Number |
Cover |
TextBook for Theatre |
Author |
Edition |
0 |
|
Fun, Taste, & Games: An Aesthetics of the Idle, Unproductive, and Otherwise Playful (Playful Thinking) [1 ed.] |
John Sharp, David Thomas |
1 |
1 |
|
From Stereotype to Metaphor: Jew in Contemporary Drama |
Ellen Schiff |
|
2 |
|
Play and child development |
JOE L. FROST, SUE C. WORTHAM, STUART REIFEL |
4th |
3 |
|
Play in Child Development and Psychology - Fair Play For Children |
Sandra W. Russ |
|
4 |
|
Staging Trauma [1st ed.] |
Miriam Haughton |
|
5 |
|
Eyes of the Heart: Selected Plays |
Catherine Filloux (editor), Frank Stewart (editor) |
|
6 |
|
Baby Ecology: Using Science and Intuition to Create the Best Feeding, Sleep, and Play Environment for Your Unique Baby |
Anya Dunham |
|
7 |
|
Sleep deprivation chamber: a theatre piece [1st ed] |
Kennedy, Adrienne,Kennedy, Adam P |
1 |
8 |
|
Acting Professionally: An Essential Career Guide for the Actor [9 ed.] |
Robert Cohen, James Calleri |
9 |
9 |
|
Adam's Bridge: Sacrality, Performance, and Heritage of an Oceanic Marvel [1 ed.] |
ARUP K. CHATTERJEE |
1 |
10 |
|
Arts, Ecologies, Transitions: Constructing a Common Vocabulary [1 ed.] |
Roberto Barbanti (editor), Isabelle Ginot (editor), Makis Solomos (editor), Cécile Sorin (editor) |
1 |
11 |
|
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
12 |
|
Complete Works of Eugene O'Neill |
Eugene O'Neill |
|
13 |
|
Burning Man (Routledge Advances in Theatre & Performance Studies) |
Linda Noveroske-Tritten |
|
14 |
|
Affair of the Heart: British Theatre from 1992 to 2020 |
Michael Billington |
|
15 |
|
Puppetry in Theatre and Arts Education: Head, Hands and Heart |
Johanna Smith |
|
16 |
|
He Brought Her Heart Back in a Box and Other Plays |
Adrienne Kennedy |
|
17 |
|
Lying in the Middle : Musical Theater and Belief at the Heart of America [1 ed.] |
Jake Johnson |
1 |
18 |
|
Heart of Stone |
Ahmed Yerima |
|
19 |
|
In the Heart of America and Other Plays |
Wallace, Naomi, |
|
20 |
|
Len Jenkin's Theatre: Wonder and Heart |
Robert Andreach |
|
21 |
|
’Tis Pity She’s a Whore and Other Plays: The Lover’s Melancholy; The Broken Heart; ’Tis Pity She’s a Whore; Perkin Warbeck |
John Ford |
|
22 |
|
Nagauta: The Heart of Kabuki Music |
William P. Malm |
|
23 |
|
Theatreland: A Journey Through the Heart of London's Theatre |
Paul Ibell |
|
24 |
|
Harvest |
Manjula Padmanabhan |
|
25 |
|
The Indian Theatre |
Mulk Raj Anand |
|
26 |
|
OTH-1 An introduction to theatre and drama |
IGNOU |
|
27 |
|
Collected plays in translation |
Vijay Dhondopant Tendulkar |
|
28 |
|
Rabindranath Tagore's Drama in the Perspective of Indian Theatre |
Mala Renganathan (editor), Arnab Bhattacharya (editor) |
|
29 |
|
Rabindranath Tagore's Theatre: From Page to Stage |
Abhijit Sen |
|
30 |
|
The Politics and Reception of Rabindranath Tagore's Drama: The Bard on the Stage |
Arnab Bhattacharya, Mala Renganathan |
|
31 |
|
Dharati Dhan Na Apana |
Jagdish Chandra Mathur |
|
32 |
|
Audience Participation: Essays on Inclusion in Performance |
Susan Kattwinkel |
|
33 |
|
Children's Imaginative Play: A Visit to Wonderland |
Shlomo Ariel, Brian Sutton-Smith |
|
34 |
|
Greek Tragedy on the American Stage: Ancient Drama in the Commercial Theater, 1882-1994 |
Karelisa Hartigan |
|
35 |
|
Nineteenth-Century American Women Theatre Managers |
Jane K. Curry |
|
36 |
|
Samuel Beckett's Waiting for Godot: A Reference Guide |
William Hutchings |
|
37 |
|
The Best Actors in the World: Shakespeare and His Acting Company |
David Grote |
|
38 |
|
Theatre in the Third Reich, the Prewar Years: Essays on Theatre in Nazi Germany |
Glen Gadberry |
|
39 |
|
Willis Richardson, Forgotten Pioneer of African-American Drama |
Christine R. Gray |
|
40 |
|
Women and Indian Shakespeares |
Thea Buckley (editor), Sangeeta Datta (editor), Rosa García-Periago (editor) |
|
41 |
|
Maya Rao and Indian Feminist Theatre |
Bishnupriya Dutt |
|
42 |
|
The changing language of theatre |
Badal Sarkar |
|
43 |
|
Ishtyle: Accenting Gay Indian Nightlife |
Kareem Khubchandani |
|
44 |
|
Shakespeare and Indian Theatre: The Politics of Performance |
Vikram Singh Thakur |
|
45 |
|
Works of John Dryden. Volume 9 Plays: The Indian Emperour, Secret Love, Sir Martin Mar-All |
John Loftis (editor), Vinton A. Dearing (editor) |
|
46 |
|
Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance |
Harshita Mruthinti Kamath |
|
47 |
|
Indian Drama in English: The Beginnings |
Ananda Lal |
|
48 |
|
Art and Resistance: Studies in Modern Indian Theatres |
Dorothy Figueira (editor) |
|
49 |
|
Disparate Voices of Indian Women Playwrights: Creating a Profession |
Shirley Huston-Findley (editor) |
|
50 |
|
Indian Play |
Lisa K. Neuman |
|
51 |
|
Illicit worlds of Indian dance : cultures of exclusion |
Morcom, Anna |
|
52 |
|
Theater, Number, Event: Three Studies on the Relationship between Sovereignty, Power and Truth |
Soumyabrata Choudhury |
|
53 |
|
Native Acts: Indian Performance, 1603-1832 |
Joshua David Bellin, Laura L. Mielke, Philip J. Deloria |
|
54 |
|
Stage Make-up Techniques |
Jans Martin. |
|
55 |
|
Stages of Life: Indian Theatre Autobiographies |
Kathryn Hansen |
|
56 |
|
Modern Indian Theatre: A Reader |
Nandi Bhatia |
|
57 |
|
Engendering Performance: Indian Women Performers in Search of an Identity |
Bishnupriya Dutt, Urmimala Sarkar Munsi |
|
58 |
|
Indian folk theatres |
Juli Hollander |
|
59 |
|
Indian Performing Arts : A Mosaic |
Utpal Kumar Banerjee |
|
60 |
|
Raja Nal And The Goddess: The North Indian Epic Dhola In Performance |
Susan S. Wadley |
|
61 |
|
The Oxford Companion to Indian Theatre |
Ananda Lal |
|
62 |
|
Performing Artistes in Ancient India |
Iravati |
|
63 |
|
Where the Pavement Ends: Five Native American Plays (American Indian Literature and Critical Studies Series) |
William S. Yellow Robe |
|
64 |
|
Indian Theatre: Theatre of Origin, Theatre of Freedom |
Ralph Yarrow |
|
65 |
|
Modern Indian Drama: An Anthology |
Govind P. Deshpande |
|
66 |
|
Rasa: The Indian Performing Arts in the Last Twenty-five Years. Theatre and cinema |
Ananda Lal, Chidananda Dasgupta |
|
67 |
|
Contemporary Indian theatre : interviews with playwrights and directors |
Sangeet Natak Akademi |
|
68 |
|
The Mahabharata: A Play based upon the Indian Classic Epic |
Jean-Claude Carriere, Peter Brook |
|
69 |
|
Doll Play of Pilaga Indian Children: An Experimental and Field Analysis of the Behavior of the Pilaga Indian Children: Research Monograph No. 4 |
Jules &, Zunia Henry |
|
70 |
|
A Panorama of Theatre in India |
Som Benegal |
|
71 |
|
Acting Up: Gender and Theatre in India, 1979 Onwards |
A. Mangai |
|
72 |
|
African Theatre 15: China, India & the Eastern World |
Edited by Martin Banham, Edited by James Gibbs, Edited by Femi Osofisan |
|
73 |
|
Badal Sircar: Towards a Theatre of Conscience |
Anjum Katyal |
|
74 |
|
Bodies of song : Kabir oral traditions and performative worlds in North India |
Hess, Linda, Kabir, Kabir |
|
75 |
|
Brecht in India: The Poetics and Politics of Transcultural Theatre |
Dr. Prateek |
|
76 |
|
Brought to Life by the Voice: Playback Singing and Cultural Politics in South India |
Amanda Weidman |
|
77 |
|
Contemporary Group Theatre in Kolkata, India |
Arnab Banerji |
|
78 |
|
Cultural Labour: Conceptualizing the ‘Folk Performance’ in India |
Bramha Prakash |
|
79 |
|
Folk Theatres of North India: Contestation, Amalgamation and Transference |
Karan Singh |
|
80 |
|
Foucault and the Kamasutra: the Courtesan, the Dandy, and the Birth of Ars Erotica as Theater in India |
Sanjay Kumar Gautam |
|
81 |
|
Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare |
Joerg Esleben, Rohmer Rolf, David G. John |
|
82 |
|
Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence |
Meera Kosambi |
|
83 |
|
Globalization, Nationalism and the Text of ‘Kichaka-Vadha’: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India |
Rakesh H. Solomon |
|
84 |
|
Grounds for Play: The Nautanki Theatre of North India |
Kathryn Hansen |
|
85 |
|
Mapping Critical Dance Studies in India (Performance Studies & Cultural Discourse in South Asia, 2) |
Urmimala Sarkar Munsi |
|
86 |
|
Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka |
Ashis Sengupta (eds.) |
|
87 |
|
Passages of Play in Urban India: People, Media, Objects, and Spaces in Mumbai's Slum Localities |
Prasad Khanolkar |
|
88 |
|
Performance and Knowledge |
G. N. Devy and Geoffrey V. Davis |
|
89 |
|
Performance at the Urban Periphery: Insights from South India |
Cathy Turner (editor), Sharada Srinivasan (editor), Jerri Daboo (editor), Anindya Sinha (editor) |
|
90 |
|
Performance in a Time of Terror: Five Sinhala Plays from Sri Lanka |
Ranjini Obeyesekere, Kanchuka Dharmasiri |
|
91 |
|
Performance Making and the Archive |
Ashutosh Potdar, Sharmistha Saha |
|
92 |
|
Postdramatic Theatre and India: Theatre-Making Since the 1990s |
Ashis Sengupta |
|
93 |
|
Remember, Repeat, Inhabit: A Study of Antonin Artaud, Krzysztof Kieslowski and Nikhil Chopra |
Ronojoy Sircar |
|
94 |
|
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900 |
Suddhaseel Sen |
|
95 |
|
Sharing Identities: Celebrating Dance in Malaysia |
Mohd Anis Nor, Stephanie Burridge |
|
96 |
|
Staging Asia: The Dutch East India Company and the Amsterdam Theatre |
Manjusha Kuruppath |
|
97 |
|
Staging Feminisms: Gender, Violence and Performance in Contemporary India |
Anita Singh |
|
98 |
|
The Dancer's Voice: Performance and Womanhood in Transnational India |
Rumya Sree Putcha |
|
99 |
|
The Routledge Companion to Dance in Asia and the Pacific: Platforms for Change |
Stephanie Burridge (editor) |
|
100 |
|
Theatre and National Identity in Colonial India: Formation of a Community through Cultural Practice |
Sharmistha Saha |
|
101 |
|
Theatre, Margins and Politics: An Introduction |
Arnab Ray (editor), Sibendu Chakraborty (editor) |
|
102 |
|
Ecoscenography: An Introduction to Ecological Design for Performance |
Tanja Beer |
|
103 |
|
Chinese Coffee - Acting Edition [Paperback ed.] |
Ira Lewis |
|
104 |
|
The Ethical Implications of Shakespeare in Performance and Appropriation [1 ed.] |
Louise Geddes (editor), Kathryn Vomero Santos (editor), Geoffrey Way (editor) |
1 |
105 |
|
Theatricality and the Arts: Film, Theatre, Art |
Andrew Quick, Richard Rushton |
|
106 |
|
Touching at a Distance: Shakespeare's Theatre |
Johannes Ungelenk |
|
107 |
|
Performative Opacity in the Work of Isabelle Huppert |
Iggy Cortez (editor), Ian Fleishman (editor) |
|
108 |
|
The Edinburgh Companion to Modernism in Contemporary Theatre |
Adrian Curtin (editor), Nicholas Johnson (editor), Naomi Paxton (editor), Claire Warden (editor) |
|
109 |
|
Performance, Theatricality and the US Presidency: The Currency of Distrust |
Julia Peetz |
|
110 |
|
Allegorising Thought on the Shakespearean Stage: The Discovery of the Mind [1 ed.] |
Claire Guéron |
1 |
111 |
|
Shakespeare’s Virtuous Theatre: Power, Capacity and the Good |
Kent Lehnhof, Julia Reinhard Lupton, Carolyn Sale (editors) |
|
112 |
|
Performing Conversion: Cities, Theatre and Early Modern Transformations |
José R. Jouve Martin, Stephen Wittek |
|
113 |
|
Harold Hobson: The Complete Catalogue |
Dominic Shellard |
|
114 |
|
Sensation Drama, 1860–1880: An Anthology |
Joanna Hofer-Robinson, Beth Palmer |
|
115 |
|
Performing Robert Burns: Enactments and Representations of the 'National Bard' |
Ian Brown, Gerard Carruthers |
|
116 |
|
Shakespeare in the North: Place, Politics and Performance in England and Scotland |
Adam Hansen |
|
117 |
|
Modernism and the Choreographic Imagination: Salome’s Dance after 1890 |
Megan Girdwood |
|
118 |
|
Rethinking Brechtian Film Theory and Cinema |
Angelos Koutsourakis |
|
119 |
|
Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter |
Laura Sava |
|
120 |
|
Ovid and Adaptation in Early Modern English Theatre |
Lisa Starks |
|
121 |
|
Scottish Theatre Since the Seventies |
Randall Stevenson, Gavin Wallace |
|
122 |
|
Censorship in Theatre and Cinema |
Anthony Aldgate, James C. Robertson |
|
123 |
|
Beckett's Breath: Anti-Theatricality and the Visual Arts |
Sozita Goudouna |
|
124 |
|
Fencing, Form and Cognition on the Early Modern Stage: Artful Devices |
Dori Coblentz |
|
125 |
|
Celluloid Singapore: Cinema, Performance and the National |
Edna Lim |
|
126 |
|
Pina Bausch's Dance Theatre: Tracing the Evolution of Tanztheater |
Lucy Weir |
|
127 |
|
The Victorian Actress in the Novel and on the Stage |
Renata Kobetts Miller |
|
128 |
|
Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy |
Matthew James Smith, Julia Reinhard Lupton |
|
129 |
|
Greek Tragedy and Modernist Performance: Hellenism as Theatricality |
Olga Taxidou |
|
130 |
|
Variable Objects: Shakespeare and Speculative Appropriation |
Valerie M. Fazel, Louise Geddes |
1 |
131 |
|
Reanimating Shakespeare’s Othello in Post-Racial America [1 ed.] |
Vanessa I. Corredera |
1 |
132 |
|
The Federal Theatre Project, 1935-1939: Engagement and Experimentation [1 ed.] |
Rania Karoula |
1 |
133 |
|
Biopolitics, Materiality and Meaning in Modern European Drama [1 ed.] |
Hedwig Fraunhofer |
1 |
134 |
|
Beckett’s Breath: Anti-Theatricality and the Visual Arts |
Sozita Goudouna |
|
135 |
|
Russian Futurist Theatre: Theory and Practice [Illustrated] |
Robert Leach |
|
136 |
|
Theatrical Milton: Politics and Poetics of the Staged Body |
Brendan Prawdzik |
|
137 |
|
Modernism and the Theatre of the Baroque |
Kate Armond |
|
138 |
|
Worldly Shakespeare: the theatre of our good will |
Richard Wilson. |
|
139 |
|
Beckett's Thing: Painting and Theatre |
David Lloyd |
|
140 |
|
Listening for Theatrical Form in Early Modern England |
Allison Deutermann |
|
141 |
|
Modernist and Avant-Garde Performance: An Introduction [1 ed.] |
Claire Warden |
1 |
142 |
|
Rethinking Shakespeare's Political Philosophy: From Lear to Leviathan |
Alex Schulman |
|
143 |
|
The Edinburgh companion to Samuel Beckett and the arts [1 ed.] |
Beckett, Samuel, Beckett, Samuel Barclay, Gontarski, S. E |
1 |
144 |
|
The Speech-Gesture Complex: Modernism, Theatre, Cinema (Edinburgh Critical Studies in Modernism, Drama and Performance) |
Anthony Paraskeva |
|
145 |
|
Inventions of the Skin: The Painted Body in Early English Drama |
Andrea Stevens |
|
146 |
|
The Beckett Critical Reader: Archives, Theories and Translations |
S.E. Gontarski |
|
147 |
|
Research Methods in Theatre and Performance (Research Methods for the Arts and the Humanities) |
Baz Kershaw, Helen Nicholson (editors) |
|
148 |
|
The Edinburgh Companion to Scottish Drama |
Ian Brown |
|
149 |
|
Islamic Conversion and Christian Resistance on the Early Modern Stage |
Jane Hwang Degenhardt |
|
150 |
|
Contemporary British Drama [1 ed.] |
David Lane |
1 |
151 |
|
Deleuze and Performance |
Laura Cull (editor) |
|
152 |
|
The Dandy in Irish and American Southern Fiction: Aristocratic Drag |
Ellen Crowell |
|
153 |
|
Contemporary American Drama |
Annette Saddik |
|
154 |
|
Humana Festival 2019: The Complete Plays |
Amy Wegener |
|
155 |
|
Humana Festival 2018: The Complete Plays |
Amy Wegener |
|
156 |
|
The Humana Festival: The History of New Plays at Actors Theatre of Louisville (Theater in the Americas) [1st ed.] |
Assistant Professor Jeffrey Ullom |
1 |
157 |
|
Generals Of The Yang Family Four Early Plays |
W L Idema, Stephen H West |
|
158 |
|
Impro: Improvisation and the Theatre |
Johnstone, Keith |
|
159 |
|
Drama for Students [v. 26]: Presenting Analysis, Context and Criticism on Commonly Studied Dramas |
Sara Constantakis |
|
160 |
|
Contemporary Theatre, Film and Television: A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, dan: 46 |
Thomas Riggs (editor) |
|
161 |
|
Drama for Students, Volume 10 [Hardcover ed.] |
Michael L. Lablanc |
|
162 |
|
Contemporary Theatre, Film and Television: A Biographical Guide Featuring Performers, Directors, Writiers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, da: 22 [22] |
Angela Yvonne Jones (editor), Joshua Kondek (editor) |
22 |
163 |
|
British Theatre Companies 1980–1994: Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women’s Theatre Group, and Talawa |
Graham Saunders |
|
164 |
|
Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 |
Ruud van den Beuken |
|
165 |
|
The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal |
Alan Robert Ginsberg |
|
166 |
|
Finding the Jewish Shakespeare : The Life and Legacy of Jacob Gordin |
Beth Kaplan |
|
167 |
|
Modern Irish Drama : W. B. Yeats to Marina Carr, Second Edition |
Sanford Sternlicht |
|
168 |
|
Brian Friel's (Post) Colonial Drama: Language, Illusion, and Politics |
Friel, Brian,McGrath, Francis Charles |
1 |
169 |
|
Caesar and Cleopatra : Antony and Cleopratra |
Shaw, George, Bernard |
|
170 |
|
Shakespeare in Hollywood, Asia, and cyberspace |
Huang, Alexander Cheng-Yuan, Ross (eds.) |
|
171 |
|
The Drama 100: A Ranking of the Greatest Plays of All Time (Facts on File World of Literature) [1 ed.] |
Daniel S. Burt |
1 |
172 |
|
A to Z of American Women in the Performing Arts (Facts On File Library of American History: A to Z of Women) |
Liz Sonneborn |
|
173 |
|
The Science Fiction Image: The Illustrated Encyclopedia of Science Fiction in Film, Television, Radio and the Theater |
Gene Wright, Richard L. Lewis |
|
174 |
|
Theorising Performance: Greek Drama, Cultural History and Critical Practice |
Edith Hall (Editor), Stephe Harrop (Editor) |
|
175 |
|
A Student Handbook to the Plays of Arthur Miller: All My Sons, Death of a Salesman, The Crucible, A View from the Bridge, Broken Glass |
Alan Ackerman |
|
176 |
|
Voice and Speech in the Theatre (6th Edition) [6th ed.] |
J. Clifford Turner, edited by Jane Boston |
6 |
177 |
|
Saved: by Edward Bond |
Edward Bond |
|
178 |
|
The Field of Drama [Paperback ed.] |
Martin Esslin |
|
179 |
|
Baroque Modernity: An Aesthetics of Theater |
Joseph Cermatori |
|
180 |
|
Performing the Temple of Liberty: Slavery, Theater, and Popular Culture in London and Philadelphia, 1760-1850 [1 ed.] |
Jenna M. Gibbs |
1 |
181 |
|
The third citizen : Shakespeare's theater and the early modern House of Commons [1 ed.] |
Shakespeare, William, Arnold, Oliver, Shakespeare, William |
1 |
182 |
|
From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910 |
Robert M. Lewis |
|
183 |
|
Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama [1 ed.] |
Matthew S. Buckley |
1 |
184 |
|
Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England |
Bryan Reynolds |
|
185 |
|
Cellophane: Plays |
Professor Mac Wellman, Professor Marjorie Perloff |
|
186 |
|
Early Learning through Play |
Kristin Grabarek, Mary R. Lanni |
|
187 |
|
Performing Opposition : Modern Theater and the Scandalized Audience |
Neil Blackadder |
|
188 |
|
David Mamet: a Research and Production Sourcebook : A Research and Production Sourcebook |
Janice A. Sauer, David K. Sauer |
|
189 |
|
Encyclopedia of Latin American Theater |
Eladio Cortes, Mirta Barrea-Marlys |
|
190 |
|
Digital media, projection design & technology for theatre [First published 2018.] |
Alex Oliszewski, (projektant mediów cyfrowych). Daniel Roth, Daniel Fine |
2018 |
191 |
|
The Art of Theatre: Then and Now [4th Edition, 4 ed.] |
William Missouri Downs, Erik Ramsey, Lou A. Wright |
4 |
192 |
|
Scene Design and Stage Lighting [10 ed.] |
R. Craig Wolf, Dick Block |
10 |
193 |
|
Ambient Play |
Larissa Hjorth, Ingrid Richardson |
|
194 |
|
Curtains of Light: Theatrical Space in Film |
George Toles |
|
195 |
|
Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation |
Steve Dixon |
|
196 |
|
Drama in the People's Republic of China |
Constantine Tung, Colin Mackerras |
|
197 |
|
Entangled: Technology and the Transformation of Performance |
Chris Salter |
|
198 |
|
Families at Play |
Sinem Siyahhan |
|
199 |
|
Latin American Women on/in Stages [1 ed.] |
Margo Milleret |
1 |
200 |
|
Multiple Perspectives on Play in Early Childhood Education |
Olivia N. Saracho, Bernard Spodek |
|
201 |
|
Parent-Child Play: Descriptions and Implications |
Kevin B. MacDonald |
|
202 |
|
Play and Early Literacy Development [1 ed.] |
James F. Christie |
1 |
203 |
|
Play matters |
Sicart, Miguel |
|
204 |
|
Possessed Voices: Aural Remains from Modernist Hebrew Theater |
Ruthie Abeliovich |
|
205 |
|
Repairing Play: A Black Phenomenology |
Aaron Trammell |
|
206 |
|
Revolutions: A Batch from TDR (MIT Press Batches) |
Laster, Dominika,Hecht, Werner,Shank, Theodore,Martin, Randy,Lane, Jill,Moten, Fred,Kowal, Rebekah J.,Ahmen, Syed Jamil,Jawad, Rania,Mroue, Rabih |
|
207 |
|
Significant Other: Staging the American in China |
Claire Conceison, MIT Libraries |
|
208 |
|
The Beauty of Games (Playful Thinking) |
Frank Lantz |
|
209 |
|
The Builders Association: Performance and Media in Contemporary Theater (The MIT Press) [Illustrated] |
Shannon Jackson, Marianne Weems |
|
210 |
|
The future of play theory : a multidisciplinary inquiry into the contributions of Brian Sutton-Smith |
Pellegrini, Anthony D., Sutton-Smith, Brian |
|
211 |
|
The Medieval drama |
Sandro Sticca, State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies |
|
212 |
|
The Well-Played Game: A Player's Philosophy |
Bernard De Koven |
|
213 |
|
Treacherous Play |
Marcus Carter |
|
214 |
|
Troubling Play: Meaning and Entity in Plato's Parmenides |
Kelsey Wood |
|
215 |
|
Julius Caesar |
William Shakespeare |
|
216 |
|
A History of Modern Drama, Volume 1 [1 ed.] |
David Krasner |
1 |
217 |
|
Playwriting For Dummies |
Parra, Angelo |
|
218 |
|
Purposeful Play with Your Preschooler: A Learning-Based Activity Book [1 ed.] |
Anthony C. Maffei Ph.D., Teresa M. Hauck (auth.) |
1 |
219 |
|
Transformations: The Anthropology of Children’s Play [1 ed.] |
Helen B. Schwartzman (auth.) |
1 |
220 |
|
Comédienne: de Mlle Mars à Sarah Bernhardt |
|
|
221 |
|
Manifeste de la Jeune-Fille |
Olivier Choinière |
|
222 |
|
The Alchemical Actor |
Jane Gilmer |
|
223 |
|
Staging History Essays in Late Medieval and Humanist Drama |
Peter Happé |
|
224 |
|
World Political Theatre and Performance: Theories, Histories, Practices |
Mireia Aragay, Paola Botham, José Ramón Prado-Pérez |
|
225 |
|
Oscar Wilde in Vienna: Pleasing and Teasing the Audience |
Sandra Mayer |
|
226 |
|
The Romantic Stage: A Many-Sided Mirror |
Crisafulli, Lilla Maria, Liberto, Fabio |
|
227 |
|
Meeting Places: Locating Desert Consciousness in Performance |
Mary Elizabeth Anderson |
|
228 |
|
The Legacy of Opera: Reading Music Theatre as Experience and Performance |
Dominic Symonds, Pamela Karantonis |
|
229 |
|
Catching Australian Theatre in the 2000s |
Richard Fotheringham, James Smith |
|
230 |
|
Trends in Twenty-First Century African Theatre and Performance. |
Kene Igweonu |
|
231 |
|
Performing poetry : body, place and rhythm in the poetry performance |
Cornelia Gr Bner, Arturo Casas, Cornelia Grabner |
|
232 |
|
The Dancing Word: An Embodied Approach to the Preparation of Performers and the Composition of Performances. |
Daniel Mroz |
|
233 |
|
Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts. |
Markus Hallensleben |
|
234 |
|
Between play and prayer : the variety of theatricals in spiritual performance |
Hammer, Anita |
|
235 |
|
Say it : the performative voice in the dramatic works of Samuel Beckett |
West, Sarah, Beckett, Samuel |
|
236 |
|
Political Performances: Theory and Practice. |
E.J. Westlake, Deirdre Heddon, Avraham Oz |
|
237 |
|
Global Changes - Local Stages: How Theatre Functions in Smaller European Countries. |
Hans Van Maanen, Andreas Kotte, Anneli Saro |
|
238 |
|
Odun: Discourses, Strategies and Power in the Yoruba Play of Transformation |
Cristina Boscolo |
|
239 |
|
Presence in Play: A Critique of Theories of Presence in the Theatre |
Cormac Power |
|
240 |
|
Nick Enright: An Actor's Playwright. (Australian Playwrights, Vol. 12) |
Anne Pender, Susan Lever |
|
241 |
|
Acts and Texts: Performance and Ritual in the Middle Ages and the Renaissance. (Ludus Medieval and Early Renaissance Theatre and Drama) |
Laurie Postlewate, Wim Hüsken |
|
242 |
|
Embodied Texts: Symbolist Playwright-Dancer Collaborations. |
Mary Fleischer |
|
243 |
|
The St Gall Passion Play: Music and Performance |
Peter Macardle |
|
244 |
|
The American Play: 1787-2000 |
Marc Robinson |
|
245 |
|
Oscar Hammerstein II and the Invention of the Musical |
Laurie Winer |
|
246 |
|
Apologies to Lorraine Hansberry (You too, August Wilson) |
Rachel Lynett, Paula Vogel |
|
247 |
|
Arthur Miller: American Witness |
John Lahr |
|
248 |
|
Magnum Opus: The Cycle Plays of Eugene O’Neill |
Zander Brietzke |
|
249 |
|
Radical Vision: A Biography of Lorraine Hansberry |
Soyica Diggs Colbert |
|
250 |
|
The Art of Dramaturgy |
Anne Cattaneo |
|
251 |
|
Fine and Dandy: The Life and Work of Kay Swift |
Vicki Ohl |
|
252 |
|
The Iceman Cometh [Critical Edition] |
Eugene O'Neill (editor), William Davies King (editor) |
|
253 |
|
God Said This |
Leah Nanako Winkler, Ayad Akhtar |
|
254 |
|
Bottle Fly |
Jacqueline Goldfinger, Nicholas Wright |
|
255 |
|
Utility |
Emily Schwend, Nicholas Wright |
|
256 |
|
What Playwrights Talk About When They Talk About Writing |
Jeffrey Sweet |
|
257 |
|
Theater of the Avant-Garde, 1890-1950: A Critical Anthology |
Robert Knopf (editor), Julia Listengarten (editor) |
|
258 |
|
Serial Black Face |
Janine Nabers, Marsha Norman |
|
259 |
|
The Captain and "the Cannibal": An Epic Story of Exploration, Kidnapping, and the Broadway Stage |
James Fairhead |
|
260 |
|
Eugene O'Neill: A Life in Four Acts |
Robert M. Dowling |
|
261 |
|
The O'Neill: The Transformation of Modern American Theater |
Jeffrey Sweet, Preston Whiteway, Michael Douglas, Meryl Streep |
|
262 |
|
The Soviet Theater: A Documentary History |
Laurence Senelick |
|
263 |
|
Still: by Jen Silverman, Marsha Norman |
Jen Silverman, Marsha Norman |
|
264 |
|
Lord Strange's Men and Their Plays |
Lawrence Manley, Sally-Beth MacLean |
|
265 |
|
Making Make-Believe Real: Politics as Theater in Shakespeare's Time |
Garry Wills |
|
266 |
|
The Soviet Theater: A Documentary History |
Laurence Senelick (editor), Sergei Ostrovsky (editor) |
|
267 |
|
Theater of the Avant-Garde, 1950-2000 |
Robert Knopf, Julia Listengarten |
|
268 |
|
Jerome Kern |
Stephen Banfield |
|
269 |
|
Set the Stage!: Teaching Italian through Theater |
Nicoletta Marini-Maio (editor), Colleen Ryan-Scheutz (editor) |
|
270 |
|
The Drama Is Coming Now: The Theater Criticism of Richard Gilman, 1961-1991 |
Richard Gilman |
|
271 |
|
Oklahoma!: The Making of an American Musical |
Tim Carter |
|
272 |
|
Sigmund Romberg |
William A. Everett |
|
273 |
|
Jerry Herman: Poet of the Showtune |
Mr. Stephen Citron |
|
274 |
|
British Theatre Since the War |
Dominic Shellard |
|
275 |
|
The Man Who Was Rip Van Winkle: Joseph Jefferson and Nineteenth-Century American Theatre |
T. Crunk |
|
276 |
|
Playwriting: the Structure of Action, Volume 10 |
Prof. Sam Smiley |
|
277 |
|
Computers as Theatre |
Brenda Laurel |
|
278 |
|
Play Anything |
Ian Bogost |
|
279 |
|
Wallstein ; précédée de quelques réflexions sur le théâtre allemand: tragédie en 5 actes et en vers |
Constant, Benjamin (1767-1830) |
|
280 |
|
Behind the Footlights |
Mrs. Alec-Tweedie |
|
281 |
|
Possessions et simulacres - Aux sources de la théâtralité |
Jacques Bourgaux |
|
282 |
|
Vers un théâtre pauvre |
Jerzy Grotowski |
|
283 |
|
The Routledge Companion to Theatre and Performance Historiography |
Tracy C. Davis and Peter W. Marx |
|
284 |
|
El sueño de una noche de verano |
William Shakespeare |
|
285 |
|
Ashad ka Ek Din (Hindi) |
Rakesh, Mohan |
|
286 |
|
El cuarto de Verónica |
Levin, Ira |
|
287 |
|
El Cuarto De Veronica |
Levin, Ira |
|
288 |
|
Cuatro obras |
Bergman, Ingmar |
|
289 |
|
Gentlemen of the Jury: A Farce |
George M. Baker |
|
290 |
|
Homo Ludens |
Йохан Хейзинга |
|
291 |
|
iOpenEye: Theater and #MeToo in Nigeria |
Caroline Elkins &, Tarun Khanna &, Joyce J. Kim |
|
292 |
|
La señorita de Trevelez: Farsa cómica en tres actos |
Carlos Arniches y Barrera |
|
293 |
|
Le Théâtre Et Son Double |
Antonin Artaud |
|
294 |
|
Pride and Prejudice, a play founded on Jane Austen's novel |
Jane Austen &, Mrs. Steele MacKaye |
|
295 |
|
Théâtre de l'imposture, Revue L'Inactuel n°11 Impostures |
Jean Maurel |
|
296 |
|
The Boston Dip: A Comedy, in One Act |
George M. Baker |
|
297 |
|
The Complete Book of 1940s Broadway Musicals |
Dietz, Dan |
|
298 |
|
The Duchess of Dublin: A Farce |
George M. Baker |
|
299 |
|
The Green Goddess |
William Archer &, Louise Jordan Miln |
|
300 |
|
The Odd Couple |
Simon, Neil |
|
301 |
|
The Posing Playwright |
Field, David |
|
302 |
|
The Sorrows of Belgium: A Play in Six Scenes |
Leonid Andreyev |
|
303 |
|
Un espíritu burlón |
Coward, Noel |
|
304 |
|
Un marido ideal |
Oscar Wilde |
|
305 |
|
Un rincón del corazón que nadie pisa |
Más, Nuria Espert |
|
306 |
|
Under a Veil: A Comedietta in One Act |
George M. Baker &, Sir Randal H. Roberts |
|
307 |
|
Locos. Una comedia de gestos |
Alfau, Felipe |
|
308 |
|
No hay burlas con el amor & La noche veneciana |
Alfred de Musset |
|
309 |
|
BOHEMIA (Vie de Bohem): A Play in Five Acts |
By T. Barriere &, H. Murger |
|
310 |
|
Taller de juegos teatrales (Talleres) |
Cañas Torregrosa, José |
|
311 |
|
The Parts Men Play |
Arthur Beverley Baxter, et al |
|
312 |
|
Cinco dificultades para quien escribe la verdad |
Bertolt Brecht |
|
313 |
|
Representation of the Impiety and Immorality of the English Stage (1704); Some Thoughts Concerning the Stage in a Letter to a Lady (1704) |
Blackmask Lives |
|
314 |
|
Shenandoah |
Bronson Howard |
|
315 |
|
ALCESTIS |
by Euripides |
|
316 |
|
TEASER A Drama in One Act |
By FRANK J. MORLOCK |
|
317 |
|
RESTORATION COMEDY: SHADWELL |
By Frank J. Morlock |
|
318 |
|
SAMSON AND DELILAH From a story by D. H. Lawrence |
By Frank J. Morlock |
|
319 |
|
THE PRINCESS CASAMASSIMA |
By Frank J. Morlock Based on a novel by Henry James |
|
320 |
|
JURGEN A play based on the novel of George Branch Cabell |
By Frank J. Morlock C 1980 |
|
321 |
|
Jurgen |
By Frank J. Morlock C 1980 |
|
322 |
|
THE CONGRESSMAN'S NIGHTMARE |
BY FRANK J. MORLOCK C 1986 |
|
323 |
|
UNDER WESTERN EYES |
By Frank J. Morlock--Based on the novel by Joseph Conrad |
|
324 |
|
A PIG IN A POKE (The Great Tenor) (Chat en Poche) |
By Georges Feydeau |
|
325 |
|
LEGIONNAIRES DISEASE A Comedy in Three Acts |
By Georges Feydeau |
|
326 |
|
WIDOW! |
By Henri Becque |
|
327 |
|
THE MODERN DRAMA |
Emma Goldman |
|
328 |
|
Preparación del actor |
Constantin Stanislavski |
|
329 |
|
Irish Plays and Playwrights |
Cornelius Weygandt |
|
330 |
|
A Collier's Friday Night |
D. H. Lawrence |
|
331 |
|
La visita de la vieja dama |
Dürrenmatt, Friedrich |
|
332 |
|
The Complete Book of 2010s Broadway Musicals |
Dan Dietz |
|
333 |
|
The Girl of the Golden West |
David Belasco |
|
334 |
|
A Fair Quarrel |
Thomas Middleton |
|
335 |
|
A Florentine Tragedy--A Fragment (and other works) |
Oscar Wilde |
|
336 |
|
Captain Brassbound's Conversion |
George Bernard Shaw |
|
337 |
|
Catiline |
Ben Jonson |
|
338 |
|
Lady Windermere's Fan |
Oscar Wilde |
|
339 |
|
Mrs. Warren's Profession |
George Bernard Shaw |
|
340 |
|
O'Flaherty V.C. |
George Bernard Shaw |
|
341 |
|
Preface to Androcles and the Lion |
George Bernard Shaw |
|
342 |
|
The Mock Doctor Or The Dumb Lady Cur'd |
Henry Fielding |
|
343 |
|
The Nice Valour |
Thomas Middleton |
|
344 |
|
THE TRAGIC MUSE |
Henry James |
|
345 |
|
The Witch |
Thomas Middleton |
|
346 |
|
THE PLAY AND THE PROLOGUE |
Denis Diderot |
|
347 |
|
Paradoja del comediante |
Denis Diderot |
|
348 |
|
La paradoja del comediante |
Denis Diderot |
|
349 |
|
The Octoroon |
Dion Boucicault |
|
350 |
|
Plays of Near and Far |
Dunsany, Lord &, Lives, Blackmask |
|
351 |
|
The Romancers |
Edmond Rostand |
|
352 |
|
RICHELIEU; OR, THE CONSPIRACY |
Edward Bulwer Lytton |
|
353 |
|
MONEY: A Comedy IN FIVE ACTS |
Edward Bulwer Lytton |
|
354 |
|
Not So Bad As We Seem |
Edward Bulwer Lytton |
|
355 |
|
Walpole |
Edward Bulwer Lytton |
|
356 |
|
The Lady of Lyons |
Edward Bulwer Lytton |
|
357 |
|
In Old Kentucky |
Edward Marshall &, Charles T. Dazey |
|
358 |
|
The Old Flute-Player |
Edward Marshall &, Charles T. Dazey |
|
359 |
|
The Gamester |
Edward Moore |
|
360 |
|
The Palmy Days of Nance Oldfield |
Edward Robins |
|
361 |
|
The Convert |
Elizabeth Robins |
|
362 |
|
Night Must Fall |
Emlyn Williams |
|
363 |
|
El juego en la primera infancia (Recursos) |
et al. Edó Basté |
|
364 |
|
Amor de don Perlimplín con Belisa en su jardín |
Federico García Lorca |
|
365 |
|
Yerma |
Federico García Lorca |
|
366 |
|
El público |
Federico García Lorca |
|
367 |
|
Obras completas II |
Federico Garcia Lorca |
|
368 |
|
¡Aquí sale hasta el apuntador! |
Fernando Fernán Gómez |
|
369 |
|
Las bicicletas son para el verano |
Fernando Fernán Gómez |
|
370 |
|
Capa y espada |
Fernando Fernán Gómez |
|
371 |
|
El viaje a ninguna parte |
Fernando Fernán Gómez |
|
372 |
|
Three Plays by Clyde Fitch: The Stubborness of Geraldine, the Girl with the Green Eyes, and Her Own Way |
Fitch, Clyde &, Lives, Blackmask |
|
373 |
|
Ocho monólogos |
Franca Rame &, Dario Fo |
|
374 |
|
El secreto de aquel teatrillo ambulante |
Francisco Campos Rojo |
|
375 |
|
Demetrius (play) |
Frederich Schiller |
|
376 |
|
MAGIC A FANTASTIC COMEDY |
G.K. Chesterton |
|
377 |
|
Arms and the Man |
George Bernard Shaw |
|
378 |
|
Fanny's First Play |
George Bernard Shaw |
|
379 |
|
The Dark Theatre |
Winters, Cyrus |
|
380 |
|
Drama ! |
Harcourt, Maggie |
|
381 |
|
Hobson's Choice |
Harold Brighouse |
|
382 |
|
An Enemy of the People |
Henrik Ibsen |
|
383 |
|
Little Eyolf |
Henrik Ibsen |
|
384 |
|
Ghosts: A Domestic Tragedy in Three Acts |
Henrik Ibsen |
|
385 |
|
Hedda Gabler |
Henrik Ibsen |
|
386 |
|
Henrik Ibsen's Prose Dramas Vol III |
Henrik Ibsen |
|
387 |
|
Rosmersholm |
Henrik Ibsen |
|
388 |
|
Gespenster |
Henrik Ibsen |
|
389 |
|
Chrononhotonthologos |
Henry Carey |
|
390 |
|
THE AUTHOR'S FARCE |
Henry Fielding |
|
391 |
|
Plutus |
Henry Fielding, William Young |
|
392 |
|
The Drama |
Henry Irving |
|
393 |
|
Eloísa está debajo de un almendro |
Enrique Jardiel Poncela |
|
394 |
|
NONA VINCENT A play by Frank J. Morlock |
Inspired by Henry James' story of the same name |
|
395 |
|
Eugène Ionesco - La Cantatrice Chauve |
Ionesco, Eugène |
|
396 |
|
Early Modern Beckett/Beckett et le debut de l’ere moderne: Beckett Between/Beckett Entre Deux (Samuel Beckett Today/Aujourd'hui, 24) (French Edition) |
Angela Moorjani, Daniele De Ruyter, Dunlaith Bird, Sjef Houppermans |
|
397 |
|
The Melting-Pot |
Israel Zangwill |
|
398 |
|
Peg O' My Heart |
J. Hartley Manners |
|
399 |
|
Rollo At Play |
Jacob Abbott |
|
400 |
|
What Every Woman Knows |
James M. Barrie |
|
401 |
|
WAIT FOR ME UNDER THE ELM |
JEAN-FRANCOIS REGNARD |
|
402 |
|
WAIT FOR ME UNDER THE TREE |
JEAN-FRANCOIS REGNARD &, RIVIERE DUFRESNY |
|
403 |
|
Turandot |
Johann Christoph Friedrich von Schiller |
|
404 |
|
The Foundations |
John Galsworthy |
|
405 |
|
The Mob |
John Galsworthy |
|
406 |
|
The Little Dream |
John Galsworthy |
|
407 |
|
The Little Man |
John Galsworthy |
|
408 |
|
The Pigeon |
John Galsworthy |
|
409 |
|
The Sun |
John Galsworthy |
|
410 |
|
Rehearsal at Goatham |
John Gay |
|
411 |
|
The Bicyclers And Three Other Farces |
John Kendrick Bangs |
|
412 |
|
The Black Cat |
John Todhunter |
|
413 |
|
Teatro y dramaterapia |
Klein, Jean-Pierre |
|
414 |
|
Mi vida en el arte |
Konstantin Stanislavski |
|
415 |
|
The Anthropology of Performance: A Reader |
Korom, Frank J. |
|
416 |
|
Six Characters in Search of an Author |
L. Pirandello |
|
417 |
|
New Irish Comedies |
Lady Augusta Gregory |
|
418 |
|
Three Wonder Plays |
Lady I. A. Gregory |
|
419 |
|
Playfulness. Its Relationship to Imagination and Creativity |
J. Nina Lieberman and Allen J. Edwards (Auth.) |
|
420 |
|
Dramarama |
Lockhart, E. |
|
421 |
|
Comedies |
Ludvig Holberg |
|
422 |
|
ERASMUS MONTANUS OR RASMUS BERG |
Ludvig Holberg |
|
423 |
|
JEPPE OF THE HILL |
Ludvig Holberg |
|
424 |
|
THE POLITICAL TINKER |
Ludvig Holberg |
|
425 |
|
A Cultural History of Theatre in the Age of Enlightenment 4 |
Mechele Leon |
|
426 |
|
Don Juan, ou le Festin de pierre |
Moliere |
|
427 |
|
Amphitryon |
Moliere |
|
428 |
|
Don Garcia of Navarre |
Moliere |
|
429 |
|
SGANARELLE: OR THE SELF-DECEIVED HUSBAND |
Moliere |
|
430 |
|
THE BLUNDERER: OR, THE COUNTERPLOTS. |
Moliere |
|
431 |
|
THE BORES. |
Moliere |
|
432 |
|
A Talent to Amuse: A Life of Noel Coward |
Morley, Sheridan |
|
433 |
|
Lover's Vows |
Mrs. Inchbald |
|
434 |
|
L'illustre comedien, ou Le martyre de Sainct Genest |
Nicolas Mary |
|
435 |
|
Centre Stage |
Nunn, Judy |
|
436 |
|
Semiramis and Other Plays |
Olive Tilford Dargan |
|
437 |
|
Salome |
Oscar Wilde |
|
438 |
|
Three Plays |
Padraic Colum |
|
439 |
|
The Purgatory of St. Patrick |
Pedro Calderon de la Barca |
|
440 |
|
The Wonder-Working Magician |
Pedro Calderon de la Barca |
|
441 |
|
Los pergaminos |
Pedro Mu?oz Seca |
|
442 |
|
A History of Pantomime |
R. J. Broadbent |
|
443 |
|
The King of the Dark Chamber |
Rabindranath Tagore |
|
444 |
|
The Post Office |
Rabindranath Tagore |
|
445 |
|
La Media Noche |
Ram?n Mar?a del Valle-Incl?n |
|
446 |
|
Peg Woffington |
Reade, Charles |
|
447 |
|
The CRITIC, OR A Tragedy Rehearsed |
Richard Brinsley Sheridan |
|
448 |
|
Entre Bambalinas |
Santamaría, Luis A. |
|
449 |
|
The Idol of Paris |
Sarah Bernhardt |
|
450 |
|
Love and Intrigue |
Schiller |
|
451 |
|
The Bride of Messina (play) |
Schiller |
|
452 |
|
The Camp of Wallenstein (play) |
Schiller |
|
453 |
|
The Maid of Orleans (play) |
Schiller |
|
454 |
|
The Complete Works of William Shakespeare |
Shakespeare, William |
|
455 |
|
The Theater (1720) |
Sir John Falstaffe |
|
456 |
|
Euripides: Alcestis |
Slater, Niall W. |
|
457 |
|
The Seven Plays in English Verse |
Sophocles |
|
458 |
|
There are Crimes and Crimes |
Strindberg, August |
|
459 |
|
Fraulein Julie |
Strindberg, August &, Munsey's |
|
460 |
|
Les Trois Sœurs |
Tchekhov, Anton |
|
461 |
|
The Noble Spanish Soldier |
Thomas Dekker |
|
462 |
|
Essays on the Stage |
Thomas D'Urfey &, Bossuet |
|
463 |
|
The Family of Love |
Thomas Middleton |
|
464 |
|
Child's Play: Rediscovering the Joy of Play in Our Families and Communities |
Silken Laumann |
|
465 |
|
MOLIERE, A play in five acts by GEORGE SAND |
Translated &, adapted by Frank J. Morlock |
|
466 |
|
THE COURIER FROM MILAN. A PARADE |
Translated &, adapted by Frank J. Morlock C 2002 |
|
467 |
|
WAYWARD WENCHES BY JEAN-FRANCOIS REGNARD |
Translated &, Adapted by Frank J. Morlock C 2002 |
|
468 |
|
Histoire du théâtre 160 |
VIALA, Alain |
|
469 |
|
Heart and Soul |
Victor Mapes |
|
470 |
|
The Story of a Play |
W. D. Howells |
|
471 |
|
The Countess Cathleen |
W.B. Yeats |
|
472 |
|
The Hour Glass |
W.B. Yeats |
|
473 |
|
The Tempest; or, The Enchanted Island |
William Davenant &, John Dryden |
|
474 |
|
Shadows of the Stage |
William Winter |
|
475 |
|
Little Bear at Work and at Play |
Frances Margaret Fox |
|
476 |
|
Fun And Frolic |
|
|
477 |
|
Alice Sit-By-The-Fire |
J. M. Barrie |
|
478 |
|
A Peep Behind the Scenes |
|
|
479 |
|
A COMEDY ON THE GOLD COAST |
|
|
480 |
|
The Theory of the Theatre |
Clayton Hamilton |
|
481 |
|
Let's Play |
|
|
482 |
|
A Midsummer Night's Dream |
McDonald, Russ,Shakespeare, William |
|
483 |
|
Washington Square Plays |
|
|
484 |
|
The Atlantic Book of Modern Plays |
Sterling Andrus Leonard |
|
485 |
|
The Author's Farce |
|
|
486 |
|
Man of La Mancha: a musical play |
Wasserman, Dale,Leigh, Mitch,Darion, Joe |
|
487 |
|
The Proposal |
Anton Chekhov |
|
488 |
|
Dotty Dimple at Play |
|
|
489 |
|
Polly of the Circus |
Margaret Mayo |
|
490 |
|
La Maquina De Abrazar |
Jose Sanchis Sinisterra |
|
491 |
|
Brecht on Performance: Messingkauf and Modelbooks |
Brecht, Bertolt |
|
492 |
|
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India |
Seizer, Susan |
|
493 |
|
Palabras que juegan: poemas, adivinanzas y trabalenguas para divertirse con los niños |
Medina, Claudio |
|
494 |
|
Realidad y juego |
D. W. Winnicott |
|
495 |
|
Los melindres de Belisa (Doce uvas) |
de Vega, Lope |
|
496 |
|
Tomás Moro |
Shakespeare, Willian |
|
497 |
|
A veces, las apariencias engañan (Escena y fiesta) |
Bellido Romanos, Nuria |
|
498 |
|
Belén, siglo XXI (Escena y fiesta) |
Domingo del Prado Almanza |
|
499 |
|
Compendio de teoria teatral (Manuales y obras de referencia) |
Torres, María Paz Grillo |
|
500 |
|
Creatividad y aprendizaje: El juego como herramienta pedagógica |
Natalia Bernabeu &, Andy Goldstein |
|
501 |
|
El viaje de los reyes magos (Escena y fiesta) |
Pacheco, Pilar López-Quesada |
|
502 |
|
Impro: 90 juegos y ejercicios de improvisación teatral |
Alfredo Mantovani Giribaldi &, Jose Ramon Muñoz Leza &, Borja Cortés García-Moreno &, Pablo Pundik Davidovich &, Encarnación Corrales Peña |
|
503 |
|
La estrella que se escapo del cielo (Escena y fiesta) |
Alcubilla, Mª Pilar Montoro |
|
504 |
|
Los pequeños tamborileros (Escena y Fiesta) |
Fuertes, Mariano |
|
505 |
|
Movimiento y expresión corporal: En Educación Infantil |
Vilma Lení Nista-Piccolo &, Wagner Wey Moreira |
|
506 |
|
Ser o no ser: Reflexión antropológica para un programa de pedagogía teatral |
Poveda, Lola |
|
507 |
|
Taller de teatro (Materiales para educadores) |
Lázaro, Julio |
|
508 |
|
Texto dramático: La palabra en acción |
Poveda, Lola |
|
509 |
|
Una de indios (Escena y fiesta) |
Dolz, Juan Ramón Barat |
|
510 |
|
¡Marcianos en Belén! (Escena y fiesta) |
Domingo del Prado Almanza |
|
511 |
|
¡Vaya lata de pirata! (Escena y fiesta) |
Carmen Gil Martínez |
|
512 |
|
En el juego de los niños |
Rodulfo, Ricardo |
|
513 |
|
Comedias III: 3 |
Plauto |
|
514 |
|
Fragmentos de la comedia media (Biblioteca Clásica Gredos) |
|
|
515 |
|
Chitra, a Play in One Act |
Rabindranath Tagore |
|
516 |
|
Los árboles mueren de pie |
Alejandro Casona |
|
517 |
|
Hamlet (Bilingüe) |
Shakespeare |
|
518 |
|
L'Acte inconnu |
Valère Novarina |
|
519 |
|
L'Espace furieux |
Valère Novarina |
|
520 |
|
Lumières du corps |
Valère Novarina |
|
521 |
|
Sur le ventre des veuves |
Obaldia, René de |
|
522 |
|
Théâtre complet |
Obaldia, René de |
|
523 |
|
Théâtre T07 |
Obaldia, René de |
|
524 |
|
Watching Glory Die |
Judith Thompson |
|
525 |
|
Masquarade |
Pratchett, Terry |
|
526 |
|
Occupe-toi d'Amélie ! |
Georges Feydeau |
|
527 |
|
Octobre. Sketchs et chœurs parlés pour le groupe Octobre (1932-1936) |
Jacques Prévert |
|
528 |
|
Œdipe |
Voltaire |
|
529 |
|
Le Théâtre et la peur |
Thomas Ostermeier |
|
530 |
|
Ein Heiratsantrag / Scherz in einem Aufzug |
Chekhov, Anton Pavlovich |
|
531 |
|
[R.U.N] |
Jarry, Alexandre |
|
532 |
|
Monólogos de la vagina |
Eve Ensler |
|
533 |
|
Murder in the Third Act |
Parin, Sonia |
|
534 |
|
Comedy: A Very Short Introduction |
Bevis, Matthew |
|
535 |
|
GOTT: Ein Theaterstück |
Schirach, Ferdinand von |
|
536 |
|
The Routledge Companion to Theatre of the Oppressed |
Howe, Kelly,Boal, Julian,Soeiro, Jose |
|
537 |
|
Leading Ladies |
Kimmel, Elizabeth Cody |
|
538 |
|
Meaning in Motion: New Cultural Studies of Dance |
Jane C. Desmond (ed.) |
|
539 |
|
Scene Painting Projects for Theatre [1st ed] |
Stephen G. Sherwin |
1 |
540 |
|
Sound and Music for the Theatre : The Art and Technique of Design |
Deena Kaye, James LeBrecht |
|
541 |
|
Symbolic Play. The Development of Social Understanding [1 ed.] |
Inge Bretherton |
1 |
542 |
|
The Languages of Theatre. Problems in the Translation and Transposition of Drama [1st ed.] |
O. Zuber |
1 |
543 |
|
Bernard Shaw: the one-volume definitive edition [1st ed] |
Holroyd, Michael,Shaw, Bernard |
1 |
544 |
|
Damn Shame - A Memoir of Desire, Defiance, and Show Tunes [1 ed.] |
David Pevsner |
1 |
545 |
|
Fleabag: the scriptures |
Waller-Bridge, Phoebe |
|
546 |
|
Ghost light : a memoir [1st ed] |
Rich, Frank |
1 |
547 |
|
Harvey Fierstein's Torch song trilogy |
Harvey Fierstein |
|
548 |
|
By Women Possessed |
Gelb, Arthur,O'Neill, Eugene |
|
549 |
|
Can I Go Now? |
Kellow, Brian |
|
550 |
|
My Dad Is the Best Playground |
Luciana Navarro Powell |
|
551 |
|
Qué haréis con este libro: Teatro completo |
José Saramago |
|
552 |
|
Shakespeare, Our Contemporary |
Kott, Jan, Shakespeare, William |
|
553 |
|
Talk to Me: Listening Between the Lines |
Anna Deavere Smith |
|
554 |
|
Teatro breve del Siglo de Oro: Loas y entremeses |
Autores, Varios |
|
555 |
|
The guys: a play |
Nelson, Anne |
|
556 |
|
The House That George Built: With a Little Help from Irving, Cole, and a Crew of About Fifty |
Wilfrid Sheed |
|
557 |
|
The house that George built: with a little help from Irving, Cole, and a crew of about fifty [1st ed] |
Sheed, Wilfrid |
1 |
558 |
|
The Intent to Live: Achieving Your True Potential as an Actor |
Larry Moss |
|
559 |
|
The Merchant of Venice |
William Shakespeare, Jonathan Bate, Eric Rasmussen |
|
560 |
|
Three Plays |
Ayckbourn, Alan |
|
561 |
|
A Companion to Early Modern Hispanic Theater [1 ed.] |
Hilaire Kallendorf |
1 |
562 |
|
A History of the Takarazuka Revue Since 1914: Modernity, Girls’ Culture, Japan Pop |
Makiko Yamanashi |
|
563 |
|
Acts of Resistance in Late-Modernist Theatre : Writing and Directing in Contemporary Theatre Practice [1 ed.] |
Richard Murphet |
1 |
564 |
|
Alte Kinderspiele - einst und jetzt: Mit vielen Spielanleitungen |
Inge Friedl |
|
565 |
|
Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem |
Arthur Miller |
|
566 |
|
Animal playtime |
DK Publishing, Inc.,Star, Fleur,Bingham, Caroline |
|
567 |
|
Anglo-German Theatrical Exchange : A Sea-Change into Something Rich and Strange? [1 ed.] |
Rudolf Weiss, Ludwig Schnauder, Dieter Fuchs |
1 |
568 |
|
Applied Drama and Theatre as an Interdisciplinary Field in the Context of HIV/AIDS in Africa [1 ed.] |
Hazel Barnes |
1 |
569 |
|
Appropriating Blackness: Performance and the Politics of Authenticity |
E. Patrick Johnson |
|
570 |
|
Arabic Shadow Theatre 1300-1900 A Handbook (Handbook of Oriental Studies. Section 1 the Near and Middle East / Handbuch der Orientalistuk, 143) |
Li Guo |
|
571 |
|
Aus dem Grund. Auftrittsprotokolle zwischen Racine und Nietzsche |
Juliane Vogel |
|
572 |
|
Authorship and Greek Song: Authority, Authenticity, and Performance |
Egbert J. Bakker |
|
573 |
|
Babylon Girls: Black Women Performers and the Shaping of the Modern |
Jayna Brown |
|
574 |
|
Black Performance Theory |
Thomas F. DeFrantz, Anita Gonzalez |
|
575 |
|
Blacktino Queer Performance |
E. Patrick Johnson, Ramón H. Rivera-Servera (eds.) |
|
576 |
|
Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 |
Daphne A. Brooks |
|
577 |
|
Clowns, Fools and Picaros : Popular Forms in Theatre, Fiction and Film [1 ed.] |
David Robb |
1 |
578 |
|
Conrad's Victory: The Play and Reviews [1 ed.] |
Richard J. Hand |
1 |
579 |
|
Conrad's Drama : Contemporary Reviews and Observations [1 ed.] |
John G. Peters |
1 |
580 |
|
Dancer, Nun, Ghost, Goddess: The Legend of Giō And Hotoke in Japanese Literature, Theater, Visual Arts, and Cultural Heritage |
Roberta Strippoli |
|
581 |
|
Destruction in the Performative [1 ed.] |
Alice Lagaay, Michael Lorber |
1 |
582 |
|
Die Aufführung. Diskurs – Macht – Analyse |
Erika Fischer-Lichte, Adam Czirak, Torsten Jost, Frank Richarz, Nina Tecklenburg (eds.) |
|
583 |
|
Dionysus on the Other Shore: Gao Xingjian's Theatre of the Tragic |
Letizia Fusini |
|
584 |
|
Drama Research Methods: Provocations of Practice [1 ed.] |
Peter Duffy, Christine Hatton, Richard Sallis |
1 |
585 |
|
Drama, Performance and Debate: Theatre and Public Opinion in the Early Modern Period |
Jan Bloemendal, Peter G.F. Eversmann, Elsa Strietman (eds.) |
|
586 |
|
Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen (Consciousness, Literature and the Arts, 60) |
David A. Crespy |
|
587 |
|
Edward Albee as Theatrical and Dramatic Innovator |
A. David Crespy |
|
588 |
|
Gao Xingjian's idea of theatre: from the word to the image |
Izabella Łabędzka. |
|
589 |
|
Geschlechterspielräume: Dramatik, Theater, Performance Und Gender (Amsterdamer Beiträge Zur Neueren Germanistik, 78) (German Edition) |
Gaby Pailer (editor), Franziska Schossler (editor) |
|
590 |
|
Gesture and Power: Religion, Nationalism, and Everyday Performance in Congo |
Yolanda Covington-Ward |
|
591 |
|
Harlequin in His Element: The English Pantomime, 1806-1836 [Reprint 2014 ed.] |
David Mayer III |
2014 |
592 |
|
Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions |
Neil Carson |
|
593 |
|
Hercules Performed: The Hero on Stage from the Enlightenment to the Early Twenty-First Century |
Emma Stafford |
|
594 |
|
Holy Terrors: Latin American Women Perform |
Diana Taylor (editor), Roselyn Costantino (editor), Leslie Damasceno (editor), Diana Raznovich (editor) |
|
595 |
|
Homo Ludens. Versuch einer Bestimmung des Spielelements der Kultur. Mit der Rektoratsrede von 1933 "Über die Grenzen von Spiel und Ernst in der Kultur". Aus dem Niederländischen von Annette Wunschel [1. ed.] |
Johan Huizinga |
1 |
596 |
|
I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays |
Sonia Sanchez (editor), Jacqueline Wood (editor) |
|
597 |
|
In the Footsteps of Harlequin and Pulcinella; Cultural Mobility and Localness of Theatre |
Ewa Bal (editor), Jan Burzynski (editor) |
|
598 |
|
Inscribing Jingju/Peking Opera Textualization and Performance, Authorship and Censorship of the “National Drama” of China from the Late Qing to the Present (Studies in the History of Chinese Texts) |
David L. Rolston, University of Michigan |
|
599 |
|
Jews and Theater in an Intercultural Context |
Edna Nahshon |
|
600 |
|
Krise und Heilung. Wirkungsästhetiken des Theaters [1. ed.] |
Matthias Warstat |
1 |
601 |
|
Le Théâtre de Koffi Kwahulé (Francopolyphonies, 18) (French Edition) |
Virginie Soubrier |
|
602 |
|
Listening in Detail: Performances of Cuban Music |
Alexandra T. Vazquez |
|
603 |
|
Liquor Store Theatre |
Maya Stovall |
|
604 |
|
Maoist Model Theatre |
Roberts |
|
605 |
|
Mapping the Digital: Cultures and Territories of Play [1 ed.] |
Lindsey Joyce, Brian Quinn |
1 |
606 |
|
Marie Vieux Chauvet's Theatres : Thought, Form, and Performance of Revolt [1 ed.] |
Christian Flaugh, Lena Taub Robles |
1 |
607 |
|
Mytho-Poetics at Work: A Study of the Figure of Egmont, the Dutch Revolt and Its Influence in Europe |
Rengenier C. Rittersma |
|
608 |
|
Narrative Setting and Dramatic Poetry |
Mary Kuntz |
|
609 |
|
National Abjection: The Asian American Body Onstage |
Karen Shimakawa |
|
610 |
|
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America |
Diana Taylor, Juan Villegas |
|
611 |
|
New World Drama: The Performative Commons in the Atlantic World, 1649-1849 |
Elizabeth Maddock Dillon |
|
612 |
|
Observing Theatre : Spirituality and Subjectivity in the Performing Arts [1 ed.] |
Daniel Meyer-Dinkgräfe, Daniel Meyer-Dinkgräfe |
1 |
613 |
|
On Site, In Sound: Performance Geographies in América Latina |
Kirstie A. Dorr |
|
614 |
|
Oral Performance and Its Context |
Mackie, C. J. |
|
615 |
|
Performance |
Diana Taylor |
|
616 |
|
Philosophizing Brecht : Critical Readings on Art, Consciousness, Social Theory and Performance [1 ed.] |
Norman Roessler, Anthony Squiers |
1 |
617 |
|
Playing Culture : Conventions and Extensions of Performance [1 ed.] |
Vicki Ann Cremona, Rikard Hoogland, Gay Morris, Willmar Sauter |
1 |
618 |
|
Playing for Keeps: Improvisation in the Aftermath |
Daniel Fischlin (editor), Eric Porter (editor) |
|
619 |
|
Playing On: Re-staging the Passion after the Death of God (Theology in Practice, 10) |
Mirella Klomp |
|
620 |
|
Poking the WASP Nest: Young People, Applied Theatre, and Education about Race [11, 1 ed.] |
André de Quadros, Dave Kelman, Julie White, Christopher C. Sonn, Alison M. Baker |
1 |
621 |
|
Politics and Persuasion in Aristophanes' Ecclesiazusae |
Kenneth S. Rothwell |
|
622 |
|
Portraits of Medea in Portugal During the 20th and 21st Centuries |
Andrés Pociña Pérez, Aurora López, Carlos Ferreira Morais, Maria de Fátima Silva, Patrick Finglass |
|
623 |
|
Portrayals of Antigone in Portugal: 20th and 21st Century Rewritings of the Antigone Myth |
Carlos Morais, Lorna Hardwick, Maria de Fáima Silva |
|
624 |
|
Progressive Traditions: An Illustrated Study of Plot Repetition in Traditonal Japanese Theatre |
Helen S. E. Parker |
|
625 |
|
Race and Performance after Repetition |
Soyica Diggs Colbert (editor), Douglas A. Jones Jr. (editor), Shane Vogel (editor) |
|
626 |
|
Refrains for Moving Bodies: Experience and Experiment in Affective Spaces |
Derek P. McCormack |
|
627 |
|
Seenography: Essays on the Meaning of Visuality in Performance Events [1 ed.] |
Andrew Cope |
1 |
628 |
|
Seneca on the Stage |
Dana F. Sutton |
|
629 |
|
Sex, Gender, and Sexualities in Edward Albee's Plays [1 ed.] |
John M. Clum, Cormac O'Brien |
1 |
630 |
|
Shakespeare, Brecht, and the Intercultural Sign |
Antony Tatlow (editor), Stanley Fish (editor), Fredric Jameson (editor) |
|
631 |
|
Sherlock Holmes from Screen to Stage : Post-Millennial Adaptations in British Theatre |
Benjamin Poore |
|
632 |
|
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance |
Patrick Anderson |
|
633 |
|
Speaking of the Self: Gender, Performance, and Autobiography in South Asia |
Anshu Malhotra, Siobhan Lambert-Hurley |
|
634 |
|
Spectacle and Public Performance in the Late Middle Ages and the Renaissance |
Robert E. Stillman |
|
635 |
|
Stagestruck: Theater, AIDS, and the Marketing of Gay America |
Sarah Schulman |
|
636 |
|
Staging the Blues : From Tent Shows to Tourism |
Paige A. McGinley |
|
637 |
|
Syncretic Arenas : Essays on Postcolonial African Drama and Theatre for Esiaba Irobi [1 ed.] |
Isidore Diala |
1 |
638 |
|
Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema |
Maghiel van Crevel, Tian Yuan Tan, Michel Hockx |
|
639 |
|
The archive and the repertoire : cultural memory and performance in the Americas |
Taylor, Diana |
|
640 |
|
The Archive and the Repertoire: Performing Cultural Memory in the Americas |
Diana Taylor |
|
641 |
|
The Country Gentleman: A "Lost" Play and Its Background [Reprint 2016 ed.] |
Sir Robert Howard (editor), George Villers, Second Duke of Buckingham (editor), Arthur H. Scouten (editor), Robert D. Hume (editor) |
2016 |
642 |
|
The Dramatic Oeuvre of Chu Yu-Tun (1379-1439) |
W. L. Idema |
|
643 |
|
The Irish in Us: Irishness, Performativity, and Popular Culture |
Diane Negra, Catherine M. Eagan, Sean Griffin, Natasha Casey, Maria Pramaggiore |
|
644 |
|
The Metamorphoses of Commedia dell’Arte: Whatever Happened to Harlequin? |
John Rudlin |
|
645 |
|
The Novel and Theatrical Imagination in Early Modern China (Sinica Leidensia) [First Edition] |
Mei Chun |
|
646 |
|
The reception of Aeschylus’ plays through shifting models and frontiers |
Constantinidis, Stratos E. |
|
647 |
|
The Water God's Temple of the Guangsheng Monastery: Cosmic Function of Art, Ritual and Theater |
Anning Jing |
|
648 |
|
Theater Enough: American Culture and the Metaphor of the World Stage, 1607–1789 |
Jeffrey H. Richards |
|
649 |
|
Theater State and the Formation of Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals, 1590–1641 CE [5] |
Babak Rahimi |
5 |
650 |
|
Theater(s) and Public Sphere in a Global and Digital Society, Volume 1: Theoretical Explorations |
Ilaria Riccioni |
|
651 |
|
Theater(s) and Public Sphere in a Global and Digital Society, Volume 2: Case Studies |
Ilaria Riccioni |
|
652 |
|
Theaters and Public Sphere in a Global and Digital Society: Case Studies (2) (Studies in Critical Social Sciences, 236) |
Ilaria Riccioni (editor) |
|
653 |
|
Theaters and Public Sphere in a Global and Digital Society: Theoretical Explorations (1) (Studies in Critical Social Sciences, 235) |
Ilaria Riccioni (editor) |
|
654 |
|
Theaterstücke für Musik II |
Richard Bletschacher |
|
655 |
|
Theatres in Roman Palestine and Provincia Arabia |
Arthur Segal |
|
656 |
|
Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius |
Costas Panayotakis |
|
657 |
|
Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, 1960-2000 |
Peter Eckersall |
|
658 |
|
Touching Feeling: Affect, Pedagogy, Performativity |
Eve Kosofsky Sedgwick (editor), Michèle Aina Barale (editor), Jonathan Goldberg (editor), Michael Moon (editor) |
|
659 |
|
Towards a Productive Aesthetics Contemporary and Historical Interventions in Blake and Brecht |
Keith O'Regan |
|
660 |
|
Traumatic Imprints: Performance, Art, Literature and Theoretical Practice |
Catherine Barrette, Bridget Haylock, and Danielle Mortimer |
|
661 |
|
Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba |
Laurie Aleen Frederik, Laurie Frederik |
|
662 |
|
Unimaginable Bodies: Intellectual Disability, Performance and Becomings [51, 1 ed.] |
Anna Catherine Hickey-Moody |
1 |
663 |
|
Vulgar Beauty: Acting Chinese in the Global Sensorium |
Mila Zuo |
|
664 |
|
Worldmaking: Race, Performance, and the Work of Creativity |
Dorinne Kondo |
|
665 |
|
Prick Up Your Ears |
John Lahr |
|
666 |
|
The Actor's book of classical monologues |
Stefan Rudnicki |
|
667 |
|
The Actor's Book of Contemporary Stage Monologues: More Than 150 Monologues from Over 70 Playwrights |
Nina Shengold (ed.) |
|
668 |
|
The Actor's Book of Monologues for Women |
Various |
|
669 |
|
The Crucible |
Arthur Miller |
|
670 |
|
The Playbook: A Story of Theater, Democracy, and the Making of a Culture War |
James Shapiro |
|
671 |
|
The Stanislavski System |
Gielgud, John,Logan, Joshua,Moore, Sonia |
|
672 |
|
The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama [New ed.] |
Bentley, Eric |
|
673 |
|
The way of the world and other plays |
Congreve, William, Rump, Eric S |
|
674 |
|
Verdi's Shakespeare: Men of the Theater |
Garry Wills |
|
675 |
|
Wendy and the Lost Boys. The Uncommon Life of Wendy Wasserstein |
Julie Salamon |
|
676 |
|
Wonderland: how play made the modern world |
Johnson, Steven |
|
677 |
|
Éloge du théâtre |
|
|
678 |
|
Acteur et témoin |
Calet, Henri |
|
679 |
|
Jeu d'Acteur |
GONZALEZ, Alexandra |
|
680 |
|
Amphitryon, L'Aululaire, Le Soldat fanfaron |
Plaute |
|
681 |
|
Ariane Mnouchkine |
Mnouchkine, Ariane &, Picon-Vallin, Béatrice |
|
682 |
|
Art by Reza, Yasmina |
Reza, Yasmina |
|
683 |
|
Athalie |
Jean Racine |
|
684 |
|
Au delà du réel |
Chayefsky, Paddy |
|
685 |
|
Avec Joël Pommerat |
Marion Boudier |
|
686 |
|
Bajazet |
Racine, Jean |
|
687 |
|
Café Panique |
Topor, Roland |
|
688 |
|
Cesar |
Pagnol, Marcel |
|
689 |
|
Comédie et actes divers |
Beckett Samuel |
|
690 |
|
Comédies tragiques |
Anne, Catherine |
|
691 |
|
Comment je devins auteur dramatique |
Dumas, Alexandre |
|
692 |
|
Compagnie |
Beckett, Samuel |
|
693 |
|
Dans la solitude des champs de coton |
Koltès, Bernard-Marie |
|
694 |
|
Death Treads the Boards |
Lesley Cookman |
|
695 |
|
det Le théâtre pour les nuls |
Porée, Marie-Dominique |
|
696 |
|
Du vent dans les branches de Sassafras |
Obaldia, René de |
|
697 |
|
El teatro en Yucatán |
Barrera Vásquez, Alfredo, Alejandro Cervera Andrade, Leopoldo Peniche Vallado |
|
698 |
|
Enchanté de vous connaître |
Miller, Arthur |
|
699 |
|
Entrée en scène |
André, Fanny |
|
700 |
|
Entreacto |
Vicki Baum |
|
701 |
|
Escurial |
Ghelderode Michel de |
|
702 |
|
Forever Liesl: A Memoir of the Sound of Music |
Carr, Charmian |
|
703 |
|
Grains |
Annabel Soutar |
|
704 |
|
Grand-Guignol 36-88 - Kurt Steiner |
Gore |
|
705 |
|
Guide des études théâtrales |
Daniel Urrutiaguer |
|
706 |
|
Ivo Van Hove |
Hove, Ivo Van &, Maurin, Frédéric |
|
707 |
|
Dramatising Disaster : Character, Event, Representation |
Christine Cornea, Rhys Owain Thomas, Christine Cornea, Rhys Owain Thomas |
|
708 |
|
Kean ou Désordre et génie |
Dumas, Alexandre |
|
709 |
|
La fausse suivante - L'école des mères - La mère confidente |
Marivaux |
|
710 |
|
La Fuite à cheval très loin dans la ville |
Bernard-Marie Koltès |
|
711 |
|
La mise en scène contemporaine |
Pavis,Patrice |
|
712 |
|
La poison |
Guitry Sacha |
|
713 |
|
La suivante |
Corneille Pierre |
|
714 |
|
La veuve |
Corneille Pierre |
|
715 |
|
L'école des indifférents |
Giraudoux Jean |
|
716 |
|
L'épreuve - La dispute - Les acteurs de bonne foi |
Marivaux |
|
717 |
|
L'éventail de Lady Windermere |
Wilde, Oscar |
|
718 |
|
L'île des esclaves |
Marivaux, Pierre Carlet de |
|
719 |
|
L'île des esclaves - La dispute |
Marivaux |
|
720 |
|
L'Épreuve – La Dispute – Les Acteurs de bonne foi |
Marivaux |
|
721 |
|
La jeune fille Violaine |
Claudel, Paul |
|
722 |
|
L'Apocalypse différée |
Fo, Dario |
|
723 |
|
L'Appareil scénique dans les spectacles de l'Antiquité |
Le Guen, Brigitte |
|
724 |
|
L'Aube le soir ou la nuit |
Reza, Yasmina |
|
725 |
|
Le bon gros géant (Théâtre) |
Dahl, Roald |
|
726 |
|
Le festival n'aura pas lieu |
Jacob, Gilles |
|
727 |
|
Le monde selon Fo |
Fo, Dario |
|
728 |
|
Le quatrième mur |
Chalandon,Sorj |
|
729 |
|
Les amoureux |
Goldoni Carlo |
|
730 |
|
Les répliques les plus drôles du théatre |
Arditi, Pierre |
|
731 |
|
L'espace vide: Ecrits sur le théâtre |
Brook, Peter |
|
732 |
|
Let's Play, BABY ! |
Vanessa Degardin |
|
733 |
|
Lettre aux américains |
Cocteau Jean |
|
734 |
|
Libérez l'ours en vous (La pièce de théâtre) |
Trébor, Carole |
|
735 |
|
The Queen's Dumbshows. John Lydgate and the Making of Early Theater |
Claire Sponsler |
|
736 |
|
L'otage suivi de Le pain dur et de Le père humilié |
Claudel, Paul |
|
737 |
|
Louange de Port-Royal |
Racine, Jean |
|
738 |
|
Mère anarchy |
Allen Woody |
|
739 |
|
Mère Courage et ses enfants |
Brecht Bertolt |
|
740 |
|
Macbeth |
William Shakespeare |
|
741 |
|
Meurtre à Shakespeare |
Harris, Charlaine |
|
742 |
|
meurtre à Shakespeare |
Harris Charlaine |
|
743 |
|
Meurtre au théâtre |
Lenk, Fabian |
|
744 |
|
Moi, Jean Gabin |
Sapienza, Goliarda |
|
745 |
|
Monsieur Vaudeville |
Bosquet |
|
746 |
|
Muerte en el teatro |
Llanos, Úrsula |
|
747 |
|
Muerte en el teatro |
Úrsula Llanos |
|
748 |
|
Notre crâne comme accessoire |
Compagnie les sans cou |
|
749 |
|
Une histoire d'amour |
Michalik, Alexis |
|
750 |
|
Scène tournante |
Veinstein, Alain |
|
751 |
|
Ubu enchaîné |
Jarry, Alfred |
|
752 |
|
Théâtre complet |
Masson, Arthur |
|
753 |
|
Pour finir encore et autres foirades |
Beckett, Samuel |
|
754 |
|
Scénographies du théâtre occidental |
Anne Surgers. |
|
755 |
|
Night Theatre |
Vikram Paralkar |
|
756 |
|
Automata and Mimesis on the Stage of Theatre History |
Kara Reilly |
|
757 |
|
Performing the US Latina and Latino Borderlands |
Arturo J. Aldama, Chela Sandoval, Peter J. García |
|
758 |
|
New Francophone African and Caribbean Theatres |
John Conteh-Morgan with Dominic Thomas |
|
759 |
|
Playing to Win: Sports, Video Games, and the Culture of Play |
Thomas P. Oates, Robert Alan Brookey |
|
760 |
|
Trickster Theatre: The Poetics of Freedom in Urban Africa |
Jesse Weaver Shipley |
|
761 |
|
Play as Symbol of the World: And Other Writings |
Eugen Fink |
|
762 |
|
Performing Trauma in Central Africa: Shadows of Empire [Illustrated] |
Laura Edmondson |
|
763 |
|
Movement and Performance in Berlin School Cinema |
Olivia Landry |
|
764 |
|
The Memory Marketplace: Witnessing Pain in Contemporary Irish and International Theatre |
Emilie Pine |
|
765 |
|
Staging Cultural Encounters: Algerian Actors Tour the United States (Public Cultures of the Middle East and North Africa) [Illustrated] |
Jane E. Goodman |
|
766 |
|
Storytelling in Opera and Musical Theater |
Nina Penner |
|
767 |
|
Russia's Theatrical Past: Court Entertainment in the Seventeenth Century |
Claudia R. Jensen, Ingrid Maier, Stepan Shamin, Daniel C Waugh |
|
768 |
|
Latin American Women Dramatists: Theater, Texts, and Theories |
Catherine Larson, Margarita Vargas |
|
769 |
|
The Death of Character: Perspectives on Theater after Modernism |
Elinor Fuchs |
|
770 |
|
The Singer of Tales in Performance |
John Miles Foley |
|
771 |
|
The death of character : perspectives on theater after modernism |
Elinor Fuchs. |
|
772 |
|
Ghana's concert party theatre |
Cole, Catherine M |
|
773 |
|
The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage |
Jeffrey Veidlinger |
|
774 |
|
Uncle Sam Presents: A Memoir of the Federal Theatre, 1935-1939 |
Tony Buttitta, Barry Witham, Harold Clurman, Malcolm Cowley, Don Freeman |
|
775 |
|
The Play Called Corpus Christi |
Verdel A. Kolve |
|
776 |
|
Play and Playfulness: Developmental, Cultural, and Clinical Aspects |
Monisha Akhtar, Salman Akhtar, Anni Bergman, Melvin Bornstein, Ira Brenner, Lucy Daniels, M Hossein Etezady, Daniel M. A. Freeman, James Herzog, Christine Kieffer, Ilene Sackler Lefcourt, Mali Mann, Jill Scharff, Vamık D. Volkan |
|
777 |
|
Philosophers and thespians : thinking performance |
Rokem, Freddie |
|
778 |
|
Philosophy and melancholy : Benjamin's early reflections on theater and language |
Benjamin, Walter, Ferber, Ilit, Benjamin, Walter |
|
779 |
|
The mind/body stage : passion and interaction in the Cartesian theatre |
Gobert, R. Darren, Descartes, René |
|
780 |
|
West African popular theatre |
Karin Barber, John Collins, Alain Ricard |
|
781 |
|
Public Theatres and Theatre Publics |
Robert Shimko, Robert Shimko, Sara Freeman |
|
782 |
|
The Rules We Break: Lessons in Play, Thinking, and Design |
Eric Zimmerman |
|
783 |
|
The 'd' Monologues |
Kaite O'Reilly, Phillip Zarrilli |
|
784 |
|
The Greatest Shows on Earth: World Theatre from Peter Brook to the Sydney Olympics |
John Freeman |
|
785 |
|
Inclusive Shakespeares: Identity, Pedagogy, Performance |
Sonya Freeman Loftis (editor), Mardy Philippian (editor), Justin P. Shaw (editor) |
|
786 |
|
Performance and Politics in Tanzania: The Nation on Stage (African Expressive Cultures) |
Laura Edmondson |
|
787 |
|
Dan Ge Performance: Masks and Music in Contemporary Côte D'Ivoire |
Daniel Boyce Reed |
|
788 |
|
The generation of plays: Yorùbá popular life in theater |
Karin Barber |
|
789 |
|
Staging the War : American Drama and World War II |
Albert Wertheim |
|
790 |
|
Performing folklore : ranchos folclóricos from Lisbon to Newark |
Kimberly DaCosta Holton |
|
791 |
|
Kafka and the Contemporary Critical Performance: Centenary Readings |
Alan Udoff |
|
792 |
|
The golden age of Indianapolis theaters |
Caldwell, Howard |
|
793 |
|
The Playful Revolution: Theatre and Liberation in Asia (Drama and Performance Studies) |
Eugene Van Erven |
|
794 |
|
Mamontov's Private Opera: The Search for Modernism in Russian Theater (Russian Music Studies) |
Olga Haldey |
|
795 |
|
Starring Madame Modjeska: on tour in Poland and America |
Beth Holmgren |
|
796 |
|
The World in Play: Portraits of a Victorian Concept |
Matthew Kaiser |
|
797 |
|
The Magic Maker. A Portrait of John Langstaff, Creator of the Christmas Revels |
Susan Cooper |
|
798 |
|
Staging Strangers: Theatre and Global Ethics |
Barry Freeman |
|
799 |
|
The Mind-Body Stage: Passion and Interaction in the Cartesian Theater |
R. Darren Gobert |
|
800 |
|
Theaters of Justice: Judging, Staging, and Working Through in Arendt, Brecht, and Delbo |
Yasco Horsman |
|
801 |
|
Screening the Stage : Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956 |
Steven Neale |
|
802 |
|
Fists upon a Star : A Memoir of Love, Theatre, and Escape from Mccarthyism [1 ed.] |
Florence Bean James, Jean Freeman |
1 |
803 |
|
Character's Theater : Genre and Identity on the Eighteenth-Century English Stage [1 ed.] |
Lisa A. Freeman |
1 |
804 |
|
Antitheatricality and the Body Public |
Lisa A. Freeman |
|
805 |
|
Contemporary Approaches to Adaptation in Theatre [1 ed.] |
Kara Reilly (eds.) |
1 |
806 |
|
Finding Roger: an improbably theatrical love story [First hardcover edition] |
Elice, Rick,Rees, Roger |
|
807 |
|
Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place |
Ridley, Philip |
|
808 |
|
Theatre, Performance and Analogue Technology: Historical Interfaces and Intermedialities |
Kara Reilly (eds.) |
|
809 |
|
In Defence of Theatre: Aesthetic Practices and Social Interventions |
Kathleen Gallagher, Barry Freeman (editors) |
|
810 |
|
Into the Woods Songbook: Vocal Selections from the Disney Movie |
Stephen Sondheim |
|
811 |
|
Aladdin: Broadway's new musical comedy ; [piano/vocal selections] |
Ashman, Howard,Beguelin, Chad,Menken, Alan,Rice, Tim |
|
812 |
|
Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885 |
Elaine Hadley |
|
813 |
|
Dance Pathologies: Performance, Poetics, Medicine |
Felicia McCarren |
|
814 |
|
Discourse as Performance |
Michael Issacharoff |
|
815 |
|
Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice |
Eleanor Selfridge-Field |
|
816 |
|
A Politics of the Scene |
Paul A. Kottman |
|
817 |
|
Bernard Shaw: The Darker Side |
Arnold Silver |
|
818 |
|
Atypical Plays for Atypical Actors : Selected Plays by Kaite O'Reilly |
Kaite O'Reilly |
|
819 |
|
Sacred Play: Soul-Journeys in Contemporary Irish Theatre |
Anne F. O'Reilly |
|
820 |
|
Performance and the Disney Theme Park Experience: The Tourist as Actor [1st ed. 2019] |
Jennifer A. Kokai, Tom Robson |
1 |
821 |
|
The Semiotics of Theatre |
Fischer-Lichte E. |
|
822 |
|
Disney's Beauty and the Beast: The Broadway Musical |
Menken A., Ashman H., Rice T. |
|
823 |
|
20th-Century Drama |
Simon Trussler (auth.) |
|
824 |
|
A Pathognomy of Performance |
Simon Bayly |
|
825 |
|
Anton Claus. Leben und Werk: Studie zum späten Jesuitentheater |
Simon Wirthensohn |
|
826 |
|
Anuario calderoniano 10 (2017): la comedia cómica de Calderón |
Wolfram Aichinger (editor), Simon Kroll (editor), Wolfram Nitsch (editor) |
|
827 |
|
Crossing the Line: Violence, Play, and Drama in Naval Equator Traditions |
Simon J. Bronner |
|
828 |
|
Drama Theatre Performance (The New Critical Idiom) |
Simon Shepherd |
|
829 |
|
Jacques Lecoq (Routledge Performance Practitioners) [1 ed.] |
Simon Murray |
1 |
830 |
|
Lost in Yonkers: A New Play [A Samuel French Acting Edition] |
Neil Simon |
|
831 |
|
Masking Unmasked: Four Approaches to Basic Acting [1st ed.] |
Eli Simon |
1 |
832 |
|
Nach der Postdramatik: Narrativierendes Text-Theater bei Wolfram Lotz und Roland Schimmelpfennig |
Simon Hansen |
|
833 |
|
Physical Theatres: A Critical Reader [1 ed.] |
John Keefe, Simon Murray |
1 |
834 |
|
Physical Theatres: A Critical Introduction [2 ed.] |
Simon Murray, John Keefe |
2 |
835 |
|
Physical Theatres: A Critical Introduction |
Simon Murray, John Keefe |
|
836 |
|
Physical Theatres: An Introduction [1 ed.] |
Simon Murray |
1 |
837 |
|
Science in performance: Theatre and the politics of engagement |
Simon Parry |
|
838 |
|
Simon Quaglio: Theatermalerei und Bühnenbild in der ersten Hälfte des 19. Jahrhunderts |
Christine Hübner |
|
839 |
|
Studying Plays |
Mick Wallis, Simon Shepherd |
|
840 |
|
The Collected Plays of Neil Simon [1] |
Neil Simon |
1 |
841 |
|
Theatre, Body and Pleasure [1 ed.] |
Simon Shepherd |
1 |
842 |
|
The English Theatrical Avant-Garde 1900-1925 |
Simon Shepherd |
|
843 |
|
Staging Gender - Reflexionen aus Theorie und Praxis der performativen Künste |
Irene Lehmann (editor), Katharina Rost (editor), Rainer Simon (editor) |
|
844 |
|
The Cambridge Introduction to Performance Theory |
Simon Shepherd |
|
845 |
|
The Theatre of Simon Stephens |
Jacqueline Bolton |
|
846 |
|
August Wilson : A Life |
Patti Hartigan |
|
847 |
|
Booze Over Broadway: 50 Cocktails for Theatre Lovers |
Tiller Press, Michael Goff |
|
848 |
|
Charles Dickens and the Great Theatre of the World |
Dickens, Charles,Callow, Simon |
|
849 |
|
Herons |
Simon Stephens |
|
850 |
|
Lady Romeo: The Radical and Revolutionary Life of Charlotte Cushman, America's First Celebrity |
Tana Wojczuk |
|
851 |
|
Noël Coward: a biography |
Coward, Noel,Hoare, Philip |
|
852 |
|
Playing to the gods Sarah Bernhardt, Eleonora Duse, and the rivalry that changed acting forever [First Simon & Schuster hardcover edition] |
Bernhardt, Sarah,Duse, Eleonora,Rader, Peter |
|
853 |
|
Razzle Dazzle: The Battle for Broadway |
Michael Riedel |
|
854 |
|
She Always Knew How: Mae West, a Personal Biography |
Charlotte Chandler |
|
855 |
|
Smile: The Story of a Face |
Sarah Ruhl |
|
856 |
|
Stephens Plays: 2 |
Simon Stephens |
|
857 |
|
Stephens Plays, 4 |
Simon Stephens |
|
858 |
|
The Encounter |
McBurney, Simon,McIntyre, Loren,Popescu, Petru |
|
859 |
|
The Haunting of Lin-Manuel Miranda |
Ishmael Reed |
|
860 |
|
The Showman |
Simon Shuster |
|
861 |
|
Three Kingdoms |
Stephens, Simon |
|
862 |
|
To Be or Not to Be |
Bruster, Douglas,Palfrey, Simon,Fernie, Ewan |
|
863 |
|
The Empty Space |
Peter Brook |
|
864 |
|
Noel Coward: A Biography of Noel Coward |
Hoare, Philip |
|
865 |
|
Simon Gray: Plays 4: Common Pursuit; Holy Terror; After Pilkington; Old Flames; They Never Slept |
Gray, Simon |
|
866 |
|
The Improv Handbook: The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond [1 ed.] |
Tom Salinsky, Deborah Frances-White |
1 |
867 |
|
Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War |
Adam Broinowski |
|
868 |
|
Samuel Beckett: Waiting for Godot |
Ruby Cohn (editor) |
|
869 |
|
Performing the East : Performance Art in Russia, Latvia and PolandSince 1980 |
Amy Bryzgel |
|
870 |
|
Straight Acting: Popular Gay Drama from Wilde to Rattigan |
Sean O’Connor |
|
871 |
|
Sh!t Theatre Drink Rum with Expats |
Sh!t Theatre |
|
872 |
|
Gameworlds: virtual media and children's everyday play [Paperback edition] |
Giddings, Seth |
|
873 |
|
Rebel women : staging ancient Greek drama today |
Dillon, John M., McDonald, Marianne, McDonald, Marianne, Wilmer, S. E |
|
874 |
|
Artaud's theatre of cruelty |
Artaud, Antonin, Artaud, Antonin, Bermel, Albert, Artaud, Antonin |
|
875 |
|
Popular Performance |
Adam Ainsworth, Oliver Double, Louise Peacock |
|
876 |
|
Embodied Aesthetics in Drama Education: Theatre, Literature and Philosophy |
Matthew DeCoursey |
|
877 |
|
The Theatre of Caryl Churchill |
Churchill, Caryl, Gobert, R. Darren |
|
878 |
|
The Meaning of the Circus: The Communicative Experience of Cult, Art, and Awe |
Paul Bouissac |
|
879 |
|
This Island's Mine |
Philip Osment |
|
880 |
|
The theatre of Tennessee Williams |
Brenda Murphy &, Annette J. Saddik &, Bruce McConachie &, Felicia Hardison Londre &, John S. Bak |
|
881 |
|
No Laughing Matter: Studies in Athenian Comedy |
C.W. Marshall, George Kovacs (editors) |
|
882 |
|
Landscape with Skiproads/Book Burning: Two Plays |
Pieter DeBuysser |
|
883 |
|
Greek Drama V: Studies in the Theatre of the Fifth and Fourth Centuries bce |
Hallie Marshall, C. W. Marshall (editors) |
|
884 |
|
Tom Stoppard: Rosencrantz and Guildenstern are Dead, Jumpers and Travesties |
T. Bareham (editor) |
|
885 |
|
Practical Aesthetics |
Bernd Herzogenrath |
|
886 |
|
Sarah Kane’s Blasted |
Helen Iball |
|
887 |
|
Adaptation in Contemporary Theatre: Performing Literature (Methuen Drama Engage) |
Frances Babbage |
|
888 |
|
Becky Shaw |
Gina Gionfriddo |
|
889 |
|
Dollywould |
Sh!t Theatre,, Sara Sams, Bojan Louis, Kat Arney |
|
890 |
|
A Cultural History of Theatre in the Modern Age [6, Reprint ed.] |
Kim Solga (ed.) |
6 |
891 |
|
Qualitative Studies of Exploration in Childhood Education: Cultures of Play and Learning in Transition |
Marilyn Fleer, Mariane Hedegaard, Elin Eriksen Ødegaard, Hanne Værum Sørensen (editor) |
|
892 |
|
A Cultural History of Theatre in the Age of Enlightenment [4] |
Mechele Leon (ed.) |
4 |
893 |
|
31 hours |
Kieran Knowles |
|
894 |
|
A Cultural History of Theatre in the Middle Ages [2] |
Jody Enders (ed.) |
2 |
895 |
|
Theatre Translation: Theory and Practice |
Massimiliano Morini |
|
896 |
|
The Semiotics of Clowns and Clowning: Rituals of Transgression and the Theory of Laughter |
Paul Bouissac, Paul Bouissac |
|
897 |
|
This Contentious Storm: An Ecocritical and Performance History of King Lear |
Jennifer Mae Hamilton |
|
898 |
|
Shakespeare: Text, Stage and Canon |
Richard Proudfoot |
|
899 |
|
New Drama in Russian: Performance, Politics and Protest in Russia, Ukraine and Belarus |
J. A. E. Curtis (editor) |
|
900 |
|
Shakespeare in the Spanish Theatre: 1772 to the Present |
Keith Gregor |
|
901 |
|
Joy ride lives of the theatricals |
Lahr, John |
|
902 |
|
Weathering Shakespeare: Audiences and Open-Air Performance [1 ed.] |
Evelyn O'Malley |
1 |
903 |
|
Tonight at 8.30: Ten one-act plays |
Coward, Noel, Day, Barry |
|
904 |
|
Shakespeare inside : the Bard behind bars [First Edition] |
Scott-Douglass, Amy, Shakespeare, William |
|
905 |
|
Seneca’s Tragedies and the Aesthetics of Pantomime |
Alessandra Zanobi |
|
906 |
|
Lipsynching |
Merrie Snell |
|
907 |
|
The Comic Event: Comedic Performance from the 1950s to the Present |
Judith Roof |
|
908 |
|
A Cultural History of Theatre in the Early Modern Age Volume 3 |
Robert Henke (editor) |
|
909 |
|
A Cultural History of Tragedy in the Early Modern Age |
Naomi Conn Liebler, Rebecca Bushnell |
|
910 |
|
The Actor Speaks: Voice and the Performer |
Patsy Rodenburg |
|
911 |
|
Shakespeare's Modern Collaborators |
Lukas Erne |
|
912 |
|
A Cultural History of Theatre in the Age of Empire Volume 5 |
Peter W. Marx (editor) |
|
913 |
|
Caryl Churchill's Top Girls |
Alicia Tycer |
|
914 |
|
Marlowe: Tamburlaine, Edward II and The Jew of Malta |
John Russell Brown (editor) |
|
915 |
|
The Irish Drama of Europe from Yeats to Beckett |
Katharine Worth |
|
916 |
|
Albee: Who's Afraid of Virginia Woolf? |
Gavin Selerie, Graham Handley |
|
917 |
|
Heiner Müller and Heiner Goebbels’s Wolokolamsker Chaussee |
Philip V. Bohlman |
|
918 |
|
A Cultural History of Comedy in the Age of Empire [5] |
Matthew Kaiser (ed.) |
5 |
919 |
|
A Cultural History of Comedy in the Age of Enlightenment [4] |
Elizabeth Kraft (ed.) |
4 |
920 |
|
The Invisible Actor |
Yoshi Oida, Lorna Marshall |
|
921 |
|
British Theatre and Performance 1900–1950 |
Rebecca D’Monté |
|
922 |
|
Musicals at the Margins: Genre, Boundaries, Canons |
Julie Lobalzo Wright, Martha Shearer |
|
923 |
|
The Translator on Stage |
Geraldine Brodie |
|
924 |
|
A Cultural History of Theatre in the Age of Enlightenment Volume 4 |
Mechele Leon (editor) |
|
925 |
|
The Phenomenology of Play: Encountering Eugen Fink |
Steve Stakland |
|
926 |
|
Theatre and Cultural Struggle under Apartheid |
Robert Mshengu Kavanagh |
|
927 |
|
Performing Gods in Classical Antiquity and the Age of Shakespeare |
Dustin W. Dixon, John S. Garrison |
|
928 |
|
Shakespeare for Young People: Productions, Versions and Adaptations |
Abigail Rokison |
|
929 |
|
Shakespeare in the New Europe |
Michael Hattaway, Boika Sokolova, Derek Roper (editors) |
|
930 |
|
Approaches to Acting: Past and Present [1 ed.] |
Daniel Meyer-Dinkgräfe |
1 |
931 |
|
Mystery Cults, Theatre and Athenian Politics: A Reading of Euripides’ Bacchae and Aristophanes’ Frogs |
Luigi Barzini |
|
932 |
|
Midsummer Mischief: Four Radical New Plays |
Alice Birch, Timberlake Wertenbaker, E.V. Crowe, Abi Zakarian |
|
933 |
|
Victorian Epic Burlesques: A Critical Anthology of Nineteenth-Century Theatrical Entertainments after Homer |
Rachel Bryant Davies |
|
934 |
|
Greeks and Romans on the Latin American Stage |
Rosa Andújar, Konstantinos P. Nikoloutsos (editors) |
|
935 |
|
Home, I'm Darling |
Laura Wade |
|
936 |
|
Circus as Multimodal Discourse : Performance, Meaning, and Ritual |
Bouissac, Paul |
|
937 |
|
Body as Instrument: Performing with Gestural Systems in Live Electronic Music |
Mary Mainsbridge |
|
938 |
|
Smack That (a conversation) |
Rhiannon Faith |
|
939 |
|
Creating Compelling Characters for Film, TV, Theatre and Radio |
Rib Davis |
|
940 |
|
Semiotics and Pragmatics of Stage Improvisation |
Domenico Pietropaolo |
|
941 |
|
Material Game Studies: A Philosophy of Analogue Play |
Chloe Germaine (editor) |
|
942 |
|
Greek Tragedy: Themes and Contexts |
Laura Swift |
|
943 |
|
Watching War on the Twenty-First Century Stage |
Clare Finburgh |
|
944 |
|
Gameworlds: Virtual Media and Children’s Everyday Play |
Seth Giddings |
|
945 |
|
The Niceties |
Eleanor Burgess |
|
946 |
|
The Methuen drama guide to contemporary British playwrights |
Middeke, Martin,Schnierer, Peter Paul,Sierz, Aleks |
|
947 |
|
Victorian Classical Burlesques: A Critical Anthology |
Laura Monrós-Gaspar |
|
948 |
|
A Cultural History of Theatre in Antiquity Volume 1 |
Martin Revermann (editor) |
|
949 |
|
The Methuen Drama Guide to Contemporary Irish Playwrights |
Middeke, Martin, Schnierer, Peter Paul |
|
950 |
|
Devising Theatre with Stan’s Cafe |
Mark Crossley, James Yarker |
|
951 |
|
Ritual, Performance and the Senses |
Michael Bull, Jon P. Mitchell (editors) |
|
952 |
|
Mise en Scene French Theatre Now |
Annie Sparks &, Annie Stephenson &, David Bradby |
|
953 |
|
Strindberg and the Five Senses: Studies in Strindberg's Chamber Plays [1 ed.] |
Hans-Goran Ekman |
1 |
954 |
|
Front Row: Evenings at The Theatre |
Beryl Bainbridge |
|
955 |
|
Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity |
Gemma Commane |
|
956 |
|
Performance, Dance and Political Economy: Bodies at the End of the World |
Katerina Paramana (editor), Anita Gonzalez (editor) |
|
957 |
|
Shakespeare Goes to Paris: How the Bard Conquered France |
John Pemble |
|
958 |
|
Aristophanic Humour: Theory and Practice |
Peter Swallow (editor), Edith Hall (editor) |
|
959 |
|
Starting a Theatre Company: How to Become a Theatre Maker and Create Your Own Work |
Karl Falconer |
|
960 |
|
Unbridled: Studying Religion in Performance [1 ed.] |
William Robert |
1 |
961 |
|
Objects as Actors: Props and the Poetics of Performance in Greek Tragedy |
Melissa Mueller |
|
962 |
|
The Place of the Stage. License, Play, and Power in Renaissance England |
Mullaney, Steven |
|
963 |
|
Scenic Art for the Theatre: History, Tools, and Techniques [2 ed.] |
Peter Beudert, Susan Crabtree |
2 |
964 |
|
Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV |
Mary C. McClung |
|
965 |
|
Structural design for the stage: Alys E. Holden [and three others] [Second edition (Online-ausg.)] |
Holden, Alys |
|
966 |
|
Changing Direction: A Practical Approach to Directing Actors in Film and Theatre: Foreword by Ang Lee [1 ed.] |
Lenore DeKoven |
1 |
967 |
|
The Melodramatic Moment: Music and Theatrical Culture, 1790–1820 |
Katherine G Hambridge (editor), Jonathan Hicks (editor), James Chandler (editor) |
|
968 |
|
Common Understandings, Poetic Confusion: Playhouses and Playgoers in Elizabethan England |
William N. West |
|
969 |
|
Drag Queens at the 801 Cabaret |
Leila J. Rupp, Verta Taylor |
|
970 |
|
The Properties Director’s Toolkit: Creativity, Collaboration, and Communication for Prop Shop Management in the Theatre and Performing Arts [2 ed.] |
Sandra J. Strawn, Lisa Schlenker |
2 |
971 |
|
Stagecraft Fundamentals: A Guide and Reference for Theatrical Production [2 ed.] |
Rita Kogler Carver |
2 |
972 |
|
Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment [2 ed.] |
Richard Cadena |
2 |
973 |
|
"Don Giovanni" Captured: Performance, Media, Myth |
Richard Will |
|
974 |
|
Plays Extravagant |
Dan Laurence |
|
975 |
|
The Lighting Supervisor's Toolkit: Collaboration, Interrogation, and Innovation toward Engineering Brilliant Lighting Designs [1 ed.] |
Jason E. Weber |
1 |
976 |
|
Teaching Practical Theatrical 3D Printing: Creating Props for Production [1 ed.] |
Robert C. Berls |
1 |
977 |
|
Theatre Work: Reimagining the Labor of Theatrical Production [1 ed.] |
Brídín Clements Cotton, Natalie Robin |
1 |
978 |
|
The Stage Manager's Toolkit: Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance (The Focal Press Toolkit Series) [3 ed.] |
Laurie Kincman |
3 |
979 |
|
The Birth of Modern Comedy in Renaissance Italy |
Douglas Radcliff-Umstead |
|
980 |
|
A Practical Guide to Stage Lighting, Second Edition [2 ed.] |
Steven Louis Shelley |
2 |
981 |
|
Automated Lighting: The Art and Science of Moving and Color-Changing Lights [3 ed.] |
Richard Cadena |
3 |
982 |
|
The Public Mirror: Moliere and the Social Commerce of Depiction |
Larry F. Norman |
|
983 |
|
Innovating the Design Process: A Theatre Design Journey [1 ed.] |
David E. Smith |
1 |
984 |
|
Persecution, Plague, and Fire: Fugitive Histories of the Stage in Early Modern England |
Ellen MacKay |
|
985 |
|
The Dance and Opera Stage Manager's Toolkit: Protocols, Practical Considerations, and Templates |
Susan Fenty Studham, Michele Kay |
|
986 |
|
The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater [1st Edition] |
Thomas Bauman |
1 |
987 |
|
The Costume Designer's Toolkit: The Process of Creating Effective Design |
Holly Poe Durbin |
|
988 |
|
Humoring the Body: Emotions and the Shakespearean Stage |
Gail Kern Paster |
|
989 |
|
Murder by Accident: Medieval Theater, Modern Media, Critical Intentions |
Jody Enders |
|
990 |
|
Script Analysis for Actors, Directors, and Designers, Fourth Edition [4 ed.] |
James Thomas |
4 |
991 |
|
Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew [1 ed.] |
Alexis Black, Tina M. Newhauser |
1 |
992 |
|
Stagecraft Fundamentals: A Guide and Reference for Theatrical Production |
Rita Kogler Carver |
|
993 |
|
The Literary Manager's Toolkit: A Practical Guide for the Theatre |
Suea Healy |
|
994 |
|
Illustrated Theatre Production Guide [1 ed.] |
John Holloway |
1 |
995 |
|
Lighting technology: a guide for television, film, and theatre [2 ed.] |
BRIAN FITT, JOE THORNLEY |
2 |
996 |
|
How to Be a Multi-Hyphenate in the Theatre Business: Conversations, Advice, and Tips from “Dear Multi-Hyphenate” |
Michael Kushner |
|
997 |
|
Theater of the Mind: Imagination, Aesthetics, and American Radio Drama |
Neil Verma |
|
998 |
|
The Body in Sound, Music and Performance: Studies in Audio and Sonic Arts |
Linda O Keeffe, Isabel Nogueira |
|
999 |
|
Scene Shift: U.S. Set Designers in Conversation |
Maureen Weiss, Sibyl Wickersheimer |
|
1000 |
|
Peripheral Visions: Publics, Power, and Performance in Yemen |
Lisa Wedeen |
|
1001 |
|
The Theatricality of Greek Tragedy: Playing Space and Chorus |
Graham Ley |
|
1002 |
|
QLab 3 Show Control: Projects for Live Performances & Installations |
Jeromy Hopgood |
|
1003 |
|
The Production Manager's Toolkit: Successful Production Management in Theatre and Performing Arts [2 ed.] |
Cary Gillett, Jay Sheehan |
2 |
1004 |
|
From Aphra Behn to Fun Home: A Cultural History of Feminist Theater [Illustrated] |
Carey Purcell |
|
1005 |
|
Studio Five |
Manning Anthony. |
|
1006 |
|
Theatrical Space and Historical Place in Sophocles' Oedipus at Colonus [Illustrated] |
Lowell Edmunds |
|
1007 |
|
Stage Rights! The Actresses' Franchise League, Activism and Politics 1908-58 |
Naomi Paxton |
|
1008 |
|
Out of the Clear |
Erin Manning |
|
1009 |
|
Theatre of the People : Donald Wolfit’s Shakespearean Productions 1937-1953 |
Laurence Raw |
|
1010 |
|
As You Like It |
Robert Shaughnessy |
|
1011 |
|
Singing and Dancing to The Book of Mormon: Critical Essays on the Broadway Musical |
Marc Edward Shaw |
|
1012 |
|
Learning through Movement and Active Play in the Early Years: A Practical Resource for Professionals and Teachers |
Tania Swift |
|
1013 |
|
Exploring the History of Childhood and Play through 50 Historic Treasures |
Susan A. Fletcher |
|
1014 |
|
Historical Dictionary of African American Theater [Second edition] |
Hill, Anthony D |
|
1015 |
|
100 Greatest American Plays |
Hischak, Thomas S |
|
1016 |
|
Victorian Touring Actresses |
Janice Norwood |
|
1017 |
|
Joseph Holloway's Abbey Theatre: A Selection from His Unpublished Journal "Impressions of a Dublin Playgoer" |
Joseph Holloway, Robert Hogan, Michael J. O'Neill, Professor Harry T. Moore, Randy L. Bixby |
|
1018 |
|
Theatre as human action: an introduction to theatre arts [2nd edition] |
Hischak, Thomas S |
2 |
1019 |
|
A Taste of Broadway: Food in Musical Theater |
Jennifer Packard |
|
1020 |
|
Playground Duty |
Ned Manning |
|
1021 |
|
Voices Carry: Behind Bars and Backstage during China's Revolution and Reform (Asian Voices) |
Ying Ruocheng, Claire Conceison |
|
1022 |
|
The Hurt(ful) Body: Performing and Beholding Pain, 1600-1800 |
Tomas Macsotay, Cornelis Van Der Haven, Karel Vanhaesebrouck |
|
1023 |
|
Politics of Touch: Sense, Movement, Sovereignty [1 ed.] |
Erin Manning |
1 |
1024 |
|
Bound to last 30 writers on their most cherished book |
Manning, Sean |
|
1025 |
|
Fun with Messy Play: Ideas and Activities for Children With Special Needs |
Tracey Beckerleg |
|
1026 |
|
South African performance and archives of memory [1 ed.] |
Yvette Hutchison |
1 |
1027 |
|
Theatre as Human Action: An Introduction to Theatre Arts |
Thomas S. Hischak |
|
1028 |
|
Autism and Play [1 ed.] |
Jannik Beyer, Lone Gammeltoft |
1 |
1029 |
|
Encouraging your child's imagination: a guide and stories for play acting |
Bouzoukis, Bouzoukis Carol Elaine |
|
1030 |
|
Critical Plays: Embodied Research for Social Change |
Anne Harris, Christine Sinclair |
|
1031 |
|
Postcolonial Indigenous Performances Coyote Musings on Genízaros, Hybridity, Education, and Slavery |
Gallegos, Bernardo |
|
1032 |
|
Noel, Tallulah, Cole and Me A Memoir of Broadway's Golden Age |
Macauley, John, C Wilson,Hischak, Thomas, S,Jack |
|
1033 |
|
The A to Z of Postmodernist Literature and Theater |
Fran Mason |
|
1034 |
|
The Mikado to Matilda: British Musicals on the New York Stage |
Thomas S. Hischak |
|
1035 |
|
Spectacular Performances: Essays on theatre, imagery, books, and selves in Early Modern England |
Stephen Orgel |
|
1036 |
|
Dionysism and Comedy |
Xavier Riu |
|
1037 |
|
After '89: Polish Theatre and the Political [1 ed.] |
Bryce Lease |
1 |
1038 |
|
Theatre and empire: Great Britain on the London stages under James VI and I |
Tristan Marshall |
|
1039 |
|
Historical Dictionary of American Theater: Beginnings |
James Fisher |
|
1040 |
|
Dramatic Play in the Early Years [1 ed.] |
Elizabeth Coffman |
1 |
1041 |
|
Howard Barker's Art of Theatre : Essays on His Plays, Poetry and Production Work [1 ed.] |
David Rabey, Sarah Goldingay |
1 |
1042 |
|
Politics, performance and popular culture: Theatre and society in nineteenth-century Britain |
Peter Yeandle, Katherine Newey, Jeffrey Richards (editors) |
|
1043 |
|
The A to Z of American Theater. Modernism |
James Fisher,Felicia Hardison Londré |
|
1044 |
|
Chartist Drama [1 ed.] |
Gregory Vargo |
1 |
1045 |
|
Performing the testimonial: Rethinking verbatim dramaturgies |
Amanda Stuart Fisher |
|
1046 |
|
Foucaults theatres: . (Theatre: Theory – Practice – Performance) |
Tony Fisher, Kélina Gotman |
|
1047 |
|
Handbook of the Study of Play 2v Set Hb [Hardcover ed.] |
James E. Johnson, Scott G. Eberle, Thomas S. Henricks, David Kuschner |
|
1048 |
|
Acts and apparitions: Discourses on the real in performance practice and theory, 1990–2010 |
Elizabeth Tomlin |
|
1049 |
|
Witness onstage: Documentary theatre in twenty-first-century Russia [1 ed.] |
Molly Flynn |
1 |
1050 |
|
Theater (45): Practice Test |
Anonymous |
|
1051 |
|
The Stephen Sondheim Encyclopedia |
Rick Pender |
|
1052 |
|
Playing, Laughing and Learning with Children on the Autism Spectrum: A Practical Resource of Play Ideas for Parents and Carers (2nd ed) [2 ed.] |
Julia Moor |
2 |
1053 |
|
Death in modern theatre: Stages of mortality |
Adrian Curtin |
|
1054 |
|
Experiments in Listening (Performance Philosophy) |
Rajni Shah |
|
1055 |
|
The A to Z of African American Theater |
Anthony D. Hill,Douglas Q. Barnett |
|
1056 |
|
Precarious spectatorship: Theatre and image in an age of emergencies |
Sam Haddow |
|
1057 |
|
On Aristophanes' 'Thesmaphoriazusai' |
Leo Strauss |
|
1058 |
|
The Complete Book of 1960s Broadway Musicals |
Dan Dietz |
|
1059 |
|
Playful awakening: releasing the gift of play in your life |
Dianne Gammage |
|
1060 |
|
Coriolanus [1 ed.] |
Robert Ormsby, Jim Bulman, Carol Chillington Rutter |
1 |
1061 |
|
The Complete Book of 2000s Broadway Musicals |
Dan Dietz |
|
1062 |
|
How to Act & Eat at the Same Time, the Sequel: The Do’s and Don’ts of Landing a Professional Acting Job [2 ed.] |
Tom Logan |
2 |
1063 |
|
Young Athletes, Couch Potatoes, and Helicopter Parents: The Productivity of Play |
Jessica Skolnikoff, Robert Engvall |
|
1064 |
|
Breaking It Down: Audition Techniques for Actors of the Global Majority |
Nicole Hodges Persley, Monica White Ndounou |
|
1065 |
|
Key Times for Play (Debating Play) [1 ed.] |
Julia Manning-Morton, Maggie Thorp |
1 |
1066 |
|
Teaching Drama in the Classroom: A Toolbox for Teachers |
Joanne Kilgour Dowdy, Sarah Kaplan |
|
1067 |
|
Howard Barker's art of theatre: Essays on his plays, poetry and production work |
David Rabey, Sarah Goldingay (editors) |
|
1068 |
|
Playing for time: Stories of lost children, ghosts and the endangered present in contemporary theatre |
Geraldine Cousin |
|
1069 |
|
Playing for Time: Stories of Lost Children, Ghosts and the Endangered Present in Contemporary Theatre [First Edition] |
Geraldine Cousin |
|
1070 |
|
Key concepts in Theatre Drama Education |
Shifra Schonmann |
|
1071 |
|
Playing the Other: Dramatizing Personal Narratives in Playback Theatre [1 ed.] |
Nick Rowe |
1 |
1072 |
|
In Township Tonight!: South Africa's Black City Music and Theatre, Second Edition [Second Edition] |
David B. Coplan |
|
1073 |
|
Historical Dictionary of Postmodernist Literature and Theater [2 ed.] |
Fran Mason |
2 |
1074 |
|
Unplugged Play: No Batteries. No Plugs. Pure Fun. |
Bobbi Conner |
|
1075 |
|
Unplugged Play_ Grade School_ 244 Activities and Games for Ages 6-10 |
Bobbi Conner |
|
1076 |
|
Robert Lepage's original stage productions: Making theatre global |
Karen Fricker |
|
1077 |
|
Historical Dictionary of American Theater: Modernism |
James Fisher, Felicia Hardison Londré |
|
1078 |
|
Rancière and Performance |
Nic Fryer, Colette Conroy |
|
1079 |
|
Performing care: New perspectives on socially engaged performance |
Amanda Stuart Fisher, James Thompson (editors) |
|
1080 |
|
The A to Z of Modern Japanese Literature and Theater |
Scott J. Miller |
|
1081 |
|
Autism, Play and Social Interaction [1 ed.] |
Lone Gammeltoft, Marianne Sollok Nordenhof |
1 |
1082 |
|
The Professional Actor's Handbook: From Casting Call to Curtain Call |
Julio Agustin, Kathleen Potts |
|
1083 |
|
Blood on the Stage, 480 B.C. to 1600 A.D.: Milestone Plays of Murder, Mystery, and Mayhem |
Amnon Kabatchnik |
|
1084 |
|
Acts of Supremacy: The British Empire and the Stage, 1790-1930 |
Jacqueline S. Bratton, Richard Allen Cave, Breandan Gregory, Heidi J. Holder, Michael Pickering |
|
1085 |
|
Kitty Marion: Actor and activist |
Viv Gardner, Diane Atkinson (editors) |
|
1086 |
|
Theatre and Empire: Great Britain on the London Stages Under James vi and I (Politics, Culture and Society in Early Modern Britain) [1 ed.] |
Tristan Marshall |
1 |
1087 |
|
The Politics of Jean Genet's Late Theatre : Spaces of Revolution [1 ed.] |
Carl Lavery, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels |
1 |
1088 |
|
Observing and Developing Schematic Behaviour in Young Children: A Professional's Guide for Supporting Children's Learning, Play and Development |
Tamsin Grimmer |
|
1089 |
|
The politics of Jean Genet's late theatre: Spaces of revolution |
Carl Lavery |
|
1090 |
|
Stage women, 1900–50: Female theatre workers and professional practice |
Maggie B. Gale, Kate Dorney (editors) |
|
1091 |
|
Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest Stage |
Mickey Rowe |
|
1092 |
|
Trauma-Tragedy: Symptoms of contemporary performance |
Patrick Duggan |
|
1093 |
|
100 Ways Your Child Can Learn Through Play: Fun Activities for Young Children with SEN |
Georgina Durrant |
|
1094 |
|
Performing New Lives: Prison Theatre |
Jonathan Shailor |
|
1095 |
|
Great Britons of Stage and Screen : In Conversation |
Barbara Roisman Cooper, Robert Osborne, Kevin Brownlow |
|
1096 |
|
Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World |
Bishnupriya Dutt (editor), Silvija Jestrovic (editor) |
|
1097 |
|
Performance and Spanish film |
Dean Allbritton, Alejandro Melero, Tom Whittaker (editors) |
|
1098 |
|
Music, Theater, and Cultural Transfer: Paris, 1830-1914 [1 ed.] |
Annegret Fauser, Mark Everist |
1 |
1099 |
|
South African performance and archives of memory |
Yvette Hutchison |
|
1100 |
|
The Philosophy of Theatre, Drama and Acting |
Tom Stern (editor) |
|
1101 |
|
The aesthetic exception: Essays on art, theatre, and politics |
Tony Fisher |
|
1102 |
|
At work in the early modern English theater: valuing labor |
Kendrick, Matthew |
|
1103 |
|
Foucault’s Theatres [1 ed.] |
Tony Fisher (editor), Kélina Gotman (editor) |
1 |
1104 |
|
Transnational connections in early modern theatre |
M. A. Katritzky, Pavel Drábek (editors) |
|
1105 |
|
Thomas ‘Jupiter’ Harris: Spinning dark intrigue at Covent Garden theatre, 1767–1820 |
Warren Oakley |
|
1106 |
|
Beckett's afterlives: Adaptation, remediation, appropriation |
Jonathan Bignell, Pim Verhulst, Anna McMullan (editors) |
|
1107 |
|
Star Course: Nineteenth-Century Lecture Tours and the Consolidation of Modern Celebrity [1 ed.] |
Peter Cherches (auth.) |
1 |
1108 |
|
The A to Z of African American Theater [111th ed] |
Barnett, Douglas Q.,Hill, Anthony D |
111 |
1109 |
|
The theatre under the Nazis (1933-1945). |
John London |
|
1110 |
|
Language Play [1 ed.] |
David Crystal |
1 |
1111 |
|
The Boy on the Beach: Building Community through Play |
Vivian Gussin Paley |
|
1112 |
|
History of the theatre [Pearson new international edition, tenth edition] |
Pearson Education., Brockett, Oscar Gross, Hildy, Franklin J |
|
1113 |
|
The Roman Stage: A Short History of Latin Drama in the Time of the Republic [Reprint 2013 ed.] |
W. Beare |
2013 |
1114 |
|
Opera: The Art of Dying (Convergences) [1 ed.] |
Linda Hutcheon, Michael Hutcheon |
1 |
1115 |
|
Private Theatricals: The Lives of the Victorians [Reprint 2014 ed.] |
Nina Auerbach |
2014 |
1116 |
|
The Autobiography of Joseph Jefferson [Reprint 2014 ed.] |
Alan S. Downer (editor) |
2014 |
1117 |
|
The Ethos of Noh: Actors and Their Art |
Eric C Rath |
|
1118 |
|
The Restoration Court Stage, 1660–1702: With a Particular Account of the Production of <i>Calisto</i> [Reprint 2013 ed.] |
Eleanore Boswell |
2013 |
1119 |
|
Shakespeare's Silences [Reprint 2014 ed.] |
Alwin Thaler |
2014 |
1120 |
|
Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 |
Peter Jelavich |
|
1121 |
|
Shakespeare and the Audience: A Study in the Technique of Exposition [Reprint 2014 ed.] |
Arthur Colby Sprague |
2014 |
1122 |
|
Theatre in Southeast Asia |
James R. Brandon |
|
1123 |
|
The Early Public Theatre in France [Reprint 2014 ed.] |
W. L. Wiley |
2014 |
1124 |
|
Shakespearian Players and Performances [Reprint 2014 ed.] |
Arthur Colby Sprague |
2014 |
1125 |
|
The Commonwealth and Restoration Stage [Reprint 2014 ed.] |
Leslie Hotson |
2014 |
1126 |
|
The American Playhouse in the Eighteenth Century [Reprint 2014 ed.] |
Brooks McNamara |
2014 |
1127 |
|
Shakespearean Staging, 1599-1642 [Reprint 2014 ed.] |
T. J. King |
2014 |
1128 |
|
The House of Make-Believe: Children's Play and the Developing Imagination |
Dorothy G. Singer, Jerome L. Singer |
|
1129 |
|
From to Marlowe: Growth of Structure in the Popular Drama of Tudor England [Reprint 2013 ed.] |
David M. Bevington |
2013 |
1130 |
|
Bedlam on the Jacobean Stage [Reprint 2014 ed.] |
Robert Rentoul Reed, Jr. |
2014 |
1131 |
|
The Eminent Tragedian: William Charles Macready [Reprint 2014 ed.] |
Alan S. Downer |
2014 |
1132 |
|
The Drinking Academy: A Play by Thomas Randolph [Reprint 2014 ed.] |
Thomas Randolph |
2014 |
1133 |
|
Action Is Eloquence: Shakespeare’s Language of Gesture [Reprint 2013 ed.] |
David M. Bevington |
2013 |
1134 |
|
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian [Reprint 2013 ed.] |
Shadi Bartsch |
2013 |
1135 |
|
The House of Make-Believe: Children’s Play and the Developing Imagination |
Dorothy G. Singer, Jerome L. Singer |
|
1136 |
|
The shows of London |
Richard Daniel Altick |
|
1137 |
|
Worldly Stage: Theatricality in Seventeeth-Century China |
Sophie Volpp |
|
1138 |
|
Pre-Restoration Stage Studies [Reprint 2014 ed.] |
William J. Lawrence |
2014 |
1139 |
|
No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider [1 ed.] |
Samuel Beckett, Alan Schneider, Maurice Harmon (editor) |
1 |
1140 |
|
Daughters of Eve: A Cultural History of French Theater Women from the Old Regime to the Fin de Siècle |
Lenard R. Berlanstein |
|
1141 |
|
Eugène Scribe and the French Theatre, 1815-1860 [Reprint 2013 ed.] |
Neil Cole Arvin |
2013 |
1142 |
|
Sheridan to Robertson: A Study of the Nineteenth-Century London Stage [Reprint 2014 ed.] |
Ernest Bradlee Watson |
2014 |
1143 |
|
The makings of a medieval stage : theatre and the culture of performance in thirteenth-century Arras |
Symes, Carol Lynne |
|
1144 |
|
Strange Eventful Histories: Identity, Performance, and Xu Wei's Four Cries of a Gibbon |
Shiamin Kwa |
|
1145 |
|
The Dark Voyage and the Golden Mean: A Philosophy of Comedy [Reprint 2013 ed.] |
Albert Cook |
2013 |
1146 |
|
No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider |
Samuel Beckett (editor), Alan Schneider (editor), Maurice Harmon (editor) |
|
1147 |
|
George Pierce Baker and the American Theatre [Reprint 2014 ed.] |
Wisner Payne Kinne |
2014 |
1148 |
|
Staging race: black performers in turn of the century America |
Karen Sotiropoulos |
|
1149 |
|
Demons and Dancers: Performance in Late Antiquity |
Webb, Ruth |
|
1150 |
|
Roman Theatre and Its Audience |
Richard Beacham |
|
1151 |
|
Daughters of Eve: a cultural history of French theater women from the Old Regime to the fin de siècle |
Lenard R. Berlanstein |
|
1152 |
|
Shakespeare and the Actors: The Stage Business in His Plays (1660-1905) [4th printing 1948. Reprint 2014 ed.] |
Arthur Colby Sprague |
419482014 |
1153 |
|
The Ambiguity of Play |
Brian Sutton-Smith |
|
1154 |
|
Imagination and Play in the Electronic Age |
Dorothy G. Singer, Jerome L. Singer |
|
1155 |
|
The Physical Conditions of the Elizabethan Public Playhouse [Reprint 2014 ed.] |
William J. Lawrence |
2014 |
1156 |
|
Female Spectacle: The Theatrical Roots of Modern Feminism |
Susan A. Glenn |
|
1157 |
|
Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture |
W. T. Lhamon Jr. |
|
1158 |
|
Berlin Cabaret |
Peter Jelavich |
|
1159 |
|
Kabuki: Five Classic Plays [Reprint 2013 ed.] |
James R. Brandon |
2013 |
1160 |
|
Elizabethan Drama : Dekker • Jonson Beaumont and Fletcher Webster • Massinger : With Introductions and Notes [2] |
Charles W. Eliot |
2 |
1161 |
|
The Joy of Playing, the Joy of Thinking: Conversations about Art & Performance |
Charles Rosen, Catherine Temerson |
|
1162 |
|
The Dramatic Works of Roger Boyle, Earl of Orrery: Volume 1 The Dramatic Works of Roger Boyle, Earl of Orrery, Volume I [Reprint 2013 ed.] |
|
2013 |
1163 |
|
Charles Macklin: An Actor’s Life [Reprint 2013 ed.] |
William Worthen Appleton |
2013 |
1164 |
|
Shakspere to Sheridan: A Book About the Theater of Yesterday and To-day [Reprint 2014 ed.] |
Alwin Thaler |
2014 |
1165 |
|
Theater of Augustin Daly: An Account of the Late Nineteenth Century American Stage [Reprint 2014 ed.] |
Marvin Felheim |
2014 |
1166 |
|
The Globe Playhouse: Its Design and Equipment [Reprint 2013 ed.] |
John Cranford Adams |
2013 |
1167 |
|
The Roman Theatre and Its Audience |
Richard C. Beacham |
|
1168 |
|
John Philip Kemble: The Actor in His Theatre [Reprint 2013 ed.] |
Herschel C. Baker |
2013 |
1169 |
|
Play [Unknown Binding ed.] |
Catherine Garvey |
|
1170 |
|
Baroque, Venice, Theatre, Philosophy [1 ed.] |
Will Daddario (auth.) |
1 |
1171 |
|
Interpreting The Theatrical Past: Historiography Of Performance |
Thomas Postlewait |
|
1172 |
|
The Fluency of Light : Coming of Age in a Theater of Black and White |
Aisha Sabatini Sloan, Sabatini Sloan Aisha Elizabeth, |
|
1173 |
|
The School for Scandal by Richard Sheridan |
Paul Ranger (auth.) |
|
1174 |
|
The Theatre of Joseph Conrad: Reconstructed Fictions |
Richard J. Hand (auth.) |
|
1175 |
|
Theatre and Violence |
Lucy Nevitt |
|
1176 |
|
Theatre, Facilitation, and Nation Formation in the Balkans and Middle East |
Sonja Arsham Kuftinec (auth.) |
|
1177 |
|
Biographical Theatre: Re-Presenting Real People? |
Ursula Canton |
|
1178 |
|
Interpreting the Theatrical Past: Essays in the Historiography of Performance [1 ed.] |
Thomas Postlewait, Bruce A. McConachie (editors) |
1 |
1179 |
|
Theatre, Communication, Critical Realism (What Is Theatre?) |
Tobin Nellhaus |
|
1180 |
|
The Theatre of Imagining [1st ed.] |
Ulla Kallenbach |
1 |
1181 |
|
Bertolt Brecht’s Great Plays |
Alfred D. White (auth.) |
|
1182 |
|
Staging History from the Shoah to Palestine: Three Plays and Essays on WWII and Its Aftermath |
Inez Hedges |
|
1183 |
|
Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947 [1 ed.] |
Aparna Bhargava Dharwadker |
1 |
1184 |
|
The Theatre of Death – The Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor [1 ed.] |
Mischa Twitchin (auth.) |
1 |
1185 |
|
Theatre Is More Beautiful Than War: German Stage Directing in the Late Twentieth Century [1st Edition] |
Marvin Carlson |
1 |
1186 |
|
Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera |
Julia Prest (auth.) |
|
1187 |
|
Ecodramaturgies: Theatre, Performance and Climate Change [1st ed.] |
Lisa Woynarski |
1 |
1188 |
|
Performing Identity: Actor Training, Self-Commodification and Celebrity |
Barry King |
|
1189 |
|
Representing the Past: Essays in Performance Historiography [1 ed.] |
Charlotte M. Canning, Thomas Postlewait |
1 |
1190 |
|
Metatheatrical Dramaturgies of Violence: Staging the Role of Theatre |
Emma Willis |
|
1191 |
|
Writing Dancing Together |
Valerie A. Briginshaw, Ramsay Burt |
|
1192 |
|
Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals (Bernard Shaw and His Contemporaries) |
L. W. Conolly |
|
1193 |
|
Music for the Melodramatic Theatre in Nineteenth-Century London and New York [1 ed.] |
Michael V. Pisani |
1 |
1194 |
|
Mapping Global Theatre Histories [1st ed. 2019] |
Mark Pizzato |
1 |
1195 |
|
The Plays of Max Frisch |
Michael Butler (auth.) |
|
1196 |
|
Theatre Praxis: Teaching Drama Through Practice |
Christopher McCullough (eds.) |
|
1197 |
|
Alternative Comedy Now and Then: Critical Perspectives |
Oliver Double, Sharon Lockyer |
|
1198 |
|
American drama: in dialogue, 1714-present [First published] |
Foertsch, Jacqueline |
|
1199 |
|
Applied Drama: the Gift of Theatre |
Helen Nicholson |
|
1200 |
|
Writing and Rewriting National Theatre Histories |
S.E. Wilmer |
|
1201 |
|
Theatre of the Real |
Carol Martin |
|
1202 |
|
The New Operational Culture: The Case of the Theatre Industry |
Beatriz Muñoz-Seca, Josep Riverola (auth.) |
|
1203 |
|
Considering Ethics in Dance, Theatre and Performance [1st ed.] |
Fiona Bannon |
1 |
1204 |
|
Stage Business and the Neoliberal Theatre of London (Contemporary Performance InterActions) |
Alex Ferrone |
|
1205 |
|
The Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway |
Maria Szasz |
|
1206 |
|
The Sultan Speaks: Dialogue in English Plays and Histories about the Ottoman Turks [First Edition] |
Linda McJannet |
|
1207 |
|
The Play Ethic: A Manifesto for a Different Way of Living |
Pat Kane |
|
1208 |
|
Women and Persona Performance |
Kim Barbour |
|
1209 |
|
Deep Drama: Exploring Life as Theater [1 ed.] |
Karl E. Scheibe (auth.) |
1 |
1210 |
|
Reflective Affective Dramaturgies of Participatory Theatre: Larping Audiences into Performance |
Sarah Hoover |
|
1211 |
|
The New War Plays: From Kane to Harris |
Julia Boll (auth.) |
|
1212 |
|
Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change |
Dani Snyder-Young (auth.) |
|
1213 |
|
Theatre of Production: Philosophy and Individuation between Kant and Deleuze |
Alberto Toscano |
|
1214 |
|
Absence and Memory in Colonial American Theatre: Fiorelli’s Plaster [1 ed.] |
Odai Johnson (auth.) |
1 |
1215 |
|
Avant-Garde Performance and Material Exchange: Vectors of the Radical (Performance Interventions) |
Mike Sell |
|
1216 |
|
Bernard Shaw and the Censors: Fights and Failures, Stage and Screen [1st ed.] |
Bernard F. Dukore |
1 |
1217 |
|
Avant-garde performance: live events and electronic technologies |
Günter Berghaus |
|
1218 |
|
The Object of Comedy: Philosophies and Performances [1 ed.] |
Jamila M. H. Mascat (editor), Gregor Moder (editor) |
1 |
1219 |
|
The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real |
Matthew Causey, Emma Meehan, Néill O’Dwyer (eds.) |
|
1220 |
|
Exploring Minecraft: Ethnographies of Play and Creativity (Palgrave Games in Context) |
Larissa Hjorth, Ingrid Richardson, Hugh Davies, William Balmford |
|
1221 |
|
Ways Of Seeing In The Neoliberal State: A Controversial Play And Its Contexts [1 ed.] |
Asbjørn Skarsvåg Grønstad |
1 |
1222 |
|
Women Experimenting in Theatre: Early Modern to Contemporary |
Kate Aughterson, Deborah Philips (eds.) |
|
1223 |
|
Avant-Garde Theatre Sound: Staging Sonic Modernity |
Adrian Curtin (auth.) |
|
1224 |
|
The Performing Century: Nineteenth-Century Theatre’s History |
Tracy C. Davis, Peter Holland (eds.) |
|
1225 |
|
Collaboration in Performance Practice: Premises, Workings and Failures [1 ed.] |
Noyale Colin, Stefanie Sachsenmaier (eds.) |
1 |
1226 |
|
The Colonial Public and the Parsi Stage. The Making of the Theatre of Empire (1853–1893) |
Rashna Darius Nicholson |
|
1227 |
|
Theatre Music and Sound at the RSC: Macbeth to Matilda [1st ed.] |
Millie Taylor |
1 |
1228 |
|
Restoring the Human Context to Literary and Performance Studies: Voices in Everything (Cognitive Studies in Literature and Performance) |
Howard Mancing, Jennifer Marston William |
|
1229 |
|
Theatre in the Context of the Yugoslav Wars [1st ed.] |
Jana Dolečki, Senad Halilbašić, Stefan Hulfeld |
1 |
1230 |
|
Modern Czech Theatre: Reflector and Conscience of a Nation (Studies in Theatre History and Culture) |
Jarka Burian |
|
1231 |
|
Publicity and the Early Modern Stage: People Made Public |
Allison K. Deutermann, Matthew Hunter, Musa Gurnis |
|
1232 |
|
The Performing Century: Nineteenth-Century Theatre's History (Redefining British Theatre History) [First Edition] |
Tracy C. Davis, Peter Holland |
|
1233 |
|
Madness in Contemporary British Theatre: Resistances and Representations |
Jon Venn |
|
1234 |
|
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation [1 ed.] |
Adam Alston (auth.) |
1 |
1235 |
|
The Rise of the English Actress |
Sandra Richards (auth.) |
|
1236 |
|
Theatre in Health and Care |
Emma Brodzinski |
|
1237 |
|
A Midsummer Night’s Dream: Text and Performance |
Roger Warren (auth.) |
|
1238 |
|
A Theatre Laboratory Approach to Pedagogy and Creativity: Odin Teatret and Group Learning [1 ed.] |
Tatiana Chemi (auth.) |
1 |
1239 |
|
The Performance of Pleasure in English Renaissance Drama |
Ronald Huebert |
|
1240 |
|
Collaboration in Theatre: A Practical Guide for Designers and Directors [1 ed.] |
Rob Roznowski, Kirk Domer (auth.) |
1 |
1241 |
|
Bosnian Literary Adaptations on Stage and Screen |
Sanja Garic-Komnenic |
|
1242 |
|
Theatre in Co-Communities: Articulating Power |
Shulamith Lev-Aladgem |
|
1243 |
|
Class Divisions on the Broadway Stage: The Staging and Taming of the I.W.W. |
Michael Schwartz (auth.) |
|
1244 |
|
Bram Stoker, Dracula and the Victorian Gothic Stage |
Catherine Wynne (auth.) |
|
1245 |
|
Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre |
Dorothy Chansky |
|
1246 |
|
A Directory of Shakespeare in Performance 1970-1990: Canada and USA [1st ed.] |
J. O'Connor, K. Goodland |
1 |
1247 |
|
Risky Play: An Ethical Challenge |
Øyvind Kvalnes, Ellen Beate Hansen Sandseter |
|
1248 |
|
The Palgrave Handbook of Musical Theatre Producers [1 ed.] |
Laura MacDonald, William A. Everett (eds.) |
1 |
1249 |
|
The Tempest: Text and Performance |
David L. Hirst (auth.) |
|
1250 |
|
Contemporary African Dance Theatre: Phenomenology, Whiteness, and the Gaze (New World Choreographies) |
Sabine Sörgel |
|
1251 |
|
Narratives in Black British Dance: Embodied Practices [1 ed.] |
Adesola Akinleye (eds.) |
1 |
1252 |
|
The Stage in America 1897-1900 |
Norman Hapgood |
|
1253 |
|
Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama [1 ed.] |
Catherine Rees (auth.) |
1 |
1254 |
|
Theatre History and Historiography: Ethics, Evidence and Truth [1 ed.] |
Claire Cochrane, Jo Robinson (eds.) |
1 |
1255 |
|
The Politics of Romantic Theatricality, 1787–1832: The Road to the Stage |
David Worrall (auth.) |
|
1256 |
|
Theatre for the Young |
Alan England (auth.) |
|
1257 |
|
Theatres of Dust: Climate Gothic Analysis in Contemporary Australian Drama and Performance Landscapes |
Linda Hassall |
|
1258 |
|
Athenian Tragedy in Performance: A Guide to Contemporary Studies and Historical Debates [1 ed.] |
Melinda Powers |
1 |
1259 |
|
Acoustic Interculturalism: Listening to Performance |
Marcus Cheng Chye Tan (auth.) |
|
1260 |
|
The Theatrical Event: Dynamics of Performance and Perception [1 ed.] |
Willmar Sauter |
1 |
1261 |
|
Theatre Censorship in Britain: Silencing, Censure and Suppression |
Helen Freshwater (auth.) |
|
1262 |
|
War as Performance [1st ed.] |
Lindsey Mantoan |
1 |
1263 |
|
Theatre for Peacebuilding [1st ed.] |
Nilanjana Premaratna |
1 |
1264 |
|
British Socialist and Workers Theatre: Red Stages [1st ed. 2023] |
Robert Leach |
1 |
1265 |
|
Cognition in the Globe: Attention and Memory in Shakespeare's Theatre (Cognitive Studies in Literature and Performance) |
Evelyn B. Tribble |
|
1266 |
|
Shakespeare and Community Performance (Shakespeare in Practice) |
Katherine Steele Brokaw |
|
1267 |
|
The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum |
James M Harding, Cindy Rosenthal (eds.) |
|
1268 |
|
The Rise of Performance Studies: Rethinking Richard Schechner's Broad Spectrum (Studies in International Performance) |
James Harding, Cindy Rosenthal (editors) |
|
1269 |
|
Theatre at War, 1914–18 |
L. J. Collins (auth.) |
|
1270 |
|
Theatre at War, 1914-18 |
L.J. Collins |
|
1271 |
|
Asylum and Belonging through Collective Playwriting: "How much home does a person need?" |
Helene Grøn |
|
1272 |
|
Adapting War Horse: Cognition, the Spectator, and a Sense of Play [1 ed.] |
Toby Malone, Chris Jackman (auth.) |
1 |
1273 |
|
Character: Acting and Being on the Pre-Modern Stage |
Edward Burns (auth.) |
|
1274 |
|
Constellations: A Play |
Nick Payne |
|
1275 |
|
Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in 20th-Century Germany |
Anselm Heinrich, Ann-Christine Simke |
|
1276 |
|
The Palgrave Handbook of Contemporary Irish Theatre and Performance [1st ed.] |
Eamonn Jordan, Eric Weitz |
1 |
1277 |
|
Transatlantic Stage Stars in Vaudeville and Variety: Celebrity Turns [1 ed.] |
Leigh Woods (auth.) |
1 |
1278 |
|
Sex, Class, and the Theatrical Archive: Erotic Economies (Palgrave Studies in Theatre and Performance History) |
Alan Sikes |
|
1279 |
|
Theatre Aurality [1 ed.] |
Lynne Kendrick (auth.) |
1 |
1280 |
|
Class, Culture and Tragedy in the Plays of Jez Butterworth [1 ed.] |
Sean McEvoy |
1 |
1281 |
|
W. C. Fields from Sound Film and Radio Comedy to Stardom: Becoming a Cultural Icon (Palgrave Studies in Theatre and Performance History) |
Arthur Frank Wertheim |
|
1282 |
|
Contemporary french theatre and performance |
|
|
1283 |
|
The Palgrave Handbook of Contemporary Irish Theatre and Performance |
Eamonn Jordan,Eric Weitz |
|
1284 |
|
Theatre as Voyeurism: The Pleasures of Watching |
George Rodosthenous (eds.) |
|
1285 |
|
Samuel Beckett and Disability Performance (New Interpretations of Beckett in the Twenty-First Century) |
Hannah Simpson |
|
1286 |
|
Contemporary American Theatre |
Bruce King (eds.) |
|
1287 |
|
Representing the Rural on the English Stage: Performance and Rurality in the Twenty-First Century |
Gemma Edwards |
|
1288 |
|
Theatre and War: Theatrical Responses since 1991 |
Jeanne Colleran |
|
1289 |
|
Theatre as Action: Soviet Russian Avant-Garde Aesthetics |
Lars Kleberg (auth.) |
|
1290 |
|
Contemporary Gothic Drama [1st ed.] |
Kelly Jones, Benjamin Poore, Robert Dean |
1 |
1291 |
|
Romantic Actors, Romantic Dramas: British Tragedy on the Regency Stage |
James Armstrong |
|
1292 |
|
Complicite, Theatre and Aesthetics: From Scraps of Leather [1 ed.] |
Tomasz Wiśniewski (auth.) |
1 |
1293 |
|
Thomas Hamblin and the Bowery Theatre: The New York Reign of "Blood and Thunder” Melodramas [1 ed.] |
Thomas A. Bogar (auth.) |
1 |
1294 |
|
Radical Revival as Adaptation: Theatre, Politics, Society [1 ed.] |
Jozefina Komporaly (auth.) |
1 |
1295 |
|
Women, Collective Creation, and Devised Performance: The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries [1 ed.] |
Kathryn Mederos Syssoyeva, Scott Proudfit (eds.) |
1 |
1296 |
|
The show and the gaze of theatre: a European perspective [1 ed.] |
Erika Fischer-Lichte, Jo Riley |
1 |
1297 |
|
Theatre and Residual Culture: J.M. Synge and Pre-Christian Ireland [1 ed.] |
Christopher Collins (auth.) |
1 |
1298 |
|
Victorian Pantomime: A Collection of Critical Essays |
Jim Davis |
|
1299 |
|
Rape on the Contemporary Stage [1 ed.] |
Lisa Fitzpatrick (auth.) |
1 |
1300 |
|
The Palgrave Handbook of Theatre and Race |
Tiziana Morosetti (editor), Osita Okagbue (editor) |
|
1301 |
|
Authoring Performance: The Director in Contemporary Theatre |
Avra Sidiropoulou (auth.) |
|
1302 |
|
Acting and Being: Explorations in Embodied Performance [1 ed.] |
Elizabeth Hess (auth.) |
1 |
1303 |
|
Marginal Sights: Staging the Chinese in America (Studies Theatre Hist & Culture) [1 ed.] |
James S. Moy |
1 |
1304 |
|
Acting Like a Woman in Modern Japan: Theater, Gender, and Nationalism [1 ed.] |
Ayako Kano (auth.) |
1 |
1305 |
|
Theatre and Religion on Krishna’s Stage: Performing in Vrindavan |
David V. Mason (auth.) |
|
1306 |
|
Staging Organization: Plays as critical commentaries on workplace life [1 ed.] |
Steven S. Taylor (auth.) |
1 |
1307 |
|
Shakespeare’s Global Sonnets: Translation, Appropriation, Performance |
Jane Kingsley-Smith, W. Reginald Rampone Jr. |
|
1308 |
|
Black British Women's Theatre: Intersectionality, Archives, Aesthetics [1st ed. 2020] |
Nicola Abram |
1 |
1309 |
|
A Harold Pinter Chronology |
William Baker |
|
1310 |
|
Jérôme Bel: Dance, Theatre, and the Subject [1 ed.] |
Gerald Siegmund (auth.) |
1 |
1311 |
|
Yorùbá Performance, Theatre and Politics: Staging Resistance |
Glenn Odom (auth.) |
|
1312 |
|
Textual and Theatrical Shakespeare: Questions of Evidence [1 ed.] |
Edward Pechter (editor) |
1 |
1313 |
|
Making of Theatrical Reputations: Studies from the Modern London Theatre |
Zarhy-Levo, Yael |
|
1314 |
|
Vision and Audience in Medieval Drama. |
Young, Andrea Louise |
|
1315 |
|
‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication |
Eoin Price (auth.) |
|
1316 |
|
Touring Variety in the Asia Pacific Region, 1946–1975 [1st ed.] |
Jonathan Bollen |
1 |
1317 |
|
Border-Crossing and Comedy at the Théâtre Italien, 1716–1723 |
Matthew J. McMahan |
|
1318 |
|
British and Irish Political Drama in the Twentieth Century: Implicating the Audience |
David Ian Rabey (auth.) |
|
1319 |
|
Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era |
Denise Varney, Peter Eckersall, Chris Hudson, Barbara Hatley (auth.) |
|
1320 |
|
America’s First Regional Theatre: The Cleveland Play House and Its Search for a Home |
Jeffrey Ullom (auth.) |
|
1321 |
|
Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century [1 ed.] |
Lara Stevens (auth.) |
1 |
1322 |
|
Comedy Matters: From Shakespeare to Stoppard [First Edition] |
William W. Demastes |
|
1323 |
|
Acting Presidents: 100 Years of Plays about the Presidency [1 ed.] |
Bruce E. Altschuler (auth.) |
1 |
1324 |
|
Transatlantic Broadway: The Infrastructural Politics of Global Performance |
Marlis Schweitzer (auth.) |
|
1325 |
|
Choreographic Dwellings: Practising Place |
Gretchen Schiller, Sarah Rubidge (eds.) |
|
1326 |
|
The Palgrave handbook of comtemporary Irish theatre and performance |
Jordan, Eamonn(Editor),Weitz, Eric(Editor) |
|
1327 |
|
Applied Theatre and Sexual Health Communication: Apertures of Possibility [1st ed.] |
Katharine E. Low |
1 |
1328 |
|
Theatre and Music in Manila and the Asia Pacific, 1869-1946 [1st ed.] |
meLê yamomo |
1 |
1329 |
|
Performing Autobiography: Narrating a Life as Activism |
Katrina M. Powell |
|
1330 |
|
Theatre and Islam |
Marvin Carlson |
|
1331 |
|
Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations [1 ed.] |
Bryan Reynolds (auth.) |
1 |
1332 |
|
Theatre and human rights after 1945 : things unspeakable |
Luckhurst, Mary, Morin, Emilie |
|
1333 |
|
Theatre and Ghosts: Materiality, Performance and Modernity |
Mary Luckhurst, Emilie Morin (eds.) |
|
1334 |
|
Acting Women: Images of Women in Theatre |
Lesley Ferris (auth.) |
|
1335 |
|
The Roots of Theatre: Rethinking Ritual and Other Theories of Origin |
Eli Rozik |
|
1336 |
|
Watching Shakespeare: A Playgoers’ Guide [1 ed.] |
Anthony B. Dawson (auth.) |
1 |
1337 |
|
Contemporary Irish Dramatists |
Michael Etherton (auth.) |
|
1338 |
|
Wandering Stars: Russian Emigre Theatre, 1905-1940 (Studies Theatre Hist & Culture) |
Laurence Senelick |
|
1339 |
|
Transposing Drama: Studies in Representation |
Egil Törnqvist (auth.) |
|
1340 |
|
Uncle Tom’s Cabin on the American Stage and Screen |
John W. Frick (auth.) |
|
1341 |
|
Ben Jonson's Theatrical Republics |
Julie Sanders |
|
1342 |
|
Community Theatre and AIDS (Studies in International Performance) |
Ola Johansson |
|
1343 |
|
Re-Situating Public Theatre in Contemporary France: Theatres and Their Publics |
Ifigenia Gonis |
|
1344 |
|
Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (Transnational Theatre Histories) |
Rossella Ferrari |
|
1345 |
|
British Theatre and the Great War, 1914–1919: New Perspectives |
Andrew Maunder (eds.) |
|
1346 |
|
Theatre and Event: Staging the European Century |
Adrian Kear (auth.) |
|
1347 |
|
Audience Participation in Theatre: Aesthetics of the Invitation [1 ed.] |
Gareth White (auth.) |
1 |
1348 |
|
Ben Jonson: A Literary Life [1 ed.] |
W. David Kay (auth.) |
1 |
1349 |
|
Echo and Meaning on Early Modern English Stages [1 ed.] |
Susan L. Anderson (auth.) |
1 |
1350 |
|
British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics |
Mireia Aragay, Hildegard Klein, Enric Monforte, Pilar Zozaya (eds.) |
|
1351 |
|
Children and Theatre in Victorian Britain |
Anne Varty |
|
1352 |
|
The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia (Studies Theatre Hist & Culture) [1 ed.] |
Spencer Jay Golub |
1 |
1353 |
|
Transposing Broadway: Jews, Assimilation, and the American Musical |
Stuart J. Hecht (auth.) |
|
1354 |
|
Uncle Tom’s Cabin on the American Stage and Screen [1 ed.] |
John W. Frick (auth.) |
1 |
1355 |
|
Children and Theatre in Victorian Britain: ‘All Work, No Play’ |
Anne Varty (auth.) |
|
1356 |
|
Choreographing the Global in European Cinema and Theater |
Katrin Sieg (auth.) |
|
1357 |
|
Theatre and Celebrity in Britain 1660-2000 [illustrated edition] |
Mary Luckhurst |
|
1358 |
|
Theatre and Celebrity in Britain, 1660–2000 |
Mary Luckhurst, Jane Moody (eds.) |
|
1359 |
|
Theatre from Rhodesia to Zimbabwe: Hegemony, Identity and a Contested Postcolony (Contemporary Performance InterActions) |
Samuel Ravengai (editor), Owen Seda (editor) |
|
1360 |
|
WILDE NOW: Performance, Celebrity and Intermediality in Oscar Wilde |
Pierpaolo Martino |
|
1361 |
|
Ben Jonson’s Theatrical Republics |
Julie Sanders (auth.) |
|
1362 |
|
What’s the Worst Thing You Can Do to Shakespeare? [1 ed.] |
Richard Burt, Julian Yates (auth.) |
1 |
1363 |
|
Unsettling Space: Contestations in Contemporary Australian Theatre (Studies in International Performance) |
Joanne Tompkins |
|
1364 |
|
The Reign of Anti-logos: Performance in Postmodernity |
David Hawkes |
|
1365 |
|
British Avant-Garde Theatre |
Claire Warden (auth.) |
|
1366 |
|
Theatre and Aural Attention: Stretching Ourselves |
George Home-Cook (auth.) |
|
1367 |
|
Palestinian Theatre in the West Bank: Our Human Faces |
Gabriel Varghese |
|
1368 |
|
The Applied Theatre Artist: Responsivity and Expertise in Practice [1st ed.] |
Kay Hepplewhite |
1 |
1369 |
|
Queering Polishness in Polish Theatre Since 2005: Dissenting Bodies [2024 ed.] |
Jonas Vanderschueren |
2024 |
1370 |
|
Public Theatre and the Enslaved People of Colonial Saint-Domingue |
Julia Prest |
|
1371 |
|
Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond |
Emma Cole |
|
1372 |
|
Transmissions in Dance: Contemporary Staging Practices [1 ed.] |
Lesley Main (eds.) |
1 |
1373 |
|
William Forsythe’s Postdramatic Dance Theater: Unsettling Perception (Cognitive Studies in Literature and Performance) |
Freya Vass |
|
1374 |
|
The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror [Hardcover ed.] |
Min Tian |
|
1375 |
|
Actor-Network Dramaturgies: The Argentines of Paris (Palgrave Studies in Theatre and Performance History) [1st ed. 2023] |
Stefano Boselli |
1 |
1376 |
|
Affirming the Absurd in Harold Pinter |
Jane Yeang Chui Wong (auth.) |
|
1377 |
|
The Principles of Comedy Improv: Truths, Tales, and How to Improvise |
Tom Blank |
|
1378 |
|
Alan Ayckbourn [2 ed.] |
Michael Billington (auth.) |
2 |
1379 |
|
Collective Creation in Contemporary Performance |
Kathryn Mederos Syssoyeva PhD, Scott Proudfit (eds.) |
|
1380 |
|
(Re) Constructing Maternal Performance in Twentieth-Century American Drama |
L. Bailey McDaniel (auth.) |
|
1381 |
|
The Power of Play in Higher Education: Creativity in Tertiary Learning [1st ed.] |
Alison James, Chrissi Nerantzi |
1 |
1382 |
|
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life |
Megan Lewis |
|
1383 |
|
Contemporary British Drama 1950–1976: An Annotated Critical Bibliography [1 ed.] |
E. H. Mikhail (auth.) |
1 |
1384 |
|
Onscreen Allusions to Shakespeare: International Films, Television, and Theatre (Global Shakespeares) |
Alexa Alice Joubin (editor), Victoria Bladen (editor) |
|
1385 |
|
Theaters of Error [1st ed.] |
Pascale LaFountain |
1 |
1386 |
|
Performing History: Theatrical Representations of the Past in Contemporary Theatre |
Freddie Rokem |
|
1387 |
|
Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism |
Michael Y. Bennett (auth.) |
|
1388 |
|
Contemporary British Drama, 1970–90: Essays from Modern Drama [1 ed.] |
Hersh Zeifman, Cynthia Zimmerman (eds.) |
1 |
1389 |
|
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice |
Nicola Shaughnessy (auth.) |
|
1390 |
|
Shakespeare and Sexuality in the Comedy of Morecambe & Wise (Palgrave Studies in Comedy) |
Stephen Hamrick |
|
1391 |
|
Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000 |
Patricia Sieber (auth.) |
|
1392 |
|
Performing Mountains (Performing Landscapes) |
Jonathan Pitches |
|
1393 |
|
Theater and Incarnation [1 ed.] |
Max Harris (auth.) |
1 |
1394 |
|
Body and event in Howard Barker's drama: from catastrophe to anastrophe in The castle and other plays |
Barker, Howard,Fakhrkonandeh, Alireza |
|
1395 |
|
Worlding Dance (Studies in International Performance) |
Susan Leigh Foster |
|
1396 |
|
Apes and Monkeys on the Early Modern Stage, 1603–1659 |
Teresa Grant |
|
1397 |
|
Embodying Adaptation: Character and the Body |
Christina Wilkins |
|
1398 |
|
Acting Queer: Gender Dissidence and the Subversion of Realism [1 ed.] |
Conrad Alexandrowicz |
1 |
1399 |
|
The Shakespearean Dramaturg: A Theoretical and Practical Guide [1 ed.] |
Andrew James Hartley (auth.) |
1 |
1400 |
|
Actors, Audiences, and Emotions in the Eighteenth Century: Communities of Sentiment |
Glen McGillivray |
|
1401 |
|
A Sustainable Theatre: Jasper Deeter at Hedgerow |
Barry B. Witham (auth.) |
|
1402 |
|
The Performance of Power: Theatrical Discourse and Politics [1 ed.] |
Sue-Ellen Case, Janelle G. Reinelt |
1 |
1403 |
|
Turks, Repertories, and the Early Modern English Stage [1 ed.] |
Mark Hutchings (auth.) |
1 |
1404 |
|
Violence Against Women in Early Modern Performance: Invisible Acts [1 ed.] |
Kim Solga |
1 |
1405 |
|
Hamlet after Deconstruction (Adaptation in Theatre and Performance) |
Aneta Mancewicz |
|
1406 |
|
Violence Against Women in Early Modern Performance: Invisible Acts |
Kim Solga (auth.) |
|
1407 |
|
Applied Theatre and Intercultural Dialogue: Playfully Approaching Difference |
Elliot Leffler |
|
1408 |
|
Repetition in Performance: Returns and Invisible Forces [1 ed.] |
Eirini Kartsaki (auth.) |
1 |
1409 |
|
Staging Postcommunism: Alternative Theatre in Eastern and Central Europe After 1989 |
Vessela S. Warner, Diana Manole |
|
1410 |
|
Time in Romantic Theatre |
Frederick Burwick |
|
1411 |
|
Youth and Theatre of the Oppressed [1 ed.] |
Peter Duffy, Elinor Vettraino |
1 |
1412 |
|
Stagestruck Filmmaker: D. W. Griffith and the American Theatre [1 ed.] |
David Mayer |
1 |
1413 |
|
Postwar German Theatre: An Anthology of Plays |
Michael Benedikt, George E. Wellwarth (eds.) |
|
1414 |
|
The Shakespeare Effect: A History of Twentieth-Century Performance |
Robert Shaughnessy (auth.) |
|
1415 |
|
Communities, Performance and Practice: Enacting Communities |
Kerrie Schaefer |
|
1416 |
|
Actors and the Art of Performance: Under Exposure |
Susanne Valerie |
|
1417 |
|
Beyond Shakespeare: Film Studies, Performance Studies, and Netflix [1st ed. 2023] |
Iris H. Tuan |
1 |
1418 |
|
Performance and Civic Engagement [1 ed.] |
Ananda Breed,Tim Prentki (eds.) |
1 |
1419 |
|
Youth and Theatre of the Oppressed |
Peter Duffy, Elinor Vettraino (eds.) |
|
1420 |
|
Contemporary Japanese Women’s Theatre and Visual Arts |
Nobuko Anan |
|
1421 |
|
Performance Studies and Negative Epistemology: Performance Apophatics [1 ed.] |
Claire Maria Chambers (auth.) |
1 |
1422 |
|
(Syn)aesthetics: Redefining Visceral Performance |
Josephine Machon (auth.) |
|
1423 |
|
August Wilson and Black Aesthetics [1 ed.] |
Dana A. Williams, Sandra G. Shannon (eds.) |
1 |
1424 |
|
Performing New German Realities: Turkish-German Scripts of Postmigration (Contemporary Performance InterActions) |
Lizzie Stewart |
|
1425 |
|
Performing Statelessness in Europe [1 ed.] |
S.E. Wilmer (auth.) |
1 |
1426 |
|
Writing Musical Theater [1 ed.] |
Allen Cohen, Steven L. Rosenhaus (auth.) |
1 |
1427 |
|
Contemporary British Queer Performance |
Stephen Greer (auth.) |
|
1428 |
|
Embodied Performance as Applied Research, Art and Pedagogy [1 ed.] |
Julie-Ann Scott (auth.) |
1 |
1429 |
|
Antonin Artaud : the scum of the soul |
Artaud, Antonin, Murray, Ros |
|
1430 |
|
Contemporary British Theatre [1 ed.] |
Theodore Shank (eds.) |
1 |
1431 |
|
Contemporary British Theatre: Breaking New Ground |
Vicky Angelaki |
|
1432 |
|
The Most American Thing in America: Circuit Chautauqua as Performance |
Charlotte M. Canning |
|
1433 |
|
The Regal Theater and Black Culture [First Edition] |
Clovis E. Semmes |
|
1434 |
|
Brides are Not for Burning: A Play in Two Acts |
Dina Mehta |
|
1435 |
|
Contemporary Theatre Education and Creative Learning: A Great British Journey (Palgrave Studies In Play, Performance, Learning, and Development) |
Mark Crossley |
|
1436 |
|
The Cultural Politics of One-to-One Performance: Strange Duets |
Rachel Zerihan |
|
1437 |
|
A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 [1st ed.] |
Noel John Pinnington |
1 |
1438 |
|
Applied Shakespeare: A Transformative Encounter? |
Adelle Hulsmeier |
|
1439 |
|
Engaging with Brecht: Making Theatre in the Twenty-first Century [1 ed.] |
Bill Gelber |
1 |
1440 |
|
Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics |
Nobuko Anan (auth.) |
|
1441 |
|
Kitchen Sink Realisms : Domestic Labor, Dining, and Drama in American Theatre |
Dorothy Chansky, Heather S. Nathans |
|
1442 |
|
The Image of the Puppet in Italian Theater, Literature and Film |
Federico Pacchioni |
|
1443 |
|
A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910–1927 |
David Krasner (auth.) |
|
1444 |
|
A Bernard Shaw Chronology |
A. M. Gibbs (auth.) |
|
1445 |
|
The ‘New Drama’ 1900–1914: Harley Granville Barker, John Galsworthy, St John Hankin, John Masefield |
Jan McDonald (auth.) |
|
1446 |
|
Violent Women in Contemporary Theatres: Staging Resistance [1 ed.] |
Nancy Taylor Porter (auth.) |
1 |
1447 |
|
Antony and Cleopatra: Text and Performance |
Michael Scott (auth.) |
|
1448 |
|
The Making of Theatrical Reputations: Studies from the Modern London Theatre (Studies Theatre Hist & Culture) [1 ed.] |
Yael Zarhy-Levo |
1 |
1449 |
|
Theatre-Making: Interplay Between Text and Performance in the 21st Century [2013 ed.] |
D. Radosavljevic, Duška Radosavljević |
2013 |
1450 |
|
The Theater of Electricity: Technology and Spectacle in the Late 19th Century |
Ulf Otto |
|
1451 |
|
Theatre Translation: A Practice as Research Model (Palgrave Studies in Translating and Interpreting) |
Angela Tiziana Tarantini |
|
1452 |
|
Wonderland: How Play Made the Modern World |
Steven Johnson |
|
1453 |
|
Beautiful Boys/Outlaw Bodies: Devising Kabuki Female-Likeness |
Katherine Mezur (auth.) |
|
1454 |
|
Beautiful Boys/Outlaw Bodies: Devising Kabuki Female-Likeness [illustrated edition] |
Katherine Mezur |
|
1455 |
|
Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900–1920 |
Michael Schwartz (auth.) |
|
1456 |
|
An Introduction to the Greek Theatre [1 ed.] |
Peter D. Arnott M.A., Ph.D. (auth.) |
1 |
1457 |
|
French Theatre Today: The View from New York, Paris, and Avignon [1 ed.] |
Edward Baron Turk |
1 |
1458 |
|
Bernard Shaw and Modern Advertising [1st ed.] |
Christopher Wixson |
1 |
1459 |
|
Shakespeare and Costume in Practice (Shakespeare in Practice) |
Bridget Escolme |
|
1460 |
|
War and Theatrical Innovation [1 ed.] |
Victor Emeljanow (eds.) |
1 |
1461 |
|
Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance |
Terri Bourus (auth.) |
|
1462 |
|
Thomas Hardy on Stage |
Keith Wilson |
|
1463 |
|
Against Theatre: Creative destructions on the modernist stage [1 ed.] |
Alan Ackerman, Martin Puchner (eds.) |
1 |
1464 |
|
French theatre today: the view from New York, Paris, and Avignon |
Turk, Edward Baron |
|
1465 |
|
Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present [1st ed. 2020] |
Wei Feng |
1 |
1466 |
|
Tragedy and Philosophy |
N. Georgopoulos (eds.) |
|
1467 |
|
Bernard Shaw and the Comic Sublime [1 ed.] |
David J. Gordon (auth.) |
1 |
1468 |
|
British and American Musical Theatre Exchanges in the West End (1924-1970): The “Americanization” of Drury Lane (Palgrave Studies in British Musical Theatre) [1st ed. 2024] |
Arianne Johnson Quinn |
1 |
1469 |
|
Theatricality and Performativity [1st ed.] |
Teemu Paavolainen |
1 |
1470 |
|
Africa on the Contemporary London Stage [1st ed.] |
Tiziana Morosetti |
1 |
1471 |
|
Blake’s Drama: Theatre, Performance and Identity in the Illuminated Books |
Diane Piccitto (auth.) |
|
1472 |
|
Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World [1 ed.] |
Alice O'Grady (eds.) |
1 |
1473 |
|
The Spaces of Irish Drama: Stage and Place in Contemporary Plays [1 ed.] |
Helen Heusner Heusner Lojek |
1 |
1474 |
|
Theatrical Improvisation: Short Form, Long Form, and Sketch-Based Improv |
Jeanne Leep (auth.) |
|
1475 |
|
Transformations in Modern European Drama |
Ian Donaldson (eds.) |
|
1476 |
|
The Politics of Theatre and Drama |
Graham Holderness (eds.) |
|
1477 |
|
The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 |
Sarah Burdett |
|
1478 |
|
Staging the Personal : A Guide to Safe and Ethical Practice [1st ed.] |
Clark Baim |
1 |
1479 |
|
Actors and the Art of Performance: Under Exposure [1 ed.] |
Susanne Valerie (auth.) |
1 |
1480 |
|
Theatre’s Heterotopias: Performance and the Cultural Politics of Space |
Joanne Tompkins (auth.) |
|
1481 |
|
Visuality in the Theatre: The Locus of Looking |
Maaike Bleeker (auth.) |
|
1482 |
|
Theatrical Improvisation, Consciousness, and Cognition |
Clayton D. Drinko Ph.D. (auth.) |
|
1483 |
|
American Alternative Theatre |
Theodore Shank (auth.) |
|
1484 |
|
Translated and Visiting Russian Theatre in Britain, 1945–2015: A "Russia of the Theatrical Mind"? |
Cynthia Marsh |
|
1485 |
|
Performance and Posthumanism: Staging Prototypes of Composite Bodies [1 ed.] |
Christel Stalpaert (editor), Kristof van Baarle (editor), Laura Karreman (editor) |
1 |
1486 |
|
Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 |
Barry Houlihan |
|
1487 |
|
Feminist and queer performance : critical strategies |
Sue-Ellen Case |
|
1488 |
|
Travelling players in Shakespeare's England |
Siobhan Keenan |
|
1489 |
|
Travelling Players in Shakespeare’s England |
Siobhan Keenan (auth.) |
|
1490 |
|
Shakespeare's Original Stage Conditions and their Afterlives across the Globe: From the Wooden O to the Yards of Seoul |
Yu Jin Ko |
|
1491 |
|
Adorno and Performance |
Will Daddario (ed.), KarolineGritzner (ed.) |
|
1492 |
|
Adorno and Modern Theatre |
Gritzner, Karoline |
|
1493 |
|
Theatres of Immanence: Deleuze and the Ethics of Performance |
Laura Cull (auth.) |
|
1494 |
|
Maternal Performance: Feminist Relations (Contemporary Performance InterActions) |
Lena Šimić, Emily Underwood-Lee |
|
1495 |
|
Twentieth-Century English History Plays: From Shaw to Bond |
Niloufer Harben (auth.) |
|
1496 |
|
Beckett and Authority: The Uses of Cliché |
Elizabeth Barry (auth.) |
|
1497 |
|
Women in Irish Drama: A Century of Authorship and Representation [1 ed.] |
Melissa Sihra (eds.) |
1 |
1498 |
|
Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865 |
Karl M. Kippola (auth.) |
|
1499 |
|
A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance |
Elaine Aston, Geraldine Harris (auth.) |
|
1500 |
|
Theatre/Performance Historiography: Time, Space, Matter |
Rosemarie K. Bank, Michal Kobialka (eds.) |
|
1501 |
|
Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold |
Teemu Paavolainen (auth.) |
|
1502 |
|
Women’s Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries |
Leslie Atkins Durham (auth.) |
|
1503 |
|
Theatre-Making: Interplay Between Text and Performance in the 21st Century [1 ed.] |
Duška Radosavljević (auth.) |
1 |
1504 |
|
Live Literature: The Experience and Cultural Value of Literary Performance Events from Salons to Festivals (Palgrave Studies in Literary Anthropology) |
Ellen Wiles |
|
1505 |
|
Performing Citizenship: Bodies, Agencies, Limitations (Performance Philosophy) |
Paula Hildebrandt (editor), Kerstin Evert (editor), Sibylle Peters (editor), Mirjam Schaub (editor), Kathrin Wildner (editor), Gesa Ziemer (editor) |
|
1506 |
|
The Challenge of World Theatre History [1st ed.] |
Steve Tillis |
1 |
1507 |
|
After In-Yer-Face Theatre: Remnants of a Theatrical Revolution [1st ed. 2020] |
William C. Boles (editor) |
1 |
1508 |
|
Cultural Memory and Popular Dance: Dancing to Remember, Dancing to Forget (Palgrave Macmillan Memory Studies) |
Clare Parfitt (editor) |
|
1509 |
|
Shakespeare and Digital Performance in Practice (Shakespeare in Practice) |
Erin Sullivan |
|
1510 |
|
Understanding Blackness through Performance: Contemporary Arts and the Representation of Identity |
Anne Crémieux, Xavier Lemoine, Jean-Paul Rocchi (eds.) |
|
1511 |
|
Theatre, Youth, and Culture: A Critical and Historical Exploration |
Manon van de Water (auth.) |
|
1512 |
|
The Theatrical Spectaculum: An Anthropological Theory |
Tova Gamliel |
|
1513 |
|
Anthropology, Theatre, and Development: The Transformative Potential of Performance |
Alex Flynn, Jonas Tinius (eds.) |
|
1514 |
|
Aspects of Puppet Theatre |
Henryk Jurkowski |
|
1515 |
|
Popular Theatre and Political Utopia in France, 1870—1940: Active Citizens [1 ed.] |
Jessica Wardhaugh (auth.) |
1 |
1516 |
|
THEATRE, SOCIAL MEDIA, AND MEANING MAKING |
HADLEY, BREE |
|
1517 |
|
A History of East African Theatre, Volume 2: Central East Africa [1 ed.] |
Jane Plastow |
1 |
1518 |
|
Theatre, Performance, and Memory Politics in Argentina |
Brenda Werth |
|
1519 |
|
Theatre, Politics, and Markets in Fin-de-Siècle Paris: Staging Modernity [1 ed.] |
Sally Debra Charnow (auth.) |
1 |
1520 |
|
Christina Reid's Theatre of Memory and Identity: Within and Beyond the Troubles [1st ed.] |
Rachel Tracie |
1 |
1521 |
|
Performance in the Field: Interdisciplinary Practice-as-Research |
David Overend |
|
1522 |
|
Analysing Gender in Performance |
J. Paul Halferty, Cathy Leeney |
|
1523 |
|
Queering Polishness in Polish Theatre Since 2005: Dissenting Bodies |
Jonas Vanderschueren |
|
1524 |
|
The Theatres of Morocco, Algeria and Tunisia: Performance Traditions of the Maghreb |
Khalid Amine, Marvin Carlson (auth.) |
|
1525 |
|
Rehearsal Practices of Indigenous Women Theatre Makers: Australia, Aotearoa, and Turtle Island |
Liza-Mare Syron |
|
1526 |
|
The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present |
Edmund B. Lingan (auth.) |
|
1527 |
|
Theatre, Performance and Change [1 ed.] |
Stephani Etheridge Woodson, Tamara Underiner (eds.) |
1 |
1528 |
|
Creative Selves / Creative Cultures: Critical Autoethnography, Performance, and Pedagogy [1 ed.] |
Stacy Holman Jones,Marc Pruyn (eds.) |
1 |
1529 |
|
Theatre, Performance, and Memory Politics in Argentina [1 ed.] |
Brenda Werth (auth.) |
1 |
1530 |
|
American Puppet Modernism: Essays on the Material World in Performance [1 ed.] |
John Bell (auth.) |
1 |
1531 |
|
Artistic Research in Performance through Collaboration [1st ed.] |
Martin Blain, Helen Julia Minors |
1 |
1532 |
|
The Theatre of the Mind: A Study of Unacted Drama in Nineteenth-Century England [1 ed.] |
Shou-ren Wang (auth.) |
1 |
1533 |
|
Artistic Literacy: Theatre Studies and a Contemporary Liberal Education |
Nancy Kindelan (auth.) |
|
1534 |
|
Play Across Childhood: International Perspectives on Diverse Contexts of Play |
Pete King (editor), Shelly Newstead (editor) |
|
1535 |
|
Thomas Hamblin and the Bowery Theatre: the New York reign of ''blood and thunder'' melodramas |
Alexia Purdy |
|
1536 |
|
The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio: From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory [1 ed.] |
Dorota Semenowicz (auth.) |
1 |
1537 |
|
Theatre, Intimacy & Engagement: The Last Human Venue (Studies in International Performance) [First Edition] |
Alan Read |
|
1538 |
|
Theatre Across Oceans: Mediators of Transatlantic Exchange, 1890–1925 (Transnational Theatre Histories) |
Nic Leonhardt |
|
1539 |
|
Theatre, Globalization and the Cold War [1 ed.] |
Christopher B. Balme, Berenika Szymanski-Düll (eds.) |
1 |
1540 |
|
Multilingual Dramaturgies: Towards New European Theatre |
Kasia Lech |
|
1541 |
|
Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico |
May Summer Farnsworth |
|
1542 |
|
'Othello'' and Interpretive Traditions (Studies Theatre Hist & Culture) [1 ed.] |
Edward Pechter |
1 |
1543 |
|
Costume: Fanciful, Historical, and Theatrical |
Mrs. Aria (Eliza Davis) |
|
1544 |
|
Theatre, Facilitation, and Nation Formation in the Balkans and Middle East (Studies in International Performance) |
Sonja Kuftinec |
|
1545 |
|
The Theatre of Naomi Wallace: Embodied Dialogues |
Scott T. Cummings, Erica Stevens Abbitt (eds.) |
|
1546 |
|
The Necessity of Theater: The Art of Watching and Being Watched |
Paul Woodruff |
|
1547 |
|
Style for Actors: A Handbook for Moving Beyond Realism [3 ed.] |
Robert Barton |
3 |
1548 |
|
Gays on Broadway |
Ethan Mordden |
|
1549 |
|
Paracomedy: Appropriations of Comedy in Greek Tragedy |
Craig Jendza |
|
1550 |
|
We'll Have Manhattan (Broadway Legacies) |
Dominic Symonds |
|
1551 |
|
The Shuberts and their Passing Shows : the untold tale of Ziegfeld’s rivals |
Westover, Jonas |
|
1552 |
|
Tell it to the World: The Broadway Musical Abroad |
David Savran |
|
1553 |
|
Tragedy on the Comic Stage |
Matthew C. Farmer |
|
1554 |
|
Choreographies of the Living: Bioaesthetics in Literature, Art, and Performance |
Carrie Rohman |
|
1555 |
|
The Nervous Stage: Nineteenth-century Neuroscience and the Birth of Modern Theatre |
Matthew Wilson Smith |
|
1556 |
|
Spectacular men : race, gender, and nation on the early American stage [1 ed.] |
Chinn, Sarah E |
1 |
1557 |
|
The Oxford Handbook of Politics and Performance [1 ed.] |
Shirin M. Rai (editor), Milija Gluhovic (editor), Silvija Jestrovic (editor), Michael Saward (editor) |
1 |
1558 |
|
The Oxford Handbook of Shakespeare and Dance |
Lynsey McCulloch, Brandon Shaw |
|
1559 |
|
Sweet Mystery: The Musical Works of Rida Johnson Young |
Ellen M. Peck |
|
1560 |
|
Histories of the Musical: An Oxford Handbook of the American Musical |
Raymond Knapp, Mitchell Morris, Stacy Wolf |
|
1561 |
|
Histories of the Musical: An Oxford Handbook of the American Musical, Volume 1 (Oxford Handbooks) [1 ed.] |
Raymond Knapp (editor), Mitchell Morris (editor), Stacy Wolf (editor) |
1 |
1562 |
|
A Wonderful Guy: Conversations with the Great Men of Musical Theater |
Eddie Shapiro |
|
1563 |
|
Great Shakespeare actors Burbage to Branagh |
Wells, Stanley |
|
1564 |
|
Shakespeare Cut: Rethinking Cutwork in an Age of Distraction |
Bruce R Smith |
|
1565 |
|
The Greek Theatre and Festivals: Documentary Studies (Oxford Studies in Ancient Documents) |
Peter Wilson |
|
1566 |
|
Rehearsal from Shakespeare to Sheridan |
Tiffany Stern |
|
1567 |
|
Acts of desire: women and sex on stage 1800-1930 [1 ed.] |
Sos Eltis |
1 |
1568 |
|
Theatre: A Very Short Introduction |
Carlson, Marvin A |
|
1569 |
|
Modern Drama: A Very Short Introduction |
Shepherd-Barr, Kirsten E |
|
1570 |
|
Early Modern Theatricality [1 ed.] |
Henry S. Turner |
1 |
1571 |
|
The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE [1 ed.] |
Alexa Piqueux |
1 |
1572 |
|
Anthropocene Theater and the Shakespearean Stage |
William H. Steffen, |
|
1573 |
|
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe |
Julie Stone Peters |
|
1574 |
|
Folklore, Cultural Performances, and Popular Entertainments: A Communications-centered Handbook [1 ed.] |
Richard Bauman |
1 |
1575 |
|
Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing (Race and American Culture) [1 ed.] |
Mae G. Henderson |
1 |
1576 |
|
African American Performance and Theater History: A Critical Reader [1 ed.] |
Harry J. Elam (editor), David Krasner (editor) |
1 |
1577 |
|
Lady in the Dark: Biography of a Musical |
bruce d. mcclung |
|
1578 |
|
Beckett at 100: Revolving It All |
Ben-Zvi, Linda,Moorjani, Angela B |
|
1579 |
|
American Theatre: A Chronicle of Comedy and Drama, 1969-2000 |
Thomas S. Hischak |
|
1580 |
|
Broadway Yearbook, 1999-2000: A Relevant and Irreverent Record (Broadway Yearbook) |
Steven Suskin |
|
1581 |
|
Making music modern: New York in the 1920s |
Carol J. Oja |
|
1582 |
|
Broadway Babies: The People Who Made the American Musical |
Ethan Mordden |
|
1583 |
|
Changed for Good: A Feminist History of the Broadway Musical [1 ed.] |
Stacy Wolf |
1 |
1584 |
|
To Broadway, To Life!: The Musical Theater of Bock and Harnick [1 ed.] |
Philip Lambert |
1 |
1585 |
|
Passing Strange: Shakespeare, Race, and Contemporary America [Illustrated] |
Ayanna Thompson |
|
1586 |
|
Poetics, Plays, and Performances: The Politics of Modern Indian Theatre |
Vasudha Dalmia |
|
1587 |
|
Theatres of India : A Concise Companion |
Ananda Lal |
|
1588 |
|
Singing Utopia: Voice in Musical Theatre |
Ben Macpherson |
|
1589 |
|
Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments |
Paula Richman (editor), Rustom Bharucha (editor) |
|
1590 |
|
Music in Profile: Twelve Performance Studies |
John Rink |
|
1591 |
|
Macbeth before Shakespeare |
Benjamin Hudson |
|
1592 |
|
Here's to the Ladies: Conversations with More of the Great Women of Musical Theater |
Eddie Shapiro |
|
1593 |
|
Theater and Human Flourishing |
Harvey Young |
|
1594 |
|
Sondheim in Our Time and His |
W. Anthony Sheppard (editor) |
|
1595 |
|
Facial Choreographies: Performing the Face in Popular Dance |
Sherril Dodds |
|
1596 |
|
Theater and Human Flourishing (The Humanities and Human Flourishing) |
Harvey Young (editor) |
|
1597 |
|
African-American performance and theater history : a critical reader |
Harry Justin Elam, David Krasner |
|
1598 |
|
Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph |
Gordon Kipling |
|
1599 |
|
Restoration Theatre and Crisis |
Susan J. Owen |
|
1600 |
|
Artaud and the Gnostic Drama |
Jane Goodall |
|
1601 |
|
Comic business : theatricality, dramatic technique, and performance contexts of Aristophanic comedy [Repr. von 2006 ed.] |
Revermann, Martin |
2006 |
1602 |
|
On Flinching: Theatricality and Scientific Looking from Darwin to Shell-Shock [1 ed.] |
Tiffany Watt-Smith |
1 |
1603 |
|
Great Shakespeare Actors: Burbage to Branagh [1 ed.] |
Stanley Wells |
1 |
1604 |
|
Shakespeare and East Asia |
Alexa Alice Joubin |
|
1605 |
|
Roman Historical Drama: The Octavia In Antiquity and Beyond [1 ed.] |
Patrick Kragelund |
1 |
1606 |
|
Stage of Emergency: Theater and Public Performance under the Greek Military Dictatorship of 1967-1974 (Classical Presences) [Illustrated] |
Gonda Van Steen |
|
1607 |
|
Stage of emergency : theater and public performance under the Greek military dictatorship of 1967 - 1974 [1. ed] |
Van Steen, Gonda Aline Hector |
1 |
1608 |
|
The Senecan Aesthetic: A Performance History (Classical Presences) [Illustrated] |
Helen Slaney |
|
1609 |
|
Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition [Hardcover ed.] |
Nurit Yaari |
|
1610 |
|
Diversifying Greek Tragedy on the Contemporary US Stage (Classical Presences) [Illustrated] |
Melinda Powers |
|
1611 |
|
Epic Performances from the Middle Ages Into the Twenty-First Century [Hardcover ed.] |
Fiona Macintosh, Justine McConnell, Stephen Harrison, Claire Kenward |
|
1612 |
|
Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry: Between Page and Stage [online ed.] |
Leo Shtutin |
|
1613 |
|
Performing Epic or Telling Tales |
Fiona Macintosh, Justine McConnell |
|
1614 |
|
Women and Irony in Molière's Comedies of Marriage |
Prof John D. Lyons |
|
1615 |
|
How Plays Work: Reading and Performance |
Martin Meisel |
|
1616 |
|
New Directions in Ancient Pantomime |
Edith Hall, Rosie Wyles |
|
1617 |
|
Gender and the City in Euripides' Political Plays [First Edition] |
Daniel Mendelsohn |
|
1618 |
|
Agamemnon in performance 458 BC to AD 2004 |
Fiona Macintosh, Pantelis Michelakis, Edith Hall, Oliver Taplin |
|
1619 |
|
Unworking choreography : the notion of the work in dance |
Pakes, Anna, Pouillaude, Frédéric |
|
1620 |
|
The English Renaissance Stage Geometry, Poetics, and the Practical Spatial Arts 1580-1630 |
Henry S. Turner |
|
1621 |
|
The Oxford Handbook of Dance and Reenactment |
Mark Franko |
|
1622 |
|
The Oxford Handbook of Dance and Reenactment [1 ed.] |
Mark Franko (editor) |
1 |
1623 |
|
Ritual Textuality: Pattern and Motion in Performance (Oxford Ritual Studies) |
Matt Tomlinson |
|
1624 |
|
When Broadway went to Hollywood |
Ethan Mordden |
|
1625 |
|
Four Major Plays: Doll's House; Ghosts; Hedda Gabler; and The Master Builder [1 ed.] |
Henrik Ibsen, Jens Arup |
1 |
1626 |
|
On Sondheim: An Opinionated Guide [Illustrated] |
Ethan Mordden |
|
1627 |
|
The Trojan Women and Other Plays [Reissue ed.] |
Euripides, James Morwood, Edith Hall |
|
1628 |
|
Ancient Drama in Music for the Modern Stage [1 ed.] |
Peter Brown, Suzana Ograjensek |
1 |
1629 |
|
Antigone on the Contemporary World Stage [Hardcover ed.] |
Erin B. Mee, Helene P. Foley |
|
1630 |
|
Theatre of the Condemned: Classical Tragedy on Greek Prison Islands |
Gonda Van Steen |
|
1631 |
|
Courtroom to Revolutionary Stage: Performance and Ideology in Weimar Political Trials |
Henning Grunwald |
|
1632 |
|
Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece [1 ed.] |
Barbara Kowalzig |
1 |
1633 |
|
Blake’s ’Jerusalem’ as Visionary Theatre: Entering the Divine Body |
Suzanne M. Sklar |
|
1634 |
|
Tragedy's endurance : performances of Greek tragedies and cultural identity in Germany since 1800 [First Edition] |
Fischer-Lichte, Erika |
|
1635 |
|
The Oxford Handbook of Greek Drama in the Americas |
Kathryn Bosher, Fiona Macintosh, Justine McConnell, Patrice D. Rankine |
|
1636 |
|
Theatre: A Very Short Introduction [New Upd ed.] |
Marvin Carlson |
|
1637 |
|
The New Music Theater: Seeing the Voice, Hearing the Body [1 ed.] |
Eric Salzman, Thomas Desi |
1 |
1638 |
|
The Oxford Handbook of American Drama [1 ed.] |
Jeffrey H. Richards, Heather S. Nathans |
1 |
1639 |
|
Pioneer Performances: Staging the Frontier [1 ed.] |
Matthew Rebhorn |
1 |
1640 |
|
Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century [1 ed.] |
Mary Simonson |
1 |
1641 |
|
The Oxford companion to American theatre [3rd ed] |
Bordman, Gerald Martin, Hischak, Thomas S |
3 |
1642 |
|
Satyric Play: The Evolution of Greek Comedy and Satyr Drama [1 ed.] |
Carl Shaw |
1 |
1643 |
|
Poetics of Dance: Body, Image, and Space in the Historical Avant-Gardes [1 ed.] |
Gabriele Brandstetter |
1 |
1644 |
|
Dancing the Self: Personhood and Performance in the Pandav Lila of Garhwal |
William S. Sax |
|
1645 |
|
The Oxford Companion to American Theatre, Third Edition [3 ed.] |
Gerald Bordman, Thomas S. Hischak |
3 |
1646 |
|
Acting for singers : creating believable singing characters |
David Ostwald |
|
1647 |
|
Children at Play: Clinical and Developmental Approaches to Meaning and Representation |
Arietta Slade, Dennie Palmer Wolf |
|
1648 |
|
Theatric Revolution: Drama, Censorship, and Romantic Period Subcultures 1773-1832 |
David Worrall |
|
1649 |
|
Close listening : poetry and the performed word [1 ed.] |
Bernstein, Charles |
1 |
1650 |
|
Peter Brook: Oxford to Orghast |
R. Helfer, G. Loney |
|
1651 |
|
Karbala, a Historical Play (Translator, Nishat Zaidi x) [1 ed.] |
Premchand |
1 |
1652 |
|
The Theatre of Dionysus in Athens |
A. W. Pickard-Cambridge |
|
1653 |
|
The Figaro Trilogy: The Barber of Seville, The Marriage of Figaro, The Guilty Mother |
Pierre-Augustin Beaumarchais |
|
1654 |
|
Kinjeketile |
Ebrahim N. Hussein |
|
1655 |
|
Greek Tragedy [5] |
T.B.L. Webster |
5 |
1656 |
|
A Couple of Soles: A Comic Play from Seventeenth-Century China |
Li Yu |
|
1657 |
|
A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge |
|
|
1658 |
|
A Stage Play |
William Schenck Gilbert, William Archer |
|
1659 |
|
A Theory of the Theater |
Francisque Sarcey, Brander Matthews |
|
1660 |
|
Adapting King Lear for the Stage |
Lynne Bradley |
|
1661 |
|
Applied Theatre: Aesthetics |
Gareth White |
|
1662 |
|
Art and the Actor |
Constant Coquelin, Henry James, Abby Langdon Alger |
|
1663 |
|
Ballad Opera |
Edmond Mcadoo Gagey |
|
1664 |
|
Beckett and Musicality [New edition] |
Bailes, Sara Jane, Beckett, Samuel, Till, Nicholas |
|
1665 |
|
Catalogue of Nineteenth Century French Theatrical Parodies: A Compilation of the Parodies Between 1789 and 1914 of Which any Record Was Found |
Seymour Travers |
|
1666 |
|
Character Costume Figure Drawing Step-by-Step Drawing Methods for Theatre Costume Designers |
Tan Huaixiang |
|
1667 |
|
Chikamatsu: Five Late Plays |
C. Andrew Gerstle |
|
1668 |
|
Children’s Games in the New Media Age: Childlore, Media and the Playground |
Chris Richards , Andrew Burn |
|
1669 |
|
Cities of the Dead: Circum-Atlantic Performance |
Joseph Roach |
|
1670 |
|
Costuming the Shakespearean Stage:Visual Codes of Representation in Early Modern Theatre and Culture |
Robert I. Lublin |
|
1671 |
|
Coughing and Clapping: Investigating Audience Experience |
Karen Burland, Stephanie Pitts |
|
1672 |
|
Death in the Theatre |
Chris Wood |
|
1673 |
|
Dario Fo: Revolutionary Theatre [First Edition] |
Tom Behan |
|
1674 |
|
Designing for Play [2 ed.] |
Barbara E. Hendricks |
2 |
1675 |
|
Disguise Plots in Elizabethan Drama: A Study in Stage Tradition |
Victor Oscar Freeburg |
|
1676 |
|
Embodied Performance: Warriors, Dancers, and the Origins of Noh Theater |
Janet Goff |
|
1677 |
|
Ethnomethodology at Play [1st ed.] |
Peter Tolmie (Ed.), Mark Rouncefield (Ed.) |
1 |
1678 |
|
Ethnotheatre: Research from Page to Stage (Qualitative Inquiry & Social Justice) |
Johnny Saldana |
|
1679 |
|
Fletcher, Beaumont & Company: Entertainers to the Jacobean Gentry |
Lawrence B. Wallis |
|
1680 |
|
Found Life: Poems, Stories, Comics, a Play, and an Interview |
Linor Goralik (editor), Ainsley Morse (editor), Maria Vassileva (editor), Maya Vinokour (editor) |
|
1681 |
|
From Silver Screen to Spanish Stage |
Stuart Green |
|
1682 |
|
Gilbert and Sullivan: Gender, Genre, Parody |
Carolyn Williams |
|
1683 |
|
Government Regulation of the Elizabethan Drama |
Virginia Crocheron Gildersleeve |
|
1684 |
|
Growing Through Play Experiences of Teddy and Bud |
Ruth E. Hartley |
|
1685 |
|
Heroines in French Drama of the Romantic Period 1829–1848 |
Grace Pauline Ihrig |
|
1686 |
|
Interdisciplinary Arts: Integrating Dance, Theatre, and Visual Arts |
Suzanne Ostersmith, Kathleen Jeffs |
|
1687 |
|
Is There Life Outside the Box?: An Actor Despairs |
Andrew Merriman, Peter Davison |
|
1688 |
|
Letters of an Old Playgoer |
Matthew Arnold, Brander Matthews |
|
1689 |
|
Louis Jouvet. Man of the Theatre |
Bettina Liebowitz Knapp, Michael Redgrave |
|
1690 |
|
Ludics in Surrealist Theatre and Beyond [New edition] |
Rapti, Vassiliki, Breton, André |
|
1691 |
|
Making theatre: from text to performance |
Peter Mudford |
|
1692 |
|
Martyrs and Players in Early Modern England: Tragedy, Religion and Violence on Stage |
David K. Anderson |
|
1693 |
|
Mask and Sword: Two Plays for the Contemporary Japanese Theater by Yamazaki Masakazu |
J. Thomas Rimer |
|
1694 |
|
Meaning in the Midst of Performance (Routledge Advances in Theatre & Performance Studies) [1 ed.] |
Gareth White |
1 |
1695 |
|
Meaning in the Midst of Performance: Contradictions of Participation (Routledge Advances in Theatre & Performance Studies) [1 ed.] |
Gareth White |
1 |
1696 |
|
Musicality in Theatre: Music As Model, Method and Metaphor in Theatre-Making [New edition] |
Roesner, David |
|
1697 |
|
Negro Playwrights in the American Theatre </Titlu><Titlu>1925–1959 |
Doris E. Abramson |
|
1698 |
|
New York’s Yiddish Theater: From the Bowery to Broadway |
Edna Nahshon (editor) |
|
1699 |
|
New York{u2019}s Yiddish Theater: From the Bowery to Broadway |
Nahshon, Edna,York, Museum of the City of New |
|
1700 |
|
New Play Experiences for Children: Planned Play Groups, Miniature Life Toys, and Puppets |
Ruth E. Hartley, Lawrence K. Frank, Robert M. Goldenson |
|
1701 |
|
On the Stage |
Frances Anne Kemble, George Arliss |
|
1702 |
|
Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour [New edition] |
Amanda Adams |
|
1703 |
|
Performance and Popular Music: History, Place And Time (Ashgate Popular and Folk Music Series) |
Ian Inglis |
|
1704 |
|
Performing Salome, Revealing Stories |
Clair Rowden (Editor) |
|
1705 |
|
Performing Indigeneity: Spectacles of Culture and Identity in Coloniality (Decolonial Studies, Postcolonial Horizons) |
Morgan Ndlovu |
|
1706 |
|
Performing the Socialist State: Modern Chinese Theater and Film Culture |
Xiaomei Chen |
|
1707 |
|
Play Hide-And-Seek! |
Peter Finn |
|
1708 |
|
Playwright, Space and Place in Early Modern Performance: Shakespeare and Company |
Tim Fitzpatrick |
|
1709 |
|
Playwriting for Elizabethans: 1600–1605 |
Mary Crapo Hyde |
|
1710 |
|
Postopera: Reinventing the Voice-Body |
Jelena Novak |
|
1711 |
|
Revivals and Importations of French Comedies in England 1749-1800 |
Willard Austin Kinne |
|
1712 |
|
Revolution in American Drama |
Edmond M. Gagey |
|
1713 |
|
Sarah Siddons: The First Celebrity Actress |
Jo Willett |
|
1714 |
|
Sarah Bernhardt (Women in the Arts Series)серия :Women in the Arts |
Elizabeth Silverthorne |
|
1715 |
|
Scenes from the revolution. Making political theatre 1968-2018 |
Cowan, Billy,Wiltshire, Kim |
|
1716 |
|
Sensory Experience and the Metropolis on the Jacobean Stage 1603–1625 |
Hristomir A. Stanev |
|
1717 |
|
Shakespeare’S Audience |
Alfred Harbage |
|
1718 |
|
Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance |
Donna A. Buchanan |
|
1719 |
|
Sound Design for the Stage |
Gareth Fry |
|
1720 |
|
Staged: Show Trials, Political Theater, and the Aesthetics of Judgment |
Minou Arjomand |
|
1721 |
|
Staging Personhood: Costuming in Early Qing Drama |
Guojun Wang |
|
1722 |
|
Staging Shakespeare's Violence: My Cue to Fight: Domestic Fury |
Seth Duerr, Jared Kirby |
|
1723 |
|
Staging the Superstitions of Early Modern Europe [1 ed.] |
Andrew D. McCarthy (editor), Verena Theile (editor) |
1 |
1724 |
|
The Art of Acting |
Constant Coquelin, Henry Irving, Dion Boucicault |
|
1725 |
|
The Autobiography of a Play |
Bronson Howard, Augustus Thomas |
|
1726 |
|
The Commedia Dell’Arte: A Study in Italian Popular Comedy |
Winifred Smith |
|
1727 |
|
The Continuum Companion to Twentieth Century Theatre |
Colin Chambers |
|
1728 |
|
The Cultural Uses of the Caesars on the English Renaissance Stage |
Lisa Hopkins |
|
1729 |
|
The Fragrant Companions: A Play About Love Between Women |
Li Yu, Stephen Roddy, Ying Wang |
|
1730 |
|
The Habima–Israel’S National Theater 1917–1977. a Study of Cultural Nationalism |
Emanuel Levy |
|
1731 |
|
The Horror Plays of the English Restoration [New edition] |
Anne Hermanson |
|
1732 |
|
The Incident at Antioch / L’Incident d’Antioche: A Tragedy in Three Acts / Tragédie en trois actes [Paperback ed.] |
Alain Badiou, Susan Spitzer, Kenneth Reinhard |
|
1733 |
|
The Incident at Antioch / L’Incident d’Antioche: A Tragedy in Three Acts / Tragédie en trois actes |
Alain Badiou, Kenneth Reinhard, Susan Spitzer |
|
1734 |
|
The incident at Antioch: a tragedy in three acts = L'incident d'antioche: trag edie en trois actes [1st worldwide ed] |
Badiou, Alain,Spitzer, Susan |
1 |
1735 |
|
The Interchange of Plays Between London and New York, 1910–1939: A Study in Relative Audience Response |
Alice Katharine Boyd |
|
1736 |
|
The Law of the Drama |
Ferdinand Brunetière, Henry Arthur Jones |
|
1737 |
|
The Playful Life: The Power of Play in Our Every Day [1 ed.] |
Julie P. Jones, Jed Dearybury |
1 |
1738 |
|
The Pop Musical: Sweat, Tears, and Tarnished Utopias |
Alberto Mira |
|
1739 |
|
The Relation of Molière to Restoration Comedy |
John Wilcox |
|
1740 |
|
The San Francisco Stage: A History |
Edmond M. Gagey |
|
1741 |
|
The Self-Conscious Stage in Modern French Drama |
David I. Grossvogel |
|
1742 |
|
The Smallest Giant: An Actor's Life |
Michael Craig |
|
1743 |
|
The Spatiality of Emotion in Early Modern China: From Dreamscapes to Theatricality |
Ling Hon Lam |
|
1744 |
|
The Theater in Soviet Russia |
Nikolai A. Gorchakov, Edgar Lehrman |
|
1745 |
|
The Theatre of Jean-Paul Sartre |
Dorothy McCALL |
|
1746 |
|
The Theatrical Public in the Time of Garrick |
Harry William Pedicord |
|
1747 |
|
Theatre and evolution from Ibsen to Beckett |
Darwin, Charles, Shepherd-Barr, Kirsten |
|
1748 |
|
Theatricality and Narrative in Medieval and Early Modern Scotland |
John Mcgavin |
|
1749 |
|
Theatre of the Oppressed [New edition] |
Augusto Boal |
|
1750 |
|
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play |
Regina S Llamas |
|
1751 |
|
Tragic Play: Irony and Theater from Sophocles to Beckett |
Christoph Menke, James Phillips |
|
1752 |
|
Transnational Mobilities in Early Modern Theater [New edition] |
Robert Henke, Eric Nicholson |
|
1753 |
|
Understanding Children’S Play |
Ruth E. Hartley, Lawrence K. Frank, Robert M. Goldenson |
|
1754 |
|
US Airborne Divisions in the ETO 1944-45 |
Steven Zaloga |
|
1755 |
|
US Airborne Divisions in the ETO 1944-45 (OSPREY Battle Orders 25) |
Steven Zaloga |
|
1756 |
|
US Army Tank Crewman 1941-45: European Theater of Operations (ETO) 1944-45 [illustrated edition] |
Steven Zaloga, Howard Gerrard |
|
1757 |
|
Theatre and citizenship : the history of a practice |
David Wiles |
|
1758 |
|
A Short History of Western Performance Space |
David Wiles |
|
1759 |
|
The Masks of Menander: Sign and Meaning in Greek and Roman Performance |
David Wiles |
|
1760 |
|
Tragedy in Athens: Performance Space and Theatrical Meaning |
David Wiles |
|
1761 |
|
An Introduction to Post-Colonial Theatre |
Brian Crow, Chris Banfield |
|
1762 |
|
The Cambridge Introduction to Theatre Directing |
Christopher Innes, Maria Shevtsova |
|
1763 |
|
Pronouncing Shakespeare: the Globe experiment |
Crystal, David,Shakespeare, William |
|
1764 |
|
Performing Restoration Shakespeare |
Amanda Eubanks Winkler, Claude Fretz, Richard Schoch |
|
1765 |
|
The Cambridge Introduction to Theatre Studies [ebook ed.] |
Christopher B. Balme |
|
1766 |
|
The Theatrical Public Sphere |
Christopher B. Balme |
|
1767 |
|
Play, Playfulness, Creativity and Innovation [draft ed.] |
Bateson P., Martin P. |
|
1768 |
|
The Theatre in Nineteenth-Century Spain [First Edition] |
David Thatcher Gies |
|
1769 |
|
Celebrity, Performance, Reception : British Georgian Theatre As Social Assemblage |
David Worrall |
|
1770 |
|
Neil LaBute : stage and cinema |
C. W. E Bigsby |
|
1771 |
|
Theatre and Politics in Nineteenth-Century Spain: Juan De Grimaldi as Impresario and Government Agent |
David Thatcher Gies |
|
1772 |
|
Tragedy in Ovid: theater, metatheater, and the transformation of a genre |
Curley, Dan |
|
1773 |
|
The Cambridge History of British Theatre. Vol. 3: Since 1895 [3] |
Baz Kershaw (ed.) |
3 |
1774 |
|
The Cambridge Companion to Shakespeare and Contemporary Dramatists |
A.J. Hoenselaars |
|
1775 |
|
The Cambridge History of British Theatre (Volume 3) [1 ed.] |
Baz Kershaw |
1 |
1776 |
|
The Cambridge Companion to English Renaissance Drama |
Braunmuller, A R(Editor) |
|
1777 |
|
The Cambridge Introduction to Chekhov |
Chekhov, Anton Pavlovich,Loehlin, James N |
|
1778 |
|
The Cambridge Companion to American Women Playwrights (Cambridge Companions to Literature) |
Brenda Murphy |
|
1779 |
|
Performing Greek Comedy |
Alan Hughes |
|
1780 |
|
A History of the Berliner Ensemble |
David Barnett |
|
1781 |
|
Congressional theatre: dramatizing McCarthyism on stage, film, and television |
Brenda Murphy |
|
1782 |
|
Performance and Culture in Plato's Laws |
Anastasia-Erasmia Peponi |
|
1783 |
|
The politics of Irish drama: plays in context from Boucicault to Friel |
Boucicault, Dion,Friel, Brian,Grene, Nicholas |
|
1784 |
|
German Expressionist Theatre: The Actor and the Stage |
David F. Kuhns |
|
1785 |
|
Actors and acting in Shakespeare’s time : the art of stage playing |
Astington, John H., Shakespeare, William |
|
1786 |
|
Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory) [1 ed.] |
D. Soyini Madison |
1 |
1787 |
|
Mapping Irish Theatre : Theories of Space and Place |
Chris Morash, Shaun Richards |
|
1788 |
|
The Cambridge Companion to English Melodrama |
Carolyn Williams |
|
1789 |
|
Contentious Performances [1 ed.] |
Charles Tilly |
1 |
1790 |
|
Robert Lepage's Intercultural Encounters |
Christie Carson |
|
1791 |
|
Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa |
Anthony Davies |
|
1792 |
|
Theatre in the Chocolate Factory: Performance at Cadbury's Bournville, 1900–1935 |
Catherine Hindson |
|
1793 |
|
An apology for the life of Mr Colley Cibber, comedian and late patentee of the Theatre Royal : a modernized text |
Colley Cibber (Author), David Roberts (Editor) |
|
1794 |
|
Shakespeare, Blackface and Race: Different Perspectives |
Coen Heijes |
|
1795 |
|
Theatre in Vienna: A Critical History, 1776-1995 |
W. E. Yates |
|
1796 |
|
Theatre in Spain, 1490–1700 [1 ed.] |
Melveena McKendrick |
1 |
1797 |
|
Theatre in Market Economies |
Michael McKinnie |
|
1798 |
|
Theorising Play in the Early Years |
Marilyn Fleer |
|
1799 |
|
Theatre, Finance, and Society in Early Modern England |
Theodore B. Leinwand |
|
1800 |
|
Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction [Illustrated] |
Tony Howard |
|
1801 |
|
Theater Outside Athens: Drama in Greek Sicily and South Italy |
Kathryn Bosher (ed.) |
|
1802 |
|
Women and Victorian Theatre |
Kerry Powell |
|
1803 |
|
The Cambridge Companion to Roman Comedy [Hardcover ed.] |
Martin T. Dinter |
|
1804 |
|
Theater, War, and Revolution in Eighteenth-Century France and Its Empire |
Logan J. Connors |
|
1805 |
|
The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830-1870 |
Jacky Bratton |
|
1806 |
|
Toys, Play, and Child Development |
Jeffrey H. Goldstein |
|
1807 |
|
The Cambridge Companion to Twentieth-Century Irish Drama |
Richards, Shaun |
|
1808 |
|
The Dark Comedy [2 ed.] |
J. L. Styan |
2 |
1809 |
|
Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre |
Robert Weimann |
|
1810 |
|
Shakespeare and the Force of Modern Performance |
Worthen, W B |
|
1811 |
|
A Short History of Shakespeare in Performance: From the Restoration to the Twenty-First Century [1st ed.] |
Richard Schoch |
1 |
1812 |
|
The Theatre in America during the Revolution [First Edition] |
Jared Brown |
|
1813 |
|
Shakespeare Seen: Image, Performance and Society |
Stuart Sillars |
|
1814 |
|
The Cambridge History of British Theatre. Vol. 2: 1680 to 1895 [2] |
Joseph Donohue (ed.) |
2 |
1815 |
|
The Rival Sirens: Performance and Identity on Handel's Operatic Stage |
Dr Suzanne Aspden |
|
1816 |
|
The Cambridge History of British Theatre. Vol. 1: Origins to 1660 [1] |
Jane Milling, Peter Thomson (eds.) |
1 |
1817 |
|
The Cambridge History of British Theatre (Volume 1) |
Jane Milling, Peter Thomson |
|
1818 |
|
The Cambridge History of British Theatre (Volume 2) [2] |
Joseph Donohue |
2 |
1819 |
|
The Cambridge History of British Theatre [Volume 1] |
Jane Milling, Peter Thomson |
1 |
1820 |
|
Living Theatre in the Ancient Roman House: Theatricalism in the Domestic Sphere |
Richard C. Beacham, Hugh Denard |
|
1821 |
|
The Political Theatre of David Edgar: Negotiation and Retrieval |
Janelle Reinelt, Gerald Hewitt |
|
1822 |
|
The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama |
Eric Csapo, Margaret C. Miller |
|
1823 |
|
The Growth and Nature of Drama [1 ed.] |
Ronald F. Clarke |
1 |
1824 |
|
Choral Mediations in Greek Tragedy |
Renaud Gagné, Marianne Govers Hopman (eds.) |
|
1825 |
|
The Henry Irving Shakespeare [Volume 2] |
William Shakespeare, Henry Irving (editor), Frank A. Marshall (editor) |
2 |
1826 |
|
Theatre, Society and the Nation: Staging American Identities [First Edition] |
S. E. Wilmer |
|
1827 |
|
The Cambridge History of American Theatre: Volume 2: 1870-1945 |
Don B. Wilmeth, Christopher Bigsby |
|
1828 |
|
The Cambridge History of American Theatre. Vol. 2: 1870-1945 [2] |
Don B. Wilmeth, Christopher Bigsby (eds.) |
2 |
1829 |
|
Utpal Dutt and Political Theatre in Postcolonial India (Elements in Theatre, Performance and the Political) |
Mallarika Sinha Roy |
|
1830 |
|
The Cambridge History of American Theatre (Volume 1) [1st Pbk. Ed] |
Don B. Wilmeth, Christopher Bigsby |
1 |
1831 |
|
The Cambridge companion to the musical [3rd edition] |
Everett, William A., Laird, Paul R. (eds.) |
3 |
1832 |
|
The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies |
Tracy C. Davis (editor), Paul Rae (editor) |
|
1833 |
|
The Cambridge Companion to Performance Studies [1 ed.] |
Tracy C. Davis |
1 |
1834 |
|
The Cambridge handbook of play : developmental and disciplinary perspectives |
Roopnarine, Jaipaul L., Smith, Peter K. |
|
1835 |
|
The Royal Court Theatre and the Modern Stage |
Philip Roberts |
|
1836 |
|
Play and Aesthetics in Ancient Greece |
Stephen E. Kidd |
|
1837 |
|
Theatre Matters: Performance and Culture on the World Stage |
Richard Boon, Jane Plastow, Wole Soyinka |
|
1838 |
|
Theatre and Empowerment: Community Drama on the World Stage |
Richard Boon, Jane Plastow |
|
1839 |
|
Romeo and Juliet (The New Cambridge Shakespeare) [Updated] |
William Shakespeare |
|
1840 |
|
Euripides: Cyclops |
Richard Hunter, Rebecca Laemmle |
|
1841 |
|
Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric (Cambridge Classical Studies) |
Richard Hunter (editor), Anna Uhlig (editor) |
|
1842 |
|
The Shakespearean Stage Space |
Mariko Ichikawa |
|
1843 |
|
The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge Companions to Literature) |
Kerry Powell |
|
1844 |
|
Shakespeare and the Authority of Performance |
William B. Worthen |
|
1845 |
|
Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces |
Joanne Tompkins, Julie Holledge, Jonathan Bollen, Liyang Xia |
|
1846 |
|
Greek Theatre between Antiquity and Independence: A History of Reinvention from the Third Century BC to 1830 |
Walter Puchner, Andrew White |
|
1847 |
|
Shakespeare and the Theatre of Wonder |
T. G. Bishop |
|
1848 |
|
Euripides: Helen |
William Allan |
|
1849 |
|
The Cambridge Introduction to Scenography [1 ed.] |
Joslin McKinney, Philip Butterworth |
1 |
1850 |
|
The Cambridge Companion to Medieval English Theatre [2nd ed.] |
Richard Beadle, Alan J. Fletcher |
2 |
1851 |
|
The Cambridge Companion to Medieval English Theatre |
Richard Beadle |
|
1852 |
|
Beckett, Technology and the Body |
Ulrika Maude |
|
1853 |
|
Story, Performance, and Event: Contextual Studies of Oral Narrative |
Richard Bauman |
|
1854 |
|
The Theory and Analysis of Drama [1 ed.] |
Manfred Pfister, John Halliday |
1 |
1855 |
|
The Theory and Analysis of Drama [Illustrated] |
Manfred Pfister |
|
1856 |
|
Theatres of feeling: affect, performance, and the eighteenth-century stage |
Marsden, Jean I |
|
1857 |
|
Theatres of Autofiction (Elements in Theatre, Performance and the Political) |
Lianna Mark |
|
1858 |
|
Documents of Performance in Early Modern England [1 ed.] |
Tiffany Stern |
1 |
1859 |
|
When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy |
Sarah Nooter |
|
1860 |
|
The medical department: medical service in the European theater of operations |
Cosmas, G.A. and Cowdrey, A.E. and Center of Military History |
|
1861 |
|
Staging Science: Scientific Performance on Street, Stage and Screen [1 ed.] |
Martin Willis (eds.) |
1 |
1862 |
|
Les Femmes savantes [Nouvelle éd ed.] |
Molière |
|
1863 |
|
Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama [1st ed.] |
Iris H. Tuan |
1 |
1864 |
|
Play Intelligence : From IQ to PIQ |
James W. Findlay |
|
1865 |
|
Playful Intelligence: The Power of Living Lightly in a Serious World |
DeBenedet, A.T. |
|
1866 |
|
Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance |
Marla Carlson |
|
1867 |
|
Working Subjects in Early Modern English Drama (Studies in Performance and Early Modern Drama) |
Michelle M. Dowd, Natasha Korda |
|
1868 |
|
Writing the Reformation: Actes and Monuments and the Jacobean History Play |
Marsha S. Robinson |
|
1869 |
|
The art of stillness : the theatre practice of Tadashi Suzuki |
Paul Allain. |
|
1870 |
|
The Human Nature of Playwriting [1st ed.] |
Samson Raphaelson |
1 |
1871 |
|
International perspectives on children's play |
Johnson, James E., Kuschner, David, Patte, Michael M., Roopnarine, Jaipaul L |
|
1872 |
|
The Theatre Experience, 13th Edition [13 ed.] |
Edwin Wilson |
13 |
1873 |
|
Careers for the stagestruck & other dramatic types [1 ed.] |
Lucia Mauro |
1 |
1874 |
|
The Theatre Experience [14 ed.] |
Edwin Wilson |
14 |
1875 |
|
The Theatre Experience [15 ed.] |
Edwin Wilson |
15 |
1876 |
|
Exploring Theatre, Student Edition [2 ed.] |
Glencoe McGraw-Hill |
2 |
1877 |
|
The Excellence of Play [3 ed.] |
Janet Moyles, ed. |
3 |
1878 |
|
Theatrical design and production : an introduction to scene design and construction, lighting, sound, costume, and makeup [7th ed.] |
Gillette, J. Michael |
7 |
1879 |
|
The excellence of play [4th edition] |
Moyles, Janet R |
4 |
1880 |
|
Theatrical Design and Production (Team-IRA) |
Gillette, J. Michael,Dionne, Rich, |
|
1881 |
|
Theatre: The Lively Art [10 ed.] |
Edwin Wilson, Alvin Goldfarb |
10 |
1882 |
|
Theatre, Brief Version [Unbound ed.] |
Robert Cohen |
|
1883 |
|
Theatre, Brief [13 ed.] |
Robert Cohen |
13 |
1884 |
|
Theatre : The Lively Art [8 ed.] |
|
8 |
1885 |
|
The Red Rubber Ball at Work: Elevate Your Game Through the Hidden Power of Play: Elevate Your Game Through the Hidden Power of Play |
Kevin Carroll |
|
1886 |
|
The Creative Spirit: An Introduction to Theatre [6th ed.] |
Stephanie Arnold |
6 |
1887 |
|
Play and playwork : 101 stories of children playing |
Brown, Fraser |
|
1888 |
|
Great Jobs for Theatre Majors [1 ed.] |
Jan Goldberg |
1 |
1889 |
|
Expanded Choreographies - Choreographic Histories: Trans-Historical Perspectives Beyond Dance and Human Bodies in Motion |
Anna Leon, Austrian Science Fund - FWF (Fonds zur Förderung der wissenschaftlichen Forschung) |
|
1890 |
|
From Ritual to Theatre: The Human Seriousness of Play |
Victor Turner |
|
1891 |
|
From Ritual to Theatre: The Human Seriousness of Play |
Victor Turner, Victor Witter Turner |
|
1892 |
|
Imagining Human Rights in Twenty-First-Century Theater: Global Perspectives |
Florian N. Becker, Paola S. Hernández, Brenda Werth (eds.) |
|
1893 |
|
Play: Psychoanalytic Perspectives, Survival and Human Development |
Emilia Perroni |
|
1894 |
|
Play and the Human Condition |
Henricks, Thomas S |
|
1895 |
|
Play and the Human Condition |
Henricks, Thomas S. |
|
1896 |
|
Sentient Performativities of Embodiment: Thinking alongside the Human |
Lynette Hunter (editor), Elisabeth Krimmer (editor), Peter Lichtenfels (editor) |
|
1897 |
|
Shakespeare and the varieties of human experience |
Shakespeare, William, Saccio, Peter, Huston, J. Dennis, Shakespeare, William |
|
1898 |
|
Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of Cultural Performance |
John J. MacAloon |
|
1899 |
|
Sound and music for the theatre : the art and technique of design [3 ed.] |
Deena Kaye, James LeBrecht |
3 |
1900 |
|
Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance |
Brett Gamboa and Lawrence Switzky |
|
1901 |
|
The Queer Life of Things: Performance, Affect, and the More-Than-Human |
Anne M. Harris, Stacy Holman Jones |
|
1902 |
|
Theatre as Human Action 3rd Edition [3 ed.] |
Thomas S. Hischak |
3 |
1903 |
|
Theatre and Human Rights (Theatre &) [1 ed.] |
Paul Rae |
1 |
1904 |
|
Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater |
Jessica Rizzo |
|
1905 |
|
Dinner with Tennessee Williams: recipes and stories inspired by America's Southern playwright [1st ed] |
Williams, Tennessee,Picolo, Greg,Holditch, W. Kenneth,Gilbert, Troy A |
1 |
1906 |
|
Performing Stories: Erzählen in Theater und Performance [2., unveränderte Auflage 2016] |
Nina Tecklenburg |
2016 |
1907 |
|
Old Stories, New Readings : The Transforming Power of American Drama [1 ed.] |
Miriam López-Rodríguez, Inmaculada Pineda-Hernández, Alfonso Ceballos Muñoz |
1 |
1908 |
|
(Re)telling Old Stories: Peter Brook’s Mahabharata and Ariane Mnouchkine’s Les Atrides [New ed.] |
Dominic Glynn (editor) |
|
1909 |
|
Theatre, Therapy and Personal Narrative: Developing a framework for safe, ethical, flexible and intentional practice in the theatre of personal stories |
Clark Michael Baim |
|
1910 |
|
Shakespeare in the Global South: Transcolonial Solidarities across Oceans of Difference: Stories of Oceans Crossed in Contemporary Adaptation |
Sandra Young |
|
1911 |
|
Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started It All |
Tom Moore, Adrienne Barbeau, Ken Waissman |
|
1912 |
|
West Side Story: Cultural Perspectives on an American Musical |
Elizabeth A. Wells |
|
1913 |
|
The Zoo Story |
Edward Albee |
|
1914 |
|
Daisy Moon Was Born This Way [1 ed.] |
Emily Sheehan, Joanna Murray-Smith |
1 |
1915 |
|
Pictures in the Air: The Story of the National Theatre of the Deaf |
Stephen C. Baldwin |
|
1916 |
|
The Greatest Street in the World: The Story of Broadway, Old and New, from the Bowling Green to Albany [Original retail ed.] |
Stephen Jenkins |
|
1917 |
|
The Plays to 1942: Mulatto to the Sun Do Move [1 ed.] |
Langston Hughes |
1 |
1918 |
|
Samuel Beckett and BBC Radio: A Reassessment [1 ed.] |
David Addyman, Matthew Feldman, Erik Tonning (eds.) |
1 |
1919 |
|
In the Studio with Joyce Piven: Theatre Games, Story Theatre and Text Work for Actors |
Joyce Piven, Susan Applebaum |
|
1920 |
|
L’amant indiscret, ou Le maistre estourdi |
Quinault, Philippe, Brooks, William (ed.) |
|
1921 |
|
Valle Inclan: The Lights of Bohemia [1 ed.] |
John E. Lyon |
1 |
1922 |
|
Black British Drama: A Transnational Story |
Michael Pearce |
|
1923 |
|
And the sun stood still: a play in two acts [First edition] |
Copernicus, Nicolaus,Sobel, Dava |
|
1924 |
|
Greek tragedy : suffering under the sun |
Hall, Edith |
|
1925 |
|
West Side Story--Vocal Selections: Vocal Line with Piano Accompaniment |
Stephen Sondheim |
|
1926 |
|
Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun |
Clifford Mason |
|
1927 |
|
Ravenhill Plays: 3: Shoot/Get Treasure/Repeat; Over There; A Life in Three Acts; Ten Plagues; Ghost Story; The Experiment |
Mark Ravenhill |
|
1928 |
|
Acting Is Believing , Eleventh Edition [11 ed.] |
Charles McGaw, Kenneth L. Stilson, Larry D. Clark |
11 |
1929 |
|
The Theatre of Dionysus in Athens |
Arthur Wallace Pickard-Cambridge |
|
1930 |
|
When blanche met brando: the scandalous story of ''a streetcar named desire'' |
Sam Staggs |
|
1931 |
|
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis |
Avra Sidiropoulou (editor) |
|
1932 |
|
Holiday Story Play |
Harlow |
|
1933 |
|
Play and Playscapes |
Joe L. Frost |
|
1934 |
|
Of Precariousness Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre [1. Auflage] |
Walter de Gruyter GmbH &, Co. KG, Aragay, Mireia, Middeke, Martin |
1 |
1935 |
|
(M)Other Perspectives. Staging Motherhood in 21st Century North American Theatre & Performance [1. ed.] |
Lynn Deboeck, Aoise Stratford (eds.) |
1 |
1936 |
|
Dancing with the Stars: A Story of the Golden Era of Hollywood Musicals |
Norman Borine |
|
1937 |
|
Future Theatre Research: Origin, Medium, Performance-Text, Reception and Acting [1 ed.] |
Eli Rozik |
1 |
1938 |
|
Meredith Willson, America’s music man : the whole Broadway-symphonic-radio-motion picture story |
Oates, Bill |
|
1939 |
|
Defiant Maids and Stubborn Farmers: Tradition and Invention in Mende Story Performance |
Donald J. Cosentino |
|
1940 |
|
Yiddish Theatre : New Approaches [1 ed.] |
Joel Berkowitz |
1 |
1941 |
|
Dirty Story and Other Plays [1st ed] |
Shanley, John Patrick |
1 |
1942 |
|
Reforging Shakespeare: The Story of a Theatrical Scandal |
Jeffrey Kahan |
|
1943 |
|
The art & craft of playwriting [1st pbk. ed] |
Hatcher, Jeffrey |
1 |
1944 |
|
West Side Story, Gypsy, and the Art of Broadway Orchestration [1 ed.] |
Paul Laird |
1 |
1945 |
|
Theatre: A Way of Seeing [7 ed.] |
Milly S. Barranger |
7 |
1946 |
|
The Coriolanus Story Through the Ages |
Lehman, Alan Dan |
|
1947 |
|
Entertainment Rigging for the 21st Century: Compilation of Work on Rigging Practices, Safety, and Related Topics [Paperback ed.] |
Bill Sapsis |
|
1948 |
|
The Story of Shaw's Saint Joan |
Brian Tyson |
|
1949 |
|
The rest of the story : a life completed |
Arthur Laurents, Bernadette Peters, David Saint |
|
1950 |
|
On my way: the untold story of Rouben Mamoulian, George Gershwin and Porgy and Bess |
Horowitz, Joseph,Mamoulian, Rouben |
|
1951 |
|
Performing Story on the Contemporary Stage |
Tom Maguire (auth.) |
|
1952 |
|
The Story of Calcutta Theatres, 1753-1980 |
Prabir Datta |
|
1953 |
|
The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy |
Oliver Taplin |
|
1954 |
|
Acting Power: The 21st Century Edition [First Edition] |
Robert Cohen |
|
1955 |
|
The Plays to 1942: Mulatto to The Sun Do Move |
Langston Hughes &, Arnold Rampersad &, Dolan Hubbard &, Leslie Catherine Sanders |
|
1956 |
|
The Soft Power of Culture: Art, Transitional Space, Death and Play |
Jonathan Sklar |
|
1957 |
|
Enacting Participatory Development: Theatre-based Techniques |
Julie McCarthy, Karla Galvão |
|
1958 |
|
Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance [1 ed.] |
Susan Broadhurst, Josephine Machon (eds.) |
1 |
1959 |
|
Chinese Theatre An Illustrated History Through Nuoxi and Mulianxi: Volume One: From Exorcism to Entertainmento Story-acting |
Xiaohuan Zhao |
|
1960 |
|
Spirit that Impels : Play, Creativity and Psychoanalysis. |
Fromm, M. Gerard |
|
1961 |
|
Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello (Global Shakespeare Inverted) |
Boika Sokolova (editor), Janice Valls-Russell (editor) |
|
1962 |
|
Play and Reflection in Donald Winnicott’s Writings |
André Green |
|
1963 |
|
The Dramatic Festivals Of Athens [Rev. 2. ed., reissued with suppl. and corr., repr.] |
Arthur W. Pickard-Cambridge |
2 |
1964 |
|
The sound of music story: how one young nun, one handsome Austrian captain, and seven singing Von Trapp children inspired the most beloved film of all time |
Santopietro, Tom |
|
1965 |
|
Another Day's Begun: Thornton Wilder's Our Town in the 21st Century |
Howard Sherman |
|
1966 |
|
My Story and My Life as an Actress (The Kali archive) |
Binodini Dasi |
|
1967 |
|
21st Century Playwriting, A Manual of Contemporary Techniques |
Timothy Daly |
|
1968 |
|
Oberammergau: The Troubling Story of the World's Most Famous Passion Play |
James Shapiro |
|
1969 |
|
Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical [1st ed.] |
Mark Rigney |
1 |
1970 |
|
Actor |
Barbara A. Somervill |
|
1971 |
|
Dream Projects in Theatre, Novels and Films |
Yehuda Moraly, |
|
1972 |
|
Dream Projects in Theatre, Novels and Films: The Works of Paul Claudel, Jean Genet, and Federico Fellini [None ed.] |
Yehuda Moraly |
|
1973 |
|
Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists |
William W. Lewis, Sean Bartley |
|
1974 |
|
The Rhythm of Space and the Sound of Time: Michael Chekhov's Acting Technique in the 21st Century (Consciousness Literature and the Arts) |
Cynthia Ashperger |
|
1975 |
|
Curtain Going Up!: The Story of Katharine Cornell |
Gladys Malvern |
|
1976 |
|
The Who You Dream Yourself: Playing and Interpretation in Psychotherapy and Theatre |
Val Richards |
|
1977 |
|
Playing and Reality Revisited |
Gennaro Saragnano, Christian Seulin |
|
1978 |
|
Full Moon Stages: Personal Notes from 50 Years of the Living Theatre |
Judith Malina |
|
1979 |
|
Songs from 21st Century Musicals for Teens: Young Men's Edition |
Hal Leonard Corp. |
|
1980 |
|
The Story of Drama: Tragedy, Comedy and Sacrifice from the Greeks to the Present |
Gary Day |
|
1981 |
|
Immersive theatre and audience experience : space, game and story in the work of Punchdrunk |
Biggin, Rose |
|
1982 |
|
Shadowed cocktails: the plays of Philip Barry from Paris bound to The Philadelphia story |
Barry, Philip,Anderson, Donald R |
|
1983 |
|
Contemporary Women Playwrights: Into the 21st Century [2013 ed.] |
Penny Farfan, Lesley Ferris |
2013 |
1984 |
|
Inclusive Character Analysis: Putting Theory into Practice for the 21st Century Theatre Classroom |
Jennifer Thomas, Robert J. Vrtis |
|
1985 |
|
The Music Went 'Round and Around: The Story of Musicarnival |
John Vacha |
|
1986 |
|
The Shakespeare Hut: A Story of Memory, Performance and Identity, 1916-1923 |
Ailsa Grant Ferguson |
|
1987 |
|
Acting: Onstage and Off [5 ed.] |
Robert Barton |
5 |
1988 |
|
Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre |
Mireia Aragay (editor), Martin Middeke (editor) |
|
1989 |
|
Questors, Jesters and Renegades: The Story of Britain’s Amateur Theatre |
Michael Coveney |
|
1990 |
|
Games and Play in Chinese and Sinophone Cultures |
Li Guo (editor), Douglas Eyman (editor), Hongmei Sun (editor) |
|
1991 |
|
One on one: the best men's monologues for the 21st century |
Shuman, Bob,Jaroff, Rebecca Dunn,Henry, Joyce E |
|
1992 |
|
One on one : the best women's monologues for the 21st century |
Bob Shuman, Joyce E. Henry, Rebecca Dunn Jaroff |
|
1993 |
|
The state of the art : Teaching drama in the 21st century [1 ed.] |
Michael Anderson |
1 |
1994 |
|
All the king’s women : the story of a Hong Kong family [Samuel French acting ed.] |
Jannuzzi, Luigi |
|
1995 |
|
Role-Play and the World as Stage in the Comedia (Liverpool University Press - Liverpool Music Symposium) |
Jonathan Thacker |
|
1996 |
|
Play and Power |
Karen Vibeke Mortensen, Liselotte Grunbaum (eds.) |
|
1997 |
|
Sensualities Textualities and Technologies: Writings of the Body in 21st Century Performance |
Susan Broadhurst, Josephine Machon |
|
1998 |
|
Mythic Imagination and the Actor: Exercises, Inspiration, and Guidance for the 21st Century Actor [1 ed.] |
Marissa Chibás |
1 |
1999 |
|
Free for all: Joe Papp, the public, and the greatest theater story ever told [1st ed] |
Papp, Joseph,Papp, Gail Merrifield,Turan, Kenneth |
1 |
2000 |
|
The Real Queen of Hearts Ain't Even Pretty: A Play in Two Acts |
Bailey, Brad |
|
2001 |
|
The Shakespeare Hut: A Story of Performance, Memory and Identity, 1916–1923 |
Ailsa Grant Ferguson |
|
2002 |
|
Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello |
Boika Sokolova, Janice Valls-Russell |
|
2003 |
|
Space, Time and Ways of Seeing The Performance Culture of Kutiyattam [1 ed.] |
Mundoli Narayanan |
1 |
2004 |
|
Kurdish Nationalism on Stage: Performance, Politics and Resistance in Iraq |
Mahroo Rashidirostami |
|
2005 |
|
Tales From The Hindu Dramatists |
R.N. Dutta |
|
2006 |
|
Black drama of the Federal theatre era: beyond the formal horizons |
Evelyn Quita Craig |
|
2007 |
|
Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Early Modern Cultural Studies) [First Edition] |
Adam Zucker, Alan B. Farmer |
|
2008 |
|
The People's Stage in Imperial Germany: Social Democracy and Culture 1890-1914 |
Andrew G Bonnell |
|
2009 |
|
The Theater Is in the Street: Politics and Public Performance in 1960s America |
Bradford D. Martin |
|
2010 |
|
Cat on a Hot Tin Roof (Signet) |
Tennessee Williams |
|
2011 |
|
Staging Politics: Power and Performance in Asia and Africa |
Julia C Strauss, Donal B Cruise O'Brien |
|
2012 |
|
THE THEATER AS IT REFLECTS THE PROBLEMS OF THE SOUTH: A STUDY OF THE AMERICAN THEATER FROM 1919 TO 1947 INSOFAR AS IT HAS REFLECTED THE SOCIALAND ECONOMIC PROBLEMS OF THE SOUTHEASTERN REGION OF THE UNITED STATES |
MOORE, KEMPER MARTIN |
|
2013 |
|
Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance [1° ed.] |
Steve Dixon |
1 |
2014 |
|
Jana Sanskriti: Forum Theatre and Democracy in India |
Sanjoy Ganguly |
|
2015 |
|
From Boal to Jana Sanskriti: Practice and Principles [1 ed.] |
Sanjoy Ganguly, Ralph Yarrow (editor) |
1 |
2016 |
|
The American Musical [1 ed.] |
Frank Catalano |
1 |
2017 |
|
Jana Sanskriti: Performance as a New Politics [24, 1 ed.] |
Ralph Yarrow |
1 |
2018 |
|
Shakespeare in Sable: A History of Black Shakespearean Actors |
Errol Hill |
|
2019 |
|
Jana Sanskriti: Performance as a New Politics [1 ed.] |
Ralph Yarrow |
1 |
2020 |
|
Performing Femininity: Woman as Performer in Early Russian Cinema |
Rachel Morley |
|
2021 |
|
The Golden Age of Pantomime: Slapstick, Spectacle and Subversion in Victorian England |
Jeffrey Richards |
|
2022 |
|
Performing the East: Performance Art in Russia, Latvia and Poland Since 1980 |
Amy Bryzgel |
|
2023 |
|
Theater of Capital: Modern Drama and Economic Life [1 ed.] |
Alisa Zhulina |
1 |
2024 |
|
Politics and performance in contemporary Northern Ireland |
John P. Harrington, Elizabeth J. Mitchell, American Conference for Irish Studies |
|
2025 |
|
The Civil Rights Theatre Movement in New York, 1939–1966: Staging Freedom [1st ed.] |
Julie Burrell |
1 |
2026 |
|
Chemistry in Theatre: Insufficiency, Phallacy or Both [1 ed.] |
Carl Djerassi |
1 |
2027 |
|
Naked Exhibitionism: Gendered Performance and Public Exposure |
Claire Nally, Angela Smith (editors) |
|
2028 |
|
Iphigenie auf Tauris: Ein Schauspiel [Reprint 2019 ed.] |
Johann Wolfgang Goethe |
2019 |
2029 |
|
Iphigenie auf Tauris: Ein Schauspiel [Andere Druck. Reprint 2019 ed.] |
Goethe |
2019 |
2030 |
|
The Chemistry of the Theatre: Performativity of Time |
Jerzy Limon (auth.) |
|
2031 |
|
Performing arts: the economic dilemma : a study of problems common to theater, opera, music, and dance / |
by William J. Baumol and William G. Bowen. |
|
2032 |
|
Erinnerungskultur und kultureller Widerstand in den palästinensischen Gebieten: Jenin, »Cinema Jenin« und das »Freedom Theatre« |
Anne Rohrbach |
|
2033 |
|
The Jamaïcan stage, 1655-1900: profile of a colonial theatre |
Errol Hill |
|
2034 |
|
Freedom to Play: We Made Our Own Fun |
Norah L. Lewis |
|
2035 |
|
The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England |
Marta Straznicky (editor) |
|
2036 |
|
Kurdish Nationalism on Stage: Performance, Politics and Resistance in Iraq |
Mari R. Rostami |
|
2037 |
|
Performing Iran: Culture, Performance, Theatre |
Babak Rahimi (editor) |
|
2038 |
|
The chemistry of the theatre : performativity of time |
Jerzy Limon, Palgrave Connect (Online service) |
|
2039 |
|
The Reign of Anti-logos: Performance in Postmodernity [1st ed.] |
David Hawkes |
1 |
2040 |
|
Reclaiming Childhood: Freedom and Play in an Age of Fear [1 ed.] |
Helene Guldberg |
1 |
2041 |
|
Iranian Culture in Bahram Beyzaie’s Cinema and Theatre: Paradigms of Being and Belonging (1959-1979) |
Saeed Talajooy (editor) |
|
2042 |
|
My Double Life: Sexty Yeers of Farquharson Around with Don Harn |
Don Harron |
|
2043 |
|
Shylock in Germany: Antisemitism and the German Theatre from the Enlightenment to the Nazis |
Andrew G Bonnell |
|
2044 |
|
Antony and Cleopatra [Revised] |
William Shakespeare, Sylvan Barnet |
|
2045 |
|
The Sanskrit drama in its origin, development, theory & practice |
Arthur Berriedale Keith |
|
2046 |
|
Freedom’s Pioneer: John McGrath’s Work in Theatre, Film and Television |
David Bradby, Susanna Capon |
|
2047 |
|
Law and Performance |
Austin Sarat, Lawrence Douglas and Martha Merrill Umphrey (eds.) |
|
2048 |
|
The Cultural Revolution of the Nineteenth Century: Theatre, the Book-Trade and Reading in the Transatlantic World |
Márcia Abreu, Ana Cláudia Suriani da Silva |
|
2049 |
|
Naked Masks |
Eric Bentley, Luigi Pirandello |
|
2050 |
|
Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625–1642 |
Adam Zucker, Alan B. Farmer (eds.) |
|
2051 |
|
Time to Play: Action and Interaction in Contemporary Art |
Katarzyna Zimna |
|
2052 |
|
Collaborative Play in Early Childhood Education (Children's Issues, Laws and Programs) |
W. B. Mawson |
|
2053 |
|
Questions on worldliness : what about television, smoking, dancing, the theater, the lodge, gambling? |
Frank B Beck |
|
2054 |
|
New theatre vistas: Modern movements in international theatre |
Oliva, Judy Lee |
|
2055 |
|
Obituaries in the Performing Arts, 2010 |
Harris M. &, Iii Lentz |
|
2056 |
|
Racine's Tragedies of Tyranny: Essays on Bajazet and Mithridate (Faux Titre, 463) (English and French Edition) [Bilingual ed.] |
Nicholas Hammond (editor), Paul Hammond (editor) |
|