire |
Kevin Kopelson |
|
2405 |
|
Top Disney: 100 Top Ten Lists of the Best of Disney, from the Man to the Mouse and Beyond |
Christopher Lucas |
|
2406 |
|
Disney Hits for Piano Solo |
Hal Leonard Corp. |
|
2407 |
|
Disney--Super Easy Songbook |
Hal Leonard Corp. |
|
2408 |
|
Disney Songs for Ragtime Piano |
Phillip Keveren |
|
2409 |
|
Sound Figures |
Theodor W. Adorno |
|
2410 |
|
Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer |
Bruce W. Holsinger |
|
2411 |
|
A New Chronology of Venetian Opera and Related Genres, 1660-1760 |
Eleanor Selfridge-Field |
|
2412 |
|
Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice |
Eleanor Selfridge-Field |
|
2413 |
|
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy |
Larry Wolff |
|
2414 |
|
White Musical Mythologies |
Edmund Mendelssohn, |
|
2415 |
|
Battle of the Bands |
Eric Smith |
|
2416 |
|
First 50 Disney Songs You Should Play on the Piano |
Hal Leonard Corp |
|
2417 |
|
Disney Villains |
Hal Leonard Corp. |
|
2418 |
|
Disney Songs--Beginning Solo Guitar: 15 Songs Arranged for Beginning Chord Melody Style in Standard Notation and Tablature |
Hal Leonard Corp. |
|
2419 |
|
101 Disney Songs: For Clarinet |
Hal Leonard Corp. |
|
2420 |
|
Zombies Songbook: Music from the Disney Channel Original Movie |
Hal Leonard Corp. |
|
2421 |
|
Disney Peaceful Piano Solos Songbook |
Hal Leonard Corp. |
|
2422 |
|
Descendants 3 Songbook: Music from the Disney Channel Original Movie |
David Lawrence |
|
2423 |
|
101 Disney Songs: For Viola |
Hal Leonard Corp. |
|
2424 |
|
Mark Mothersbaugh: Myopia |
Adam Lerner |
|
2425 |
|
Disney's Olaf's Frozen Adventure Songbook: Songs from the Original Soundtrack Piano/Vocal/Guitar |
Elyssa Samsel |
|
2426 |
|
101 Disney Songs: For Flute |
Hal Leonard Corp. |
|
2427 |
|
101 Disney Songs for Horn |
Hal Leonard Corp. |
|
2428 |
|
Disney Medleys for Piano Solo |
Jason Lyle Black |
|
2429 |
|
The Illustrated Treasury of Disney Songs |
Hal Leonard Corporation |
|
2430 |
|
Disney Favorites: Creative Piano Solo |
Hal Leonard Corp. |
|
2431 |
|
Three Pianos: A Memoir |
Andrew McMahon |
|
2432 |
|
Surprised by Beauty: A Listener's Guide to the Recovery of Modern Music |
Robert Reilly |
|
2433 |
|
Disney Songs of the 2010s: Tenor or Baritone |
Hal Leonard Corp. |
|
2434 |
|
The Musician Says: Quotes, Quips, and Words of Wisdom |
Benedetta LoBalbo |
|
2435 |
|
Ugly Beauty: Jazz in the 21st Century |
Philip Freeman |
|
2436 |
|
The ''real easy'' ear training book: a beginning, intermediate guide to hearing the chord changes |
Brinkley, Bill,Radley, Roberta |
|
2437 |
|
The Beatles 101 |
Vikki Reilly |
|
2438 |
|
Resounding Images: Medieval Intersections of Art, Music, and Sound |
Susan Boynton, Diane J. Reilly |
|
2439 |
|
The Smith Tapes: Lost Interviews with Rock Stars & Icons 1969-1972 |
Ezra Bookstein |
|
2440 |
|
First 50 Disney Songs You Should Play on Ukulele |
Hal Leonard Corp. |
|
2441 |
|
Then and Now [♫ Read-Along ebook. ♫ ed.] |
Diana Freeman |
|
2442 |
|
Samba |
David Collier-Brown |
|
2443 |
|
The Mandalorian: Music from the Disney+ Original Series |
Ludwig Goransson |
|
2444 |
|
Mickey Mouse Disco |
|
|
2445 |
|
Disney/Pixar's Coco Songbook |
Robert Lopez |
|
2446 |
|
Disney's Magical Marches |
Osterling Eric (arr.) |
|
2447 |
|
A whole new world. Disney Aladdin. Ноты для ансамбля |
Peabo Bryson. |
|
2448 |
|
Beauty and the Beast. Disney. Beauty and the Beast conductors score |
Alan Menken. |
|
2449 |
|
Hal Leonard Corp. Disney Duets |
|
|
2450 |
|
Beauty and the Beast (from Walt Disney`s Beauty and the Beast (вариант 2)) |
Mencken A. |
|
2451 |
|
Something there. (from Walt Disney`s Beauty and the Beast) |
Menken Alan. |
|
2452 |
|
Disney's Frozen: The Broadway Musical: Piano, Vocal Selections |
Lopez, Robert,Anderson-Lopez, Kristen |
|
2453 |
|
Disney Favorites |
Lowden Bob (arr.). |
|
2454 |
|
Beauty and the Beast from Walt Disney`s Beauty and the Beast |
Menken Alan. |
|
2455 |
|
Disney's Beauty and the Beast: The Broadway Musical |
Menken A., Ashman H., Rice T. |
|
2456 |
|
Disney Presents Your Favorite Fairy Tales - The Ugly Duckling Story and Song |
|
|
2457 |
|
Disney songs. Fake book |
|
|
2458 |
|
Disney al pianoforte. Antologia |
Concina Franco. |
|
2459 |
|
Baby Einstein Lullaby Time |
|
|
2460 |
|
Foxboro March |
O'Reilly John. |
|
2461 |
|
Studies & Improvisations for Saxophone |
Freeman Bud. |
|
2462 |
|
Charley Patton |
John Fahey |
|
2463 |
|
Audio Technology, Music, and Media: From Sound Wave to Reproduction [1st ed.] |
Julian Ashbourn |
1st ed. |
2464 |
|
Absolute Music, Mechanical Reproduction |
Arved Ashby |
|
2465 |
|
A Phenomenology of Musical Absorption [1st ed.] |
Simon Høffding |
1 |
2466 |
|
All You Need to Know About the Music Business: [11 ed.] |
Donald S. Passman |
11 |
2467 |
|
Basics: 300 excercises and practice routines for violin [Repr. ed.] |
Simon Fischer |
|
2468 |
|
Basics (for violin) |
Simon Fischer |
|
2469 |
|
Beep To Boom: The Development Of Advanced Runtime Sound Systems For Games And Extended Reality |
Simon N Goodwin |
|
2470 |
|
Bowie |
Bowie, David, Critchley, Simon |
|
2471 |
|
Bring the Noise: 20 Years of Writing About Hip Rock and Hip Hop |
Simon Reynolds |
|
2472 |
|
Art into Pop (Popular Music) |
Simon Frith |
|
2473 |
|
Carlos Gardel: su vida, su música, su época |
Simon Collier, Carlos Gardini |
|
2474 |
|
Chronicles. Volume One [1ST ed.] |
Bob Dylan |
1 |
2475 |
|
British Invasion: The Crosscurrents of Musical Influence |
Simon Philo |
|
2476 |
|
Building a Successful 21st Century Music Career (Book) [1 ed.] |
Simon Cann |
1 |
2477 |
|
Chambers: Scores by Alvin Lucier |
Alvin Lucier, Douglas Simon |
|
2478 |
|
Concert Life in Eighteenth-Century Britain |
Susan Wollenberg, Simon McVeigh |
|
2479 |
|
Charles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory |
Michael J. Masci |
|
2480 |
|
Dancefloor-Driven Literature: The Rave Scene in Fiction |
Simon A. Morrison |
|
2481 |
|
Communion Chants of the Thirteenth-Century Byzantine Asmatikon (Music Archive Publications) [1 ed.] |
Simon Harris (editor) |
1 |
2482 |
|
Die Grundsätze der musikalischen Komposition |
Sechter, Simon, Rigaudière, Marc |
|
2483 |
|
Cultural Heritage and History in the Metal Scene |
Stefan de Klepper, Sophia Molpheta, Simon Pille, Reem Saouma |
|
2484 |
|
Digital audio editing correcting and enhancing audio in Pro Tools, Logic Pro, Cubase, and Studio One |
Langford, Simon |
|
2485 |
|
Engineering - Music - Civic Life |
Stevin, Simon, Fokker, Adriaan Daniël, Romein-Verschoor, Anna Helena Margaretha, Forbes, Robert James (eds.) |
|
2486 |
|
Debt and Redemption in the Blues: The Call for Justice |
Julia Simon |
|
2487 |
|
Debussy: La Mer |
Simon Trezise |
|
2488 |
|
Focus: Scottish Traditional Music [1 ed.] |
Simon McKerrell |
1 |
2489 |
|
Exploring Music Contents: 7th International Symposium, CMMR 2010, Málaga, Spain, June 21-24, 2010. Revised Papers [1 ed.] |
Simon Dixon, Matthias Mauch, Amélie Anglade (auth.), Sølvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet, Kristoffer Jensen (eds.) |
1 |
2490 |
|
Fire and rain: [the Beatles, Simon and Garfunkel, James Taylor, CSNY and the lost story of 1970] [Unabridged] |
Beatles.,Crosby, Stills, Nash,Young.,Simon and Garfunkel.,Tantor Media.,Browne, David,Runnette, Sean,Taylor, James |
1970 |
2491 |
|
Energy Flash: a Journey Through Rave Music and Dance Culture |
Reynolds, Simon |
|
2492 |
|
Forever Young |
Bob Dylan,Paul Rogers |
|
2493 |
|
Die Oktave - das Urgesetz der Harmonie: Planeten, Töne, Farben, Kräfte innerer Schwingungen |
Hans Cousto |
|
2494 |
|
Everybody Hurts: An Essential Guide to Emo Culture |
Trevor Kelley, Leslie Simon |
|
2495 |
|
From Xenakis's UPIC to Graphic Notation Today |
Peter Weibel, Ludger Brümmer, Sharon Kanach, Richard Barrett, Rodolphe Bourotte, Pierre Couprie, Cyrille Delhaye, Alain Després, Julio Estrada, Kiyoshi Furukawa, Rudolf Frisius, Hughes Genevois, Kosmas Giannoutakis, Dimitris Kamarotos, Henning Lohner, François-Bernard Mâche, Guy Médigue, Chikashi Miyama, Lukas Nowok, Gerard Pape, Marcin Pietruszewskil Brigitte Robindoré, Julia Rommel, Julian Scordato, Takehito Shimazu, Victoria Simon, Andrey Smirnov, Ronald Squibbs, Katerina Tsioukra |
|
2496 |
|
Generation Ecstasy: Into the World of Techno and Rave Culture [1 ed.] |
Simon Reynolds |
1 |
2497 |
|
First Repertoire for Solo Guitar: Book 2 [2] |
Simon Wynberg |
2 |
2498 |
|
Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation |
Sheila Weller |
|
2499 |
|
How to make a noise |
Simon cann |
|
2500 |
|
George Herbert and Early Modern Musical Culture |
Simon Jackson |
|
2501 |
|
Guide to Sundanese music : a practical introduction to gamelan saléndro |
Cook, Simon |
|
2502 |
|
Freedom From Violence and Lies: Essays on Russian Poetry and Music by Simon Karlinsky |
Robert P. Hughes &, Richard Taruskin &, Thomas A. Koster |
|
2503 |
|
Funeral games in honor of Arthur Vincent Lourié [1 ed.] |
Koussevitzky, Serge, Lourié, Arthur, Morrison, Simon Alexander, Koussevitzky, Serge, Móricz, Klára, Lourié, Arthur |
1 |
2504 |
|
Haynes Brass Instrument Manual: How to Buy, Maintain and Set-Up Your Trumpet, Trombone, Tuba, Horn and Cornet |
Simon Croft, Andy Taylor |
|
2505 |
|
Improvision: Orphic Art in the Age of Jazz |
Simon Shaw-Miller |
|
2506 |
|
How to make a noise : a comprehensive guide to synthesizer programming [[New ed.].] |
Cann, Simon |
|
2507 |
|
Kerouac on Record: A Literary Soundtrack |
Simon Warner, Jim Sampas (editors) |
|
2508 |
|
Living Electronic Music |
Simon Emmerson |
|
2509 |
|
Living Politics, Making Music: The Writings of Jan Fairley |
Jan Fairley, Simon Frith, Stan Rijven, Ian Christie |
|
2510 |
|
La poésie populaire traditionelle chantée au Proche-Orient Arabe. I: Les textes: Avec une introduction critique |
Simon Jargy |
|
2511 |
|
Luigi Legnani: 36 Caprices Op.20 (1790-1877) for the Guitar in All Major and Minor Keys |
Legnani, Luigi, Simon Wynberg, ed. |
|
2512 |
|
Living electronic music |
Emmerson, Simon |
|
2513 |
|
Música «chicha», mito e identidad popular: el cantante peruano Chacalón |
Carlos Leyva |
|
2514 |
|
Mozart in Context (Composers in Context) |
Simon P. Keefe (editor) |
|
2515 |
|
Mozart in Vienna: The Final Decade |
Simon P. Keefe |
|
2516 |
|
Mozart Studies 2 [1st ed.] |
Simon P. Keefe (ed.) |
1 |
2517 |
|
Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention |
Simon P. Keefe |
|
2518 |
|
Music by Subscription: Composers and their Networks in the British Music-Publishing Trade, 1676-1820 (Routledge Research in Music) |
Simon D.I. Fleming (editor), Martin Perkins (editor) |
|
2519 |
|
Music, electronic media, and culture |
Emmerson, Simon(Editor) |
|
2520 |
|
Música en Auschwitz [1ª ed.] |
Simon Laks |
1 |
2521 |
|
New Directions in Music and Human-Computer Interaction [1st ed.] |
Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley |
1 |
2522 |
|
Music as Multimodal Discourse |
C. S. Way Lyndon, McKerrell Simon |
|
2523 |
|
Music Beyond Airports: Appraising Ambient Music |
Monty Adkins, Simon Cummings |
|
2524 |
|
On Record: Rock, Pop and the Written Word |
Simon Frith, Andrew Goodwin |
|
2525 |
|
Miles: The Autobiography |
Miles Davis, Quincy Troupe |
|
2526 |
|
Mozart [1 ed.] |
Simon P. Keefe (ed.) |
1 |
2527 |
|
Off the Record: 25 Years of Music Street Press |
Sean Sennett, Simon Groth |
|
2528 |
|
Paul Simon - Transcribed (Paul Simon Simon & Garfunkel) |
Paul Simon, Mark Hanson |
|
2529 |
|
Paul Simon for Classical Guitar |
arr. Alexander Bellow |
|
2530 |
|
Paul Simon: A Life [1 ed.] |
Marc Eliot |
1 |
2531 |
|
Performing Rites: On the Value of Popular Music |
Simon Frith |
|
2532 |
|
Performing Englishness: Identity and politics in a contemporary folk resurgence |
Trish Winter, Simon Keegan-Phipps |
|
2533 |
|
Postpunk: romper todo y empezar de nuevo |
Simon Reynolds |
|
2534 |
|
Practical Musicology |
Simon Zagorski-Thomas |
|
2535 |
|
Practice (Violin) |
Simon Fischer |
|
2536 |
|
Retromania: Pop Culture's Addiction to Its Own Past [First Edition] |
Simon Reynolds |
|
2537 |
|
Popular Music Matters: Essays in Honour of Simon Firth |
Lee Marshall, Dave Laing |
|
2538 |
|
Rocking Your Music Business: Run Your Music Business at Home and on the Road [1st ed.] |
Simon Cann |
1 |
2539 |
|
Rousseau Among the Moderns: Music, Aesthetics, Politics |
Julia Simon |
|
2540 |
|
Russian opera and the symbolist movement [Second ed.] |
Simon Alexander Morrison |
|
2541 |
|
Relational Improvisation: Music, Dance and Contemporary Art |
Simon Rose |
|
2542 |
|
Sergey Prokofiev and His World |
Simon Morrison |
|
2543 |
|
Rock Pop Jazz: 800 Bands und Künstler |
K. R. Bachmann, N. Brügmann, J. Eickmann, M. Falk, S. Franzen, S. Helms, M. Herbstmeier, C. Hoffmann, A. Kleinelanghorst, U. Kurth, H. Lörscher, G. Lübker-Suhre, R. Noltensmeier, C. Schomberg, I. Scheel, R.-M. Simon, S. Simon (auth.) |
|
2544 |
|
Rock and Popular Music: Politics, Policies, Institutions |
Tony Bennett, Simon Frith, Larry Grossberg, John Shepherd, Graeme Turner |
|
2545 |
|
Roxy Music’s Avalon |
Simon Morrison |
|
2546 |
|
Roxy Music's Avalon |
Simon A. Morrison |
|
2547 |
|
Russian Opera and the Symbolist Movement |
Simon Morrison |
|
2548 |
|
Russian Opera and the Symbolist Movement, Second Edition |
Simon Morrison |
|
2549 |
|
Simon Boccanegra (Overture Opera Guides) |
Giuseppe Verdi |
|
2550 |
|
Scales: Scales and scale studies for the violin |
Simon Fischer |
|
2551 |
|
Sound and Vision : The Music Video Reader [1 ed.] |
Simon Frith, Andrew Goodwin, Lawrence Grossberg |
1 |
2552 |
|
Selections from Carly Simon - Anthology (Piano Vocal Guitar Artist Songbook) |
Carly Simon |
|
2553 |
|
Richard Wagner und »das Weibliche«: Zu den Interdependenzen von Philosophie, Leben und frühem Werk |
Paul Simon Kranz |
|
2554 |
|
Tanzmusik in der DDR: Dresdner Musiker zwischen Kulturpolitik und internationalem Musikmarkt, 1945-1961 |
Simon Bretschneider |
|
2555 |
|
The Cambridge companion to Debussy |
Debussy, Claude, Trezise, Simon, Debussy, Claude |
|
2556 |
|
The Cambridge companion to Mozart |
Mozart, Wolfgang Amadeus, Mozart, Wolfgang Amadeus, Keefe, Simon P |
|
2557 |
|
The Cambridge Companion to Mozart (Cambridge Companions to Music) |
Simon P. Keefe |
|
2558 |
|
The Routledge Handbook of Pink Floyd [1 ed.] |
Chris Hart (editor), Simon A. Morrison (editor) |
1 |
2559 |
|
The Cambridge Companion to Debussy (Cambridge Companions to Music) |
Simon Trezise |
|
2560 |
|
The Cambridge Companion to French Music |
Trezise, Simon (ed.) |
|
2561 |
|
The Cambridge companion to pop and rock [Reprinted 2004] |
Frith, Simon, Street, John, Straw, Will (eds.) |
2004 |
2562 |
|
The Cambridge Companion to the Concerto |
Keefe, Simon P. (ed.) |
|
2563 |
|
The Essential Paul Simon : Timeless Lessons for Today's Politics [1 ed.] |
John S. Jackson, David Yepsen |
1 |
2564 |
|
The Inconvenient Lonnie Johnson: Blues, Race, Identity |
Julia Simon |
|
2565 |
|
The History of Live Music in Britain, Volume I: 1950-1967: From Dance Hall to the 100 Club |
Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster |
|
2566 |
|
The Life, Music and Times of Carlos Gardel |
Simon Collier |
|
2567 |
|
The notebooks of Alexander Skryabin |
Ashkenazy, Vladimir, Nicholls, Simon, Pushkin, Michael, Scriabin, Aleksandr Nikolayevich, Skrjabin, Aleksandr N. |
|
2568 |
|
Wish You Were Here: An Essential Guide to Your Favorite Music Scenes-from Punk to Indie and Everything in Between [1 Original ed.] |
Leslie Simon |
1 |
2569 |
|
The people's artist: Prokofiev's Soviet years |
Simon Morrison |
|
2570 |
|
Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle [First Trade Paper ed.] |
Simon Ford |
|
2571 |
|
The Art of Record Production: An Introductory Reader for a New Academic Field |
Simon Frith, Simon Zagorski-thomas |
|
2572 |
|
The Bacharach and David Song Book |
Burt Bacharach and Hal David |
|
2573 |
|
The Routledge Research Companion to Electronic Music: Reaching out with Technology |
Simon Emmerson |
|
2574 |
|
The Cambridge History of Eighteenth-Century Music |
Simon P. Keefe |
|
2575 |
|
The Violin Lesson |
Simon Fischer |
|
2576 |
|
The Cambridge Mozart Encyclopedia |
Cliff Eisen, Simon P. Keefe |
|
2577 |
|
The Sex Revolts: Gender, Rebellion, and Rock ‘n’ Roll |
Simon Reynolds, Joy Press |
|
2578 |
|
All You Need to Know About the Music Business [Ninth Edition, 9th ed.] |
Donald S. Passman |
9 |
2579 |
|
And a Voice to Sing With |
Baez, Joan |
|
2580 |
|
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age |
Steve Knopper |
|
2581 |
|
Totally Wired: Postpunk Interviews and Overviews |
Simon Reynolds |
|
2582 |
|
Transformer: the Lou Reed story [First Edition] |
Victor Bockris |
|
2583 |
|
The Language of Electroacoustic Music [1 ed.] |
Simon Emmerson (eds.) |
1 |
2584 |
|
Vienna's Golden Years of Music: 1850-1900 |
Eduard Hanslick, Henry Pleasants III (translator) |
|
2585 |
|
The Musicology of Record Production |
Simon Zagorski-Thomas |
|
2586 |
|
The Reader's Digest Merry Christmas Songbook [1st ed.] |
William L. Simon, Dan Fox |
1 |
2587 |
|
Acordes de Guitar |
Simon &, Garfunkel. |
|
2588 |
|
Blown Away: The Rolling Stones and the Death of the Sixties |
A. E. Hotchner |
|
2589 |
|
Hits |
Simon &, Garfunkel. |
|
2590 |
|
Play Piano With John Lennon, Queen, David Bowie, Lou Reed, Paul McCartney, The Doors, Elton John And Simon And Garfunkel (book) |
|
|
2591 |
|
Wo Sprache aufhört....: Herbert von Karajan zum 5. April 1988 [1. Aufl.] |
Heinz Götze, Walther Simon |
1 |
2592 |
|
World Music, Politics, and Social Change: Papers from the International Association for the Study of Popular Music (Manchester New German Texts) |
Simon Frith |
|
2593 |
|
The Storyteller: Tales of Life and Music |
Dave Grohl |
|
2594 |
|
100 Great Operas And Their Stories: Act-By-Act Synopses [Revised] |
Henry W. Simon |
|
2595 |
|
Bowie Odyssey: 71 |
Simon Goddard |
|
2596 |
|
Treasury of Gilbert and Sullivan: The Words and Music of One Hundred and Two Songs f |
(Editor) Deems Taylor, (Illustrator) Lucille Corcos, (Arrangements) Albert Sir |
|
2597 |
|
Aaliyah. More Than a Woman |
Christopher John Farley |
|
2598 |
|
ABBA 1, World 0. An Essay from Eating the Dinosaur |
Chuck Klosterman |
|
2599 |
|
Cocaine and Rhinestones: A History of George Jones and Tammy Wynette |
Tyler Mahan Coe |
|
2600 |
|
Country Music |
Stephens, Simon |
|
2601 |
|
Zen Guitar |
Philip Toshio Sudo |
|
2602 |
|
Behind The Voice: Dietro La Voce |
Anthony Callea |
|
2603 |
|
Being Wagner: The Triumph of the Will |
Simon Callow |
|
2604 |
|
Elvis in Vegas: How the King Reinvented the Las Vegas Show |
Richard Zoglin |
|
2605 |
|
Bob Dylan, the essential interviews [First Simon & Schuster hardcover edition] |
Cott, Jonathan,Dylan, Bob |
|
2606 |
|
Britney: A Life in Music |
Nadia Cohen |
|
2607 |
|
Boys in the trees: a memoir [First edition] |
Simon, Carly |
|
2608 |
|
Changes: An Oral History of Tupac Shakur |
Sheldon Pearce |
|
2609 |
|
Chasing the rising sun: the journey of an American song |
Anthony, Ted |
|
2610 |
|
Fortune's Fool: Edgar Bronfman, Jr., Warner Music, and an Industry in Crisis |
Fred Goodman |
|
2611 |
|
Chronicles, Volume One |
Dylan, Bob |
|
2612 |
|
Angelic Music: The Story of Benjamin Franklin's Glass Armonica |
Corey Mead |
|
2613 |
|
Anger is an Energy: My Life Uncensored |
John Lydon |
|
2614 |
|
Csny: Crosby, Stills, Nash and Young [First Atria books hardcover edition] |
Crosby, Stills, Nash,Young.,Doggett, Peter |
|
2615 |
|
CRASH: The World's Greatest Drum Kits From Appice to Peart to Van Halen |
David Frangioni |
|
2616 |
|
Cyndi Lauper: A Memoir |
Cyndi Lauper |
|
2617 |
|
Born to Run [1st ed.] |
Bruce Springsteen |
1 |
2618 |
|
Britney Spears: The Woman in Me |
Britney Spears |
|
2619 |
|
Chasing Chopin: A Musical Journey Across Three Centuries, Four Countries, and a Half-Dozen Revolutions |
Annik LaFarge |
|
2620 |
|
Homeward Bound : The Life of Paul Simon |
Peter Ames Carlin |
|
2621 |
|
I Was There: Dispatches from a Life in Rock and Roll |
Alan Edwards |
|
2622 |
|
Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota |
Chuck Klosterman |
|
2623 |
|
David Bowie: A Life in Music |
Sean Egan |
|
2624 |
|
K-Punk: The Collected Writings of Mark Fisher [Paperback ed.] |
Mark Fisher, Darren Ambrose, Simon Reynolds |
|
2625 |
|
Gary: The Definitive Biography of Gary Barlow |
Sean Smith |
|
2626 |
|
George Harrison: The Reluctant Beatle |
Philip Norman |
|
2627 |
|
Harry Styles: Every Piece of Me |
Louisa Jepson |
|
2628 |
|
Making the Band |
Maker, Martha,Yan, Xindi |
|
2629 |
|
From Staircase to Stage: The Story of Raekwon and the Wu-Tang Clan |
Raekwon, Anthony Bozza |
|
2630 |
|
Futuromania: Electronic Dreams, Desiring Machines, and Tomorrow's Music Today |
Simon Reynolds |
|
2631 |
|
In One Ear |
Simon Raymonde |
|
2632 |
|
Mozart’s Requiem: Reception, Work, Completion [Reprint ed.] |
Simon P. Keefe |
|
2633 |
|
Janis: Her Life and Music |
Holly George-Warren |
|
2634 |
|
Just Getting Started |
Bennett, Tony,Simon, Scott |
|
2635 |
|
Katja from the Punk Band |
Simon Logan |
|
2636 |
|
No Regrets: A Rock 'n' Roll Memoir |
Ace Frehley, Joe Layden, John Ostrosky |
|
2637 |
|
How Bizarre: Pauly Fuemana and the Song That Stormed the World |
Simon Grigg |
|
2638 |
|
On Sonic Art [New and rev. ed] |
Emmerson, Simon,Wishart, Trevor |
|
2639 |
|
How to Make a Noise: Analog Synthesis |
Cann, Simon |
|
2640 |
|
Legends of Rock & Roll: Simon & Garfunkel |
James Hoag |
|
2641 |
|
Leonard Cohen: Untold Stories: The Early Years |
Michael Posner |
|
2642 |
|
Leonard Cohen, Untold Stories: That's How the Light Gets In, Volume 3 |
Michael Posner |
|
2643 |
|
Linda Ronstadt: Simple Dreams [First Simon & Schuster hardcover edition] |
Ronstadt, Linda |
|
2644 |
|
Let's Go Crazy: Prince and the Making of Purple Rain |
Alan Light |
|
2645 |
|
Live at the Brixton Academy: A Riotous Life in the Music Business |
Simon Parkes, J. S. Rafaeli |
|
2646 |
|
Lyrics, 1962-2001 |
Dylan, Bob |
|
2647 |
|
Leonard Cohen, Untold Stories: From This Broken Hill, Volume 2 |
Michael Posner |
|
2648 |
|
Lighten Our Darkness: A Celebration of Choral Evensong |
Simon Reynolds |
|
2649 |
|
Lisa Lopes. The Life of a Supernova |
Nancy Krulik |
|
2650 |
|
McBusted: The Story of the World’s Biggest Super Band |
Jennifer Parker |
|
2651 |
|
Mercury: an intimate biography of Freddie Mercury [1st Touchstone hardcover ed] |
Mercury, Freddie,Jones, Lesley-Ann |
1 |
2652 |
|
On Bowie |
Simon Critchley |
|
2653 |
|
Mozipedia: The Encyclopaedia of Morrissey and the Smiths |
Simon Goddard |
|
2654 |
|
My Life With Deth: Discovering Meaning in a Life of Rock & Roll |
David Ellefson, Joel McIver |
|
2655 |
|
My Music, My Life |
Ravi Shankar, |
|
2656 |
|
Paul Simon FAQ: All That's Left to Know About the Legendary Singer and the Iconic Songs |
Dave Thompson |
|
2657 |
|
Pandamonium!: How (Not) to Run a Record Label |
Simon Williams |
|
2658 |
|
Paul Simon: The Life |
Robert Hilburn |
|
2659 |
|
Paul Simon: An American Tune (Tempo: A Book Series on Rock, Pop, & Culture) |
Bonca, Cornel |
|
2660 |
|
Perfect from Now On: How Indie Rock Saved My Life |
John Sellers |
|
2661 |
|
Rap Capital: An Atlanta Story |
Joe Coscarelli |
|
2662 |
|
Rocks: my life in and out of Aerosmith |
Perry, Joe,Ritz, David |
|
2663 |
|
Reelin' in the Years: The Soundtrack of a Northern Life |
Mark Radcliffe |
|
2664 |
|
Rip it Up and Start Again: Postpunk 1978-1984 [Main ed.] |
Reynolds, Simon |
|
2665 |
|
Shock and Awe: Glam Rock and Its Legacy |
Simon Reynolds |
|
2666 |
|
Shut Up and Give Me the Mic |
Snider, Dee |
|
2667 |
|
Simon & Garfunkel |
Leigh, Spencer |
|
2668 |
|
Sing As We Go |
Simon Heffer |
|
2669 |
|
Simply Thrilled: The Preposterous Story of Postcard Records |
Collins, Edwyn, Goddard, Simon, Horne, Alan |
|
2670 |
|
Songs That Saved Your Life - The Art of The Smiths 1982-87 [revised edition] |
Simon Goddard |
|
2671 |
|
Sounds like me: my life |
Bareilles, Sara |
|
2672 |
|
Song Maps: A New System to Write Your Best Lyrics |
Simon Hawkins |
|
2673 |
|
Stories to Tell: A Memoir |
Richard Marx |
|
2674 |
|
Sueños Sencillos: Memorias musicales |
Linda Ronstadt |
|
2675 |
|
Ta-ra-ra-boom-de-ay: The (Dodgy) Business of Popular Music |
Simon Napier-Bell |
|
2676 |
|
Tell Me Why ; The Story of My Life and My Music |
Archie Roach |
|
2677 |
|
The Age of Bowie |
Paul Morley |
|
2678 |
|
Tell me why for young adults. |
Archie Roach |
|
2679 |
|
That's a Rap |
Matthew David Morris, Travis Thrasher |
|
2680 |
|
The Beatles Way: Fab Wisdom for Everyday Life |
Larry Lange,Laura Carlsmith |
|
2681 |
|
The Complete ABBA (40th Anniversary Edition) |
Simon Sheridan |
|
2682 |
|
The Cambridge companion to Mozart [1. publ ed.] |
Keefe, Simon P., Mozart, Wolfgang Amadeus, Mozart, Wolfgang Amadeus <> - Criticism and interpretation |
1 |
2683 |
|
The fiddler in the subway: the true of what happened when a world-class violinist played for handouts and other virtuoso performances by America's foremost feature writer [1st Simon & Schuster trade pbk. ed] |
Weingarten, Gene |
1 |
2684 |
|
The Gucci Mane Guide to Greatness |
Gucci Mane |
|
2685 |
|
The Hacienda: How Not to Run a Club |
Peter Hook |
|
2686 |
|
The Heroin Diaries: A Year in the Life of a Shattered Rock Star |
Nikki Sixx |
|
2687 |
|
The Heroin Diaries: A Year in the Life of a Shattered Rock Star [1 ed.] |
Nikki Sixx |
1 |
2688 |
|
The Last Sultan: The Life and Times of Ahmet Ertegun |
Robert Greenfield |
|
2689 |
|
The Neo-Soul Guitar Method: A Complete Guide to Neo-Soul Guitar Style and Technique |
Simon Pratt, Kristof Neyens, Mark Lettieri, Joseph Alexander |
|
2690 |
|
The Lyrics: 1961-2012 [Revised ed.] |
Bob Dylan |
|
2691 |
|
The Rolling Stones: Fifty Years |
Christopher Sandford |
|
2692 |
|
The Philosophy of Modern Song |
Bob Dylan |
|
2693 |
|
The Soundtrack of My Life |
Clive Davis &, Anthony Decurtis [Davis, Clive &, Decurtis, Anthony] |
|
2694 |
|
The Songaminute Man : How music brought my father home again |
Simon McDermott |
|
2695 |
|
The Supernatural Voice: A History of High Male Singing |
Simon Ravens |
|
2696 |
|
The Stone Roses: War and Peace [Reprint ed.] |
Simon Spence |
|
2697 |
|
This Is the Voice |
John Colapinto |
|
2698 |
|
Transformer: a Story of Glitter, Glam Rock, and Loving Lou Reed |
Simon Doonan |
|
2699 |
|
They're Playing Our Song |
Carole Bayer Sager |
|
2700 |
|
Tommy Land [First Atria books trade paperback edition] |
Lee, Tommy,Bozza, Anthony |
|
2701 |
|
Untitled Memoir |
Anthony Callea |
|
2702 |
|
UK Post-Punk: Faber Forty-Fives: 1977-1982 |
Simon Reynolds |
|
2703 |
|
When the Screaming Stops: The Dark History of the Bay City Rollers |
Simon Spence |
|
2704 |
|
Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera |
Simon Maguire |
|
2705 |
|
Unknown Pleasures: Inside Joy Division |
Peter Hook |
|
2706 |
|
White line fever: the autobiography |
Lemmy Kilmister,Garza, Janiss,Lemmy |
|
2707 |
|
You Can Drum But You Can't Hide |
Simon Wolstencroft |
|
2708 |
|
Chronicles, Volume 1 [1st ed.] |
Bob Dylan |
1 |
2709 |
|
From This Moment On |
Twain, Shania |
|
2710 |
|
Inventory: 16 films featuring manic pixie dream girls, 10 great songs nearly ruined by the saxophone, and 100 more obsessively specific pop-culture lists [1st Scribner trade pbk. ed] |
Club, A, V |
1 |
2711 |
|
You Lose Yourself You Reappear: Bob Dylan and the Voices of a Lifetime |
Paul Morley |
|
2712 |
|
Ziggyology - A Brief History of Ziggy Stardust |
Simon Goddard |
|
2713 |
|
Black vinyl, white powder |
Napier-Bell, Simon |
|
2714 |
|
Madonna: An Intimate Biography |
Madonna,Taraborrelli, J. Randy |
|
2715 |
|
Le Grand Tango: The Life and Music of Astor Piazzolla [Updated and Expanded Edition] |
Azzi, María, Susana,Collier, Simon |
|
2716 |
|
The Dictionary of the Opera |
Charles Osborne |
|
2717 |
|
Enchanting David Bowie: Space/Time/Body/Memory |
Toija Cinque, Christopher Moore, Sean Redmond (editors) |
|
2718 |
|
DC Talk’s Jesus Freak (33 1/3) |
Will Stockton, D. Gilson |
|
2719 |
|
John Cage and Buddhist Ecopoetics: John Cage and the Performance of Nature |
Cage, John, Jaeger, Peter, Cage, John |
|
2720 |
|
Take a Walk on the Dark Side: Rock and Roll Myths, Legends, and Curses |
Patterson, R. Gary |
|
2721 |
|
Virtual Music: Sound, Music, and Image in the Digital Era |
Shara Rambarran |
|
2722 |
|
The French Film Musical: Phil Powrie and Marie Cadalanu |
Phil Powrie, Marie Cadalanu |
|
2723 |
|
The Process That Is the World: Cage/Deleuze/Events/Performances |
Joe Panzner |
|
2724 |
|
AKB48 |
Patrick W. Galbraith, Patrick W. Galbraith |
|
2725 |
|
Gang of Four's Entertainment! |
Dettmar, Kevin J. H |
|
2726 |
|
The 33 1/3 B-sides: New Essays by 33 1/3 Authors on Beloved and Underrated Albums |
Will Stockton (editor), D. Gilson (editor) |
|
2727 |
|
Angelo Badalamenti's Soundtrack from Twin Peaks |
Clare Nina Norelli |
|
2728 |
|
Miss O'Dell: my life with the Beatles, the Stones, Bob Dylan, and the women who loved them |
O'Dell, Chris,Ketcham, Katherine |
|
2729 |
|
Sonic bodies : reggae sound systems, performance techniques, and ways of knowing [Online-ausg ed.] |
Henriques, Julian |
|
2730 |
|
The Death and Life of the Music Industry in the Digital Age |
Jim Rogers |
|
2731 |
|
Geosonics: Listening Through Earth's Soundscapes [1 ed.] |
Joshua Dittrich |
1 |
2732 |
|
Iannis Xenakis’s Persepolis |
Aram Yardumian |
|
2733 |
|
Koji Kondo's Super Mario Bros. Soundtrack |
Andrew Schartmann |
|
2734 |
|
Miles Davis' Bitches Brew |
George Grella, Jr. |
|
2735 |
|
The Political Possibility of Sound: Fragments of Listening |
Salomé Voegelin |
|
2736 |
|
Transcultural Sound Practices: British Asian Dance Music as Cultural Transformation |
Carla J. Maier |
|
2737 |
|
Rock The Nation: Latin/o Identities and the Latin Rock Diaspora |
Roberto Avant-Mier |
|
2738 |
|
Nas's Illmatic |
Matthew Gasteier |
|
2739 |
|
Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments |
Cathy van Eck |
|
2740 |
|
In the Blink of an Ear: Toward a Non-Cochlear Sonic Art [1 ed.] |
Seth Kim-Cohen |
1 |
2741 |
|
Listening Devices: Music Media in the Pre-Digital Era |
Jens Gerrit Papenburg |
|
2742 |
|
Audio Culture, Revised Edition: Readings in Modern Music [Revised edition] |
Cox, Christoph(Editor),Warner, Daniel(Editor) |
|
2743 |
|
Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978–2000 |
Samantha Bennett |
|
2744 |
|
Bob Dylan "Highway 61 revisited" |
Dylan, Bob, Dylan, Bob, Polizzotti, Mark |
|
2745 |
|
Popular Music Autobiography: The Revolution in Life-Writing by 1960s’ Musicians and Their Descendants |
Oliver Lovesey |
|
2746 |
|
Radiohead's Kid A |
Marvin Lin |
|
2747 |
|
Fugazi’s In on the Kill Taker |
Joe Gross |
|
2748 |
|
Sonic Possible Worlds: Hearing the Continuum of Sound |
Salome Voegelin |
|
2749 |
|
British Literature and Classical Music: Cultural Contexts 1870–1945 |
David Deutsch |
|
2750 |
|
The Sound of Tomorrow: How Electronic Music was Smuggled into the Mainstream |
Mark Brend |
|
2751 |
|
Music City Melbourne: Urban Culture, History and Policy |
Shane Homan, Seamus O’Hanlon, Catherine Strong, John Tebbutt |
|
2752 |
|
Naná Vasconcelos’s Saudades |
Daniel B. Sharp |
|
2753 |
|
Scary Monsters: Monstrosity, Masculinity and Popular Music |
Mark Duffett, Jon Hackett |
|
2754 |
|
Background Noise: Perspectives on Sound Art [2 ed.] |
Brandon LaBelle |
2 |
2755 |
|
Dark Sound: Feminine Voices in Sonic Shadow |
D. Ferrett |
|
2756 |
|
Early ’70s Radio: The American Format Revolution |
Kim Simpson |
|
2757 |
|
Half Sound, Half Philosophy: Aesthetics, Politics, and History of China’s Sound Art |
Jing Wang |
|
2758 |
|
Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos |
Malcolm James |
|
2759 |
|
Neutral Milk Hotel's in the Aeroplane Over the Sea |
Kim Cooper |
|
2760 |
|
Philosophy of Modern Music |
Theodor W. Adorno |
|
2761 |
|
Sound and Music in Film and Visual Media: A Critical Overview |
Graeme Harper, Ruth Doughty, Jochen Eisentraut |
|
2762 |
|
The Bloomsbury Handbook of Music Production |
Andrew Bourbon (editor) |
|
2763 |
|
Towards Gender Equality in the Music Industry: Education, Practice and Strategies for Change |
Sarah Raine, Catherine Strong (editors) |
|
2764 |
|
Golden Hits of the Shangri-Las |
Ada Wolin |
|
2765 |
|
Acoustic Justice: Listening, Performativity, and the Work of Reorientation |
Brandon LaBelle |
|
2766 |
|
Sounding Conflict: From Resistance to Reconciliation |
Fiona Magowan, Julie M. Norman, Ariana Phillips-Hutton, Stefanie Lehner, Pedro Rebelo |
|
2767 |
|
Christian Punk: Identity and Performance |
|
|
2768 |
|
Gallery Sound |
Caleb Kelly |
|
2769 |
|
Nuovo Canzoniere Italiano's Bella Ciao |
Jacopo Tomatis |
|
2770 |
|
Sonic Technologies: Popular Music, Digital Culture and the Creative Process |
Robert Strachan |
|
2771 |
|
The Organic Globalizer: Hip hop, political development, and movement culture |
Christopher Malone, George Martinez, Jr. (editors) |
|
2772 |
|
Afrosonic Life |
Mark V. Campbell |
|
2773 |
|
Education, Music, and the Lives of Undergraduates: Collegiate A Cappella and the Pursuit of Happiness |
Roger Mantie, Brent C. Talbot |
|
2774 |
|
Mute Records: The Historical and Artistic Contexts of Britain’s Key Independent Record Label [Hardcover ed.] |
Zuleika Beaven, Marcus O’Dair, Richard Osborne |
|
2775 |
|
Silent Films/Loud Music: New Ways of Listening to and Thinking about Silent Film Music |
Phillip Johnston |
|
2776 |
|
Vinyl: The Analogue Record in the Digital Age [1 ed.] |
Dominik Bartmanski, Ian Woodward |
1 |
2777 |
|
Exploring the Spiritual in Popular Music: Beatified Beats |
Georgina Gregory and Mike Dines |
|
2778 |
|
Jawbreaker's 24 hour revenge therapy: (or, the strange death of selling out) |
Givony, Ronen |
|
2779 |
|
Sonic Rupture: A Practice-led Approach to Urban Soundscape Design |
Jordan Lacey |
|
2780 |
|
Sound design for moving image: From Concept to Realization |
Kahra Scott-james |
|
2781 |
|
Romanticism and Film: Franz Liszt and Audio-Visual Explanation |
Will Kitchen |
|
2782 |
|
Selling Out: Culture, Commerce and Popular Music |
Bethany Klein |
|
2783 |
|
The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and the Unfinished |
Andy Hamilton, Lara Pearson |
|
2784 |
|
A Framework for Teaching Music Online |
Carol Johnson |
|
2785 |
|
Kanye West's My Beautiful Dark Twisted Fantasy |
Kirk Walker Graves |
|
2786 |
|
Rancid Aphrodisiac: Subjectivity, Desire, and Rock ’n’ Roll |
Mickey Vallee |
|
2787 |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
Andy Bennett |
|
2788 |
|
Choral Voices: Ethnographic Imaginations of Sound and Sacrality |
Sebanti Chatterjee (editor) |
|
2789 |
|
Bob Dylan and Leonard Cohen: Deaths and Entrances |
David Boucher and Lucy Boucher |
|
2790 |
|
Improvising Jazz |
Coker, Jerry |
|
2791 |
|
Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 [1 ed.] |
David Toop |
1 |
2792 |
|
Scott Walker and the Song of the One-All-Alone |
Scott Wilson |
|
2793 |
|
Science, Optics and Music in Medieval and Early Modern Thought [1 ed.] |
A. C. Crombie |
1 |
2794 |
|
Music, Text and Translation |
Helen Julia Minors |
|
2795 |
|
Sonic Histories of Occupation: Experiencing Sound and Empire in a Global Context |
Russell Skelchy (editor), Jeremy E. Taylor (editor) |
|
2796 |
|
Listening to Noise and Silence: Towards a Philosophy of Sound Art [1 ed.] |
Salome Voegelin |
1 |
2797 |
|
Music/Video: Histories, Aesthetics, Media |
Daniel Cookney, Michael Goddard |
|
2798 |
|
Write in Tune: Contemporary Music in Fiction |
Erich Hertz, Jeffrey Roessner (editors) |
|
2799 |
|
Danger Mouse's The Grey Album |
Charles Fairchild |
|
2800 |
|
This Thing Called Life: Prince, Race, Sex, Religion, and Music |
Joseph Vogel |
|
2801 |
|
Ivo Papazov’s Balkanology |
Carol Silverman |
|
2802 |
|
Low End Theory: Bass, Bodies and the Materiality of Sonic Experience |
Paul C. Jasen |
|
2803 |
|
Beyond and Before, Updated and Expanded Edition: Progressive Rock across Time and Genre |
Paul Hegarty, Martin Halliwell |
|
2804 |
|
Nothing Has Been Done Before: Seeking the New in 21st-Century American Popular Music |
Robert Loss |
|
2805 |
|
Resonances: Noise and Contemporary Music [1 ed.] |
Michael Goddard, Benjamin Halligan, Nicola Spelman |
1 |
2806 |
|
South African Popular Music |
Lior Phillips (editor) |
|
2807 |
|
Sound Affects: A User’s Guide |
Sharon Jane Mee, Luke Robinson (editors) |
|
2808 |
|
The Beatles on Screen: From Pop Stars to Musicians |
Stephanie Fremaux |
|
2809 |
|
The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers |
Bertrand Denzler, Jean-Luc Guionnet |
|
2810 |
|
The Velvet Underground: What Goes On |
Sean Albiez, David Pattie (editors) |
|
2811 |
|
The Beatles and Fandom: Sex, Death and Progressive Nostalgia |
Richard Mills |
|
2812 |
|
A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 |
Julia Sneeringer |
|
2813 |
|
Allegro non troppo: Bruno Bozzetto’s Animated Music |
Marco Bellano |
|
2814 |
|
compact disc |
Robert Barry |
|
2815 |
|
Oasis' Definitely maybe |
Niven, Alex |
|
2816 |
|
Audible Signs: Essays from a Musical Ground [1 ed.] |
Michael Alec Rose |
1 |
2817 |
|
Dead Kennedys' Fresh Fruit for Rotting Vegetables |
Michael Stewart Foley |
|
2818 |
|
Mastering Primary Music |
Ruth Atkinson |
|
2819 |
|
Classical Antiquity in Heavy Metal Music |
K. F. B. Fletcher, Osman Umurhan (editors) |
|
2820 |
|
My infamous life: the autobiography of Mobb Deep's Prodigy [Unabridged] |
Checkoway, Laura,Albert ''Prodigy'' Johnson |
|
2821 |
|
Popkiss: The Life and Afterlife of Sarah Records |
Michael White |
|
2822 |
|
Caetano Veloso’s A Foreign Sound |
Barbara Browning |
|
2823 |
|
Critical Approaches to the Production of Music and Sound |
Samantha Bennett, Eliot Bates (editors) |
|
2824 |
|
Bea Palya's I'll Be Your Plaything |
Anna Szemere, András Rónai |
|
2825 |
|
American Epic |
MacMahon, Bernard,McGourty, Allison,Wald, Elijah |
|
2826 |
|
Dancing With Myself [First Edition (U.S.)] |
Billy Idol |
|
2827 |
|
Rock and Roll vs. Modern Life |
Seth Kim-Cohen |
|
2828 |
|
The Arena Concert: Music, Media and Mass Entertainment |
Robert Edgar,, kirsty fairclough-isaacs,, benjamin halligan, nicola spelman |
|
2829 |
|
Brian Eno: Oblique Music |
Albiez, Sean(Editor),Pattie, David(Editor) |
|
2830 |
|
Duran Duran's Rio [156] |
Annie Zaleski |
156 |
2831 |
|
Tim Maia's Tim Maia Racional Vols. 1 & 2 (33 1/3 Brazil) |
Allen Thayer |
|
2832 |
|
Groove: The Phenomenology of Musical Nuance |
Roholt, Tiger C |
|
2833 |
|
DIY Music and the Politics of Social Media |
Ellis Jones |
|
2834 |
|
Seduced and Abandoned: Essays on Gay Men and Popular Music |
Richard Smith |
|
2835 |
|
George Michael's Faith |
Matthew Horton |
|
2836 |
|
Kraftwerk's Computer World |
Steve Tupai Francis |
|
2837 |
|
Janelle Monáe’s The ArchAndroid |
Alyssa Favreau |
|
2838 |
|
Sound Alliances: Indigenous Peoples, Cultural Politics and Popular Music in The Pacific |
Philip Hayward (editor) |
|
2839 |
|
Siouxsie and the Banshees’ Peepshow |
Samantha Bennett |
|
2840 |
|
A New History of American and Canadian Folk Music |
Dick Weissman |
|
2841 |
|
Media Narratives in Popular Music |
Chris Anderton, Martin James (editors) |
|
2842 |
|
Sex and Gender in Pop/Rock Music: The Blues Through the Beatles to Beyoncé |
Walter Everett |
|
2843 |
|
The Bloomsbury Handbook of Rock Music Research |
Allan Moore and Paul Carr |
|
2844 |
|
Music in Ancient Greece: Melody, Rhythm and Life |
Spencer A. Klavan |
|
2845 |
|
Vopli Vidopliassova’s Tantsi |
Maria Sonevytsky |
|
2846 |
|
Young Marble Giants' Colossal Youth |
Michael Blair, Joe Bucciero |
|
2847 |
|
Musical Encounters with Deleuze and Guattari [Paperback ed.] |
Pirkko Moisala, Taru Leppänen, Milla Tiainen, Hanna Väätäinen |
|
2848 |
|
Radiophilia (The Study of Sound) |
Carolyn Birdsall |
|
2849 |
|
Janet Jackson's The Velvet Rope |
Ayanna Dozier |
|
2850 |
|
Postwar Europe and the Eurovision Song Contest |
Dean Vuletic |
|
2851 |
|
David Bowie and the Art of Music Video (New Approaches to Sound, Music, and Media) |
Lisa Perrott |
|
2852 |
|
The Beach Boys' Smile |
Luis Sanchez |
|
2853 |
|
Joni Mitchell: New Critical Readings |
Ruth Charnock (editor) |
|
2854 |
|
Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound (New Approaches to Sound, Music, and Media) |
Kevin J. Donnelly (editor) |
|
2855 |
|
New Kids on the Block: Five Brothers and a Million Sisters |
Nikki Van Noy |
|
2856 |
|
Making Meaning in Popular Song: Philosophical Essays |
Theodore Gracyk |
|
2857 |
|
The Future of Live Music |
Ewa Mazierska, Les Gillon, Tony Rigg (editors) |
|
2858 |
|
Ageing and Youth Culture Music, Style and Identity |
Andy Bennett, Paul Hodkinson (editors) |
|
2859 |
|
Monstrosity, Identity and Music: Mediating Uncanny Creatures from Frankenstein to Videogames |
Alexis Luko, James Wright |
|
2860 |
|
Morton Feldman: Friendship and Mourning in the New York Avant-Garde |
Ryan Dohoney |
|
2861 |
|
This Must Be The Place: An Architectural History of Popular Music Performance Venues |
Robert Kronenburg |
|
2862 |
|
Troubling Inheritances: Memory, Music, and Aging |
Sara Cohen, Line Grenier, Ros Jennings (editors) |
|
2863 |
|
When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock |
Matt Brennan |
|
2864 |
|
British Progressive Pop 1970–1980 |
Andy Bennett |
|
2865 |
|
João Gilberto and Stan Getz's Getz/Gilberto |
Bryan Daniel McCann |
|
2866 |
|
Film Music in ‘Minor’ National Cinemas |
Germán Gil-Curiel (editor) |
|
2867 |
|
Barenaked Ladies: Public Stunts, Private Stories |
Paul Myers |
|
2868 |
|
Mysticism, Ritual and Religion in Drone Metal |
Owen Coggins |
|
2869 |
|
Flamenco: Passion, Politics and Popular Culture |
William Washabaugh |
|
2870 |
|
Listening to the Unconscious: Adventures in Popular Music and Psychoanalysis |
Kenneth Smith, Stephen Overy |
|
2871 |
|
Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions |
Thor Magnusson |
|
2872 |
|
One-Hit Wonders: An Oblique History of Popular Music |
Sarah Hill (editor) |
|
2873 |
|
Platonism, Music and the Listener’s Share |
Christopher Norris |
|
2874 |
|
Weekend Societies: Electronic Dance Music Festivals and Event-Cultures |
|
|
2875 |
|
Yōko Kanno's Cowboy Bebop Soundtrack |
Rose Bridges |
|
2876 |
|
The Bloomsbury Handbook of Popular Music Policy |
Shane Homan (editor) |
|
2877 |
|
Remediating Sound: Repeatable Culture, YouTube and Music (New Approaches to Sound, Music, and Media) |
Holly Rogers (editor) |
|
2878 |
|
Hearing Cultures: Essays on Sound, Listening, and Modernity |
Veit Erlmann (editor) |
|
2879 |
|
Jazz in Europe: Networking and Negotiating Identities |
José Dias |
|
2880 |
|
New Kids on the Block's Hangin’ Tough |
Rebecca Wallwork |
|
2881 |
|
Translating for Singing: The Theory, Art and Craft of Translating Lyrics |
Ronnie Apter, Mark Herman |
|
2882 |
|
Bic Runga’s Drive |
Henry Johnson (editor) |
|
2883 |
|
They Might Be Giants' Flood |
Sandifer, Philip, Reed, S. Alexander |
|
2884 |
|
Édith Piaf's Récital 1961 |
David Looseley |
|
2885 |
|
Sleater-Kinney's Dig Me Out |
Jovana Babović |
|
2886 |
|
The Late Voice: Time, Age and Experience in Popular Music |
Richard Elliott |
|
2887 |
|
Re-Making Sound: An Experiential Approach to Sound Studies |
Justin Patch, Thomas Porcello |
|
2888 |
|
YouTube and Music: Online Culture and Everyday Life |
Joana Freitas, João Francisco Porfírio |
|
2889 |
|
An Anthology of Australian Albums: Critical Engagements |
|
|
2890 |
|
Crossover Stardom: Popular Male Music Stars in American Cinema |
Julie Lobalzo Wright |
|
2891 |
|
Czeslaw Niemen's Niemen Enigmatic |
Mariusz Gradowski, Ewa Mazierska |
|
2892 |
|
Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited |
Daniel Barnett |
|
2893 |
|
Sigur Rós’s ( ) (33 1/3) [Kindle Edition] |
Ethan Hayden |
|
2894 |
|
THE BEATLES AND THE 1960s: RECEPTION, REVOLUTION, AND SOCIAL CHANGE |
Kenneth L. Campbell |
|
2895 |
|
It’s So Easy |
McKagan, Duff |
|
2896 |
|
Judy At Carnegie Hall |
Manuel Betancourt |
|
2897 |
|
Making It Heard: A History of Brazilian Sound Art |
Rui Chaves, Fernando Iazzetta (editors) |
|
2898 |
|
Drive-By Truckers’ Southern Rock Opera |
Rien Fertel |
|
2899 |
|
Pain, Play and Music: Death and Healing Rites Among the Wana |
Giorgio Scalici |
|
2900 |
|
Uncurating Sound: Knowledge with Voice and Hands |
Salomé Voegelin |
|
2901 |
|
Switched-On Bach |
Roshanak Kheshti |
|
2902 |
|
Music and the road: Essays on the interplay of music and the popular culture of the American road |
Gordon E. Slethaug |
|
2903 |
|
Diva: Feminism and Fierceness from Pop to Hip-Hop |
Kirsty Fairclough (editor) |
|
2904 |
|
Music, Memory and Memoir |
Helen Pleasance |
|
2905 |
|
Music engineering [2 ed.] |
Richard Brice |
2 |
2906 |
|
Devo's Freedom of Choice |
Evie Nagy |
|
2907 |
|
Musical Bows of Southern Africa |
Sazi Dlamini (editor) |
|
2908 |
|
Classical Music in Weimar Germany: Culture and Politics before the Third Reich |
|
|
2909 |
|
Elvis Presley's From Elvis in Memphis |
Eric Wolfson |
|
2910 |
|
Representing Australian Aboriginal Music and Dance 1930–1970 |
Amanda Harris, Shannon Foster, Tiriki Onus, Nardi Simpson |
|
2911 |
|
Popular Music and Multimodal Critical Discourse Studies: Ideology, Control, and Resistance in Turkey Since 2002 |
Lyndon C. S. Way |
|
2912 |
|
Future Sounds: The Temporality of Noise |
Stephen Kennedy |
|
2913 |
|
Dance-Punk |
Larissa Wodtke |
|
2914 |
|
Inventing Elvis: An American Icon in a Cold War World |
Mathias Haeussler |
|
2915 |
|
Elliot Smith's Xo |
Matthew Lemay |
|
2916 |
|
Maria Callas's Lyric and Coloratura Arias |
Ginger Dellenbaugh |
|
2917 |
|
Small Venues: Precarity, Vibrancy and Live Music |
Sam Whiting |
|
2918 |
|
Popular Music and the Moving Image in Eastern Europe |
Ewa Mazierska (editor), Zsolt Gyori (editor) |
|
2919 |
|
The Bloomsbury Handbook of Sound Art |
Sanne Krogh Groth, Holger Schulze |
|
2920 |
|
LCD Soundsystem’s Sound Of Silver |
Ryan Leas |
|
2921 |
|
Britney Spears's Blackout |
Natasha Lasky |
|
2922 |
|
Racionais MCs’ Sobrevivendo no Inferno |
Derek Pardue |
|
2923 |
|
The Raincoats |
Jenn Pelly |
|
2924 |
|
Magical Musical Tour: Rock and Pop in Film Soundtracks |
K.J. Donnelly |
|
2925 |
|
Sacred and Secular Musics: A Postcolonial Approach |
Virinder S. Kalra |
|
2926 |
|
Hitchcock's ear : music and the director's art |
Schroeder, David P., Hitchcock, Alfred |
|
2927 |
|
Popular Music and the Politics of Novelty |
Pete Dale |
|
2928 |
|
Transglobal Sounds: Music, Youth and Migration |
João Sardinha, Ricardo Campos (editors) |
|
2929 |
|
Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology |
Ewa Mazierska (editor), Les Gillon (editor), Tony Rigg (editor) |
|
2930 |
|
Workingman’s Dead: 33⅓ |
Buzz Poole |
|
2931 |
|
BBC Radiophonic Workshop's BBC Radiophonic Workshop - A Retrospective |
William L. Weir (editor) |
|
2932 |
|
So Much to Say: Dave Matthews Band—20 Years on the Road |
Nikki Van Noy |
|
2933 |
|
Mortality and Music: Popular Music and the Awareness of Death |
Christopher Partridge |
|
2934 |
|
Mad Dogs and Englishness: Popular Music and English Identities |
Lee Brooks, Mark Donnelly, Richard Mills |
|
2935 |
|
Milton Nascimento and Lô Borges’s The Corner Club |
Jonathon Grasse |
|
2936 |
|
Postmodern Music, Postmodern Listening |
Jonathan D. Kramer, Robert Carl (editor) |
|
2937 |
|
Liz Phair's Exile in Guyville |
Phair, Liz, Arnold, Gina |
|
2938 |
|
Classical Music Top 40: Learn How To Listen To And Appreciate The 40 Most Popular And Important Pieces I |
Anthony Rudel |
|
2939 |
|
Kylie Minogue's Kylie |
Adrian Renzo, Liz Giuffre |
|
2940 |
|
Long and Winding Roads, Revised Edition: The Evolving Artistry of the Beatles |
Kenneth Womack |
|
2941 |
|
U2 and the Religious Impulse: Take Me Higher |
Scott Calhoun (editor) |
|
2942 |
|
The Modern Lovers' The Modern Lovers |
Sean L. Maloney |
|
2943 |
|
Postwar Politics, Society and the Folk Revival in England, 1945–65 |
Julia Mitchell |
|
2944 |
|
Punk Style |
Monica Sklar |
|
2945 |
|
Math Rock |
Jeff Gomez |
|
2946 |
|
Shakespeare and Popular Music |
Adam Hansen |
|
2947 |
|
The Jesus and Mary Chain's Psychocandy |
Paula Mejia |
|
2948 |
|
Being Time: Case Studies in Musical Temporality |
Richard Glover, Jennie Gottschalk, Bryn Harrison |
|
2949 |
|
Shonen Knife’s Happy Hour: Food, Gender, Rock and Roll |
Brooke McCorkle Okazaki |
|
2950 |
|
The Bloomsbury Handbook of Popular Music Video Analysis |
Lori A. Burns and Stan Hawkins |
|
2951 |
|
Perfume’s GAME |
Patrick St. Michel |
|
2952 |
|
The Dialectics of Music: Adorno, Benjamin, and Deleuze |
Joseph Weiss |
|
2953 |
|
Dylan’s Autobiography of a Vocation: A Reading of the Lyrics 1965–1967 |
Louis A. Renza |
|
2954 |
|
Popular Music in Japan: Transformation Inspired by the West |
Tōru Mitsui |
|
2955 |
|
Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism |
Macon Holt |
|
2956 |
|
Music and Politics in Thirties Britain: Raise the Standard High |
John Morris |
|
2957 |
|
Fashion and Jazz: Dress, identity and subcultural improvisation |
Alphonso D. McClendon |
|
2958 |
|
Improvisation as Art: Conceptual Challenges, Historical Perspectives |
Edgar Landgraf |
|
2959 |
|
Björk's Homogenic |
Emily Mackay |
|
2960 |
|
Music Radio: Building Communities, Mediating Genres |
Morten Michelsen, Mads Krogh, Steen Kaargaard Nielsen, Iben Have (editors) |
|
2961 |
|
Trip-Hop |
RJ Wheaton |
|
2962 |
|
It's So Easy: And Other Lies [First ed.] |
Duff McKagan |
|
2963 |
|
Shakespeare's musical imagery [1 ed.] |
Shakespeare, William, Shakespeare, William, Wilson, Christopher R., Shakespeare, William |
1 |
2964 |
|
Improvisation in Music and Philosophical Hermeneutics |
Sam McAuliffe |
|
2965 |
|
After Sound: Toward a Critical Music |
G Douglas Barrett |
|
2966 |
|
Religion and Popular Music: Artists, Fans, and Cultures |
Andreas Häger (editor) |
|
2967 |
|
Sounds, Screens, Speakers: An Introduction to Music and Media |
Charles Fairchild |
|
2968 |
|
Pianos, Toys, Music and Noise: Conversations with Steve Beresford |
Andy Hamilton |
|
2969 |
|
Phish's A Live One |
Walter Holland |
|
2970 |
|
Angela Carter and Folk Music: ‘Invisible Music’, Prose and the Art of Canorography |
Polly Paulusma |
|
2971 |
|
Fugazi's 'In on the Kill Taker' |
Gross, Joe |
|
2972 |
|
Various Artists' DJs do Guetto |
Richard Elliott |
|
2973 |
|
Finding the Beat: Entrainment, Rhythmic Play, and Social Meaning in Rock Music |
Nathan Hesselink |
|
2974 |
|
Heiner Müller and Heiner Goebbels’s Wolokolamsker Chaussee |
Philip V. Bohlman |
|
2975 |
|
A Women’s History of the Beatles |
Christine Feldman-Barrett |
|
2976 |
|
DIY style : fashion, music and global digital cultures [English ed] |
Luvaas, Brent Adam |
|
2977 |
|
Understanding music : philosophy and interpretation [1 ed.] |
Scruton, Roger |
1 |
2978 |
|
Radiohead's OK Computer |
Dai Griffiths |
|
2979 |
|
Supercell's Supercell featuring Hatsune Miku |
Keisuke Yamada, Noriko Manabe |
|
2980 |
|
Composing for the Films |
Theodor W. Adorno, Hanns Eisler |
|
2981 |
|
David Bowie's Diamond Dogs (33 1/3, 143) |
Glenn Hendler |
|
2982 |
|
DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music |
Bernardo Alexander Attias, Anna Gavanas, Hillegonda C. Rietveld |
|
2983 |
|
Musicals at the Margins: Genre, Boundaries, Canons |
Julie Lobalzo Wright, Martha Shearer |
|
2984 |
|
The Destruction and Creation of Michael Jackson |
Ellis Cashmore |
|
2985 |
|
Sigur Rós's |
Hayden, Ethan |
|
2986 |
|
Yuming's The 14th Moon |
Lasse Lehtonen |
|
2987 |
|
Music, City and the Roma under Communism |
Anna G. Piotrowska |
|
2988 |
|
Gilberto Gil’s Refazenda |
Marc A. Hertzman |
|
2989 |
|
Sacred Music, Religious Desire and Knowledge of God: The Music of Our Human Longing |
Julian Perlmutter |
|
2990 |
|
Australian Music and Modernism, 1960–1975 |
Michael Hooper |
|
2991 |
|
Hole's Live Through This [103] |
Anwen Crawford |
103 |
2992 |
|
Death Metal |
T Coles |
|
2993 |
|
Donna Summer's Once Upon a Time |
Alex Jeffery |
|
2994 |
|
Lou Reed’s Transformer |
Ezra Furman |
|
2995 |
|
Carole King's Tapestry |
Loren Glass |
|
2996 |
|
Bobbie Gentry's Ode to Billie Joe [102] |
Tara Murtha |
102 |
2997 |
|
Jawbreaker’s 24 Hour Revenge Therapy |
Ronen Givony |
|
2998 |
|
Camp Lo's Uptown Saturday Night |
Patrick Rivers, Will Fulton |
|
2999 |
|
Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music |
Nikos Ordoulidis |
|
3000 |
|
Owning the Masters: A History of Sound Recording Copyright |
Richard Osborne |
|
3001 |
|
Cat Power's Moon Pix |
Donna Kozloskie |
|
3002 |
|
Serge Gainsbourg: An International Perspective |
Olivier Julien (editor) |
|
3003 |
|
The Rhythm Image: Music Videos and New Audiovisual Forms (New Approaches to Sound, Music, and Media) |
Steven Shaviro |
|
3004 |
|
Dangerous Mediations: Pop Music in a Philippine Prison Video |
Áine Mangaoang |
|
3005 |
|
Island Musics |
Kevin Dawe (editor) |
|
3006 |
|
Michael Jackson's Dangerous [100] |
Susan Fast |
100 |
3007 |
|
Noise Matters: Towards an Ontology of Noise |
Greg Hainge |
|
3008 |
|
Ride, Red, Ride: The Life of Henry 'Red' Allen [New edition] |
John Chilton |
|
3009 |
|
Christian Metal: History, Ideology, Scene |
Marcus Moberg |
|
3010 |
|
Prince and Popular Music: Critical Perspectives on an Interdisciplinary Life |
Mike Alleyne, Kirsty Fairclough |
|
3011 |
|
Sirens |
Michael Bull |
|
3012 |
|
Screamfeeder's Kitten Licks (33 1/3 Oceania) |
Ben Green, Ian Rogers |
|
3013 |
|
21st Century Guitar: Evolutions and Augmentations |
Richard Perks, John McGrath |
|
3014 |
|
Sam Cooke’s Live at the Harlem Square Club, 1963 |
Colin Fleming |
|
3015 |
|
Living Colour's Time's Up |
Kimberly Mack (editor) |
|
3016 |
|
Not for You: Pearl Jam and the Present Tense |
Ronen Givony |
|
3017 |
|
The Pharcyde's Bizarre Ride II the Pharcyde |
Andrew Barker |
|
3018 |
|
This is Not a Remix: Piracy, Authenticity and Popular Music |
Margie Borschke |
|
3019 |
|
You Are Not Alone: Michael, Through a Brother's Eyes [First Edition] |
Jermaine Jackson |
|
3020 |
|
Activating Diverse Musical Creativities |
Pamela Burnard, Elizabeth Haddon (editors) |
|
3021 |
|
Earth, Wind & Fire's That's the Way of the World |
Dwight E. Brooks |
|
3022 |
|
The Raincoats' The Raincoats |
Jenn Pelly |
|
3023 |
|
Long and Winding Roads: The Evolving Artistry of the Beatles |
Kenneth Womack |
|
3024 |
|
The Bloomsbury Handbook of Popular Music and Social Class |
|
|
3025 |
|
Tori Amos’s Boys for Pele |
Amy Gentry |
|
3026 |
|
Annihilating Noise |
Paul Hegarty |
|
3027 |
|
Beat Happening's Beat Happening |
Bryan C. Parker |
|
3028 |
|
Richard Hell and the Voidoids' Blank Generation [092] |
Pete Astor |
92 |
3029 |
|
My Crazy Beautiful Life |
Ke$ha |
|
3030 |
|
SOUTHERN ACCENTS: The Audio Media Revolution |
Michael Washburn |
|
3031 |
|
Blondie's Parallel Lines |
Kembrew McLeod |
|
3032 |
|
The pop festival: history, music, media, culture |
McKay, George |
|
3033 |
|
Pussy Riot: Speaking Punk to Power |
Eliot Borenstein |
|
3034 |
|
Body as Instrument: Performing with Gestural Systems in Live Electronic Music |
Mary Mainsbridge |
|
3035 |
|
Janelle Monae’s The ArchAndroid |
Alyssa Favreau |
|
3036 |
|
Music Video Games: Performance, Politics, and Play |
Michael Austin (editor) |
|
3037 |
|
Understanding Music: Philosophy and Interpretation |
Roger Scruton |
|
3038 |
|
The Cognitive Continuum of Electronic Music |
Anıl Çamcı |
|
3039 |
|
Becoming Noise Music: Style, Aesthetics and History |
Stephen Graham |
|
3040 |
|
Sonic Possible Worlds, Revised Edition: Hearing the Continuum of Sound |
Salomé Voegelin |
|
3041 |
|
Merle Haggard’s Okie from Muskogee |
Rachel Lee Rubin |
|
3042 |
|
Sync or Swarm, Revised Edition: Improvising Music in a Complex Age [2 ed.] |
David Borgo |
2 |
3043 |
|
Andrew W.K.'s I Get Wet [089] |
Phillip Crandall |
89 |
3044 |
|
Being Time: Exploring Temporalities in Experimental Music |
Richard Glover, Bryn Harrison |
|
3045 |
|
The languages of global hip-hop [1 ed.] |
Terkourafi, Marina |
1 |
3046 |
|
The Origins of Music Theory in the Age of Plato |
Sean Alexander Gurd |
|
3047 |
|
Curating Pop: Exhibiting Popular Music in the Museum |
Sarah Baker, Lauren Istvandity, Raphaël Nowak |
|
3048 |
|
Talking Heads' Fear of Music [086] |
Jonathan Lethem |
86 |
3049 |
|
I’M YOUR FAN: THE SONGS OF LEONARD COHEN |
Ray Padgett |
|
3050 |
|
The Poetics of Noise from Dada to Punk |
John Melillo |
|
3051 |
|
Metallica's Metallica |
David Masciotra |
|
3052 |
|
Chico Buarque's First Chico Buarque |
Charles A. Perrone |
|
3053 |
|
Hip-Hop Headphones: A Scholar’s Critical Playlist |
James Braxton Peterson |
|
3054 |
|
The Present and Future of Music Law |
Ann Harrison, Tony Rigg |
|
3055 |
|
John Farnham’s Whispering Jack |
Graeme Turner |
|
3056 |
|
Modeselektor’s Happy Birthday! |
Sean Nye |
|
3057 |
|
The Life, Death, and Afterlife of the Record Store: A Global History |
Gina Arnold, John Dougan, Christine Feldman-Barrett, Matthew Worley |
|
3058 |
|
Sound Art Revisited |
Alan Licht |
|
3059 |
|
High Performance Audio Power Amplifiers for Music Performance and Reproduction [Revised] |
Ben Duncan |
|
3060 |
|
Beyond and Before: Progressive Rock Across Time and Genre [2 ed.] |
Paul Hegarty, Martin Halliwell |
2 |
3061 |
|
Sonic Phantoms: Composition with Auditory Phantasmatic Presence |
Barbara Ellison, Thomas Bey William Bailey, Francisco López (editors) |
|
3062 |
|
Future Nostalgia: Performing David Bowie |
Shelton Waldrep |
|
3063 |
|
The Birth of Breaking: Hip-Hop History from the Floor Up |
Serouj “Midus” Aprahamian |
|
3064 |
|
Experimental Music Since 1970 |
Jennie Gottschalk |
|
3065 |
|
J Dilla's Donuts |
Ferguson, Jordan, J Dilla, 1974-2006., J Dilla, 1974-2006 |
|
3066 |
|
Mercyful Fate's Don't Break the Oath |
Henrik Marstal |
|
3067 |
|
DJ Shadow’s Endtroducing |
Eliot Wilder |
|
3068 |
|
Listening After Nature: Field Recording, Ecology, Critical Practice |
Mark Peter Wright |
|
3069 |
|
Songs from the Front Lawn |
Matthew Bannister |
|
3070 |
|
The Origins and Foundations of Music Education: International Perspectives |
Gordon Cox, Robin Stevens |
|
3071 |
|
Blackstar Theory: The Last Works of David Bowie |
Leah Kardos |
|
3072 |
|
Lit-Rock: Literary Capital in Popular Music |
Ryan Hibbett (editor) |
|
3073 |
|
Mute Records: Artists, Business, History |
Zuleika Beaven, Marcus O’Dair, Richard Osborne (editors) |
|
3074 |
|
Pearl Jam and Philosophy |
Stefano Marino (editor), Andrea Schembari (editor) |
|
3075 |
|
Teddy Wilson Talks Jazz: The Autobiography of Teddy Wilson [Reprint ed.] |
Teddy Wilson, Arie Ligthart, Humphrey van Loo |
|
3076 |
|
Sonic Identity at the Margins |
Jessie Fillerup, Joanna K. Love (editor) |
|
3077 |
|
Learn to Read Music [Paperback ed.] |
Howard Shanet |
|
3078 |
|
Resonant Matter: Sound, Art, and the Promise of Hospitality |
Lutz Koepnick |
|
3079 |
|
The Bloomsbury Handbook of Sonic Methodologies |
Michael Bull, Marcel Cobussen (editor) |
|
3080 |
|
Timbre: Paradox, Materialism, Vibrational Aesthetics |
Isabella Anna Maria Van Elferen |
|
3081 |
|
Popular Music, Power and Play: Reframing Creative Practice |
Marshall Heiser |
|
3082 |
|
Darkthrone’s A Blaze in the Northern Sky |
Ross Hagen, Fabian Holt |
|
3083 |
|
Jazz Writings: Essays and Reviews, 1940-1984 |
Philip Larkin, Richard Palmer, John White |
|
3084 |
|
The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices |
Zack Moir, Bryan Powell, Gareth Dylan Smith |
|
3085 |
|
Joe Hisaishi’s Soundtrack for My Neighbor Totoro |
Kunio Hara |
|
3086 |
|
Aphex Twin's Selected Ambient Works, Volume II [2] |
Marc Weidenbaum |
2 |
3087 |
|
Jeff Buckley's Grace |
Brooks, Daphne A |
|
3088 |
|
Music Composition in the 21st Century: A Practical Guide for the New Common Practice |
Robert Carl |
|
3089 |
|
Call Me the Seeker: Listening to Religion in Popular Music [1st Edition] |
Michael J. Gilmour |
1 |
3090 |
|
Annoying Music in Everyday Life |
Felipe Trotta |
|
3091 |
|
Bobbie Gentry's Ode to Billie Joe |
Gentry, Bobbie, Murtha, Tara |
|
3092 |
|
Hearing Maskanda: Musical Epistemologies in South Africa |
Barbara Titus |
|
3093 |
|
21st-Century Dylan: Late and Timely |
Laurence Estanove, Adrian Grafe, Andrew McKeown, Claire Hélie (editors) |
|
3094 |
|
Experimentations: John Cage in Music, Art, and Architecture |
Branden W. Joseph |
|
3095 |
|
Artie Shaw: His Life and Music [Revised] |
John White |
|
3096 |
|
Extreme Metal: Music and Culture on the Edge |
Keith Kahn-Harris |
|
3097 |
|
Global Punk: Resistance and Rebellion in Everyday Life |
Kevin C. Dunn |
|
3098 |
|
How to Play Popular Piano in 10 Easy Lessons: The Fastest, Easiest Way to Learn to Play from Sheet Music or by Ear |
Norman Monath, Hal David |
|
3099 |
|
Sound Communities in the Asia Pacific: Music, Media, and Technology |
Lonán Ó Briain, Min Yen Ong (editors) |
|
3100 |
|
Donny Hathaway's Donny Hathaway Live |
Emily J. Lordi |
|
3101 |
|
Kendrick Lamar's To Pimp a Butterfly |
Sequoia Maner |
|
3102 |
|
Public Enemy's It Takes a Nation of Millions to Hold Us Back [1 ed.] |
Christopher R. Weingarten |
1 |
3103 |
|
Minnie Riperton’s Come to My Garden |
Brittnay L. Proctor |
|
3104 |
|
Prince’s Sign O’ the Times |
Michaelangelo Matos |
|
3105 |
|
The Evolution of Electronic Dance Music |
Ewa Mazierska, Tony Rigg and Les Gillon |
|
3106 |
|
Feminism and Gender Politics in Mediated Popular Music |
Ann Werner |
|
3107 |
|
Over and Over: Exploring Repetition in Popular Music |
Olivier Julien (editor), Christophe Levaux (editor) |
|
3108 |
|
The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present [Original ed.] |
Scott Plagenhoef, Ryan Schreiber |
|
3109 |
|
Aesthetics and Music |
Andy Hamilton |
|
3110 |
|
American Epic: The First Time America Heard Itself |
Bernard MacMahon, Allison McGourty |
|
3111 |
|
Geto Boys' The Geto Boys |
Rolf Potts |
|
3112 |
|
Music: Antiquity and Its Legacy |
Eleonora Rocconi |
|
3113 |
|
Musician in the Museum: Display and Power in Neoliberal Popular Culture |
Charles Fairchild |
|
3114 |
|
THE WILD TCHOUPITOULAS |
Bryan Wagner |
|
3115 |
|
Paul McCartney: A Life |
Peter Ames Carlin |
|
3116 |
|
Which Side Are You On?: An Inside History of the Folk Music Revival in America |
Dick Weissman |
|
3117 |
|
David Bowie and the Moving Image: A Standing Cinema |
Katherine Reed |
|
3118 |
|
Speech, Music, Sound |
Theo Van Leeuwen |
|
3119 |
|
Living Stereo: Histories and Cultures of Multichannel Sound |
Paul Théberge, Kyle Devine, Tom Everrett |
|
3120 |
|
Madvillain's Madvillainy |
Will Hagle (editor) |
|
3121 |
|
Music after Deleuze |
Edward Campbell |
|
3122 |
|
The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters |
Samuel Cohen, James Peacock |
|
3123 |
|
Making Aboriginal Men and Music in Central Australia |
Åse Ottosson |
|
3124 |
|
I Slept with Joey Ramone: A Family Memoir |
Mickey Leigh, Legs McNeil |
|
3125 |
|
Bob Mould's Workbook |
Walter Biggins, Daniel Couch |
|
3126 |
|
Nenes’ Koza Dabasa: Okinawa in the World Music Market |
Henry Johnson |
|
3127 |
|
The Sonic Persona: An Anthropology of Sound |
Holger Schulze |
|
3128 |
|
Music in Shakespeare: A Dictionary |
Christopher Wilson &, Michela Calore |
|
3129 |
|
The Singer-Songwriter Handbook |
Justin A. Williams, Katherine Williams |
|
3130 |
|
Beyond No Future: Cultures of German Punk |
Seth Howes, Cyrus M. Shahan (editors) |
|
3131 |
|
Dictionary of Composers for the Church in Great Britain and Ireland [1 ed.] |
Robert Evans, Maggie Humphreys |
1 |
3132 |
|
James Joyce and Absolute Music |
Michelle Witen |
|
3133 |
|
The Bloomsbury Handbook of Religion and Popular Music |
Christopher Partridge, Marcus Moberg |
|
3134 |
|
The Bloomsbury Handbook of Popular Music, Space and Place |
Geoff Stahl, J. Mark Percival (editor) |
|
3135 |
|
Top 40 Democracy: The Rival Mainstreams of American Music |
Eric Weisbard |
|
3136 |
|
Mahler : a musical physiognomy [Paperback ed.] |
Mahler, Gustav, Mahler, Gustav, Adorno, Theodor W |
|
3137 |
|
Mozart and the Mediation of Childhood |
Adeline Mueller |
|
3138 |
|
Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater |
David J. Buch |
|
3139 |
|
Saint Cecilia in the Renaissance: The Emergence of a Musical Icon |
John A. Rice |
|
3140 |
|
Music's Monisms: Disarticulating Modernism |
Daniel Albright, Alexander Rehding |
|
3141 |
|
Jewish musical modernism, old and new |
Gilman, Sander L., Bohlman, Philip Vilas |
|
3142 |
|
How the World Listens: The Human Relationship with Sound across the World |
Tom A. Garner |
|
3143 |
|
Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration |
Thomas Turino |
|
3144 |
|
The Essential Guide to Game Audio: The Theory and Practice of Sound for Games |
Steve Horowitz, Scott R. Looney |
|
3145 |
|
Distant Cycles: Schubert and the Conceiving of Song |
Richard Kramer |
|
3146 |
|
Acoustics and psychoacoustics [2nd ed.] |
Angus, James A. S., Howard, David Martin |
2 |
3147 |
|
Sound and Recording, : An Introduction [5 ed.] |
Francis Rumsey, TIM MCCORMICK |
5 |
3148 |
|
The Art of Mbira: Musical Inheritance and Legacy |
Paul F. Berliner |
|
3149 |
|
Pro Tools LE and M-Powered: The complete guide [1 ed.] |
Mike Collins |
1 |
3150 |
|
Mastering Audio: The Art and the Science [3 ed.] |
Robert A. Katz |
3 |
3151 |
|
Distortion in Music Production: The Soul of Sonics |
Gary Bromham, Austin Moore |
|
3152 |
|
Audio Sampling: A Practical Guide |
Sam McGuire, Roy Pritts |
|
3153 |
|
Music and Capitalism: A History of the Present |
Timothy D. Taylor |
|
3154 |
|
Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa |
Gavin Steingo |
|
3155 |
|
Tristan's Shadow: Sexuality and the Total Work of Art after Wagner |
Adrian Daub |
|
3156 |
|
Logic Pro X: Audio and Music Production |
Mark Cousins, Russ Hepworth-Sawyer |
|
3157 |
|
Song Walking: Women, Music, and Environmental Justice in an African Borderland |
Angela Impey |
|
3158 |
|
Ilmatar's Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music |
Tina K. Ramnarine |
|
3159 |
|
Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport |
Jonathan R. Wynn |
|
3160 |
|
The Game Music Toolbox: Composition Techniques and Production Tools from 20 Iconic Game Soundtracks |
Marios Aristopoulos |
|
3161 |
|
The Art of Recording: Understanding and Crafting the Mix [1 ed.] |
William Moylan |
1 |
3162 |
|
Sound and Recording [6 ed.] |
Francis Rumsey, TIM MCCORMICK |
6 |
3163 |
|
The Microphone Book, Second Edition: From mono to stereo to surround - a guide to microphone design and application [2 ed.] |
John Eargle |
2 |
3164 |
|
Music in the Culture of the Renaissance and Other Essays [2] |
Lowinsky, Edward E. |
2 |
3165 |
|
Format Friction: Perspectives on the Shellac Disc (New Material Histories of Music) [1 ed.] |
Gavin Williams |
1 |
3166 |
|
Everyone Loves Live Music: A Theory of Performance Institutions [1 ed.] |
Fabian Holt |
1 |
3167 |
|
A Florentine chansonnier from the time of Lorenzo the Magnificent: Florence, Biblioteca nazionale centrale, MS Banco rari 229, Vol. 2 |
Howard Mayer Brown, Brian Jeffery, Max Knight |
|
3168 |
|
Subversive Sounds: Race and the Birth of Jazz in New Orleans |
Charles B. Hersch |
|
3169 |
|
The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea |
Nomi Dave |
|
3170 |
|
Berlioz and His World (The Bard Music Festival) |
Francesca Brittan (editor), Sarah Hibberd (editor) |
|
3171 |
|
The Blues Dream of Billy Boy Arnold |
Billy Boy Arnold, Kim Field |
|
3172 |
|
Richard Wagner: a Life in Music |
Martin Geck |
|
3173 |
|
Robert Schumann: The Life and Work of a Romantic Composer [1st ed.] |
Martin Geck |
1 |
3174 |
|
Become a Competent Music Producer in 365 Days [1 ed.] |
Sam George |
1 |
3175 |
|
You're with Stupid: kranky, Chicago, and the Reinvention of Indie Music |
Bruce Adams |
|
3176 |
|
Flip the Script: European Hip Hop and the Politics of Postcoloniality |
J. Griffith Rollefson |
|
3177 |
|
Trends in Harmonic Analysis and Its Applications |
Jens G. Christensen, Susanna Dann, Azita Mayeli, Gestur Olafsson |
|
3178 |
|
Civic Jazz: American Music and Kenneth Burke on the Art of Getting Along |
Gregory Clark |
|
3179 |
|
Sibelius: A Composer's Life and the Awakening of Finland |
Glenda Dawn Goss |
|
3180 |
|
Metaphor and Musical Thought [1 ed.] |
Michael Spitzer |
1 |
3181 |
|
The Guitar: Tracing the Grain Back to the Tree |
Chris Gibson, Andrew Warren |
|
3182 |
|
Music, Discipline, and Arms in Early Modern France |
Kate van Orden |
|
3183 |
|
The Rhythmic Structure of Music |
Grosvenor Cooper, Leonard Meyer |
|
3184 |
|
The Comedians of the King: 'Opera Comique' and the Bourbon Monarchy on the Eve of Revolution [1 ed.] |
Julia Doe |
1 |
3185 |
|
Performing Afro-Cuba |
Kristina Wirtz |
|
3186 |
|
Fiddling for Norway : Revival and Identity |
Chris Goertzen |
|
3187 |
|
Nationalists, cosmopolitans, and popular music in Zimbabwe |
Thomas Turino |
|
3188 |
|
A Listener's Guide to Free Improvisation |
John Corbett |
|
3189 |
|
The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture |
Timothy D. Taylor |
|
3190 |
|
Audio Production Worktext: Concepts, Techniques, and Equipment [6 ed.] |
David Reese, Lynne Gross, Brian Gross |
6 |
3191 |
|
Louder Than Bombs: A Life with Music, War, and Peace |
Ed Vulliamy |
|
3192 |
|
Il trovatore: Critical Edition Study Score |
Giuseppe Verdi (editor), David Lawton (editor) |
|
3193 |
|
Sound Experiments: The Music of the AACM |
Paul Steinbeck |
|
3194 |
|
Pilgrimage to dollywood - a country music road trip through tennessee |
Morales, Helen |
|
3195 |
|
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora |
Kay Kaufman Shelemay |
|
3196 |
|
The Music of Film: Collaborations and Conversations |
Steven A. Saltzman |
|
3197 |
|
Thug Life: Race, Gender, and the Meaning of Hip-Hop |
Michael P. Jeffries |
|
3198 |
|
Musical Vitalities: Ventures in a Biotic Aesthetics of Music |
Holly Watkins |
|
3199 |
|
Mixing Audio: Concepts, Practices and Tools |
Roey Izhaki |
|
3200 |
|
Recording Tips for Engineers, Third Edition: For cleaner, brighter tracks (Mastering Music) [3 ed.] |
Tim Crich |
3 |
3201 |
|
Women in Audio [1° ed.] |
Leslie Gaston-Bird |
1 |
3202 |
|
The Republic of Love: Cultural Intimacy in Turkish Popular Music |
Martin Stokes |
|
3203 |
|
Who Wrote the Book of Love? |
Lee Siegel |
|
3204 |
|
More Important Than the Music: A History of Jazz Discography |
Bruce D. Epperson |
|
3205 |
|
The Scattered Court: Hindustani Music in Colonial Bengal |
Richard David Williams |
|
3206 |
|
Move on up: Chicago soul music and black cultural power |
Cohen, Aaron |
|
3207 |
|
Blowin' Up: Rap Dreams in South Central |
Jooyoung Lee |
|
3208 |
|
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age [1 ed.] |
Harry Liebersohn |
1 |
3209 |
|
Recording Music on Location: Capturing the Live Performance [2 ed.] |
Bruce Bartlett, Jenny Bartlett |
2 |
3210 |
|
Reimagining Sample-based Hip Hop: Making Records within Records |
Michail Exarchos |
|
3211 |
|
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte |
Emily Wilbourne |
|
3212 |
|
Music in the World: Selected Essays |
Timothy D. Taylor |
|
3213 |
|
Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera (Opera Lab: Explorations in History, Technology, and Performance) [1 ed.] |
Melina Esse |
1 |
3214 |
|
Audio Engineering 101 A Beginner's Guide to Music Production |
Tim Dittmar |
|
3215 |
|
Pro Tools 8: Music Production, Recording, Editing and Mixing |
Mike Collins |
|
3216 |
|
Music in the Present Tense: Rossini’s Italian Operas in Their Time |
Emanuele Senici |
|
3217 |
|
Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France |
Siv B. Lie |
|
3218 |
|
Mic It! : Microphones, Microphone Techniques, and Their Impact on the Final Mix |
Ian Corbett and Doug Scarrett |
|
3219 |
|
Listening to China: Sound and the Sino-Western Encounter, 1770-1839 |
Thomas Irvine |
|
3220 |
|
An Unnatural Attitude: Phenomenology in Weimar Musical Thought |
Benjamin Steege |
|
3221 |
|
Recording Tips for Engineers: For cleaner, brighter tracks [3 ed.] |
Tim Crich |
3 |
3222 |
|
Creolized Aurality: Guadeloupean Gwoka and Postcolonial Politics |
Jérôme Camal |
|
3223 |
|
Classicism of the twenties: art, music, and literature [1 ed.] |
Ziolkowski, Theodore |
1 |
3224 |
|
Practical Mastering: A Guide to Mastering in the Modern Studio |
Mark Cousins, Russ Hepworth-Sawyer |
|
3225 |
|
Logic Pro 9: Audio and Music Production |
Mark Cousins, Russ Hepworth-Sawyer |
|
3226 |
|
Both from the Ears and Mind: Thinking about Music in Early Modern England |
Linda Phyllis Austern |
|
3227 |
|
Emotion and meaning in music |
Leonard B. Meyer |
|
3228 |
|
Composing Japanese Musical Modernity [Illustrat ed.] |
Bonnie Wade |
|
3229 |
|
The Operas of Giuseppe Verdi |
Abramo Basevi (editor), Stefano Castelvecchi (editor), Stefano Castelvecchi (editor), Edward Schneider (editor), Stefano Castelvecchi (editor) |
|
3230 |
|
Bitten by the Blues: The Alligator Records Story |
Bruce Iglauer, Patrick A. Roberts |
|
3231 |
|
Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859–1955 |
Fanny Gribenski |
|
3232 |
|
Beethoven for a Later Age - Living with the String Quartets [1 ed.] |
Edward Dusinberre |
1 |
3233 |
|
The Musical Art of Synthesis |
Sam McGuire, Nathan Van der Rest |
|
3234 |
|
I Feel So Good: The Life and Times of Big Bill Broonzy |
Bob Riesman, Pete Townshend, Peter Guralnick |
|
3235 |
|
Music in German Philosophy: An Introduction |
Stefan Lorenz Sorgner (editor), Oliver Fürbeth (editor), Susan H. Gillespie (editor), H. James Birx (editor) |
|
3236 |
|
Cassette Culture: Popular Music and Technology in North India |
Peter Manuel |
|
3237 |
|
Genre in Popular Music |
Chicago,University of South Alabama,Holt, Fabian |
|
3238 |
|
Not without Madness: Perspectives on Opera |
Fabrizio Della Seta, Mark Weir |
|
3239 |
|
The Melodramatic Moment: Music and Theatrical Culture, 1790–1820 |
Katherine G Hambridge (editor), Jonathan Hicks (editor), James Chandler (editor) |
|
3240 |
|
The Voice of the Rural: Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria |
Alessandra Ciucci |
|
3241 |
|
Divas and Scholars: Performing Italian Opera |
Philip Gossett |
|
3242 |
|
Creating Country Music: Fabricating Authenticity [New ed.] |
Richard A. Peterson |
|
3243 |
|
Stories of Tonality in the Age of François-Joseph Fétis |
Thomas Christensen |
|
3244 |
|
The Voice as Something More: Essays toward Materiality |
Martha Feldman (editor), Judith T. Zeitlin (editor), Mladen Dolar (editor) |
|
3245 |
|
Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment |
Bob McCarthy |
|
3246 |
|
Beethoven's French Piano: A Tale of Ambition and Frustration |
Tom Beghin |
|
3247 |
|
Messa da requiem : study score from the critical edition |
Rosen, David, Verdi, Giuseppe |
|
3248 |
|
Ambient Sufism: Ritual Niches and the Social Work of Musical Form |
Richard C. Jankowsky |
|
3249 |
|
Country and Midwestern: Chicago in the History of Country Music and the Folk Revival |
Mark Guarino, Robbie Fulks |
|
3250 |
|
Message to Our Folks: The Art Ensemble of Chicago |
Paul Steinbeck |
|
3251 |
|
Rhythmic Gesture in Mozart |
Wye Jamison Allanbrook (editor) |
|
3252 |
|
A Portrait in Four Movements: The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti [1 ed.] |
Andrew Patner, John R. Schmidt (editor) |
1 |
3253 |
|
Thinking in Jazz: The Infinite Art of Improvisation |
Paul F. Berliner |
|
3254 |
|
Audio Metering: Measurements, Standards and Practice [3 ed.] |
Eddy B. Brixen |
3 |
3255 |
|
Digital Electronics for Musicians: Build Intuitive Electronic and Electroacoustic Music Interfaces |
Alexandros Drymonitis |
|
3256 |
|
Arduino Music and Audio Projects [1st ed.] |
Cook, Mike |
1 |
3257 |
|
Stolen Time: Black Fad Performance and the Calypso Craze |
Shane Vogel |
|
3258 |
|
Opera and the Political Imaginary in Old Regime France |
Olivia Bloechl |
|
3259 |
|
Live Looping in Musical Performance: Lusophone Experiences in Dialogue [1 ed.] |
Alexsander Duarte (editor), Susana Sardo (editor) |
1 |
3260 |
|
Networked Music Performance: Theory and Applications [1 ed.] |
Miriam Iorwerth |
1 |
3261 |
|
Mixing Secrets for the small studio [1 ed.] |
Mike Senior |
1 |
3262 |
|
Electronic Visual Music: The Elements of Audiovisual Creativity |
Dave Payling |
|
3263 |
|
"The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century |
Virginia Danielson |
|
3264 |
|
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century |
Nicholas Mathew |
|
3265 |
|
Music Technology Essentials: A Home Studio Guide |
Andrew Maz |
|
3266 |
|
Antonio Salieri and Viennese Opera |
John A. Rice |
|
3267 |
|
I Belong to This Band, Hallelujah!: Community, Spirituality, and Tradition among Sacred Harp Singers |
Laura Clawson |
|
3268 |
|
Modern Recording Techniques: A Practical Guide to Modern Music Production (Audio Engineering Society Presents) [10 ed.] |
David Miles Huber, Emiliano Caballero, Robert Runstein |
10 |
3269 |
|
Modern Recording Techniques: A Practical Guide to Modern Music Production [10 ed.] |
David Miles Huber, Emiliano Caballero, Robert Runstein |
10 |
3270 |
|
Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929 |
Nicholas Gebhardt |
|
3271 |
|
Mix Smart: Pro Audio Tips For Your Multitrack Mix [1st ed.] |
Alex Case |
1 |
3272 |
|
Gershwin in his time : a biographical scrapbook, 1919-1937 |
Gershwin, George, Suriano, Gregory R. |
|
3273 |
|
A gift of madrigals and motets, Vol. 2 |
Newberry Library. Manuscript. Case MS.-VM 1578.M91, H. Colin Slim, Philippe Verdelot |
|
3274 |
|
Stambeli: Music, Trance, and Alterity in Tunisia |
Richard C. Jankowsky |
|
3275 |
|
Messa da Requiem: Critical Edition Study Score |
Giuseppe Verdi (editor), David Rosen (editor) |
|
3276 |
|
The Life of Music in North India: The Organization of an Artistic Tradition |
Daniel M. Neuman |
|
3277 |
|
Zouk: World Music in the West Indies [pbk ed.] |
Jocelyne Guilbault, Gage Averill, Édouard Benoit, Gregory Rabess |
|
3278 |
|
Evenings with the Orchestra |
Hector Berlioz, translated by Jacques Barzun |
|
3279 |
|
Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks |
David Yearsley |
|
3280 |
|
Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti |
Averill, Gage |
|
3281 |
|
Creative Sequencing Techniques for Music Production: A practical guide to Logic, Digital Performer, Cubase and Pro Tools |
Andrea Pejrolo |
|
3282 |
|
Guitar Makers: The Endurance of Artisanal Values in North America |
Kathryn Marie Dudley |
|
3283 |
|
Creative Sequencing Techniques for Music Production, Second Edition: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase [2 ed.] |
Andrea Pejrolo |
2 |
3284 |
|
Pro Tools 9: Music Production, Recording, Editing, and Mixing [1st ed.] |
Mike Collins |
1 |
3285 |
|
Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars |
Laura Tunbridge |
|
3286 |
|
Paris Blues: African American Music and French Popular Culture, 1920-1960 |
Andy Fry |
|
3287 |
|
The Silent Musician: Why Conducting Matters |
Mark Wigglesworth |
|
3288 |
|
O Sing unto the Lord: A History of English Church Music |
Andrew Gant, Andrew Gant |
|
3289 |
|
"Don Giovanni" Captured: Performance, Media, Myth |
Richard Will |
|
3290 |
|
Analog Synthesizers: Understanding, Performing, Buying- from the legacy of Moog to software synthesis |
Mark Jenkins |
|
3291 |
|
Pro Tools 9: The Mixer's Toolkit [Pap/Psc ed.] |
Nathan Adam, Kevin Ward |
|
3292 |
|
Pop Song Piracy: Disobedient Music Distribution since 1929 [Eleventh Printing ed.] |
Barry Kernfeld |
|
3293 |
|
The voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century |
Virginia Danielson |
|
3294 |
|
A Florentine chansonnier from the time of Lorenzo the Magnificent : Florence, Bibl. Nazionale Centrale : MS Banco Rari 229 / [1] Music volume [Music] |
Brown, Howard Mayer |
1 |
3295 |
|
Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s |
Andrew S. Berish |
|
3296 |
|
The Musician as Philosopher: New York’s Vernacular Avant-Garde, 1958–1978 [1 ed.] |
Michael Gallope |
1 |
3297 |
|
Music and Trance: A Theory of the Relations Between Music and Possession |
Gilbert Rouget |
|
3298 |
|
Tear Down the Walls: White Radicalism and Black Power in 1960s Rock |
Patrick Burke |
|
3299 |
|
A gift of madrigals and motets / 1 Description and analysis [1] |
Slim, Harry Colin |
1 |
3300 |
|
Acoustics and Psychoacoustics, Third Edition (Music Technology) [3 ed.] |
David Howard, Jamie Angus |
3 |
3301 |
|
The Python Audio Cookbook: Recipes for Audio Scripting with Python |
Alexandros Drymonitis |
|
3302 |
|
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali [New ed.] |
Regula B Qureshi |
|
3303 |
|
New Musical Figurations: Anthony Braxton's Cultural Critique |
Ronald M. Radano |
|
3304 |
|
London Voices, 1820–1840: Vocal Performers, Practices, Histories |
Roger Parker (editor), Susan Rutherford (editor) |
|
3305 |
|
Ecologies of Creative Music Practice [1 ed.] |
Matthew Lovett |
1 |
3306 |
|
Music in the Flesh: An Early Modern Musical Physiology [1 ed.] |
Bettina Varwig |
1 |
3307 |
|
Music Technology Workbook: Key concepts and practical projects [First Edition] |
Paul Middleton, Steven Gurevitz |
|
3308 |
|
The Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist |
Tom Beghin |
|
3309 |
|
Film, Music, Memory |
Berthold Hoeckner |
|
3310 |
|
Music, Theater, and Cultural Transfer: Paris, 1830-1914 |
Annegret Fauser (editor), Mark Everist (editor) |
|
3311 |
|
The Eighth: Mahler and the World in 1910 |
Stephen Johnson |
|
3312 |
|
Black Studies, Rap, and the Academy |
Houston A. Baker Jr. |
|
3313 |
|
Logic Pro 8: Audio and Music Production [Pap/Cdr ed.] |
Mark Cousins, Russ Hepworth-Sawyer |
|
3314 |
|
The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle |
Annette Richards |
|
3315 |
|
A Listener’s Guide to Free Improvisation [Paperback ed.] |
John Corbett |
|
3316 |
|
Everyday Creativity: Singing Goddesses in the Himalayan Foothills |
Kirin Narayan, Philip V. Bohlman |
|
3317 |
|
Sounding Latin Music, Hearing the Americas |
Jairo Moreno |
|
3318 |
|
Sound Synthesis And Sampling [3 ed.] |
Martin Russ |
3 |
3319 |
|
Understanding Game Scoring: The Evolution of Compositional Practice for and through Gaming (Perspectives on Music Production) [1 ed.] |
Mack Enns |
1 |
3320 |
|
Hearing Beethoven: A Story of Musical Loss and Discovery |
Robin Wallace |
|
3321 |
|
Courtly Song in Late Sixteenth-Century France |
Jeanice Brooks |
|
3322 |
|
Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky |
David J. Levin |
|
3323 |
|
The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music |
Michael O'Malley |
|
3324 |
|
Introduction to Digital Music with Python Programming: Learning Music with Code [1 ed.] |
Michael Horn, Melanie West, Cameron Roberts |
1 |
3325 |
|
Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism |
Deirdre Loughridge |
|
3326 |
|
Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond |
Leslie A. Tilley |
|
3327 |
|
Deep Refrains: Music, Philosophy, and the Ineffable |
Michael Gallope |
|
3328 |
|
Mbira's Restless Dance: An Archive of Improvisation |
Paul F. Berliner, Cosmas Magaya |
|
3329 |
|
Interactive Technologies and Music Making: Transmutable Music [1 ed.] |
TRACY. REDHEAD |
1 |
3330 |
|
Nadia Boulanger and Her World |
Jeanice Brooks (editor) |
|
3331 |
|
Networking Operatic Italy |
Francesca Vella |
|
3332 |
|
Recording Music on Location |
Bruce Bartlett, Jenny Bartlett |
|
3333 |
|
Mixing Audio: Concepts, Practices and Tools, Second edition [Second edition] |
Roey Izhaki |
|
3334 |
|
Dance Music Manual [5 ed.] |
Rick Snoman |
5 |
3335 |
|
Francesca Caccini at the Medici Court: Music and the Circulation of Power |
Suzanne G. Cusick, Catharine R. Stimpson |
|
3336 |
|
Advanced Audio Visualization Using ThMAD [1st ed.] |
Peter Späth |
1 |
3337 |
|
Writings through John Cage's Music, Poetry, and Art |
Bernstein, David W(Editor),Bernstein, David W(Editor) |
|
3338 |
|
Seems Like Murder Here: Southern Violence and the Blues Tradition |
Adam Gussow |
|
3339 |
|
Sounds Beyond: Arvo Pärt and the 1970s Soviet Underground |
Kevin C. Karnes |
|
3340 |
|
The rhythm of thought : art, literature, and music after Merleau-Ponty |
Cézanne, Paul, Debussy, Claude, Mallarmé, Stéphane, Merleau-Ponty, Maurice, Proust, Marcel, Wiskus, Jessica, Merleau-Ponty, Maurice, Proust, Marcel, Cézanne, Paul, Mallarmé, Stéphane, Debussy, Claude |
|
3341 |
|
The Creative Electronic Music Producer |
Thomas Brett |
|
3342 |
|
Musical Migration and Imperial New York: Early Cold War Scenes |
Brigid Cohen |
|
3343 |
|
The Spirit of This Place: How Music Illuminates the Human Spirit |
Patrick Summers |
|
3344 |
|
Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents [1 ed.] |
Daniel Harrison |
1 |
3345 |
|
Performing Electronic Music Live |
Kirsten Hermes |
|
3346 |
|
Osiris, Volume 28: Music, Sound, and the Laboratory from 1750-1980 |
Myles Jackson, Alexandra Hui, Julia Kursell |
|
3347 |
|
Recording Classical Music |
Robert Toft |
|
3348 |
|
All That Jazz: The Life and Times of the Musical Chicago |
Ethan Mordden |
|
3349 |
|
Wherever the Sound Takes You: Heroics and Heartbreak in Music Making |
David Rowell |
|
3350 |
|
Sound and Affect: Voice, Music, World |
Judith Lochhead (editor), Eduardo Mendieta (editor), Stephen Decatur Smith (editor) |
|
3351 |
|
Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy |
Rebecca Cypess |
|
3352 |
|
African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms |
John Miller Chernoff |
|
3353 |
|
Build AI-Enhanced Audio Plugins with C++ [1 ed.] |
Matthew John Yee-King |
1 |
3354 |
|
Researching Live Music [1 ed.] |
Chris Anderton, Sergio Pisfil |
1 |
3355 |
|
The Philosophy of Improvisation |
Gary Peters |
|
3356 |
|
A City Called Heaven: Chicago and the Birth of Gospel Music [1st Edition] |
Robert M. Marovich |
1 |
3357 |
|
Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan |
Meredith Schweig |
|
3358 |
|
JavaScript for sound artists: learn to code with the Web Audio API [1 ed.] |
Leonard, Steve, Turner, William |
1 |
3359 |
|
Say No to the Devil: The Life and Musical Genius of Rev. Gary Davis |
Ian Zack |
|
3360 |
|
Tigers of a Different Stripe: Performing Gender in Dominican Music |
Sydney Hutchinson |
|
3361 |
|
Nightingales in Berlin: Searching for the Perfect Sound |
David Rothenberg |
|
3362 |
|
The Tango Machine: Musical Culture in the Age of Expediency |
Morgan James Luker |
|
3363 |
|
Record Label Marketing [2nd ed.] |
Tom Hutchison, Paul Allen, Amy Macy |
2 |
3364 |
|
The Guide to MIDI Orchestration |
Paul Gilreath |
|
3365 |
|
Music Production: Recording: A Guide for Producers, Engineers and Musicians |
Carlos Lellis Ferreira |
|
3366 |
|
Distant Melodies: Music in Search of Home |
Edward Dusinberre |
|
3367 |
|
Song and Self: A Singer's Reflections on Music and Performance |
Ian Bostridge |
|
3368 |
|
Digital Electronics for Musicians: Build Intuitive Electronics and Electroacoustic Music Interfaces |
Alexandros Drymonitis |
|
3369 |
|
Artificial Intelligence and Music Ecosystem [1 ed.] |
Martin Clancy (editor) |
1 |
3370 |
|
Music as Social Life The Politics of Participation |
Thomas Turino |
|
3371 |
|
New Orleans and the Creation of Transatlantic Opera, 1819–1859 [1 ed.] |
Charlotte Bentley |
1 |
3372 |
|
Recording Analysis: How the Record Shapes the Song [1 ed.] |
William Moylan |
1 |
3373 |
|
Thinking with Sound: A New Program in the Sciences and Humanities around 1900 [1 ed.] |
Viktoria Tkaczyk |
1 |
3374 |
|
The Trouble with Wagner |
Michael P. Steinberg |
|
3375 |
|
Sounding Human: Music and Machines, 1740/2020 (New Material Histories of Music) [1 ed.] |
Deirdre Loughridge |
1 |
3376 |
|
Designing Audio Effect Plug-Ins in C++: With Digital Audio Signal Processing Theory [First ed.] |
Will Pirkle |
|
3377 |
|
Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850-1920 |
Jessica C. E. Gienow-Hecht |
|
3378 |
|
Mastering Audio: The Art and the Science [2 ed.] |
Bob Katz |
2 |
3379 |
|
A Sound Engineers Guide to Audio Test and Measurement |
Glen Ballou |
|
3380 |
|
The Art of Digital Audio |
John Watkinson |
|
3381 |
|
The Lost Paradise: Andalusi Music in Urban North Africa |
Jonathan Glasser |
|
3382 |
|
Experimenting the Human: Art, Music, and the Contemporary Posthuman [1 ed.] |
G. Douglas Barrett |
1 |
3383 |
|
What is Music Production?: a producers guide, the role, the people, the process [1 ed.] |
Russ Hepworth-Sawyer, Craig Golding |
1 |
3384 |
|
Composing music with computers [1st ed.] |
Eduardo Miranda |
1 |
3385 |
|
Beethoven's symphonies: nine approaches to art and ideas |
Beethoven, Ludwig van,Geck, Martin,Spencer, Stewart |
|
3386 |
|
The MIDI Manual, Third Edition: A Practical Guide to MIDI in the Project Studio [3 ed.] |
David Miles Huber |
3 |
3387 |
|
Composing for the Jazz Orchestra |
William Russo |
|
3388 |
|
La traviata: Critical Edition Study Score |
Giuseppe Verdi (editor), Fabrizio Della Seta (editor) |
|
3389 |
|
Audio Engineering Explained |
Douglas Self, |
|
3390 |
|
I'd Fight the World: A Political History of Old-Time, Hillbilly, and Country Music |
Peter La Chapelle |
|
3391 |
|
Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
Gary Peters |
|
3392 |
|
Major Label Mastering: Professional Mastering Process |
Evren Göknar |
|
3393 |
|
Computer sound design: synthesis techniques and programming [2 ed.] |
Eduardo Miranda |
2 |
3394 |
|
Yoruba Bata Goes Global: Artists, Culture Brokers, and Fans |
Debra L. Klein |
|
3395 |
|
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude |
Richard Kramer |
|
3396 |
|
Indie Rock 101: Running, Recording, Promoting your Band (The Mastering Music Series) |
Richard Turgeon |
|
3397 |
|
Women and Musical Salons in the Enlightenment |
Rebecca Cypess |
|
3398 |
|
The Music between Us: Is Music a Universal Language? |
Kathleen Marie Higgins |
|
3399 |
|
Rachmaninoff and His World [1 ed.] |
Philip Ross Bullock (editor) |
1 |
3400 |
|
Operatic Geographies: The Place of Opera and the Opera House |
Suzanne Aspden (editor) |
|
3401 |
|
Acoustic and midi orchestration for the contemporary composer |
Andrea Pejrolo, Richard DeRosa |
|
3402 |
|
Messa da Requiem: For the Anniversary of the Death of Manzoni, 22 May 1874, Study Score [Critical Edition] |
Verdi, Giuseppe,Rosen, David(Editor) |
|
3403 |
|
Vaughan Williams and His World |
Byron Adams (editor), Daniel M. Grimley (editor) |
|
3404 |
|
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913 |
J. Q. Davies |
|
3405 |
|
SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture |
Nathan Hesselink |
|
3406 |
|
Sonic Flux: Sound, Art, and Metaphysics |
Christoph Cox |
|
3407 |
|
Analog synthesizers : understanding, performing, buying from the legacy of Moog to software synthesis [Second edition.] |
Mark Jenkins |
|
3408 |
|
Secrets of Recording: Professional Tips, Tools & Techniques |
Lorne Bregitzer |
|
3409 |
|
The Complete Guide to Game Audio: For Composers, Musicians, Sound Designers, and Game Developers |
Marks, Aaron |
|
3410 |
|
Opera and sovereignty : transforming myths in eighteenth-century Italy |
Feldman, Martha |
|
3411 |
|
Gustav Mahler--Richard Strauss: Correspondence 1888-1911 [1 ed.] |
Herta Blaukopf (ed.), Edmund Jephcott (trans.) |
1 |
3412 |
|
Researching Live Music: Gigs, Tours, Concerts and Festivals [1 ed.] |
Chris Anderton (editor), Sergio Pisfil (editor) |
1 |
3413 |
|
Good Music: What It Is and Who Gets to Decide |
John J. Sheinbaum |
|
3414 |
|
The Beginner’s Guide to Opera Stage Management: Gathering the Tools You Need to Work in Opera |
Danielle Ranno |
|
3415 |
|
Berlioz and His Century: An Introduction to the Age of Romanticism |
Jacques Barzun |
|
3416 |
|
The Search for Medieval Music in Africa and Germany, 1891-1961: Scholars, Singers, Missionaries |
Anna Maria Busse Berger |
|
3417 |
|
The Complete Guide to Game Audio [2 ed.] |
Aaron Marks |
2 |
3418 |
|
The Political Orchestra: The Vienna and Berlin Philharmonics during the Third Reich |
Fritz Trümpi, Kenneth Kronenberg |
|
3419 |
|
Disciplining Music: Musicology and Its Canons |
Katherine Bergeron, Philip V. Bohlman |
|
3420 |
|
Mixing Audio 2e [2 ed.] |
Roey Izhaki |
2 |
3421 |
|
Music Production Cultures: Perspectives on Popular Music Pedagogy in Higher Education |
Brendan Anthony |
|
3422 |
|
A Language of Its Own: Sense and Meaning in the Making of Western Art Music |
Ruth Katz |
|
3423 |
|
Sun Ra's Chicago: Afrofuturism and the City |
William Sites |
|
3424 |
|
Robert Schumann’s Advice to Young Musicians - Revisited by Steven Isserlis |
Isserlis, Steven, Schumann, Robert |
|
3425 |
|
Focal Easy Guide to Cakewalk Sonar: For new users and professionals |
Trev Wilkins |
|
3426 |
|
Energy Never Dies: Afro-Optimism and Creativity in Chicago |
Ayana Contreras |
|
3427 |
|
The Dance Music Manual: Tools, Toys and Techniques |
Rick Snoman |
|
3428 |
|
Tristan’s Shadow : Sexuality and the Total Work of Art after Wagner |
Adrian Daub |
|
3429 |
|
Understanding and Crafting the Mix, Second Edition: The Art of Recording [2 ed.] |
William Moylan |
2 |
3430 |
|
The Art of Sound Reproduction |
John Watkinson |
|
3431 |
|
Modern Recording Techniques [8 ed.] |
David Miles Huber, Robert E. Runstein |
8 |
3432 |
|
Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925 |
Brian Roberts |
|
3433 |
|
The Civic Muse: Music and Musicians in Siena during the Middle Ages and the Renaissance |
Frank A. D'Accone |
|
3434 |
|
The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century |
Virginia Danielson |
|
3435 |
|
Theory of African Music, Volume II |
Gerhard Kubik |
|
3436 |
|
Awakening Spaces: French Caribbean Popular Songs, Music, and Culture [cloth ed.] |
Brenda F. Berrian |
|
3437 |
|
Sound Knowledge: Music and Science in London, 1789-1851 |
J. Q. Davies (editor), Ellen Lockhart (editor) |
|
3438 |
|
Composing Capital: Classical Music in the Neoliberal Era |
Marianna Ritchey |
|
3439 |
|
Efficacy of Sound: Power, Potency, and Promise in the Translocal Ritual Music of Cuban Ifá-Òrìsà |
Ruthie Meadows |
|
3440 |
|
Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru |
Tucker, Joshua |
|
3441 |
|
Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten |
Linda Hutcheon, Michael Hutcheon |
|
3442 |
|
Blowin' hot and cool: jazz and its critics |
Gennari, John |
|
3443 |
|
A professional guide to audio plug-ins and virtual instruments [1 ed.] |
Mike Collins |
1 |
3444 |
|
Yorùbá Bàtá Goes Global: Artists, Culture Brokers, and Fans |
Debra L. Klein |
|
3445 |
|
Making Music Indigenous: Popular Music in the Peruvian Andes |
Joshua Tucker |
|
3446 |
|
Recording Secrets for the Small Studio [1st ed.] |
Mike Senior |
1 |
3447 |
|
A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti |
Gage Averill |
|
3448 |
|
Music Lessons: The Collège de France Lectures |
|
|
3449 |
|
Wicked Woman: Women in Metal from the 1960s to Now |
Addison Herron-Wheeler |
|
3450 |
|
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks |
William Moylan, Lori Burns, Mike Alleyne |
|
3451 |
|
Pro Tools for Music Production, Second Edition: Recording, Editing and Mixing [2 ed.] |
Mike Collins |
2 |
3452 |
|
Rave On: Global Adventures in Electronic Dance Music |
Matthew Collin |
|
3453 |
|
Beethoven: A Political Artist in Revolutionary Times |
William Kinderman |
|
3454 |
|
The Miles Davis Lost Quintet and Other Revolutionary Ensembles |
Bob Gluck |
|
3455 |
|
The Art of Sound Reproduction [1 ed.] |
John Watkinson |
1 |
3456 |
|
Coproduction: Collaboration in Music Production |
Robert Wilsmore, Christopher Johnson |
|
3457 |
|
Drum Sound and Drum Tuning: Bridging Science and Creativity [1 ed.] |
Rob Toulson |
1 |
3458 |
|
Music in German Philosophy : An Introduction |
coll. |
|
3459 |
|
The Opera Fanatic: Ethnography of an Obsession |
Claudio E. Benzecry |
|
3460 |
|
PC audio editing: for broadcast, desktop, and CD audio production [2 ed.] |
Roger Derry |
2 |
3461 |
|
On Location Recording Techniques |
Bruce Bartlett, Jenny Bartlett |
|
3462 |
|
From the Renaissance to Romanticism: Trends in Style in Art, Literature, and Music, 1300-1830 |
Artz, Frederick Binkerd |
|
3463 |
|
A gift of madrigals and motets, Vol. 1 |
Newberry Library. Manuscript. Case MS.-VM 1578.M91, H. Colin Slim, Philippe Verdelot |
|
3464 |
|
Gamelan: Cultural Interaction and Musical Development in Central Java |
Sumarsam |
|
3465 |
|
Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction |
Benjamin Elon Brinner |
|
3466 |
|
Music in Golden-Age Florence, 1250–1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy |
Anthony M. Cummings |
|
3467 |
|
Practical recording techniques: the step-by-step approach to professional audio recording [5 ed.] |
Bruce Bartlett |
5 |
3468 |
|
Immersive Sound Production: A Practical Guide |
Dennis Baxter |
|
3469 |
|
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet |
Pierpaolo Polzonetti |
|
3470 |
|
How to DVJ: A digital DJ masterclass [Pap/DVD ed.] |
Charles Kriel |
|
3471 |
|
School for Cool: The Academic Jazz Program and the Paradox of Institutionalized Creativity |
Eitan Y. Wilf |
|
3472 |
|
The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts |
Linda O Keeffe, Isabel Nogueira |
|
3473 |
|
"Do You Know...?": The Jazz Repertoire in Action |
Robert R. Faulkner, Howard S. Becker |
|
3474 |
|
Thinking in jazz: the infinite art of improvisation |
Paul Berliner |
|
3475 |
|
Theory of African music, Volume 1 |
Gerhard Kubik |
|
3476 |
|
Composing for the Screen |
Scott W. Hallgren |
|
3477 |
|
Saying something: jazz improvisation and interaction |
Ingrid T. Monson |
|
3478 |
|
Pick Up the Pieces: Excursions in Seventies Music |
John Corbett |
|
3479 |
|
Los sonidos del capitalismo: publicidad, música y la conquista de la cultura |
Timothy D. Taylor |
|
3480 |
|
Classical Recording |
Caroline Haigh, John Dunkerley, Mark Rogers |
|
3481 |
|
Interspecies Communication: Sound and Music beyond Humanity |
Gavin Steingo |
|
3482 |
|
Rigoletto: Critical Edition Study Score |
Giuseppe Verdi (editor), Martin Chusid (editor) |
|
3483 |
|
Core Audio |
Lee, Mike,Avila, Kevin |
|
3484 |
|
A Power Stronger Than Itself: The AACM and American Experimental Music |
George E. Lewis |
|
3485 |
|
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds |
Bonnie Gordon |
|
3486 |
|
Emotion and Meaning in Music (Phoenix Books) |
Leonard B. Meyer |
|
3487 |
|
Al Schmitt on the Record: The Magic Behind the Music by Al Schmitt, Maureen Droney, Paul McCartney (Foreword) (Music Pro Guides) |
Al Schmitt, MAUREEN DRONEY |
|
3488 |
|
Ableton Live 101: An Introduction to Ableton Live 10 (101 Series) (English Edition) |
Eric Kuehnl, Andrew Haak |
|
3489 |
|
100 Greatest Film Scores |
Lawson, Matt,MacDonald, Laurence E |
|
3490 |
|
Experiencing Progressive Rock: A Listener’s Companion [Hardcover ed.] |
Robert G H Burns |
|
3491 |
|
The Black Musician and the White City: Race and Music in Chicago, 1900-1967 |
Amy Absher |
|
3492 |
|
Vaughan Williams on Music |
David Manning |
|
3493 |
|
Staging Scenes from the Operas of Donizetti and Verdi : A Guide for Directors and Performers |
William Ferrara |
|
3494 |
|
America, the Band |
Jude Warne |
|
3495 |
|
All things strings: an illustrated dictionary |
Larsen, T. M.,Nardolillo, Jo |
|
3496 |
|
Earl Scruggs |
Gordon Castelnero |
|
3497 |
|
Programming for Musicians and Digital Artists Creating music with ChucK |
Ajay Kapur, Perry Cook, Spencer Salazar, Ge Wang |
|
3498 |
|
Encyclopedia of great popular song recordings [3 & 4] |
Steve Sullivan |
34 |
3499 |
|
James Newton Howard's Signs : A Film Score Guide |
Erik Heine |
|
3500 |
|
Sting and the Police: walking in their footsteps |
Police (Musical group), (Musician) Sting, West, Aaron J |
|
3501 |
|
Leonard Bernstein and His Young People's Concerts [UK ed.] |
Alicia Kopfstein-Penk |
|
3502 |
|
The Kinks: A Thoroughly English Phenomenon |
Carey Fleiner |
|
3503 |
|
Music and the Young Mind: Enhancing Brain Development and Engaging Learning [Har/Cdr ed.] |
Maureen Harris |
|
3504 |
|
Songs of Social Protest |
Aileen Dillane, Martin J. Power, Eoin Devereux, Amanda Haynes |
|
3505 |
|
But We All Shine On |
Paolo Hewitt |
|
3506 |
|
The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford and Sons, and Beyond |
Michael Scott Cain |
|
3507 |
|
Jazz Styles [11th Edition] |
Mark C. Gridley |
11 |
3508 |
|
Music Theory and Composition: A Practical Approach |
Stephen C Stone |
|
3509 |
|
Taught by the Students : Culturally Relevant Pedagogy and Deep Engagement in Music Education |
Ruth Gurgel |
|
3510 |
|
The Singer's Audition & Career Handbook |
Claudia Friedlander |
|
3511 |
|
Just good teaching : comprehensive musicianship through performance (CMP) in theory and practice |
Sindberg, Laura |
|
3512 |
|
Experiencing Jewish Music in America |
Tina Frühauf |
|
3513 |
|
Rock and Roll, Social Protest, and Authenticity: Historical, Philosophical, and Cultural Explorations |
Kurt Torell |
|
3514 |
|
Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics |
Claudia Friedlander |
|
3515 |
|
Deindustrialisation and Popular Music: Punk and Post-Punk in Manchester, Düsseldorf, Torino and Tampere |
Giacomo Bottà |
|
3516 |
|
Historical Dictionary of Leonard Bernstein (Historical Dictionaries of Literature and the Arts) |
Paul R. Laird, Hsun Lin |
|
3517 |
|
Rockin' the free world!: how the rock & roll revolution changed America and the world |
Kay, Sean |
|
3518 |
|
100 Books Every Blues Fan Should Own |
Edward Komara, Greg Johnson |
|
3519 |
|
Say It with a Beautiful Song |
Michael Lasser, HARMON GREENBLATT |
|
3520 |
|
Harmony Through Melody [2 ed.] |
Charles Horton, David Byrne, Lawrence Ritchey |
2 |
3521 |
|
Ripped, torn and cut: Pop, politics and punk fanzines from 1976 |
Subcultures Network (editor) |
|
3522 |
|
Singing and Dancing to The Book of Mormon: Critical Essays on the Broadway Musical |
Marc Edward Shaw |
|
3523 |
|
The black horn: the story of classical French hornist Robert Lee Watt |
Watt, Robert Lee |
|
3524 |
|
Listening to Art Song : An Introduction |
Margaret Olson |
|
3525 |
|
The Confident Choir: A Handbook for Leaders of Group Singing |
Michael Bonshor |
|
3526 |
|
The A to Z of Sacred Music |
Joseph Peter Swain |
|
3527 |
|
Peggy Lee: A Century of Song |
Tish Oney |
|
3528 |
|
Experiencing Beethoven: A Listener's Companion |
Geoffrey Block |
|
3529 |
|
Music for Sight Singing [8th edition] |
Robert W. Ottman, Nancy Rogers |
8 |
3530 |
|
It's a London thing: How rare groove, acid house and jungle remapped the city |
Caspar Melville |
|
3531 |
|
Fine-Tuning the Clarinet Section: A Handbook for the Band Director |
Brent Coppenbarger |
|
3532 |
|
So You Want to Sing Rock 'N' Roll: A Guide for Professionals |
Matthew Edwards |
|
3533 |
|
Camerata : A Guide to Organizing and Directing Small Choruses |
Arthur Wenk |
|
3534 |
|
Tips : The Child Voice [2 ed.] |
Maria Runfola, Lily Chen-Haftek, Joanne Rutkowski, Mary Goetze, Terrence Bacon, Kristen Bugos, Shelley Cooper, Diana Dansereau, Elisabeth Etopio, Heather Gravelle |
2 |
3535 |
|
The Bible in music : a dictionary of songs, works, and more |
Siobhán Dowling Long, John F.A. Sawyer |
|
3536 |
|
The Sonic Gaze: Jazz, Whiteness, and Racialized Listening (Living Existentialism) |
T Storm Heter East Stroudsburg Universi professor director of the Frederick Douglass Institute for Intercultural Studies |
|
3537 |
|
The String Instrument Owner's Handbook |
Michael J. Pagliaro |
|
3538 |
|
Neoclassical Music in America : Voices of Clarity and Restraint |
R. James Tobin |
|
3539 |
|
Across the Water. Teaching Irish Music and Dance at Home and Abroad |
Rebecca E. Farrell |
|
3540 |
|
Led Zeppelin All the Songs: The Story Behind Every Track [Illustrated] |
Jean-Michel Guesdon, Philippe Margotin |
|
3541 |
|
So You Want to Sing Country: A Guide for Performers |
Kelly K. Garner |
|
3542 |
|
Experiencing Billy Joel : A Listener's Companion |
Thomas MacFarlane |
|
3543 |
|
Max Steiner: Composing, Casablanca, and the Golden Age of Film Music |
Peter Wegele |
|
3544 |
|
Classical Music in a Changing Culture : Essays from The American Record Guide |
Donald Vroon |
|
3545 |
|
Black Music Matters |
Ed Sarath |
|
3546 |
|
Patti Smith: America's Punk Rock Rhapsodist |
Eric Wendell |
|
3547 |
|
Polish Style in the Music of Johann Sebastian Bach |
Szymon Paczkowski |
|
3548 |
|
Historical Dictionary of Popular Music |
Norman Abjorensen |
|
3549 |
|
Music Therapy Methods in Neurorehabilitation |
Baker, Felicity,Tamplin, Jeanette,Kennelly, Jeanette |
|
3550 |
|
Freddie Mercury: A Life, In His Own Words |
Simon Lupton & Greg Brooks & Freddie Mercury |
|
3551 |
|
Experiencing Schumann : A Listener's Companion |
Donald Sanders |
|
3552 |
|
Composing music - a new approach |
William Russo, Jeffrey Ainis, David Stevenson |
|
3553 |
|
Players' work time: A history of the British Musicians' Union, 1893–2013 |
John Williamson, Martin Cloonan |
|
3554 |
|
The Word Rhythm dictionary : a resource for writers, rappers, poets, and lyricists |
Polashek, Timothy D |
|
3555 |
|
On Extremity: From Music to Images, Words, and Experiences |
Nelson Varas-Díaz, Niall W. R. Scott, Bryan A. Bardine |
|
3556 |
|
Voice Secrets: 100 Performance Strategies for the Advanced Singer |
Matthew Hoch, Linda Lister |
|
3557 |
|
The Music and Literacy Connection [2 ed.] |
Dee Hansen, Elaine Bernstorf, Gayle M. Stuber |
2 |
3558 |
|
Women Who Rock: Bessie to Beyonce. Girl Groups to Riot Grrrl. [Hardcover ed.] |
Evelyn McDonnell |
|
3559 |
|
Free to Be Musical : Group Improvisation in Music |
Lee Higgins, Patricia Shehan Campbell, Gary McPherson |
|
3560 |
|
Music Therapy Assessment: Theory, Research, and Application |
Eric G. Waldon |
|
3561 |
|
Made In Hollywood: All Access with the Go-Go’s |
Gina Schock |
|
3562 |
|
Music Therapy In Children's Hospices: Jessie's Fund In Action |
Mercedes Pavlicevic, Victoria Wood |
|
3563 |
|
Music Therapy: Intimate Notes : Intimate Notes [1 ed.] |
Mercedes Pavlicevic |
1 |
3564 |
|
From Small Screen to Vinyl : A Guide to Television Stars Who Made Records, 1950-2000 |
Bob Leszczak |
|
3565 |
|
The Percussionists' Guide to Injury Treatment and Prevention [1 ed.] |
Darin Workman |
1 |
3566 |
|
Doo-Wop Acappella : A Story of Street Corners, Echoes, and Three-Part Harmonies |
Lawrence Pitilli |
|
3567 |
|
Experiencing Peter Gabriel: A Listener’s Companion |
Durrell Bowman |
|
3568 |
|
So You Want to Sing the Blues: A Guide for Performers |
Eli Yamin |
|
3569 |
|
Experiencing the Rolling Stones |
David Malvinni |
|
3570 |
|
Rockin' Out, Canadian Edition [1 ed.] |
Reebee Garofalo, Rob Bowman |
1 |
3571 |
|
Historical Dictionary of Sacred Music [Hardcover ed.] |
Joseph P. Swain |
|
3572 |
|
Foretastes of Heaven in Lutheran Church Music Tradition: Johann Mattheson and Christoph Raupach on Music in Time and Eternity |
Joyce L. Irwin |
|
3573 |
|
Networks of Sound, Style and Subversion: The Punk and Post-punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80 |
Nick Crossley |
|
3574 |
|
Weird Al: Seriously |
Lily E. Hirsch |
|
3575 |
|
Envisioning Music Teacher Education |
Susan Wharton Conkling, Susan Wharton Conkling |
|
3576 |
|
The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion |
Gregor Gall |
|
3577 |
|
Belfast punk and the Troubles: An oral history |
Fearghus Roulston |
|
3578 |
|
So You Want to Sing Gospel : A Guide for Performers |
Trineice Robinson-Martin |
|
3579 |
|
Logic Pro 101: Music Production Fundamentals |
Ryan Rey, Harry Gold, Frank D. Cook, Eric Kuehnl |
|
3580 |
|
When Music Goes to School : Perspectives on Learning and Teaching |
Danette Littleton |
|
3581 |
|
Dynamic Duets: The Best Pop Collaborations from 1955 To 1999 |
Bob Leszczak |
|
3582 |
|
Juke box Britain : Americanisation and youth culture, 1945-60 |
Adrian Michael Horn |
|
3583 |
|
The Encyclopedia of Film Composers |
Thomas S. Hischak |
|
3584 |
|
Alto: The Voice of Bel Canto |
Dan H. Marek |
|
3585 |
|
Counting Down the Rolling Stones |
Beviglia, Jim |
|
3586 |
|
The World and U2: One Band's Remaking of Global Activism |
Alan McPherson |
|
3587 |
|
Counting down Bruce Springsteen: his 100 finest songs |
Beviglia, Jim,Springsteen, Bruce |
|
3588 |
|
The Musician's Mind |
Lynn Helding |
|
3589 |
|
Experiencing Led Zeppelin: a listener's companion |
Akkerman, Gregg |
|
3590 |
|
Orientalism and the Operatic World |
Nicholas Tarling |
|
3591 |
|
The Mikado to Matilda: British Musicals on the New York Stage |
Thomas S. Hischak |
|
3592 |
|
Defiant Sounds: Heavy Metal Music in the Global South |
Nelson Varas-Díaz, Jeremy Wallach, Esther Clinton, Daniel Nevárez Araújo |
|
3593 |
|
Music Therapy in a Multicultural Context: A Handbook for Music Therapy Students and Professionals |
Melita Belgrave and Seung-A Kim |
|
3594 |
|
Bass Player Presents The Fretless Bass |
Chris Jisi |
|
3595 |
|
Guitar: The World's Most Seductive Instrument |
David Schiller |
|
3596 |
|
Women's Bands in America: Performing Music and Gender |
Jill M. Sullivan |
|
3597 |
|
Inside Computer Music [1 ed.] |
Michael Clarke, Frédéric Dufeu, Peter Manning |
1 |
3598 |
|
Music Therapy in Palliative Care: New Voices [1 ed.] |
David Aldridge |
1 |
3599 |
|
Reinventing Pink Floyd: from Syd Barrett to The dark side of the moon |
Kopp, Bill |
|
3600 |
|
The Orchestral Conductor's Career Handbook |
Carl Topilow |
|
3601 |
|
David Bowie All the Songs: The Story Behind Every Track |
Benoît Clerc |
|
3602 |
|
The Band: Pioneers of Americana Music |
Craig Harris |
|
3603 |
|
The Brass Instrument Owner's Handbook |
Michael J. Pagliaro |
|
3604 |
|
Billy Joel: America's Piano Man |
Duchan, Joshua, S |
|
3605 |
|
Chuck D. Presents This Day in Rap and Hip-Hop History |
Chuck D |
|
3606 |
|
Electronic and Computer Music [3rd, revised, expanded] |
Peter Manning |
3 |
3607 |
|
Tuning In Music Book: Sixty-Four Songs for Children with Complex Needs and Visual Impairment to Promote Language, Social Interaction and Wider Development |
Adam Ockelford |
|
3608 |
|
A Dictionary for the Modern Pianist |
Stephen Siek |
|
3609 |
|
Jenufa : Translations and Pronunciation |
Timothy Cheek |
|
3610 |
|
Music and Coexistence: A Journey across the World in Search of Musicians Making a Difference |
Osseily Hanna |
|
3611 |
|
The Collected Writings of Franz Liszt. Volume 3, Part 2: Dramaturgical Leaves: Richard Wagner |
Janita R. Hall-Swadley (editor) |
|
3612 |
|
We Shall Overcome: Essays on a Great American Song |
Victor V. Bobetsky associate professor and Director of the Teacher Education Program in Music at Hunter College of the City University of New York |
|
3613 |
|
Music Therapy in Children and Young People's Palliative Care |
Ludwig |
|
3614 |
|
Postnational Musical Identities |
Ignacio Corona , Alejandro L. Madrid |
|
3615 |
|
Cello Practice, Cello Performance |
Miranda Wilson |
|
3616 |
|
Receptive Methods in Music Therapy : Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students [1 ed.] |
Susan B. Wesely, Katrina McFerran, Denise Grocke, Tony Wigram, Katerina Stathis, Karin Schou, Emily Shanahan, Karen Hamlett, Matt Holmes, Melina Roberts |
1 |
3617 |
|
Music and the sociological gaze: Art worlds and cultural production |
Peter J. Martin |
|
3618 |
|
Connecting Sounds: The Social Life of Music |
Nick Crossley |
|
3619 |
|
Historical Dictionary of Modern and Contemporary Classical Music [2 ed.] |
Nicole V. Gagné |
2 |
3620 |
|
1927: A Day-by-Day Chronicle of the Jazz Age's Greatest Year |
Thomas S. Hischak |
|
3621 |
|
Can't Stop the Grrrls: Confronting Sexist Labels in Music From Ariana Grande to Yoko Ono |
Lily E. Hirsch |
|
3622 |
|
Imperialism and Music: Britain 1876-1953 |
Jeffrey Richards |
|
3623 |
|
Goal Processes in Music Therapy Practice |
Grace Thompson |
|
3624 |
|
The Enterprising Musician's Guide to Performer Contracts |
David R. Williams, Stephanie Blythe |
|
3625 |
|
Living Well with Dementia through Music: A Resource Book for Activities Providers and Care Staff |
Catherine Richards |
|
3626 |
|
Classical Crossroads: The Path Forward for Music in the 21st Century |
Leonard Slatkin |
|
3627 |
|
iTake-Over: The Recording Industry in the Digital Era |
David Arditi |
|
3628 |
|
Sound Pressure: How Speaker Systems Influence, Manipulate and Torture |
Toby Heys |
|
3629 |
|
Fight back: Punk, politics and resistance |
Subcultures Network (editor) |
|
3630 |
|
Swingin' on Central Avenue: African American Jazz in Los Angeles |
Peter Vacher |
|
3631 |
|
Heavy Music Mothers: Extreme Identities, Narrative Disruptions |
Julie Turley, Joan Jocson-Singh |
|
3632 |
|
Warren Zevon: Desperado of Los Angeles |
George Plasketes |
|
3633 |
|
Prince and the Purple Rain Era Studio Sessions: 1983 and 1984 |
Duane Tudahl |
|
3634 |
|
The Aesthetical Writings of Giacinto Scelsi |
Franco Sciannameo, Alessandra Carlotta Pellegrini |
|
3635 |
|
Heidegger and Music |
Casey Rentmeester, Jeff R. Warren (eds.) |
|
3636 |
|
Believe Your Ears : Life of a Lyric Composer |
Kirke Mechem |
|
3637 |
|
Songwriting: Methods, Techniques and Clinical Applications for Music Therapy Clinicians, Educators and Students [1 ed.] |
Felicity Baker, Tony Wigram, Prof Even Ruud |
1 |
3638 |
|
The Instrumental Music Director's Guide to Comprehensive Program Development |
Michael J. Pagliaro |
|
3639 |
|
Jazz Child: A Portrait of Sheila Jordan |
Ellen Johnson |
|
3640 |
|
Travel on and On : Interdisciplinary Lessons on the Music of World Cultures |
Elisa Macedo Dekaney, Deborah Alane Cunningham |
|
3641 |
|
Composer Genealogies a Classiccb |
Scott Pfitzinger |
|
3642 |
|
Lead Sister: The Story of Karen Carpenter |
Lucy O'Brien |
|
3643 |
|
Music with Babies and Young Children: Activities to Encourage Bonding, Communication and Wellbeing |
Jeffrey Friedberg |
|
3644 |
|
Why pamper life's complexities?: Essays on The Smiths |
Sean Campbell, Colin Coulter (editors) |
|
3645 |
|
Music for Special Kids: Musical Activities, Songs, Instruments and Resources [1 ed.] |
Pamela Ott |
1 |
3646 |
|
The Show Choir Handbook |
Alan L. Alder, Thalia M. Mulvihill |
|
3647 |
|
Franz Liszt, His Circle, and His Elusive Oratorio |
Xavier Jon Puslowski |
|
3648 |
|
1,000 Recordings to Hear Before You Die |
Tom Moon |
|
3649 |
|
Feedback : The Who and Their Generation |
Casey Harison |
|
3650 |
|
The Art of Darkness: The History of Goth [1 ed.] |
John Robb |
1 |
3651 |
|
Jazz styles: pearson new international edition [11 ed.] |
Gridley, Mark C |
11 |
3652 |
|
Tuning in to the neo-avant-garde: Experimental radio plays in the postwar period |
Inge Arteel, Lars Bernaerts, Siebe Bluijs, Pim Verhulst (editors) |
|
3653 |
|
Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound |
Alfred Green |
|
3654 |
|
Threading the Concept : Powerful Learning for the Music Classroom |
Debra Gordon Hedden |
|
3655 |
|
A Dictionary for the Modern Clarinetist |
Ellsworth, Jane |
|
3656 |
|
Creative DBT Activities Using Music |
Deborah Spiegel |
|
3657 |
|
The Complete Book of 1960s Broadway Musicals |
Dan Dietz |
|
3658 |
|
The Performance of Authenticity: The Makings of Jazz and the Self in Autobiography |
Teófilo Espada-Brignoni |
|
3659 |
|
The Complete Book of 1970s Broadway Musicals |
Dan Dietz |
|
3660 |
|
Music Copyright: An Essential Guide for the Digital Age |
Casey Rae |
|
3661 |
|
Listen to this [Third edition.] |
Neal, Jocelyn R., Bonds, Mark Evan, Gibbons, William James, Robinson, N. Scott, Kaminski, Joseph S. |
|
3662 |
|
Experiencing Leonard Bernstein: A Listener's Companion |
Kenneth LaFave |
|
3663 |
|
The Complete Book of 1990s Broadway Musicals |
Dan Dietz |
|
3664 |
|
Filling a Need While Making Some Noise: A Music Therapist's Guide to Pediatrics |
Kathy Irvine Lorenzato |
|
3665 |
|
Nikolay Myaskovsky: The Conscience of Russian Music |
Gregor Tassie |
|
3666 |
|
The Complete Book of 2000s Broadway Musicals |
Dan Dietz |
|
3667 |
|
Counting Down the Beatles: Their 100 Finest Songs |
Jim Beviglia |
|
3668 |
|
Audio Production Basics with Logic Pro X |
Harry Gold, Ryan Rey |
|
3669 |
|
Jerry on Jerry: the unpublished Jerry Garcia interviews [First edition] |
Garcia, Jerry,Garcia, Trixie,McNally, Dennis |
|
3670 |
|
Rock and Roll Cage Match: Music's Greatest Rivalries, Decided |
Sean Manning (ed.) |
|
3671 |
|
A Philosophy of Music Education: Advancing the Vision [3 ed.] |
Bennett Reimer |
3 |
3672 |
|
Music and the Social Model: An Occupational Therapist's Approach to Music with People with Learning Difficulties [1 ed.] |
Jane Williams |
1 |
3673 |
|
All The Songs: The Story Behind Every Beatles Release |
Philippe Margotin, Jean-Michel Guesdon, Patti Smith, Scott Freiman |
|
3674 |
|
This Thing Called Music : Essays in Honor of Bruno Nettl |
Victoria Lindsay Levine, Philip V. Bohlman |
|
3675 |
|
A Comprehensive Guide to Music Therapy: Theory, Clinical Practice, Research and Training |
Tony Wigram, Inge Nygaard Pedersen, Lars Ole Bonde |
|
3676 |
|
Who Did It First?: Great Pop Cover Songs and Their Original Artists |
Bob Leszczak |
|
3677 |
|
Rehearsing : Critical Connections for the Instrumental Music Conductor |
John F. Colson |
|
3678 |
|
Sound diplomacy : music and emotions in German-American relations, 1850-1920 [1 ed.] |
Jessica C E Gienow-Hecht |
1 |
3679 |
|
Phil Spector: Sound of the Sixties |
Sean MacLeod |
|
3680 |
|
Song and System: The Making of American Pop Music |
Harvey Rachlin |
|
3681 |
|
Inventing Entertainment : The Player Piano and the Origins of an American Musical Industry |
Brian Dolan |
|
3682 |
|
Pianists craft 2 - mastering the works of more great composers. |
Anderson, Richard Paul |
|
3683 |
|
Describing music materials: a manual for resource description of printed and recorded music and music videos [Fourth edition] |
Beak, Jihee,Smiraglia, Richard P |
|
3684 |
|
In the Borderland Between Song and Speech |
Håkan Lundström And Jan-Olof Svantesson |
|
3685 |
|
Getting Started with Middle School Chorus [2 ed.] |
Patrick K. Freer |
2 |
3686 |
|
Keeping the faith: A history of northern soul |
Keith Gildart, Stephen Catterall |
|
3687 |
|
Reflections on the Music of Ennio Morricone: Fame and Legacy |
Franco Sciannameo |
|
3688 |
|
Lift Every Voice: The History of African American Music (African American History (Rowman & Littlefield)) |
Burton Peretti |
|
3689 |
|
The Functional Unity of the Singing Voice (National Association of Teachers of Singing Books) [2 ed.] |
Barbara M. Doscher |
2 |
3690 |
|
The Philosophy of Improvisation [1 ed.] |
Gary Peters |
1 |
3691 |
|
The Encyclopedia of Musicians and Bands on Film |
Melissa U. D. Goldsmith, Paige A. Willson, Anthony J. Fonseca |
|
3692 |
|
So You Want to Sing Sacred Music : A Guide for Performers |
Matthew Hoch |
|
3693 |
|
Rock Poetry in Post-Dictatorship Argentina |
Lucas R. Berone, |
|
3694 |
|
Ethnomusicologizing: Essays on Music in the New Paradigms |
William C. Banfield |
|
3695 |
|
Bob Dylan : American troubadour |
Brown, Donald, Dylan, Bob |
|
3696 |
|
Historical Dictionary of the American Music Industry [Hardcover ed.] |
Keith Hatschek, Veronica A Wells |
|
3697 |
|
The Collected Writings of Franz Liszt : Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers, and Performers Part 1 |
Janita R. Hall-Swadley |
|
3698 |
|
Wounds to Bind A Memoir of the Folk-Rock Revolution |
Burgan, Jerry |
|
3699 |
|
Experiencing Broadway Music |
Kat Sherrell |
|
3700 |
|
Business Basics for Musicians: The Complete Handbook from Start to Success [2 ed.] |
Bobby Borg |
2 |
3701 |
|
Joseph Holbrooke : Composer, Critic, and Musical Patriot |
Paul Watt, Anne-Marie Forbes |
|
3702 |
|
Beat Sound, Beat Vision: The Beat Spirit and Popular Song |
Laurence Coupe |
|
3703 |
|
In Township Tonight!: South Africa's Black City Music and Theatre, Second Edition [Second Edition] |
David B. Coplan |
|
3704 |
|
Business Basics for Musicians: The Complete Handbook from Start to Success |
Bobby Borg |
|
3705 |
|
Debussy’s Paris: Piano Portraits of the Belle Époque |
Catherine Kautsky |
|
3706 |
|
A Conductor’s Guide to Selected Baroque Choral-Orchestral Works |
Jonathan D. Green |
|
3707 |
|
The Alexander Scriabin companion : history, performance, and lore |
Ballard, Lincoln, Bengston, Matthew, Scriabin, Aleksandr Nikolayevich, Young, John Bell |
|
3708 |
|
Women drummers: a history from rock and jazz to blues and country |
Smith, Angela |
|
3709 |
|
Experiencing the Violin Concerto: A Listener's Companion |
Franco Sciannameo |
|
3710 |
|
Hans Zimmer and James Newton Howard's the Dark Knight : A Film Score Guide |
Vasco Hexel |
|
3711 |
|
Sounds of liberty: Music, radicalism and reform in the Anglophone world, 1790–1914 |
Kate Bowan, Paul A. Pickering |
|
3712 |
|
From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence |
Alfred Kanwischer |
|
3713 |
|
Manele in Romania: Cultural Expression and Social Meaning in Balkan Popular Music |
Margaret Beissinger (editor), Speranta Rădulescu (editor), Anca Giurchescu (editor) |
|
3714 |
|
Music Therapy with Children and their Families [1 ed.] |
Amelia Oldfield, Claire Flower, Vince Hesketh |
1 |
3715 |
|
Melody In Music Therapy: A Therapeutic Narrative Analysis [1 ed.] |
Gudrun Aldridge, David Aldridge |
1 |
3716 |
|
Neapolitan postcards : the canzone napoletana as transnational subject |
Plastino, Goffredo, Sciorra, Joseph |
|
3717 |
|
Ballet Music: A Handbook |
Matthew Naughtin |
|
3718 |
|
Listen Again: A New History of Music |
David Wulstan |
|
3719 |
|
Music and Altered States: Consciousness, Transcendence, Therapy and Addictions |
Aldridge, David(Contributor),Fachner, Jörg(Editor) |
|
3720 |
|
Enhancing the Professional Practice of Music Teachers: 101 Tips that Principals Want Music Teachers to Know and Do |
Paul G. Young |
|
3721 |
|
Hip hop's amnesia from blues and the black women's club movement to rap and the hip hop movement |
Rabaka, Reiland |
|
3722 |
|
Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007 [Updated] |
Robin Maconie |
|
3723 |
|
Engaging Musical Practices : A Sourcebook for Instrumental Music |
Suzanne L. Burton, II Alden H. Snell |
|
3724 |
|
Songwriting: strategies for musical self-expression and creativity |
Rajan, Christian V. Hauser,Daniel R. Tomal,and Rekha S |
|
3725 |
|
Playing Back the 80s: A Decade of Unstoppable Hits |
Jim Beviglia |
|
3726 |
|
Working for the Clampdown: The Clash, the Dawn of Neoliberalism and the Political Promise of Punk |
Colin Coulter |
|
3727 |
|
Great Satan's rage: American negativity and rap/metal in the age of supercapitalism |
Scott Wilson |
|
3728 |
|
Pat Patrick : American Musician and Cultural Visionary |
Bill Banfield |
|
3729 |
|
Musical Experience in Our Lives: Things We Learn and Meanings We Make |
Jody L. Kerchner, Carlos Abril |
|
3730 |
|
Soundtracking Germany: Popular Music and National Identity |
Melanie Schiller |
|
3731 |
|
Writings through John Cage's Music, Poetry, and Art [1 ed.] |
David W. Bernstein, Christopher Hatch |
1 |
3732 |
|
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe |
Thomas Turino |
|
3733 |
|
Music Education in the Caribbean and Latin America : A Comprehensive Guide |
Raymond Torres-Santos |
|
3734 |
|
The Aesthetic of Johann Sebastian Bach |
Bach, Johann Sebastian,Armstrong, Joe,Pirro, André |
|
3735 |
|
The Show I'll Never Forget: 50 Writers Relive Their Most Memorable Concertgoing Experience [First Edition] |
Sean Manning |
|
3736 |
|
Tonal Counterpoint for the 21st-Century Musician: An Introduction [Hardcover ed.] |
Teresa Davidian |
|
3737 |
|
Music in Therapeutic Practice : Using Rhythm to Bridge Communication Barriers |
Trisha Ready |
|
3738 |
|
The American Songbook : Music for the Masses |
Ann van der Merwe |
|
3739 |
|
James Dillon: A Biography [1 ed.] |
Maurice Manning |
1 |
3740 |
|
Violin Secrets : 101 Strategies for the Advanced Violinist |
Jo Nardolillo |
|
3741 |
|
Compositional Choices and Meaning in the Vocal Music of J. S. Bach |
Bach, Johann Sebastian,Peters, Mark A.,Sanders, Reginald LeMonte |
|
3742 |
|
Music Apps for Musicians and Music Teachers |
Elizabeth C. Axford |
|
3743 |
|
The Reel World: Scoring for Pictures, Television, and Video Games [3 ed.] |
Jeff Rona |
3 |
3744 |
|
Women in Song and Yuan China |
Bret Hinsch |
|
3745 |
|
The NPR Listener's Encyclopedia of Classical Music [1 ed.] |
Ted Libbey |
1 |
3746 |
|
Experiencing Tchaikovsky : a listener's companion |
Čajkovskij, Pëtr Ilʹič, Schroeder, David P., Tchaikovsky, Peter Ilich |
|
3747 |
|
Pro Tools | First: Fundamentals of Audio Production |
Avid Technology |
|
3748 |
|
Crisis music: The cultural politics of Rock Against Racism |
Ian Goodyer |
|
3749 |
|
The NPR Guide to Building a Classical CD Collection [First Printing ed.] |
Theodore Libbey (aka Ted Libbey) |
|
3750 |
|
Teaching History with Musicals |
Kathryn Edney |
|
3751 |
|
A Dictionary for the Modern Trumpet Player |
Elisa Koehler |
|
3752 |
|
English and German Diction for Singers: A Comparative Approach [2 ed.] |
Amanda Johnston |
2 |
3753 |
|
Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977-80) |
Neil O'Connor |
|
3754 |
|
Life on Mars: From Manchester To New York |
Stephen Lacey, Ruth McElroy |
|
3755 |
|
Electronic and computer music - [fourth edition] |
Peter Manning |
|
3756 |
|
Logic Pro X 10.3. Professional Music Production |
Nahmani, David |
|
3757 |
|
Audio Production Basics with Reason Software |
Zac Changnon |
|
3758 |
|
Basic Elements of Music : A Primer for Musicians, Music Teachers, and Students |
Michael J. Pagliaro |
|
3759 |
|
Counting Down Elvis: His 100 Finest Songs |
Mark Duffett |
|
3760 |
|
Prince and the Parade and Sign O' The Times Era Studio Sessions: 1985 and 1986 (Prince Studio Sessions) |
Duane Tudahl |
|
3761 |
|
Jason Molina: riding with the ghost |
Molina, Jason,Osmon, Erin |
|
3762 |
|
Geek Rock: An Exploration of Music and Subculture |
Alex Diblasi, Victoria Willis |
|
3763 |
|
100 Books Every Folk Music Fan Should Own |
Dick Weissman |
|
3764 |
|
The Music Effect: Music Physiology and Clinical Applications [1 ed.] |
Daniel J. Schneck, Dorita S. Berger |
1 |
3765 |
|
The Harpsichord Stringing Handbook |
Thomas Donahue |
|
3766 |
|
Melody, Harmony, Tonality: An Introduction [Illustrated] |
E. Eugene Helm |
|
3767 |
|
The end-of-the-century party: Youth, pop and the rise of Madchester [1 ed.] |
Steve Redhead |
1 |
3768 |
|
On Music, Value and Utopia: Nostalgia for an Age yet to Come? |
Stan Erraught |
|
3769 |
|
Elmer Bernstein's The Magnificent Seven: A Film Score Guide |
Mariana Whitmer |
|
3770 |
|
Michael Jackson and the Blackface Mask |
Harriet J. Manning |
|
3771 |
|
Community Music Therapy [1 ed.] |
Even Ruud, Mercedes Pavlicevic, Gary Ansdell |
1 |
3772 |
|
Camp Granada: A Music Camp Curriculum |
Eric Branscome |
|
3773 |
|
British Musical Modernism: The Manchester Group and their Contemporaries |
Philip Rupprecht |
|
3774 |
|
Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture [2 ed.] |
Leonard B. Meyer |
2 |
3775 |
|
Guerrilla Film Scoring: Practical Advice from Hollywood Composers |
Jeremy Borum |
|
3776 |
|
Classical Listening : Two Decades of Reviews from The American Record Guide |
Rob Haskins |
|
3777 |
|
French Vocal Literature: Repertoire in Context |
Georgine Resick |
|
3778 |
|
Punk Revolution!: An Oral History of Punk Rock Politics and Activism |
John Malkin |
|
3779 |
|
Conversations with the World's Leading Orchestra and Opera Librarians |
Patrick Lo |
|
3780 |
|
Flute, Accordion or Clarinet? |
Loombe, Dawn,Tomlinson, Jo,Oldfield, Amelia |
|
3781 |
|
Electronic and computer music [Rev. and expanded ed] |
Peter Manning |
|
3782 |
|
Playing the Soprano Recorder: For School, Community, and the Private Studio |
Lois Veenhoven Guderian |
|
3783 |
|
So you want to sing music theater: a guide for professionals |
Hall$aut$!, Karen,Henderson, Allen |
|
3784 |
|
Audio Production Basics with Cubase 10.5 |
Cook, Frank D., Glynn, Harley, Kuehnl, Eric, Harley Glynn |
|
3785 |
|
Music, Theater, and Cultural Transfer: Paris, 1830-1914 [1 ed.] |
Annegret Fauser, Mark Everist |
1 |
3786 |
|
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students [1 ed.] |
Thomas Wosch, Tony Wigram, Barbara L. Wheeler |
1 |
3787 |
|
The Show I'll Never Forget: 50 Writers Relive Their Most Memorable Concertgoing Experience |
Manning, Sean(Editor) |
|
3788 |
|
All by myself: essays on the single-artist rock album |
Hamelman, Steven L |
|
3789 |
|
The Shofar : Its History and Use |
Jeremy Montagu |
|
3790 |
|
Maximum MIDI: advanced music applications in C++ |
Paul Messick |
|
3791 |
|
Counting down southern rock: the 100 best songs |
Banister, C. Eric |
|
3792 |
|
David Shire's The Conversation : A Film Score Guide |
Juan Chattah |
|
3793 |
|
So You Want to Sing with Awareness |
Matthew Hoch, |
|
3794 |
|
Music, Music Therapy and Trauma: International Perspectives [1 ed.] |
Julie P. Sutton |
1 |
3795 |
|
New Vocal Repertory: An Introduction |
Jane Manning (auth.) |
|
3796 |
|
A Dictionary for the Modern Percussionist and Drummer |
Strain, James Allen |
|
3797 |
|
When Rock Met Reggae |
Steven Blush |
|
3798 |
|
Leaders of the Pack : Girl Groups of the 1960s and Their Influence on Popular Culture in Britain and America |
Sean MacLeod |
|
3799 |
|
Performance anxiety strategies: a musician's guide to managing stage fright |
Hendricks, Karin S.,McGrath, Casey,Smith, Tawnya D |
|
3800 |
|
Time and Memory in Reggae Music: The Politics of Hope |
Sarah Daynes |
|
3801 |
|
Musical Exodus : Al-Andalus and Its Jewish Diasporas |
Ruth F. Davis |
|
3802 |
|
A Dictionary for the Modern Singer |
Hoch, Matthew |
|
3803 |
|
Sound Knowledge: Music and Science in London, 1789-1851 |
Davies, James Q., Lockhart, Ellen |
|
3804 |
|
Jazz in the 1970s : diverging streams |
Shoemaker, Bill |
|
3805 |
|
Singing in Polish : A Guide to Polish Lyric Diction and Vocal Repertoire |
Benjamin Schultz |
|
3806 |
|
The Working Musician's Handbook for Professional Success: How to Establish Your Value in the Real World |
Kris Hawkins |
|
3807 |
|
Beethoven's Orchestral Music: An Owner's Manual (Unlocking the Masters): 33 |
David Hurwitz |
|
3808 |
|
The Rolling Stones: their 100 finest songs |
Rolling Stones,Beviglia, Jim |
|
3809 |
|
Experiencing Film Music: A Listener's Companion |
Kenneth LaFave |
|
3810 |
|
U2: Rock 'N' Roll to Change the World |
Timothy D. Neufeld |
|
3811 |
|
Horns and Trumpets of the World: An Illustrated Guide |
Jeremy Montagu |
|
3812 |
|
Music Business Essentials : A Guide for Aspiring Professionals |
Mark Cabaniss, Mike Curb |
|
3813 |
|
Keeping the faith: A history of northern soul [1 ed.] |
Keith Gildart, Stephen Catterall |
1 |
3814 |
|
The Clash: The Only Band that Mattered |
Sean Egan |
|
3815 |
|
Saying Something: Jazz Improvisation and Interaction |
Ingrid Monson |
|
3816 |
|
Rhythm Makers : The Drumming Legends of Nashville in Their Own Words |
Tony Artimisi |
|
3817 |
|
Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture [1 ed.] |
Lewis A. Erenberg |
1 |
3818 |
|
The Sounds of Our Offerings : Achieving Excellence in Church Music |
Charlotte Kroeker |
|
3819 |
|
Sounds of Reform: Progressivism and Music in Chicago, 1873-1935 [1 ed.] |
Derek Vaillant |
1 |
3820 |
|
The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice [2 ed.] |
Michael Edward Edgerton |
2 |
3821 |
|
Your Pretty Face Is Going to Hell: The Dangerous Glitter of David Bowie, Iggy Pop and Lou Reed |
Dave Thompson |
|
3822 |
|
Experiencing the Beatles: a listener's companion |
Beatles.,Halpin, Brooke |
|
3823 |
|
Music Marketing for the DIY Musician: Creating and Executing a Plan of Attack on a Low Budget [2 ed.] |
Bobby Borg |
2 |
3824 |
|
The Musical Theater of Stephen Schwartz : From Godspell to Wicked and Beyond |
Paul R. Laird |
|
3825 |
|
Great Satan's rage: American negativity and rap/metal in the age of supercapitalism [1 ed.] |
Scott Wilson |
1 |
3826 |
|
Chamber music: an extensive guide for listeners |
Murray, lucy Miller |
|
3827 |
|
An Index of Gregorian Chant. Volume II An Index of Gregorian Chant, Volume II: Thematic Index [Reprint 2014 ed.] |
|
2014 |
3828 |
|
Matthias Weckman: Das Leben des Hamburger Jacobi-Organisten und sein Schaffen für die Vox Humana |
Heiko Maus |
|
3829 |
|
Liner Notes for the Revolution: The Intellectural Life of Black Feminist Sound |
Daphne A. Brooks |
|
3830 |
|
Classical Persian Music: An Introduction |
Ella Zonis |
|
3831 |
|
Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties |
Scott Saul |
|
3832 |
|
Chanson and Madrigal, 1480-1530 Studies in Comparison and Contrast, A Conference at Isham Memorial Library, September 13-14, 1961 |
James Haar (ed.) |
|
3833 |
|
Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint [Tenth Printing, 1974 ed.] |
Arthur Tillman Merritt |
1974 |
3834 |
|
Three centuries of harpsichord making |
Frank Hubbard |
|
3835 |
|
The Sound of Modern Polish Poetry: Performance and Recording after World War II |
Aleksandra Kremer |
|
3836 |
|
Opera: The Art of Dying (Convergences) [1 ed.] |
Linda Hutcheon, Michael Hutcheon |
1 |
3837 |
|
Just around Midnight: Rock and Roll and the Racial Imagination |
Jack Hamilton |
|
3838 |
|
An Index of Gregorian Chant, Volume I Alphabetical Index [1] |
John R. Bryden, David Grattan Hughes |
1 |
3839 |
|
Masters of the Keyboard: A Brief Survey of Pianoforte Music [Reprint 2013 ed.] |
Willi Apel |
2013 |
3840 |
|
An Index of Gregorian Chant, Volume II Thematic Index [2] |
John R. Bryden, David Grattan Hughes |
2 |
3841 |
|
Instrumental Music Printed before 1600: A Bibliography |
Howard Mayer Brown |
|
3842 |
|
The Interpretation of Bach’s Keyboard Works [Reprint 2013 ed.] |
Erwin Bodky |
2013 |
3843 |
|
The interpretation of Bach’s keyboard works |
Erwin Bodky |
|
3844 |
|
Music in the French Secular Theater, 1400-1550 |
Howard Mayer Brown |
|
3845 |
|
The Interpretation of Bach's Keyboard Works |
Erwin Bodky |
|
3846 |
|
The Harvard Brief Dictionary of Music [Reprint 2013 ed.] |
Willi Apel, Ralph T. Daniel |
2013 |
3847 |
|
Historical Anthology of Music: Volume II Historical Anthology of Music, Volume II: Baroque, Rococo, and Pre-Classical Music [Reprint 2014 ed.] |
Archibald T. Davison, Willi Apel |
2014 |
3848 |
|
Tragedy in the Art of Music |
Leo Schrade |
|
3849 |
|
Girolamo Frescobaldi |
Frederick Hammond |
|
3850 |
|
Musical Iconography: A Manual for Cataloguing Musical Subjects in Western Art Before 1800 |
Howard Mayer Brown, Joan Lascelle |
|
3851 |
|
Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition [Reprint 2014 ed.] |
Joseph N. Straus |
2014 |
3852 |
|
The Harvard Dictionary of Music [Fourth Edition] |
Don Michael Randel |
|
3853 |
|
Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture |
Preston Whaley Jr. |
|
3854 |
|
Questions about Music |
Roger Sessions |
|
3855 |
|
Choral Conducting [Reprint 2013 ed.] |
Archibald T. Davison |
2013 |
3856 |
|
A Right to Sing the Blues: African Americans, Jews, and American Popular Song |
Jeffrey Melnick |
|
3857 |
|
Musical thought |
Carlos Chávez |
|
3858 |
|
Brahms and the German Spirit |
Daniel Beller-McKenna |
|
3859 |
|
Three Songs, Three Singers, Three Nations [Pilot project. eBook available to selected US libraries only] |
Greil Marcus |
|
3860 |
|
The Romantic Generation (Charles Eliot Norton Lectures) |
Charles Rosen |
|
3861 |
|
To Live and Defy in LA: How Gangsta Rap Changed America |
Felicia Angela Viator |
|
3862 |
|
Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy [Reprint 2013 ed.] |
Warren D. Anderson |
2013 |
3863 |
|
Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition [2 ed.] |
Greil Marcus |
2 |
3864 |
|
The Continental Harmony [Reprint 2014 ed.] |
William Billings (editor), Hans Nathan (editor) |
2014 |
3865 |
|
Music and culture in Italy from medieval to baroque : a collection of essays |
Pirrotta, Nino |
|
3866 |
|
Opera, Society, and Politics in Modern China |
Hsiao-t'i Li |
|
3867 |
|
After Beethoven: The Imperative of Originality in the Symphony |
Mark Evan Bonds |
|
3868 |
|
Contemplating music : challenges to musicology |
Kerman, Joseph |
|
3869 |
|
Music and the Aesthetics of Modernity: Essays |
Karol Berger, Anthony Newcomb |
|
3870 |
|
The World of Music [Reprint 2014 ed.] |
G. Wallace Woodworth |
2014 |
3871 |
|
Music and Meaning [Reprint 2014 ed.] |
Elizabeth Robinson Woods |
2014 |
3872 |
|
Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries [Reprint 2013 ed.] |
Howard Mayer Brown (editor) |
2013 |
3873 |
|
Remembering the Future [Hardcover ed.] |
Luciano Berio |
|
3874 |
|
Wordless Rhetoric: Musical Form and the Metaphor of the Oration [1st Edition] |
Mark Evan Bonds |
1 |
3875 |
|
Historical Anthology of Music. Volume I Historical Anthology of Music, Volume I: Oriental, Medieval, and Renaissance Music: Revised Edition [Rev. ed. Reprint 2014] |
Archibald T. Davison, Willi Apel |
2014 |
3876 |
|
Music and Criticism: A Symposium [Reprint 2014 ed.] |
Richard F. French (editor) |
2014 |
3877 |
|
Beethoven: Studies in the Creative Processes |
Lewis Lockwood |
|
3878 |
|
Analog Days: The Invention and Impact of the Moog Synthesizer |
Trevor Pinch, Frank Trocco |
|
3879 |
|
Music of the Western Nations [Reprint 2014 ed.] |
Hugo Leichtentritt (editor), Nicolas Slonimsky (editor) |
2014 |
3880 |
|
Beethoven's Symphonies: Nine Approaches to Art and Ideas |
Martin Geck, Stewart Spencer |
|
3881 |
|
How sweet the sound: music in the spiritual lives of Americans |
David W. Stowe |
|
3882 |
|
Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound |
Daphne A. Brooks |
|
3883 |
|
The Vocal Songs in the Plays of Shakespeare: A Critical History [Reprint 2014 ed.] |
Peter J. Seng |
2014 |
3884 |
|
Tokyo Boogie-Woogie: Japan’s Pop Era and Its Discontents |
Hiromu Nagahara |
|
3885 |
|
Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno |
Robert Christgau |
|
3886 |
|
Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War |
Penny M. Von Eschen |
|
3887 |
|
The Harvard brief dictionary of music [2 ed.] |
Willi Apel and Ralph T. Daniel |
2 |
3888 |
|
Music, History, and Ideas |
Hugo Leichtentritt |
|
3889 |
|
Musical Form |
Hugo Leichtentritt |
|
3890 |
|
The devil's music: how Christians inspired, condemned, and embraced rock 'n' roll [First printing ed.] |
Stephens, Randall J |
|
3891 |
|
Techniques of Modern Orchestral Conducting: Second edition, revised and enlarged [2nd ed., revised and enlarged. Reprint 2014] |
Benjamin Grosbayne |
2 |
3892 |
|
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song (Harvard East Asian Monographs) |
Christine R. Yano |
|
3893 |
|
Tu cerebro y la musica: El estudio científico de una obsesión humana |
Daniel J. Levitin |
|
3894 |
|
The Culture Wars of the Late Renaissance: Skeptics, Libertines, and Opera |
Edward Muir |
|
3895 |
|
Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists [Reprint 2014 ed.] |
Glenn Watkins |
2014 |
3896 |
|
Bach and the Patterns of Invention |
Laurence Dreyfus |
|
3897 |
|
Critical Entertainments: Music Old and New |
Charles Rosen |
|
3898 |
|
Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents [1 ed.] |
Hiromu Nagahara |
1 |
3899 |
|
Serge Koussevitzky, The Boston Symphony Orchestra, and the New American Music: The Boston Symphony Orchestra and the New American Music [Reprint 2014 ed.] |
Hugo Leichtentritt |
2014 |
3900 |
|
The Unanswered Question: Six Talks at Harvard |
Leonard Bernstein |
|
3901 |
|
Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays [Reprint 2014 ed.] |
Nino Pirrotta |
2014 |
3902 |
|
The Joy of Playing, the Joy of Thinking |
Charles Rosen, Catherine Temerson, Catherine Zerner, Israel Rosenfield |
|
3903 |
|
Compositional Theory in the Eighteenth Century |
Joel Lester |
|
3904 |
|
Keyboard music from the Andreas Bach book and the Möller manuscript |
Robert Hill (editor) |
|
3905 |
|
Dancing in the Street: Motown and the Cultural Politics of Detroit |
Suzanne E. Smith |
|
3906 |
|
Poem and Music in the German Lied from Gluck to Hugo Wolf [Reprint 2014 ed.] |
Jack M. Stein |
2014 |
3907 |
|
Handel as Orpheus: Voice and Desire in the Chamber Cantatas |
Ellen T. Harris |
|
3908 |
|
The Banjo |
Laurent Dubois |
|
3909 |
|
Instrumental Music: A Conference at Isham Memorial Library, May 4, 1957 [Reprint 2014 ed.] |
David G. Hughes (editor) |
2014 |
3910 |
|
Antropologia De La Musica Vol 2 Teorias De La Complejidad |
Reynoso Carlos |
|
3911 |
|
Music as biology: the tones we like and why |
Purves, Dale |
|
3912 |
|
Dancing in the Street: Motown and the Cultural Politics of Detroit [3rd ed.] |
Suzanne E. Smith |
3 |
3913 |
|
Symphonic Aspirations: German Music and Politics, 1900–1945 |
Karen Painter |
|
3914 |
|
Bach’s Continuo Group: Players and Practice in His Vocal Works |
Laurence Dreyfus |
|
3915 |
|
Epistrophies: Jazz and the Literary Imagination |
Brent Hayes Edwards |
|
3916 |
|
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence |
Tim Carter, Richard A. Goldthwaite |
|
3917 |
|
Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War [1ST ed.] |
Penny M. Von Eschen |
1 |
3918 |
|
The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll |
Randall J. Stephens |
|
3919 |
|
The Letters of Franz Liszt to Marie zu Sayn-Wittgenstein [Reprint 2014 ed.] |
Howard E. Hugo (editor), Howard E. Hugo (editor) |
2014 |
3920 |
|
Songs and Ballads of the Maine Lumberjacks with Other Songs from Maine [Reprint 2014 ed.] |
Roland Palmer Gray (editor) |
2014 |
3921 |
|
Conducting an Amateur Orchestra [Reprint 2014 ed.] |
Malcolm H. Holmes |
2014 |
3922 |
|
The Editor’s Introduction, Reader’s Guide, Index to the First Lines of Poems, Songs, and Choruses, Hymns and Psalms : General Index, Chronological Index |
Charles W. Eliot |
|
3923 |
|
Harvard Dictionary of Music: Second Edition, Revised and Enlarged (Series I: Diaries) [Second Edition, Revised and Enlarged] |
Willi Apel |
|
3924 |
|
Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
W. T. Lhamon Jr. |
|
3925 |
|
The triumph of music : the rise of composers, musicians and their art |
T. C. W. Blanning |
|
3926 |
|
Leonard Bernstein: The Harvard Years, 1935-1939 [1 ed.] |
Leonard Bernstein, Claudia Swan (editor) |
1 |
3927 |
|
Poetics of Music in the Form of Six Lessons [Revised ed.] |
Igor Stravinsky |
|
3928 |
|
Africa Speaks, America Answers: Modern Jazz in Revolutionary Times |
Robin D. G. Kelley |
|
3929 |
|
The Joy of Playing, the Joy of Thinking: Conversations about Art & Performance |
Charles Rosen, Catherine Temerson |
|
3930 |
|
Music in Primitive Culture [4th printing 1977. Reprint 2014 ed.] |
Bruno Nettl |
419772014 |
3931 |
|
Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence [1St Edition] |
Tim Carter, Richard A. Goldthwaite |
1 |
3932 |
|
Wagner and the Erotic Impulse |
Laurence Dreyfus |
|
3933 |
|
The Banjo: America’s African Instrument |
Laurent Dubois |
|
3934 |
|
Wordless Rhetoric: Musical Form and the Metaphor of the Oration [Reprint 2013 ed.] |
Mark Evan Bonds |
2013 |
3935 |
|
Motives for Allusion: Context and Content in Nineteenth-Century Music |
Christopher Alan Reynolds |
|
3936 |
|
Questions about Music [Reprint 2014 ed.] |
Roger Sessions |
2014 |
3937 |
|
Selling Sounds: The Commercial Revolution in American Music |
David Suisman |
|
3938 |
|
Freedom and the Arts : essays on music and literature |
Rosen, Charles |
|
3939 |
|
Robert Schumann: The Book of Songs |
Jon W. Finson |
|
3940 |
|
Graceland: Going Home with Elvis |
Karal Ann Marling |
|
3941 |
|
Graceland: Going Home with Elvis [Reprint 2014 ed.] |
Karal Ann Marling |
2014 |
3942 |
|
Trumpet Story |
Bill Coleman (auth.) |
|
3943 |
|
Never |
Rick Astley |
|
3944 |
|
Geographically Isolated and Peripheral Music Scenes: Global Insights and Perspectives |
Christina Ballico |
|
3945 |
|
Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness [1 ed.] |
Catherine Hoad |
1 |
3946 |
|
The Audiovisual Chord: Embodied Listening in Film |
Martine Huvenne |
|
3947 |
|
Industrial Poetics: Demo Tracks for a Mobile Culture [First Edition] |
Joe Amato |
|
3948 |
|
Explosions in the Mind: Composing Psychedelic Sounds and Visualisations (Palgrave Studies in Sound) |
Jonathan Weinel |
|
3949 |
|
Populism and (Pop) Music |
Manuela Caiani, Enrico Padoan |
|
3950 |
|
American Lit Remixed: Music in Twenty-First-Century American Literature |
Melissa J. Strong |
|
3951 |
|
Ugandan Music in the Marketing Era: The Branded Arena [1 ed.] |
David G. Pier (auth.) |
1 |
3952 |
|
Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap [1st ed.] |
Xinling Li |
1 |
3953 |
|
Music for the Melodramatic Theatre in Nineteenth-Century London and New York [1 ed.] |
Michael V. Pisani |
1 |
3954 |
|
Sir Ernest MacMillan: The Importance of Being Canadian |
Ezra Schabas |
|
3955 |
|
Buck Clayton’s Jazz World |
Buck Clayton (auth.) |
|
3956 |
|
The Special Liveliness of Hooks in Popular Music and Beyond |
Steven G. Smith |
|
3957 |
|
Paul McCartney and His Creative Practice: The Beatles and Beyond (Palgrave Studies in Creativity and Culture) |
Phillip McIntyre, Paul Thompson |
|
3958 |
|
In Dylan Town: A Fan’s Life [1 ed.] |
David Gaines |
1 |
3959 |
|
Popular Music Heritage: Places, Objects, Images and Texts (Pop Music, Culture and Identity) |
Andy Bennett |
|
3960 |
|
The Work of Music and the Problem of Its Identity |
Roman Ingarden (auth.), Jean G. Harrell (eds.) |
|
3961 |
|
Music and Moral Management in the Nineteenth-Century English Lunatic Asylum (Mental Health in Historical Perspective) |
Rosemary Golding |
|
3962 |
|
Music and Sound in the Life and Literature of James Joyce: Joyces Noyces [1st ed.] |
Gerry Smyth |
1 |
3963 |
|
The New Music Industries: Disruption and Discovery [1 ed.] |
Diane Hughes, Mark Evans, Guy Morrow, Sarah Keith (auth.) |
1 |
3964 |
|
Turn the Beat Around: The Secret History of Disco |
Peter Shapiro |
|
3965 |
|
Youth, Music and Creative Cultures: Playing for Life |
Geraldine Bloustien, Margaret Peters |
|
3966 |
|
Avant-Garde Theatre Sound: Staging Sonic Modernity |
Adrian Curtin (auth.) |
|
3967 |
|
Meaning-Making in the Contemporary Congregational Song Genre [1st ed.] |
Daniel Thornton |
1 |
3968 |
|
Theatre Music and Sound at the RSC: Macbeth to Matilda [1st ed.] |
Millie Taylor |
1 |
3969 |
|
The Value of Popular Music: An Approach from Post-Kantian Aesthetics [1 ed.] |
Alison Stone (auth.) |
1 |
3970 |
|
Words, Music, and the Popular: Global Perspectives on Intermedial Relations [1 ed.] |
Thomas Gurke (editor), Susan Winnett (editor) |
1 |
3971 |
|
Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music [1st ed.] |
Katharine W. Jager |
1 |
3972 |
|
Music and Cultural Diplomacy in the Middle East: Geopolitical Re-Configurations for the 21st Century |
Maria M. Rijo Lopes da Cunha (editor), Jonathan Shannon (editor), Søren Møller Sørensen (editor), Virginia Danielson (editor) |
|
3973 |
|
Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema |
K. J. Donnelly, Ann-Kristin Wallengren (eds.) |
|
3974 |
|
Musical Modernism and German Cinema from 1913 to 1933 [1 ed.] |
Francesco Finocchiaro (auth.) |
1 |
3975 |
|
Bodies, Noise and Power in Industrial Music |
Jason Whittaker, Elizabeth Potter (eds.) |
|
3976 |
|
Emo : how fans defined a subculture |
Judith Fathallah |
|
3977 |
|
Exploring Diasporic Perspectives in Music Education [1st ed.] |
Ruth Iana Gustafson |
1 |
3978 |
|
Liszt |
Sacheverell Sitwell |
|
3979 |
|
Rearview My Roadies Journey |
Ram, Raghu |
|
3980 |
|
International Relations, Music and Diplomacy : Sounds and Voices on the International Stage [1 ed.] |
Frédéric Ramel,Cécile Prévost-Thomas (eds.) |
1 |
3981 |
|
The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks [1 ed.] |
Liz Greene, Danijela Kulezic-Wilson (eds.) |
1 |
3982 |
|
Avant-garde jazz musicians: performing ''out there'' [1 ed.] |
David Glen Such |
1 |
3983 |
|
Contemporary Film Music: Investigating Cinema Narratives and Composition [1 ed.] |
Lindsay Coleman, Joakim Tillman (eds.) |
1 |
3984 |
|
Thirty Years with the Big Bands [1 ed.] |
Arthur Rollini (auth.) |
1 |
3985 |
|
The Palgrave Handbook of Musical Theatre Producers [1 ed.] |
Laura MacDonald, William A. Everett (eds.) |
1 |
3986 |
|
With Louis and the Duke: The Autobiography of a Jazz Clarinetist |
Barney Bigard (auth.), Barry Martyn (eds.) |
|
3987 |
|
Thesaurus of scales and melodic patterns |
Nicolas Slonimsky |
|
3988 |
|
The Rhythm of Modern Music |
Charles Francis Abdy Williams |
|
3989 |
|
Acoustic Interculturalism: Listening to Performance |
Marcus Cheng Chye Tan (auth.) |
|
3990 |
|
Digital Connectivity and Music Culture: Artists and Accomplices [1 ed.] |
Mary Beth Ray (auth.) |
1 |
3991 |
|
21st Century Perspectives on Music, Technology, and Culture: Listening Spaces |
Richard Purcell, Richard Randall (eds.) |
|
3992 |
|
Authenticity and Belonging in the Northern Soul Scene: The Role of History and Identity in a Multigenerational Music Culture [1st ed.] |
Sarah Raine |
1 |
3993 |
|
Music and the Cultural Production of Scale |
Phil Dodds |
|
3994 |
|
Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions [1 ed.] |
Justin Christensen (auth.) |
1 |
3995 |
|
Sound and Modernity in the Literature of London, 1880-1918 [1 ed.] |
Patricia Pye (auth.) |
1 |
3996 |
|
China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy |
Zhen Troy Chen |
|
3997 |
|
David Bowie and Romanticism (Palgrave Studies in Music and Literature) |
James Rovira (editor) |
|
3998 |
|
Buddy: the definitive biography of Buddy Holly |
Holly, Buddy,Norman, Philip |
|
3999 |
|
Listening to Iris Murdoch: Music, Sounds, and Silences |
Gillian Dooley |
|
4000 |
|
The Political Art of Bob Dylan |
David Boucher, Gary Browning (eds.) |
|
4001 |
|
The Steel Pan Man of Harlem (Carolrhoda Picture Books) |
Colin Bootman |
|
4002 |
|
The Bebop Scene in London's Soho, 1945-1950: Post-war Britain’s First Youth Subculture |
Ray Kinsella |
|
4003 |
|
Punk, Ageing and Time |
Laura Way, Matt Grimes |
|
4004 |
|
The Inside Songs of Amiri Baraka (Palgrave Studies in Music and Literature) |
Aldon Lynn Nielsen |
|
4005 |
|
Why Are We Attracted to Sad Music? [1 ed.] |
Sandra Garrido (auth.) |
1 |
4006 |
|
Narratives from Beyond the UK Reggae Bassline: The System is Sound [1st ed.] |
William 'Lez' Henry, Matthew Worley |
1 |
4007 |
|
New Geographies of Music 1: Urban Policies, Live Music, and Careers in a Changing Industry (Geographies of Media) |
Ola Johansson (editor), Séverin Guillard (editor), Joseph Palis (editor) |
|
4008 |
|
Amateur Musical Societies and Sports Clubs in Provincial France, 1848–1914 : Harmony and Hostility |
Alan R. H. Baker |
|
4009 |
|
Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come [1 ed.] |
Erik Steinskog (auth.) |
1 |
4010 |
|
Cultures of Work, the Neoliberal Environment and Music in Higher Education |
Sally Macarthur, Julja Szuster, Paul Watt |
|
4011 |
|
Conditions of Music [1 ed.] |
Alan Durant (auth.) |
1 |
4012 |
|
The Economics of the Popular Music Industry: Modelling from Microeconomic Theory and Industrial Organization [2 ed.] |
Christie Byun |
2 |
4013 |
|
Women Making Music: The Western Art Tradition, 1150–1950 |
Jane Bowers, Judith Tick (eds.) |
|
4014 |
|
Global Dance Cultures in the 1970s and 1980s: Disco Heterotopias [1 ed.] |
Flora Pitrolo (editor), Marko Zubak (editor) |
1 |
4015 |
|
The Youngs: The Brothers Who Built AC/DC |
Jesse Fink |
|
4016 |
|
Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan |
Rosemary Overell (auth.) |
|
4017 |
|
Capitals of Punk: DC, Paris, and Circulation in the Urban Underground [1st ed.] |
Tyler Sonnichsen |
1 |
4018 |
|
Fractured Scenes: Underground Music-Making in Hong Kong and East Asia |
Damien Charrieras (editor), François Mouillot (editor) |
|
4019 |
|
Retrospection and Revision in Modern and Contemporary Art, Literature and Music |
Mette Gieskes, Mathilde Roza |
|
4020 |
|
Chopin: An Index of His Works in Chronological Order |
Maurice J. E. Brown (auth.) |
|
4021 |
|
Audible Geographies in Latin America: Sounds of Race and Place [1st ed. 2019] |
Dylon Lamar Robbins |
1 |
4022 |
|
Harry Belten and the Mendelssohn violin concerto [First Edition] |
Barry Targan |
|
4023 |
|
Janelle Monáe’s "Dirty Computer" (Palgrave Science Fiction and Fantasy: A New Canon) |
Dan Hassler-Forest |
|
4024 |
|
Music in the Making of Modern Japan: Essays on Reception, Transformation and Cultural Flows [1 ed.] |
Kei Hibino, Barnaby Ralph, Henry Johnson |
1 |
4025 |
|
Rap Music and the Youth in Malawi: Reppin' the Flames |
Ken Lipenga Jr. |
|
4026 |
|
Reading Eminem: A Critical, Lyrical Analysis |
Glenn Fosbraey |
|
4027 |
|
The Zimdancehall Revolution: Critical Perspectives |
Tanaka Chidora (editor), Doreen Rumbidzai Tivenga (editor), Ezra Chitando (editor) |
|
4028 |
|
Transposing Broadway: Jews, Assimilation, and the American Musical |
Stuart J. Hecht (auth.) |
|
4029 |
|
The Pop Music Idol and the Spirit of Charisma: Reality Television Talent Shows in the Digital Economy of Hope |
Trajce Cvetkovski (auth.) |
|
4030 |
|
Music Composition in Contexts of Early Childhood: Creation, Communication and Multi-Modal Experiences through Music |
Aleksandra Acker, Berenice Nyland, Jan Deans, Kylie Payman, Suzana Klarin |
|
4031 |
|
Classical Music Radio in the United Kingdom, 1945–1995 [1 ed.] |
Tony Stoller (auth.) |
1 |
4032 |
|
Youth Identities and Argentine Popular Music: Beyond Tango |
Pablo Semán, Pablo Vila (eds.) |
|
4033 |
|
Music in Contemporary British Fiction: Listening to the Novel |
Gerry Smyth |
|
4034 |
|
The Cultural Sociology of Art and Music: New Directions and New Discoveries |
Lisa McCormick (editor) |
|
4035 |
|
The Sound inside the Silence: Travels in the Sonic Imagination [1st ed.] |
Seán Street |
1 |
4036 |
|
David Bowie and Film: Hooked to the Silver Screen |
Stephen Glynn |
|
4037 |
|
Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge |
Daniel Rachel |
|
4038 |
|
The Palgrave Handbook of Music in Comedy Cinema |
Emilio Audissino, Emile Wennekes (eds.) |
|
4039 |
|
The Story of the B-52s: Neon Side of Town |
Scott Creney, Brigette Adair Herron |
|
4040 |
|
The Visual Music Film |
Aimee Mollaghan (auth.) |
|
4041 |
|
Bibliographical Handbook of American Music [1 ed.] |
D. W. Krummel (auth.) |
1 |
4042 |
|
My Amy: The Life We Shared |
Tyler James |
|
4043 |
|
Poetry in English and Metal Music: Adaptation and Appropriation Across Media |
Arturo Mora-Rioja |
|
4044 |
|
Platformed! How Streaming, Algorithms and Artificial Intelligence are Shaping Music Cultures (Pop Music, Culture and Identity) [1st ed. 2024] |
Tiziano Bonini, Paolo Magaudda |
1 |
4045 |
|
The Palgrave Handbook of Critical Music Industry Studies [2024 ed.] |
David Arditi (editor), Ryan Nolan (editor) |
2024 |
4046 |
|
Musical Entanglements between Germany and East Asia: Transnational Affinity in the 20th and 21st Centuries [1 ed.] |
Joanne Miyang Cho |
1 |
4047 |
|
Indigenous African Popular Music, Volume 1: Prophets and Philosophers (Pop Music, Culture and Identity) |
Abiodun Salawu (editor), Israel A. Fadipe (editor) |
|
4048 |
|
Transformational Music Teaching |
Edna B. Chun, George S.T. Chu |
|
4049 |
|
Trans-Atlantic Passages: Philip Hale on the Boston Symphony Orchestra 1889–1933 |
Jon Ceander Mitchell (auth.) |
|
4050 |
|
History of American Music |
Louis C. Elson |
|
4051 |
|
The Musicality of Narrative Film |
Danijela Kulezic-Wilson (auth.) |
|
4052 |
|
Music and Play in Early Childhood Education: Teaching Music in Hong Kong, China and the World |
Fanny M. Y. Chung |
|
4053 |
|
Annals of the Metropolitan Opera: The Complete Chronicle of Performances and Artists |
Gerald Fitzgerald, Robert Tuggle (eds.) |
|
4054 |
|
The Musical Crowd in English Fiction, 1840–1910: Class, Culture and Nation |
Phyllis Weliver (auth.) |
|
4055 |
|
Death of a dreamer: the assassination of john lennon |
Behnke, Alison |
|
4056 |
|
My Name Is Gauhar Jaan: The Life and Times of a Musician |
Vikram Sampath |
|
4057 |
|
The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation (Palgrave Studies in Nineteenth-Century Writing and Culture) |
Phyllis Weliver |
|
4058 |
|
Dream a Little Dream of Me: The Life of 'Mama' Cass Elliot |
Eddi Fiegel |
|
4059 |
|
Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture |
Steve Clark, Tristanne Connolly, Jason Whittaker (eds.) |
|
4060 |
|
Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music |
Angela McRobbie (eds.) |
|
4061 |
|
Political Melodies in the Pews? : The Voice of the Black Christian Rapper in the Twenty-First-Century Church |
David L. Moody |
|
4062 |
|
The Groovology of White Affect: Boeremusiek and the Enregisterment of Race in South Africa |
Willemien Froneman |
|
4063 |
|
The music of James MacMillan |
Cooke, Phillip A. |
|
4064 |
|
The Music Industries: From Conception to Consumption |
Michael L. Jones (auth.) |
|
4065 |
|
The Organist in Victorian Literature [1 ed.] |
Iain Quinn (auth.) |
1 |
4066 |
|
The Music Guide to Italy |
Elaine Brody, Claire Brook (auth.) |
|
4067 |
|
The Cultural and Artistic Legacy of Oliver Mtukudzi: Using Language for Social Justice |
Munyaradzi Nyakudya (editor), Bridget Chinouriri (editor), Pauline Mateveke (editor), Ezra Chitando (editor) |
|
4068 |
|
HANDEL IN LONDON: the making of a genius |
Glover, Jane |
|
4069 |
|
Youth and Permissive Social Change in British Music Papers, 1967–1983 [1st ed.] |
Patrick Glen |
1 |
4070 |
|
Ian Dury |
Will Birch |
|
4071 |
|
The New Shudder: About the Fantastic of Musical Romanticism |
Christian Kämpf |
|
4072 |
|
Ethnomusicology, Queerness, Masculinity: Silence=Death |
Stephen Amico |
|
4073 |
|
Music Therapy with Autistic Children in Aotearoa, New Zealand: Haumanu ā-Puoro mā ngā Tamariki Takiwātanga i Aotearoa |
Daphne Rickson |
|
4074 |
|
One Train Later: A Memoir |
Andy Summers |
|
4075 |
|
Literature, Music and Cosmopolitanism: Culture as Migration [1 ed.] |
Robert Fraser (auth.) |
1 |
4076 |
|
Historical Theory and Methods through Popular Music, 1970–2000: “Those are the New Saints” [1 ed.] |
Kenneth L. Shonk, Jr.,Daniel Robert McClure (auth.) |
1 |
4077 |
|
MUSIC and CAPITALISM: Melody, Harmony and Rhythm in the Modern World [1 ed.] |
Sabby Sagall |
1 |
4078 |
|
Polish Popular Music on Screen |
Ewa Mazierska |
|
4079 |
|
Live and Recorded: Music Experience in the Digital Millennium [1 ed.] |
Yngvar Kjus (auth.) |
1 |
4080 |
|
Musical Mothering: Intergenerational Strategies Amongst the Middle Classes |
Sally Savage |
|
4081 |
|
Thomas Hardy, Metaphysics and Music |
Mark Asquith (auth.) |
|
4082 |
|
21 Years Gone: The Autobiography |
Jack Osbourne |
|
4083 |
|
The history of music aesthetics |
Enrico Fubini |
|
4084 |
|
Indigenous African Popular Music, Volume 2: Social Crusades and the Future (Pop Music, Culture and Identity) |
Abiodun Salawu (editor), Israel A. Fadipe (editor) |
|
4085 |
|
When Music Mattered: American Music in the Sixties |
James Wierzbicki |
|
4086 |
|
Twentieth-century piano music |
Burge, David |
|
4087 |
|
The Life and Music of Oliver Mtukudzi: Reconstruction and Identity |
Ezra Chitando (editor), Pauline Mateveke (editor), Munyaradzi Nyakudya (editor), Bridget Chinouriri (editor) |
|
4088 |
|
The inner game of music |
Barry Green, W. Timothy Gallwey |
|
4089 |
|
Snakes! Guillotines! Electric Chairs!: My Adventures in the Alice Cooper Group |
Dennis Dunaway |
|
4090 |
|
A Scots Song: a Life of Music |
James Macmillan |
|
4091 |
|
Music Makers |
Roy, Ashok |
|
4092 |
|
Creative Autonomy, Copyright and Popular Music in Nigeria [1st ed.] |
Mary W. Gani |
1 |
4093 |
|
James Weldon Johnson's Modern Soundscapes |
Noelle Morrissette |
|
4094 |
|
A Stray Cat Struts: My Life as a Rockabilly Rebel |
Slim Jim Phantom |
|
4095 |
|
It's Just the Normal Noises: Marcus, Guralnick, No Depression, and the Mystery of Americana Music [1 ed.] |
Timothy Gray |
1 |
4096 |
|
Mapping Violeta Parra’s Cultural Landscapes [1 ed.] |
Patricia Vilches (eds.) |
1 |
4097 |
|
Popular Music Scenes: Regional and Rural Perspectives |
Andy Bennett, David Cashman, Ben Green, Natalie Lewandowski |
|
4098 |
|
Sitting In: Selected Writings on Jazz, Blues, and Related Topics |
Hayden Carruth |
|
4099 |
|
The Political World of Bob Dylan: Freedom and Justice, Power and Sin |
Jeff Taylor, Chad Israelson (auth.) |
|
4100 |
|
Mohammed Rafi: my Abba: a memoir |
Rafi, Mohammed,Rafi, Yasmin Khalid,Rupa Srikumar,Shrikumar, A. K |
|
4101 |
|
Clawing at the Limits of Cool: Miles Davis, John Coltrane, and the Greatest Jazz Collaboration Ever |
Farah Jasmine Griffin, Salim Washington |
|
4102 |
|
Consuming Music in the Digital Age: Technologies, Roles and Everyday Life |
Raphaël Nowak (auth.) |
|
4103 |
|
Musical Scenes and Social Class: Debating Punk and Metal |
Romain Garbaye, Gérôme Guibert (eds.) |
|
4104 |
|
Italian Goth Subculture: Kindred Creatures and Other Dark Enactments in Milan, 1982-1991 (Palgrave Studies in the History of Subcultures and Popular Music) |
Simone Tosoni, Emanuela Zuccalà |
|
4105 |
|
Creation Stories: Riots, Raves and Running a Label [Paperback ed.] |
Alan McGee |
|
4106 |
|
The Guide to Classic Recorded Jazz |
Tom Piazza |
|
4107 |
|
The Time of Music: New Meanings, New Temporalities, New Listening Strategies |
Jonathan D. Kramer |
|
4108 |
|
New Grove Dictionary of Opera (Roe-Z, Apendices) [4] |
Stanley Sadie (editor) |
4 |
4109 |
|
Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music (Palgrave Studies in (Re)Presenting Gender) |
Glenn Fosbraey (editor), Nicola Puckey (editor) |
|
4110 |
|
Italian Jewish Musicians and Composers under Fascism: Let Our Music Be Played (Italian and Italian American Studies) |
Alessandro Carrieri (editor), Annalisa Capristo (editor) |
|
4111 |
|
A Life in Jazz |
Danny Barker, Alyn Shipton (eds.) |
|
4112 |
|
Why Music Moves Us |
Jeanette Bicknell |
|
4113 |
|
Global Hiphopography |
Quentin Williams (editor), Jaspal Naveel Singh (editor) |
|
4114 |
|
The Palgrave Handbook of Music and Sound in Japanese Animation |
Marco Pellitteri |
|
4115 |
|
British film music and film musicals |
K J Donnelly, Palgrave Connect (Online service) |
|
4116 |
|
British Film Music: Musical Traditions in British Cinema, 1930s–1950s |
Paul Mazey |
|
4117 |
|
Cuban Fusion: The Transnational Cuban Alternative Music Scene |
Eva Silot Bravo |
|
4118 |
|
The New Grove Dictionary of Opera (Lon-Rod) [3] |
Stanley Sadie (editor) |
3 |
4119 |
|
When Music Takes Over in Film |
Anna K. Windisch, Claus Tieber, Phil Powrie |
|
4120 |
|
Insulting Music: A Lexicon of Insult in Music |
Lily E. Hirsch |
|
4121 |
|
Contexts for Music Learning and Participation: Developing and Sustaining Musical Possible Selves [1st ed.] |
Andrea Creech, Maria Varvarigou, Susan Hallam |
1 |
4122 |
|
The New Grove Dictionary of Opera (E-Lom) [2] |
Stanley Sadie (editor) |
2 |
4123 |
|
The Beatles' Shadow: Stuart Sutcliffe & His Lonely Hearts Club |
Pauline Sutcliffe |
|
4124 |
|
New Grove Dictionary of Opera (A-D) [1] |
Stanley Sadie (editor) |
1 |
4125 |
|
Sampling, Biting, and the Postmodern Subversion of Hip Hop |
Jim Vernon |
|
4126 |
|
Leonard Bernstein: In Love with Music (Lerner Biographies) [1 ed.] |
Caroline Evensen Lazo |
1 |
4127 |
|
The Sociolinguistics of Hip-Hop as Critical Conscience: Dissatisfaction and Dissent [1 ed.] |
Andrew S. Ross, Damian J. Rivers (eds.) |
1 |
4128 |
|
A Century of Composition by Women: Music Against the Odds |
Linda Kouvaras, Maria Grenfell, Natalie Williams |
|
4129 |
|
Music, Words, and Nationalism: National Anthems and Songs in the Modern Era (Palgrave Studies in Music and Literature) |
Javier Moreno-Luzón (editor), María Nagore-Ferrer (editor) |
|
4130 |
|
Boys, Bass and Bother: Popular Dance and Identity in UK Drum ’n’ Bass Club Culture |
Jo Hall |
|
4131 |
|
Electronic Cities: Music, Policies and Space in the 21st Century |
Sébastien Darchen, Damien Charrieras, John Willsteed |
|
4132 |
|
Who You Think I Am?: Masks in Pop Music |
Sebastian Berlich |
|
4133 |
|
An Introduction to Linguistics through Popular Music |
Patrice Larroque |
|
4134 |
|
Sound Practices in the Global South: Co-listening to Resounding Plurilogues |
Budhaditya Chattopadhyay |
|
4135 |
|
Metal on Merseyside: Music Scenes, Community and Locality (Palgrave Studies in the History of Subcultures and Popular Music) |
Nedim Hassan |
|
4136 |
|
Brian Eno's Ambient 1: Music for Airports (The Oxford Keynotes Series) |
John T. Lysaker |
|
4137 |
|
The Concise Oxford History Of Music |
Gerald Abraham |
|
4138 |
|
I Saw the World End: A Study of Wagner's Ring |
Deryck Cooke |
|
4139 |
|
Red & Hot: The Fate of Jazz in the Soviet Union, 1917-1980 |
S. Frederick Starr |
|
4140 |
|
Rock around the bloc: a history of rock music in Eastern Europe and the Soviet Union |
Timothy W. Ryback. |
|
4141 |
|
Lost Chords: White Musicians and Their Contribution to Jazz, 1915–1945 |
Richard M. Sudhalter |
|
4142 |
|
The Biographical Encyclopedia of Jazz |
Feather, Leonard |
|
4143 |
|
Keeping Time: Readings in Jazz History [3 ed.] |
Robert Walser |
3 |
4144 |
|
Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle |
David Ferris |
|
4145 |
|
The Power of Black Music |
Floyd, Samuel A |
|
4146 |
|
Glenn Gould: Selected Letters |
Glenn Gould, John P. L. Roberts, Ghyslaine Guertin |
|
4147 |
|
Finding an ending: reflections on Wagner's Ring |
Schacht, Richard,Wagner, Richard,Kitcher, Philip |
|
4148 |
|
Music for the Common Man: Aaron Copland during the Depression and War |
Elizabeth Bergman Crist |
|
4149 |
|
The Complete Musician Student Workbook, Volume I: An Integrated Approach to Tonal Theory, Analysis, and Listening [Workbook ed.] |
Steven G. Laitz |
|
4150 |
|
Interpreting the Musical Past: Early Music in Nineteenth-Century France |
Katharine Ellis |
|
4151 |
|
Music in the Holocaust: confronting life in the Nazi ghettos and camps |
Shirli Gilbert |
|
4152 |
|
The AB Guide to Music Theory Vol 1 |
Eric Taylor |
|
4153 |
|
Portrait of Liszt: By Himself and His Contemporaries |
Adrian Williams |
|
4154 |
|
Wendy Carlos |
Amanda Sewell |
|
4155 |
|
Rhythm Man |
Stephanie Stein Crease, |
|
4156 |
|
Fugue in the Sixteenth Century [1 ed.] |
Paul Walker |
1 |
4157 |
|
Switched on Pop |
Nate Sloan, Charlie Harding |
|
4158 |
|
Representing Russia's Orient: From Ethnography to Art Song |
Adalyat Issiyeva |
|
4159 |
|
A Blaze of Light in Every Word: Analyzing the Popular Singing Voice |
Victoria Malawey |
|
4160 |
|
The Oxford Handbook of Music Performance, Volume 1 |
Gary McPherson |
|
4161 |
|
Beethoven |
Mark Evan Bonds |
|
4162 |
|
Flaming?: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance |
Alisha Lola Jones |
|
4163 |
|
Composing with Constraints: 100 Practical Exercises in Music Composition |
Jorge Variego |
|
4164 |
|
Ludwig van Beethoven: A Very Short Introduction |
Mark Evan Bonds |
|
4165 |
|
The Motet in the Late Middle Ages |
Margaret Bent |
|
4166 |
|
Sounding Jewish in Berlin: Klezmer Music and the Contemporary City [1 ed.] |
Phil Alexander |
1 |
4167 |
|
The Beethoven Syndrome: Hearing Music as Autobiography |
Mark Evan Bonds |
|
4168 |
|
Extreme Exoticism: Japan in the American Musical Imagination |
W. Anthony Sheppard |
|
4169 |
|
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music |
Melle Jan Kromhout |
|
4170 |
|
After Debussy: Music, Language, and the Margins of Philosophy [Illustrated] |
Julian Johnson |
|
4171 |
|
Electronic Music School: A Contemporary Approach to Teaching Musical Creativity |
Will Kuhn, Ethan Hein |
|
4172 |
|
Enacting Musical Time: The Bodily Experience of New Music |
Mariusz Kozak |
|
4173 |
|
Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia |
Rebecca Maloy |
|
4174 |
|
The Jazz Standards: A Guide to the Repertoire [2 ed.] |
Ted Gioia |
2 |
4175 |
|
Fixing the Musical: How Technologies Shaped the Broadway Repertory |
Douglas L. Reside |
|
4176 |
|
Bach's Legacy: The Music as Heard by Later Masters [1 ed.] |
Russell Stinson |
1 |
4177 |
|
Songs for "Great Leaders": Ideology and Creativity in North Korean Music and Dance |
Keith Howard |
|
4178 |
|
Roma Music and Emotion |
Filippo Bonini Baraldi |
|
4179 |
|
The History of Jazz [3 ed.] |
Ted Gioia |
3 |
4180 |
|
Journeys Through Galant Expositions |
L. Poundie Burstein |
|
4181 |
|
Rethinking Schubert [1 ed.] |
Lorraine Byrne Bodley, Julian Horton |
1 |
4182 |
|
Rural Rhythm: The Story of Old-Time Country Music in 78 Records |
Tony Russell |
|
4183 |
|
The Savvy Music Teacher: Blueprint for Maximizing Income & Impact |
David Cutler |
|
4184 |
|
Melody of Time: Music and Temporality in the Romantic Era |
Benedict Taylor |
|
4185 |
|
Mario Lavista: Mirrors of Sounds (Currents in Latin American and Iberian Music) |
Ana R. Alonso-Minutti |
|
4186 |
|
The Oxford Handbook of the British Musical |
Robert Gordon, Olaf Jubin |
|
4187 |
|
Chamber music : a listener's guide [1 ed.] |
Keller, James M |
1 |
4188 |
|
In Search of Julián Carrillo and Sonido 13 |
alejandro L. Madrid |
|
4189 |
|
Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain |
Diana Deutsch |
|
4190 |
|
Digital tradition : arrangement and labor in Istanbul’s recording studio culture |
Bates, Eliot |
|
4191 |
|
Advocate for music! : a guide to user-friendly strategies |
Brinckmeyer, Lynn M |
|
4192 |
|
The Oxford Handbook of the Operatic Canon |
Cormac Newark, William Weber |
|
4193 |
|
Tears into Wine: J. S. Bach's Cantata 21 in its Musical and Theological Contexts |
Eric Chafe |
|
4194 |
|
The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory [1 ed.] |
Carl Schachter, Joseph N. Straus |
1 |
4195 |
|
Anything Goes: A History of American Musical Theatre |
Ethan Mordden |
|
4196 |
|
Acoustic Profiles: A Sound Ecology of the Cinema (OXFORD MUSIC/MEDIA SERIES) |
Randolph Jordan |
|
4197 |
|
Out of Time: Music and the Making of Modernity |
Julian Johnson |
|
4198 |
|
Kodály Today Handbook Series [2015 ed.] |
Varios |
2015 |
4199 |
|
Analytical essays on music by women composers [electronic resource] |
Parsons, Laurel |
|
4200 |
|
The Oxford Handbook of Algorithmic Music |
Roger T. Dean, Alex McLean |
|
4201 |
|
Environmental sound artists : in their own words |
Bianchi, Frederick W., Manzo, V. J |
|
4202 |
|
Local Fusions: Folk Music Experiments in Central Europe at the Millennium |
Barbara Rose Lange |
|
4203 |
|
Kodaly in the Fourth Grade Classroom: Developing the Creative Brain in the 21st Century |
Tacka, Philip,Houlahan, Micheal,Kodály, Zoltán |
|
4204 |
|
Kodaly in the Fifth Grade Classroom |
Houlahan, Micheal,Kodály, Zoltán,Tacka, Philip |
|
4205 |
|
Folk City: New York and the American Folk Music Revival [1 ed.] |
Stephen Petrus, Ronald D. Cohen |
1 |
4206 |
|
Folk city: New York and the American folk music revival |
Cohen, Ronald D.,Petrus, Stephen |
|
4207 |
|
Understanding Italian Opera |
Tim Carter |
|
4208 |
|
The Singer's Guide to German Diction [1 ed.] |
Valentin Lanzrein, Richard Cross |
1 |
4209 |
|
The Oxford Handbook of Country Music |
Travis D. Stimeling |
|
4210 |
|
Becoming a music teacher : from student to practitioner [1 ed.] |
Donald L. Hamann, Shelly Cooper |
1 |
4211 |
|
Kodály in the second grade classroom: developing the creative brain in the 21st century |
Houlahan, Mícheál, Kodály, Zoltán, Tacka, Philip |
|
4212 |
|
Kodály Today Handbook Series |
Colectivo |
|
4213 |
|
The African Imagination in Music |
Kofi Agawu |
|
4214 |
|
Policy and the political life of music education [1 ed.] |
Colwell, Richard, Schmidt, Patrick K |
1 |
4215 |
|
Goze : women, musical performance, and visual disability in traditional Japan |
Groemer, Gerald |
|
4216 |
|
The Oxford Handbook of Assessment Policy and Practice in Music Education |
Timothy Brophy |
|
4217 |
|
Klezmer : music, history and memory [1 ed.] |
Walter Zev Feldman |
1 |
4218 |
|
The Oxford handbook of music making and leisure |
Mantie, Roger,Smith, Gareth Dylan |
|
4219 |
|
The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education |
David J. Elliott, Marissa Silverman, Gary E. McPherson |
|
4220 |
|
Exploring Musical Spaces: A Synthesis of Mathematical Approaches |
Julian Hook |
|
4221 |
|
Keith Jarrett's The Koln Concert |
Elsdon, Peter |
|
4222 |
|
Mirrors of heaven or worldly theaters? : Venetian nunneries and their music |
Glixon, Jonathan E. |
|
4223 |
|
Sergei Prokofiev's Alexander Nevsky |
Bartig, Kevin |
|
4224 |
|
Kodály in the Third Grade Classroom |
Houlahan, Mícheál,Kodály, Zoltán,Tacka, Philip |
|
4225 |
|
Tell it to the World: The Broadway Musical Abroad |
David Savran |
|
4226 |
|
Teaching healthy musicianship : the music educator's guide to injury prevention and wellness [1 ed.] |
Taylor, Nancy |
1 |
4227 |
|
Kodály Today: A Cognitive Approach to Elementary Music Education [2 ed.] |
Micheal Houlahan, Philip Tacka |
2 |
4228 |
|
Singing and Survival: The Music of Easter Island |
Dan Bendrups |
|
4229 |
|
Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture |
Markus Rathey |
|
4230 |
|
What Will I Be: American Music and Cold War Identity |
Philip M. Gentry |
|
4231 |
|
Beethoven’s Symphony No. 9 [1 ed.] |
Alexander Rehding |
1 |
4232 |
|
Dawn Of The Daw: The Studio As Musical Instrument [Hardcover ed.] |
Adam Patrick Bell |
|
4233 |
|
Verdi [3rd ed] |
Budden, Julian,Verdi, Giuseppe |
3 |
4234 |
|
The Ballad of John Latouche: An American Lyricist's Life and Work |
Howard Pollack |
|
4235 |
|
What Will I Be: American Music and Cold War Identity |
Philip Gentry |
|
4236 |
|
Queering the Field: Sounding Out Ethnomusicology |
Gregory Barz, William Cheng |
|
4237 |
|
The Oxford handbook of sound and imagination [1] |
Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard |
1 |
4238 |
|
Henry Purcell's Dido and Aeneas [Second edition] |
Harris, Ellen T |
|
4239 |
|
Audible states : Socialist politics and popular music in Albania |
Tochka, Nicholas |
|
4240 |
|
The Oxford handbook of critical concepts in music theory |
Steven Rings (editor:), Alexander Rehding (editor) |
|
4241 |
|
Arvo Pärt's Tabula Rasa |
Kevin Karnes |
|
4242 |
|
Choral monuments : studies of eleven choral masterworks [1 ed.] |
Shrock, Dennis |
1 |
4243 |
|
The Oxford Handbook of Music Listening in the 19th and 20th Centuries [Online ed.] |
Christian Thorau and Hansjakob Ziemer |
|
4244 |
|
Hearing Bach’s Passions [updated] |
Daniel R. Melamed |
|
4245 |
|
Recording tips for music educators : a practical guide for recording school groups |
Ronald E. Kearns |
|
4246 |
|
Dearest Lenny: Letters from Japan and the Making of the World Maestro |
Mari Yoshihara |
|
4247 |
|
Bits and Pieces: A History of Chiptunes [Illustrated] |
Kenneth B. McAlpine |
|
4248 |
|
A sociable moment : opera and festive culture in baroque Siena [1 ed.] |
Reardon, Colleen |
1 |
4249 |
|
The Oxford Handbook of Sound and Imagination |
Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard |
|
4250 |
|
Mahler's Seventh Symphony |
Anna Stoll Knecht |
|
4251 |
|
Who knew? : answers to questions about classical music you never thought to ask [1 ed.] |
Robert A. Cutietta |
1 |
4252 |
|
Hearing Haneke: The Sound Tracks of a Radical Auteur |
Elsie Walker |
|
4253 |
|
Oxford History of Western Music: 5-vol. set: 5-vol. set [College edition; Second edition] |
Gibbs, Christopher Howard,Taruskin, Richard |
|
4254 |
|
The Oxford History of Music - College Edition [2 ed.] |
Richard Taruskin, Christopher H. Gibbs |
2 |
4255 |
|
Cello, bow and you : putting it all together |
Benedetti, Evangeline |
|
4256 |
|
Jean Sibelius's Violin Concerto (The Oxford Keynotes Series) |
Tina K. Ramnarine |
|
4257 |
|
Hearing Double: Jazz, Ontology, Auditory Culture |
Brian Kane |
|
4258 |
|
Occasional pieces : writings and interviews, 1952-2013 [1 ed.] |
Christian Wolff, George E. Lewis |
1 |
4259 |
|
The Oxford Handbook of Popular Music in the Nordic Countries |
Fabian Holt, Antti-Ville Kärjä |
|
4260 |
|
Leipzig after Bach: church and concert life in a German city |
Sposato, Jeffrey S |
|
4261 |
|
Music for Prime Time: A History of American Television Themes and Scoring |
Jon Burlingame |
|
4262 |
|
Strauss |
Laurenz Lütteken |
|
4263 |
|
Adaptive Strategies for Small-Handed Pianists [1 ed.] |
Lora Deahl, Brenda Wristen |
1 |
4264 |
|
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century |
Paul Watt, Sarah Collins, Michael Allis |
|
4265 |
|
Time Will Tell: A Theory of Dynamic Attending [Hardcover ed.] |
Mari Riess Jones |
|
4266 |
|
The Russian Violin School: The Legacy of Yuri Yankelevich |
Yuri Yankelevich |
|
4267 |
|
Rethinking Reich |
Sumanth Gopinath, Pwyll ap Siôn |
|
4268 |
|
Bach & God |
Marissen, Michael |
|
4269 |
|
Loving Music Till It Hurts |
William Cheng |
|
4270 |
|
Multivocality: Singing on the Borders of Identity |
Katherine Meizel |
|
4271 |
|
Rethinking Mendelssohn |
Benedict Taylor (editor) |
|
4272 |
|
Performing antiquity: ancient Greek music and dance from Paris to Delphi, 1890-1930 |
Dorf, Samuel N |
|
4273 |
|
Singing in Signs: New Semiotic Explorations of Opera |
Gregory J. Decker (editor), Matthew R. Shaftel (editor) |
|
4274 |
|
The Oxford Handbook of Critical Improvisation Studies: Volume 1 |
George E. Lewis and Benjamin Piekut |
|
4275 |
|
Everything in its Right Place: Analyzing Radiohead [1 ed.] |
Brad Osborn Ph.D. |
1 |
4276 |
|
The Oxford handbook of music revival |
Bithell, Caroline,Hill, Juniper |
|
4277 |
|
They Made Us Happy: Betty Comden & Adolph Green's Musicals & Movies |
Andy Propst |
|
4278 |
|
American Popular Music: From Minstrelsy to MP3 [5 ed.] |
Larry Starr, Christopher Waterman |
5 |
4279 |
|
Entertaining Lisbon : music, theater, and modern life in the late 19th century [1 ed.] |
Silva, João |
1 |
4280 |
|
Music by Max Steiner: The Epic Life of Hollywood's Most Influential Composer |
Steven C. Smith |
|
4281 |
|
This life of sounds: evenings for new music in Buffalo [First issued as an Oxford University Press paperback] |
Levine Packer, Renée |
|
4282 |
|
Sense and sadness: Syriac chant in Aleppo |
Jarjour, Tala |
|
4283 |
|
Through The Looking Glass: John Cage and Avant-Garde Film |
Richard H. Brown Jr |
|
4284 |
|
The Oxford Handbook of Timbre |
Emily I. Dolan (editor), Alexander Rehding (editor) |
|
4285 |
|
Beethoven's 32 piano sonatas : a handbook for performers |
Gordon, Stewart |
|
4286 |
|
Singing Across Divides: Music and Intimate Politics in Nepal |
Anna Marie Stirr |
|
4287 |
|
Managing stage fright: a guide for musicians and music teachers |
Nagel, Julie Jaffee |
|
4288 |
|
Improvisation and inventio in the performance of medieval music : a practical approach [1 ed.] |
Angela Mariani,Mariani, Mariani Smith |
1 |
4289 |
|
Debussy’s legacy and the construction of reputation [1 ed.] |
Wheeldon, Marianne |
1 |
4290 |
|
A creative duet : mentoring success for emerging music educators [1 ed.] |
McWhirter, Jamila L |
1 |
4291 |
|
French Musical Culture and the Coming of Sound Cinema [online ed.] |
Hannah Lewis |
|
4292 |
|
The Psychology of Music |
Elizabeth Hellmuth Margulis |
|
4293 |
|
Performing Knowledge: Twentieth-Century Music in Analysis and Performance [Illustrated] |
Daphne Leong |
|
4294 |
|
Music, Song, Dance, and Theater: Broadway Meets Social Justice Youth Community Practice [Hardcover ed.] |
Melvin Delgado |
|
4295 |
|
The Transformation of Black Music : The rhythms, the songs, and the ships of the African Diaspora [1 ed.] |
Floyd, Sam, Ramsey, Guthrie, Zeck, Melanie |
1 |
4296 |
|
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century |
Johnny Farraj, Sami Abu Shumays |
|
4297 |
|
Alfred Schnittke's Concerto Grosso no. 1: Hardback [Illustrated] |
Peter J. Schmelz |
|
4298 |
|
Antonín Dvořák's New World Symphony (OXFORD KEYNOTES SERIES) [1 ed.] |
Douglas W. Shadle |
1 |
4299 |
|
Sound-Politics in São Paulo (Currents in Latin American and Iberian Music) [Illustrated] |
Leonardo Cardoso |
|
4300 |
|
Digital organization tips for music teachers [1 ed.] |
Burns, Robby |
1 |
4301 |
|
The Complete Lyrics of Alan Jay Lerner [Annotated] |
Dominic McHugh (editor), Amy Asch (editor) |
|
4302 |
|
The Oxford Handbook of Music in China and the Chinese Diaspora |
Yu Hui, Jonathan P.J. Stock |
|
4303 |
|
Brithop: The Politics of UK Rap in the New Century [1 ed.] |
Justin A. Williams |
1 |
4304 |
|
The Sound of a Superpower : Musical Americanism and the Cold War |
Emily Abrams Ansari |
|
4305 |
|
On Streisand: An Opinionated Guide [Illustrated] |
Ethan Mordden |
|
4306 |
|
Child Composers in the Old Conservatories: How Orphans Became Elite Musicians |
Robert O. Gjerdingen |
|
4307 |
|
Which Side Are You On?: 20th Century American History in 100 Protest Songs |
James Sullivan |
|
4308 |
|
The musical language of rock |
Temperley, David |
|
4309 |
|
Beethoven & Freedom |
Chua, Daniel K. L. |
|
4310 |
|
Teaching music to students with special needs : a practical resource [1 ed.] |
Alice Hammel |
1 |
4311 |
|
The Oxford Handbook of Music and Medievalism |
Stephen C. Meyer (editor), Kirsten Yri (editor) |
|
4312 |
|
Creativities, Technologies, and Media in Music Learning and Teaching: An Oxford Handbook of Music Education, Volume 5 |
Gary McPherson, Graham F. Welch |
|
4313 |
|
Music Learning and Teaching in Infancy, Childhood, and Adolescence: An Oxford Handbook of Music Education |
Gary McPherson, Graham Welch |
|
4314 |
|
The Guitar Workbook: A Fresh Approach to Exploration and Mastery |
Scott Seifried |
|
4315 |
|
Teaching Piano Pedagogy: A Guidebook for Training Effective Teachers |
Courtney Crappell |
|
4316 |
|
Beyond Talent Creating A Successful Career In Music [3 ed.] |
Angela Myles Beeching |
3 |
4317 |
|
Inner sound: altered states of consciousness in electronic music and audio-visual media |
Weinel, Jonathan |
|
4318 |
|
Transformational Piano Teaching: Mentoring Students from All Walks of Life |
Derek Kealii Polischuk |
|
4319 |
|
Singing the Rite to Belong: Ritual, Music, and the New Irish (Oxford Ritual Studies Series) [Illustrated] |
Helen Phelan |
|
4320 |
|
Special Needs, Community Music, and Adult Learning: An Oxford Handbook of Music Education |
Gary E. McPherson, Graham F. Welch |
|
4321 |
|
Music and Music Education in People's Lives: An Oxford Handbook of Music Education, Volume 1 |
Gary McPherson, Graham F. Welch |
|
4322 |
|
Vocal, Instrumental, and Ensemble Learning and Teaching: 3 |
Gary E. McPherson and Graham F. Welch |
|
4323 |
|
City of Mirrors: Songs of Lalan Sai |
LaalanaTranslation, Salomon Carol,Contributor, Jaakaaricyaa Saaimana,Contributor, Cantau Keith,Contributor |
|
4324 |
|
Music Learning and Teaching in Infancy, Childhood, and Adolescence: An Oxford Handbook of Music Education, Volume 2 |
Gary McPherson, Graham F. Welch |
|
4325 |
|
Flow: The Rhythmic Voice in Rap Music |
Mitchell Ohriner |
|
4326 |
|
Special Needs, Community Music, and Adult Learning: An Oxford Handbook of Music Education, Volume 4 |
Gary McPherson, Graham F. Welch |
|
4327 |
|
Renegotiating French Identity: Musical Culture and Creativity in France During Vichy and the German Occupation [Hardcover ed.] |
Jane F Fulcher |
|
4328 |
|
The Invention of Latin American Music. A Transnational History |
Pablo Palomino |
|
4329 |
|
Ennio Morricone: In His Own Words [Translation ed.] |
Alessandro De Rosa (editor) |
|
4330 |
|
Reminded by the Instruments: David Tudor's Music |
You Nakai |
|
4331 |
|
Audio Production Principles: Practical Studio Applications [1 ed.] |
Stephane Elmosnino |
1 |
4332 |
|
The Oxford Handbook of Music and Advertising |
James Deaville (editor), Siu-Lan Tan (editor), Ron Rodman (editor) |
|
4333 |
|
The Pop, Rock, and Soul Reader: Histories and Debates [4 ed.] |
David Brackett |
4 |
4334 |
|
Harmony, counterpoint, partimento : a new method inspired by old masters. |
IJzerman, Job |
|
4335 |
|
Turn On, Tune In, Drift Off: Ambient Music's Psychedelic Past |
Victor Szabo |
|
4336 |
|
Bangkok is Ringing: Sound, Protest, and Constraint |
Benjamin Tausig |
|
4337 |
|
Thought and Play in Musical Rhythm: Asian, African, and Euro-American Perspectives |
Richard Wolf, Stephen Blum, Christopher Hasty |
|
4338 |
|
Class, Control, and Classical Music |
Anna Bull |
|
4339 |
|
Experimentalisms in Practice ; Music Perspectives from Latin America |
Ana R. Alonso-Minutti , Eduardo Herrera , alejandro L. Madrid |
|
4340 |
|
Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century |
Megan Kaes Long |
|
4341 |
|
The Oxford Handbook of Cinematic Listening |
Carlo Cenciarelli |
|
4342 |
|
Art and Science in the Choral Rehearsal |
Sharon J. Paul |
|
4343 |
|
Broken Beauty: Musical Modernism and the Representation of Disability |
Joseph Straus |
|
4344 |
|
Teaching the Whole Musician: A Guide to Wellness in the Applied Studio [1 ed.] |
Paola Savvidou |
1 |
4345 |
|
Sweet Mystery: The Musical Works of Rida Johnson Young |
Ellen M. Peck |
|
4346 |
|
Histories of the Musical: An Oxford Handbook of the American Musical |
Raymond Knapp, Mitchell Morris, Stacy Wolf |
|
4347 |
|
Histories of the Musical: An Oxford Handbook of the American Musical, Volume 1 (Oxford Handbooks) [1 ed.] |
Raymond Knapp (editor), Mitchell Morris (editor), Stacy Wolf (editor) |
1 |
4348 |
|
Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume 3 (Oxford Handbooks) |
Raymond Knapp (editor), Mitchell Morris (editor), Stacy Wolf (editor) |
|
4349 |
|
Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-garde Music |
Eduardo Herrera |
|
4350 |
|
Media and Performance in the Musical: An Oxford Handbook of the American Musical, Volume 2 (Oxford Handbooks) [1 ed.] |
Raymond Knapp (editor), Mitchell Morris (editor), Stacy Wolf (editor) |
1 |
4351 |
|
Media and Performance in the Musical: An Oxford Handbook of the American Musical |
Raymond Knapp, Mitchell Morris, Stacy Wolf |
|
4352 |
|
Teaching Music Theory: new voices and approaches |
Jennifer Snodgrass |
|
4353 |
|
Public Ethnomusicology, Education, Archives, & Commerce: An Oxford Handbook of Applied Ethnomusicology, Volume 3 |
Svanibor Pettan, Jeff Todd Titon |
|
4354 |
|
Freedom Girls: Voicing Femininity in 1960s British Pop |
Alexandra M. Apolloni |
|
4355 |
|
De-Colonization, Heritage, and Advocacy: An Oxford Handbook of Applied Ethnomusicology |
Svanibor Pettan, Jeff Titon |
|
4356 |
|
Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form |
Nicholas Stoia |
|
4357 |
|
Straighten Up and Fly Right |
Will Friedwald |
|
4358 |
|
Country Music: A Very Short Introduction |
Richard Carlin |
|
4359 |
|
Rites, rights and rhythms: a genealogy of musical meaning in Colombia's black pacific |
Quintero, Michael Birenbaum |
|
4360 |
|
Kurt Weill's America [1 ed.] |
Naomi Graber |
1 |
4361 |
|
We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America |
Kevin Mattson |
|
4362 |
|
Opera in the Jazz Age: Cultural Politics in 1920s Britain [Illustrated] |
Alexandra Wilson |
|
4363 |
|
Notes for Violists: A Guide to the Repertoire (NOTES FOR PERFORMERS SERIES) [1 ed.] |
David M. Bynog |
1 |
4364 |
|
Fandom and The Beatles: The Act You've Known for All These Years [1 ed.] |
Kenneth Womack (editor), Kit O'Toole (editor) |
1 |
4365 |
|
Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise |
Shadle, Douglas W |
|
4366 |
|
Charlie Parker, Composer |
Henry Martin |
|
4367 |
|
The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening [5 ed.] |
Steven G. Laitz, Michael R. Callahan |
5 |
4368 |
|
Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality |
Kenneth M. Smith |
|
4369 |
|
The Songs of Fanny Hensel [1 ed.] |
Stephen Rodgers (editor) |
1 |
4370 |
|
Models of Qualitative Research: An Oxford Handbook of Qualitative Research in American Music Education, Volume 3 |
Colleen M. Conway |
|
4371 |
|
The Pianist's Guide to Historic Improvisation |
John J. Mortensen |
|
4372 |
|
Approaches to Qualitative Research: An Oxford Handbook of Qualitative Research in American Music Education, Volume 1 |
Colleen Conway |
|
4373 |
|
Collecting, Analyzing and Reporting Data: An Oxford Handbook of Qualitative Research in American Music Education, Volume 2 |
Colleen Conway |
|
4374 |
|
Bossa Mundo: Brazilian Music in Transnational Media Industries |
K.E. Goldschmitt |
|
4375 |
|
The Baroque Violin & Viola: A Fifty-Lesson Course [1] |
Walter S. Reiter |
1 |
4376 |
|
The Oxford Handbook of Early Childhood Learning and Development in Music |
Barrett |
|
4377 |
|
Laurie Anderson's Big Science |
S. Alexander Reed |
|
4378 |
|
Berg |
Bryan R. Simms (Professor Emeritu Professor Emeritus of Musicology, Charlotte Erwin (Former Head of Archives and F Special Collections |
|
4379 |
|
After the dance, the drums are heavy: carnival, politics, and musical engagement in Haiti |
Rebecca Dirksen |
|
4380 |
|
The Presence of the Past: Temporal Experience and the New Hollywood Soundtrack |
Daniel Bishop |
|
4381 |
|
A Wonderful Guy: Conversations with the Great Men of Musical Theater |
Eddie Shapiro |
|
4382 |
|
The Oxford Handbook of Voice Studies |
Nina Eidsheim, Katherine Meizel |
|
4383 |
|
John Cage's Concert for Piano and Orchestra |
Martin Iddon, Philip Thomas |
|
4384 |
|
The Game Music Handbook |
Kellman, Noah, |
|
4385 |
|
Beethoven 1806 |
Ferraguto, Mark |
|
4386 |
|
Discovering Music Second edition [2 ed.] |
R. Larry Todd |
2 |
4387 |
|
Play the Way You Feel: The Essential Guide to Jazz Stories on Film |
Kevin Whitehead |
|
4388 |
|
American Popular Song: The Great Innovators, 1900-1950 [3 ed.] |
Alec Wilder, Robert Rawlins (editor) |
3 |
4389 |
|
Push: Software Design and the Cultural Politics of Music Production |
Mike D'Errico |
|
4390 |
|
Rethinking Bach |
Bettina Varwig (editor) |
|
4391 |
|
Thinking In and About Music: Analytical Reflections on Milton Babbitt's Music and Thought [1 ed.] |
Zachary Bernstein |
1 |
4392 |
|
Form as Harmony in Rock Music (Oxford Studies in Music Theory) |
Drew Nobile |
|
4393 |
|
Music: A Very Short Introduction [2 ed.] |
Nicholas Cook |
2 |
4394 |
|
Philosophers on music : experience, meaning, and work |
Stock, Kathleen |
|
4395 |
|
Classical and Romantic Performing Practice 1750-1900 |
Clive Brown |
|
4396 |
|
The Improvising Mind: Cognition and Creativity in the Musical Moment |
Aaron L. Berkowitz |
|
4397 |
|
Handbook of musical identities [1 ed.] |
Hargreaves, David John, MacDonald, Raymond A. R., Miell, Dorothy |
1 |
4398 |
|
Music, evolution, and the harmony of souls [1 ed.] |
Alan R. Harvey |
1 |
4399 |
|
The Oxford Handbook of Music and the Brain |
Michael H. Thaut, Donald A. Hodges |
|
4400 |
|
World Music: A Very Short Introduction |
Philip V. Bohlman |
|
4401 |
|
The Concise Oxford Dictionary of Music (Oxford Paperback Reference) [4 ed.] |
Percy A. Scholes |
4 |
4402 |
|
Music: A Very Short Introduction (Very Short Introductions) |
Nicholas Cook |
|
4403 |
|
Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800-1947 [1 ed.] |
Radha Kapuria |
1 |
4404 |
|
Serial Composition [1 ed.] |
Reginald Smith Brindle |
1 |
4405 |
|
Gustav Mahler: Volume 2. Vienna: The Years of Challenge (1897-1904) |
Henry-Louis de La Grange |
|
4406 |
|
The New Music: The Avant-garde since 1945 [2 ed.] |
Reginald Smith Brindle |
2 |
4407 |
|
The New Music: The Avant-garde since 1945 [2nd ed.] |
Reginald Smith Brindle |
2 |
4408 |
|
The New Oxford History of Music: The Early Middle Ages to 1300 [II, 2 edition (May 31, 1990)] |
Crocker, Richard L., Hiley, David (eds.) |
2 |
4409 |
|
The New Oxford History of Music. Volume I: Ancient and Oriental Music |
Egon Wellesz (editor) |
|
4410 |
|
A Treatise on the Fundamental Principles of Violin Playing |
Leopold Mozart |
|
4411 |
|
Making Music: Improvisation for Organists |
Jan Overduin |
|
4412 |
|
Instruments of the Middle Ages and Renaissance [Oversize ed.] |
David Munrow |
|
4413 |
|
Missa Brevis |
John Rutter |
|
4414 |
|
Bach: the Orgelbüchlein |
Russell Stinson |
|
4415 |
|
The Oxford Book of Italian Madrigals |
Alec Harman (editor) |
|
4416 |
|
Ten Blake Songs (Oxford Vocal Music) |
Ralph Vaughan Williams |
|
4417 |
|
Improvising: How to Master the Art |
Gerre Hancock |
|
4418 |
|
A Correspondence of Renaissance Musicians |
Bonnie J. Blackburn |
|
4419 |
|
Gustav Mahler: Volume 3. Vienna: Triumph and Disillusion (1904-1907) |
Henry-Louis de La Grange |
|
4420 |
|
The Synthesizer |
John Bates |
|
4421 |
|
Forty Years of Pop (Oxford Bookworms: Factfiles) Stage 2: 700 Headwords |
Steve Flinders |
|
4422 |
|
The Story of Jazz [Revised ed.] |
Marshall W. Stearns |
|
4423 |
|
The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism |
Robert Pattison |
|
4424 |
|
American Popular Song: The Great Innovators, 1900-1950 [Reprint ed.] |
Alec Wilder, James T. Maher (editor) |
|
4425 |
|
Kansas City Jazz: From Ragtime to Bebop--A History |
Frank Driggs, Chuck Haddix |
|
4426 |
|
A Guide to Orchestral Music: The Handbook for Non-Musicians (Oxford Paperback Reference) |
Ethan Mordden |
|
4427 |
|
The Jazz Revolution: Twenties America and the Meaning of Jazz [First Edition] |
Kathy J. Ogren |
|
4428 |
|
The Great Song Thesaurus |
Roger Lax, Frederick Smith |
|
4429 |
|
The Devil's Music Master: The Controversial Life and Career of Wilhelm Furtwangler [1St Edition] |
Sam H. Shirakawa |
1 |
4430 |
|
Swing to Bop: An Oral History of the Transition in Jazz in the 1940s [New Ed] |
Ira Gitler |
|
4431 |
|
Cognitive Foundations of Musical Pitch |
Carol L. Krumhansl |
|
4432 |
|
Opera Anecdotes (Oxford Paperbacks) [Reprint ed.] |
Ethan Mordden |
|
4433 |
|
The Imperfect Art : Reflections on Jazz and Modern Culture |
Ted Gioia |
|
4434 |
|
Popular Musics of the Non-Western World: An introductory survey |
Peter Manuel |
|
4435 |
|
Bamboula!: the life and times of Louis Moreau Gottschalk |
S. Frederick Starr |
|
4436 |
|
The Broadway musical : a critical and musical survey [1 ed.] |
Joseph Peter Swain |
1 |
4437 |
|
The Poets of Tin Pan Alley: A History of America's Great Lyricists (Oxford Paperbacks) |
Philip Furia |
|
4438 |
|
Visions of Jazz: The First Century [1st ed.] |
Gary Giddins |
1 |
4439 |
|
Robert Schumann: Herald of a ''New Poetic Age'' [1st ed] |
John Daverio |
1 |
4440 |
|
The Jazz Tradition [2 ed.] |
Martin Williams |
2 |
4441 |
|
Madame Jazz: Contemporary Women Instrumentalists |
Leslie Gourse |
|
4442 |
|
Jazz Changes |
Martin Williams |
|
4443 |
|
Chicago Jazz: A Cultural History, 1904-1930 |
William Howland Kenney |
|
4444 |
|
Hard Bop: Jazz and Black Music 1955-1965 |
the late David H. Rosenthal |
|
4445 |
|
Etudes for Piano Teachers: Reflections on the Teacher's Art [Later Printing ed.] |
Stewart Gordon |
|
4446 |
|
Stir It Up: Musical Mixes from Roots to Jazz [First Edition] |
Gene Santoro |
|
4447 |
|
Rocking the classics : English progressive rock and the counterculture [1 ed.] |
Edward L. Macan |
1 |
4448 |
|
A Song in the Dark: The Birth of the Musical Film [1st ed.] |
Richard Barrios |
1 |
4449 |
|
The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church [Reprint ed.] |
Michael W. Harris |
|
4450 |
|
The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz [First Edition] |
Jeffrey Magee |
|
4451 |
|
Understanding Rock: Essays in Musical Analysis |
John Covach, Graeme M. Boone |
|
4452 |
|
Bebop: The Music and Its Players |
Thomas Owens |
|
4453 |
|
Composition in Black and White: The Life of Philippa Schuyler |
Kathryn Talalay |
|
4454 |
|
Alec Wilder in Spite of Himself: A Life of the Composer |
Desmond Stone |
|
4455 |
|
Composers of the Nazi Era: Eight Portraits |
Michael H. Kater |
|
4456 |
|
Music printing in Renaissance Venice: the Scotto Press, 1539-1572 |
Jane A. Bernstein |
|
4457 |
|
Swing Along: The Musical Life of Will Marion Cook |
Marva Carter |
|
4458 |
|
Mozart's Piano Music [1 ed.] |
William Kinderman |
1 |
4459 |
|
Music Printing in Renaissance Venice: The Scotto Press, 1539–1572 |
Jane A. Bernstein |
|
4460 |
|
Cats of Any Color : Jazz Black and White |
Gene Lees |
|
4461 |
|
Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious |
Elliott Antokoletz |
|
4462 |
|
Philosophical Perspectives on Music [1st Edition] |
Wayne D. Bowman |
1 |
4463 |
|
Henry Cowell : a man made of music [1st ed.] |
Sachs, Joel |
1 |
4464 |
|
Led Zeppelin, and the power of rock music, and subjectivity |
Fast, Susan |
|
4465 |
|
Lutheranism, anti-Judaism, and Bach's St. John Passion: with an annotated literal translation of the libretto [annotated edition] |
Michael Marissen |
|
4466 |
|
Modal Counterpoint, Renaissance Style |
Peter Schubert |
|
4467 |
|
Music, education, and multiculturalism : foundations and principles [1 ed.] |
Terese M. Volk |
1 |
4468 |
|
Mendelssohn: A Life in Music |
Todd, R Larry |
|
4469 |
|
The Encyclopedia of Country Music |
Country Music Foundation, Paul Kingsbury (editor) |
|
4470 |
|
In the Houses of the Holy: Led Zeppelin and the Power of Rock Music [1 ed.] |
Susan Fast |
1 |
4471 |
|
Inside Bluebeard's Castle: Music and Drama in Béla Bartók's Opera [First edition, first printing (full number line)] |
Carl S. Leafstedt |
|
4472 |
|
Bach's works for solo violin: style, structure, performance |
Joel Lester |
|
4473 |
|
Writings on Music, 1965-2000 |
Steve Reich, Paul Hillier |
|
4474 |
|
The Voices that Are Gone: Themes in Nineteenth-Century American Popular Song |
Jon W. Finson |
|
4475 |
|
The Latin tinge: the impact of Latin American music on the United States [2. ed] |
Roberts, John Storm |
2 |
4476 |
|
Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music Volume I: Issues 1-5 (1921-1923) |
Heinrich Schenker, William Drabkin |
|
4477 |
|
The Oxford companion to jazz |
Bill Kirchner |
|
4478 |
|
Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level Musicians [1 ed.] |
Gary S. Karpinski |
1 |
4479 |
|
Singing Schumann : An Interpretive Guide for Performers |
Richard Miller |
|
4480 |
|
Lady in the Dark: Biography of a Musical |
bruce d. mcclung |
|
4481 |
|
Visions of Jazz: the First Century |
ebrary, Inc.,Giddins, Gary |
|
4482 |
|
Music, modernity, and the global imagination: South Africa and the West |
Veit Erlmann |
|
4483 |
|
Music, Language, and the Brain [1 ed.] |
Aniruddh D. Patel |
1 |
4484 |
|
Crossing Paths: Schubert, Schumann, and Brahms [1 ed.] |
John Daverio |
1 |
4485 |
|
The Compleat Conductor |
Gunther Schuller |
|
4486 |
|
Tramps Like Us: Music and Meaning among Springsteen Fans |
Daniel Cavicchi |
|
4487 |
|
The Atonal Music of Arnold Schoenberg, 1908-1923 |
Bryan R. Simms |
|
4488 |
|
The History of Jazz |
Ted Gioia |
|
4489 |
|
The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning |
Richard Parncutt, Gary McPherson |
|
4490 |
|
Music in the USA: A Documentary Companion |
Beaudoin, Paul E.,Tick, Judith |
|
4491 |
|
Training Soprano Voices |
Richard Miller |
|
4492 |
|
The new handbook of research on music teaching and learning : a project of the Music Educators National Conference [1 ed.] |
Richard Colwell, Carol Richardson |
1 |
4493 |
|
Shostakovich: A Life [1ST ed.] |
Laurel Fay |
1 |
4494 |
|
Polkabilly: how the Goose Island Ramblers redefined American folk music |
James P. Leary |
|
4495 |
|
Hi-De-Ho: The Life of Cab Calloway [1ST ed.] |
Alyn Shipton |
1 |
4496 |
|
The Twisted Muse: Musicians and Their Music in the Third Reich |
Michael H. Kater |
|
4497 |
|
Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
William Earl Caplin |
|
4498 |
|
Who Needs Classical Music?: Cultural Choice and Musical Value |
Julian Johnson |
|
4499 |
|
Thinking Musically: Expressing Music, Experiencing Culture [Paperback ed.] |
Bonnie C. Wade |
|
4500 |
|
Myself When I am Real: The Life and Music of Charles Mingus [First Printing ed.] |
Gene Santoro |
|
4501 |
|
Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church |
Barbara Rose Lange |
|
4502 |
|
Coming Up Roses: The Broadway Musical in the 1950s |
Ethan Mordden |
|
4503 |
|
Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata |
James A Hepokoski, Warren Darcy |
|
4504 |
|
The Mahler Family Letters [1st Edition] |
Stephen McClatchie |
1 |
4505 |
|
Enrique Granados: poet of the piano |
Walter Aaron Clark |
|
4506 |
|
The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Ams Studies in Music) |
Charles M. Atkinson |
|
4507 |
|
The Grateful Dead reader |
David G. Dodd, Diana Spaulding |
|
4508 |
|
The Concerto: A Listener's Guide (Listener's Guide Series) |
Michael Steinberg |
|
4509 |
|
Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Ams Studies in Music Series) |
Lawrence M. Zbikowski |
|
4510 |
|
Groovin' High: The Life of Dizzy Gillespie [First Paperback Edition] |
Alyn Shipton |
|
4511 |
|
The Clarinet in the Classical Period |
Albert R. Rice |
|
4512 |
|
The Simple Flute: From A to Z |
Michel Debost |
|
4513 |
|
Psychology for musicians: understanding and acquiring the skills [1 ed.] |
Andreas C. Lehmann, John A. Sloboda, Robert H. Woody |
1 |
4514 |
|
Cognitive Foundations of Musical Pitch [Reprint ed.] |
Carol L. Krumhansl |
|
4515 |
|
Solutions for Singers: Tools for Performers and Teachers |
Richard Miller |
|
4516 |
|
Hearing in Time: Psychological Aspects of Musical Meter [1 ed.] |
Justin London |
1 |
4517 |
|
Researching the Song: A Lexicon |
Shirlee Emmons, Wilbur Watkins Lewis |
|
4518 |
|
The Lord's Song in a Strange Land : Music and Identity in Contemporary Jewish Worship |
Jeffrey A. Summit |
|
4519 |
|
Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music [First Edition] |
Jerry Zolten |
|
4520 |
|
Weather bird: jazz at the dawn of its second century |
Giddins, Gary |
|
4521 |
|
Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice |
Beth L. Glixon, Jonathan E. Glixon |
|
4522 |
|
Trumpet Technique |
Frank Gabriel Campos |
|
4523 |
|
Hearing Bach's Passions |
Daniel R. Melamed |
|
4524 |
|
Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music Volume II |
the late Heinrich Schenker, William Drabkin |
|
4525 |
|
Tonal Pitch Space |
Fred LErdahl |
|
4526 |
|
Balkan Fascination: Creating an Alternative Music Culture in America Includes CD/DVD [Har/DVD ed.] |
Mirjana Lausevic |
|
4527 |
|
Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century Dresden |
Mary E. Frandsen |
|
4528 |
|
The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna [1 ed.] |
Nicholas Cook |
1 |
4529 |
|
Rossini (Master Musicians Series) [2 ed.] |
Richard Osborne |
2 |
4530 |
|
Schoenberg (Master Musicians Series) [2 ed.] |
Malcolm MacDonald |
2 |
4531 |
|
The Composer as Intellectual: Music and Ideology in France 1914-1940 |
Jane Fulcher |
|
4532 |
|
Music from behind the Bridge: Steelband Aesthetics and Politics in Trinidad and Tobago |
Shannon Dudley |
|
4533 |
|
The Oxford History of Western Music, Volume 5: Music in the Late 20th Century |
Richard Taruskin |
|
4534 |
|
MENC Handbook of Musical Cognition and Development |
Richard Colwell |
|
4535 |
|
Beyond the Baton: What Every Conductor Needs to Know |
Diane Wittry |
|
4536 |
|
Natural Selection: Gary Giddins on Comedy, Film, Music, and Books |
Gary Giddins |
|
4537 |
|
All shook up : how rock 'n' roll changed America [First Edition] |
Altschuler, Glenn C |
|
4538 |
|
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde |
Roger Scruton |
|
4539 |
|
Prescriptions for Choral Excellence: Tone, Text, Dynamic Leadership |
Shirlee Emmons, Constance Chase |
|
4540 |
|
Film Music A Very Short Introduction |
|
|
4541 |
|
Romani Routes: Cultural Politics and Balkan Music in Diaspora |
Carol Silverman |
|
4542 |
|
Print Culture and Music in Sixteenth-Century Venice |
Jane A. Bernstein |
|
4543 |
|
The Foundations of Rock: From “Blue Suede Shoes” to “Suite: Judy Blue Eyes” |
Walter Everett |
|
4544 |
|
MENC Handbook of Research Methodologies |
Richard Colwell |
|
4545 |
|
RASA: Affect and Intuition in Javanese Musical Aesthetics (Ams Studies in Music) |
Marc Benamou |
|
4546 |
|
The Oxford History of Western Music, Volume 1: The Earliest Notations to the Sixteenth Century [1 ed.] |
Richard Taruskin |
1 |
4547 |
|
The Oxford History of Western Music, Volume 2: Music in the 17th and 18th Centuries |
Richard Taruskin |
|
4548 |
|
The Oxford History of Western Music, Volume 3: Music in the 19th Century |
Richard Taruskin |
|
4549 |
|
The Oxford History of Western Music, Volume 4: Music from the Early 20th Century |
Richard Taruskin |
|
4550 |
|
How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement [1 ed.] |
Ruth Feldstein |
1 |
4551 |
|
American popular music: the rock years |
Starr, Larry,Waterman, Christopher |
|
4552 |
|
The complete musician: an integrated approach to tonal theory, analysis, and listening [2 ed.] |
Steven Geoffrey Laitz |
2 |
4553 |
|
Generalized Musical Intervals and Transformations |
David Lewin |
|
4554 |
|
Roger Sessions: How a ''Difficult'' Composer Got That Way |
Frederik Prausnitz |
|
4555 |
|
Harmonic Rhythm: Analysis and Interpretation |
Joseph P. Swain |
|
4556 |
|
Bright star of the west: Joe Heaney, Irish song-man |
Sean Williams, Lillis Ó Laoire |
|
4557 |
|
The Naked Voice: A Wholistic Approach to Singing |
W. Stephen Smith, Michael Chipman |
|
4558 |
|
Django : the life and music of a Gypsy legend |
Michael Dregni |
|
4559 |
|
Verdi [3 ed.] |
Julian Budden |
3 |
4560 |
|
Nor-tec rifa!: electronic dance music from Tijuana to the world [Nachdr. ed.] |
Colectivo Nortec,Madrid-González, Alejandro Luis |
|
4561 |
|
Choral Repertoire |
Shrock, Dennis |
|
4562 |
|
Hearing the movies: music and sound in film history [1 ed.] |
David Neumeyer, James Buhler, Rob Deemer |
1 |
4563 |
|
The Oxford Handbook of Film Music Studies |
David Neumeyer |
|
4564 |
|
The Oxford handbook of neo-Riemannian music theories |
Gollin, Edward, Rehding, Alexander |
|
4565 |
|
Wind Talk for Woodwinds : A Practical Guide to Understanding and Teaching Woodwind Instruments |
Mark C. Ely, Amy E. Van Deuren, Attorney at Law and Former Adjunct Instructor Amy E Van Deuren |
|
4566 |
|
Bach [3 ed.] |
Malcolm Boyd |
3 |
4567 |
|
Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology [2 ed.] |
Gregory F. Barz, Timothy J. Cooley |
2 |
4568 |
|
The foundations of rock: from ''Blue suede shoes'' to ''Suite : Judy blue eyes'' |
Walter Everett |
|
4569 |
|
The organ music of Johannes Brahms |
Barbara Owen |
|
4570 |
|
Foundation: b-boys, b-girls, and hip-hop culture in New York |
Joseph Glenn Schloss |
|
4571 |
|
Beethoven (Master Musicians) |
Barry Cooper |
|
4572 |
|
Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing [1ST ed.] |
Michael Dregni |
1 |
4573 |
|
The Oxford Handbook of Opera [online version ed.] |
Helen M. Greenwald |
|
4574 |
|
Federico Moreno Torroba: A Musical Life in Three Acts [1 ed.] |
Walter Aaron Clark, William Craig Krause |
1 |
4575 |
|
Enlightenment Orpheus: the power of music in other worlds |
Vanessa Agnew |
|
4576 |
|
The Songs of Hollywood |
Philip Furia, Laurie Patterson |
|
4577 |
|
Music in the Galant Style |
Robert O. Gjerdingen |
|
4578 |
|
Groove music: the art and culture of the hip-hop DJ |
Katz, Mark |
|
4579 |
|
The Hollywood Film Music Reader |
Mervyn Cooke |
|
4580 |
|
Integrated practice: coordination, rhythm & sound |
Alcantara, Pedro de |
|
4581 |
|
Musical form and transformation: four analytic essays |
David Lewin |
|
4582 |
|
Being Prez: The Life and Music of Lester Young [1ST ed.] |
Dave Gelly |
1 |
4583 |
|
To Everything There Is a Season : Pete Seeger and the Power of Song |
Allan M. Winkler |
|
4584 |
|
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice |
Dmitri Tymoczko |
|
4585 |
|
The Score, the Orchestra, and the Conductor |
Gustav Meier |
|
4586 |
|
From Serra to Sancho : Music and Pageantry in the California Missions |
Craig H. Russell |
|
4587 |
|
Unfinished Music [1 ed.] |
Richard Kramer |
1 |
4588 |
|
John Coltrane and Black America's Quest for Freedom: Spirituality and the Music |
Leonard Brown |
|
4589 |
|
How the Beatles destroyed rock 'n' roll: an alternative history of American popular music |
Wald, Elijah |
|
4590 |
|
Dusty!: queen of the postmods |
Annie Janeiro Randall |
|
4591 |
|
Modal counterpoint, Renaissance style [2 ed.] |
Peter Schubert |
2 |
4592 |
|
Lorenz Hart: A Poet on Broadway |
Frederick Nolan |
|
4593 |
|
The Musician's Way: A Guide to Practice, Performance, and Wellness [1 ed.] |
Gerald Klickstein |
1 |
4594 |
|
Theorizing the Local: Music, Practice, and Experience in South Asia and Beyond |
Richard Wolf |
|
4595 |
|
Please Please Me: Sixties British Pop, Inside Out |
Gordon Thompson |
|
4596 |
|
The organ as a mirror of its time: north European reflections, 1610-2000 [illustrated edition] |
Kerala J. Snyder |
|
4597 |
|
Four parts, no waiting: a social history of American barbershop harmony [1 ed.] |
Gage Averill |
1 |
4598 |
|
Voice lessons: French mélodie in the belle epoque |
Katherine Bergeron |
|
4599 |
|
Rhyme's Challenge: Hip Hop, Poetry, and Contemporary Rhyming Culture |
David Caplan |
|
4600 |
|
The Young Musician's Survival Guide: Tips from Teens and Pros [2 ed.] |
Amy Nathan |
2 |
4601 |
|
Hans Von Bulow: A Life and Times [1 ed.] |
Alan Walker |
1 |
4602 |
|
Songs in Motion: Rhythm and Meter in the German Lied [1 ed.] |
Yonatan Malin |
1 |
4603 |
|
Bewitching Russian Opera: The Tsarina from State to Stage [1 ed.] |
Inna Naroditskaya |
1 |
4604 |
|
Amy Beach, passionate Victorian: the life and work of an American composer, 1867-1944 |
Adrienne Fried Block |
|
4605 |
|
From the Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740-1860 |
Albert R. Rice |
|
4606 |
|
The Oxford Handbook of the New Cultural History of Music [online version ed.] |
Jane F. Fulcher |
|
4607 |
|
Debating the Past: Music, Memory, and Identity in the Andes |
Raúl R. Romero |
|
4608 |
|
Ruth Crawford Seeger: a composer's search for American music |
Judith Tick |
|
4609 |
|
Victory Through Harmony : The BBC and Popular Music in World War II |
Christina L. Baade |
|
4610 |
|
The Muse that Sings: Composers Speak about the Creative Process |
Ann McCutchan |
|
4611 |
|
The Cowboy and the Dandy: Crossing Over from Romanticism to Rock and Roll |
Perry Meisel |
|
4612 |
|
Shostakovich: a life |
Laurel E. Fay |
|
4613 |
|
Film Music: A Very Short Introduction (Very Short Introductions) |
Kathryn Kalinak |
|
4614 |
|
King of Ragtime: Scott Joplin and His Era |
Edward A. Berlin |
|
4615 |
|
Schoenberg's new world: the American years |
Sabine Feisst |
|
4616 |
|
Broadway Babies: The People Who Made the American Musical |
Ethan Mordden |
|
4617 |
|
Country music records: a discography, 1921-1942 |
Russell, Tony,Pinson, Bob,Country Music Hall of Fame,Museum Nashville, Tenn. Staff |
|
4618 |
|
The Flute Book: A Complete Guide for Students and Performers [3 ed.] |
Nancy Toff |
3 |
4619 |
|
Beyond the Roof of the World: Music, Prayer, and Healing in the Pamir Mountains |
Benjamin D. Koen |
|
4620 |
|
The music teaching artist's bible becoming a virtuoso educator |
Booth, Eric |
|
4621 |
|
Wagner's Parsifal |
William Kinderman |
|
4622 |
|
Schoenberg’s early correspondence : 1891-May 1907 [1 ed.] |
Arnold Schoenberg, Sabine Feisst, Ethan Haimo (eds.) |
1 |
4623 |
|
Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory) |
Kofi Agawu |
|
4624 |
|
Music in the Nineteenth Century [1 ed.] |
Richard Taruskin |
1 |
4625 |
|
The Republic of Rock: Music and Citizenship in the Sixties Counterculture [Illustrated] |
Michael J. Kramer |
|
4626 |
|
Schoenberg’s New World |
Sabine Feisst |
|
4627 |
|
Mahler's Voices: Expression and Irony in the Songs and Symphonies |
Julian Johnson |
|
4628 |
|
Facing the Music: Shaping Music Education from a Global Perspective |
Huib Schippers |
|
4629 |
|
For The Love of Music: Invitations to Listening [Reprint ed.] |
Michael Steinberg, Larry Rothe |
|
4630 |
|
Jazz Composition and Arranging in the Digital Age |
Richard Sussman, Michael Abene |
|
4631 |
|
The Oxford Handbook of Critical Improvisation Studies, Volume 2 |
George E. Lewis, Benjamin Piekut |
|
4632 |
|
The Singer's Guide to Complete Health |
Anthony F. Jahn |
|
4633 |
|
Sacred Passions: The Life and Music of Manual de Falla |
Carol Hess |
|
4634 |
|
Schoenberg's early correspondence: 1891- May 1907 |
Feisst, Sabine,Haimo, Ethan,Schönberg, Arnold |
|
4635 |
|
Composing electronic music : a new aesthetic [Har/Psc ed.] |
Curtis Roads |
|
4636 |
|
Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint [HAR/COM ed.] |
Steven G Laitz, Christopher Bartlette |
|
4637 |
|
Music in the Seventeenth and Eighteenth Centuries [Revised ed.] |
Richard Taruskin |
|
4638 |
|
Music in the Early Twentieth Century [Revised ed.] |
Richard Taruskin |
|
4639 |
|
Music in the Late Twentieth Century [Revised ed.] |
Richard Taruskin |
|
4640 |
|
Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture |
Robin Moore |
|
4641 |
|
Progressive Sight Singing [2nd ed.] |
Carol Krueger |
2 |
4642 |
|
To Broadway, To Life!: The Musical Theater of Bock and Harnick [1 ed.] |
Philip Lambert |
1 |
4643 |
|
Louis Armstrong's Hot Five and Hot Seven recordings |
Hot Five,Hot Seven,Louis Armstrong,Armstrong, Louis,Harker, Brian |
|
4644 |
|
Louis Armstrong's Hot Five and Hot Seven Recordings [1 ed.] |
Brian Harker |
1 |
4645 |
|
Living Opera |
Joshua Jampol |
|
4646 |
|
Beyond Talent: Creating a Successful Career in Music [2 ed.] |
Angela Myles Beeching |
2 |
4647 |
|
Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber [2 ed.] |
Geoffrey Holden Block |
2 |
4648 |
|
Music from the Earliest Notations to the Sixteenth Century [Revised ed.] |
Richard Taruskin |
|
4649 |
|
The Studio Recordings of the Miles Davis Quintet, 1965-68 [1 ed.] |
Keith Waters |
1 |
4650 |
|
Schoenberg's Correspondence with American Composers |
Sabine Feisst |
|
4651 |
|
Rethinking Schumann |
Roe-Min Kok, Laura Tunbridge |
|
4652 |
|
Tonality and Transformation (Oxford Studies in Music Theory) |
Steven Rings |
|
4653 |
|
The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument [1 ed.] |
Mark Vail |
1 |
4654 |
|
Music from the Earliest Notations to the Sixteenth Century [First ed.] |
Richard Taruskin |
|
4655 |
|
The Art of Digital Audio Recording: A Practical Guide for Home and Studio |
Steve Savage |
|
4656 |
|
Music in Turkey: Experiencing Music, Expressing Culture |
Eliot Bates |
|
4657 |
|
The History of јazz [2 ed.] |
Ted Gioia, |
2 |
4658 |
|
Timpani Tone and the Interpretation of Baroque and Classical Music |
Steven L. Schweizer |
|
4659 |
|
The Oxford Handbook of Sound Studies [1st ed.] |
Trevor Pinch, Karin Bijsterveld (Eds.) |
1 |
4660 |
|
The encyclopedia of country music : the ultimate guide to the music [Second edition] |
The Country Music Hall of Fame &, Museum, McCall, Michael, Rumble, John |
|
4661 |
|
Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music |
Andrew N. Weintraub |
|
4662 |
|
Recording on a Budget: How to Make Great Audio Recordings Without Breaking the Bank |
Brent Edstrom |
|
4663 |
|
Wonder Reborn: Creating Sermons on Hymns, Music, and Poetry |
Thomas Troeger |
|
4664 |
|
The History of Jazz [2 ed.] |
Ted Gioia |
2 |
4665 |
|
The Oxford Handbook of Philosophy in Music Education (Oxford Handbooks) [1 ed.] |
Wayne Bowman (editor), Ana Lucia Frega (editor) |
1 |
4666 |
|
The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument |
Mark Vail |
|
4667 |
|
Tyagaraja: Life and Lyrics |
William J. Jackson |
|
4668 |
|
Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert [1 ed.] |
Catherine Tackley |
1 |
4669 |
|
Red strains : music and communism outside the communist bloc |
Robert Addlington |
|
4670 |
|
Menergy: San Francisco's Gay Disco Sound |
Louis Niebur |
|
4671 |
|
Javanese Gamelan [1 ed.] |
Jennifer Lindsay |
1 |
4672 |
|
Javanese Gamelan: Traditional Orchestra of Indonesia [2 ed.] |
Jennifer Lindsay |
2 |
4673 |
|
Chinese Musical Instruments [1 ed.] |
Alan Robert Thrasher |
1 |
4674 |
|
Japanese Musical Instruments |
Hugh de Ferranti |
|
4675 |
|
Korean Musical Instruments |
Keith Howard |
|
4676 |
|
Musical Motives: A Theory and Method for Analyzing Shape in Music |
Brent Auerbach |
|
4677 |
|
Nashville Cats: Record Production in Music City |
Travis D. Stimeling |
|
4678 |
|
Indigenous Audibilities: Music, Heritage, and Collections in the Americas (Currents in Latin American and Iberian Music) |
Amanda Minks |
|
4679 |
|
The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century |
Nicholas Baragwanath |
|
4680 |
|
Instrument of the State: A Century of Music in Louisiana's Angola Prison |
Benjamin J. Harbert |
|
4681 |
|
Music Teacher as Music Producer: How to Turn Your Classroom into a Center for Musical Creativities |
Clint Randles |
|
4682 |
|
Sounds, Ecologies, Musics |
Aaron S. Allen (editor), Jeff Todd Titon (editor) |
|
4683 |
|
The Music Technology Cookbook: Ready-Made Recipes for the Classroom |
adam patrick bell |
|
4684 |
|
The Baroque Violin & Viola: A Fifty-Lesson Course [2] |
Walter S. Reiter |
2 |
4685 |
|
The Oxford Handbook of Jewish Music Studies |
Fruhauf |
|
4686 |
|
Choral Artistry: A Kodály Perspective for Middle School to College-Level Choirs, Volume 1 (Kodaly Today Handbook Series) |
Micheál Houlahan, Philip Tacka |
|
4687 |
|
Transcending Dystopia: Music, Mobility, and the Jewish Community in Germany, 1945-1989 |
Tina Frühauf |
|
4688 |
|
Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States |
David Pearson |
|
4689 |
|
Queer Ear: Remaking Music Theory |
Gavin S.K. Lee (editor) |
|
4690 |
|
Rebel Music In The Triumphant Empire: Punk Rock In The 1990s United States [1st Edition] |
David Pearson |
1 |
4691 |
|
Music and Citizenship (Oxford Theory in Ethnomusicology) |
Martin Stokes |
|
4692 |
|
Tallis (Master Musicians Series) |
Kerry McCarthy PhD |
|
4693 |
|
Bach's Art of Fugue and Musical Offering (The ABS Guides Series) |
Matthew Dirst |
|
4694 |
|
A Sonata Theory Handbook |
James Hepokoski |
|
4695 |
|
Singing Utopia: Voice in Musical Theatre |
Ben Macpherson |
|
4696 |
|
The Letters of Oscar Hammerstein II |
Mark Eden Horowitz |
|
4697 |
|
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR [1 ed.] |
Peter J. Schmelz |
1 |
4698 |
|
Rethinking Brahms |
Nicole Grimes (editor), Reuben Phillips (editor) |
|
4699 |
|
Integrating STEM with Music: Units, Lessons, and Adaptations for K-12 |
Shawna Longo, Zachary Gates |
|
4700 |
|
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-century Opera |
Sean M. Parr |
|
4701 |
|
The Music Professor Online |
Judith Bowman |
|
4702 |
|
Inside Mahler's Second Symphony: A Listener's Guide |
Lawrence F. Bernstein |
|
4703 |
|
City of Song: Music and the Making of Modern Jerusalem |
Michael A. Figueroa |
|
4704 |
|
Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History |
Jennifer Saltzstein |
|
4705 |
|
Choral Sight Reading: A Kodály Perspective for Middle School to College-Level Choirs, Volume 2 (Kodaly Today Handbook Series) |
Micheál Houlahan, Philip Tacka |
|
4706 |
|
Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 |
Danuta Mirka |
|
4707 |
|
Cuban Music Counterpoints: Vanguardia Musical in Global Networks (CURRENTS IN LATIN AMER AND IBERIAN MUSIC) |
Marysol Quevedo |
|
4708 |
|
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing |
Emily Zazulia |
|
4709 |
|
Singing the News of Death: Execution Ballads in Europe 1500-1900 |
Una McIlvenna |
|
4710 |
|
God Gave Rock and Roll to You: A History of Contemporary Christian Music |
Leah Payne |
|
4711 |
|
From Perception to Pleasure: The Neuroscience of Music and Why We Love It |
Robert Zatorre |
|
4712 |
|
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination |
Braxton D. Shelley |
|
4713 |
|
Voices of Vietnam: A Century of Radio, Red Music, and Revolution |
Lonán Ó Briain |
|
4714 |
|
Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America |
Nicholas Tochka |
|
4715 |
|
Life 24x a Second: Cinema, Selfhood, and Society |
Elsie Walker |
|
4716 |
|
Dowland |
K. Dawn Grapes |
|
4717 |
|
Music in Profile: Twelve Performance Studies |
John Rink |
|
4718 |
|
The Mind's Ear: Exercises for Improving the Musical Imagination for Performers, Composers, and Listeners |
Bruce Adolphe |
|
4719 |
|
Tonality: An Owner's Manual |
Dmitri Tymoczko |
|
4720 |
|
French Lyric Diction: A Singer's Guide |
Jason Nedecky |
|
4721 |
|
Dmitry Shostakovich and Music for Stalinist Cinema (1936-1953) |
Joan Titus |
|
4722 |
|
The Musician's Journey: Crafting your Career Vision and Plan [2 ed.] |
Jill Timmons |
2 |
4723 |
|
The Gerry Mulligan 1950s Quartets |
Alyn Shipton |
|
4724 |
|
The Musical Brain: What Students, Teachers, and Performers Need to Know |
Lois Svard |
|
4725 |
|
Here's to the Ladies: Conversations with More of the Great Women of Musical Theater |
Eddie Shapiro |
|
4726 |
|
Creative Health for Pianists: Concepts, Exercises & Compositions |
Pedro de Alcantara |
|
4727 |
|
Sondheim in Our Time and His |
W. Anthony Sheppard (editor) |
|
4728 |
|
Seeing Voices: Analyzing Sign Language Music |
Anabel Maler |
|
4729 |
|
Giving voice to children's artistry : a guide for music teachers and choral conductors [First ed.] |
Mary Ellen Pinzino |
|
4730 |
|
The Musical Language of Italian Opera, 1813-1859 |
William Rothstein, |
|
4731 |
|
The Oxford Handbook of Care in Music Education |
Karin S. Hendricks |
|
4732 |
|
SuperCollider for the Creative Musician: A Practical Guide (Creating Technology for Music) |
Eli Fieldsteel |
|
4733 |
|
Stomp Off, Let's Go |
Ricky Riccardi |
|
4734 |
|
Shared Musical Lives |
Licia Carlson, |
|
4735 |
|
SamBop NYC: Brazilian Jazz in New York City during the New Millennium |
Marc Gidal |
|
4736 |
|
Ferruccio Busoni as Architect of Sound |
Erinn E. Knyt |
|
4737 |
|
The Pipe Organ: A Composer's Guide |
James Mitchell |
|
4738 |
|
Immaculate Sounds: The Musical Lives of Nuns in New Spain (Currents in Latin American and Iberian Music) |
Cesar D. Favila |
|
4739 |
|
Film Music: A Very Short Introduction [2 ed.] |
Kathryn Kalinak |
2 |
4740 |
|
Playing & Teaching the Saxophone: A Modern Approach |
Allison D. Adams, Brian R. Horner |
|
4741 |
|
Times A-Changin': Flexible Meter as Self-Expression in Singer-Songwriter Music |
Nancy Murphy |
|
4742 |
|
The Making of European Music in the Long Eighteenth Century |
D. R. M. Irving |
|
4743 |
|
Sounds as They Are: The unwritten music in classical recordings (Oxford Studies in Music Theory) |
Richard Beaudoin |
|
4744 |
|
A Handbook of Diction for Singers: Italian, German, French [3 ed.] |
David Adams |
3 |
4745 |
|
Women in Rock Memoirs: Music, History, and Life-Writing |
Cristina Garrigós, Marika Ahonen |
|
4746 |
|
Music Education Research: An Introduction |
Peter Miksza, Julia T. Shaw, Lauren Kapalka Richerme, Phillip M. Hash, Donald A. Hodges |
|
4747 |
|
Paul Robeson's Voices |
Grant Olwage |
|
4748 |
|
Bach against Modernity |
Michael Marissen |
|
4749 |
|
Improvising Fugue: A Method for Keyboard Artists |
John J. Mortensen |
|
4750 |
|
Four Ways of Hearing Video Game Music (Oxford Music / Media) |
Michiel Kamp |
|
4751 |
|
Music and Human Flourishing (The Humanities and Human Flourishing) |
Anna Harwell Celenza (editor) |
|
4752 |
|
Bob Dylan: Prophet Without God |
Jeffrey Edward Green |
|
4753 |
|
Key Changes: The Ten Times Technology Transformed the Music Industry |
Howie Singer, Bill Rosenblatt |
|
4754 |
|
Women in Rock Memoirs: Music, History, and Life-Writing |
Cristina Garrigós (editor), Marika Ahonen (editor) |
|
4755 |
|
Music in Medieval Rituals for the End of Life |
Elaine Stratton Hild |
|
4756 |
|
Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 2 |
Dominic Broomfield-McHugh, Reader in Musicology Dominic Broomfield-McHugh |
|
4757 |
|
Johann Sebastian Bach's Goldberg Variations Reimagined |
Erinn E. Knyt |
|
4758 |
|
Musical Models of Democracy |
Robert Adlington |
|
4759 |
|
The Oxford Handbook of Musical Theatre Screen Adaptations |
Dominic McHugh |
|
4760 |
|
Stars, Studios, and the Musical Theatre Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 3 |
Dominic Broomfield-McHugh, Reader in Musicology Dominic Broomfield-McHugh |
|
4761 |
|
The Cantigas de Santa Maria: Power and Persuasion at the Alfonsine Court (NEW CULTURAL HISTORY OF MUSIC SERIES) |
Henry T. Drummond |
|
4762 |
|
The Cantigas De Santa Maria Power and Persuasion at the Alfonsine Court (NEW CULTURAL HISTORY OF MUSIC SERIES) |
Henry T. Drummond, |
|
4763 |
|
Learn Faster, Perform Better: A Musicianâs Guide to the Neuroscience of Practicing |
Molly Gebrian |
|
4764 |
|
Learn Faster, Perform Better: A Musician's Guide to the Neuroscience of Practicing |
Molly Gebrian |
|
4765 |
|
The Marqués, the Divas, and the Castrati: Gaspar de Haro y Guzmán and Opera in the Early Modern Spanish Orbit |
Louise K. Stein |
|
4766 |
|
Bruckner's Fourth: The Biography of a Symphony |
Benjamin M. Korstvedt |
|
4767 |
|
Cadence: A Study of Closure in Tonal Music |
Distinguished James McGill Professor Emeritus of Music Theory William E Caplin |
|
4768 |
|
Music for Inclusion and Healing in Schools and Beyond: Hip Hop, Techno, Grime, and More |
Pete Dale (editor), Pamela Burnard (editor), Raphael Travis Jr. (editor) |
|
4769 |
|
Music and Dance as Everyday South Asia |
Zoe C. Sherinian (editor), Sarah L. Morelli (editor) |
|
4770 |
|
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford Studies in Music Theory) |
Miriam Piilonen |
|
4771 |
|
Louis Armstrong: An American Genius |
James Lincoln Collier |
|
4772 |
|
Something to Live For: The Music of Billy Strayhorn |
Walter van de Leur |
|
4773 |
|
Monteverdi's Voices: A Poetics of the Madrigal |
Tim Carter |
|
4774 |
|
Country Music Records: A Discography, 1921-1942 [First Edition] |
Tony Russell |
|
4775 |
|
Singing of Arms and Men: Florence and the Balletto a Cavallo in the Seventeenth Century |
Kelley Harness |
|
4776 |
|
Beethoven, Second Edition [2 ed.] |
William Kinderman |
2 |
4777 |
|
The Richard Rodgers Reader |
Geoffrey Block |
|
4778 |
|
Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works |
Steven Zohn |
|
4779 |
|
The End of Early Music: A Period Performer's History of Music for the Twenty-First Century |
Bruce Haynes |
|
4780 |
|
In the Houses of the Holy: Led Zeppelin and the Power of Rock Music |
Susan Fast |
|
4781 |
|
Studies in Music with Text |
David Lewin |
|
4782 |
|
Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory |
Aristoxenus, Lionel Ignacius Cusack Pearson |
|
4783 |
|
The Songs of Aristophanes |
L. P. E. Parker |
|
4784 |
|
A History of Byzantine Music and Hymnography (Oxford University Press academic monograph reprints) [2nd ed.] |
Egon Wellesz |
2 |
4785 |
|
Conversations with Karajan |
Richard Osborne |
|
4786 |
|
Studies in the History of Italian Music and Music Theory |
Claude V. Palisca |
|
4787 |
|
Dmitri Shostakovich: A Catalogue, Bibliography, and Discography [2 ed.] |
Derek C. Hulme, Irina Shostakovich |
2 |
4788 |
|
Stravinsky and the Russian Traditions : A Biography of the Works Through Mavra [1] |
Richard Taruskin |
1 |
4789 |
|
Courtly Love Songs of Medieval France |
Mary O'Neill |
|
4790 |
|
Arcangelo Corelli |
Peter Allsop |
|
4791 |
|
Interpreting Bach at the Keyboard |
Paul Badura-Skoda, Alfred Clayton (trans.) |
|
4792 |
|
Ancient Greek Music [Clarendon Paperback ed.] |
M. L. West |
|
4793 |
|
Sound Recording Practice [4 ed.] |
John Borwick (editor) |
4 |
4794 |
|
Roots of the Classical: The Popular Origins of Western Music |
Peter Van der Merwe |
|
4795 |
|
Franz Schubert: A Biography (Clarendon Paperbacks) |
Elizabeth Norman McKay |
|
4796 |
|
A history of Byzantine music and hymnography |
Egon Wellesz |
|
4797 |
|
Samuel Sebastian Wesley: A Life (Oxford Studies in British Church Music) |
Peter Horton |
|
4798 |
|
Authenticity and Early Music: A Symposium [1991 reprint ed.] |
Nicholas Kenyon (ed.) |
1991 |
4799 |
|
Playing the Viola: Conversations with William Primrose |
David Dalton |
|
4800 |
|
Mensuration and Proportion Signs: Origins and Evolution |
Anna Martha Berger |
|
4801 |
|
The Oxford Illustrated History of Opera |
Roger Parker |
|
4802 |
|
Women Musicians of Venice: Musical Foundations, 1525-1855 (Oxford Monographs on Music) [Revised] |
Jane J. Baldauf-Berdes |
|
4803 |
|
Music in the Jewish Community of Palestine 1880-1948: A Social History |
Jehoash Hirshberg |
|
4804 |
|
The Music of Hans Pfitzner [1 ed.] |
John Williamson |
1 |
4805 |
|
A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726) |
Lionel Sawkins |
|
4806 |
|
Puccini: His Life and Works (Master Musicians Series) [1ST ed.] |
Julian Budden |
1 |
4807 |
|
The Musician's Guide to Acoustics |
Murray Campbell, Clive A. Greated, Clive Greated |
|
4808 |
|
With Voice and Pen: Coming to Know Medieval Song and How It Was Made Includes CD |
Leo Treitler |
|
4809 |
|
The Science of Music |
Robin Maconie |
|
4810 |
|
Shostakovich in Context |
Rosamund Bartlett |
|
4811 |
|
The Langloz Manuscript: Fugal Improvisation through Figured Bass |
William Renwick. |
|
4812 |
|
Rock Culture in Liverpool: Popular Music in the Making |
Sara Cohen |
|
4813 |
|
Handel and the English Chapel Royal (Oxford Studies in British Church Music) |
Donald Burrows |
|
4814 |
|
The Operas of Verdi, Vol. 1: From Oberto to Rigoletto |
Julian Budden |
|
4815 |
|
Music, imagination and culture |
Nicholas Cook |
|
4816 |
|
Gustav Mahler: Volume 4: A New Life Cut Short (1907-1911) |
Henry-Louis de La Grange |
|
4817 |
|
Haydn's Symphonic Forms: Essays in Compositional Logic [1 ed.] |
Ethan Haimo |
1 |
4818 |
|
Musical composition in the twentieth century |
Arnold Whittall, Arnold Whittall |
|
4819 |
|
The British Brass Band: A Musical and Social History |
Trevor Herbert |
|
4820 |
|
The Guitar and Its Music (Oxford Early Music) |
James Tyler, Paul Sparks |
|
4821 |
|
Boethius: The Consolations of Music, Logic, Theology, and Philosophy |
Henry Chadwick |
|
4822 |
|
Music and Mathematics - From Pythagoras to Fractals |
John Fauvel, Raymond Flood, Robin Wilson |
|
4823 |
|
Musical Identities [2 ed.] |
Raymond R. MacDonald, David Hargreaves, Dorothy Miell |
2 |
4824 |
|
Musical Communication |
Dorothy Miell, Raymond MacDonald, David J. Hargreaves |
|
4825 |
|
The Social Psychology of Music [1 ed.] |
DAVID J. HARGREAVES, ADRIAN C. NORTH (Eds.) |
1 |
4826 |
|
Biological Foundations of Music (Annals of the New York Academy of Sciences) [Reprint ed.] |
Isabelle Peretz, Robert J. Zatorre |
|
4827 |
|
Musical Excellence: Strategies and Techniques to Enhance Performance |
Aaron Williamon (editor) |
|
4828 |
|
The social and applied psychology of music [Reprinted] |
Hargreaves, David John,North, Adrian C |
|
4829 |
|
The Real Traviata: The Song of Marie Duplessis |
René Weis |
|
4830 |
|
The Oxford Handbook of Music Psychology [2 ed.] |
Susan Hallam, Ian Cross, Michael Thaut (eds.) |
2 |
4831 |
|
The child as musician : a handbook of musical development [2 ed.] |
McPherson, Gary E |
2 |
4832 |
|
Musical Emotions Explained [Hardcover ed.] |
Patrik N. Juslin |
|
4833 |
|
Music, Text, and Culture in Ancient Greece |
Tom Phillips, Armand D’Angour |
|
4834 |
|
Music and Consciousness 2: Worlds, Practices, Modalities [2 ed.] |
Ruth Herbert (editor), David Clarke (editor), Eric Clarke (editor) |
2 |
4835 |
|
The Oxford Handbook of Music and the Brain |
Michael H. Thaut (editor), Donald A. Hodges (editor) |
|
4836 |
|
Theology, Music, and Modernity: Struggles for Freedom [Illustrated] |
Jeremy Begbie (editor), Daniel K L Chua (editor), Markus Rathey (editor) |
|
4837 |
|
The Evolution of Music Through Culture and Science |
Peter Townsend |
|
4838 |
|
Being true to works of music [1 ed.] |
Julian Dodd |
1 |
4839 |
|
Culture from the Slums: Punk Rock in East and West Germany |
Jeff Hayton |
|
4840 |
|
Catullus in Twentieth-Century Music: Lyrics and Lyricism |
Stephanie Oade |
|
4841 |
|
Music, Language, and Cognition: And Other Essays in the Aesthetics of Music [1 ed.] |
Peter Kivy |
1 |
4842 |
|
The Guitar and Its Music: From the Renaissance to the Classical Era |
James Tyler, Paul Sparks |
|
4843 |
|
The prehistory of music [First edition] |
Morley, Iain |
|
4844 |
|
The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality [1 ed.] |
Iain Morley |
1 |
4845 |
|
Handbook of Music and Emotion: Theory, Research, Applications |
Professor Patrik N. Juslin (editor), Professor John Sloboda (editor) |
|
4846 |
|
Deeper than Reason: Emotion and Its Role in Literature, Music, and Art [illustrated edition] |
Jenefer Robinson |
|
4847 |
|
The Early Stuart Masque: Dance, Costume, and Music |
Barbara Ravelhofer |
|
4848 |
|
Themes in the Philosophy of Music |
Stephen Davies |
|
4849 |
|
The Country Music Reader [Illustrated] |
Travis D. Stimeling |
|
4850 |
|
The Oxford Handbook of Music and Virtuality [Hardcover ed.] |
Sheila Whiteley, Shara Rambarran |
|
4851 |
|
Sounding authentic : the rural miniature and musical modernism |
Walden, Joshua S. |
|
4852 |
|
Music and Mathematics: From Pythagoras to Fractals |
John Fauvel, Raymond Flood, Robin Wilson |
|
4853 |
|
Music and the broadcast experience : performance, production, and audiences |
Baade, Christina L., Deaville, James Andrew |
|
4854 |
|
Mahler's Symphonic Sonatas |
Seth Monahan |
|
4855 |
|
The Positive Pianist : How Flow Can Bring Passion to Practice and Performance |
Thomas J. Parente |
|
4856 |
|
Absolute Music: The History of an Idea |
Mark Evan Bonds |
|
4857 |
|
Sounds of war: music in the United States during World War II |
Annegret Fauser |
|
4858 |
|
Scratch Music Projects |
Andrew R. Brown, S. Alex Ruthmann |
|
4859 |
|
Arduino for musicians: a complete guide to Arduino and teensy microcontrollers |
Edstrom, Brent |
|
4860 |
|
Global perspectives on orchestras: collective creativity and social agency [4] |
Tina K. Ramnarine (editor) |
4 |
4861 |
|
Jewish Contiguities and the Soundtrack of Israeli History |
Assaf Shelleg |
|
4862 |
|
Rethinking Mahler [1 ed.] |
Barham, Jeremy, Mahler, Gustav |
1 |
4863 |
|
Music As Prayer : The Theology and Practice of Church Music |
Thomas H. Troeger |
|
4864 |
|
Love Songs: The Hidden History |
Ted Gioia |
|
4865 |
|
Music Theory Remixed: A Blended Approach for the Practicing Musician 1st Edition [1 ed.] |
Kevin Holm-Hudson |
1 |
4866 |
|
The Oxford Handbook of Music and Disability Studies [1 ed.] |
Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, Joseph Straus (eds.) |
1 |
4867 |
|
The Oxford Handbook of Music and Disability Studies |
Blake Howe, Stephanie Jensen-Moulton, Neil William Lerner, Joseph Nathan Straus |
|
4868 |
|
Contemporary Class Piano [8 ed.] |
Elyse Mach |
8 |
4869 |
|
Teaching general music: approaches, issues, and viewpoints [1 ed.] |
Abril, Carlos R., Gault, Brent M |
1 |
4870 |
|
From Modes to Keys in Early Modern Music Theory |
Michael R. Dodds |
|
4871 |
|
The Oxford Handbook of Western Music and Philosophy |
Tomás McAuley (editor), Nanette Nielsen (editor), Jerrold Levinson (editor) |
|
4872 |
|
The Oxford Handbook of Western Music and Philosophy (OXFORD HANDBOOKS SERIES) [1 ed.] |
Tomás McAuley (editor), Nanette Nielsen (editor), Jerrold Levinson (editor) |
1 |
4873 |
|
Making Music in Selznick's Hollywood |
Nathan Platte |
|
4874 |
|
The Oxford Handbook of Technology and Music Education |
Alex Ruthmann, Roger Mantie |
|
4875 |
|
The Complete Musician: An Integrated Approach to Theory, Analysis and Listening [4 ed.] |
Steven Geoffrey Laitz |
4 |
4876 |
|
The Viennese Minor-Key Symphony in the Age of Haydn and Mozart [1 ed.] |
Matthew Riley |
1 |
4877 |
|
The Grove dictionary of musical instruments Vol. 3, Iamba malebe - Ožragis. [2 ed.] |
|
2 |
4878 |
|
The Oxford Handbook of Applied Ethnomusicology |
Svanibor Pettan, Jeff Todd Titon |
|
4879 |
|
Absolute music : the history of an idea |
Bonds, Mark Evan |
|
4880 |
|
The Revolution Will Not Be Televised: Protest Music After Fukushima |
Noriko Manabe |
|
4881 |
|
Music Endangerment: How Language Maintenance Can Help [1 ed.] |
Catherine Grant |
1 |
4882 |
|
A History of Western Choral Music, Volume 1 [1 ed.] |
Alwes, Chester Lee |
1 |
4883 |
|
Baton Basics: Communicating Music through Gestures [1 ed.] |
Diane Wittry |
1 |
4884 |
|
The Grove dictionary of musical instruments Vol. 4, Pabarrung - Tiama. [2 ed.] |
|
2 |
4885 |
|
The Oxford Handbook of Applied Ethnomusicology [1 ed.] |
Svanibor Pettan, Jeff Todd Titon |
1 |
4886 |
|
A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song [1 ed.] |
Caroline Bithell |
1 |
4887 |
|
The Oxford Handbook of Social Justice in Music Education |
Cathy Benedict, Patrick K. Schmidt, Gary Spruce, Paul Woodford |
|
4888 |
|
Kodály in the kindergarten classroom : developing the creative brain in the 21st century |
Micheál Houlahan, Philip Tacka. |
|
4889 |
|
Back to the Fifties: Nostalgia, Hollywood Film, and Popular Music of the Seventies and Eighties [1 ed.] |
Michael D. Dwyer |
1 |
4890 |
|
Composition in the digital world : conversations with 21st century American composers [1 ed.] |
Raines, Robert |
1 |
4891 |
|
Beyond the Score: Music as Performance [1 ed.] |
Nicholas Cook |
1 |
4892 |
|
Watching jazz : encounters with jazz performance on screen [1 ed.] |
Doctor, Jennifer R., Elsdon, Peter, Heile, Björn |
1 |
4893 |
|
Rock 'N' Film: Cinema's Dance With Popular Music [1 ed.] |
David E. James |
1 |
4894 |
|
Sound Unseen: Acousmatic Sound in Theory and Practice |
Brian Kane |
|
4895 |
|
The Philosophy of Rhythm: Aesthetics, Music, Poetics |
Peter Cheyne, Andy Hamilton and Max Paddison |
|
4896 |
|
Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna [1 ed.] |
David Brodbeck |
1 |
4897 |
|
Tracing Tangueros: Argentine Tango Instrumental Music [Illustrated] |
Kacey Link, Kristin Wendland |
|
4898 |
|
The 21st Century Singer: Making the Leap from the University into the World [1 ed.] |
Susan Mohini Kane |
1 |
4899 |
|
The Grove dictionary of musical instruments Vol. 2, Daāduā - Hymn Technoloty Ltd. [2 ed.] |
|
2 |
4900 |
|
The Grove dictionary of musical instruments Vol. 5, Tibia - Zygmuntowicz, Samuel. [2 ed.] |
|
2 |
4901 |
|
Beating time & measuring music in the early modern era [1 ed.] |
Grant, Roger Mathew |
1 |
4902 |
|
Local glories: opera houses on main street, where art and community meet [1 ed.] |
Satterthwaite, Ann |
1 |
4903 |
|
Dislocated memories : Jews, music, and postwar German culture [1 ed.] |
Tina Frühauf, Lily Hirsch |
1 |
4904 |
|
Theories Of The Soundtrack |
James Buhler |
|
4905 |
|
A History of Western Choral Music, Volume 2 [1 ed.] |
Alwes, Chester Lee |
1 |
4906 |
|
Sounds French : globalization, cultural communities and pop music in France, 1958-1980 [1 ed.] |
Briggs, Jonathyne |
1 |
4907 |
|
The Oxford Handbook of Choral Pedagogy |
Frank Abrahams, Paul D. Head |
|
4908 |
|
Resounding Afro Asia: Interracial Music and the Politics of Collaboration |
Tamara Roberts |
|
4909 |
|
With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy |
Robert Toft |
|
4910 |
|
Music, Leisure, Education: Historical and Philosophical Perspectives |
Roger Mantie |
|
4911 |
|
Modern etudes and studies for the total percussionist [Second edition] |
Colaneri, Chris |
|
4912 |
|
The Pathetick Musician: Moving an Audience in the Age of Eloquence |
Bruce Haynes, Geoffrey Burgess |
|
4913 |
|
Berlioz on music : selected criticism, 1824-1837 [1 ed.] |
Berlioz, Hector, Kolb, Katherine, Rosenberg, Samuel N |
1 |
4914 |
|
Refining Sound: A Practical Guide to Synthesis and Synthesizers [Kindle Edition] |
Brian K. Shepard |
|
4915 |
|
On Sondheim: An Opinionated Guide [Illustrated] |
Ethan Mordden |
|
4916 |
|
Music and the French Enlightenment : Rameau and the philosophes in dialogue [2 ed.] |
Verba, Cynthia |
2 |
4917 |
|
Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s [Illustrated] |
Benjamin R. Levy |
|
4918 |
|
Language and Music as Cognitive Systems |
Patrick Rebuschat, Martin Rohmeier, John A. Hawkins, Ian Cross |
|
4919 |
|
Music and the Irish Literary Imagination |
White, Harry |
|
4920 |
|
Ancient Drama in Music for the Modern Stage [1 ed.] |
Peter Brown, Suzana Ograjensek |
1 |
4921 |
|
Antithetical arts : on the ancient quarrel between literature and music |
Kivy, Peter |
|
4922 |
|
Reformatted: Code, Networks, and the Transformation of the Music Industry [1 ed.] |
Andrew Leyshon |
1 |
4923 |
|
Letters of Ralph Vaughan Williams, 1895-1958 [1 ed.] |
Cobbe, Hugh, Vaughan Williams, Ralph |
1 |
4924 |
|
EPISTLES OF THE BRETHREN OF PURITY. On Music. An Arabic Critical Edition and English Translation of EPISTLE 5 Edited and Translated [Cri Blg ed.] |
Owen Wright |
|
4925 |
|
Musical Understandings: and Other Essays on the Philosophy of Music [1 ed.] |
Stephen Davies |
1 |
4926 |
|
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics [Reprint ed.] |
Jerrold Levinson |
|
4927 |
|
Handbook of music and emotion: theory, research, and applications |
Juslin, Patrik N.,Sloboda, John A |
|
4928 |
|
Applied Musicology: Using Zygonic Theory to Inform Music Education, Therapy, and Psychology Research [1 ed.] |
Adam Ockelford |
1 |
4929 |
|
The Psychology of Music in Multimedia [1 ed.] |
Siu-Lan Tan, Annabel J. Cohen, Scott D. Lipscomb, Roger A. Kendall |
1 |
4930 |
|
The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control |
Tom Cochrane (ed.), Bernardino Fantini (ed.), Klaus R. Scherer (ed.) |
|
4931 |
|
Critique of Pure Music |
James O. Young |
|
4932 |
|
Reconstructing Damon: Music, Wisdom Teaching, and Politics in Perikles' Athens [1 ed.] |
Robert W. Wallace |
1 |
4933 |
|
Musical prodigies : interpretations from psychology, education, musicology, and ethnomusicology [First edition] |
Gary E. McPherson |
|
4934 |
|
Music, health, and wellbeing |
Kreutz, Gunter,MacDonald, Raymond A.R,Mitchell, Laura Anne |
|
4935 |
|
The Music Teaching Artist's Bible: Becoming a Virtuoso Educator |
Eric Booth |
|
4936 |
|
Discord: the story of noise [First edition] |
Goldsmith, Mike |
|
4937 |
|
Dusty!: Queen of the Postmods [First Edition] |
Annie J. Randall |
|
4938 |
|
Love & Theft: Blackface Minstrelsy and the American Working Class |
Lott, Eric |
|
4939 |
|
Playing across a divide: Israeli-Palestinian musical encounters |
Benjamin Elon Brinner |
|
4940 |
|
The New Music Theater: Seeing the Voice, Hearing the Body [1 ed.] |
Eric Salzman, Thomas Desi |
1 |
4941 |
|
Early Music: A Very Short Introduction (Very Short Introductions) |
Thomas Forrest Kelly |
|
4942 |
|
Debussy [1 ed.] |
Eric Frederick Jensen |
1 |
4943 |
|
Singing a Hindu Nation : Marathi Devotional Performance and Nationalism |
Anna C. Schultz |
|
4944 |
|
The Origins of Music [1 ed.] |
Carl Stumpf, David Trippett |
1 |
4945 |
|
The Oxford Handbook of Music Censorship |
Patricia Ann Hall |
|
4946 |
|
Strong Experiences with Music: Music is much more than just music [Illustrated] |
Alf Gabrielsson |
|
4947 |
|
Why jazz? : a concise guide |
Kevin Whitehead |
|
4948 |
|
Handbook of Neurologic Music Therapy [1 ed.] |
Michael H. Thaut, Volker Hoemberg |
1 |
4949 |
|
The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750: Music to Delight the Spirit |
Richard D. P. Jones |
|
4950 |
|
Transnational encounters: music and performance at the U.S.-Mexico border |
Alejandro L Madrid |
|
4951 |
|
Beyond A Love Supreme ; john Coltrane and the Legacy of an Album [1 ed.] |
Tony Whyton |
1 |
4952 |
|
Beyond A Love Supreme: John Coltrane and the Legacy of an Album |
Tony Whyton |
|
4953 |
|
Modern Music and After [3 ed.] |
Paul Griffiths |
3 |
4954 |
|
The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde [1 ed.] |
Chafe, Eric Thomas |
1 |
4955 |
|
Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the Pop Sounds of a Century [1 ed.] |
Barry Mazor |
1 |
4956 |
|
Sound Commitments: Avant-Garde Music and the Sixties |
Robert Adlington |
|
4957 |
|
After the Rite: Stravinsky's Path to Neoclassicism [1 ed.] |
Maureen A. Carr |
1 |
4958 |
|
The Hank Williams Reader |
Patrick Huber, Steve Goodson, David Anderson |
|
4959 |
|
Thelonious Monk Quartet featuring John Coltrane at Carnegie Hall |
Thelonious Monk Quartet.,Coltrane, John,Monk, Thelonious,Solis, Gabriel |
|
4960 |
|
The Culture of AIDS in Africa: Hope and Healing Through Music and the Arts [1 ed.] |
Gregory Barz, Judah M. Cohen |
1 |
4961 |
|
Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene |
Travis D. Stimeling |
|
4962 |
|
Silent music : medieval song and the construction of history in eighteenth-century Spain |
Boynton, Susan, Burriel, Andrés Marcos, Santiago y Palomares, Francisco Javier de |
|
4963 |
|
Harmony and Discord: Music and the Transformation of Russian Cultural Life (The New Cultural History of Music) |
Lynn M. Sargeant |
|
4964 |
|
Lucy in the Mind of Lennon |
Tim Kasser |
|
4965 |
|
Music, Language, and the Brain [Pbk ed] |
Patel, Aniruddh D |
|
4966 |
|
Handel [2 ed.] |
Donald Burrows |
2 |
4967 |
|
The Oxford Handbook of Medical Ethnomusicology (Oxford Handbooks) [Illustrated] |
Benjamin Koen (editor) |
|
4968 |
|
Schumann [2 ed.] |
Eric Frederick Jensen |
2 |
4969 |
|
Hearts of Pine : Songs in the Lives of Three Korean Survivors of the Japanese Comfort Women |
Joshua D. Pilzer |
|
4970 |
|
Redefining Hungarian Music from Liszt to Bartók |
Lynn M. Hooker |
|
4971 |
|
The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening [3rd ed.] |
Steven G. Laitz |
3 |
4972 |
|
Pro Mundo - Pro Domo: The Writings of Alban Berg [1 ed.] |
Bryan R. Simms |
1 |
4973 |
|
The Performance of 16th-Century Music: Learning from the Theorists |
Anne Smith |
|
4974 |
|
Using Technology to Unlock Musical Creativity [1 ed.] |
Scott Watson |
1 |
4975 |
|
We'll Meet Again: Musical Design in the Films of Stanley Kubrick [1 ed.] |
Kate McQuiston |
1 |
4976 |
|
Musical Renderings of the Philippine Nation |
Christi-Anne Castro |
|
4977 |
|
Analyzing Classical Form: An Approach for the Classroom |
William E. Caplin |
|
4978 |
|
Charles Munch |
D. Kern Holoman |
|
4979 |
|
Musical Intimacies and Indigenous Imaginaries : Aboriginal Music and Dance in Public Performance |
Byron Dueck |
|
4980 |
|
Bizet by Macdonald, Hugh 1 ed.] |
Bizet, Georges, Macdonald, Hugh John |
1 |
4981 |
|
Choral Scores [1 ed.] |
Dennis Shrock |
1 |
4982 |
|
Nilsson : the life of a singer-songwriter [1 ed.] |
Nilsson, Harry, Shipton, Alyn |
1 |
4983 |
|
Marc Blitzstein : his life, his work, his world [1 ed.] |
Blitzstein, Marc, Pollack, Howard |
1 |
4984 |
|
The Music Instinct: How Music Works and Why We Can't Do Without It |
Philip Ball |
|
4985 |
|
Poetry into Song: Performance and Analysis of Lieder |
Deborah Stein, Robert Spillman |
|
4986 |
|
Composing for Moving Pictures: The Essential Guide |
Jason M. Gaines |
|
4987 |
|
The Oxford Handbook of Sound and Image in Digital Media |
Carol Vernallis, Amy Herzog, John Richardson |
|
4988 |
|
Details of consequence : ornament, music, and art in Paris |
Bhogal, Gurminder Kaur |
|
4989 |
|
The Oxford Handbook of Computer Music |
Roger T. Dean |
|
4990 |
|
Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria [1 ed.] |
Alexander J. Fisher |
1 |
4991 |
|
Ethnomusicology: a very short introduction |
Rice, Timothy |
|
4992 |
|
Extraordinary Measures: Disability in Music [1 ed.] |
Joseph N. Straus |
1 |
4993 |
|
Audacious Euphony: Chromaticism and the Triad’s Second Nature |
Richard Cohn |
|
4994 |
|
Extraordinary measures : disability in music |
Joseph Nathan Straus |
|
4995 |
|
On the Art of Singing [Reprint ed.] |
Richard Miller |
|
4996 |
|
Bel Canto: A Performer's Guide |
Robert Toft |
|
4997 |
|
Exploring Art Song Lyrics: Translation and Pronunciation of the Italian, German & French Repertoire [1 ed.] |
Jonathan Retzlaff, Cheri Montgomery |
1 |
4998 |
|
Max MSP Jitter for Music: A Practical Guide to Developing Interactive Music Systems for Education and More |
V. J. Manzo |
|
4999 |
|
Community Music: In Theory and In Practice |
Lee Higgins |
|
5000 |
|
Computational Thinking in Sound : Teaching the Art and Science of Music and Technology |
Gena R. Greher, Jesse M. Heines |
|
5001 |
|
Music in the Seventeenth and Eighteenth Centuries The Oxford History of Western Music |
Taruskin, Richard |
|
5002 |
|
The Battle Hymn of the Republic : A Biography of the Song That Marches On |
John Stauffer, Benjamin Soskis |
|
5003 |
|
J. S. Bach’s Johannine Theology: The St. John Passion and the Cantatas for Spring 1725 [1 ed.] |
Eric Chafe |
1 |
5004 |
|
The Oxford Handbook of Qualitative Research in American Music Education |
Colleen M. Conway |
|
5005 |
|
David Lewin’s Morgengruß: Text, Context, Commentary [1 ed.] |
David Bard-Schwarz, Richard Cohn |
1 |
5006 |
|
The Music Parents' Survival Guide : A Parent-To-Parent Conversation |
Amy Nathan |
|
5007 |
|
Urban Music Education: A Practical Guide for Teachers [1 ed.] |
Kate Fitzpatrick-Harnish |
1 |
5008 |
|
Keith Jarrett’s The Köln Concert |
Jarrett, Keith, Elsdon, Peter, Jarrett, Keith |
|
5009 |
|
Teaching Music Through Composition: A Curriculum Using Technology [1 ed.] |
Barbara Freedman |
1 |
5010 |
|
Harmony and discord : music and the transformation of Russian cultural life |
Lynn M Sargeant |
|
5011 |
|
Vanishing Sensibilities: Schubert, Beethoven, Schumann [1 ed.] |
Kristina Muxfeldt |
1 |
5012 |
|
The Pete Seeger Reader [Illustrated] |
Ronald D. Cohen (editor), James Capaldi (editor) |
|
5013 |
|
Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century |
Alex Sayf Cummings |
|
5014 |
|
Modern Music and After [3rd ed] |
Griffiths, Paul |
3 |
5015 |
|
The Music of James Bond |
Jon Burlingame |
|
5016 |
|
Ethnomusicology: A Very Short Introduction [3 ed.] |
Timothy Rice |
3 |
5017 |
|
The Oxford Handbook of Interactive Audio |
Karen Collins, Bill Kapralos, Holly Tessler (eds.) |
|
5018 |
|
Claiming diaspora : music, transnationalism, and cultural politics in Asian/Chinese America [1 ed.] |
Zheng, Su |
1 |
5019 |
|
Understanding Sound Tracks Through Film Theory [1 ed.] |
Elsie Walker |
1 |
5020 |
|
Voices from the Canefields: Folksongs from Japanese Immigrant Workers in Hawai'i [1 ed.] |
Franklin Odo |
1 |
5021 |
|
MacDowell |
E. Douglas Bomberger |
|
5022 |
|
Popular Music and the New Auteur: Visionary Filmmakers after MTV |
Arved Ashby |
|
5023 |
|
The Art and Business of Songwriting |
Batiste |
|
5024 |
|
A Heinrich Schütz Reader: Letters and Documents in Translation [1 ed.] |
Gregory S. Johnston |
1 |
5025 |
|
Austin City Limits: A History [1 ed.] |
Tracey E. W. Laird |
1 |
5026 |
|
The Oxford Handbook of Mobile Music Studies, Volume 2 |
Sumanth Gopinath, Jason Stanyek |
|
5027 |
|
The Studio Recordings of the Miles Davis Quintet, 1965-68 |
Waters, Keith |
|
5028 |
|
Practical Music Education Technology |
Richard Dammers, Marjorie LoPresti |
|
5029 |
|
Assimilate : a critical history of industrial music |
Reed, S. Alexander, |
|
5030 |
|
How to write for percussion : a comprehensive guide to percussion composition [Second edition] |
Solomon, Samuel Z |
|
5031 |
|
The Oxford handbook of topic theory |
Mirka, Danuta |
|
5032 |
|
Refining Sound: A Practical Guide to Synthesis and Synthesizers [1 ed.] |
Brian K. Shepard |
1 |
5033 |
|
American popular music and its business: the first four hundred years |
Russell Sanjek |
|
5034 |
|
Before the singing : structuring children's choirs for success [1 ed.] |
Barbara Tagg |
1 |
5035 |
|
Piano Lessons with Claudio Arrau: A Guide to His Philosophy and Techniques [1 ed.] |
Victoria A. von Arx |
1 |
5036 |
|
Broadway to Main Street: How Show Tunes Enchanted America from After the Ball to Hamilton [Unknown Binding ed.] |
Laurence Maslon |
|
5037 |
|
Roadshow!: The Fall of Film Musicals in the 1960s |
Matthew Kennedy |
|
5038 |
|
Mixing and Mastering in the Box: The Guide to Making Great Mixes and Final Masters on Your Computer [1 ed.] |
Steve Savage |
1 |
5039 |
|
Beyond Sound: The College and Career Guide in Music Technology [Pap/Psc ed.] |
Scott L. Phillips |
|
5040 |
|
Modernist mysteries: Perséphone |
Tamara Levitz |
|
5041 |
|
The Sorcerer of Bayreuth: Richard Wagner, His Work and His World |
Barry Millington |
|
5042 |
|
The Musician's Journey : Crafting Your Career Vision and Plan |
Jill Timmons |
|
5043 |
|
The Great American Songbooks: Musical Texts, Modernism, and the Value of Popular Culture [1 ed.] |
T. Austin Graham |
1 |
5044 |
|
Africa in Stereo: Modernism, Music, and Pan-African Solidarity [1 ed.] |
Tsitsi Ella Jaji |
1 |
5045 |
|
Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song [1 ed.] |
Jayson Beaster-Jones |
1 |
5046 |
|
New Atlantis musicians battle for the survival of New Orleans |
Swenson, John |
|
5047 |
|
The Sense of Sound: Musical Meaning in France, 1260-1330 |
Emma Dillon |
|
5048 |
|
Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert [Online-ausg ed.] |
Goodman, Benny,Tackley, Catherine |
|
5049 |
|
Sounds French: Globalization, Cultural Communities and Pop Music, 1958-1980 |
Jonathyne Briggs |
|
5050 |
|
Music learning today : digital pedagogy for creating, performing, and responding to music [1 ed.] |
William I. Bauer |
1 |
5051 |
|
The jazz standards : a guide to the repertoire [1 ed.] |
Gioia, Ted |
1 |
5052 |
|
Playing Beyond the Notes : A Pianist's Guide to Musical Interpretation |
Deborah Rambo Sinn |
|
5053 |
|
On Staff : A Practical Guide to Starting Your Career in a University Music Department |
Donald L. Hamann |
|
5054 |
|
The Oxford Handbook of Music and World Christianities [Illustrated] |
Suzel Ana Reily (editor), Jonathan M. Dueck (editor) |
|
5055 |
|
French Moves : The Cultural Politics of le Hip Hop |
Felicia McCarren |
|
5056 |
|
Sounds of War: Music in the United States during World War II [1 ed.] |
Annegret Fauser |
1 |
5057 |
|
Radical Traditions: Reimagining Culture in Balinese Contemporary Music |
Andrew Clay McGraw |
|
5058 |
|
J. S. Bach at His Royal Instrument: Essays on His Organ Works [1 ed.] |
Russell Stinson |
1 |
5059 |
|
The Oxford Handbook of Critical Improvisation Studies |
George Lewis, Benjamin Piekut |
|
5060 |
|
Representing the Good Neighbor: Music, Difference, and the Pan American Dream [1 ed.] |
Carol A. Hess |
1 |
5061 |
|
Creating sounds from scratch : a practical guide to music synthesis for producers and composers [1 ed.] |
Metcalfe, Scott B., Pejrolo, Andrea |
1 |
5062 |
|
Pat Metheny : the ECM years, 1975-1984 |
Cooke, Mervyn |
|
5063 |
|
Whose Spain?: negotiating "Spanish music" in Paris, 1908-1929 |
Samuel Llano |
|
5064 |
|
Composing dissent : avant-garde music in 1960s Amsterdam |
Robert Adlington |
|
5065 |
|
Music and Technology: A Very Short Introduction |
Mark Katz |
|
5066 |
|
Piano Sonata in E Major, Op. 109: Beethoven’s Last Piano Sonatas, An Edition with Elucidation, Volume 1 [1 ed.] |
Heinrich Schenker, John Rothgeb |
1 |
5067 |
|
Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean [1 ed.] |
Timothy Rommen, Daniel T. Neely |
1 |
5068 |
|
God Bless America: The Surprising History of an Iconic Song [1 ed.] |
Sheryl Kaskowitz |
1 |
5069 |
|
Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music [1 ed.] |
Elaine Kelly |
1 |
5070 |
|
The Mind's Ear: Exercises for Improving the Musical Imagination for Performers, Composers, and Listeners [Second Edition] |
Bruce Adolphe |
|
5071 |
|
Planning Your Piano Success : A Blueprint for Aspiring Musicians |
Stewart Gordon |
|
5072 |
|
An Orientation to Musical Pedagogy: Becoming a Musician-Educator [Illustrated] |
Birch P. Browning |
|
5073 |
|
We'll Have Manhattan: The Early Work of Rodgers & Hart [1 ed.] |
Dominic Symonds |
1 |
5074 |
|
Valuing music in education : a Charles Fowler reader [1 ed.] |
Fowler, Charles, Resta, Craig |
1 |
5075 |
|
Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion |
Paul Berry |
|
5076 |
|
Alan Jay Lerner: A Lyricist's Letters [1 ed.] |
Dominic McHugh |
1 |
5077 |
|
The Owner's Manual to the Voice: A Guide for Singers and Other Professional Voice Users |
Rachael Gates, L. Arick Forrest, Kerrie Obert |
|
5078 |
|
Hear, Listen, Play!: How to Free Your Students' Aural, Improvisation, and Performance Skills [Spi ed.] |
Lucy Green |
|
5079 |
|
Danzón: Circum-Caribbean Dialogues in Music and Dance |
Alejandro L. Madrid, Robin D. Moore |
|
5080 |
|
Solfege and Sonority : Teaching Music Reading in the Choral Classroom |
David J. Xiques |
|
5081 |
|
Interactive Composition: Strategies Using Ableton Live and Max for Live [1 ed.] |
V.J. Manzo, Will Kuhn |
1 |
5082 |
|
Special Needs, Community Music, and Adult Learning volume 4 |
Gary E. McPherson and Graham F. Welch |
|
5083 |
|
Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon [1 ed.] |
Ryan Bañagale |
1 |
5084 |
|
Danzón: circum-Caribbean dialogues in music and dance |
Alejandro L. Madrid, Robin D. Moore |
|
5085 |
|
Composing for the Red Screen: Prokofiev and Soviet Film [1 ed.] |
Kevin Bartig |
1 |
5086 |
|
The Oxford Handbook of Music and Queerness (Oxford Handbooks) |
Fred Everett Maus, Sheila Whiteley, Tavia Nyong'o, Zoe Sherinian |
|
5087 |
|
Lutheranism, Anti-Judaism, and Bach's St. John Passion: With an Annotated Literal Translation of the Libretto |
Michael Marissen |
|
5088 |
|
On repeat how music plays the mind |
Margulis, Elizabeth Hellmuth |
|
5089 |
|
Contemporary Musicianship: Analysis and the Artist [1 ed.] |
Jennifer Snodgrass |
1 |
5090 |
|
The Oxford Handbook of Voice Studies [1 ed.] |
Nina Eidsheim (editor), Katherine Meizel (editor) |
1 |
5091 |
|
Oxford Handbook of Music and Queerness |
|
|
5092 |
|
The Relentless Pursuit of Tone: Timbre in Popular Music |
Robert Fink (editor), Melinda Latour (editor), Zachary Wallmark (editor) |
|
5093 |
|
A Short Historical Account of the Degrees in Music at Oxford and Cambridge: With a Chronological List of Graduates in that Faculty from the Year 1463 [1 ed.] |
C. F. Abdy Williams |
1 |
5094 |
|
Text and act : essays on music and performance |
Beethoven, Ludwig van, Mozart, Wolfgang Amadeus, Taruskin, Richard |
|
5095 |
|
Gestures of Music Theater : The Performativity of Song and Dance |
Dominic Symonds, Millie Taylor |
|
5096 |
|
Music Theory Through Musical Theatre: Putting It Together |
John Charles Franceschina |
|
5097 |
|
Haydn's Keyboard Music: Studies in Performance Practice [1 ed.] |
Bernard Harrison |
1 |
5098 |
|
Papal Music and Musicians in Late Medieval and Renaissance Rome [Illustrated] |
Richard Sherr |
|
5099 |
|
Inside Early Music: Conversations with Performers |
Bernard D. Sherman |
|
5100 |
|
J.S. Bach's Great Eighteen Organ Chorales |
Russell Stinson |
|
5101 |
|
Composers at Work: The Craft of Musical Composition 1450-1600 |
Jessie Ann Owens |
|
5102 |
|
The New Grove guide to Wagner and his operas |
Barry Millington |
|
5103 |
|
The Young Musician's Survival Guide: Tips from Teens & Pros |
Amy Nathan |
|
5104 |
|
Jazz Makers: Vanguards of Sound (Oxford Profiles) |
Alyn Shipton |
|
5105 |
|
Elements of sonata theory: norms, types, and deformations in the late eighteenth-century sonata |
James Hepokoski, Warren Darcy |
|
5106 |
|
Empirical Musicology: Aims, Methods, Prospects |
Eric Clarke, Nicholas Cook |
|
5107 |
|
The Jazz Age: Popular Music in the 1920s |
Arnold Shaw |
|
5108 |
|
Unfoldings: Essays in Schenkerian Theory and Analysis |
Carl Schachter, Joseph N. Straus |
|
5109 |
|
American Popular Music and Its Business: The First Four Hundred Years Volume II: From 1790 to 1909 (American Popular Music & Its Business) |
the late Russell Sanjek |
|
5110 |
|
Too Marvelous for Words: The Life and Genius of Art Tatum |
James Lester |
|
5111 |
|
Entropy and the Magic Flute [First Edition] |
Harold J. Morowitz |
|
5112 |
|
Classical Form: Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven |
William E. Caplin |
|
5113 |
|
Meter As Rhythm |
Christopher Hasty |
|
5114 |
|
Analyzing Bach Cantatas |
Eric Chafe |
|
5115 |
|
Musings: The Musical Worlds of Gunther Schuller (Oxford Paperbacks) [Trade ed.] |
Gunther Schuller |
|
5116 |
|
The Birth of the Orchestra: History of an Institution, 1650-1815 |
John Spitzer, Neal Zaslaw |
|
5117 |
|
Inside Bluebeard's Castle: Music and Drama in Bela Bartok's Opera [1st edition,] |
Carl S. Leafstedt |
1 |
5118 |
|
Benjamin Britten: The Spiritual Dimension (Oxford Studies in British Church Music) [First Edition] |
Graham Elliott |
|
5119 |
|
Acting for singers : creating believable singing characters |
David Ostwald |
|
5120 |
|
Writing through Music: Essays on Music, Culture, and Politics |
Jann Pasler |
|
5121 |
|
Growing Up with Jazz: Twenty-Four Musicians Talk about Their Lives and Careers [First Edition] |
W. Royal Stokes |
|
5122 |
|
Understanding French Verse: A Guide for Singers |
David Hunter |
|
5123 |
|
From the Erotic to the Demonic: On Critical Musicology |
Derek B. Scott |
|
5124 |
|
Philosophers on Music: Experience, Meaning, and Work |
Kathleen Stock |
|
5125 |
|
Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism |
Margaret Notley |
|
5126 |
|
Works of Music: An Essay in Ontology |
Julian Dodd |
|
5127 |
|
The Dance of the Muses: Choral Theory and Ancient Greek Poetics |
A. P. David |
|
5128 |
|
The Reception of Bach's Organ Works from Mendelssohn to Brahms [illustrated edition] |
Russell Stinson |
|
5129 |
|
J.S. Bach's great eighteen organ chorales [1 ed.] |
Bach, Johann Sebastian, Bach, Johann Sebastian, Stinson, Russell |
1 |
5130 |
|
The Schenker Project: Culture, Race, and Music Theory in Fin-de-siГЁcle Vienna |
Nicholas Cook |
|
5131 |
|
Beethoven's Diabelli Variations |
William Kinderman |
|
5132 |
|
The Oxford American Book of Great Music Writing |
Marc Smirnoff |
|
5133 |
|
The Nirvana Express |
Mick Brown, |
|
5134 |
|
Oxford Dictionary of Music |
|
|
5135 |
|
Elgar by W.H. Reed |
W.H. Reed |
|
5136 |
|
Poetry into song : performance and analysis of lieder [1 ed.] |
Stein, Deborah Jane, Spillman, Robert |
1 |
5137 |
|
Rethinking Music [reprint ed.] |
Nicholas Cook, Mark Everist (eds.) |
|
5138 |
|
Buzz to brilliance : a beginning and intermediate guide to trumpet playing [1 ed.] |
Winters, Elise, Griffin, Adrian D |
1 |
5139 |
|
The Oxford History of Western Music, Volume 2: Music in the 17th and 18th centuries [2] |
Richard Taruskin |
2 |
5140 |
|
An Introduction to the Performance of Bach [1-3] |
Rosalyn Tureck |
13 |
5141 |
|
The secrets of the mastering engineer [1 ed.] |
T.C Elec. |
1 |
5142 |
|
The Oxford History of Western Music, Volume 5: Music in the Late 20th Century [5] |
Richard Taruskin |
5 |
5143 |
|
The Oxford Song Book. Volume 1 |
Buck Percy. |
|
5144 |
|
Beethoven [1 ed.] |
Barry Cooper |
1 |
5145 |
|
Beethoven [2 ed.] |
William Kinderman |
2 |
5146 |
|
Kodály Today |
Houlahan, Micheal,Tacka, Philip |
|
5147 |
|
The History of Guitar in Colombia [1 ed.] |
Pichiriki Fun Lee |
1 |
5148 |
|
The Age of Beethoven, 1790-1830 |
Abraham, Gerald (ed.) |
|
5149 |
|
The Bach family, seven generations of creative genius |
Karl Geiringer, Irene Geiringer |
|
5150 |
|
Eduard Hanslick's on the Musically Beautiful |
Lee Rothfarb, Christoph Landerer |
|
5151 |
|
The Oxford Handbook of Music Performance. Development And Learning, Proficiencies, Performance Practices, And Psychology [Volume 1] |
Gary E. Mcpherson (ed.) |
1 |
5152 |
|
The Language of Music |
Deryck Cooke |
|
5153 |
|
The modern age, 1890-1960 |
Cooper, Martin (ed.) |
|
5154 |
|
Bach [3rd ed.] |
Malcolm Boyd |
3 |
5155 |
|
The Oxford History of Western Music, Volume 3: Music in the 19th Century [3] |
Richard Taruskin |
3 |
5156 |
|
Ancient and Oriental Music [repr. 1979 ed.] |
Wellesz, Egon (ed.) |
1979 |
5157 |
|
Notes for Violists |
Bynog, David M., |
|
5158 |
|
COUNTERPOINT for Beginners [9th.Impress. ed.] |
H. C Colles |
9 |
5159 |
|
Counterpoint, 'Fuge', and 'Air' in the Instrumental Music of Orlando Gibbons |
Jonathan Oddie |
|
5160 |
|
Bonfire Songs: Savonarola's Musical Legacy [0.0] |
Macey, Patrick Paul |
0 |
5161 |
|
Build: The Power of Hip Hop Diplomacy in a Divided World |
Mark Katz |
|
5162 |
|
Cabals and Satires: Mozart's Comic Operas in Vienna |
Ian Woodfield |
|
5163 |
|
Early Jazz: Its Roots and Musical Development [1, 5 ed.] |
Gunther Schuller |
5 |
5164 |
|
Electronic and Computer Music |
P. Maning |
|
5165 |
|
DICCIONARIO OXFORD DE LA MUSICA |
|
|
5166 |
|
Contrapuntal Technique in the Sixteenth Century [1.0] |
Morris, R. O. (Reginald Owen), 1886-1948 |
10 |
5167 |
|
Ars Nova and the Renaissance, 1300-1540 [3] |
Hughes, Anselm and Gerald Abraham (eds.) |
3 |
5168 |
|
The art of counterpoint and its application as a decorative principle |
C. H. Kitson |
|
5169 |
|
C. P. E. Bach |
Hans-Günter Ottenberg, Philip J. Whitmore (trans.) |
|
5170 |
|
Makers of the Harpsichord and Clavichord 1440-1840 (3rd Third edition) |
Donald Howard Boalch, Charles Mould, Andreas H. Roth |
|
5171 |
|
Music for life. Music Participation and Quality of Life of Senior Citizens |
C. Victor Fung, Lisa J. Lehmberg |
|
5172 |
|
Concert music, 1630-1750 |
Abraham, Gerald (ed.) |
|
5173 |
|
New Oxford History of Music, Early Medieval Music up to 1300 [Vol. II] |
|
|
5174 |
|
"Do You Have a Band?": Poetry and Punk Rock in New York City |
Daniel Kane |
|
5175 |
|
Folk-songs of Chhattisgarh |
Verrier Elwin |
|
5176 |
|
Math Music and Mathematics; From Pythagoras to Fractals (illustrated) |
|
|
5177 |
|
Historia de la Música en Colombia [1 era ed.] |
Amadeo Latergh |
1 |
5178 |
|
Opera and Church Music, 1630-1750 |
Lewis, Anthony, Fortune, Nigel (eds.) |
|
5179 |
|
Music as concept and practice in the Late Middle Ages [New Edition] |
Strohm, Reinhard (ed.) |
|
5180 |
|
A Book of Dreams: The Book That Inspired Kate Bush’s Hit Song ’Cloudbusting’ |
Peter Reich |
|
5181 |
|
1965: The Most Revolutionary Year in Music [First Edition] |
Andrew Grant Jackson |
|
5182 |
|
1973: rock at the crossroads |
Jackson, Andrew Grant |
|
5183 |
|
A Philosophy of Playing Drum Kit: Magical Nexus |
Gareth Dylan Smith |
|
5184 |
|
A Short History of Opera |
Williams, Hermine Weigel,Grout, Donald |
|
5185 |
|
A Short History of Opera [4 ed.] |
Donald Grout, Hermine Weigel Williams |
4 |
5186 |
|
AC/DC in the Studio. The Stories Behind Every Album |
Jake Brown |
|
5187 |
|
A Ravel Reader: Correspondence, Articles, Interviews |
Arbie Orenstein |
|
5188 |
|
A Sharp Left Turn: Notes on a life in music, from Split Enz to Play to Strange |
Mike Chunn |
|
5189 |
|
A Soviet Credo: Shostakovich's Fourth Symphony |
Pauline Fairclough |
|
5190 |
|
A stray cat struts: my life as a rockabilly rebel [First edition] |
Phantom, Slim Jim |
|
5191 |
|
Adele--The Biography |
Chas Newkey-Burden |
|
5192 |
|
Acing the South African Music Industry |
Colani 'SooPurb' Nkosi |
|
5193 |
|
Advanced Musical Performance: Investigations in Higher Education Learning [New edition] |
Ioulia Papageorgi, Graham Welch |
|
5194 |
|
Adrian Willaert and the Theory of Interval Affect: The 'Musica Nova' Madrigals and the Novel Theories of Zarlino and Vicentino [Har/Pas ed.] |
Timothy R. McKinney |
|
5195 |
|
After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 |
Michael Slowik |
|
5196 |
|
Alice in Chains : the untold story [First edition] |
de Sola, David |
|
5197 |
|
American Hymns Old and New |
Albert Christ-Janer, Charles W. Hughes, Carleton Sprague Smith |
|
5198 |
|
Aled Jones--My Story |
Aled Jones |
|
5199 |
|
Amy Winehouse: The Biography 1983-2011 |
Chas Newkey-Burden |
|
5200 |
|
An Imperishable Heritage: British Choral Music from Parry to Dyson; a Study of Selected Works |
Stephen Town |
|
5201 |
|
Amy Winehouse: The Biography |
Chas Newkey-Burden |
|
5202 |
|
And We're All Brothers: Singing in Yiddish in Contemporary North America [New edition] |
Abigail Wood |
|
5203 |
|
Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture |
Robert O'Meally |
|
5204 |
|
Anyone Can Do It: Empowerment, Tradition and the Punk Underground |
Pete Dale |
|
5205 |
|
Applying music in exercise and sport [1 ed.] |
Costas I. Karageorghis |
1 |
5206 |
|
Anthony Philip Heinrich: A Nineteenth-Century Composer in America |
William Treat Upton |
|
5207 |
|
Aretha Franklin: Singer [2 ed.] |
Heather Lehr Wagner |
2 |
5208 |
|
Applying Karnatic Rhythmical Techniques to Western Music |
Rafael Reina |
|
5209 |
|
Around the World with One Direction - The True Stories as told by the Fans] |
Oliver, Sarah |
|
5210 |
|
Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond |
Peter Dayan |
|
5211 |
|
Art as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond [New edition] |
Prof Dr Peter Dayan |
|
5212 |
|
Artistic Practice as Research in Music: Theory, Criticism, Practice |
Mine Dogantan-Dack |
|
5213 |
|
As Heard on TV: Popular Music in Advertising (Ashgate Popular and Folk Music Series) |
Bethany Klein |
|
5214 |
|
At the birth of Bowie: life with the man who became a legend |
Bowie, David,Lancaster, Phil |
|
5215 |
|
Ballad Opera |
Edmond Mcadoo Gagey |
|
5216 |
|
Bad Boy Boogie the true story of AC/DC legend Bon Scott |
Jeff Apter |
|
5217 |
|
Baroque wind instruments : a guide to their history, repertoire and basic technique |
Carroll, Paul |
|
5218 |
|
Barbed-Wire Blues: A Blinded Musician’s Memoir of Wartime Captivity 1940–1943 |
Bernard Harris |
|
5219 |
|
Baroque piety : religion, society, and music in Leipzig, 1650-1750 |
Kevorkian, Tanya |
|
5220 |
|
Bear: the life and times of Augustus Owsley Stanley III [First edition] |
Greenfield, Robert,Stanley, Owsley |
|
5221 |
|
Beckett and Musicality [New edition] |
Bailes, Sara Jane, Beckett, Samuel, Till, Nicholas |
|
5222 |
|
Beethoven |
Michael Spitzer (editor) |
|
5223 |
|
Being Musically Attuned: The Act of Listening to Music |
Erik Wallrup |
|
5224 |
|
Benedictus-2-7427 |
Elgar, Edward |
|
5225 |
|
Berlioz and Debussy: Sources, Contexts and Legacies (essays in honour of François Lesure) |
Berlioz, Hector, Debussy, Claude, Kelly, Barbara L., Lesure, François, Murphy, Kerry |
|
5226 |
|
Bert: The Life and Times of A. L. Lloyd |
Dave Arthur |
|
5227 |
|
Between Baudelaire and Mallarmé : voice, conversation and music [Har/Ele ed.] |
Baudelaire, Charles, Mallarmé, Stéphane, Abbott, Helen, Baudelaire, Charles, Mallarmé Stéphane, Stéphane |
|
5228 |
|
Bhangra Moves: From Ludhiana to London and Beyond |
Anjali Gera Roy |
|
5229 |
|
Benny Feldman's All-Star Klezmer Band |
Allison Marks, Wayne Marks |
|
5230 |
|
Berlioz and the Romantic Century. Volume I |
Jacques Barzun |
|
5231 |
|
Beyond Memory: Recording the History, Moments and Memories of South African Music |
Max Mojapelo |
|
5232 |
|
Black British Jazz: Routes, Ownership and Performance |
Jason Toynbee, Catherine Tackley, Mark Doffman |
|
5233 |
|
Black Gods of the Asphalt: Religion, Hip-Hop, and Street Basketball |
Onaje Woodbine |
|
5234 |
|
Black Music, Black Poetry: Genre, Performance and Authenticity [New edition] |
Thompson, Gordon E |
|
5235 |
|
Black Popular Music in Britain Since 1945 |
Jon Stratton, Nabeel Zuberi (eds.) |
|
5236 |
|
Black Sabbath and the Rise of Heavy Metal Music |
Andrew L. Cope |
|
5237 |
|
Blixa Bargeld and Einstürzende Neubauten: German Experimental Music: Evading Do-re-mi |
Jennifer Shryane |
|
5238 |
|
Blixa Bargeld and Einstürzende Neubauten: German experimental music: 'evading do-re-mi' |
Bargeld, Blixa,Shryane, Jennifer |
|
5239 |
|
Bodies of Sound: Studies Across Popular Music and Dance |
Sherril Dodds, Susan C. Cook |
|
5240 |
|
Brahms and the Scherzo: Studies in Musical Narrative |
Ryan McClelland, Daniel Dorff |
|
5241 |
|
Brass Roots: A Hundred Years of Brass Bands and Their Music, 1836-1936 |
Roy Newsome |
|
5242 |
|
British Music and Modernism, 1895–1960 |
Matthew Riley (editor) |
|
5243 |
|
British Rock Modernism, 1967-1977: The Story of Music Hall in Rock |
Barry J. Faulk |
|
5244 |
|
Britpop and the English Music Tradition |
Andy Bennett, Jon Stratton, Andy Bennett, Jon Stratton |
|
5245 |
|
British Women Composers and Instrumental Chamber Music in the Early Twentieth Century |
Laura Seddon |
|
5246 |
|
Brown Sugar: Over One Hundred Years of America’s Black Female Superstars |
Donald Bogle |
|
5247 |
|
Bruce Dickinson--Maiden Voyage: The Biography |
Joe Shooman |
|
5248 |
|
Bruce Springsteen, Cultural Studies, and the Runaway American Dream |
Kenneth Womack, Jerry Zolten, Mark Bernhard |
|
5249 |
|
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present (Ashgate Popular and Folk Music Series) |
George Plasketes |
|
5250 |
|
Bulgarian Harmony: In Village, Wedding, and Choral Music of the Last Century [1 ed.] |
Kalin S. Kirilov |
1 |
5251 |
|
Cavalier Giovanni Battista Buonamente: Franciscan Violinist |
Peter Allsop |
|
5252 |
|
Cathy Berberian: Pioneer of Contemporary Vocality |
Pamela Karantonis, Francesca Placanica, Anne Sivuoja-kauppala, Pieter Verstraete |
|
5253 |
|
Changing the System: The Music of Christian Wolff |
Stephen Chase, Philip Thomas, Stephen Chase, Philip Thomas |
|
5254 |
|
Chanson: The French Singer-Songwriter from Aristide Bruant to the Present Day [1 ed.] |
Peter Hawkins |
1 |
5255 |
|
Charles Valentin Alkan |
William Alexander Eddie |
|
5256 |
|
Chas & Dave: All About Us |
Chas Hodges |
|
5257 |
|
Chords for Guitar: Transposable Chord Shapes using the CAGED System |
Evans, Gareth |
|
5258 |
|
Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities |
Jonathan P. Willis |
|
5259 |
|
Class Act: The Cultural and Political Life of Ewan MacColl |
Ben Harker |
|
5260 |
|
Class and Idol in the English Hymn |
Lionel Adey |
|
5261 |
|
Cinesonic: Cinema and the sound of music |
Philip Brophy (ed.) |
|
5262 |
|
Claudio Monteverdi’s Venetian Operas: Sources, Performance, Interpretation |
Ellen Rosand, Stefano La Via |
|
5263 |
|
Cockaigne (In London Town) - Concert Overture for Full Orchestra, Op. 40 |
Edward William Elgar |
|
5264 |
|
Collaborative Learning in Higher Music Education [New edition] |
Helena Gaunt, Heidi Westerlund |
|
5265 |
|
Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.: A Memoir |
Viv Albertine |
|
5266 |
|
Collaborative Creative Thought and Practice in Music |
Margaret S. Barrett |
|
5267 |
|
Community-based Traditional Music in Scotland: A Pedagogy of Participation (Ashgate Popular and Folk Music Series) [1 ed.] |
Josephine L. Miller |
1 |
5268 |
|
Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich |
Sarah Reichardt |
|
5269 |
|
Composing Ambiguity: The Early Music of Morton Feldman |
Alistair Noble |
|
5270 |
|
Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches [1 ed.] |
Laura Emmery |
1 |
5271 |
|
Concerto for violoncello and orchestra, e-moll, op.85 |
Edward (COP)/ Clarke, Richard (EDT) Elgar |
|
5272 |
|
Constructing Musicology |
Alastair Williams |
|
5273 |
|
Contemporary Music: Theoretical and Philosophical Perspectives |
Max Paddison, Irene Deliege |
|
5274 |
|
Constructing Urban Space With Sounds and Music [New edition] |
Ricciarda Belgiojoso |
|
5275 |
|
Contemplating Shostakovich: Life, Music and Film [New edition] |
Alexander Ivashkin, Andrew Kirkman |
|
5276 |
|
Countercultures and Popular Music |
Jedediah Sklower, Sheila Whiteley |
|
5277 |
|
Counterpoint in Composition: The Study of Voice Leading |
Felix Salzer, Carl Schachter |
|
5278 |
|
Cowboys and Indies: The Epic History of the Record Industry |
Gareth Murphy |
|
5279 |
|
Counterpoint in Composition |
Felix Salzer, Carl Schachter |
|
5280 |
|
Critical Musicological Reflections: Essays in Honour of Derek B. Scott |
Stan Hawkins (ed.) |
|
5281 |
|
Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts |
Ian Pace, Nigel McBride |
|
5282 |
|
Critique of Exotica: Music, Politics and the Culture Industry |
John Hutnyk |
|
5283 |
|
Cultural Seeds: Essays on the Work of Nick Cave (Ashgate Popular and Folk Music Series) |
Karen Welberry and Tanya Dalziell |
|
5284 |
|
Curating Opera: Reinventing the Past Through Museums of Opera and Art |
Stephen Mould |
|
5285 |
|
Dame Joan Hammond: Love and Music |
Sara Hardy |
|
5286 |
|
Dancing in the Darkness |
Frankie Poullain |
|
5287 |
|
Danger Music: How teaching the cello to children in Afghanistan led to a self-discovery almost too hard to bear |
Eddie Ayres |
|
5288 |
|
Dark Side of the Tune: Popular Music and Violence (Ashgate Popular and Folk Music) [Pap/Ele ed.] |
Bruce Johnson and Martin Cloonan |
|
5289 |
|
Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles [1 ed.] |
Sara Cohen |
1 |
5290 |
|
Dave Gahan--Depeche Mode & the Second Coming |
Trevor Baker |
|
5291 |
|
Developing the Musician: Contemporary Perspectives on Teaching and Learning |
Mary Stakelum |
|
5292 |
|
Diamonds Are Forever--Shirley Bassey: A Celebration of My 50 Years as Her Greatest Fan |
Mary Long |
|
5293 |
|
Digital Music: Computers That Make Music (The Digital World) [1 ed.] |
Ananda Mitra |
1 |
5294 |
|
Dimensions of Energy in Shostakovich's Symphonies [New edition] |
Michael Rofe |
|
5295 |
|
Dirty deeds: my life inside/outside of AC/DC |
Mark Evans |
|
5296 |
|
Divas : Mathilde Marchesi and Her Pupils [1 ed.] |
Roger Neill |
1 |
5297 |
|
Doc: The life and times of Aussie rock legend Doc Neeson |
Jon Bradshaw, Anne Souter |
|
5298 |
|
Don't Dream It's Over: The Remarkable Life Of Neil Finn |
Jeff Apter |
|
5299 |
|
Driving with music: cognitive-behavioural implications |
Brodsky, Warren |
|
5300 |
|
DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas |
Geoff Harkness |
|
5301 |
|
Ed Sheeran--Divide and Conquer |
David Nolan |
|
5302 |
|
Edward Elgar and his world |
Elgar, Edward, Elgar, Edward, Adams, Byron, Elgar, Edward |
|
5303 |
|
Edward Elgar and His World [Course Book ed.] |
Byron Adams (editor) |
|
5304 |
|
Edward Elgar, Modernist (Music in the Twentieth Century (No. 20)) |
J. P. E. Harper-Scott |
|
5305 |
|
Edward Elgar: Music, Life and Landscapes |
Christopher Grogan |
|
5306 |
|
Einstein on the Beach: Opera beyond Drama [1 ed.] |
Jelena Novak (editor), John Richardson (editor) |
1 |
5307 |
|
Eighteenth-Century Russian Music |
Marina Ritzarev |
|
5308 |
|
Electro Swing: Resurrection, Recontextualisation, and Remix |
Chris Inglis |
|
5309 |
|
Electronica, Dance and Club Music |
Mark J. Butler |
|
5310 |
|
Enchantment The Seductress in Opera (European Perspectives: A Series in Social Thought and Cultural Criticism) [Illustrated] |
Jean Starobinski |
|
5311 |
|
English church polyphony : singers and sources from the 14th to the 17th century |
Roger Bowers |
|
5312 |
|
Erik Satie: Music, Art and Literature |
Caroline Potter, Pietro Dossena, Grace Wai Kwan Gates, Ann-Marie Hanlon, Matthew Mendez |
|
5313 |
|
Erik Satie: Music, Art and Literature [New edition] |
Satie, Erik, Potter, Caroline, Satie, Erik |
|
5314 |
|
Essays on Opera, 1750–1800 [1 ed.] |
John A. Rice (ed.) |
1 |
5315 |
|
Eudaimonia: Perspectives for Music Learning [Hardcover ed.] |
Gareth Dylan Smith, Marissa Silverman |
|
5316 |
|
Ethnomusicological Encounters with Music and Musicians: Essays in Honor of Robert Garfias |
Timothy Rice |
|
5317 |
|
European Film Music |
Miguel Mera, David Burnand (ed.) |
|
5318 |
|
Everyday Music Listening: Absorption, Dissociation and Trancing |
Ruth Herbert |
|
5319 |
|
Every Brain Needs Music: The Neuroscience of Making and Listening to Music |
Larry S. Sherman, Dennis Plies, Susi Davis |
|
5320 |
|
Exercises tres faciles. Violon |
Elgar Edward. |
|
5321 |
|
Experiencing Flow in Jazz Performance |
Elina Hytönen-ng |
|
5322 |
|
Fall Out Boy--Our Lawyer Made Us Change the Name of This Book So We Wouldn't Get Sued: The Biography |
Ben Welch |
|
5323 |
|
Fats Waller: The Cheerful Little Earful [2 Rev Sub ed.] |
Alyn Shipton |
2 |
5324 |
|
Ferruccio Busoni: Selected Letters [1 ed.] |
Antony Beaumont |
1 |
5325 |
|
First Rival of the Metropolitan Opera |
John Frederick Cone |
|
5326 |
|
Four Jews on Parnassus—a Conversation: Benjamin, Adorno, Scholem, Schönberg [with music CD ed.] |
Carl Djerassi, Gabriele Seethaler |
|
5327 |
|
Freedom music : Wales, emancipation and jazz 1850 -1950 |
Jen Wilson |
|
5328 |
|
Francois Couperin and 'The Perfection of Music' [Revised] |
David Tunley |
|
5329 |
|
François Couperin and 'the perfection of music' [Revised] |
David Tunley |
|
5330 |
|
Frank Zappa and the And |
Paul Carr (editor) |
|
5331 |
|
French Grand Opera. an Art and a Business |
William L. Crosten |
|
5332 |
|
From Afro-Cuban Rhythms to Latin Jazz. |
Raul A. Fernandez |
|
5333 |
|
From Pac-Man to Pop Music: Interactive Audio in Games and New Media |
Karen Collins, Karen Collins |
|
5334 |
|
From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence [1 ed.] |
Rachel Haworth |
1 |
5335 |
|
Gender and Song in Early Modern England [New edition] |
Leslie C. Dunn, Katherine R. Larson |
|
5336 |
|
Gareth Malones How to Enjoy Classical Music (Collins Shorts, Book 5) |
Gareth Malone |
|
5337 |
|
Garth Brooks: The Road Out of Santa Fe [First Edition] |
Matt O'Meilia |
|
5338 |
|
Gender in the music industry : rock, discourse, and girl power |
Marion Leonard |
|
5339 |
|
Gender, Age and Musical Creativity |
Catherine Haworth, Lisa Colton |
|
5340 |
|
Genesis and The lamb lies down on Broadway |
Genesis,Holm-Hudson, Kevin |
|
5341 |
|
Gig-getter: How to Get More Gigs Than You Can Play |
Gareth Bird |
|
5342 |
|
Girls at the Piano |
Virginia Lloyd |
|
5343 |
|
Ginger Baker - Hellraiser: The Autobiography of The World's Greatest Drummer [Illustrated] |
Ginger Baker |
|
5344 |
|
Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock [Pilot project. eBook available to selected US libraries only] |
Shawn Young |
|
5345 |
|
Grainger the Modernist [New edition] |
Suzanne Robinson, Kay Dreyfus |
|
5346 |
|
Gothic Music: The Sounds of the Uncanny |
Isabella van Elferen |
|
5347 |
|
Grétry’s Operas and the French Public: From the Old Regime to the Restoration |
R. J. Arnold |
|
5348 |
|
Guitar chords for beginners: a beginners guitar chord book with open chords and more |
Evans, Gareth |
|
5349 |
|
Guitar for Kids |
Gareth Evans |
|
5350 |
|
Grunge: Music and Memory |
Catherine Strong |
|
5351 |
|
Guitar Practice Guide: A Practice Guide for Guitarists and other Musicians |
Gareth Evans |
|
5352 |
|
Gustav Mahler: New Insights Into His Life, Times and Work |
Alfred Rosenzweig |
|
5353 |
|
Hamish MacCunn (1868-1916): A Musical Life |
Jennifer L. Oates |
|
5354 |
|
Hard Rain: Bob Dylan, Oral Cultures, and the Meaning of History |
Alessandro Portelli |
|
5355 |
|
Harvesting Ballads |
Philip Kimball |
|
5356 |
|
Harrison Birtwistle: The Mask of Orpheus |
Jonathan Cross |
|
5357 |
|
Harry Styles & Niall Horan: The Biography--Choose Your Favourite Member of One Direction |
Sarah Oliver |
|
5358 |
|
Heavy Metal Music in Britain (Ashgate Popular and Folk Music Series) |
Gerd Bayer |
|
5359 |
|
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches [1 ed.] |
Florian Heesch (editor), Niall Scott (editor) |
1 |
5360 |
|
Heitor Villa-Lobos's Bachianas Brasileiras: Intertextuality and Stylization [1 ed.] |
Norton Dudeque |
1 |
5361 |
|
Here I'm Alive: The Spirit of Music in Psychoanalysis |
Adam Blum, Peter Goldberg, Michael Levin |
|
5362 |
|
Hip-Hop Turntablism, Creativity and Collaboration [New edition] |
Sophy Smith |
|
5363 |
|
Hindi Film Songs and the Cinema |
Anna Morcom |
|
5364 |
|
Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s |
Annette Davison |
|
5365 |
|
How Music Helps in Music Therapy and Everyday Life |
Gary Ansdell |
|
5366 |
|
How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom |
Roberta Freund Schwartz |
|
5367 |
|
How Popular Musicians Learn: A Way Ahead for Music Education |
Lucy Green |
|
5368 |
|
How to Make Music in an Epidemic : Popular Music Making During the AIDS Crisis, 1981-1996 [1 ed.] |
Matthew Jones |
1 |
5369 |
|
How to play bass: for the bassist looking to progress their skills and knowledge |
Evans, Gareth |
|
5370 |
|
I Drum, Therefore I Am: Being and Becoming a Drummer |
Gareth Dylan Smith |
|
5371 |
|
In Search of Song: The Life and Times of Lucy Broadwood |
Dorothy de Val |
|
5372 |
|
Institutional Economics and the Formation of Preferences: The Advent of Pop Music |
Wilfred Dolfsma, Wilfred Dolfsma |
|
5373 |
|
Interpreting Chopin: Analysis and Performance |
Alison Hood |
|
5374 |
|
Interpreting Historical Keyboard Music: Sources, Contexts and Performance |
Andrew Woolley, John Kitchen |
|
5375 |
|
Iron Maiden in the Studio: The Stories Behind Every Album |
Jake Brown |
|
5376 |
|
Invisible Now: Bob Dylan in the 1960s |
John Hughes |
|
5377 |
|
It's Not Only Rock 'n' Roll--Iconic Musicians Reveal the Source of their Creativity |
Jenny Boyd, Holly George-Warren |
|
5378 |
|
Jazz Guitar Licks: 25 Licks from the Harmonic Minor Scale & its Modes with Audio & Video |
Gareth Evans |
|
5379 |
|
Jedward - Our Story: The Official Biography |
Jennifer O'Brien |
|
5380 |
|
John Birchensha: Writings on Music [1 ed.] |
Christopher D. S. Field, Benjamin Wardhaugh |
1 |
5381 |
|
John Wallis: Writings on Music [1 ed.] |
David Cram, Benjamin Wardhaugh (editors) |
1 |
5382 |
|
Joe Longthorne--Sugar in the Morning: Sugar in the Morning [1 ed.] |
Joe Longthorne |
1 |
5383 |
|
Jazz: The Australian Accent |
John Shand |
|
5384 |
|
Jonathan Harvey: Song Offerings and White as Jasmine |
Michael Downes |
|
5385 |
|
Jimi Hendrix: A Brother's Story [First edition] |
Hendrix, Jimi,Hendrix, Leon,Mitchell, Adam D |
|
5386 |
|
John Adams's Nixon in China: Musical Analysis, Historical and Political Perspectives |
Timothy A. Johnson |
|
5387 |
|
Joy Division’s Unknown Pleasures. |
Chris Ott |
|
5388 |
|
Johnny Cash--He Walked the Line |
Wensley Clarkson |
|
5389 |
|
Kate Bush and Hounds of Love (Ashgate Popular and Folk Music Series) |
Ron Moy |
|
5390 |
|
Klezmer America : Jewishness, Ethnicity, Modernity |
Jonathan Freedman |
|
5391 |
|
Keys to the Drama: Nine Perspectives on Sonata Forms |
Gordon Sly, Gordon Sly |
|
5392 |
|
Kylie Queen of the World |
Aspinall, Julie |
|
5393 |
|
Legacies of Ewan MacColl: The Last Interview |
Allan F. Moore, Giovanni Vacca |
|
5394 |
|
Let the good times roll: my life in Small Faces, Faces, and The Who [First U.S. edition] |
Jones, Kenney |
|
5395 |
|
Learn to Play Guitar : a Comprehensive Guitar Guide for Beginners to Intermediate |
Evans, Gareth |
|
5396 |
|
Life on Tour with Bowie |
Sean Mayes |
|
5397 |
|
Level Up: Live Performance and Creative Process in Grime Music |
Alex de Lacey |
|
5398 |
|
Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute |
Amy Bauer |
|
5399 |
|
Live wire : Bon Scott : a memoir by three of the people who knew him best [Main ed.] |
D'Arcy, Gabby, D'Arcy, John, Renshaw, Mary, Scott, Bon |
|
5400 |
|
Litpop: Writing and Popular Music [New edition] |
Rachel Carroll, Adam Hansen |
|
5401 |
|
Loading the Silence: Australian Sound Art in the Post-Digital Age |
Linda Ioanna Kouvaras |
|
5402 |
|
Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens |
Rhiannon Mathias |
|
5403 |
|
Love Language: A memoir of family, music and pasta |
Linda Marigliano |
|
5404 |
|
Louise Talma: A Life in Composition |
Kendra Preston Leonard |
|
5405 |
|
Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003 |
Santiago Fouz-Hernandez, Freya Jarman-Ivens |
|
5406 |
|
Mambo Montage: The Latinization of New York City |
Agustín Lao-Montes, Arlene Dávila |
|
5407 |
|
Making New Zealand's Pop Renaissance: State, Markets, Musicians |
Michael Scott |
|
5408 |
|
Malcolm McLaren--The Biography |
Ian Macleay |
|
5409 |
|
Mapping Woody Guthrie |
Guthrie, Woody, Kaufman, Will |
|
5410 |
|
Mapping Woody Guthrie [Hardcover ed.] |
Will Kaufman |
|
5411 |
|
Mark E. Smith and The Fall: Art, Music and Politics |
Michael Goddard, Benjamin Halligan, Michael Goddard, Benjamin Halligan |
|
5412 |
|
Marshal Royal: Jazz Survivor |
Marshall Royal, Claire Gordon |
|
5413 |
|
Masque and opera in England, 1656-1688 |
Walkling, Andrew R. |
|
5414 |
|
Medieval Song. An Anthology of Hymns and Lyrics |
Wilhelm, James J. (tr./ed.) |
|
5415 |
|
AC DC: Maximum Rock Roll: The Ultimate Story of the World's Greatest Rock-and-Roll Band |
Murray Engleheart, Arnaud Durieux |
|
5416 |
|
Messiaen Perspectives 1: Sources and Influences |
Christopher Dingle, Robert Fallon |
|
5417 |
|
Messiaen Perspectives 2: Techniques, Influence and Reception |
Christopher Dingle, Robert Fallon |
|
5418 |
|
Messiaen's Musical Techniques: The Composer's View and Beyond |
Gareth Healey |
|
5419 |
|
Melodramatic Voices: Understanding Music Drama |
Sarah Hibberd |
|
5420 |
|
Men, Masculinity and The Beatles [New edition] |
Martin King |
|
5421 |
|
Metrical Psalmody in Print and Practice: English 'Singing Psalms' and Scottish 'Psalm Buiks', C.1547-1640 |
Timothy Duguid |
|
5422 |
|
Mendelssohn Perspectives |
Nicole Grimes, Angela R. Mace (eds.) |
|
5423 |
|
Midnight Mover: My Autobiography |
Bobby Womack |
|
5424 |
|
Michael Costa: England's First Conductor: The Revolution in Musical Performance in England, 1830-1880 |
John Goulden |
|
5425 |
|
Michael: My Brother, Lost Boy of InXs |
Tina Hutchence |
|
5426 |
|
Michael Ball--The Biography |
Willie Robertson |
|
5427 |
|
Michael Jackson--King of Pop: 1958--2009 |
Emily Herbert |
|
5428 |
|
Michael Nyman: Collected Writings |
Pwyll Ap Siôn |
|
5429 |
|
Michael Nyman: Collected Writings [New edition] |
Michael Nyman |
|
5430 |
|
Mick Ronson--The Spider with the Platinum Hair |
Weird, Gilly |
|
5431 |
|
Modernism and the Cult of Mountains: Music, Opera, Cinema |
Christopher Morris |
|
5432 |
|
Modern Methods for Musicology (Digital Research in the Arts and Humanities) |
Tim Crawford, Lorna Gibson |
|
5433 |
|
Modern Methods for Musicology: Prospects, Proposals, and Realities (Digital Research in the Arts and Humanities) |
Tim Crawford, Lorna Gibson, Tim Crawford, Lorna Gobson |
|
5434 |
|
Morality and Viennese Opera in the Age of Mozart and Beethoven |
Martin Nedbal |
|
5435 |
|
Morrissey: the Pageant of his Bleeding Heart |
Gavin Hopps |
|
5436 |
|
Music and Academia in Victorian Britain |
Rosemary Golding |
|
5437 |
|
Music and Ethics |
Marcel Cobussen, Nanette Nielsen |
|
5438 |
|
Music and Historical Critique: Selected Essays [1 ed.] |
Gary Tomlinson |
1 |
5439 |
|
Music and Institutions in Nineteenth-Century Britain [New edition] |
Paul Rodmell |
|
5440 |
|
Music Education in England, 1950-2010: The Child-Centered Progressive Tradition |
John Finney |
|
5441 |
|
Music festivals in the UK: beyond the carnivalesque |
Anderton, Chris |
|
5442 |
|
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) |
Norton Dudeque |
|
5443 |
|
Music, Masculinity and the Claims of History |
Ian Biddle |
|
5444 |
|
Music, masculinity and the claims of history : the Austro-German tradition from Hegel to Freud |
Ian D Biddle |
|
5445 |
|
Music, Math, and Mind: The Physics and Neuroscience of Music |
David Sulzer |
|
5446 |
|
Music, Math, and Mind: The Physics and Neuroscience of Music |
Sulzer, David |
|
5447 |
|
Music, National Identity and the Politics of Location (Ashgate Popular and Folk Music Series) |
Ian Biddle,Vanessa Knight |
|
5448 |
|
Musical Creativity: Insights from Music Education Research |
Oscar Odena |
|
5449 |
|
Musical Healing in Cultural Contexts |
Penelope Gouk |
|
5450 |
|
Musical Psychedelia: Research at the Intersection of Music and Psychedelic Experience [1 ed.] |
Gemma L. Farrell |
1 |
5451 |
|
Music After Hitler, 1945–1955 |
Toby Thacker |
|
5452 |
|
Music and Gesture |
Elaine King, Anthony Gritten (editor) |
|
5453 |
|
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley |
Zon Bennett |
|
5454 |
|
Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East [Hardcover ed.] |
Martin Clayton |
|
5455 |
|
Music and the Modern Condition: Investigating the Boundaries |
Ljubica Ilic |
|
5456 |
|
Music Asylums: Wellbeing Through Music in Everyday Life [1st ed.] |
Tia Denora |
1 |
5457 |
|
Music and the play of power in the Middle East, North Africa and Central Asia |
Laudan Nooshin |
|
5458 |
|
Music at the Limits |
Edward W. Said |
|
5459 |
|
Music festivals and the politics of participation |
Robinson, Roxy |
|
5460 |
|
Music Festivals and Regional Development in Australia |
Chris Gibson, John Connell |
|
5461 |
|
Music in Cinema |
Michel Chion |
|
5462 |
|
Music for the General College Student |
Edmund Vincent Jeffers |
|
5463 |
|
Nadia And Lili Boulanger |
Caroline Potter |
|
5464 |
|
Music Theory, Analysis, and Society: Selected Essays [1 ed.] |
Robert P. Morgan |
1 |
5465 |
|
Music in Ancient Judaism and Early Christianity [Mul ed.] |
John Arthur Smith |
|
5466 |
|
Music, Performance, Meaning: Selected Essays |
Nicholas Cook |
|
5467 |
|
Music in Cinema |
Michel Chion, Claudia Gorbman |
|
5468 |
|
Musical Rhythm in the Age of Digital Reproduction |
Anne Danielsen (ed.) |
|
5469 |
|
Music in New Hampshire 1623–1800 |
Louis Pichierri |
|
5470 |
|
Musical Theatre, Realism and Entertainment |
Millie Taylor |
|
5471 |
|
Music in the Mix: The Story of South African Popular Music |
Muff Andersson |
|
5472 |
|
Musicality in Theatre: Music As Model, Method and Metaphor in Theatre-Making [New edition] |
Roesner, David |
|
5473 |
|
Music Semiotics: A Network of Significations. In Honour and Memory of Raymond Monelle [1 ed.] |
Esti Sheinberg (editor) |
1 |
5474 |
|
Music-in-Action: Selected Essays in Sonic Ecology [1 ed.] |
Tia DeNora |
1 |
5475 |
|
Music, Madness, and the Unworking of Language |
John T Hamilton |
|
5476 |
|
Musics with and after Tonality: Mining the Gap [1 ed.] |
Paul Fleet (editor) |
1 |
5477 |
|
Musical development and learning: the international perspective |
David J. Hargreaves, Adrian C. North |
|
5478 |
|
Musical Psychedelia (Ashgate Popular and Folk Music Series) [1 ed.] |
Gemma L. Farrell (editor) |
1 |
5479 |
|
Musical Sincerity and Transcendence in Film: Reflexive Fictions (Ashgate Screen Music Series) [1 ed.] |
Timothy B. Cochran |
1 |
5480 |
|
Musical Style and Social Meaning: Selected Essays [Reprint ed.] |
Derek B. Scott |
|
5481 |
|
Music and Familiarity: Listening, Musicology and Performance |
Elaine King, Helen M. Prior |
|
5482 |
|
Musimathics, Volume 1 [First Edition] |
Gareth Loy |
|
5483 |
|
Music and Identity in Ireland and Beyond |
Mark Fitzgerald, John O'Flynn |
|
5484 |
|
Musimathics. The Mathematical Foundations of Music [1] |
Gareth Loy |
1 |
5485 |
|
Music and the Play of Power in the Middle East, North Africa and Central Asia |
Laundan Nooshin |
|
5486 |
|
Music and Theology in Nineteenth-Century Britain |
Martin Clarke |
|
5487 |
|
Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions |
Keith Howard |
|
5488 |
|
Music Education as Critical Theory and Practice: Selected Essays [1 ed.] |
Lucy Green |
1 |
5489 |
|
Music, Culture, and the Politics of Health : Ethnography of a South African AIDS Choir |
Austin C. Okigbo |
|
5490 |
|
Music, Electronic Media and Culture |
Simon Emmerson |
|
5491 |
|
Music, Informal Learning and the School: A New Classroom Pedagogy (Ashgate Popular and Folk Music) |
Lucy Green |
|
5492 |
|
Music, Structure, Thought: Selected Essays [1 ed.] |
James Hepokoski |
1 |
5493 |
|
Musical Elaborations |
Edward W. Said |
|
5494 |
|
Musimathics, Volume 2: The Mathematical Foundations of Music [2] |
Gareth Loy |
2 |
5495 |
|
Musimathics: The Mathematical Foundations of Music (Volume 1) |
Gareth Loy |
|
5496 |
|
National Identity in Contemporary Australian Opera: Myths Reconsidered |
Michael Halliwell |
|
5497 |
|
Nashville City Blues: My Journey as an American Songwriter |
James Talley |
|
5498 |
|
Negro Folk Music, U.S.A. |
Harold Courlander |
|
5499 |
|
Nirvana: A Tour Diary: My Life on the Road with One of the Greatest Bands of All Time |
Andy Bollen |
|
5500 |
|
New Perspectives on Music and Gesture |
Anthony Gritten, Elaine King |
|
5501 |
|
Nina Simone |
Kerry Acker |
|
5502 |
|
Nina Simone (Women in the Arts Series)серия :Women in the Arts |
Kerry Acker |
|
5503 |
|
Noel Gallagher--The Biography |
Lucian Randall |
|
5504 |
|
Nouvelles Lettres De Berlioz 1830–1868 |
Jacques Barzun |
|
5505 |
|
Novel Sounds: Southern Fiction in the Age of Rock and Roll |
Florence Dore |
|
5506 |
|
Oasis: What's The Story |
Iain Robertson |
|
5507 |
|
Nuthin' But A ''G'' Thang: the Culture And Commerce Of Gangsta Rap |
Recorded Books, Inc.,Quinn, Eithne |
|
5508 |
|
Oasis: The Truth: My Life as Oasis's Drummer [Reprint ed.] |
Tony McCarroll |
|
5509 |
|
Oklahoma City music : Deep Deuce and beyond |
Anita G. Arnold, Charles Burton Jr |
|
5510 |
|
Oklahoma!: The Making of an American Musical |
Professor Tim Carter |
|
5511 |
|
Olivier Messiaen: journalism 1935-1939 |
Messiaen, Olivier,Broad, Stephen |
|
5512 |
|
Olivier Messiaen: Journalism 1935–1939 |
Stephen Broad |
|
5513 |
|
Olly Murs - The Biography |
Lewis, Justin |
|
5514 |
|
On Becoming a Rock Musician |
H. Stith Bennett |
|
5515 |
|
On Becoming a Rock Musician |
H. Stith Bennett, Howard Becker |
|
5516 |
|
On the Doors. If You're Not on the List, You're Not Coming In |
Stellakis Stylianou |
|
5517 |
|
One train later: a memoir [1st ed] |
The Police,Summers, Andy |
1 |
5518 |
|
One Direction [♫ Read-Along ebook. ♫ ed.] |
Sam Salazar |
|
5519 |
|
One-Track Mind: Capitalism, Technology, and the Art of the Pop Song |
Asif Siddiqi |
|
5520 |
|
Opera, theatrical culture and society in late eighteenth-century Naples |
DelDonna, Anthony |
|
5521 |
|
Opera As Soundtrack |
Jeongwon Joe |
|
5522 |
|
Other Voices: Hidden Histories of Liverpool's Popular Music Scenes, 1930s-1970s (Ashgate Popular and Folk Music Series) |
Michael Brocken |
|
5523 |
|
Other voices : hidden histories of Liverpool's popular music scenes, 1930s-1970s |
Michael Brocken |
|
5524 |
|
Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era [New edition] |
Karen McAulay |
|
5525 |
|
Out of the Blue: Everything this Wiggle journey has taught me |
Greg Truman, Greg Truman |
|
5526 |
|
Owain Arwel Hughes : My Life in Music [1 ed.] |
Owain Arwel Hughes |
1 |
5527 |
|
Patriotism and Nationalism in Music Education |
David G. Hebert, Alexandra Kertz-welzel |
|
5528 |
|
Paul Weller and Popular Music: Identity, Idiolect and Image |
Andrew West |
|
5529 |
|
Performance and Popular Music: History, Place And Time (Ashgate Popular and Folk Music Series) |
Ian Inglis |
|
5530 |
|
Perspectives on the Performance of French Piano Music |
Scott Mccarrey, Lesley A. Wright |
|
5531 |
|
Peter Sculthorpe: The Making of an Australian Composer [Revised] |
Graeme Skinner |
|
5532 |
|
Pete Burns - freak unique : my autobiography |
Pete Burns |
|
5533 |
|
Pictures of an Exhibitionist: From the Nice to Emerson Lake and Palmer [2 ed.] |
Keith Emerson |
2 |
5534 |
|
Pink Moon |
Amanda Petrusich |
|
5535 |
|
Please Allow Me to Introduce Myself: Essays on Debut Albums |
George Plasketes |
|
5536 |
|
Playlisted: Everything You Need to Know About Australian Music Right Now |
Craig Mathieson |
|
5537 |
|
Play it Again: Cover Songs in Popular Music |
George Plasketes, George Plasketes |
|
5538 |
|
Playing the Cello, 1780-1930 |
George Kennaway |
|
5539 |
|
Political Rock |
Mark Pedelty, Kristine Weglarz |
|
5540 |
|
Pop Music - Technology and Creativity: Trevor Horn and the Digital Revolution |
Timothy Warner |
|
5541 |
|
Popular Music Censorship in Africa [1 ed.] |
Martin Cloonan, Michael Drewett (editor) |
1 |
5542 |
|
Pop Idols and Pirates (Ashgate Popular and Folk Music Series) |
Charles Fairchild |
|
5543 |
|
Popular Music And Television In Britain |
Ian Inglis |
|
5544 |
|
Popular Music and the State in the UK: Culture, Trade, or Industry? |
Martin Cloonan |
|
5545 |
|
Popular music in France from chanson to techno : culture, identity, and society |
Steve Cannon (editor), Hugh Dauncey (editor) |
|
5546 |
|
Popular Music and Human Rights: 2 volume set [1 ed.] |
Ian Peddie (editor) |
1 |
5547 |
|
Popular Music and Human Rights: World Music [Reprint ed.] |
Ian Peddie |
|
5548 |
|
Popular Music and the Myths of Madness |
Nicola Spelman |
|
5549 |
|
Popular Song in the First World War: An International Perspective [1 ed.] |
John Mullen (editor) |
1 |
5550 |
|
Postopera: Reinventing the Voice-Body |
Jelena Novak |
|
5551 |
|
Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferre Myth |
Adeline Cordier |
|
5552 |
|
Prince: The Making of a Pop Music Phenomenon [New edition] |
Stan Hawkins, Sarah Niblock |
|
5553 |
|
Pretend you're in a war: the Who & the sixties |
Who (Musical group), Blake, Mark, Daltrey, Roger, Entwistle, John, Moon, Keith, Townshend, Pete |
|
5554 |
|
Professional Knowledge in Music Teacher Education [New edition] |
Eva Georgii-hemming, Pamela Burnard, Sven-erik Holgersen |
|
5555 |
|
Protest music in France : production, identity and audiences |
Barbara Lebrun |
|
5556 |
|
Punk Pedagogies: Music, Culture and Learning [1 ed.] |
Gareth Smith (editor), Mike Dines (editor), Tom Parkinson (editor) |
1 |
5557 |
|
Punk Rock Warlord: The Life and Work of Joe Strummer |
Barry J. Faulk |
|
5558 |
|
Punk Aesthetics and New Folk: Way Down the Old Plank Road |
John Encarnacao |
|
5559 |
|
Punk Pedagogies : Music, Culture and Learning |
Gareth Dylan Smith, Mike Dines and Tom Parkinson |
|
5560 |
|
Quadrophenia |
Stephen Glynn |
|
5561 |
|
Queer tracks : subversive strategies in rock and pop music |
Doris Leibetseder |
|
5562 |
|
Queer Tracks: Subversive Strategies in Rock and Pop Music [New edition] |
Doris Leibetseder, Rebecca Carbery |
|
5563 |
|
Rage Against the Machine--Stage Fighters |
Paul Stenning |
|
5564 |
|
Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production [New edition] |
Josephine Metcalf, Will Turner |
|
5565 |
|
Ray Charles: Musician |
Janet Hubbard-Brown |
|
5566 |
|
Reading Music: Selected Essays |
Susan McClary |
|
5567 |
|
Reeled In: Pre-existing Music in Narrative Film |
Jonathan Godsall |
|
5568 |
|
Remembering Woodstock (Ashgate Popular and Folk Music Series) |
Andy Bennett (editor) |
|
5569 |
|
Reverberating song in Shakespeare and Milton: language, memory, and musical representation |
Erin Minear |
|
5570 |
|
Rhythms of Resistance: African Musical Heritage in Brazil |
Peter Fryer |
|
5571 |
|
Ringside: A tale of music and mayhem from the man behind rock and roll superstars Cold Chisel |
Rod Willis |
|
5572 |
|
Roger Smalley: A Case Study of Late Twentieth-Century Composition |
Christopher Mark |
|
5573 |
|
Rock Music |
Mark Spicer |
|
5574 |
|
'Rock on' : women, ageing and popular music |
Ros Jennings, Abigail Gardner |
|
5575 |
|
Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? |
T.E. Muir |
|
5576 |
|
Royal Marines Musicians at War |
Brian Short |
|
5577 |
|
Sam Smith--The Biography |
Joe Allan |
|
5578 |
|
Sacred Music in Secular Society |
Jonathan Arnold |
|
5579 |
|
Said on Opera |
Edward Said, Wouter Capitain (editor) |
|
5580 |
|
Schubert's Lieder and the Philosophy of Early German Romanticism |
Lisa Feurzeig |
|
5581 |
|
Sayonara Amerika, Sayonara Nippon: A geopolitical prehistory of J-pop |
Michael K. Bourdaghs |
|
5582 |
|
Schubert's Lieder and the Philosophy of Early German Romanticism [New edition] |
Feurzeig, Lisa, Schubert, Franz |
|
5583 |
|
Schubert's Fingerprints: Studies in the Instrumental Works |
Susan Wollenberg |
|
5584 |
|
Scott Joplin |
Mary Ann Hoffman |
|
5585 |
|
Scott Joplin: King of Ragtime |
Mary Ann Hoffman |
|
5586 |
|
Serbo-Croatian Folk Songs: Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Folk Melodies |
Béla Bartók, Albert B. Lord, George Herzog |
|
5587 |
|
Serenade For Strings, Op 20 (Full Score) |
Elgar, Edward |
|
5588 |
|
Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siecle Vienna |
K.M. Knittel |
|
5589 |
|
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (Ashgate Popular and Folk Music Series) |
Olivier Julien |
|
5590 |
|
Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique |
Dalibor Mišina |
|
5591 |
|
Shostakovich in Dialogue |
Judith Kuhn |
|
5592 |
|
She Can't Stop--Miley Cyrus: The Biography |
Sarah Oliver |
|
5593 |
|
Shostakovich: String Quartet No. 8 |
David Fanning |
|
5594 |
|
Sinister resonance the mediumship of the listener |
Toop, David |
|
5595 |
|
Singer-Songwriters and Musical Open Mics |
Marcus Aldredge |
|
5596 |
|
Singing Saltwater Country |
Bradley, John,Families, Yanyuwa |
|
5597 |
|
Slash--Surviving Guns N' Roses, Velvet Revolver and Rock's Snake Pit: Excess: The Biography |
Paul Stenning |
|
5598 |
|
Singing the Body Electric: The Human Voice and Sound Technology |
Miriama Young |
|
5599 |
|
Siren song: my life in music [First edition] |
Recorded Books, Inc.,Sire Records Company.,Murphy, Gareth,Stein, Seymour |
|
5600 |
|
Snakes! Guillotines! Electric chairs!: my adventures in the Alice Cooper group [First edition] |
Dunaway, Dennis,Hodenfield, Chris |
|
5601 |
|
The Popples and the Piano That Wouldn't Play -IJE, Inc, Kid Stuff Records and Tapes |
|
|
5602 |
|
Song Means |
Burns, Professor Lori,Moore, Allan F |
|
5603 |
|
Sonic liturgy: ritual and music in Hindu tradition |
Beck, Guy L |
|
5604 |
|
Sound the Trumpet, Beat the Drums: Horse-Mounted Bands of the U.S. Army, 1820-1940 |
Bruce P. Gleason |
|
5605 |
|
Song Means: Analysing and Interpreting Recorded Popular Song |
Allan F. Moore |
|
5606 |
|
Song and Silence: Ethnic Revival on China's Southwest Borders |
Sara Davis |
|
5607 |
|
Sonic Synergies: Music, Technology, Community, Identity |
Gerry Bloustien (editor), Susan Luckman (editor), Margaret Peters (editor) |
|
5608 |
|
Songbird: An Intimate Biography of Christine McVie |
Lesley-Ann Jones |
|
5609 |
|
Songspirals |
Gay'wu Group of Women |
|
5610 |
|
Sonic Spaces of the Karoo: The Sacred Music of a South African Coloured Community [Ethnomusicology and Multimedia] |
Marie Jorritsma |
|
5611 |
|
Sound, Society and the Geography of Popular Music |
Ola Johansson, Thomas L. Bell, Ola Johansson, Thomas Bell |
|
5612 |
|
Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music |
Brian Hulse, Nick Nesbitt |
|
5613 |
|
Sound System: The Political Power of Music |
Dave Randall |
|
5614 |
|
Song in the Works of James Joyce |
Matthew J. C. Hodgart, Mabel P. Worthington |
|
5615 |
|
Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music |
Nick Nesbitt, Brian Hulse |
|
5616 |
|
Song Interpretation in 21st-century Pop Music |
Ralf Von Appen, Ralf Von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore |
|
5617 |
|
Sounds of the borderland: popular music, war and nationalism in Croatia since 1991 |
Baker, Catherine |
|
5618 |
|
Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance |
Donna A. Buchanan |
|
5619 |
|
Sounding the Cape Music, Identity and Politics in South Africa : Music, Identity and Politics in South Africa [1 ed.] |
Denis-Constant Martin |
1 |
5620 |
|
Soundscapes of Wellbeing in Popular Music |
Paul Kingsbury, Gavin J. Andrews, Robin Kearns |
|
5621 |
|
Staring at Sound: The True Story of Oklahoma's Fabulous Flaming Lips |
Jim DeRogatis |
|
5622 |
|
Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain |
Hugh Dauncey, Philippe Le Guern |
|
5623 |
|
Still Songs: Music In and Around the Poetry of Paul Celan |
Axel Englund |
|
5624 |
|
Still Songs: Music In and Around the Poetry of Paul Celan [New edition] |
Celan, Paul, Englund, Axel |
|
5625 |
|
Stretching Exercises for Guitarists |
Gareth Evans |
|
5626 |
|
Studio-Based Instrumental Learning |
Kim Burwell |
|
5627 |
|
Style and Performance for Bowed String Instruments in French Baroque Music |
Mary Cyr |
|
5628 |
|
Studies in Seventeenth-Century Opera [1 ed.] |
Beth L. Glixon |
1 |
5629 |
|
Studies on Authorship in Historical Keyboard Music |
Andrew Woolley (editor) |
|
5630 |
|
Taarab Music in Zanzibar in the Twentieth Century: A Story of 'old Is Gold' and Flying Spirits [New edition] |
Janet Topp Fargion |
|
5631 |
|
Take That and Robbie Williams |
Emily Herbert |
|
5632 |
|
Talking machine west: a history and catalogue of Tin Pan Alley's western recordings, 1902-1918 |
Amundson, Michael A |
|
5633 |
|
Tchaikovsky's Pathétique and Russian Culture |
Marina Ritzarev |
|
5634 |
|
Technology and the Gendering of Music Education |
Victoria Armstrong |
|
5635 |
|
The acoustic guitar: adjustment, care, maintenance, and repair |
Don E. Teeter |
|
5636 |
|
The Act of Musical Composition: Studies in the Creative Process [New edition] |
Dave Collins |
|
5637 |
|
The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop |
Guthrie P. Ramsey |
|
5638 |
|
The Ashgate Research Companion to Minimalist and Postminimalist Music |
Keith Potter, Kyle Gann, Pwyll Ap Siôn |
|
5639 |
|
The Ashgate Research Companion to Minimalist and Postminimalist Music [New edition] |
Potter, Keith, Gann, Kyle, Pwyll ap Siôn |
|
5640 |
|
The Ashgate Research Companion to Japanese Music |
David Weirick Hughes (editor), Alison Tokita (editor) |
|
5641 |
|
The Ashgate Research Companion to Henry Purcell |
Rebecca Herissone |
|
5642 |
|
The Ashgate Research Companion to Japanese Music [1° ed.] |
David W. Hughes, Alison McQueen Tokita (editor) |
1 |
5643 |
|
The Ashgate Research Companion to Popular Musicology |
Derek B. Scott |
|
5644 |
|
The Australian Symphony from Federation to 1960 |
Rhoderick Mcneill |
|
5645 |
|
The Beethoven Obsession |
Brendan Ward |
|
5646 |
|
The Book of Daniel: From Silverchair to DREAMS |
Jeff Apter |
|
5647 |
|
The British Folk Revival [2 ed.] |
Michael Brocken |
2 |
5648 |
|
The British Folk Revival: 1944-2002 |
Michael Brocken |
|
5649 |
|
The British Pop Dandy: Masculinity, Popular Music and Culture |
Stan Hawkins |
|
5650 |
|
The Business of Opera |
Anastasia Belina-Johnson (Editor), Derek B. Scott (Editor) |
|
5651 |
|
The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, C.1760-1850 |
Derek Carew |
|
5652 |
|
The Creation of Beethoven’s 35 Piano Sonatas |
Barry Cooper |
|
5653 |
|
The Defence of Tradition in Brazilian Popular Music (Ashgate Popular and Folk Music Series) |
Sean Stroud |
|
5654 |
|
The defence of tradition in Brazilian popular music : politics, culture and the creation of ms︢i︣ca popular brasileira |
Sean Stroud |
|
5655 |
|
The Don Giovanni Moment: Essays on the Legacy of an Opera |
Lydia Goehr (editor), Daniel Herwitz (editor) |
|
5656 |
|
The Evolution of Jazz in Britain, 1880-1935 |
Catherine Tackley (née Parsonage) |
|
5657 |
|
The First Hundred Years of Wagner’S Tristan |
Elliott Zuckerman |
|
5658 |
|
The Genesis and Structure of the Hungarian Jazz Diaspora |
Ádám Havas |
|
5659 |
|
The Globalization of Irish Traditional Song Performance |
Susan H. Motherway |
|
5660 |
|
The Golden Age of Movie Musicals and Me [First Edition] |
Saul Chaplin |
|
5661 |
|
The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology |
Babette Babich |
|
5662 |
|
The Instrumental Music of Schmeltzer, Biber, Muffat and Their Contemporaries |
Charles E. Brewer |
|
5663 |
|
The Legacy of Cornelius Cardew [New edition] |
Tony Harris |
|
5664 |
|
The Life and Music of Eric Coates |
Michael Payne |
|
5665 |
|
The Life and Twelve-Note Music of Nikos Skalkottas |
Eva Mantzourani |
|
5666 |
|
The Memetics of Music |
Steven Jan |
|
5667 |
|
The Music of David Lumsdaine: Kelly Ground to Cambewarra |
Michael Hooper |
|
5668 |
|
The music of Harry Potter and The Lord of the rings: sounds of home in the fantasy franchise |
Daniel White |
|
5669 |
|
The Music Room: A Memoir |
Namita Devidayal |
|
5670 |
|
The Music Treatises of Thomas Ravenscroft: 'Treatise of Practicall Musicke' and A Briefe Discourse [1 ed.] |
Ross W. Duffin |
1 |
5671 |
|
The Music History Classroom |
James A. Davis |
|
5672 |
|
The Music of Mauricio Kagel |
Björn Heile |
|
5673 |
|
The Music Advantage: How learning music helps your child's brain and wellbeing |
Anita Collins |
|
5674 |
|
The Music and Art of Radiohead (Ashgate Popular and Folk Music Series) [1 ed.] |
Joseph Tate (editor) |
1 |
5675 |
|
The Music of the French Psalter of 1562: A Historical Survey and Analysis • With the Music in Modern Notation |
Waldo Selden Pratt |
|
5676 |
|
The Music Room - A Memoir |
Namita Devidayal |
|
5677 |
|
The Mystery of Chopin's Préludes |
Anatole Leikin |
|
5678 |
|
The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg [1 ed.] |
Matthew Arndt |
1 |
5679 |
|
The Musical Traditions of Northern Ireland and its Diaspora |
David Cooper |
|
5680 |
|
The Never, Um, Ever Ending Story: Life, Countdown and everything in between |
Molly Meldrum |
|
5681 |
|
The Nashville Family Album: a Country Music Scrapbook |
Mayor, Alan |
|
5682 |
|
The New Bruckner: Compositional Development and the Dynamics of Revision |
Dermot Gault |
|
5683 |
|
The North American Folk Music Revival: Nation And Identity in the United States And Canada, 1945-1980 |
Gillian Mitchell |
|
5684 |
|
The Operas of Rameau: Genesis, Staging, Reception [1 ed.] |
Graham Sadler, Jonathan Williams, Shirley Thompson |
1 |
5685 |
|
The Operas of Benjamin Britten |
|
|
5686 |
|
The Original Portrayal of Mozart’s Don Giovanni |
Magnus Tessing Schneider |
|
5687 |
|
The Performing Style of Alexander Scriabin |
Anatole Leikin |
|
5688 |
|
The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire |
Therese Ellsworth, Susan Wollenberg, Nicholas Temperley |
|
5689 |
|
The Politics of Musical Identity: Selected Essays [1 ed.] |
Annegret Fauser |
1 |
5690 |
|
The Pop Musical: Sweat, Tears, and Tarnished Utopias |
Alberto Mira |
|
5691 |
|
The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror |
Joseph P. Fisher, Brian Flota |
|
5692 |
|
The Prodigy: The Official Story--Electronic Punks |
Martin Roach, The Prodigy |
|
5693 |
|
The Real Mozart: The Original King of Pop |
Judith Grohmann |
|
5694 |
|
The Resisting Muse: Popular Music and Social Protest |
Ian Peddie |
|
5695 |
|
The Roberto Gerhard Companion |
Monty Adkins, Michael Russ |
|
5696 |
|
The Routledge Research Companion to Popular Music Education |
Gareth Dylan Smith, Zack Moir, Matt Brennan, Shara Rambarran, Phil Kirkman |
|
5697 |
|
The Routledge research companion to Johann Sebastian Bach |
Robin A. Leaver (ed.) |
|
5698 |
|
The Sacred Bridge. The Interdependence of Liturgy and Music in Synagogue and Church during the First Millennium |
Werner, Eric |
|
5699 |
|
The Sociology of Wind Bands: Amateur Music Between Cultural Domination and Autonomy |
Vincent Dubois, Jean-Matthieu Meon, Emmanuel Pierru, Jean-Yves Bart |
|
5700 |
|
The Show Must Go On : On Tour with the LSO in 1912 & 2012 |
Gareth Davies |
|
5701 |
|
The Singer-Songwriter in Europe. Paradigms, Politics and Place |
Isabelle Marc, Stuart Green (eds.) |
|
5702 |
|
The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China |
Guangtian Ha |
|
5703 |
|
The Stooges--A Journey Through the Michigan Underworld |
Brett Callwood |
|
5704 |
|
The Story of the Harp in Wales |
Osian Ellis |
|
5705 |
|
The Symphonies |
Andrei Bely, Jonathan Stone |
|
5706 |
|
'The Temple of Music' by Robert Fludd [1 ed.] |
Peter Hauge |
1 |
5707 |
|
The Tragic Odes of Jerry Garcia and The Grateful Dead: Mystery Dances in the Magic Theater [1 ed.] |
Brent Wood |
1 |
5708 |
|
The Twenty-First-Century Legacy of the Beatles: Liverpool and Popular Music Heritage Tourism [1 ed.] |
Michael Brocken |
1 |
5709 |
|
The Velvet Lounge: On Late Chicago Jazz |
Gerald Majer |
|
5710 |
|
The Violinist of Auschwitz |
Jean-Jacques Felstein |
|
5711 |
|
The Walker Brothers No Regrets - Our Story |
Gary Walker, John Walker,.,Walker, Gary |
|
5712 |
|
The Work of Music Theory: Selected Essays [1 ed.] |
Thomas Christensen |
1 |
5713 |
|
The World of South African Music : A Reader [1 ed.] |
Christine Lucia |
1 |
5714 |
|
The World of William Byrd: Musicians, Merchants and Magnates [Hardcover ed.] |
John Harley |
|
5715 |
|
This Is the Sound of Irony: Music, Politics and Popular Culture |
Katherine L. Turner |
|
5716 |
|
Thoroughbass Method |
Hermann Keller (editor), Carl Parrish (editor) |
|
5717 |
|
Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music |
Mattias Lundberg |
|
5718 |
|
Tony Wilson - You’re Entitled to an Opinion but your Opinion is **** [Hardcover ed.] |
David Nolan |
|
5719 |
|
Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures |
Mark Hijleh |
|
5720 |
|
Towards a Twenty-First Century Feminist Politics of Music |
Sally Macarthur |
|
5721 |
|
Training the Singing Voice: An Analysis of the Working Concepts Contained in Recent Contributions to Vocal Pedagogy |
Victor Alexander Fields |
|
5722 |
|
Transfigured New York: Interviews with Experimental Artists and Musicians, 1980-1990 |
Brooke Wentz |
|
5723 |
|
Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring [1 ed.] |
Mark Berry |
1 |
5724 |
|
Trills in the Bach Cello Suites: A Handbook for Performers |
Jerome Carrington |
|
5725 |
|
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia |
Uros Cvoro |
|
5726 |
|
Turkish Metal: Music, Meaning, and Morality in a Muslim Society |
Pierre Hecker |
|
5727 |
|
Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice [New edition] |
Anahid Kassabian, Anahid Kassabian, Elena Boschi, Marta Garcia Quinones |
|
5728 |
|
Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds [New edition] |
Pauline Fairclough |
|
5729 |
|
Uncommon ground : the music of Michael Finnissy |
Christopher Fox, Ian Pace, Henrietta Brougham |
|
5730 |
|
Understanding the classical music profession: the past, the present and strategies for the future [illustrated edition] |
Dawn Elizabeth Bennett |
|
5731 |
|
Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future |
Dawn Elizabeth Bennett |
|
5732 |
|
Understanding Mozart's Piano Sonatas |
John Irving |
|
5733 |
|
Up and Down with the Rolling Stones: My Rollercoaster Ride with Keith |
Tony Sanchez |
|
5734 |
|
Uptown Conversation: The New Jazz Studies |
Robert O'Meally, Brent Hayes Edwards, Farah Jasmine Griffin |
|
5735 |
|
Vanda & Young: Inside Australia’s Hit Factory |
John Tait |
|
5736 |
|
Vaughan Williams Essays |
Byron Adams, Robin Wells |
|
5737 |
|
Vibe Merchants: The Sound Creators of Jamaican Popular Music [New edition] |
Ray Hitchins |
|
5738 |
|
Vinyl: A History of the Analogue Record |
Richard Osborne |
|
5739 |
|
Violin sonate, op.82 [Russo] |
|
|
5740 |
|
Vol.2. Musimathics: The Mathematical Foundations of Music |
D Gareth Loy |
|
5741 |
|
Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives |
Stephen Muir, Anastasia Belina-Johnson (eds.), Richard Taruskin (foreword) |
|
5742 |
|
Wagner’S Dramas and Greek Tragedy |
Pearl Cleveland Wilson |
|
5743 |
|
Waltzing Matilda: the secret history of Australia's favourite song [EasyRead large print ed] |
Paterson, Andrew Barton,O'Keeffe, Dennis |
|
5744 |
|
War and Death in the Music of George Crumb: A Crisis of Collective Memory |
Abigail Shupe |
|
5745 |
|
We are the Champions: The Politics of Sports and Popular Music |
Ken McLeod |
|
5746 |
|
We Play Music! [♫ Read-Along ebook. ♫ ed.] |
Leonard Atlantic |
|
5747 |
|
Wax Trash and Vinyl Treasures: Record Collecting As a Social Practice : Record Collecting as a Social Practice [1 ed.] |
Roy Shuker, Professor Derek B. Scott, Professor Stan Hawkins |
1 |
5748 |
|
Welsh Traditional Music |
Phyllis Kinney |
|
5749 |
|
When Music Migrates: Crossing British and European Racial Faultlines, 1945-2010 |
Jon Stratton |
|
5750 |
|
Where Music Helps: Community Music Therapy in Action and Reflection |
Brynjulf Stige, Gary Ansdell, Cochavit Elefan, Mercédès Pavlicevic |
|
5751 |
|
White Boys, White Noise: Masculinities And 1980s Indie Guitar Rock (Ashgate Popular and Folk Music Series) |
Matthew Bannister |
|
5752 |
|
Why We Sing |
Julia Hollander |
|
5753 |
|
Whitney Houston: Return of the Diva |
James Robert Parish |
|
5754 |
|
Olivier Messiaen’s Catalogue d’oiseaux : from conception to performance |
Chadwick, Roderick, Hill, Peter |
|
5755 |
|
Wagner’s Ring Cycle and the Greeks [1 ed.] |
Daniel H. Foster |
1 |
5756 |
|
Vincenzo Bellini: Norma (Cambridge Opera Handbooks) |
David R. B. Kimbell |
|
5757 |
|
Vincenzo Bellini, Norma |
David R. B. Kimbell |
|
5758 |
|
Mahler in Context (Composers in Context) |
Charles Youmans (editor) |
|
5759 |
|
Music: A Mathematical Offering [1 ed.] |
Dave Benson |
1 |
5760 |
|
Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism |
Benjamin Brand |
|
5761 |
|
America on Record: A History of Recorded Sound [2 ed.] |
Andre Millard |
2 |
5762 |
|
Music in European Thought 1851–1912 [Not Indicated] |
Bojan Bujic (editor) |
|
5763 |
|
The Cambridge Companion to Haydn [First ed.] |
Caryl Clark (Editor) |
|
5764 |
|
The Cambridge Companion to Richard Strauss |
Charles Youmans |
|
5765 |
|
The Cambridge Companion to Bartók [1st ed.] |
Amanda Bayley (ed.) |
1 |
5766 |
|
The Improvisation of Musical Dialogue: A Phenomenology of Music |
Bruce Ellis Benson |
|
5767 |
|
Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations [1 ed.] |
Caryl Emerson, Robert William Oldani |
1 |
5768 |
|
Musica Ficta.Theories of accidental inflexions in vocal Polyphony from Marchetto to Zarlino |
Berger Karol |
|
5769 |
|
Hugo Riemann and the birth of modern musical thought |
Alexander Rehding |
|
5770 |
|
Recorded music : performance, culture and technology |
Amanda Bayley (editor) |
|
5771 |
|
The Cambridge Companion to Arvo Pärt |
Andrew Shenton (ed.) |
|
5772 |
|
Berlioz’s Orchestration Treatise: A Translation and Commentary |
Berlioz |
|
5773 |
|
The Music of the Nineteenth Century and its Culture [1 ed.] |
Adolf bernhard Marx |
1 |
5774 |
|
Hugo Wolf and the Wagnerian Inheritance |
Amanda Glauert |
|
5775 |
|
Musica Asiatica 6 |
Allan Marett |
|
5776 |
|
Brahms’s Elegies the poetics of loss in nineteenth-century German culture |
Brahms, Johannes, Grimes, Nicole |
|
5777 |
|
The Cambridge History of Fifteenth-Century Music |
Anna Maria Busse Berger, Jesse Rodin (eds.) |
|
5778 |
|
The Cambridge companion to blues and gospel music |
Allan Moore |
|
5779 |
|
The Cambridge Companion to Arvo Pärt [1 ed.] |
Andrew Shenton (Editor) |
1 |
5780 |
|
The School of Musical Composition, Practical and Theoretical: With Additional Notes And A Special Preface For The English Edition |
Adolf Bernhard Marx |
|
5781 |
|
The Cambridge Companion to John Cage |
David Nicholls (ed.) |
|
5782 |
|
Brahms in the home and the concert hall : between private and public performance |
Brahms, Johannes, Hamilton, Katy, Loges, Natasha |
|
5783 |
|
The Cambridge companion to Grand Opera |
Charlton, David (ed.) |
|
5784 |
|
The Cambridge Companion to Vaughan Williams [1st ed.] |
Alain Frogley, Aidan J. Thomson (eds) |
1 |
5785 |
|
The music and thought of Michael Tippett: modern times and metaphysics |
David Clarke |
|
5786 |
|
The Graph Music of Morton Feldman |
David Cline |
|
5787 |
|
Hanns Eisler Political Musician [English ed] |
Albrecht Betz |
|
5788 |
|
The Cambridge companion to Bartók |
Bayley, Amanda (ed.) |
|
5789 |
|
Mozart: Piano Concertos Nos. 20 and 21 |
David Grayson |
|
5790 |
|
Musical Modernism in Global Perspective: Entangled Histories on a Shared Planet (Music in Context) |
Björn Heile |
|
5791 |
|
Bach’s Feet: The Organ Pedals in European Culture |
David Yearsley |
|
5792 |
|
Verdi: Requiem |
David Rosen |
|
5793 |
|
The Strauss Dynasty and Habsburg Vienna |
David Wyn Jones |
|
5794 |
|
Verdi, Requiem |
David Rosen |
|
5795 |
|
Bach and the Meanings of Counterpoint [1 ed.] |
David Yearsley |
1 |
5796 |
|
Verdi's Macbeth : a sourcebook |
David Rosen, Andrew Porter |
|
5797 |
|
Early Keyboard Instruments: A Practical Guide |
David Rowland |
|
5798 |
|
A History of Pianoforte Pedalling |
David Rowland |
|
5799 |
|
After Adorno : rethinking music sociology |
Adorno, Theodor W., DeNora, Tia |
|
5800 |
|
Richard Wagner's Music Dramas |
Carl Dahlhaus |
|
5801 |
|
Absolute Music and the Construction of Meaning |
Daniel Chua |
|
5802 |
|
Wagner's melodies: aesthetics and materialism in German musical identity |
David Trippett |
|
5803 |
|
Musical witness and Holocaust representation |
Adorno, Theodor W., Wlodarski, Amy |
|
5804 |
|
The Cambridge Companion to the Piano [First ed.] |
David Rowland (Editor) |
|
5805 |
|
Foundations of music history |
Carl Dahlhaus |
|
5806 |
|
Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner |
David Conway |
|
5807 |
|
The Cambridge Companion to Gilbert and Sullivan [1 ed.] |
David Eden, Meinhard Saremba |
1 |
5808 |
|
Understanding the leitmotif : from Wagner to Hollywood film music |
Bribitzer-Stull, Matthew, Wagner, Richard, Wagner, Richard |
|
5809 |
|
Bartók: Concerto for Orchestra |
David Cooper |
|
5810 |
|
Esthetics of Music [Annotated] |
Carl Dahlhaus |
|
5811 |
|
Bartók, Concerto for orchestra |
David Cooper |
|
5812 |
|
Schumann's Dichterliebe and Early Romantic Poetics: Fragmentation of Desire |
Beate Julia Perrey |
|
5813 |
|
Foundations of Music History [1 ed.] |
Carl Dahlhaus, J. B. Robinson |
1 |
5814 |
|
Music and Protest in 1968 |
Beate Kutschke, Barley Norton |
|
5815 |
|
Thinking about harmony: historical perspectives on analysis |
Damschroder, David |
|
5816 |
|
Luigi Dallapiccola and Musical Modernism in Fascist Italy |
Ben Earle |
|
5817 |
|
Bruckner: Symphony No. 8 |
Benjamin M. Korstvedt |
|
5818 |
|
French Music and Jazz in Conversation: From Debussy to Brubeck |
Deborah Mawer |
|
5819 |
|
The Developmental Psychology of Music |
David J. Hargreaves |
|
5820 |
|
The Cambridge Companion to Schumann [First ed.] |
Beate Perrey (Editor) |
|
5821 |
|
The Cambridge Companion to Ravel [First ed.] |
Deborah Mawer (Editor) |
|
5822 |
|
The Cambridge Companion to Operetta (Cambridge Companions to Music) |
Anastasia Belina (editor), Derek B. Scott (editor) |
|
5823 |
|
The Cambridge Companion to the Clarinet |
Colin James Lawson |
|
5824 |
|
Anton Bruckner, Symphony no. 8 |
Benjamin M. Korstvedt |
|
5825 |
|
Communication in Eighteenth-Century Music [illustrated edition] |
Danuta Mirka, Kofi Agawu |
|
5826 |
|
Musical Form in the Age of Beethoven: Selected Writings on Theory and Method (Cambridge Studies in Music Theory and Analysis, Series Number 12) [1 ed.] |
A. B. Marx, Scott Burnham (editor) |
1 |
5827 |
|
The Aristoxenian Theory of Musical Rhythm [1 ed.] |
C. F. Abdy Williams |
1 |
5828 |
|
The Early Clarinet: A Practical Guide |
Colin Lawson |
|
5829 |
|
Musical Form in the Age of Beethoven: Selected Writings on Theory and Method |
A. B. Marx, Scott Burnham |
|
5830 |
|
The Cambridge Companion to the Orchestra |
Colin Lawson |
|
5831 |
|
Harrison Birtwistle's Operas and Music Theatre |
David Beard |
|
5832 |
|
Polyphony in Medieval Paris: The Art of Composing with Plainchant |
Catherine A. Bradley |
|
5833 |
|
The Cambridge Companion to Music in Digital Culture |
Cook, Nicholas (editor), Ingalls, Monique M. (editor), Trippett, David (editor) |
|
5834 |
|
The Cambridge Companion to the Orchestra [First ed.] |
Colin Lawson (Editor) |
|
5835 |
|
Brahms: Clarinet Quintet [Hardcover ed.] |
Colin Lawson |
|
5836 |
|
Harrison Birtwistle Studies |
David Beard, Kenneth Gloag, Nicholas Jones |
|
5837 |
|
The Monochord in Ancient Greek Harmonic science [1 ed.] |
David Creese |
1 |
5838 |
|
The Cambridge companion to Benjamin Britten |
Cooke, Mervyn (ed.) |
|
5839 |
|
The Science of Harmonics in Classical Greece [1 ed.] |
Andrew Barker |
1 |
5840 |
|
Schoenberg's twelve-tone music : symmetry and the musical idea |
Boss, Jack Forrest, Schönberg, Arnold, Schoenberg, Arnold |
|
5841 |
|
Choral Constructions in Greek Culture: The Idea of the Chorus in the Poetry, Art and Social Practices of the Archaic and Early Classical Period |
Deborah Tarn Steiner |
|
5842 |
|
Stefan Wolpe and the avant-garde diaspora |
Brigid Maureen Cohen |
|
5843 |
|
The Cambridge companion to jazz |
Cooke, Mervyn(Editor),Horn, David(Editor),Cross, Jonathan(Editor) |
|
5844 |
|
The Cambridge History of Musical Performance |
Colin Lawson, Robin Stowell (eds) |
|
5845 |
|
Stefan Wolpe and the Avant-Garde Diaspora [Hardcover ed.] |
Brigid Maureen Cohen |
|
5846 |
|
The Historical Performance of Music: An Introduction |
Colin Lawson, Robin Stowell |
|
5847 |
|
The Cambridge Companion to Film Music |
Cooke, Mervyn, Ford, Fiona (eds.) |
|
5848 |
|
The Cambridge companion to Handel [Third printing 2004 ed.] |
Burrows, Donald (ed.) |
2004 |
5849 |
|
The Cambridge companion to jazz [Reprinted 2004] |
Cooke, Mervyn, Horn, David (eds.) |
2004 |
5850 |
|
The Cambridge companion to Haydn |
Clark, Caryl Leslie |
|
5851 |
|
Music in Germany since 1968 |
Alastair Williams |
|
5852 |
|
Britten's unquiet pasts : sound and memory in postwar reconstruction |
Britten, Benjamin, Britten, Benjamin, Wiebe, Heather |
|
5853 |
|
The Cambridge companion to Schoenberg |
Auner, Joseph Henry, Shaw, Jennifer Robin (eds.) |
|
5854 |
|
Guillaume Du Fay: The Life and Works |
Alejandro Enrique Planchart |
|
5855 |
|
Helmholtz and the modern listener |
Benjamin Steege |
|
5856 |
|
Summa Musice: A Thirteenth-Century Manual for Singers [1 ed.] |
Christopher Page |
1 |
5857 |
|
Choral Music on Record [1 ed.] |
Alan Blyth |
1 |
5858 |
|
The Guitar in Stuart England: A Social and Musical History |
Christopher Page |
|
5859 |
|
The Cambridge Companion to Conducting |
Bowen, José Antonio |
|
5860 |
|
The Cambridge Companion to the Drum Kit |
Brennan, Matt, Pignato, Joseph Michael, Stadnicki, Daniel Akira (Editors) |
|
5861 |
|
Choral Tragedy: Greek Poetics and Musical Ritual (Classical Scholarship in Translation) |
Claude Calame |
|
5862 |
|
Manuscripts and medieval song : inscription, performance, context |
Deeming, Helen, Leach, Elizabeth Eva |
|
5863 |
|
Aural and the University Music Undergraduate [1 ed.] |
Colin R. Wright, Edward Demenchonok |
1 |
5864 |
|
The Cambridge companion to Bach |
Butt, John (ed.) |
|
5865 |
|
Music, Philosophy, and Modernity [1 ed.] |
Andrew Bowie |
1 |
5866 |
|
Vindications: Essays on Romantic Music |
Deryck Cooke |
|
5867 |
|
The Puccini problem: opera, nationalism and modernity |
Alexandra Wilson |
|
5868 |
|
The Puccini Problem: Opera, Nationalism, and Modernity |
Alexandra Wilson |
|
5869 |
|
Gustav Mahler: An Introduction to His Music |
Deryck Cooke |
|
5870 |
|
The Cambridge Companion to Sibelius |
Daniel M. Grimley (Editor) |
|
5871 |
|
The Cambridge Companion to Berlioz |
Bloom, Peter (ed.) |
|
5872 |
|
The Cambridge Companion to Elgar [1st ed.] |
Daniel M. Grimley, Julian Rushton (eds.) |
1 |
5873 |
|
Divine Music in Archaic and Classical Greek Art: Seeing the Songs of the Gods |
Carolyn Laferrière |
|
5874 |
|
Schenker Studies 2 [1 ed.] |
Carl Schachter, Hedi Siegel |
1 |
5875 |
|
Young Choristers, 650-1700 |
Boynton, Susan, Rice, Eric |
|
5876 |
|
Shostakovich Studies |
David Fanning |
|
5877 |
|
Nielsen: Symphony No. 5 |
David Fanning |
|
5878 |
|
The Evolution of the Art of Music [1 ed.] |
C. Hubert H. Parry |
1 |
5879 |
|
Nielsen, Symphony no. 5 |
David Fanning |
|
5880 |
|
The monstrous new art : divided forms in the late medieval motet |
de Machaut Guillaume, de Vitry Philippe, Zayaruznaya, Anna |
|
5881 |
|
Schubert's String Quartets: The Teleology of Lyric Form |
Anne Hyland |
|
5882 |
|
Evolution and Victorian Musical Culture |
Bennett Zon |
|
5883 |
|
Opera and Modern Spectatorship in Late Nineteenth-Century Italy |
Alessandra Campana |
|
5884 |
|
Musical Modernism at the Turn of the Twenty-First Century [1 ed.] |
David Metzer |
1 |
5885 |
|
Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera |
Andreas Giger |
|
5886 |
|
Polish Music since Szymanowski (Music in the Twentieth Century) |
Adrian Thomas |
|
5887 |
|
Life and Letters of Sir Charles Hallé: Being an Autobiography (1819–1860) with Correspondence and Diaries [1 ed.] |
Charles Hallé, C. E. Hallé (editor), Marie Hallé (editor) |
1 |
5888 |
|
The Ballad in American Popular Music: From Elvis to Beyoncé |
David Metzer |
|
5889 |
|
Luigi Nono: A Composer in Context |
Carola Nielinger-Vakil |
|
5890 |
|
German Operetta on Broadway and in the West End, 1900–1940 |
D.B. scott |
|
5891 |
|
Thinking about Harmony: Historical Perspectives on Analysis [annotated edition] |
David Damschroder |
|
5892 |
|
The Cambridge Companion to Music and Romanticism |
Benedict Taylor |
|
5893 |
|
Berg, Violin concerto |
Anthony Pople |
|
5894 |
|
Fauré and French musical aesthetics |
Carlo Caballero |
|
5895 |
|
Harmony in Beethoven |
David Damschroder |
|
5896 |
|
Messiaen: Quatuor pour la fin du temps |
Anthony Pople |
|
5897 |
|
Messiaen, Quatuor pour la fin du temps |
Anthony Pople |
|
5898 |
|
Ernest Bloch Studies |
Alexander Knapp, Norman Solomon |
|
5899 |
|
The Cambridge Companion to Eighteenth-Century Opera [1 ed.] |
Anthony R. DelDonna, Pierpaolo Polzonetti |
1 |
5900 |
|
Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form |
Benedict Taylor |
|
5901 |
|
Chromatic transformations in nineteenth-century music |
David Kopp |
|
5902 |
|
Harmony in Haydn and Mozart |
David Damschroder |
|
5903 |
|
Harmony in Chopin |
David Damschroder |
|
5904 |
|
Foreign Opera at the London Playhouses: From Mozart to Bellini |
Christina Fuhrmann |
|
5905 |
|
Harmony in Mendelssohn and Schumann |
David Damschroder |
|
5906 |
|
Chromatic transformations in nineteenth-century music [1st ed] |
David Kopp |
1 |
5907 |
|
The Beatles: Sgt. Pepper’s Lonely Hearts Club Band |
Allan F. Moore |
|
5908 |
|
Studies of Great Composers [1 ed.] |
Charles Hubert Hastings Parry |
1 |
5909 |
|
The Beatles: Sgt. Pepper's Lonely Hearts Club Band |
Allan F. Moore |
|
5910 |
|
Jazz Italian Style: From Its Origins in New Orleans to Fascist Italy and Sinatra [Hardcover ed.] |
Anna Harwell Celenza |
|
5911 |
|
Analyzing Popular Music [Reissue ed.] |
Allan F. Moore |
|
5912 |
|
Summary of the History and Development of Medieval and Modern European Music [Reprint ed.] |
Charles Hubert Hastings Parry |
|
5913 |
|
The Cambridge Companion to Gershwin |
Anna Harwell Celenza (Editor) |
|
5914 |
|
The Cambridge Companion to Mahler |
Barham, Jeremy (ed.) |
|
5915 |
|
Music: A Mathematical Offering [1.0] |
Benson, Dave |
10 |
5916 |
|
The Cambridge companion to eighteenth-century opera |
DelDonna, Anthony, Polzonetti, Pierpaolo (eds.) |
|
5917 |
|
The Cambridge Companion to Schubert [First ed.] |
Christopher H. Gibbs (Editor) |
|
5918 |
|
The Cambridge Companion to Opera Studies [1 ed.] |
Nicholas Till |
1 |
5919 |
|
The Musical Sounds of Medieval French Cities : Players, Patrons, and Politics |
Gretchen Peters |
|
5920 |
|
Rounding Wagner's Mountain: Richard Strauss and Modern German Opera |
Bryan Gilliam |
|
5921 |
|
The Musical Dilettante: A Treatise on Composition by J. F. Daube |
Johann Friedrich Daube |
|
5922 |
|
Modernism and Popular Music [1 ed.] |
Ronald Schleifer |
1 |
5923 |
|
The Cambridge Companion to Choral Music [First Edition] |
André de Quadros |
|
5924 |
|
Schubert’s late music : history, theory, style |
Bodley, Lorraine Byrne, Horton, Julian, Schubert, Franz |
|
5925 |
|
Beethoven: Violin Concerto |
Robin Stowell |
|
5926 |
|
Musical Life in Guyana : History and Politics of Controlling Creativity [1 ed.] |
Vibert C. Cambridge |
1 |
5927 |
|
The Life of Mozart: Including his Correspondence |
Edward Holmes |
|
5928 |
|
Italian opera |
David R B Kimbell |
|
5929 |
|
The Cambridge Companion to Electronic Music [1st ed.] |
Collins, Nicholas, Escrivan Rincón, Julio d’ (eds.) |
1 |
5930 |
|
Beethoven, Missa solemnis |
William Drabkin |
|
5931 |
|
The Cambridge Companion to the Violin |
Robin Stowell |
|
5932 |
|
The Cambridge Companion to the String Quartet [First ed.] |
Robin Stowell |
|
5933 |
|
The Musical Dilettante: A Treatise on Composition [1 ed.] |
Johann Friedrich Daube, Susan P. Snook-Luther (editor) |
1 |
5934 |
|
The Cambridge History of Sixteenth-Century Music |
Iain Fenlon (Editor), Richard Wistreich (Editor) |
|
5935 |
|
The Cambridge Companion to the Symphony [First ed.] |
Julian Horton (Editor) |
|
5936 |
|
Alban Berg: Master of the Smallest Link |
Theodor W. Adorno |
|
5937 |
|
Haydn Studies |
W. Dean Sutcliffe |
|
5938 |
|
The keyboard sonatas of Domenico Scarlatti and eighteenth-century musical style |
W. Dean Sutcliffe |
|
5939 |
|
The requiem of Tomas Luis de Victoria |
Rees, Owen |
|
5940 |
|
Tippett: A Child of our Time |
Gloag, Kenneth |
|
5941 |
|
The music of Tōru Takemitsu |
Peter Burt |
|
5942 |
|
Wagner and Russia |
Rosamund Bartlett |
|
5943 |
|
Beethoven, Violin concerto |
Robin Stowell |
|
5944 |
|
Tippett, A child of our time |
Kenneth Gloag |
|
5945 |
|
The Cambridge companion to the symphony |
Horton, Julian (ed.) |
|
5946 |
|
The Cambridge History of Twentieth-Century Music (The Cambridge History of Music) |
Nicholas Cook, Anthony Pople |
|
5947 |
|
The Cambridge companion to Rossini |
Senici, Emanuele (ed.) |
|
5948 |
|
Haydn: String Quartets, Op. 50 |
W. Dean Sutcliffe |
|
5949 |
|
The Music of Toru Takemitsu (Music in the Twentieth Century) |
Peter Burt |
|
5950 |
|
The Cambridge Companion to Rossini [First ed.] |
Emanuele Senici (Editor) |
|
5951 |
|
Exploring Bach’s B-minor Mass |
Yo Tomita, Robin A. Leaver, Jan Smaczny (eds.) |
|
5952 |
|
The Cambridge Companion to The Beatles [1 ed.] |
Kenneth Womack (Editor) |
1 |
5953 |
|
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama |
Stefano Castelvecchi |
|
5954 |
|
Haydn Studies [1 ed.] |
W. Dean Sutcliffe |
1 |
5955 |
|
The Philharmonic Society of London: From its Foundation, 1813, to its Fiftieth Year, 1862 [1 ed.] |
George Hogarth |
1 |
5956 |
|
Holst: The Planets |
Richard Greene |
|
5957 |
|
Opera and Society in Italy and France from Monteverdi to Bourdieu |
Victoria Johnson, Jane F. Fulcher, Thomas Ertman |
|
5958 |
|
Gustav Mahler's Symphonic Landscapes |
Thomas Peattie |
|
5959 |
|
Schoenberg and redemption |
Schönberg, Arnold, Brown, Julie A., Wagner, Richard |
|
5960 |
|
The twelve-note music of Anton Webern: old forms in a new language |
Kathryn Bailey |
|
5961 |
|
Music in Everyday Life [1 ed.] |
Tia DeNora |
1 |
5962 |
|
After Adorno: Rethinking Music Sociology |
Tia DeNora |
|
5963 |
|
Analyzing Schubert |
Suzannah Clark |
|
5964 |
|
Holst, The planets |
Richard Greene |
|
5965 |
|
Bartolomeo Cristofori and the Invention of the Piano |
Stewart Pollens |
|
5966 |
|
The dastgāh concept in Persian music |
Hormoz Farhat |
|
5967 |
|
The Cambridge companion to the piano [Third printing 2004 ed.] |
Rowland, David E. (ed.) |
2004 |
5968 |
|
The Cambridge Companion to Percussion [Reprint ed.] |
Russell Hartenberger (Editor) |
|
5969 |
|
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller |
Johann Adam Hiller |
|
5970 |
|
Thomas Adès Studies |
Edward Venn, Philip Stoecker (eds.) |
|
5971 |
|
The Dastgāh Concept in Persian Music |
Hormoz Farhat |
|
5972 |
|
Music and Text: Critical Inquiries |
Steven Paul Scher |
|
5973 |
|
The Cambridge Companion to the Singer-Songwriter [Reprint ed.] |
Katherine Williams, Justin A. Williams (Editors) |
|
5974 |
|
The Cambridge Companion to Rhythm |
Hartenberger, Russell, McClelland, Ryan (Editors) |
|
5975 |
|
The Motet in the Age of Du Fay |
Julie E. Cumming |
|
5976 |
|
Thirty Years’ Musical Recollections, Volume 1 [1 ed.] |
Henry Fothergill Chorley |
1 |
5977 |
|
Thirty Years’ Musical Recollections, Volume 2 [1 ed.] |
Henry Fothergill Chorley |
1 |
5978 |
|
The Motet in the Age of Du Fay [Hardcover ed.] |
Julie E. Cumming |
|
5979 |
|
Transformations of Musical Modernism |
Erling E. Guldbrandsen, Julian Johnson (eds.) |
|
5980 |
|
The Cambridge Companion to Debussy [1st ed.] |
Simon Trezise (ed.) |
1 |
5981 |
|
The Cambridge Companion to Debussy [First ed.] |
Simon Trezise (ed.) |
|
5982 |
|
Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany |
Ryan Minor |
|
5983 |
|
Treatise on Harpsichord Tuning |
Jean Denis, Edited and Translated by: Vincent J. Panetta |
|
5984 |
|
The Cambridge companion to the saxophone [7th printing 2009 ed.] |
Ingham, Richard (ed.) |
72009 |
5985 |
|
Understanding Video Game Music [Illustrated] |
Tim Summers |
|
5986 |
|
Elements of Musical Composition: Comprehending the Rules of Thorough Bass, and the Theory of Tuning [Illustrated] |
William Crotch |
|
5987 |
|
The Cambridge History of Western Music Theory |
Thomas Christensen |
|
5988 |
|
Rameau and Musical Thought in the Enlightenment |
Thomas Christensen |
|
5989 |
|
A History of Welsh Music |
Trevor Herbert, Martin V. Clarke, Helen Barlow |
|
5990 |
|
The Organ Music of J. S. Bach [2 ed.] |
Peter Williams |
2 |
5991 |
|
The Cambridge Companion to Brass Instruments |
Trevor Herbert, John Wallace (Editors) |
|
5992 |
|
Stravinsky: Oedipus Rex |
Stephen Walsh |
|
5993 |
|
The invention of Beethoven and Rossini : historiography, analysis, criticism |
Mathew, Nicholas, Walton, Benjamin |
|
5994 |
|
Gershwin: Rhapsody in Blue |
Schiff David |
|
5995 |
|
The Cambridge Encyclopedia of Brass Instruments |
Trevor Herbert (editor), Arnold Myers (editor), John Wallace (editor) |
|
5996 |
|
The Rival Sirens: Performance and Identity on Handel's Operatic Stage |
Dr Suzanne Aspden |
|
5997 |
|
The Cambridge Companion to Bruckner |
Williamson, John (ed.) |
|
5998 |
|
The Cambridge Companion to Women in Music Since 1900 |
Laura Hamer (Editor) |
|
5999 |
|
The invention of "folk music" and "art music": emerging categories from Ossian to Wagner |
Matthew Gelbart |
|
6000 |
|
The Cambridge companion to recorded music |
Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, John Rink (eds.) |
|
6001 |
|
The Cambridge Guide to Orchestration |
Ertuğrul Sevsay |
|
6002 |
|
The Orchestral Revolution: Haydn and the Technologies of Timbre |
Dr Emily I. Dolan |
|
6003 |
|
The Life of Handel [1 ed.] |
Victor Schoelcher |
1 |
6004 |
|
The Orchestra of the Cappella Reale, Naples, 1750-1800 |
Anthony R. DelDonna |
|
6005 |
|
Music and the Sonorous Sublime in European Culture, 1680–1880 |
Sarah Hibberd (editor), Miranda Stanyon (editor) |
|
6006 |
|
The characteristic symphony in the age of Haydn and Beethoven |
Richard Will |
|
6007 |
|
Towards a Theory of Nineteenth-Century Tonality |
Julian Horton |
|
6008 |
|
The Characteristic Symphony in the Age of Haydn and Beethoven (New Perspectives in Music History and Criticism) |
Richard Will |
|
6009 |
|
The Singing of the New World : Indigenous Voice in the Era of European Contact |
Gary Tomlinson |
|
6010 |
|
The Cambridge Companion to Monteverdi [1 ed.] |
John Whenham, Richard Wistreich (eds.) |
1 |
6011 |
|
Orientalism and Musical Mission: Palestine and the West |
Rachel Beckles Willson |
|
6012 |
|
The Operas of Maurice Ravel |
Emily Kilpatrick |
|
6013 |
|
The Cambridge Companion to Monteverdi |
John Whenham, Richard Wistreich (eds.) |
|
6014 |
|
Tikopia Songs: Poetic and Musical Art of a Polynesian People of the Solomon Islands |
Raymond Firth |
|
6015 |
|
Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals |
Thomas Brothers |
|
6016 |
|
The Cambridge Companion to West Side Story |
Paul R. Laird, Elizabeth A. Wells |
|
6017 |
|
The Organ in Western Culture, 750-1250 [1.0] |
Williams, Peter |
10 |
6018 |
|
The Cambridge companion to Richard Strauss |
Youmans, Charles Dowell (ed.) |
|
6019 |
|
Musical Creativity in Restoration England |
Rebecca Herissone |
|
6020 |
|
The Sounds of Paris in Verdi's La traviata |
Emilio Sala |
|
6021 |
|
Theology and Poetry in Early Byzantium: The Kontakia of Romanos the Melodist |
Sarah Gador-Whyte |
|
6022 |
|
The Politics of Opera in Handel's Britain |
Thomas McGeary |
|
6023 |
|
Dance and Drama in French Baroque Opera: A History |
Rebecca Harris-Warrick |
|
6024 |
|
Musica Getutscht: A Treatise on Musical Instruments (1511) |
Sebastian Virdung |
|
6025 |
|
The Cambridge Companion to the Organ |
Nicholas Thistlethwaite, Geoffrey Webber (eds.) |
|
6026 |
|
Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saint |
Yossi Maurey |
|
6027 |
|
Ancient Greek Music |
Stefan Hagel |
|
6028 |
|
The Cambridge companion to the singer-songwriter |
Williams, Justin A., Williams, Katherine Ann (eds.) |
|
6029 |
|
The Cambridge companion to the organ [6th printing ed.] |
Nicholas Thistlethwaite, Geoffrey Webber (eds.) |
6 |
6030 |
|
The Cambridge companion to hip-hop |
Williams, Justin A. (ed.) |
|
6031 |
|
The Neural Code of Pitch and Harmony |
Gerald D. Langner |
|
6032 |
|
Bach’s Numbers: Compositional Proportion and Significance |
Ruth Tatlow |
|
6033 |
|
The Cambridge Companion to Wagner's Der Ring des Nibelungen |
Mark Berry, Nicholas Vazsonyi (eds.) |
|
6034 |
|
The Cambridge Companion to Wagner’s Der Ring des Nibelungen |
Mark Berry, Nicholas Vazsonyi (Editors) |
|
6035 |
|
The Cambridge companion to the Beatles [3rd printing 2011 ed.] |
Womack, Kenneth (ed.) |
32011 |
6036 |
|
Handel's Oratorios and Eighteenth-Century Thought |
Ruth Smith |
|
6037 |
|
Joyce and Wagner: A Study of Influence [First Edition] |
Timothy Peter Martin |
|
6038 |
|
The Cambridge Companion to Verdi [1 ed.] |
Scott L. Balthazar |
1 |
6039 |
|
The National Music of the World [1 ed.] |
Henry Fothergill Chorley, Henry G. Hewlett (editor) |
1 |
6040 |
|
The Cambridge companion to the musical [2nd edition, 3rd printing] |
Everett, William A., Laird, Paul R. (eds.) |
2 |
6041 |
|
The Cambridge companion to the musical [3rd edition] |
Everett, William A., Laird, Paul R. (eds.) |
3 |
6042 |
|
The Cambridge companion to Jewish music |
Walden, Joshua S. (ed.) |
|
6043 |
|
The Songs of Clara Schumann |
Stephen Rodgers |
|
6044 |
|
Musical Authorship from Schütz to Bach |
Stephen Rose |
|
6045 |
|
Memoirs of Musick: Now First Printed from the Original MS. and Edited, with Copious Notes |
Roger North, Edward F. Rimbault (ed.) |
|
6046 |
|
Haydn: The Creation |
Temperley, Nicholas |
|
6047 |
|
The Cambridge Companion to Singing |
John Potter (Editor) |
|
6048 |
|
Verdi, Opera, Women |
Susan Rutherford |
|
6049 |
|
Plague and Music in the Renaissance |
Remi Chiu |
|
6050 |
|
The Cambridge companion to singing |
Potter, John (ed.) |
|
6051 |
|
The Cambridge Companion to Video Game Music |
Melanie Fritsch, Tim Summers |
|
6052 |
|
The Cambridge Companion to the Lied |
James Parsons (Editor) |
|
6053 |
|
Primitive Music: An Inquiry into the Origin and Development of Music, Songs, Instruments, Dances, and Pantomimes of Savage Races [1 ed.] |
Richard Wallaschek |
1 |
6054 |
|
The Cambridge companion to the Lied |
Parsons, James (ed.) |
|
6055 |
|
Bruckner Studies |
Timothy L. Jackson (editor), Paul Hawkshaw (editor) |
|
6056 |
|
After Mahler: Britten, Weill, Henze and Romantic Redemption |
Stephen Downes |
|
6057 |
|
Mendelssohn: The Hebrides and Other Overtures |
R. Larry Todd |
|
6058 |
|
Writing sounds in Carolingian Europe: the invention of musical notation |
Susan Rankin |
|
6059 |
|
Tchaikovsky: Symphony No. 6 (Pathétique) [1 ed.] |
Timothy L. Jackson |
1 |
6060 |
|
The Cambridge companion to Sibelius |
Grimley, Daniel M. (ed.) |
|
6061 |
|
Schenker’s Interpretive Practice |
Robert Snarrenberg |
|
6062 |
|
Tactus, Mensuration and Rhythm in Renaissance Music |
Ruth I. DeFord |
|
6063 |
|
The Cambridge Companion to Shostakovich [1 ed.] |
Pauline Fairclough, David Fanning |
1 |
6064 |
|
Schenker's interpretive practice |
Robert Snarrenberg |
|
6065 |
|
Vivaldi: The Four Seasons and Other Concertos, Op. 8 |
Paul Everett |
|
6066 |
|
The Cambridge Companion to the Rolling Stones |
Victor Coelho, John Covach |
|
6067 |
|
Correspondence of Wagner and Liszt, Volume 1 [1 ed.] |
Richard Wagner, Franz Liszt, Francis Hueffer (editor) |
1 |
6068 |
|
Theology, Music and Time |
Jeremy S. Begbie |
|
6069 |
|
The Stage Works of Philip Glass |
Robert F. Waters |
|
6070 |
|
Instrumentalists and Renaissance Culture, 1420–1600: Players of Function and Fantasy |
Victor Coelho, Keith Polk |
|
6071 |
|
Beethoven: The ’Moonlight’ and other Sonatas, Op. 27 and Op. 31 |
Timothy Jones |
|
6072 |
|
Correspondence of Wagner and Liszt, Volume 2 [1 ed.] |
Richard Wagner, Franz Liszt, Francis Hueffer (editor) |
1 |
6073 |
|
The Tabla of Lucknow: A cultural analysis of a musical tradition (with audio) |
James Kippen |
|
6074 |
|
The music of Louis Andriessen |
Yayoi Uno Everett |
|
6075 |
|
The Tabla of Lucknow: a cultural analysis of a musical tradition |
James Kippen |
|
6076 |
|
The Music of Louis Andriessen [1 ed.] |
Yayoi Uno Everett |
1 |
6077 |
|
Three modes of perception in Mozart: the philosophical, pastoral, and comic in Così fan tutte |
Edmund Joseph Goehring |
|
6078 |
|
The Cambridge companion to Vaughan Williams |
Frogley, Alain |
|
6079 |
|
Beethoven, the Moonlight and other sonatas, op. 27 and op. 31 |
Timothy Jones |
|
6080 |
|
The Romantic Overture and Musical Form from Rossini to Wagner |
Steven Vande Moortele |
|
6081 |
|
The Cambridge companion to Beethoven |
Stanley, Glenn (ed.) |
|
6082 |
|
The Critical Editing of Music: History, Method, and Practice |
Grier |
|
6083 |
|
Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in CosA fan tutte |
Edmund J. Goehring |
|
6084 |
|
The Cambridge Companion to Michael Tippett |
Kenneth Gloag, Nicholas Jones |
|
6085 |
|
The Cambridge Companion to Seventeenth-Century Opera (Cambridge Companions to Music) |
Jacqueline Waeber (editor) |
|
6086 |
|
Mahler's Sixth Symphony: A Study in Musical Semiotics |
Robert Samuels |
|
6087 |
|
The Cambridge Companion to Serialism |
Martin Iddon (editor) |
|
6088 |
|
The Cambridge companion to the harpsichord |
Kroll, Mark (ed.) |
|
6089 |
|
The Sonata |
Thomas Schmidt-Beste |
|
6090 |
|
The Cambridge History of Nineteenth-Century Music (The Cambridge History of Music) |
Jim Samson |
|
6091 |
|
The Cambridge Companion to Mendelssohn [First ed.] |
Peter Mercer-Taylor (Editor) |
|
6092 |
|
The History of the Royal Academy of Music: Compiled from Authentic Sources [1 ed.] |
William Wahab Cazalet |
1 |
6093 |
|
The Cambridge Companion to Twentieth-Century Opera [1st ed.] |
Mervyn Cooke |
1 |
6094 |
|
Georges Bizet: Carmen |
Susan McClary |
|
6095 |
|
The Cambridge companion to Chopin |
Samson, Jim (ed.) |
|
6096 |
|
The Cambridge History of Seventeenth-Century Music |
Tim Carter, John Butt (eds.) |
|
6097 |
|
The Lure and Legacy of Music at Versailles: Louis XIV and the Aix School |
John Hajdu Heyer |
|
6098 |
|
The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music) |
Tim Carter, John Butt |
|
6099 |
|
The Cambridge Companion to Wagner [First ed.] |
Thomas S. Grey (Editor) |
|
6100 |
|
The Cambridge History of Music: American MusicPreviousNext American Music |
Edited by David Nicholls |
|
6101 |
|
The Cambridge companion to medieval music |
Everist, Mark (ed.) |
|
6102 |
|
The Cambridge Companion to Medieval Music [First ed.] |
Mark Everist (Editor) |
|
6103 |
|
Wagner's musical prose: texts and contexts |
Thomas S. Grey |
|
6104 |
|
The Cambridge companion to percussion |
Hartenberger, Russell (ed.) |
|
6105 |
|
The Cambridge companion to Schumann |
Perrey, Beate (ed.) |
|
6106 |
|
The Cambridge Companion to the Eroica Symphony |
November, Nancy (Editor) |
|
6107 |
|
The Haskell School of Music: From Signals to Symphonies |
Paul Hudak, Donya Quick |
|
6108 |
|
The Cambridge Companion to Schubert’s Winterreise |
Marjorie W. Hirsch, Lisa Feurzeig (Editors) |
|
6109 |
|
When Opera Meets Film [1 ed.] |
Marcia J. Citron |
1 |
6110 |
|
Monteverdi and the Marvellous: Poetry, Sound, and Representation |
Roseen Giles |
|
6111 |
|
The Rise of a Jazz Art World [1 ed.] |
Paul Lopes |
1 |
6112 |
|
The Cambridge Companion to the Guitar [First ed.] |
Victor Anand Coelho |
|
6113 |
|
The Cambridge Companion to Schubert's ‘Winterreise' [1 ed.] |
Marjorie W. Hirsch, Lisa Feurzeig |
1 |
6114 |
|
The Haskell School of Music: From Signals to Symphonies [1 ed.] |
Paul Hudak, Donya Quick |
1 |
6115 |
|
The Cambridge companion to Schubert [Reprinted 2004] |
Gibbs, Christopher Howard (ed.) |
2004 |
6116 |
|
E.M. Forster and Music |
Tsung-Han Tsai |
|
6117 |
|
The Cambridge companion to Stravinsky |
Stravinsky, Igor,Cross, Jonathan |
|
6118 |
|
The Cambridge Companion to Schoenberg [First ed.] |
Jennifer Shaw, Joseph Auner (Editors) |
|
6119 |
|
The spectral piano : from Liszt, Scriabin, and Debussy to the digital age |
Nonken, Marilyn, Dufourt, Hugues |
|
6120 |
|
Twentieth-Century Music in the West: An Introduction |
Tom Perchard, Stephen Graham, Tim Rutherford-Johnson, Holly Rogers |
|
6121 |
|
The Cambridge companion to opera studies |
Till, Nicholas (ed.) |
|
6122 |
|
Histories of Heinrich Schütz |
Varwig, Bettina |
|
6123 |
|
Benjamin Britten in Context (Composers in Context) [New ed.] |
Vicki P Stroeher (editor), Justin Vickers (editor) |
|
6124 |
|
The legacy of Johann Strauss : political influence and twentieth-century identity |
Strauss, Johann, Strauss, Johann, Lang, Zoë Alexis |
|
6125 |
|
The manual of musical instrument conservation [1. publ ed.] |
Pollens, Stewart |
1 |
6126 |
|
The Cambridge Companion to the Cello (Cambridge Companions to Music) |
Robin Stowell (Editor) |
|
6127 |
|
The Manual of Musical Instrument Conservation |
Pollens, Stewart |
|
6128 |
|
The Cambridge History of Medieval Music [2 vols.] |
Mark Everist, Thomas Forrest Kelly (eds.) |
2 |
6129 |
|
Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity [1 ed.] |
R. Anderson Sutton |
1 |
6130 |
|
The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton [1 ed.] |
J. P. E. Harper-Scott |
1 |
6131 |
|
The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine [1 ed.] |
James Grier |
1 |
6132 |
|
The Cambridge Companion to the Violin [1st ed.] |
Robin Stowell (ed.) |
1 |
6133 |
|
The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton |
J. P. E. Harper-Scott |
|
6134 |
|
Women and music in sixteenth-century Ferrara |
Stras, Laurie |
|
6135 |
|
The Early Violin and Viola: A Practical Guide [illustrated edition] |
Robin Stowell |
|
6136 |
|
Music and Social Movements: Mobilizing Traditions in the Twentieth Century |
Ron Eyerman, Andrew Jamison |
|
6137 |
|
The Cambridge Companion to the String Quartet |
Robin Stowell |
|
6138 |
|
The Cambridge History of World Music |
Philip V. Bohlman (editor) |
|
6139 |
|
The Cambridge Companion to the Musical [3 ed.] |
William A. Everett, Paul R. Laird (eds.) |
3 |
6140 |
|
The musical work of Nadia Boulanger : performing past and future between the wars |
Jeanice Brooks |
|
6141 |
|
Music and the exotic from the Renaissance to Mozart |
Ralph P. Locke |
|
6142 |
|
Jazz Riffs for Piano (Great Riffs Series) |
Frank Feldman |
|
6143 |
|
Jazz [14 ed.] |
David W. Megill |
14 |
6144 |
|
Tonal Harmony [9 ed.] |
Stefan Kosta, Byron Almén |
9 |
6145 |
|
Sounding Out the State of Indonesian Music |
Andrew McGraw (editor), Christopher J. Miller (editor) |
|
6146 |
|
Jazz, Thirteenth Edition [13 ed.] |
Tanner, Paul, Tanner, Paul |
13 |
6147 |
|
Humble & Kind [First edition] |
McGraw, Tim |
|
6148 |
|
Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands [Second Edition] |
Cameron McGraw, Christopher Fisher, Katherine Fisher |
|
6149 |
|
Jazz [12 ed.] |
Paul O. W. Tanner, David W. Megill |
12 |
6150 |
|
Medical problems of the instrumentalist musician |
Raoul Tubiana, Peter C Amadio |
|
6151 |
|
Jazz and death: medical profiles of jazz greats |
Spencer, Frederick J |
|
6152 |
|
Jazz and Death: Medical Profiles of Jazz Greats [First Edition] |
M.D. Frederick J. Spencer |
|
6153 |
|
Music Medicine |
Christine Stevens |
|
6154 |
|
Studies in Musical Science in the Late Renaissance (Medicine & Renaissance Study) |
D.P. Walker |
|
6155 |
|
Musik in der Medizin / Music in Medicine: Neurophysiologische Grundlagen Klinische Applikationen Geisteswissenschaftliche Einordnung / Neurophysiological Basis Clinical Applications Aspects in the Humanities [1 ed.] |
R. Droh (auth.), Dr. med. Ralph Spintge, Dr. med. Roland Droh (eds.) |
1 |
6156 |
|
Sounding the inner landscape : music as medicine |
Kay Gardner |
|
6157 |
|
Representing Emotions: New Connections in the Histories of Art, Music and Medicine [1° ed.] |
Helen Hills, Penelope Gouk (editor) |
1 |
6158 |
|
Music that works: Contributions of biology, neurophysiology, psychology, sociology, medicine and musicology [1 ed.] |
Roland Haas, Vera Brandes |
1 |
6159 |
|
Good Medicine and Good Music: A Biography of Mrs. Joe Person, Patent Remedy Entrepreneur and Musician, Including the Complete Text of Her 1903 Autobiography |
David W. Hursh |
|
6160 |
|
Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome: 1550–1750 (Music in Society and Culture, 12) |
Naomi J. Barker |
|
6161 |
|
The definitive biography of P.D.Q. Bach (1807-1742?) |
Bach, Johann Sebastian,Bach, P. D. Q.,Schickele, Peter |
|
6162 |
|
Recommender Systems for Medicine and Music (Studies in Computational Intelligence, 946) [1st ed. 2021] |
Zbigniew W. Ras (editor), Alicja Wieczorkowska (editor), Shusaku Tsumoto (editor) |
1 |
6163 |
|
Scales to Scalpels: Doctors Who Practice the Healing Arts of Music and Medicine: The Story of the Longwood Symphony Orchestra |
Lisa Wong |
|
6164 |
|
Understanding music with AI: perspectives on music cognition |
Balaban M., Ebcioglu E., Laske O. (eds.) |
|
6165 |
|
Music Medicine: The Science and Spirit of Healing Yourself with Sound |
Christine Stevens |
|
6166 |
|
Music in the AI Era: 15th International Symposium, CMMR 2021, Virtual Event, November 15–19, 2021, Revised Selected Papers (Lecture Notes in Computer Science) |
Mitsuko Aramaki, Keiji Hirata, Tetsuro Kitahara, Richard Kronland-Martinet, Sølvi Ystad |
|
6167 |
|
Creativity in Music Education [1st ed.] |
Yukiko Tsubonou, Ai-Girl Tan, Mayumi Oie |
1 |
6168 |
|
Mathematical Music: From Antiquity to Music AI |
Nikita Braguinski |
|
6169 |
|
Generative Deep Learning: Teaching Machines to Paint, Write, Compose, and Play |
David Foster |
|
6170 |
|
Deep and Shallow: Machine Learning in Music and Audio |
Shlomo Dubnov, Ross Greer |
|
6171 |
|
JavaScript for Sound Artists: Learn to Code with the Web Audio API [2 ed.] |
William Turner, Steve Leonard |
2 |
6172 |
|
JavaScript for Sound Artists. Learn to Code with the Web Audio API |
W. Turner, S. Leonard |
|
6173 |
|
Snake charming -- the musical Python |
Gray, Iain |
|
6174 |
|
Snake Charming - The Musical Python |
Gray, Iain |
|
6175 |
|
SCAMP: Suite for Computer-Assisted Music in Python |
Marc Evanstein |
|
6176 |
|
Fundamentals of Music Processing: Using Python and Jupyter Notebooks [2 ed.] |
Meinard Müller |
2 |
6177 |
|
Music Representation and Transformation in Software: Structure and Algorithms in Python [1 ed.] |
Donald P. Pazel |
1 |
6178 |
|
Music Representation and Transformation in Software. Structure and Algorithms in Python |
Donald P. Pazel |
|
6179 |
|
Music in Java: Its History, Its Theory and Its Technique [1 ed.] |
J. Kunst (auth.), E. L. Heins (eds.) |
1 |
6180 |
|
Music in Java: Its history, Its Theory and Its Technique [2 ed.] |
J. Kunst (auth.) |
2 |
6181 |
|
Music in Java: Its History, Its Theory and Its Technique |
J. Kunst (auth.), E. L. Heins (eds.) |
|
6182 |
|
Traditional Music in Modern Java: Gamelan in a Changing Society |
Judith Becker |
|
6183 |
|
Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java |
Sarah Weiss |
|
6184 |
|
Music emotion recognition |
Yi-Hsuan Yang, Homer H Chen |
|
6185 |
|
Music Intelligence: Second Summit, SOMI 2023, Beijing, China, October 28–30, 2023, Revised Selected Papers (Communications in Computer and Information Science) |
Xiaobing Li, Xiaohong Guan, Yun Tie, Xinran Zhang, Qingwen Zhou |
|
6186 |
|
Artificial Perception and Music Recognition [1 ed.] |
Andranick S. Tanguiane (eds.) |
1 |
6187 |
|
Experiments in Musical Intelligence |
David Cope |
|
6188 |
|
Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology [1 ed.] |
Marc Leman (eds.) |
1 |
6189 |
|
Music and Artificial Intelligence: Second International Conference, ICMAI 2002 Edinburgh, Scotland, UK, September 12–14, 2002 Proceedings [1 ed.] |
Mira Balaban (auth.), Christina Anagnostopoulou, Miguel Ferrand, Alan Smaill (eds.) |
1 |
6190 |
|
Music and Artificial Intelligence: Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings (Lecture Notes in Computer Science, 2445) |
Christina Anagnostopoulou (editor), Miguel Ferrand (editor), Alan Smaill (editor) |
|
6191 |
|
Perception-Based Data Processing in Acoustics: Applications to Music Information Retrieval and Psychophysiology [1 ed.] |
Professor Bożena Kostek (auth.) |
1 |
6192 |
|
Who Asked the First Question? The origins of human choral singing, intelligence, language and speech |
Jordania, Joseph |
|
6193 |
|
Music-inspired harmony search algorithm: theory and applications [1 ed.] |
Xin-She Yang (auth.), Zong Woo Geem (eds.) |
1 |
6194 |
|
Music Emotion Recognition (Multimedia Computing, Communication and Intelligence) [1 ed.] |
Yi-Hsuan Yang, Homer H. Chen |
1 |
6195 |
|
Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings [1 ed.] |
Mathieu Bergeron, Darrell Conklin (auth.), Carlos Agon, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau (eds.) |
1 |
6196 |
|
Computational Intelligence in Music, Sound, Art and Design: 6th International Conference, EvoMUSART 2017, Amsterdam, The Netherlands, April 19–21, 2017, Proceedings [1 ed.] |
João Correia, Vic Ciesielski, Antonios Liapis (eds.) |
1 |
6197 |
|
Mathematics and Computation in Music: 6th International Conference, MCM 2017, Mexico City, Mexico, June 26-29, 2017, Proceedings [1 ed.] |
Octavio A. Agustín-Aquino,Emilio Lluis-Puebla,Mariana Montiel (eds.) |
1 |
6198 |
|
From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces [1 ed.] |
Jacek Grekow (auth.) |
1 |
6199 |
|
Computational Intelligence in Music, Sound, Art and Design [1st ed.] |
Antonios Liapis, Juan Jesús Romero Cardalda, Anikó Ekárt |
1 |
6200 |
|
Artificial Intelligence in Music, Sound, Art and Design. 12th International Conference, EvoMUSART 2023 Held as Part of EvoStar 2023 Brno, Czech Republic, April 12–14, 2023 Proceedings |
Colin Johnson, Nereida Rodríguez-Fernández, Sérgio M. Rebelo |
|
6201 |
|
Artificial Intelligence in Music, Sound, Art and Design: 12th International Conference, EvoMUSART 2023 Held as Part of EvoStar 2023 Brno, Czech Republic, April 12–14, 2023 Proceedings |
Colin Johnson, Nereida Rodríguez-Fernández, Sérgio M. Rebelo |
|
6202 |
|
Artificial Intelligence in Music, Sound, Art and Design: 11th International Conference, EvoMUSART 2022 Held as Part of EvoStar 2022 Madrid, Spain, April 20–22, 2022 Proceedings |
Tiago Martins, Nereida Rodríguez-Fernández, Sérgio M. Rebelo |
|
6203 |
|
Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity |
Eduardo Reck Miranda |
|
6204 |
|
Computational Intelligence in Music, Sound, Art and Design: 8th International Conference, EvoMUSART 2019, Held as Part of EvoStar 2019, Leipzig, Germany, April 24–26, 2019, Proceedings [1st ed.] |
Anikó Ekárt, Antonios Liapis, María Luz Castro Pena |
1 |
6205 |
|
Mathematics and Music [Draft ed.] |
David Wright |
|
6206 |
|
Mathematics and Computation in Music: 4th International Conference, MCM 2013, Montreal, QC, Canada, June 12-14, 2013. Proceedings [1 ed.] |
Emmanuel Amiot (auth.), Jason Yust, Jonathan Wild, John Ashley Burgoyne (eds.) |
1 |
6207 |
|
Mathematics and Music : A Diderot Mathematical Forum [1 ed.] |
Manuel Pedro Ferreira (auth.), Gerard Assayag, Hans Georg Feichtinger, Jose Francisco Rodrigues (eds.) |
1 |
6208 |
|
Music, Geometry and Mathematics: The Source Code Revealed |
Derrick Scott van Heerden |
|
6209 |
|
Science and Music [1 ed.] |
James Jeans |
1 |
6210 |
|
Journal of Mathematics and Music 2010 |
|
|
6211 |
|
Mathematics and Computation in Music: First International Conference, MCM 2007, Berlin, Germany, May 18-20, 2007. Revised Selected Papers (Communications in Computer and Information Science) [1 ed.] |
Timour Klouche, Thomas Noll |
1 |
6212 |
|
Music, Experiment and Mathematics in England, 1653–1705 [1 ed.] |
Benjamin Wardhaugh |
1 |
6213 |
|
Mathematics and contemporary music |
Абдысагин Р.Т. |
|
6214 |
|
Functorial Semiotics for Creativity in Music and Mathematics (Computational Music Science) |
Guerino Mazzola, Sangeeta Dey, Zilu Chen, Yan Pang |
|
6215 |
|
Music and Mathematics |
Philippe Vendrix |
|
6216 |
|
Mathematics and music [draft ed.] |
Benson D. |
|
6217 |
|
Physics and Metaphysics of Music and Essays on the Philosophy of Mathematics [1 ed.] |
Lazare Saminsky (auth.) |
1 |
6218 |
|
Drumset in Mathematics, An Invaluable Companion in Studies, The Applications |
Gianpaolo Gallian |
|
6219 |
|
Music Theory and Mathematics: Chords, Collections, and Transformations |
Martha M. Hyde (editor), Charles Smith (editor) |
|
6220 |
|
Music, Mathematics and Language: The New Horizon of Computational Musicology Opened by Information Science |
Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka |
|
6221 |
|
Mathematics and Computation in Music: Second International Conference, MCM 2009, New Haven, CT, USA, June 19-22, 2009. Proceedings (Communications in Computer and Information Science) [1 ed.] |
Elaine Chew, Adrian Childs, Ching-Hua Chuan |
1 |
6222 |
|
Mathematics and Computation in Music: 8th International Conference, MCM 2022, Atlanta, GA, USA, June 21–24, 2022, Proceedings |
Mariana Montiel, Octavio A. Agustín-Aquino, Francisco Gómez, Jeremy Kastine, Emilio Lluis-Puebla, Brent Milam |
|
6223 |
|
The Mathematics of Music and Art |
Arturo Portnoy |
|
6224 |
|
Mathematics and Computation in Music: 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, Proceedings [1st ed.] |
Mariana Montiel, Francisco Gomez-Martin, Octavio A. Agustín-Aquino |
1 |
6225 |
|
Mathematics and Computation in Music: Second International Conference, MCM 2009, John Clough Memorial Conference New Haven, CT, USA, June 19-22, 2009. Proceedings [1 ed.] |
Giovanni Albini, Samuele Antonini (auth.), Elaine Chew, Adrian Childs, Ching-Hua Chuan (eds.) |
1 |
6226 |
|
Mathmusic |
Fumihiro Sei |
|
6227 |
|
Mathematics and Music : Composition, Perception, and Performance |
Don, Gary W., Walker, James S |
|
6228 |
|
Harmonograph: A Visual Guide to the Mathematics of Music |
Anthony Ashton |
|
6229 |
|
Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings [1 ed.] |
Tom Collins, David Meredith, Anja Volk (eds.) |
1 |
6230 |
|
Mathematics and computation in music second international conference; proceedings MCM <2. 2009. New Haven. Conn.> [1 ed.] |
Elaine Chew, Adrian Childs, Ching-Hua Chuan |
1 |
6231 |
|
How Music and Mathematics Relate [1st ed.] |
David Kung |
1 |
6232 |
|
Music Numinous and Mathematics. Form and Analysis Through Fourier Space |
Eva Li (ed.) |
|
6233 |
|
Foundations of diatonic theory: a mathematically based approach to music fundamentals [1 ed.] |
Timothy A. Johnson |
1 |
6234 |
|
A Million Years of Music: The Emergence of Human Modernity |
Gary Tomlinson |
|
6235 |
|
Harmonograph: A Visual Guide to the Mathematics of Music [9 ed.] |
Anthony Ashton |
9 |
6236 |
|
Who Killed John Lennon? The Lives, Loves and Deaths of the Greatest Rock Star |
Lesley-Ann Jones |
|
6237 |
|
Woody Guthrie's Modern World Blues (Volume 3) (American Popular Music Series) |
Will Kaufman |
|
6238 |
|
Zayn--A New Direction: The Unauthorised Biography |
Sarah Oliver |
|
6239 |
|
Zimbabwean Mbira Music on an International Stage (Soas Musicology Series) |
Keith Howard |
|
6240 |
|
Music Listening Today, Advantage Edition |
Charles Hoffer |
|
6241 |
|
The Producer as Composer [1 ed.] |
Virgil Moorefield |
1 |
6242 |
|
Developing Virtual Synthesizers with VCV Rack [1 ed.] |
Leonardo Gabrielli (Author) |
1 |
6243 |
|
Modal and tonal counterpoint: from Josquin to Stravinsky / |
Harold Owen. |
|
6244 |
|
Intelligent Music Production [1 ed.] |
Brecht De Man (Author), Ryan Stables (Author), Joshua D. Reiss (Author) |
1 |
6245 |
|
Cloud-Based Music Production: Sampling, Synthesis, and Hip-Hop [1 ed.] |
Matthew T. Shelvock (Author) |
1 |
6246 |
|
Gender in Music Production [1 ed.] |
Russ Hepworth-Sawyer (Editor), Jay Hodgson (Editor), Liesl King (Editor), Mark Marrington (Editor) |
1 |
6247 |
|
Build Your Own PC Recording Studio [1 ed.] |
John Chappell |
1 |
6248 |
|
Band Scoring |
Joseph Wagner |
|
6249 |
|
Ideas and Styles in the Western Musical Tradition [1 ed.] |
Douglass Seaton |
1 |
6250 |
|
Vocal Power [1 ed.] |
Arthur Samuel Joseph |
1 |
6251 |
|
Careers for music lovers & other tuneful types |
Jeff Johnson |
|
6252 |
|
Billy Idol (Play-It-Like-It-Is) |
Milton Okun |
|
6253 |
|
Rock Music Styles: A History (B&B MUSIC) [8 ed.] |
Katherine Charlton Rock Music Styles |
8 |
6254 |
|
Music: The Art of Listening , Seventh Edition [7 ed.] |
Jean Ferris |
7 |
6255 |
|
Music: An Appreciation, Brief Edition [9th ed.] |
Roger Kamien |
9 |
6256 |
|
Music: An Appreciation, Brief Edition [8 ed.] |
Roger Kamien |
8 |
6257 |
|
Psychology of Music |
Carl E. Seashore |
|
6258 |
|
Music: An Appreciation ISE [13th edition, International] |
Roger Kamien |
13 |
6259 |
|
Is Hip-Hop Dead The Past, Present, and |
Hess, Mickey |
|
6260 |
|
Set the Night on Fire: Living, Dying and Playing Guitar with the Doors |
Robby Krieger |
|
6261 |
|
The New Winds of Change: The Evolution of the Contemporary American Wind Band/Ensemble and Its Music |
Frank L. Battisti |
|
6262 |
|
Electronic Music Circuit Guidebook [First Edition Fifth Printing] |
Brice. Ward |
|
6263 |
|
Studio Recording Procedures [1 ed.] |
Michael Shea |
1 |
6264 |
|
Music: An Appreciation [10 ed.] |
Roger Kamien |
10 |
6265 |
|
studio recording procedures how to record any instrument |
mike shea |
|
6266 |
|
Music: An Appreciation [10th Brief ed.] |
Roger Kamien, Anita Kamien |
10 |
6267 |
|
Music: An Appreciation [Hardcover ed.] |
Roger Kamien, Anita Kamien |
|
6268 |
|
Music: An Appreciation [13e ed.] |
Roger Kamien |
13 |
6269 |
|
Music, the Listener's Art |
Leonard G. Ratner |
|
6270 |
|
Sight Singing Complete [8 ed.] |
Maureen A Carr, Bruce Benward |
8 |
6271 |
|
Music in Theory and Practice, Vol. 1 , Eighth Edition [8th ed.] |
Bruce Benward, Marilyn Saker |
8 |
6272 |
|
Ear Training: A Technique for Listening [7 ed.] |
Bruce Benward, J. Timothy Kolosick |
7 |
6273 |
|
Guide to Teaching Strings [[7th ed.]] |
Norman Lamb, Susan Lamb Cook |
7 |
6274 |
|
How to Build a Small Budget Recording Studio from Scratch 4/E |
Mike Shea &, F. Alton Everest |
|
6275 |
|
How to Build a Small Budget Recording Studio from Scratch 4/E [4 ed.] |
Mike Shea |
4 |
6276 |
|
How to build a small budget recording studio from scratch--with 12 tested designs [3rd ed] |
Everest, Frederick Alton, Shea, Mike |
3 |
6277 |
|
World Music: Traditions and Transformations, 2nd Edition [2nd ed.] |
Michael Bakan |
2 |
6278 |
|
Elvis |
Albert Goldman |
|
6279 |
|
Tonal Harmony: With an Introduction to Twentieth-Century Music [3rd ed.] |
Stefan Kostka, Dorothy Payne, Allan Schindler |
3 |
6280 |
|
Tonal Harmony: With an Introduction to Twentieth Century Music CD 1&2 [6 ed.] |
Stefan Kostka, Dorothy Payne |
6 |
6281 |
|
Workbook to Accompany Music in Theory and Practice [1, 10 ed.] |
Bruce Benward, Marilyn Saker |
10 |
6282 |
|
Workbook for Tonal Harmony: With an Introduction to Twentieth-Century Music, 5th Edition [5 ed.] |
Stefan Kostka, Dorothy Payne |
5 |
6283 |
|
Harmony : structure and style |
Leonard G. Ratner |
|
6284 |
|
Experience Music [5 ed.] |
Katherine Charlton |
5 |
6285 |
|
Harmony in Context [3 ed.] |
Miguel A. Roig-Francolí |
3 |
6286 |
|
Experience Music! [2nd ed.] |
Katherine Charlton |
2 |
6287 |
|
Making changes: A practical guide to vernacular harmony |
Eric Salzman |
|
6288 |
|
Principles of Digital Audio |
Ken Pohlmann |
|
6289 |
|
America’s Musical Landscape [Seventh edition] |
Jean Ferris |
|
6290 |
|
Principles of Digital Audio [6th edition] |
Pohlmann, Ken C |
6 |
6291 |
|
Makerspace Sound and Music Projects for All Ages |
Isaac W. Glendening, Mary L. Glendening |
|
6292 |
|
Great Jobs for Music Majors [2 ed.] |
Jan Goldberg |
2 |
6293 |
|
Great Jobs for Music Majors |
Jan Goldberg, Stephen E. Lambert, Julie Degalan |
|
6294 |
|
The Beatles Forever [First ed.] |
Nicholas Schaffner |
|
6295 |
|
The Beatles [Rev. ed] |
Beatles.,Davies, Hunter |
|
6296 |
|
Cultural Psychology of Musical Experience [1 ed.] |
Sven Hroar Klempe |
1 |
6297 |
|
Cultural Production in and Beyond the Recording Studio [1 ed.] |
Allan Watson |
1 |
6298 |
|
Elements Of Human Voice |
Julian Chengjun Chen |
|
6299 |
|
Embodied Human–Computer Interaction in Vocal Music Performance |
Franziska Baumann |
|
6300 |
|
Human Punk For Real: An Autobiography [English Edition] |
Marco Thiede |
|
6301 |
|
Infinite Music: Imagining the Next Millennium of Human Music-Making |
Adam Harper |
|
6302 |
|
Human? |
Ziggy Ramo |
|
6303 |
|
Musical Meaning and Human Values |
Keith Chapin (editor), Lawrence Kramer (editor) |
|
6304 |
|
Musicality of human brain through fractal analytics |
Ghosh, Dipak |
|
6305 |
|
Noise: A Human History of Sound and Listening |
David Hendy |
|
6306 |
|
Music: Mystery, Art and the Human Being |
Rudolf Steiner |
|
6307 |
|
Rebel musics. Volume 2 : human rights, resistant sounds, and the politics of music making |
Daniel Fischlin, Ajay Heble (editors) |
|
6308 |
|
Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making [Reprint ed.] |
Daniel Fischlin, Ajay Heble |
|
6309 |
|
Role of Music in Human Life |
|
|
6310 |
|
Sound and music for the theatre : the art and technique of design [3 ed.] |
Deena Kaye, James LeBrecht |
3 |
6311 |
|
Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion |
Adam Haupt |
|
6312 |
|
The Human Nature of the Singing Voice: Exploring a Holistic Basis for Sound Teaching and Learning |
Peter T Harrison |
|
6313 |
|
The Production and Consumption of Music in the Digital Age |
Brian J. Hracs, Michael Seman, Tarek E. Virani |
|
6314 |
|
The Musical Human: A History of Life on Earth |
Michael Spitzer |
|
6315 |
|
The Routledge Companion to Music and Human Rights |
Julian Fifer, Angela Impey, Peter G. Kirchschlaeger, Manfred Nowak, George Ulrich |
|
6316 |
|
The Science of Musical Sound: Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice [1st ed.] |
William Ralph Bennett Jr., Andrew C. H. Morrison |
1 |
6317 |
|
This Is Your Brain on Music: The Science of a Human Obsession [Hardcover ed.] |
Daniel J. Levitin |
|
6318 |
|
This is your brain on music: understanding a human obsession |
Levitin D.J. |
|
6319 |
|
The Science of Musical Sound: Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice |
William Ralph Bennett Jr. |
|
6320 |
|
This is Your Brain on Music: The Science of a Human Obsession |
Daniel J. Levitin |
|
6321 |
|
This is Your Brain on Music. Science of a Human Obsession [Abridged] |
Daniel J. Levitin |
|
6322 |
|
This is your brain on music: the science of a human obsession |
Levitin, Daniel J. |
|
6323 |
|
Towards a Global Music History: Intercultural Convergence, Fusion, and Transformation in the Human Musical Story |
Mark Hijleh |
|
6324 |
|
Yip Harburg: Legendary Lyricist and Human Rights Activist |
Harriet Hyman Alonso |
|
6325 |
|
Madonna: Bed time stories |
|
|
6326 |
|
Bruce Springsteen: The Stories Behind the Songs |
Brian Hiatt |
|
6327 |
|
Jiya Jale: The Stories of Songs |
Gulzar (In conversation with Nasreen Munni Kabir) |
|
6328 |
|
Nocturnes: Five Stories of Music and Nightfall |
Kazuo Ishiguro |
|
6329 |
|
You Are the Music: How Music Reveals What it Means to be Human |
Victoria Williamson |
|
6330 |
|
English Adventure 3. Intensive Edition (Audio CDs - Class CDs & Music and Stories CD) |
|
|
6331 |
|
I Need More: The Stooges and Other Stories |
Iggy Pop, Anne Wehrer |
|
6332 |
|
Kanye West Owes Me $300: And Other True Stories from a White Rapper Who Almost Made It Big |
Jensen Karp |
|
6333 |
|
Kanye West Owes Me $300: And Other True Stories from a White Rapper Who Almost Made it Big |
Jensen Karp |
|
6334 |
|
A selected annotated list of recordings used as a medium for conveying the stories of four famous operas of Verdi to a tenth grade music appreciation class |
Gustafson, Donald Collins |
|
6335 |
|
Teen Spirit: The Stories Behind Every Nirvana Song |
Crisafulli, Chuck |
|
6336 |
|
Songs and Stories of the North American Indians : with rhythm indications for drum accompaniment [1 ed.] |
Paul Glass, H.B. Vestal |
1 |
6337 |
|
Stories of Famous Operas [Revised Edition] |
Harold Vincent Milligan |
|
6338 |
|
The Beatles : the stories behind the songs 1967-1970 |
Turner, Steve |
|
6339 |
|
One Voice: Music and Stories in the Classroom |
Barbara M. Britsch, Amy Dennison-Tansey |
|
6340 |
|
Trans-Siberian Orchestra, Christmas Eve & Other Stories |
Trans-Siberian Orchestra |
|
6341 |
|
Classic Rock Stories |
Tim Morse |
|
6342 |
|
100 Greatest Songs in Christian Music: The Stories Behind the Music That Changed Our Lives Forever |
CCM |
|
6343 |
|
Scary Monsters and Super Freaks: Stories of Sex, Drugs, Rock 'N' Roll and Murder [1 ed.] |
Mike Sager |
1 |
6344 |
|
Songs Sung Red, White, and Blue: The Stories Behind America's Best-Loved Patriotic Songs [1 ed.] |
Ace Collins |
1 |
6345 |
|
Studio Stories: How the Great New York Records Were Made: From Miles to Madonna, Sinatra to the Ramones |
Dave Simons |
|
6346 |
|
Around the Opry Table: A Feast of Recipes and Stories from the Grand Ole Opry [1 ed.] |
Kay West |
1 |
6347 |
|
Punk: Loud, Young and Snotty -- The Stories Behind the Songs |
Wells, Steven |
|
6348 |
|
New Sounds, New Stories (LUP Dissertaties) |
Vincent Meelberg |
|
6349 |
|
Listening for a life: a dialogic ethnography of Bessie Eldreth through her songs and stories |
Patricia Sawin |
|
6350 |
|
A Hard Day's Write, 3e: The Stories Behind Every Beatles Song [New, Updated] |
Steve Turner |
|
6351 |
|
More Stories Behind the Best-Loved Songs of Christmas |
Ace Collins |
|
6352 |
|
Rock Band Name Origins : The Stories of 240 Groups and Performers [1 ed.] |
Greg Metzer |
1 |
6353 |
|
Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces [Original ed.] |
Albert Mudrian |
|
6354 |
|
Grumpy Old Rock Star: and Other Wondrous Stories |
Rick Wakeman |
|
6355 |
|
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley [1 ed.] |
Philip Furia, Michael Lasser |
1 |
6356 |
|
John Lydon: Stories of Johnny: A Compendium of Thoughts on the Icon of an Era |
Rob Johnstone |
|
6357 |
|
Women in Texas Music: Stories and Songs |
Kathleen Hudson |
|
6358 |
|
The songs became the stories : the music in African American fiction, 1970-2005 |
Robert H. Cataliotti |
|
6359 |
|
Jim Croce Anthology (Songbook): The Stories Behind the Songs |
Ingrid Croce, et al |
|
6360 |
|
Woodstock Revisited: 50 Far Out, Groovy, Peace-Loving, Flashback-Inducing Stories From Those Who Were There |
Susan Reynolds |
|
6361 |
|
Male Voices: Stories of Boys Learning Through Making Music |
Scott Harrison |
|
6362 |
|
Led Zeppelin: The Stories Behind Every Led Zeppelin Song |
Chris Welch |
|
6363 |
|
U2: The Stories Behind Every U2 Song |
Niall Stokes |
|
6364 |
|
Woodstock Revisited: 50 Far Out, Groovy, Peace-Loving, Flashback-Inducing Stories From Those Who Were There [1 Original ed.] |
Susan Reynolds |
1 |
6365 |
|
Our Latter-day Hymns: The Stories and the Messages |
Davidson, Karen Lynn |
|
6366 |
|
The Beatles 1967-70: The Stories Behind the Songs 1967-1970 |
Steve Turner |
|
6367 |
|
Jimi Hendrix: the Stories Behind Every Song |
Hendrix, Jimi,Stubbs, David |
|
6368 |
|
Stories Behind the Greatest Hits of Christmas |
Ace Collins |
|
6369 |
|
Rock 'n' Roll Myths: The True Stories Behind the Most Infamous Legends [First ed.] |
Gary Graff, Daniel Durchholz |
|
6370 |
|
The Greatest Music Stories Never Told: 100 Tales from Music History to Astonish, Bewilder, and Stupefy |
Rick Beyer |
|
6371 |
|
The Fray--Scars & Stories (Songbook) |
The Fray |
|
6372 |
|
Bob Marley: The Stories Behind the Songs |
Maureen Sheridan |
|
6373 |
|
50 Licks: Myths and Stories from Half a Century of the Rolling Stones |
Peter Fornatale |
|
6374 |
|
Randy Bachman's Vinyl Tap Stories [Reprint ed.] |
Randy Bachman |
|
6375 |
|
Dion: The Wanderer Talks Truth (Stories, Humor Music) |
Dion DiMucci, Mike Aquilina |
|
6376 |
|
Up Yon Wide and Lonely Glen: Travellers' Songs, Stories and Tunes of the Fetterangus Stewarts |
Elizabeth Stewart, Alison McMorland |
|
6377 |
|
The Rolling Stones: the stories behind their biggest songs [New edition] |
Rolling Stones.,Appleford, Steve |
|
6378 |
|
More Stories of Famous Operas |
Ernest Newman |
|
6379 |
|
Rock and roll stories - Lynn Goldsmith |
Goldsmith, Lynn,Himmel, Eric |
|
6380 |
|
Punk Rock Saved My Ass: An Anthology of True Punk Rock Stories |
Terena Scott, Jane Mackay |
|
6381 |
|
John Lydon: Stories of Johnny: A Compendium of Thoughts on the Icon of an Era: Stories of Johnny |
Marcus, Greil,Johnstone, Rob,McGee, Alan,Needs, Kris,Clayson, Alan |
|
6382 |
|
We Will Survive: True Stories of Encouragement, Inspiration, and the Power of Song |
Gaynor, Gloria,Carswell, Sue |
|
6383 |
|
The Strat in the Attic: Thrilling Stories of Guitar Archaeology |
Deke Dickerson, Jonathan Kellerman |
|
6384 |
|
Silent night: the stories behind 40 beloved Christmas carols |
MCLAUGHLIN, DAVID |
|
6385 |
|
Titanic Poetry, Music & Stories |
Ken Rossignol |
|
6386 |
|
Telling Stories, Writing Songs: An Album of Texas Songwriters |
Kathleen Hudson, Sam Phillips, B.B. King |
|
6387 |
|
Life Stories and Sociological Imagination : Music, Private Lives, and Public Identity in France and Sweden [1 ed.] |
Alexandra D'Urso |
1 |
6388 |
|
Deadheads: stories from fellow artists, friends & followers of the Grateful Dead [New edition] |
Kelly, Linda |
|
6389 |
|
75 masterpieces every Christian should know: the fascinating stories behind great works of art, literature, music, and film |
Glaspey, Terry W |
|
6390 |
|
The Carols of Christmas: A Celebration of the Surprising Stories Behind Your Favorite Holiday Songs |
Andrew Gant |
|
6391 |
|
Walrus and the Elephants, The: John Lennon's Years of Revolution [Illustrated] |
James A Mitchell |
|
6392 |
|
Nashville Songwriter: The Inside Stories Behind Country Music's Greatest Hits |
Jake Brown |
|
6393 |
|
The Girl in the Song: The Real Stories Behind 50 Rock Classics |
Michael Heatley, Frank Hopkinson |
|
6394 |
|
The Boy in the Song: The Real Stories Behind 50 Classic Pop Songs |
Michael Heatley |
|
6395 |
|
Chicken Soup for the Soul: The Story behind the Song: The Exclusive Personal Stories behind 101 of Your Favorite Songs |
Jack Canfield, Mark Victor Hansen, Jo-Ann Geffen |
|
6396 |
|
The Strat in the Attic 2: More Thrilling Stories of Guitar Archaeology |
Deke Dickerson |
|
6397 |
|
The Vinyl Dialogues: Stories behind memorable albums of the 1970s as told by the artists |
Mike Morsch |
|
6398 |
|
Pop Sounds: Klangtexturen in der Pop- und Rockmusik. Basics - Stories - Tracks [1. Aufl.] |
Thomas Phleps (verst.) (editor), Ralf von Appen (editor) |
1 |
6399 |
|
Around the World with One Direction: The True Stories as Told by the Fans |
Sarah Oliver |
|
6400 |
|
The Beatles Lyrics The Stories Behind The Music |
Hunter Davies |
|
6401 |
|
The musical brain : and other stories |
Aira, César, Andrews, Chris |
|
6402 |
|
75 masterpieces every Christian should know : the fascinating stories behind great works of art, literature, music, and film |
Glaspey, Terry W |
|
6403 |
|
On the Road with The Oak Ridge Boys: Forty Years of Untold Stories and Adventures |
Bonsall, Joseph S |
|
6404 |
|
NOFX: the hepatitis bathtub and other stories |
NOFX,Alulis, Jeff |
|
6405 |
|
I Killed Pink Floyd's Pig: Inside Stories of Sex, Drugs and Rock & Roll |
Beau Phillips |
|
6406 |
|
MDC: Memoir from a Damaged Civilization: Stories of Punk, Fear, and Redemption |
Dave Dictor |
|
6407 |
|
You've Heard These Hands: From the Wall of Sound to the Wrecking Crew and Other Incredible Stories |
Don Randi, Karen Nishimura |
|
6408 |
|
Awesome entertainers!: the stories behind the records |
Guinness World Records Limited.,Roberts, Christa |
|
6409 |
|
MDC Memoir From A Damaged Civilization Stories Of Punk Fear And Redemption |
Dave Dictor |
|
6410 |
|
NOFX: the hepatitis bathtub and other stories |
NOFX (Musical group) |
|
6411 |
|
NOFX : the hepatitis bathtub and other stories |
Alulis, Jeff |
|
6412 |
|
Sing It! |
Meryl Danziger |
|
6413 |
|
Suck and Blow: And Other Stories I'm Not Supposed to Tell |
John Popper, Dean Budnick |
|
6414 |
|
Can’t Stand Up For Falling Down: Rock’n’Roll War Stories |
Allan Jones |
|
6415 |
|
Cover Me: The Stories Behind the Greatest Cover Songs of All Time |
Ray Padgett |
|
6416 |
|
Temple of the Scapegoat: Opera Stories |
Alexander Kluge |
|
6417 |
|
Showstoppers!: the surprising backstage stories of Broadway's most remarkable songs [First edition] |
Nachman, Gerald |
|
6418 |
|
Cover me: the stories behind the greatest cover songs of all time |
Padgett, Ray |
|
6419 |
|
A Sick Life: TLC ’n Me: Stories from On and Off the Stage |
Tionne Watkins |
|
6420 |
|
Access All Areas: Stories From a Hard Rock Life |
Scott Ian |
|
6421 |
|
From cradle to stage: stories from the mothers who rocked and raised rock stars |
Grohl, Virginia Hanlon |
|
6422 |
|
From Cradle to Stage: Stories From the Mothers Who Rocked and Raised Rock Stars |
Grohl, Virginia Hanlon |
|
6423 |
|
From Cradle To Stage Stories From The Mothers Who Rocked |
Virginia Hanlon Grohl |
|
6424 |
|
A Spy in the House of Loud: New York Songs and Stories |
Chris Stamey |
|
6425 |
|
My Own Devices: True Stories from the Road on Music, Science, and Senseless Love |
Dessa (Vocalist) |
|
6426 |
|
Symphony of Seduction The Great Love Stories Of Classical Composers |
Christopher Lawrence |
|
6427 |
|
DC Jazz: Stories of Jazz Music in Washington, DC [Illustrated] |
Maurice Jackson (editor), Blair A. Ruble (editor) |
|
6428 |
|
Stories Behind the Songs and Hymns about Heaven |
Ace Collins |
|
6429 |
|
A Spy In The House Of Loud New York Songs And Stories |
Chris Stamey |
|
6430 |
|
Country Music's Greatest Lines: Lyrics, Stories & Sketches from American Classics |
Bobby Braddock |
|
6431 |
|
Jim Marshall: show me the picture: images and stories from a photography legend |
Davis, Amelia,Marshall, Jim |
|
6432 |
|
So Real It Hurts |
Lydia Lunch |
|
6433 |
|
Taylor Swift: Stories, Anecdotes, and Inspiration From Across the Eras |
deBeyer, Clara |
|
6434 |
|
They Don't Need to Understand: Stories of Hope, Fear, Family, Life, and Never Giving In |
Andy Biersack |
|
6435 |
|
Ballad Hunting with Max Hunter: Stories of an Ozark Folksong Collector |
Sarah Nelson |
|
6436 |
|
Rocky Mountain Highway: Stories and Photos of My 25 Years Traveling with John Denver |
Lowell Norman |
|
6437 |
|
The Best Strangers in the World: Stories from a Life Spent Listening |
Ari Shapiro |
|
6438 |
|
Too Late To Stop Now: More Rock’n’Roll War Stories |
Allan Jones |
|
6439 |
|
Double Talkin' Jive: True Rock 'n' Roll Stories from the Drummer of Guns N' Roses, The Cult, and Velvet Revolver [1 ed.] |
|
1 |
6440 |
|
An Advent Carols Countdown: Stories Behind the Most Beloved Music of Christmas |
Michael D. Young |
|
6441 |
|
OneTrackMinds: True Stories About Life-Changing Songs |
Kristian Brodie, Adam Shakinovsky |
|
6442 |
|
Split Decision: Life Stories |
Ice-T, Spike, Douglas Century |
|
6443 |
|
Double Talkin' Jive: True Rock 'n' Roll Stories from the Drummer of Guns N' Roses, the Cult, and Velvet Revolver |
Matt Sorum, Leif Eriksson, Martin Svensson, Billy F Gibbons |
|
6444 |
|
Me and Paul: Untold Stories of a Fabled Friendship |
Willie Nelson, david Ritz |
|
6445 |
|
Unstrung: Rants and Stories of a Noise Guitarist |
Marc Ribot |
|
6446 |
|
Stories Behind the World's Great Music |
Sigmund Spaeth |
|
6447 |
|
Anatomy of a song: the inside story behind 50 iconic pop hits |
Meyers, Marc |
|
6448 |
|
Billie Holiday: Wishing On The Moon [Reprint ed.] |
Donald Clarke |
|
6449 |
|
Harmonies of Heaven and Earth: The Spiritual Dimensions of Music from Antiquity to the Avant-garde |
Joscelyn Godwin |
|
6450 |
|
Le Freak: An Upside Down Story of Family, Disco, and Destiny |
Nile Rodgers |
|
6451 |
|
Last of the Giants : the true story of Guns n’ Roses |
Wall, Mick |
|
6452 |
|
Bad Moon Rising: The Unauthorized History of Creedence Clearwater Revival [Updated edition] |
Bordowitz, Hank |
|
6453 |
|
Swing It!: The Andrews Sisters Story [2 ed.] |
John Sforza |
2 |
6454 |
|
The Story of So So Def Recordings |
Rich Mintzer |
|
6455 |
|
While You See A Chance: The Steve Winwood Story |
John Van der Kiste |
|
6456 |
|
Selena's Secret: The Revealing Story Behind Her Tragic Death |
María Celeste Arrarás |
|
6457 |
|
Sick on You: The Disastrous Story of Britain’s Great Lost Punk Band |
Andrew Matheson |
|
6458 |
|
Singing Church History: Introducing the Christian Story through Hymn Texts [1 ed.] |
Paul Rorem |
1 |
6459 |
|
Stone Alone: The Story Of A Rock'n'Roll Band |
Bill Wyman, Ray Coleman |
|
6460 |
|
Good Rockin Tonight Sun Records And The Birth Of Rock n Roll |
Colin Escott, Martin Hawkins |
|
6461 |
|
Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story |
Alice Bag |
|
6462 |
|
Goin' Off: The Story of the Juice Crew Cold Chillin' Records |
Ben Merlis, Peanut Butter Wolf |
|
6463 |
|
Chant, Liturgy, and the Inheritance of Rome Essays in Honour of Joseph Dyer |
DiCenso, Daniel J., Maloy, Rebecca |
|
6464 |
|
t.A.T.u. story: Reconstruction of the rise and fall of the most controversial Pop duo of the 2000s |
Alessandro Paolinelli |
|
6465 |
|
THE VINYL FRONTIER: THE STORY OF NASA’S INTERSTELLAR MIXTAPE |
Jonathan Scott |
|
6466 |
|
This wheel's on fire: Levon Helm and the story of the band [Updated edition] |
Helm, Levon,Davis, Stephen,Levon Helm Band |
|
6467 |
|
Bring It On Home: Peter Grant, Led Zeppelin, and Beyond–The Story of Rock’s Greatest Manager |
Mark Blake |
|
6468 |
|
Who's Laughing Now?: The Story of Jessie J |
Chloe Govan |
|
6469 |
|
The real story of ABBA: bright lights, dark shadows [Revised edition] |
Palm, Carl Magnus |
|
6470 |
|
Please Please Tell Me Now: The Duran Duran Story [1 ed.] |
Stephen Davis |
1 |
6471 |
|
Sergeant Presley: Our Untold Story of Elvis' Missing Years |
Rex Mansfield, Elisabeth Mansfield |
|
6472 |
|
Close to the Edge: The Story of Yes |
Chris Welch |
|
6473 |
|
Sing Your Name Out Loud: 15 Rules for Living Your Dream, the inspiring story of Jason Derulo |
Jason Derulo |
|
6474 |
|
Sun Ra's Chicago: Afrofuturism & the City |
William Sites |
|
6475 |
|
Never Too Late: My Musical Life Story |
John Holt |
|
6476 |
|
The Story Of Naxos: The Extraordinary Story of the Independent Record Label that Changed Classical Recording for Ever |
Naxos,Soames, Nicolas |
|
6477 |
|
Gotye - Somebody That I Used to Know (Walk off the Earth) |
|
|
6478 |
|
Into the Black: The Inside Story of Metallica (1991-2014): volume 2 Biography [First Da Capo Press edition] |
Brannigan, Paul,Winwood, Ian |
|
6479 |
|
Trumpet around the Corner The Story of New Orleans Jazz |
Charters, Samuel Barclay |
|
6480 |
|
I'm Possible: A Story of Survival, a Tuba, and the Small Miracle of a Big Dream |
Richard Antoine White |
|
6481 |
|
Alice in Chains: The Untold Story [First edition] |
De Sola, David |
|
6482 |
|
Unleashed: The Story of Tool |
Joel McIver |
|
6483 |
|
Mars by 1980: the story of electronic music |
Stubbs, David |
|
6484 |
|
Brahms Studies: Analytical and Historical Perspectives. Papers Delivered at the International Brahms Conference, Washington, D. C., 5-8 May 1983 |
George S. Bozarth (editor) |
|
6485 |
|
Cuban fire: The story of Salsa and Latin jazz |
Isabelle Leymarie |
|
6486 |
|
Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s |
Krystyn R. Moon |
|
6487 |
|
Spider from Mars: My Life with Bowie [1 ed.] |
Woody Woodmansey |
1 |
6488 |
|
Coltrane: the story of a sound [First Picador edition] |
Coltrane, John, Coltrane, John, Ratliff, Ben |
|
6489 |
|
Far From Over The Music And Life Of Drake The Unofficial Story |
Dalton Higgins |
|
6490 |
|
Pigs Might Fly: The Inside Story of Pink Floyd |
Mark Blake |
|
6491 |
|
Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146 |
Margaret Bent, Andrew Wathey |
|
6492 |
|
Strange Fascination David Bowie The Definitive Story |
David Buckley |
|
6493 |
|
Elvis and Ginger: Elvis Presley's Fiancée and Last Love Finally Tells Her Story [Reprint ed.] |
Ginger Alden |
|
6494 |
|
Listening to the Wind: Encounters with 21st Century Independent Record Labels |
Ian Preece |
|
6495 |
|
Come as You are: The Story of Nirvana [Illustrated] |
Michael Azerad, Michael Azerrad |
|
6496 |
|
Lady sings the blues |
Billie Holiday, William Dufty |
|
6497 |
|
My Damage The Story Of A Punk Rock Survivor |
Keith Morris |
|
6498 |
|
Shout, Sister, Shout!: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe |
Gayle F. Wald |
|
6499 |
|
Sing To Me My Story Of Making Music Finding Magic And Searching For Whos Next |
LA Reid |
|
6500 |
|
PRINCE, The Story Behind Every Album, His Royal Badness, The Ultimate Tribute |
Music Icons |
|
6501 |
|
Honky Tonk Angel The Intimate Story Of Patsy Cline |
Ellis Nassour |
|
6502 |
|
House of Hits: The Story of Houston's Gold Star/SugarHill Recording Studios |
Andy Bradley, Roger Wood |
|
6503 |
|
Becoming Beyoncé: The Untold Story [Reprint ed.] |
J. Randy Taraborrelli |
|
6504 |
|
The Scientia artis musice of Hélie Salomon : teaching music in the late thirteenth century |
Dyer, Joseph Henry, Salomon, Hélie |
|
6505 |
|
Crescendo: The True Story of a Musical Genius Who Forever Changed a Southern Town |
Allen Cheney, Julie Cantrell |
|
6506 |
|
All Or Nothing: The Story of Steve Marriott |
Simon Spence |
|
6507 |
|
Psychic Confusion: The Sonic Youth Story |
Steve Chick |
|
6508 |
|
Jim Reeves: His Untold Story |
Larry Jordan |
|
6509 |
|
P.S. I Love You: The Story of the Singing Hilltoppers |
Carlton Jackson |
|
6510 |
|
Black Music in Britain in the 21st Century |
Monique Charles, Mary Gani |
|
6511 |
|
Amazing grace : the story of America's most beloved song [1 ed.] |
Steve Turner |
1 |
6512 |
|
The Dirt: Confessions of the World's Most Notorious Rock Band |
Tommy Lee, Vince Neil, Mick Mars, Nikki Sixx, Neil Strauss |
|
6513 |
|
Becoming Jimi Hendrix: From Southern Crossroads to Psychedelic London, the Untold Story of a Musical Genius |
Steven Roby, Brad Schreiber |
|
6514 |
|
The Invisible Man: The Story of Rod Temperton, the ’Thriller’ Songwriter |
Jed Pitman |
|
6515 |
|
Derek Bailey and the Story of Free Improvisation [1 ed.] |
Ben Watson |
1 |
6516 |
|
The story of Manic Street Preachers: nailed to history |
Power, Martin |
|
6517 |
|
This Music Leaves Stains The Complete Story Of The Misfits |
James Greene Jr. |
|
6518 |
|
Howling at the Moon [1st ed] |
Yetnikoff, Walter,Ritz, David |
1 |
6519 |
|
AC DC: Maximum Rock & Roll: The Ultimate Story of the World's Greatest Rock-and-Roll Band |
Murray Engleheart, Arnaud Durieux |
|
6520 |
|
Pavarotti - My Own Story |
Pavarotti, Luciano, Wright, William |
|
6521 |
|
The Scientia artis musice of Hélie Salomon : teaching music in the late thirteenth century |
Dyer, Joseph Henry, Salomon, Hélie |
|
6522 |
|
Making Rumours The Inside Story Of The Classic Fleetwood Mac Album |
Ken Caillat, Steven Stiefel |
|
6523 |
|
Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé [Illustrated] |
Bob Stanley |
|
6524 |
|
Only Wanna Be with You: The Inside Story of Hootie & the Blowfish |
Tim Sommer |
|
6525 |
|
Pacific Moon - Ancient City II |
various transcribers |
|
6526 |
|
Paolo Hewitt presents Alan McGee & the story of Creation Records |
Hewitt, Paolo,McGee, Alan |
|
6527 |
|
The Cliff Richard Story |
Mike Read |
|
6528 |
|
The Dirt: Motley Crue: Confessions of the World's Most Notorious Rock Band |
Neil Strauss, Tommy Lee (As told to), Mick Mars (As told to), Vince Neil (As told to), Nikki Sixx (As told to) |
|
6529 |
|
Out of Darkness. The Jeff Healey Story |
Cindy Watson |
|
6530 |
|
Born for this: my story in music [First edition] |
Winans, BeBe |
|
6531 |
|
Jimi hendrix: the true story of jimi hendrix |
Lawrence, Sharon |
|
6532 |
|
Lennon-McCartney: The Story of Music’s Greatest Songwriting Duo |
Charles River Editors |
|
6533 |
|
Making Rumours: The Inside Story of the Classic Fleetwood Mac Album [1 ed.] |
Ken Caillat, Steve Stiefel |
1 |
6534 |
|
Raised by Wolves: The Story of Christian Rock & Roll |
John J. Thompson |
|
6535 |
|
This Searing Light The Sun And Everything Else Joy Division The Oral History |
Jon Savage |
|
6536 |
|
Barbed wire kisses : the Jesus and Mary Chain story |
Howe, Zoe |
|
6537 |
|
Euphoria: The Story Of Palash Sen |
Ashish Kate |
|
6538 |
|
Sign of Life: A Story of Family, Tragedy, Music, and Healing |
Hilary Williams, M. B. Roberts |
|
6539 |
|
Exit Music - The Radiohead Story |
Mac Randall |
|
6540 |
|
Yeah Yeah Yeah: The Story of Modern Pop |
Bob Stanley |
|
6541 |
|
1997 In Music: The story of Radiohead’s OK Computer, Prodigy’s The Fat of the Land, who killed Notorious B.I.G., why Michael Hutchence committed suicide and much more |
Pavlov, Phillip |
|
6542 |
|
Out of This World: The Story of Muse |
Mark Beaumont |
|
6543 |
|
Cosmic Music: Musical Keys to the Interpretation of Reality [Original ed.] |
Joscelyn Godwin (editor) |
|
6544 |
|
Always the Queen: The Denise LaSalle Story |
Denise LaSalle, David G. Whiteis |
|
6545 |
|
The Devil's Horn: The Story of the Saxophone, From Noisy Novelty to King of Cool |
Michael Segell |
|
6546 |
|
FREDDIE MERCURY--What He Left Behind: The Story of What Happened after the death of Freddie Mercury |
David Evans, Peter Freestone |
|
6547 |
|
In My Life: A Music Memoir |
Alan Johnson |
|
6548 |
|
The Don McLean Story: Killing Us Softly With His Songs |
Alan Howard [Howard, Alan] |
|
6549 |
|
The pianist: the extraordinary true story of one man's survival in Warsaw, 1939-45 [1st ed] |
Hosenfeld, Wilm,Szpilman, Władysław |
1 |
6550 |
|
This Is My Story: 146 of the World's Greatest Gospel Singers |
David Liverett |
|
6551 |
|
Ticket to the World: My 80s Story |
Martin Kemp |
|
6552 |
|
West Side Story--Vocal Selections: Vocal Line with Piano Accompaniment |
Stephen Sondheim |
|
6553 |
|
One Direction: Where We Are: Our Band, Our Story: 100% Official [Reprint ed.] |
One Direction |
|
6554 |
|
Strength of a Woman: The Phyllis Hyman Story |
Jason Michael |
|
6555 |
|
Reinventing Pink Floyd From Syd Barrett to the Dark Side of the Moon |
Bill Kopp |
|
6556 |
|
Teaching Singing in the 21st Century [1 ed.] |
Scott D. Harrison, Jessica O'Bryan (eds.) |
1 |
6557 |
|
Pioneers of Jazz: The Story of the Creole Band |
Lawrence Gushee |
|
6558 |
|
SMiLE: The Story of Brian Wilson's Lost Masterpiece |
Domenic Priore, Brian Wilson |
|
6559 |
|
Bandleader Mrs Mary Hamer and Her Boys: Popular Music and Dance Cultures in Interwar Liverpool |
Laura Hamer and Michael Brocken |
|
6560 |
|
Saving Amy The Amy Winehouse Story |
Daphne Barak |
|
6561 |
|
Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009 [Updated] |
J. Randy Taraborrelli |
|
6562 |
|
Derek Bailey and The Story of Free Improvisation |
Ben Watson |
|
6563 |
|
Sun Ra: Interviews & Essays |
John Sinclair |
|
6564 |
|
Masters of Jazz Guitar: The Story of the Players and Their Music |
Charles Alexander |
|
6565 |
|
How To Ru(i)n A Record Label: The Story of Lookout Records |
Larry Livermore |
|
6566 |
|
To the Limit: The Untold Story of the Eagles [1 ed.] |
Marc Eliot |
1 |
6567 |
|
The Story Behind the Song: 150 Songs that Chronicle the 20th Century |
Richard D. Barnet, Bruce Nemerov, Mayo R. Taylor |
|
6568 |
|
It's a long story : my life |
Nelson, Willie, Ritz, David |
|
6569 |
|
Bossa Nova: the Story of the Brazilian Music That Seduced the World |
Dibbell, Julian,Castro, Ruy |
|
6570 |
|
Lady Sings the Blues the 50th Anniversary Edition [50 Anv ed.] |
Billie Holiday, William Dufty, David Ritz |
50 |
6571 |
|
One Direction: Where We Are (100% Official): Our Band, Our Story |
One Direction |
|
6572 |
|
They All Played Ragtime: The True Story of an American Music [1 ed.] |
Rudi Blesh, Harriet Janis |
1 |
6573 |
|
Worlds of Sound : The Story of Smithsonian Folkways |
Richard Carlin |
|
6574 |
|
"An American Band, The America Story" |
Dan Peek |
|
6575 |
|
Towards a cosmic music |
Karlheinz Stockhausen, Tim Nevill |
|
6576 |
|
The Story of Boogie-Woogie: A Left Hand Like God, 2nd edition [2 ed.] |
Peter J. Silvester |
2 |
6577 |
|
"Sounds So Good to Me": The Bluesman's Story [Illustrated] |
Barry Lee Pearson |
|
6578 |
|
Official truth, 101 proof: the inside story of Pantera [1st Da Capo Press paperback edition] |
Brown, Rex |
1 |
6579 |
|
Inner City Pressure: The Story of Grime |
Dan Hancox |
|
6580 |
|
Space Is the Place: The Lives and Times of Sun Ra |
John F. Szwed |
|
6581 |
|
Into the Groove: The Story of Sound From Tin Foil to Vinyl |
Jonathan Scott |
|
6582 |
|
Brigh an Òrain - A Story in Every Song |
Lauchie MacLellan, John Shaw, Alistair MacLeod |
|
6583 |
|
Cosmic Music: Musical Keys to the Interpretation of Reality |
Joscelyn Godwin, Marius Schneider, Rudolf Haase, Hans Erhard Lauer |
|
6584 |
|
30 Seconds to Mars |
|
|
6585 |
|
David Bowie: The Story Behind Every Song |
Chris Welch |
|
6586 |
|
Bold Composer: A Story About Ludwig Van Beethoven (Creative Minds Biographies) |
Judith p. Pinkerton |
|
6587 |
|
Educating Music Teachers for the 21st Century |
José Luis Aróstegui (auth.), José Luis Aróstegui (eds.) |
|
6588 |
|
More Brilliant Than the Sun: Adventures in Sonic Fiction |
Kodwo Eshun |
|
6589 |
|
Perfect Circle: The Story of R.E.M. |
Tony Fletcher |
|
6590 |
|
Je t'aime: The legendary love story of Jane Birkin and Serge Gainsbourg |
Véronique Mortaigne |
|
6591 |
|
House Of Hits: The Great Untold Story Of Australia's First Family Of Music |
Jane Albert |
|
6592 |
|
The Love You Make: An Insider's Story of the Beatles |
Peter Brown, Steven Gaines, with a new foreword by Anthony DeCurtis |
|
6593 |
|
Far from Over: The Music and Life of Drake, The Unofficial Story |
Dalton Higgins |
|
6594 |
|
Don't Rhyme For The Sake Of Riddlin': The Authorised Story Of Public Enemy |
Russell Myrie |
|
6595 |
|
Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century |
Christian Utz, Laurence Sinclair Willis, FWF |
|
6596 |
|
We Hope You Like This Song: An Overly Honest Story about Friendship, Death, and Mix Tapes |
Bree Housley |
|
6597 |
|
Opus ultimum: the story of the Mozart Requiem [illustrated edition] |
Daniel N. Leeson |
|
6598 |
|
The Lady, The Melody, and the Word: The Inspirational Story of the First Lady of Gospel |
Shirley Caesar |
|
6599 |
|
Bruno Mars - Grenade |
|
|
6600 |
|
Moon river (3 варианта) |
Mancini Henry. |
|
6601 |
|
Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe [1 ed.] |
Gayle F. Wald |
1 |
6602 |
|
Grace Anna Sings: A Story of Hope through a Little Girl with a Big Voice |
Angela Ray Rodgers |
|
6603 |
|
The Musical Work: Reality or Invention? |
Michael Talbot (ed.) |
|
6604 |
|
An Analog Synthesizer for the 21st Century |
Thomas Henry |
|
6605 |
|
Bad moon rising: the unauthorized history of Creedence Clearwater Revival [Updated ed] |
Creedence Clearwater Revival,Bordowitz, Hank |
|
6606 |
|
Have a Little Faith: The John Hiatt Story |
Michael Elliott, Elvis Costello |
|
6607 |
|
Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009 |
J. Randy Taraborrelli |
|
6608 |
|
Nothing is real: the Beatles were underrated and other sweeping statements about pop |
Hepworth, David |
|
6609 |
|
INXS: Story to Story: The Official Autobiography |
INXS Publications, Anthony Bozza |
|
6610 |
|
Moon river (big band) |
Mancini Henry. |
|
6611 |
|
Straight Life: The Story of Art Pepper [Updated ed., 1. Da Capo Press pbk. ed] |
Pepper, Art,Pepper, Laurie |
1 |
6612 |
|
Vibrate Higher: A Rap Story |
Talib Kweli |
|
6613 |
|
You Don't Cry Out Loud: The Lily Isaacs Story |
Lily Isaacs |
|
6614 |
|
Bring it on home: Peter Grant, Led Zeppelin and beyond: the story of rock's greatest manager |
Led Zeppelin (Groupe musical), Blake, Mark, Grant, Peter |
|
6615 |
|
At the Piano: Interviews with 21st-Century Pianists |
Caroline Benser |
|
6616 |
|
Children of the Revolution: The Glam Rock Story 1970–1975 [1 ed.] |
Dave Thompson |
1 |
6617 |
|
101 raga-s for the 21st century and beyond: a music lover's guide to Hindustani music |
Bakshi, Haresh |
|
6618 |
|
Are you lonesome tonight? : the untold story of Elvis Presley's one true love and the child he never knew |
De Barbin, Lucy, 1936-,Matera, Dary, 1955-, Matera, Dary, 1955- |
|
6619 |
|
Fly Me To The Moon (Big Band) |
Howard Bart. |
|
6620 |
|
Whiskey River (Take My Mind): The True Story of Texas Honky-Tonk |
Johnny Bush |
|
6621 |
|
Blinking Lights & Other Revelations: Story of Eels |
Grierson, Tim |
|
6622 |
|
A pure solar world: Sun Ra and the birth of Afrofuturism |
Sun Ra.,Youngquist, Paul |
|
6623 |
|
Green Day: A Musical Biography (The Story of the Band) |
Kjersti Egerdahl |
|
6624 |
|
Hellfire: The Jerry Lee Lewis story |
Nick Tosches |
|
6625 |
|
Moon Nashville: Can't-Miss Experiences, Food & Music, Local Favorites [5 ed.] |
Margaret Littman |
5 |
6626 |
|
Red Bird Sings: The Story of Zitkala-Ša, Native American Author, Musician, and Activist |
Gina Capaldi |
|
6627 |
|
Smoke on the Water: The Deep Purple Story |
Dave Thompson |
|
6628 |
|
The Poem in the Story : Music, Poetry, and Narrative [1 ed.] |
Harold Scheub |
1 |
6629 |
|
Fifty Sides of the Beach Boys: The Songs That Tell Their Story |
Mark Dillon |
|
6630 |
|
Accidental revolution: the story of grunge |
Anderson, Kyle |
|
6631 |
|
Trumpet around the Corner: The Story of New Orleans Jazz (American Made Music Series) |
Samuel Charters |
|
6632 |
|
Waiting for the sun : a rock 'n' roll history of Los Angeles |
Barney Hoskyns |
|
6633 |
|
LIFE Eagles: Their Story. Their Music. Their Lives. |
The Editors of LIFE |
|
6634 |
|
Strange fascination : David Bowie - the definitive story [[New edition]] |
Buckley, David |
|
6635 |
|
Pink Floyd--Dark Side of the Moon Songbook: Guitar Play-Along Volume 68 |
al, et,Floyd, Pink |
|
6636 |
|
Typical Girls?: The Story of the Slits |
Zoe Howe |
|
6637 |
|
U2: A Musical Biography (The Story of the Band) |
David Kootnikoff |
|
6638 |
|
This land that I love : Irving Berlin, Woody Guthrie, and the story of two American anthems [1. ed] |
Berlin, Irving / / God bless America, Guthrie, Woody / / This land is your land, Shaw, John |
1 |
6639 |
|
Comfortably Numb: The Inside Story of Pink Floyd [5th ptg. ed.] |
Mark Blake |
5 |
6640 |
|
Fifth Avenue Famous : The Extraordinary Story of Music at St. Patrick's Cathedral |
Salvatore Basile, Timothy M. Dolan, Timothy M. Dolan |
|
6641 |
|
Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost Story of 1970 |
David Browne |
|
6642 |
|
Sing, Memory: The Remarkable Story of the Man Who Saved the Music of the Nazi Camps |
Makana Eyre |
|
6643 |
|
The Rhythm and the Tide : Liverpool, the la's and Ever After [1 ed.] |
Mike Badger, Tim Peacock |
1 |
6644 |
|
Quiet As The Moon |
Brubeck Dave. |
|
6645 |
|
You Really Got Me: The Story of the Kinks |
Nick Hasted |
|
6646 |
|
Let the world listen right : the Mississippi Delta hip-hop story |
Ferris, William R., Neff, Ali Colleen |
|
6647 |
|
Newman Randy (Toy Story - piano, vocal) |
|
|
6648 |
|
Creating the Revolutionary Artist: Entrepreneurship for the 21st-Century Musician |
Mark Rabideau |
|
6649 |
|
Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood [First Edition] |
Michael Walker |
|
6650 |
|
The Best of Earth, Wind & Fire |
Lowden Bob. |
|
6651 |
|
Starting At Zero: His Own Story |
Jimi Hendrix |
|
6652 |
|
C. P. E. Bach Studies |
Stephen L. Clark (ed.) |
|
6653 |
|
Visual Perception of Music Notation: On-Line and Off-Line Recognition |
Susan Ella George, David Sammon |
|
6654 |
|
Joanna MacGregor's PianoWorld. A Christmas Story |
MacGregor Joanna. |
|
6655 |
|
Let's Explore Sound [♫ Read-Along ebook. ♫ ed.] |
Walt K. Moon |
|
6656 |
|
Taylor Swift: Every Day Is a Fairytale. The Unofficial Story |
Liv Spencer |
|
6657 |
|
Cello Story |
Dimitry Markevitch |
|
6658 |
|
The Never-Ending Present: The Story of Gord Downie and the Tragically Hip |
Michael Barclay |
|
6659 |
|
The Rolling Stones: A Musical Biography (The Story of the Band) |
Murry R. Nelson |
|
6660 |
|
Western Plainchant: A Handbook |
David Hiley |
|
6661 |
|
Head-On: Memories of the Liverpool Punk-scene and the Story of the Teardrop Explodes 1976-1982 |
Julian Cope |
|
6662 |
|
Inner city pressure: the story of grime |
Hancox, Dan |
|
6663 |
|
Anvil: The Story of Anvil [1st Ed.] |
Lips, Robb Reiner, Slash |
1 |
6664 |
|
Bob Dylan All the Songs: The Story Behind Every Track |
Margotin, Philippe,Guesdon, Jean-Michel |
|
6665 |
|
Playing Recorder Sonatas: Interpretation and Technique [Reprint ed.] |
Anthony Rowland-Jones |
|
6666 |
|
Continuo playing according to Handel His figured bass exercises [1 ed.] |
George Friderich Handel |
1 |
6667 |
|
Come As You Are: The Story of Nirvana |
Michael Azerrad |
|
6668 |
|
Surrender: 40 Songs, One Story |
Bono |
|
6669 |
|
Fender Telecaster and Stratocaster: The Story of the World's Most Iconic Guitars |
Dave Hunter |
|
6670 |
|
Keith Moon: There is No Substitute |
Ian Snowball |
|
6671 |
|
Moon river. String quartet |
Mancini Henry. |
|
6672 |
|
Kicking & Dreaming: A Story of Heart, Soul, and Rock & Roll [1St Edition] |
Ann Wilson, Nancy Wilson, Charles R. Cross |
1 |
6673 |
|
Music and Maestros: The Story of the Minneapolis Symphony Orchestra (Minnesota Archive Editions) [Minnesota Archive Editions] |
John K. Sherman |
|
6674 |
|
Music Theory for the 21st-Century Classroom |
Robert Hutchinson |
|
6675 |
|
Reggae Explosion: The Story of Jamaican Music |
Chris Salewicz |
|
6676 |
|
Fire and Rain: the Beatles, Simon and Garfunkel, James Taylor, CSNY, and the lost story of 1970 [1st De Capo Press pbk. ed] |
Beatles.,Crosby, Stills, Nash,Young.,Simon and Garfunkel.,Taylor, James,Browne, David |
1 |
6677 |
|
Michael Jackson: The Magic, the Madness, the Whole Story, 1958-2009 [E-Book ed.] |
Jackson, Michael,Taraborrelli, J. Randy |
|
6678 |
|
Soul Bossa Nova |
Story Michael (arr.) |
|
6679 |
|
Antoine Dufour - A Hiding Place for the Moon |
|
|
6680 |
|
Big Star: the story of rock's forgotten band |
Jovanovic, Rob |
|
6681 |
|
Elton John All the Songs: The Story Behind Every Track |
Romuald Ollivier, Olivier Roubin |
|
6682 |
|
When Rock Met Disco: The Story of How The Rolling Stones, Rod Stewart, KISS, Queen, Blondie and More Got Their Groove On in the Me Decade |
Steven Blush |
|
6683 |
|
All gates open: the story of Can |
Schmidt, Irmin,Young, Rob |
|
6684 |
|
Solid State: The Story of "Abbey Road" and the End of the Beatles |
Kenneth Womack |
|
6685 |
|
Keith Moon: Instant Party: Musings, Memories and Minutiae |
Alan Clayson |
|
6686 |
|
Metalheads: Heavy Metal Music And Adolescent Alienation |
Jeffrey Arnett |
|
6687 |
|
Cheryl: My Story |
Cheryl Cole |
|
6688 |
|
Hallelujah: the Story of a Musical Genius and the City that Brought his Masterpiece to Life |
Jonathan Bardon |
|
6689 |
|
Sleigh Ride |
Story Michael (arr.) |
|
6690 |
|
Texas Flood: The Inside Story of Stevie Ray Vaughan |
Alan Paul, Andy Aledort |
|
6691 |
|
The house that Trane built : the story of Impulse Records [1 ed.] |
Coltrane, John, Kahn, Ashley, Coltrane, John |
1 |
6692 |
|
Island in the Sun |
Harry Belafonte, Irving Burgess |
|
6693 |
|
When Colleges Sang: The Story of Singing in American College Life [1st Edition] |
Dr. James Lloyd Winstead |
1 |
6694 |
|
Bono |
Christin Ditchfield,Chuck Berg |
|
6695 |
|
Disco's out ... murder's in!: the true story of Frank the shank and L.A.'s deadliest punk rock gang |
Mattioli, Heath,Spacone, David |
|
6696 |
|
Toy Story Easy Piano Collection (Songbook): 8 Songs from the Popular Movies |
Hal Leonard Corp. |
|
6697 |
|
The story of music: from Babylon to the Beatles: how music has shaped civilization [1 ed.] |
Howard Goodall |
1 |
6698 |
|
Deaf School : The Non-Stop Pop Art Punk Rock Party [1 ed.] |
Paul Du Noyer, Suggs |
1 |
6699 |
|
Sam Myers: The Blues Is My Story (American Made Music Series) |
Sam Myers, Jeff Horton |
|
6700 |
|
Living the Beatles Legend : The Untold Story of Mal Evans |
Kenneth Womack |
|
6701 |
|
Meredith Willson, America’s music man : the whole Broadway-symphonic-radio-motion picture story |
Oates, Bill |
|
6702 |
|
The poem in the story: music, poetry, and narrative |
Harold Scheub |
|
6703 |
|
Sing with Me: The Story of Selena Quintanilla |
Diana López |
|
6704 |
|
21st-Century Musical Instruments. Hardware and Software |
Jon Appleton |
|
6705 |
|
Amore: The Story of Italian American Song [1 ed.] |
Mark Rotella |
1 |
6706 |
|
Bossa Nova: The Story of the Brazilian Music That Seduced the World [Revised] |
Ruy Castro |
|
6707 |
|
Justin Bieber: First Step 2 Forever: My Story |
Justin Bieber |
|
6708 |
|
More Brilliant Than the Sun: Adventures in Sonic Fiction [10th Anniversary edition] |
Kodwo Eshun |
10 |
6709 |
|
The Story of the House of Witmark: From Ragtime to Swingtime [1 ed.] |
Isidore Witmark, Isaac Goldberg |
1 |
6710 |
|
Cultural Diversity in Music Education: Directions and Challenges for the 21st Century |
Patricia Shehan Campbell |
|
6711 |
|
His Way: An Unauthorized Biography of Frank Sinatra |
Kitty Kelley |
|
6712 |
|
Freud’s Lost Chord: Discovering Jazz in the Resonant Psyche |
Dan Sapen, David Liebman, John Peck |
|
6713 |
|
New Moon (The Twilight Saga) - Сборник нот из фильма Новолуние (Сага Сумерки) |
Desplat A. |
|
6714 |
|
Networks of sound, style and subversion: The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80 |
Nick Crossley |
|
6715 |
|
Hey America!: The Epic Story of Black Music and the White House |
Stuart Cosgrove |
|
6716 |
|
The Vinyl Frontier: the story of the voyager golden record |
Scott, Jonathan |
|
6717 |
|
The Saddest Music Ever Written: The Story of Samuel Barber's Adagio for Strings |
Thomas Larson |
|
6718 |
|
Teaching Living Legends: Professional Development and Lessons for the 21st Century Music Educator [1 ed.] |
Chee-Hoo Lum, Siew Ling Chua (auth.) |
1 |
6719 |
|
Pink Floyd - Dark Side of the Moon: Play 7 Songs with Tab and Sound-alike CD tracks [Pap/Com ed.] |
Pink Floyd |
|
6720 |
|
Story of a Friendship: The Letters of Dmitry Shostakovich to Isaak Glikman, 1941-1975 |
Dmitry Shostakovich, Isaak Glikman, Anthony Phillips |
|
6721 |
|
The Josephine Baker Story |
Ean Wood |
|
6722 |
|
Story of Jazz |
Arnad Franck, Merlin Bergerot |
|
6723 |
|
West Side Story, Gypsy, and the Art of Broadway Orchestration [1 ed.] |
Paul Laird |
1 |
6724 |
|
A Friend in the Music Business: The ASCAP Story |
Bruce Pollock |
|
6725 |
|
Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album: The Inside Story of Fleetwood Mac's Most Anticipated Album |
Ken Caillat, Hernan Rojas |
|
6726 |
|
Closer you are the story of Robert Pollard and Guided by voices |
Cutter, Matthew,Pollard, Robert |
|
6727 |
|
In My Life: The Brian Epstein Story |
Debbie Geller |
|
6728 |
|
Sing to Me: My Story of Making Music, Finding Magic, and Searching for Who's Next |
la Reid |
|
6729 |
|
The Beatles: Story of the Band that Changed the World |
Lucille Barilla |
|
6730 |
|
Producing Country: The Inside Story of the Great Recordings |
Michael Jarrett |
|
6731 |
|
The Story Of Naxos: The Extraordinary Story of the Independent Record Label that Changed Classical Recording for Ever |
Nicolas Soames |
|
6732 |
|
This searing light, the sun and everything else: Joy Division: the oral history |
Savage, Jon |
|
6733 |
|
1D--The One Direction Story: An Unauthorized Biography |
Danny White |
|
6734 |
|
Glenn Gould: The Performer in the Work |
Kevin Bazzana |
|
6735 |
|
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
Jeff Apter |
|
6736 |
|
Alien Listening Voyager's Golden Record And Music From Earth |
Daniel Chua &, Alexander Rehding |
|
6737 |
|
Music, Indigeneity, Digital Media [1 ed.] |
Thomas R. Hilder (editor), Henry Stobart (editor), Shzr Ee Tan (editor) |
1 |
6738 |
|
Never fade away: the kurt cobain story |
Cobain, Kurt,Thompson, Dave |
|
6739 |
|
Pulp Jazz: The Charles Boeckman Story |
Boeckman, Charles |
|
6740 |
|
Husker Du: the Story of the Noise-Pop Pioneers Who Launched Modern Rock |
Andrew Earles |
|
6741 |
|
Sun Mere Bandhu Re: The Musical World Of Sd Burman |
Sathya Saran |
|
6742 |
|
Peripheral Visions / Global Sounds: From Galicia to the World [1 ed.] |
José Colmeiro |
1 |
6743 |
|
Shout It Out Loud: The Story of Kiss’s Destroyer and the Making of an American Icon |
James Campion |
|
6744 |
|
The Wichita lineman: searching in the sun for the world's greatest unfinished song |
Campbell, Glen,Jones, Dylan |
|
6745 |
|
Taylor Swift: The Story of Me |
Riley Brooks |
|
6746 |
|
21st-Century String Quartets, Vol. 1 |
Edith Eisler |
|
6747 |
|
We Got the Neutron Bomb: The Untold Story of L.A. Punk |
Marc Spitz, Brendan Mullen |
|
6748 |
|
A German Jazz Story |
Eberhard Weber |
|
6749 |
|
Music, Imagination, and Culture |
Nicholas Cook |
|
6750 |
|
Grand Opera: The Story of the Met |
Charles Affron, Mirella Jona Affron |
|
6751 |
|
Haydn, Mozart, and Beethoven: Studies in the Music of the Classical Period. Essays in Honour of Alan Tyson |
Sieghard Brandenburg |
|
6752 |
|
Memphis Boys: The Story of American Studios (American Made Music Series) |
Roben Jones |
|
6753 |
|
The jbl story - 60 years of audio innovation |
Eargle, John M |
|
6754 |
|
The Story of the Original Dixieland Jazz Band |
Harry O. Brunn |
|
6755 |
|
The Starday Story: The House That Country Music Built (American Made Music Series) |
Nathan D. Gibson, Don Pierce |
|
6756 |
|
Elvis '68 Comeback: The Story Behind the Special |
Steve Binder |
|
6757 |
|
Yo-Yo Ma |
Annie Buckley,Richard Covington |
|
6758 |
|
Bon: the last highway: the untold story of Bon Scott and AC/DC's Back in black |
Fink, Jesse,Scott, Bon |
|
6759 |
|
Guitar Player: The Inside Story of the First Two Decades of the Most Successful Guitar Magazine Ever: The Inside Story of the First Two Decades of the Most Successful Guitar Magazine Ever |
Jim Crockett, Dara Crockett |
|
6760 |
|
QOTSA No-One Knows: The Queens Of The Stone Age Story |
Joel McIver |
|
6761 |
|
Who I Am: My Story |
Melanie Chisholm |
|
6762 |
|
And Party Every Day: The Inside Story Of Casablanca Records [First Edition] |
Larry Harris, Curt Gooch, Jeff Suhs |
|
6763 |
|
Chasing the Light : the Cloud Cult Story |
Allister, Mark |
|
6764 |
|
Berlin calling: a story of anarchy, music, the wall, and the birth of the new Berlin |
Hockenos, Paul |
|
6765 |
|
Look at Me!: The XXXTENTACION Story |
Jonathan Reiss |
|
6766 |
|
Pressing On: The Roni Stoneman Story |
Roni Stoneman, Ellen Wright |
|
6767 |
|
Live Fast, Love Hard: The Faron Young Story |
Diane Diekman |
|
6768 |
|
Abbey Road: the story of the world's most famous recording studios [Rev. and updated ed] |
Rouse, Allan,Southall, Brian,Vince, Peter |
|
6769 |
|
Stolen Time: The History of Tempo Rubato (Clarendon Paperbacks) [Reprint ed.] |
Richard Hudson |
|
6770 |
|
Altered State: The Story of Ecstasy Culture and Acid House |
Matthew Collin |
|
6771 |
|
Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music |
David Meyer |
|
6772 |
|
Anything for a hit: an A & R woman's story of surviving the music industry |
Carvello, Dorothy |
|
6773 |
|
Riff: The Shake Keane Story |
Philip Nanton |
|
6774 |
|
Straight Life: The Story of Art Pepper |
Art Pepper, Laurie Pepper |
|
6775 |
|
Queen & I: the Brian May story |
Laura Jackson |
|
6776 |
|
Bob Marley: the untold story |
Marley, Bob,Salewicz, Chris |
|
6777 |
|
Remembering Whitney: My Story of Love, Loss, and the Night the Music Stopped |
Cissy Houston |
|
6778 |
|
Jim Marshall - the Father of Loud: The Story of the Man Behind the World's Most Famous Guitar Amplifiers |
Rich Maloof, Jim Marshall |
|
6779 |
|
The Bible of Classical Guitar Technique: A detailed compendium of the fundamentals and playing techniques of 21st century classical guitar including ... progressively structured exercises throughout [Paperback ed.] |
Hubert Käppel |
|
6780 |
|
Uptight: The Velvet Underground Story [First Edition] |
Victor Bockris, Gerard Malanga |
|
6781 |
|
Celine Dion : My Story, My Dream |
Celine Dion |
|
6782 |
|
Five Against One: The Pearl Jam Story |
Kim Neely |
|
6783 |
|
Four Weeks in the Trenches: The War Story of a Violinist (WWI Centenary Series) |
Fritz Kreisler |
|
6784 |
|
Faber Music Limited Radiohead A Moon Shaped Pool |
|
|
6785 |
|
This Wheel's on Fire: Levon Helm and the Story of the Band |
Stephen Davis, Levon Helm |
|
6786 |
|
This is My Story, This is My Song [1 ed.] |
Jerome Hines |
1 |
6787 |
|
When Giants Walked the Earth 10th Anniversary Edition: A Biography of Led Zeppelin |
Mick Wall |
|
6788 |
|
Into the Groove: The Story of Sound From Tin Foil to Vinyl [1 ed.] |
Jonathan Scott |
1 |
6789 |
|
Murmurs of Earth: The Voyager Interstellar Record |
Carl Sagan, Ann Druyan, Timothy Ferris, F. D. Drake, Jon Lomberg, Linda Salzman Sagan |
|
6790 |
|
The Italian Trio Sonata from its Origins Until Corelli |
Peter Allsop |
|
6791 |
|
Halo: The Story Behind Depeche Mode's Classic Album Violator |
Kevin May, David McElroy |
|
6792 |
|
Moon Child |
King Crimson. |
|
6793 |
|
Notorious C.O.P.: The Inside Story of the Tupac, Biggie, and Jam Master Jay Investigations from NYPD’s First "Hip-Hop Cop" |
Derrick Parker, Matt Diehl |
|
6794 |
|
Some People are Crazy: The John Martyn Story |
John Neil Munro |
|
6795 |
|
Moon River |
Sinatra Frank. |
|
6796 |
|
Come Day, Go Day, God Send Sunday: The songs and life story, told in his own words, of John Maguire, traditional singer and farmer from Co. Fermanagh. |
Robin Morton |
|
6797 |
|
It's about Time: The Dave Brubeck Story |
Fred Hall |
|
6798 |
|
The modes of ancient Greek music |
D. B. Monro, David Binning Monro |
|
6799 |
|
Spray Paint the Walls: The Story of Black Flag [Original ed.] |
Stevie Chick |
|
6800 |
|
The Story of Organ Music |
C. F. Abdy Williams |
|
6801 |
|
Breaking Through By Grace: The Bono Story |
Kim Washburn |
|
6802 |
|
Dancing Barefoot: The Patti Smith Story |
Dave Thompson |
|
6803 |
|
Talent Is an Asset: The Story of Sparks |
Daryl Easlea |
|
6804 |
|
Billy Thorpe's time on earth |
Jason Walker |
|
6805 |
|
Every Little Step: My Story |
Brown, Bobby |
|
6806 |
|
Our noise: the story of Merge Records, the indie label that got big and stayed small [1st ed] |
Merge Records,Ballance, Laura,Cook, John,McCaughan, Mac |
1 |
6807 |
|
Record Store Day: The Most Improbable Comeback of the 21st Century |
Larry Jaffee |
|
6808 |
|
Ryan Adams : Losering, a story of Whiskeytown [1. ed.] |
Menconi, David Lawrence, Adams, Ryan |
1 |
6809 |
|
Roger Daltrey: Thanks a lot Mr Kibblewhite: My Story [Hardcover ed.] |
Roger Daltrey |
|
6810 |
|
The Boy Who Looked at the Moon: The Life and Times of Cat Stevens |
David Evans |
|
6811 |
|
Mr Pikes: The Story Behind The Ibiza Legend |
Tony Pike, Matt Trollope |
|
6812 |
|
The never-ending present: the story of Gord Downie and the Tragically Hip |
Barclay, Michael,Downie, Gordon |
|
6813 |
|
Soulsville, U.S.A.: The Story of Stax Records |
Bowman, Rob, Bowman, Robert M., |
|
6814 |
|
Closer You Are: The Story of Robert Pollard and Guided By Voices [Hardcover ed.] |
Matthew Cutter |
|
6815 |
|
Dear boy: the life of Keith Moon [3rd ed.] |
Tony Fletcher |
3 |
6816 |
|
Full Moon: The Amazing Rock and Roll Life of Keith Moon |
Butler, Dougal,Lawrence, Peter,Moon, Keith,Trengove, Chris |
|
6817 |
|
The Beatles: The Quiz Book from Liverpool about John Lennon to Yellow Submarine |
Mason Walker |
|
6818 |
|
The History of Miami Hip Hop: The Story of DJ Khaled, Pitbull, DJ Craze, and Other Contributors to South Florida's Scene |
John Cordero |
|
6819 |
|
The Dark Side of the Moon: The Making of the Pink Floyd Masterpiece |
John Harris |
|
6820 |
|
Gaither Vocal Band - Still the Greatest Story Ever Told |
Gaither Vocal Band |
|
6821 |
|
There’s No Bones in Ice Cream: Sylvain Sylvain’s Story of the New York Dolls |
Sylvain Sylvain |
|
6822 |
|
Born In A Small Town - John Mellencamp, The Story |
Heather Johnson |
|
6823 |
|
Impossible: My Story |
Stan Walker |
|
6824 |
|
Jonas Brothers Forever: The Unofficial Story of Kevin, Joe & Nick |
Susan Janic |
|
6825 |
|
Destiny's Child: The Untold Story |
Mathew Knowles |
|
6826 |
|
Amazing Grace: The Story of America's Most Beloved Song |
Steve Turner |
|
6827 |
|
John Lennon Story |
Guy Cavill |
|
6828 |
|
Sweet Jones: Pimp C's Trill Life Story |
Julia Beverly |
|
6829 |
|
Fornication: The Red Hot Chili Peppers Story [Updated] |
Jeff Apter |
|
6830 |
|
The letters of C.P.E. Bach |
Bach, Carl Philipp Emanuel, Clark, Stephen L. |
|
6831 |
|
Stratocasters and Telecasters: A Love Story |
Ram Tuli |
|
6832 |
|
The Chinese Zheng Zither: Contemporary Transformations |
Sun Zhuo |
|
6833 |
|
Girls to the Front: The True Story of the Riot Grrrl Revolution [Original ed.] |
Sara Marcus |
|
6834 |
|
Wagner's Das Rheingold |
Warren Darcy |
|
6835 |
|
The Fifth Beatle: The Brian Epstein Story |
Tiwary Vivek J. |
|
6836 |
|
Once upon a time in Shaolin: the untold story of Wu-Tang Clan's million dollar secret album, the devaluation of music, and America's new public enemy numbers 1 [First edition] |
Bozorgmehr, Cyrus,Shkreli, Martin |
|
6837 |
|
People of the Sun / Conquistadors |
Roach, Steve |
|
6838 |
|
First Impressions of Earth (Voice and Guitar (in standard notation and tablature) |
The Strokes |
|
6839 |
|
Don't stop believin': the untold story of Journey |
Daniels, Neil Andrew |
|
6840 |
|
Mr Manchester and the Factory Girl: The Story of Tony and Lindsay Wilson |
Lindsay Reade |
|
6841 |
|
The divine vina and the world monochord: Musical cosmology from the Rg Veda to Robert Fludd |
Westbrook, Anthony Peter |
|
6842 |
|
Hear Our Voices, We Entreat: The Extraordinary Story of New Zealand's National Anthems |
Max Cryer |
|
6843 |
|
Passion Is a Fashion: The Real Story of the Clash |
Pat Gilbert |
|
6844 |
|
The 360 Degree Songwriter |
Gilli Moon |
|
6845 |
|
The Italian 'Trio' Sonata: From Its Origins Until Corelli |
Peter Allsop |
|
6846 |
|
Musical Genius: A Story About Wolfgang Amadeus Mozart (Creative Minds Biographies) |
Barbara Allman |
|
6847 |
|
Brigh an Orain A Story in Every Song |
Lauchie MacLellan, John Shaw, Alistair MacLeod |
|
6848 |
|
The Dark Side of the Moon: The Making of the Pink Floyd Masterpiece [First Printing ed.] |
John Harris |
|
6849 |
|
Prince: All the Songs: The Story Behind Every Track |
Clerc, Benoît |
|
6850 |
|
Memphis Mayhem: A Story of the Music That Shook Up the World [Illustrated] |
David A. Less |
|
6851 |
|
Love Me Please!: The Story of Janis Joplin |
Nicolas Finet, Christopher, Degreff |
|
6852 |
|
1966: From Good Vibrations to World Cup Victory |
Paul Feeney |
|
6853 |
|
Thanks a Lot, Mr. Kibblewhite: My Story [First US edition] |
Daltrey, Roger |
|
6854 |
|
The Singing Nun Story: The Life and Death of Soeur Sourire |
D.A. Chadwick |
|
6855 |
|
The sound of music story: how one young nun, one handsome Austrian captain, and seven singing Von Trapp children inspired the most beloved film of all time |
Santopietro, Tom |
|
6856 |
|
The Mistakes of Yesterday, the Hopes of Tomorrow: The Story of the Prisonaires |
John Dougan |
|
6857 |
|
Jade Flute: The Story of Chinese Music [First American Reprint ed.] |
T.C. Lai, Robert Mok |
|
6858 |
|
Life in His Hands: The True Story of a Neurosurgeon and a Pianist |
Susan Wyndham |
|
6859 |
|
Gods of the Hammer: The Teenage Head Story |
Geoff Pevere |
|
6860 |
|
King Of Clubs: Sex Drugs And Thugs The One Nation Story: Sex Drugs And Thugs A Decade Of Dance |
Terry Turbo |
|
6861 |
|
We Got the Neutron Bomb : The Untold Story of L.A. Punk [First Edition] |
Marc Spitz, Brendan Mullen |
|
6862 |
|
Nailed to History: The Story of Manic Street Preachers [Kindle Edition] |
Martin J. Power |
|
6863 |
|
Advertising Revolution: The Story of a Song, from Beatles Hit to Nike Slogan [Paperback ed.] |
Alan Bradshaw, Linda Scott |
|
6864 |
|
Hear My Sad Story: The True Tales That Inspired "Stagolee," "John Henry," and Other Traditional American Folk Songs |
Richard Polenberg |
|
6865 |
|
Gigantic: The Story of Frank Black and The Pixies |
John Mendelssohn |
|
6866 |
|
Please please tell me now : the Duran Duran story [First edition.] |
Stephen Davis |
|
6867 |
|
Loving Amy : a mother’s story [1st ed.] |
Winehouse, Janis |
1 |
6868 |
|
Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups |
Rosa Hawkins, Steve Bergsman |
|
6869 |
|
Long Train Runnin': Our Story of The Doobie Brothers |
Pat Simmons, Tom Johnston |
|
6870 |
|
When Giants Walked the Earth: a biography of Led-Zeppelin [10th Anniversary Edition] |
Mick Wall |
10 |
6871 |
|
"SAHB" Story: The Tale of the "Sensational Alex Harvey Band" [First Edition] |
Martin Kielty |
|
6872 |
|
Official Truth: The Inside Story of Pantera 101 Proof [1st Da Capo Press paperback edition 2014] |
Rex Brown |
1 |
6873 |
|
Oral Patterns of Performance: Story and Song |
Barre Toelken |
|
6874 |
|
Bruce Springsteen: Two Hearts, the Story [Reprint ed.] |
Dave Marsh |
|
6875 |
|
The Rhino Records Story: Revenge of the Music Nerds |
Harold Bronson |
|
6876 |
|
Words and Music (Liverpool University Press - Liverpool Music Symposium) |
John Williamson, John G. Williamson |
|
6877 |
|
Minstrel of the Appalachians: The Story of Bascom Lamar Lunsford [Reprint ed.] |
Loyal Jones |
|
6878 |
|
Autumn Story OST Reason |
Yiruma. |
|
6879 |
|
Lost Genius: The Story of a Forgotten Musical Maverick [1 ed.] |
Kevin Bazzana |
1 |
6880 |
|
Man and His Music: The Story of Musical Experience in the West [Revised] |
Alec Harman, Anthony Milner, Wilfrid Mellers |
|
6881 |
|
Really Saying Something: Sara Keren – Our Bananarama Story |
Sara Dallin, Karen Woodward |
|
6882 |
|
Rap Dad: A Story of Family and the Subculture That Shaped a Generation [Hardcover ed.] |
Juan Vidal |
|
6883 |
|
Bruno Mars : pop singer and producer |
Nadia Higgins |
|
6884 |
|
Smile: The Story of Lily Allen |
Bella Wolfson |
|
6885 |
|
There Was A Light: The Cosmic History of Chris Bell and the Rise of Big Star |
Rich Tupica |
|
6886 |
|
George Clinton & The Cosmic Odyssey of the P-Funk Empire |
P-Funk All Stars.,Clinton, George,Needs, Kris |
|
6887 |
|
Bruno Mars: Singer |
John Bankston |
|
6888 |
|
Electric Don Quixote: The Definitive Story Of Frank Zappa [2nd ed.] |
Neil Slaven |
2 |
6889 |
|
Nirvana Foo Fighters: The Dave Grohl Story |
Jeff Apter |
|
6890 |
|
Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical [1st ed.] |
Mark Rigney |
1 |
6891 |
|
Sweet Dreams: From Club Culture to Style Culture, the Story of the New Romantics |
Dylan Jones |
|
6892 |
|
Harvest Moon |
Neil Young |
|
6893 |
|
This Book is Broken: A Broken Social Scene Story |
Berman, Stuart,Canning, Brendan,Ew, Kevin |
|
6894 |
|
Rebels and Underdogs: The Story of Ohio Rock and Roll |
Garin Pirnia |
|
6895 |
|
The Gibson Les Paul: The Illustrated Story of the Guitar That Changed Rock |
Dave Hunter |
|
6896 |
|
Bitten by the Blues: The Alligator Records Story [1 ed.] |
Bruce Iglauer, Patrick A. Roberts |
1 |
6897 |
|
The Same Old Story |
Yiruma. |
|
6898 |
|
Laurel Canyon: the inside story of rock-and-roll's legendary neighborhood [First paperback edition] |
Walker, Michael |
|
6899 |
|
Nobody Knows: The Forgotten Story of One of the Most Influential Figures in American Music |
Craig Von Buseck |
|
6900 |
|
Ryan Adams: Losering, a Story of Whiskeytown |
David Menconi |
|
6901 |
|
The Early Mandolin: The Mandolino and the Neapolitan Mandoline (Early Music Series, 9) |
James Tyler, Paul Sparks |
|
6902 |
|
Walking on the Moon: The Untold Story of the Police and the Rise of New Wave Rock [1 ed.] |
Chris Campion |
1 |
6903 |
|
Blues All Day Long: The Jimmy Rogers Story [1st Edition] |
Wayne Everett Goins, Kim Wilson |
1 |
6904 |
|
Hutch: The true story of our biggest cabaret star, and the inspiration for Downton Abbey's Jack Ross |
Charlotte Breese |
|
6905 |
|
I Ain't Studdin' Ya: My American Blues Story |
Bobby Rush, Herb Powell |
|
6906 |
|
Party music: the inside story of the Black Panthers' Band and how Black Power transformed soul music |
Vincent, Ricky |
|
6907 |
|
Official Truth, 101 Proof: The Inside Story of Pantera [1St Edition] |
Rex Brown |
1 |
6908 |
|
Story behind the Protest Song: A Reference Guide to the 50 Songs That Changed the 20th Century [First Edition] |
Hardeep Phull |
|
6909 |
|
The Armageddon Rag |
George R.R. Martin |
|
6910 |
|
Petal Pusher: A Rock and Roll Cinderella Story |
Laurie Lindeen |
|
6911 |
|
Anvil!: the story of Anvil |
Kudlow, Steve,Reiner, Robb,Uhlig, Robert |
|
6912 |
|
Two Spanish Songbooks: The `Cancionero Capitular de la Colombina’ (SV2) and the `Cancionero de Egerton’ (LB3) |
Dorothy Sherman Severin |
|
6913 |
|
Avoiding The Sun |
Yiruma. |
|
6914 |
|
Sun Ra: The Immeasurable Equation. The collected Poetry and Prose |
Sun Ra, Harmut Geerken, James L. Wolf |
|
6915 |
|
Shout!: the True Story of the Beatles |
Norman, Philip |
|
6916 |
|
Sounds So Good to Me: The Bluesman's Story |
Barry Lee Pearson |
|
6917 |
|
Marley and Me The Real Bob Marley Story |
Don Taylor, Mike Henry |
|
6918 |
|
Total Chaos: The Story of the Stooges / As Told by Iggy Pop |
Jeff Gold |
|
6919 |
|
Party Music: The Inside Story of the Black Panthers’ Band and How Black Power Transformed Soul Music |
Rickey Vincent |
|
6920 |
|
Save Me from Myself: How I Found God, Quit Korn, Kicked Drugs, and Lived to Tell My Story |
Brian Welch |
|
6921 |
|
¡Tango!; The Dance, the Song, the Story |
Simon Collier, Artemis Cooper, María Susana Azzi, Richard Martin |
|
6922 |
|
Bad Boy of Gospel Music: The Calvin Newton Story [First Edition] |
Russ Cheatham |
|
6923 |
|
From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music [1 ed.] |
Makis Solomos |
1 |
6924 |
|
King of the Queen City: The Story of King Records [1st Edition] |
Jon Hartley Fox, Dave Alvin |
1 |
6925 |
|
My Love Story |
Tina Turner |
|
6926 |
|
Earth Dances : Music in Search of the Primitive [1 ed.] |
Andrew Ford |
1 |
6927 |
|
Fire in the Water, Earth in the Air: Legends of West Texas Music |
Christopher J. Oglesby |
|
6928 |
|
Excerpts from the Writings and Lectures of Karlheinz Stockhausen |
Roy Waidler, Stro Moon Daglo, Sarai Iehanne van Beeuwelan |
|
6929 |
|
Let There Be Rock: The Story of AC/DC (Updated Edition) |
Susan Masino |
|
6930 |
|
Blues, How Do You Do?: Paul Oliver and the Transatlantic Story of the Blues |
coll. |
|
6931 |
|
Comfortably Numb: The Inside Story of Pink Floyd |
Mark Blake |
|
6932 |
|
The Peel Sessions: a story of teenage dreams and one man's love of new music |
Garner, Ken |
|
6933 |
|
Music Producer |
Patricia Wooster |
|
6934 |
|
Good Rockin' Tonight: Sun Records and the Birth of Rock 'n' Roll |
Martin Hawkins Colin Escott |
|
6935 |
|
Songs from 21st Century Musicals for Teens: Young Men's Edition |
Hal Leonard Corp. |
|
6936 |
|
Naked at the Albert Hall: the inside story of singing |
Thorn, Tracey |
|
6937 |
|
The Story of the Streets |
Mike Skinner |
|
6938 |
|
dialogues de morts à propos de musique |
L.L. de Mars |
|
6939 |
|
So long, Marianne: a love story |
Cohen, Leonard,Ihlen, Marianne,Jensen, Axel,Hesthamar, Kari,Goldman, Helle Valborg |
|
6940 |
|
George Russell: The Story of an American Composer (African American Cultural Theory and Heritage) |
Duncan Heining |
|
6941 |
|
Joy and Pain: A Story of Black Life and Liberation in Five Albums |
Damien M. Sojoyner |
|
6942 |
|
Doc: The Story of a Birmingham Jazz Man [1st Edition] |
Dr. Frank Adams, Burgin Mathews |
1 |
6943 |
|
It Ain't Heavy, It's My Story: My Life in The Hollies |
Bobby Elliott |
|
6944 |
|
Musician |
Barbara A. Somervill |
|
6945 |
|
The Sun Shines Everywhere [♫ Read-Along ebook. ♫ ed.] |
Katie Peters |
|
6946 |
|
Never Enough: The Story of the Cure |
Jeff Apter |
|
6947 |
|
World Domination The Sub Pop Records Story |
Gillian G. Gaar |
|
6948 |
|
The Story of America's First Integrated Rock-n-Roll Band |
John La Torre |
|
6949 |
|
I'm the Man: The Story of That Guy from Anthrax |
Scott Ian, Jon Wiederhorn |
|
6950 |
|
He Stopped Loving Her Today: George Jones, Billy Sherrill, and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of All Time (American Made Music Series) |
Jack Isenhour |
|
6951 |
|
Machaut's Mass: an introduction |
Daniel Leech-Wilkinson |
|
6952 |
|
Lifeforce Harmonics |
Moon, Storm |
|
6953 |
|
Remembering Whitney My Story Of Love Loss And The Night The Music Stopped |
Cissy Houston |
|
6954 |
|
The Story of Aftermath Entertainment [1 ed.] |
Robert Grayson |
1 |
6955 |
|
Fallopian Rhapsody: The Story of the Lunachicks |
The Lunachicks |
|
6956 |
|
Strange Way to Live: A Story of Rock 'n' Roll Resurrection |
Carl Dixon |
|
6957 |
|
From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women's Symphony Orchestra |
Maria Noriega Rachwal |
|
6958 |
|
Aristoxenoy Armonika stoicheia: The harmonics of Aristoxenus |
Aristoxenus, Henry Stewart Macran |
|
6959 |
|
Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood |
Walker, Michael |
|
6960 |
|
Moscow nights: the Van Cliburn story: how one man and his piano transformed the Cold War |
Cliff, Nigel |
|
6961 |
|
Mozart: Requiem of Genius (The True Story of Wolfgang Mozart) |
Alexander Kennedy |
|
6962 |
|
Pigs might fly: the inside story of Pink Floyd |
Blake, Mark |
|
6963 |
|
Step It Up and Go: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk |
David Menconi |
|
6964 |
|
Metallica: This Monster Lives: The Inside Story of Some Kind of Monster [1st ed.] |
Joe Berlinger, Greg Milner |
1 |
6965 |
|
The Train in the Night: A Story of Music and Loss |
Nick Coleman |
|
6966 |
|
Purpose: An Immigrant's Story |
Wyclef Jean, Anthony Bozza |
|
6967 |
|
Like a Bat Out of Hell: The Larger than Life Story of Meat Loaf [1 ed.] |
Mick Wall |
1 |
6968 |
|
Musical Instruments in the 21st Century: Identities, Configurations, Practices [1 ed.] |
Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl (eds.) |
1 |
6969 |
|
Rihanna (People in the News) |
Lucent Books |
|
6970 |
|
Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones |
Bill Janovitz |
|
6971 |
|
Facing the Music: My Story |
Jennifer Knapp |
|
6972 |
|
Skydog: the Duane Allman story |
Allman Brothers Band.,Allman, Duane,Poe, Randy |
|
6973 |
|
Beyond the Story: 10-Year Record of BTS |
BTS |
|
6974 |
|
Bowie: The Illustrated Story |
Pat Gilbert |
|
6975 |
|
Hendrix: the illustrated story |
Gaar, Gillian G.,Hendrix, Jimi,Hunter, Dave,Kubernik, Harvey,Salewicz, Chris,Uhelszki, Jaan |
|
6976 |
|
The Kinks: Die Story |
Nick Hasted |
|
6977 |
|
Back in the USSR: The True Story of Rock in Russia |
Artemy Troitsky, Richard Spooner (tr.) |
|
6978 |
|
The Twilight Saga--New Moon: The Score (Songbook): Easy Piano Solo |
Alexandre Desplat |
|
6979 |
|
Late Night Thoughts on Listening to Mahler’s Ninth Symphony |
Lewis Thomas |
|
6980 |
|
The Libertines Bound Together: The Definitive Story of Peter Doherty and Carl Barat and How They Changed British Music |
Libertines., Sargent, Roger, Thornton, Anthony |
|
6981 |
|
These Are Such Perfect Days: The Del Amitri Story |
Charles Rawlings-Way |
|
6982 |
|
Have a little faith : the John Hiatt story |
Michael Elliott, Elvis Costello |
|
6983 |
|
Jimi Hendrix: First Rays of the New Rising Sun |
Jimi Hendrix |
|
6984 |
|
Kodály in the Second Grade Classroom: Developing the Creative Brain in the 21st Century [1 ed.] |
Micheal Houlahan, Philip Tacka |
1 |
6985 |
|
A Furious Devotion: The Authorised Story of Shane MacGowan |
Richard Balls |
|
6986 |
|
The Jazz Book: From Ragtime to the 21st Century [Seventh edition, rev. and expanded] |
Berendt, Joachim-Ernst,Huesmann, Gunther(Editor) |
|
6987 |
|
The True Story of the Jersey Boys: The Story Behind Frankie Valli and The Four Seasons |
Jennifer Warner |
|
6988 |
|
The Twilight Saga--New Moon (Songbook): Music from the Motion Picture Soundtrack |
Hal Leonard Corp. |
|
6989 |
|
The classical revolution: thoughts on new music in the 21st century |
Borstlap, John |
|
6990 |
|
Taj Mahal Foxtrot: The Story of Bombay's Jazz Age |
Naresh Fernandes |
|
6991 |
|
Oasis - (What's the Story) Morning Glory (Guitar Recorded Version) [Guitar Tab ed.] |
Oasis |
|
6992 |
|
Overkill: The Story of Motorhead |
Joel McIver |
|
6993 |
|
Guesdon Pink Floyd All The Songs The Story Behind Every Track |
Jean-Michel Guesdon, Philippe Margotin |
|
6994 |
|
Dream Crazy Big: The JoJo Siwa Story |
Katy Sprinkel |
|
6995 |
|
The Greatest Band That Ever Wasnt The Story Of The Roughest, Toughest, Most Hell |
Barrett Martin |
|
6996 |
|
Klook : the story of Kenny Clarke |
Mike Hennessey |
|
6997 |
|
John & Paul: A Love Story in Songs |
Ian Leslie |
|
6998 |
|
1,000 recordings to hear before you die: a listener's life list |
Moon, Tom |
|
6999 |
|
The Music Went 'Round and Around: The Story of Musicarnival |
John Vacha |
|
7000 |
|
Composer in Africa, A: Essays on the Life and Work of Stefans Grove |
C. Walton |
|
7001 |
|
The Story of the Trapp Family Singers |
Trapp, Maria Augusta |
|
7002 |
|
Hendrix: The Lllustrated Story |
Gillian G. Gaar |
|
7003 |
|
I’m the man: the story of that guy from Anthrax |
Scott Ian, Jon Wiederhorn |
|
7004 |
|
Lunacy: The Curious Phenomenon of Pink Floyd's Dark Side of the Moon, 50 Years On |
John Kruth |
|
7005 |
|
Solo: A Star Wars Story Songbook: Music from the Motion Picture Soundtrack |
John Williams |
|
7006 |
|
Taylor Swift. Love Story |
Triumph Books |
|
7007 |
|
Alien Listening: Voyager's Golden Record and Music from Earth |
Daniel K. L. Chua, Alexander Rehding |
|
7008 |
|
Hear my sad story: the true tales that inspired ''Stagolee,'' ''John Henry,'' and other traditional American folk songs |
Polenberg, Richard |
|
7009 |
|
Middle-earth Minstrel: Essays on Music in Tolkien |
Bradford Lee Eden |
|
7010 |
|
Never enough: the story of The Cure |
Apter, Jeff |
|
7011 |
|
Pioneers of jazz: the story of the Creole Band Created |
Gushee, Lawrence |
|
7012 |
|
The Elvis Presley Story |
James Gregory |
|
7013 |
|
Blues Music in the Sixties: A Story in Black and White |
Ulrich Adelt |
|
7014 |
|
Gig Posters Volume 2: Rock Show Art of the 21st Century |
Clay Hayes |
|
7015 |
|
God Only Knows: The Story of Brian Wilson, the Beach Boys and the California Myth |
David Leaf |
|
7016 |
|
Altamont the Rolling Stones, the Hells Angels, and the inside story of rock's darkest day |
Hells Angels,Selvin, Joel |
|
7017 |
|
Official Truth, 101 Proof: The Inside Story of Pantera |
Rex Brown |
|
7018 |
|
John and Paul: A Love Story in Songs |
Ian Leslie |
|
7019 |
|
Distortion and Subversion: Punk Rock Music and the Protests for Free Public Transportation in Brazil (1996-2011) (Liverpool Latin American Studies, 26) |
Rodrigo Lopes de Barros |
|
7020 |
|
Under the Big Black Sun: A Personal History of L.A. Punk |
Doe, John, DeSavia, Tom |
|
7021 |
|
Winds of Heaven, Stuff of Earth: Spiritual Conversations Inspired by the Life and Lyrics of Rich Mullins |
Andrew Greer, Randy Cox |
|
7022 |
|
The Letters of Dr Charles Burney: Volume I: 1751-1784 [Volume I: 1751-1784] |
Charles Burney, Alvaro Ribeiro SJ (ed.) |
17511784 |
7023 |
|
Something musical happened at the library: adding song and dance to children's story programs [illustrated edition] |
Rob Reid |
|
7024 |
|
The Woman I Was Born to Be: My Story |
Susan Boyle |
|
7025 |
|
PJ Harvey's Rid of Me: A Story [048] |
Kate Schatz |
48 |
7026 |
|
Business of Music (Liverpool University Press - Liverpool Music Symposium) |
Michael Talbot |
|
7027 |
|
Making Rumours The Inside Story of the Classwood Mac Album |
Ken Caillat &, Steven Stiefel |
|
7028 |
|
Debussy's Letters to Inghelbrecht: The Story of a Musical Friendship (Eastman Studies in Music) |
Margaret G. Cobb (Editor) |
|
7029 |
|
Then Sings My Soul Book 3: The Story of Our Songs: Drawing Strength from the Great Hymns of Our Faith |
Robert J. Morgan |
|
7030 |
|
Promising Practices in 21st Century Music Teacher Education [1 ed.] |
Michele Kaschub, Janice Smith |
1 |
7031 |
|
Horn of Plenty: The Story of Louis Armstrong |
Robert Goffin |
|
7032 |
|
As Sisters In Zion: The Story Behind the Song |
Ivins, Julia Hill, Young, Martha Webb Campkin, Christensen, Debbie J., Young, Martha Webb Campkin, Ivins, Julia Hill, Woodmansee, Emily Hill |
|
7033 |
|
Defying gravity : Jordan's story |
Cathi Unsworth, Jordan Mooney |
|
7034 |
|
The Story of Crass |
George Berger |
|
7035 |
|
Trouble boys: the true story of the Replacements [First Da Capo Press edition] |
Mehr, Bob |
|
7036 |
|
England's Lost Mozart. : The Forgotten Story of Thomas Linley, Junior. |
E. C. Coleman |
|
7037 |
|
Facing the Other Way: The Story of 4AD |
Martin Aston |
|
7038 |
|
Do What You Want: The Story of Bad Religion |
Jim Ruland |
|
7039 |
|
Harmonies of Heaven and Earth: Mysticism in Music from Antiquity to the Avant-Garde |
Joscelyn Godwin |
|
7040 |
|
Legend of a Musical City: The Story of Vienna |
Max Graf |
|
7041 |
|
The Foundations of Contemporary Composition |
Claus-Steffen Mahnkopf (editor) |
|
7042 |
|
Bang Your Head: the Real Story of the Missing Link |
Robertson, Dewey,Renwick, Meredith |
|
7043 |
|
Pink Floyd: Dark Side Of The Moon, Guitar Tablature Edition (Pink Floyd) (Pink Floyd) |
Music Sales Corporation, Pink Floyd |
|
7044 |
|
The Jazz Book: From Ragtime to the 21st Century [Seventh Edition, Seventh edition] |
Joachim-Ernst Berendt, Gunther Huesmann |
|
7045 |
|
The Story of Crass [Reprint ed.] |
George Berger |
|
7046 |
|
Dreaming the Beatles: the love story of one band and the whole world |
Beatles,Sheffield, Rob |
|
7047 |
|
Wind Of Change: Die Scorpions Story [Revised edition] |
Popoff, Martin |
|
7048 |
|
Kodály in the Fifth Grade Classroom: Developing the Creative Brain in the 21st Century [1 ed.] |
Micheal Houlahan, Philip Tacka |
1 |
7049 |
|
Let the World Listen Right: The Mississippi Delta Hip-Hop Story (American Made Music Series) |
Ali Colleen Neff |
|
7050 |
|
Lit: A Place in the Sun |
Jeremy Popoff, A. Jay Popoff, Lit (Musical group) |
|
7051 |
|
The Greatest Love Songs of the 21st Century |
сборник |
|
7052 |
|
Heroes And Villains: The True Story of the Beach Boys |
Steven Gaines |
|
7053 |
|
Kodály in the Third Grade Classroom: Developing the Creative Brain in the 21st Century [1 ed.] |
Micheal Houlahan, Philip Tacka |
1 |
7054 |
|
Nerd Girl Rocks Paradise City: a True Story of Faking It in Hair Metal L.A |
Soffee, Anne Thomas |
|
7055 |
|
Do What You Want : The Story of Bad Religion |
Bad Religion |
|
7056 |
|
Dancing Barefoot: The Patti Smith Story |
Dave Thompson |
|
7057 |
|
Hanguk Hip Hop: Global Rap in South Korea [1st ed.] |
Myoung-Sun Song |
1 |
7058 |
|
Born to Drum: The Truth About the World's Greatest Drummers--from John Bonham and Keith Moon to Sheila E. and Dave Grohl |
Tony Barrell |
|
7059 |
|
Cannibal Hymn: A Cultural and Literary Study (Liverpool University Press - Liverpool Music Symposium) |
Christopher Eyre |
|
7060 |
|
My Life on Earth and Elsewhere [First ed.] |
R. Murray Schafer |
|
7061 |
|
Comfortably Numb : the Inside Story of Pink Floyd |
Blake, Mark |
|
7062 |
|
The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century: A Historical Introduction and Guide for Students and Musicians [1994 Reprint ed.] |
John Harper |
1994 |
7063 |
|
Facing the Music: My Story [First Howard books hardcover edition] |
Knapp, Jennifer |
|
7064 |
|
The story of the Beatles. |
Burrows, Terry |
|
7065 |
|
You Say She's A Virgin? The Fallacy of Live Earth London |
Matthew Delooze |
|
7066 |
|
The Farmer in the Dell [♫ Read-Along ebook. ♫ ed.] |
Kim Mitzo Thompson, Karen Mitzo Hilderbrand |
|
7067 |
|
Mother of Rock: the Lillian Roxon Story |
Milliken, Robert |
|
7068 |
|
Cavern Club: The Inside Story |
Debbie Greenberg |
|
7069 |
|
Worship Music in the 21st Century : Selecting Proper Music for Worship in Regards to Lyrics, Instrumentation, and Rhythm |
Marius E. Marton, Raj Attiken |
|
7070 |
|
Eruption: The Eddie Van Halen Story [1 ed.] |
Paul Brannigan |
1 |
7071 |
|
Bartok's Viola Concerto: The Remarkable Story of His Swansong (Studies in Musical Genesis and Structure) |
Donald Maurice |
|
7072 |
|
Behind the Rainbow: The Story of Eva Cassidy |
Johan Bakker |
|
7073 |
|
Midnight at the Barrelhouse : The Johnny Otis Story [1 ed.] |
George Lipsitz |
1 |
7074 |
|
Minstrel of the Appalachians The Story of Bascom Lamar Lunsford |
Loyal Jones |
|
7075 |
|
Baby, let me follow you down: the illustrated story of the Cambridge folk years [2 ed.] |
Eric Von Schmidt, Jim Rooney |
2 |
7076 |
|
Black Mahler : the Samuel Coleridge-Taylor story |
Elford, Charles, Coleridge-Taylor, Samuel |
|
7077 |
|
Remarks Remade: The Story of R.E.M [3rd ed.] |
Tony Fletcher |
3 |
7078 |
|
The Blood and the Sweat: The Story of Sick of It All’s Koller Brothers |
Lou Koller, Pete Koller, Howie Abrams |
|
7079 |
|
Bang Your Head: The Real Story of the Missing Link |
Dewey Robertson, Meredith Renwick |
|
7080 |
|
Exit Music: The Radiohead Story |
Mac Randall |
|
7081 |
|
Remembering Whitney: my story of love, loss, and the night the music stopped [1st ed] |
Dickey, Lisa,Houston, Cissy,Houston, Whitney |
1 |
7082 |
|
All the Songs. The Story Behind Every Beatles Release. Including Complete Lyrics of all Songs |
Jean-Michel Guesdon, Philippe Margotin |
|
7083 |
|
Nerd Girl Rocks Paradise City: A True Story of Faking It in Hair Metal L.A. |
Anne Thomas Soffee |
|
7084 |
|
The story of Crass [Reprint ed.] |
Berger, George |
|
7085 |
|
Sounding Together : Collaborative Perspectives on U.S. Music in the 21st Century |
Charles Hiroshi Garrett, Carol J Oja |
|
7086 |
|
A Study of the Origins, History, and Notation of the Troubadour Chansonnier Paris, Bibliotheque Nationale, F. Fr. 22543 |
Elizabeth Aubrey |
|
7087 |
|
The Official Adam Ant Story |
James Maw |
|
7088 |
|
Music |
Annie Buckley |
|
7089 |
|
Get Down Here and Mix Yourself a Hit: Mixmaster: My Story |
Pete Hammond |
|
7090 |
|
Sting. Nothing like the sun band |
|
|
7091 |
|
Straight Life: The Story Of Art Pepper [Revised] |
Art Pepper, Laurie Pepper |
|
7092 |
|
Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap [First Edition (U.S.)] |
Ben Westhoff |
|
7093 |
|
Fire and Rain: the Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Bittersweet Story of 1970 |
Beatles.,Crosby, Stills, Nash,Young.,Simon and Garfunkel.,Taylor, James,Browne, David |
|
7094 |
|
Among My Souvenirs |
Connie Francis |
|
7095 |
|
House of Hits: The Story of Houston's Gold Star SugarHill Recording Studios (Brad and Michele Moore Roots Music) [1 ed.] |
Andy Bradley, Roger Wood |
1 |
7096 |
|
Sing for your life: a story of race, music, and family [First edition] |
Bergner, Daniel,Green, Ryan Speedo |
|
7097 |
|
Marley And Me: The Real Bob Marley Story |
Don Taylor |
|
7098 |
|
Gesualdo : the Man and His Music [2 ed.] |
Watkins, Glenn |
2 |
7099 |
|
The Time of Music: New Meanings, New Temporalities, New Listening Strategies |
Jonathan D Kramer |
|
7100 |
|
Surf City: The Jan and Dean Story |
Dean Torrence |
|
7101 |
|
Welcome to My Nightmare: The Alice Cooper Story |
Dave Thompson |
|
7102 |
|
ABBEY ROAD EMI TG CIRCUIT SCHEMATICS |
ABBEY ROAD STUDIOS , EMI |
|
7103 |
|
Music of the Whole Earth [2 ed.] |
David Reck, Carol Reck |
2 |
7104 |
|
George Beverly Shea: Tell Me the Story |
Paul Davis |
|
7105 |
|
When They Were Boys: The True Story of the Beatles' Rise to the Top [1 ed.] |
Larry Kane |
1 |
7106 |
|
Acid Detroit: A Psychedelic Story of Motor City Music |
Joe Molloy |
|
7107 |
|
House Of The Rising Sun |
The Animals. |
|
7108 |
|
Westlife: Our Story |
Westlife |
|
7109 |
|
Rock & roll's hidden giant : the story of rock pioneer Charlie Gracie |
Gracie, Charlie, Jackson, John A |
|
7110 |
|
Willin' : the story of Little Feat |
Fong-Torres, Ben |
|
7111 |
|
SAHB Story: The Tale of the Sensational Alex Harvey Band |
Martin Kielty |
|
7112 |
|
The Lives of John Lennon |
Albert Goldman |
|
7113 |
|
Space is the place: the lives and times of Sun Ra [1st ed] |
Sun Ra,Szwed, John F |
1 |
7114 |
|
Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts |
Douglas Kahn |
|
7115 |
|
Resistance: A Songwriter's Story of Hope, Change, and Courage |
Tori Amos |
|
7116 |
|
Sex Pistols: The Inside Story |
Fred Vermorel, Judy Vermorel |
|
7117 |
|
The Wichita Lineman: Searching in the Sun for the World’s Greatest Unfinished Song [Original retail ed.] |
Dylan Jones |
|
7118 |
|
Worlds of sound: the story of Smithsonian Folkways |
Richard Carlin |
|
7119 |
|
Is This the Real Life?: The Untold Story of Queen |
Mark Blake |
|
7120 |
|
In close harmony: the story of the Louvin Brothers |
Charles K. Wolfe |
|
7121 |
|
Best of Bruno Mars Songbook |
Bruno Mars |
|
7122 |
|
Maryland, My Maryland: Music and Patriotism during the American Civil War [Hardcover ed.] |
James A. Davis |
|
7123 |
|
Opera: The Definitive Illustrated Story |
Alan Riding, Leslie Dunton-Downer |
|
7124 |
|
The Story of Motown (New and Revised) [1 ed.] |
Peter Benjaminson |
1 |
7125 |
|
MusicHound R & B : the essential album guide |
Josh Freedom Du Lac, Jim McFarlin, Gary Graff |
|
7126 |
|
Bob Dylan's Poetics: How the Songs Work (Zone Books) |
Timothy Hampton |
|
7127 |
|
K-pop: popular music, cultural amnesia, and economic innovation in South Korea |
Lie, John |
|
7128 |
|
The sound of freedom |
Huberman, Bronislaw,Kacer, Kathy |
|
7129 |
|
Victor Feldbrill: Canadian Conductor Extraordinaire |
Walter Pitman |
|
7130 |
|
Institutional Economics and the Formation of Preferences: The Advent of Pop Music (New Horizons in Institutional and Evolutionary Economics Series) |
Wilfred Dolfsma (Editor) |
|
7131 |
|
Popular Music of Vietnam: The Politics of Memory, the Economics of Forgetting (Routledge Studies in Ethnomusicology) [1 ed.] |
Dale A. Olsen |
1 |
7132 |
|
Sounds of Fear and Wonder: Music in Cult Tv |
Janet K Halfyard |
|
7133 |
|
The Propaganda of Freedom (Music in American Life) |
Joseph Horowitz |
|
7134 |
|
Quarter Notes and Bank Notes: The Economics of Music Composition in the Eighteenth and Nineteenth Centuries |
F. M. Scherer |
|
7135 |
|
K-pop : popular music, cultural amnesia, and economic innovation in South Korea |
Lie, John |
|
7136 |
|
Quintet: Five Journeys Toward Musical Fulfillment |
Blum, David, Gingold, Josef, Goode, Richard, Ma, Yo-Yo, Nilsson, Birgit, Tate, Jeffrey |
|
7137 |
|
Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures (Volume 3) (California Series in Hip Hop Studies) |
H. Samy Alim (editor), Jeff Chang (editor), Casey Wong (editor) |
|
7138 |
|
Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema |
Robert Robertson |
|
7139 |
|
The Physics of Music and Color [2 ed.] |
Leon Gunther |
2 |
7140 |
|
Dhol: Drummers, Identities, and Modern Punjab [1 ed.] |
Gibb Schreffler |
1 |
7141 |
|
Measured tones: the interplay of physics and music [2 ed.] |
Ian Johnston |
2 |
7142 |
|
Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity |
Thomas Bossius, Andreas Häger, Keith Kahn-Harris (editors) |
|
7143 |
|
Millennial Praises: A Shaker Hymnal |
Christian Goodwillie, Jane F. Crosthwaite |
|
7144 |
|
Digital broadband content : music |
OECD |
|
7145 |
|
The Economics of the Popular Music Industry [1 ed.] |
Chong Hyun Christie Byun (auth.) |
1 |
7146 |
|
Breaking Rocks: Music, Ideology and Economic Collapse, from Paris to Kinshasa [ebook ed.] |
Joe Trapido |
|
7147 |
|
Chord Chemistry |
Ted Greene |
|
7148 |
|
The Physics of Music |
Alexander Wood |
|
7149 |
|
Storyteller Guitar |
Doug Larson |
|
7150 |
|
Sonic Liturgy: Ritual and Music in Hindu Tradition [1 ed.] |
Guy L. Beck |
1 |
7151 |
|
The physics and psychophysics of music: an introduction [4 ed.] |
Juan G. Roederer (auth.) |
4 |
7152 |
|
My Own Devices: Essays From the Road on Music, Science, and Senseless Love [Hardcover ed.] |
Dessa |
|
7153 |
|
Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc. [Hardcover ed.] |
Jeff Tweedy |
|
7154 |
|
Celine: The Authorized Biography [1 ed.] |
Georges-Herbert Germain |
1 |
7155 |
|
Comparative Music Culture - Carnival in Trinidad and Brazil |
Oliver N. Greene |
|
7156 |
|
The American Musical [1 ed.] |
Frank Catalano |
1 |
7157 |
|
Music, Physics and Engineering [Revised] |
Harry F. Olson |
|
7158 |
|
Part of Computer Music History ... (Trust Me, Latin America Has Always Been There!) [1 ed.] |
Ricardo Dal Farra |
1 |
7159 |
|
Music Fundamentals For the Guitar |
Bozina, Robert |
|
7160 |
|
The Celestial Twins: Poetry and Music Through the Ages |
H. T. Kirby-Smith |
|
7161 |
|
Bounce: Rap Music and Local Identity in New Orleans |
Matt Miller |
|
7162 |
|
Sonic Theology: Hinduism and Sacred Sound |
Guy L. Beck |
|
7163 |
|
The Physics of Music and Color: Sound and Light |
Leon Gunther |
|
7164 |
|
The Educated Listener: A New Approach to Music Appreciation |
Jaren Hinckley |
|
7165 |
|
The Man Who Carried Cash: Saul Holiff, Johnny Cash, and the Making of an American Icon |
Julie Chadwick |
|
7166 |
|
Bob Dylan's Poetics: How the Songs Work |
Timothy Hampton |
|
7167 |
|
The Science of Music |
Mark Ballora |
|
7168 |
|
Jazz as Visual Language: Film, Television and the Dissonant Image |
Nicolas Pillai |
|
7169 |
|
Reason and Resonance: A History of Modern Aurality |
Veit Erlmann |
|
7170 |
|
The Way I Am Так, как я |
Eminem |
|
7171 |
|
Songs of Freedom: The James Connolly Songbook |
James Connolly, Mat Callahan, Theo Dorgan, James Connolly Heron |
|
7172 |
|
Music, physics and engineering |
Harry Olson |
|
7173 |
|
My own devices: essays from the road on music, science, and senseless love |
(Vocalist) Dessa |
|
7174 |
|
Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands |
Eric Sean Crawford |
|
7175 |
|
Jazz and Christian Freedom: Improvising against the Grain of the West |
Bradley K. Broadhead |
|
7176 |
|
Handel [1 ed.] |
C. F. Abdy Williams |
1 |
7177 |
|
Ashes to Light: A Holocaust Childhood To A Life In Music |
Nelly Ben-Or |
|
7178 |
|
Pussy Riot! : a punk prayer for freedom : letters from prison, songs, poems, and courtroom statements, plus tributes to the punk band that shook the world |
Riot, Pussy |
|
7179 |
|
Bach |
C. F. Abdy Williams |
|
7180 |
|
Heathen Chemistry - Guitar Edition TAB |
Oasis |
|
7181 |
|
Music Express: The Rise, Fall & Resurrection of Canada's Music Magazine |
Keith Sharp |
|
7182 |
|
Songs of Freedom: The James Connolly Songbook |
Connolly, James,Heron, James Connolly,Dorgan, Theo,Callahan, Mathew |
|
7183 |
|
Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama |
Mariko Anno |
|
7184 |
|
Bob Dylan: How the Songs Work |
Timothy Hampton |
|
7185 |
|
Into the maelstrom: music, improvisation and the dream of freedom: before 1970 |
Toop, David |
|
7186 |
|
Hip Hop Music: History and Culture [1 ed.] |
Terence Elliott |
1 |
7187 |
|
Talking to Girls About Duran Duran: One Young Man's Quest for True Love and a Cooler Haircut |
Rob Sheffield |
|
7188 |
|
The Music of Physics: An Introduction to the Harmonies of Nature |
George N. Gibson |
|
7189 |
|
The Economics of Music [2 ed.] |
Peter Tschmuck |
2 |
7190 |
|
Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism |
Annette Wilke and Oliver Moebus |
|
7191 |
|
The Fifth Hammer: Pythagoras and the Disharmony of the World |
Daniel Heller-Roazen |
|
7192 |
|
Bards, Ballads and Boundaries: An Ethnographic Atlas of Music Traditions in West Rajasthan |
Daniel M. Neuman, Shubha Chaudhuri, Komal Kothari |
|
7193 |
|
The Great Gould |
Peter Goddard |
|
7194 |
|
Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism |
Annette Wilke, Oliver Moebus |
|
7195 |
|
The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe [1 ed.] |
Stephon Alexander |
1 |
7196 |
|
Principles of musical acoustics |
Hartmann, William M |
|
7197 |
|
Terrible Freedom: The Life and Work of Lucia Dlugoszewski |
Amy C. Beal |
|
7198 |
|
Performing arts: the economic dilemma : a study of problems common to theater, opera, music, and dance / |
by William J. Baumol and William G. Bowen. |
|
7199 |
|
Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties |
Scott Saul |
|
7200 |
|
Mashed up : music, technology, and the rise of configurable culture |
Aram Sinnreich |
|
7201 |
|
Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics |
Olivier Olivier (editor) |
|
7202 |
|
One hit wonders: using film to analyze the music industry [First edition] |
Krugman, Murrary |
|
7203 |
|
Glenn Gould at Work: Creative Lying [1 ed.] |
Andrew Kazdin |
1 |
7204 |
|
The Flyer Vault: 150 Years of Toronto Concert History |
Daniel Tate, Rob Bowman |
|
7205 |
|
Brick City Vanguard: Amiri Baraka, Black Music, Black Modernity |
James Smethurst |
|
7206 |
|
Hindu-Javanese Musical Instruments [1 ed.] |
Jaap Kunst (auth.) |
1 |
7207 |
|
The Physics of Music : Integrating the Technical and Artistic Aspects of Creating Music 1 |
Gordon P. Ramsey |
1 |
7208 |
|
The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe |
Stephon Alexander |
|
7209 |
|
Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 (The KINOfiles Filmmaker's Companions) |
John Riley |
|
7210 |
|
Physics and Music: Essential Connections and Illuminating Excursions |
Kinko Tsuji · Stefan C. Müller |
|
7211 |
|
Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 |
David Toop |
|
7212 |
|
Mother of the Blues: A Study of Ma Rainey |
Sandra R. Lieb |
|
7213 |
|
Forever Stardust: David Bowie cross the Universe |
Will Brooker |
|
7214 |
|
Devo's Freedom of Choice (33 1/3) |
Evie Nagy |
|
7215 |
|
Cinema and the Audiovisual Imagination: Music, Image, Sound |
Robert Robertson |
|
7216 |
|
The Great Gould [1 ed.] |
Peter Goddard |
1 |
7217 |
|
Traditional Japanese Music and Musical Instruments |
William P. Malm |
|
7218 |
|
Seventy Years of Issues: Historical Vocal 78 rpm Pressings from Original Masters 1931-2001 [Paperback ed.] |
Tom Peel, John Stratton |
|
7219 |
|
Punjab Sounds: In and Beyond the Region [1 ed.] |
Radha Kapuria (editor), Vebhuti Duggal (editor) |
1 |
7220 |
|
The Economics of a Rock Concert |
Sheri Perl |
|
7221 |
|
Love Her Madly: Jim Morrison, Mary, and Me |
Bill Cosgrave |
|
7222 |
|
Emma Albani |
Michelle Labrèche-Larouche, Michelle Labr Che-Larouche, Darcy Dunton |
|
7223 |
|
Nicolas Nabokov: A Life in Freedom and Music |
Vincent Giroud |
|
7224 |
|
My Own Key My Life In Love And Music |
Liona Boyd |
|
7225 |
|
Music and Musicians in the Medieval Islamicate World: A Social History |
Lisa Nielson |
|
7226 |
|
Freedom Sounds: Civil Rights Call Out to Jazz and Africa |
Ingrid Monson |
|
7227 |
|
Country Comes to Town : The Music Industry and the Transformation of Nashville [1 ed.] |
Jeremy Hill |
1 |
7228 |
|
The Physics of Music and Color: Sound and Light [2 ed.] |
Leon Gunther |
2 |
7229 |
|
African Roots of the Jazz Evolution [3rd ed.] |
Karlton Hester |
3 |
7230 |
|
An Economic Approach To The Plagiarism Of Music [1st Edition] |
Samuel Cameron |
1 |
7231 |
|
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White [1 ed.] |
Kimberly Mack |
1 |
7232 |
|
Economic analysis of music copyright: income, media and performances [1 ed.] |
Ivan L. Pitt (auth.) |
1 |
7233 |
|
Freedom Song: Faith, Abuse, Music and Spirituality: A Lived Experience of Celebration [New ed.] |
June Boyce-Tillman |
|
7234 |
|
Jazz in Poland: Improvised Freedom (Jazz under State Socialism) [New ed.] |
Igor Pietraszewski |
|
7235 |
|
Mashed up: music, technology, and the rise of configurable culture |
Aram Sinnreich |
|
7236 |
|
Music, Power and Liberty: Sound, Song and Melody as Instruments of Change |
Olivier Urbain, Craig Robertson (editors) |
|
7237 |
|
Forever Doo-Wop: Race, Nostalgia, and Vocal Harmony |
John Michael Runowicz |
|
7238 |
|
Writing the Record: The Village Voice and the Birth of Rock Criticism |
Devon Powers |
|
7239 |
|
For Kid Rock/Total Freedom |
Scharf, Michael |
|
7240 |
|
Festivals and Songs of Ancient China |
Marcel Granet |
|
7241 |
|
A Hard Day‘s Night |
Stephen Glynn |
|
7242 |
|
On Highway 61 : music, race, and the evolution of cultural freedom |
Dylan, Bob / 1941- / Criticism and interpretation, McNally, Dennis |
|
7243 |
|
Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity |
Thomas Bossius, Andreas Häger, Keith Kahn-Harris (eds.) |
|
7244 |
|
Principles of Musical Acoustics [1 ed.] |
William M. Hartmann (auth.) |
1 |
7245 |
|
Devo's Freedom of Choice [104] |
Evie Nagy |
104 |
7246 |
|
Freedom and the Arts: Essays on Music and Literature |
Charles Rosen |
|
7247 |
|
Whatever It Takes: Life Lessons from Degrassi and Elsewhere in the World of Music and Television |
Stephen Stohn, Christopher Ward |
|
7248 |
|
We Gotta Get Out of this Place: The Soundtrack of the Vietnam War |
Doug Bradley and Craig Werner |
|
7249 |
|
The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the Concert That Awakened America |
Raymond Arsenault |
|
7250 |
|
Louis Applebaum: A Passion for Culture |
Walter Pitman |
|
7251 |
|
The jazz war: radio, Nazism and the struggle for the airwaves in World War II [First edition] |
Studdert, Will |
|
7252 |
|
Anton Bruckner,: Rustic genius, [1 ed.] |
Werner Wolff |
1 |
7253 |
|
Freedom in the Air: Song Movements of the Sixties |
Josh Dunson |
|
7254 |
|
Singing for Freedom: The Hutchinson Family Singers and the Nineteenth-Century Culture of Reform [1 ed.] |
Scott Gac |
1 |
7255 |
|
Metal on Ice: Tales from Canada's Hard Rock and Heavy Metal Heroes |
Sean Kelly |
|
7256 |
|
The Physics of Musical Instruments |
Neville H. Fletcher, Thomas D. Rossing (auth.) |
|
7257 |
|
Rainbow quest: the folk music revival and American society, 1940-1970 |
Ronald D. Cohen |
|
7258 |
|
The ancient phonograph |
Butler, Shane |
|
7259 |
|
Measured tones : the interplay of physics and music [3rd ed] |
Johnston, Ian D |
3 |
7260 |
|
Freedom and the arts: essays on music and literature [1. ed] |
Rosen, Charles |
1 |
7261 |
|
Fairouz and the Arab Diaspora: Music and Identity in the UK and Qatar |
Dima Issa |
|
7262 |
|
Rockonomics: a backstage tour of what the music industry can teach us about economics and life [First edition] |
Krueger, Alan B |
|
7263 |
|
Jazz in China: From Dance Hall Music to Individual Freedom of Expression |
Eugene Marlow |
|
7264 |
|
The Ancient Phonograph (Zone Books) |
Shane Butler |
|
7265 |
|
Building an copper tube Xylophone |
David R Lapp |
|
7266 |
|
The Physics and Psychophysics of Music: An Introduction [4th ed.] |
Juan G. Roederer |
4 |
7267 |
|
On Highway 61 Music Race And The Evolution Of Cultural Freedom |
Dennis McNally |
|
7268 |
|
The Physics of Music and Color [1 ed.] |
Leon Gunther (auth.) |
1 |
7269 |
|
Bluebeard’s Legacy: Death and Secrets from Bartók to Hitchcock |
Griselda Pollock, Victoria Anderson (editors) |
|
7270 |
|
Music As Intangible Cultural Heritage : Economic, Cultural and Social Identity [1 ed.] |
Blanca de-Miguel-Molina, Virginia Santamarina-Campos, María de-Miguel-Molina, Rafael Boix-Doménech |
1 |
7271 |
|
Mahalia Jackson: Freedom's Voice |
Denise Lewis Patrick |
|
7272 |
|
Culture and Propaganda in World War II: Music, Film and the Battle for National Identity |
John Morris |
|
7273 |
|
Rāgs Around the Clock: A Handbook for North Indian Classical Music, with Online Recordings in the Khayāl Style |
David Clarke, music by Vijay Rajput |
|
7274 |
|
Physics and music |
Gleb Anfilov, Translated from the Russian by Boris Kuznetsov |
|
7275 |
|
Talking to Girls About Duran Duran: One Young Man's Quest for True Love and a Cooler Haircut |
Rob Sheffield |
|
7276 |
|
Copland What to Listen for in Music |
Slatkin, Leonard,Rich, Alan,Copland, Aaron |
|
7277 |
|
Introduction and Practical Guide to Music Education [Preliminary ed.] |
|
|
7278 |
|
Physics of musical instruments (incomplete) |
Rossing T.D., Fletcher N.H. |
|
7279 |
|
Introduction and Practical Guide to Music Education [1/preliminary, 1/preliminary ed.] |
Laura M Dornberger, Katherine M Levy |
1 |
7280 |
|
Physics and Music: The Science of Musical Sound |
Harvey E. White, Donald H. White |
|
7281 |
|
Opening Windows: Confessions of a Canadian Vocal Coach |
Stuart Hamilton |
|
7282 |
|
Kraftwerk: Man, Machine and Music |
Pascal Bussy |
|
7283 |
|
Easy violin : method book |
Alejandrino, Joselito C. |
|
7284 |
|
Trust Me, I'm Dr. Ozzy: Advice from Rock's Ultimate Survivor [1 ed.] |
Ozzy Osbourne |
1 |
7285 |
|
1,000 recordings to hear before you die: a listener's life list |
Moon, Tom |
|
7286 |
|
"Joy Division": Form (and Substance) |
Clinton Heylin, Craig A. Wood |
|
7287 |
|
A sourcebook of Sonny Terry licks for blues harmonica |
Terry, Sonny, Ball, Tom |
|
7288 |
|
Case examples of music therapy for bereavement |
Bruscia, Kenneth E. |
|
7289 |
|
Plunderphonics, `Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle (Experimental Music) |
Andrew Jones |
|
7290 |
|
Opera [1st American ed] |
Dunton-Downer, Leslie,Riding, Alan |
1 |
7291 |
|
Blur: 3862 Days : The Official History |
Stuart MacOnie |
|
7292 |
|
Opera : a research and information guide [2 Sub ed.] |
Guy A Marco |
2 |
7293 |
|
David Baker's How to Play Bebop 1 |
D. Baker |
|
7294 |
|
An Ideal for Living: An History of Joy Division |
Mark Johnson |
|
7295 |
|
Pink Floyd: behind the wall: the complete psychedelic history from 1965 to today |
Fielder, Hugh |
|
7296 |
|
No Angel |
Anna Joyce, Andrew Southam, Dido |
|
7297 |
|
Miles Davis |
Brian Morton |
|
7298 |
|
Research Perspectives: Thought and Practice in Music Education |
Linda K. Thompson, Mark Robin Campbell |
|
7299 |
|
Fundamental Counterpoint |
Hugo Norden |
|
7300 |
|
The Lydian Chromatic Concept of Tonal Organization: The Art and Science of Tonal Gravity by George Russell (2001-05-03) [4 ed.] |
George Russell |
4 |
7301 |
|
Drawn to sound: animation film music and sonicity |
Coyle, Rebecca |
|
7302 |
|
Abbey Road to Ziggy Stardust: Off the Record With the Beatles, Bowie, Elton & So Much More |
Ken Scott, Bobby Owsinski |
|
7303 |
|
Beginning Jazz Guitar: The Complete Jazz Guitar Method |
Jody Fisher |
|
7304 |
|
Lore of the Chinese Lute |
Robert Hans Van Gulik |
|
7305 |
|
Adult All-In-One Piano Course: Level 2: Lessons - Theory - Solo [Spi ed.] |
Willard A. Palmer, Morton Manus, Amanda Vick Lethco |
|
7306 |
|
Pumping Nylon |
Scott Tennant |
|
7307 |
|
An Early Hautboy Solo Matrix: Solos for the Hautboy before 1710 based on a Symphonia / Sonata by Johann Christoph Pez that Demonstrates a Performance Practice of Adaptation |
Peter Hedrick (ed.) |
|
7308 |
|
New Perspectives in Music Education in Slovenia |
Olga Denac |
|
7309 |
|
The Legend of Zelda Series For Easy Piano |
Inc. Alfred Music Publishing Co. |
|
7310 |
|
Electronic Music: Systems, Techniques and Controls [2nd ed.] |
Allen Strange |
2 |
7311 |
|
Pink Floyd Echoes The Best of Pink Floyd |
Warner Bros. Publications |
|
7312 |
|
Heavy metal lead guitar |
Troy Stetina |
|
7313 |
|
Psychological Foundations of Musical Behavior [5 ed.] |
Rudolph E. Radocy, J. David Boyle |
5 |
7314 |
|
Guitar Mode Encyclopedia |
Jody Fisher |
|
7315 |
|
The Best of David Bowie for Guitar |
David Bowie |
|
7316 |
|
Leonard Bernstein: The Infinite Variety of a Musician [and ed.] |
Peter Gradenwitz |
|
7317 |
|
Aida (Opera Journeys Mini Guide Series) |
Burton D. Fisher, Giuseppe Verdi |
|
7318 |
|
Van Halen: Women and Children First |
Alfred Publishing |
|
7319 |
|
Music (Ferguson's Careers in Focus) [2 ed.] |
FERGUSON Pub. Co. |
2 |
7320 |
|
The voice of the Jamaican ghetto |
Palmer, Adidja,Kartel, Vybz,Dawson, Michael |
|
7321 |
|
How to make electronic music |
Russell Drake |
|
7322 |
|
Five Against One: The Pearl Jam Story |
Kim Neely |
|
7323 |
|
Organ Chord Dictionary |
Morton Manus |
|
7324 |
|
Irish Pub Songs for 5-String Banjo Vol 1 |
Kelly Griner |
|
7325 |
|
Keyboards & Computer Music |
Philip Hawthorne, Vince Hill, Peter Howell |
|
7326 |
|
Medieval Ritual And Early Modern Music: The Devotional Practice of Lauda Singing in Late-renaissance Italy: 01 [1° ed.] |
Eyolf Ostrem, Nils Holger Petersen |
1 |
7327 |
|
Take Off Your Pants |
Blink 18 |
|
7328 |
|
Electric bass lines no.1 |
Carol Kaye |
|
7329 |
|
Music Education: Cultural Values, Social Change and Innovation |
Robert Walker |
|
7330 |
|
Foundation Studies in Fugue |
Hugo Norden |
|
7331 |
|
Duran Duran |
Neil Gaiman |
|
7332 |
|
Synthesizers and Computers [second edition] |
Brent Hurtig |
|
7333 |
|
Music, liturgy, and the veneration of saints of the medieval Irish church in a European context : biblical history in epic verse |
Ann Buckley, Ann Buckley (editor) |
|
7334 |
|
Music, Informal Learning and the School: A New Classroom Pedagogy (Ashgate Popular and Folk Music) |
Lucy Green |
|
7335 |
|
Mozart's THE MAGIC FLUTE |
Fisher, Burton D.,Mozart, Wolfgang Amadeus |
|
7336 |
|
The Lydian chromatic concept of tonal organization: The art and science of tonal gravity [4th ed.] |
George Russell |
4 |
7337 |
|
I am Ozzy [1st eBook ed] |
Osbourne, Ozzy,Ayres, Chris |
1 |
7338 |
|
The Replacements: all over but the shouting: an oral history |
Walsh, Jim |
|
7339 |
|
Out of the Long Dark : the Life of Ian Carr |
Alyn Shipton |
|
7340 |
|
Irish Pub Songs (Songbook) |
Hal Leonard Corp. |
|
7341 |
|
How to Sing [First US ed.] |
Graham Hewitt |
|