| Number |
Cover |
TextBook for Theatre |
Author |
Edition |
| 0 |
 |
Burning Man (Routledge Advances in Theatre & Performance Studies) |
Linda Noveroske-Tritten |
|
| 1 |
 |
Coward the Dramatist: Morals and Manners (Bernard Shaw and His Contemporaries) |
Roger Kojecky |
|
| 2 |
 |
Affair of the Heart: British Theatre from 1992 to 2020 |
Michael Billington |
|
| 3 |
 |
Feydeau Plays: 1: Heart's Desire Hotel ; Sauce for the Goose ; The One That Got Away ; Now You See it ; Pig in a Poke |
Feydeau, Georges |
|
| 4 |
 |
He Brought Her Heart Back in a Box and Other Plays |
Adrienne Kennedy |
|
| 5 |
 |
Eyes of the Heart: Selected Plays |
Catherine Filloux (editor), Frank Stewart (editor) |
|
| 6 |
 |
Stairs to the roof: a prayer for the wild of heart that are kept in cages |
Hale, Allean,Williams, Tennessee |
|
| 7 |
 |
Len Jenkin's Theatre: Wonder and Heart |
Robert Andreach |
|
| 8 |
 |
’Tis Pity She’s a Whore and Other Plays: The Lover’s Melancholy; The Broken Heart; ’Tis Pity She’s a Whore; Perkin Warbeck |
John Ford |
|
| 9 |
 |
Rabindranath Tagore's Drama in the Perspective of Indian Theatre |
Mala Renganathan (editor), Arnab Bhattacharya (editor) |
|
| 10 |
 |
Shakespearean Intertextuality: Studies in Selected Sources and Plays |
Stephen J. Lynch |
|
| 11 |
 |
Thatcher's Theatre: British Theatre and Drama in the Eighties |
D. Keith Peacock |
|
| 12 |
 |
Maya Rao and Indian Feminist Theatre |
Bishnupriya Dutt |
|
| 13 |
 |
The changing language of theatre |
Badal Sarkar |
|
| 14 |
 |
Art and Resistance: Studies in Modern Indian Theatres |
Dorothy Figueira (editor) |
|
| 15 |
 |
Disparate Voices of Indian Women Playwrights: Creating a Profession |
Shirley Huston-Findley (editor) |
|
| 16 |
 |
Honouring the Strength of Indian Women: Plays, Stories, Poetry |
Michelle Coupal, Deanna Reder, Joanne Arnott, Emalene Manuel (editors) |
|
| 17 |
 |
Modern Indian Theatre: A Reader |
Nandi Bhatia |
|
| 18 |
 |
Indian folk theatres |
Juli Hollander |
|
| 19 |
 |
The Oxford Companion to Indian Theatre |
Ananda Lal |
|
| 20 |
 |
Indian Theatre: Theatre of Origin, Theatre of Freedom |
Ralph Yarrow |
|
| 21 |
 |
The Mahabharata: A Play based upon the Indian Classic Epic |
Jean-Claude Carriere, Peter Brook |
|
| 22 |
 |
Acting Up: Gender and Theatre in India, 1979 Onwards |
A. Mangai |
|
| 23 |
 |
African Theatre 15: China, India & the Eastern World |
Edited by Martin Banham, Edited by James Gibbs, Edited by Femi Osofisan |
|
| 24 |
 |
Badal Sircar: Towards a Theatre of Conscience |
Anjum Katyal |
|
| 25 |
 |
Folk Theatres of North India: Contestation, Amalgamation and Transference |
Karan Singh |
|
| 26 |
 |
Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare |
Joerg Esleben, Rohmer Rolf, David G. John |
|
| 27 |
 |
Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence |
Meera Kosambi |
|
| 28 |
 |
Grounds for Play: The Nautanki Theatre of North India |
Kathryn Hansen |
|
| 29 |
 |
Performance in a Time of Terror: Five Sinhala Plays from Sri Lanka |
Ranjini Obeyesekere, Kanchuka Dharmasiri |
|
| 30 |
 |
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900 |
Suddhaseel Sen |
|
| 31 |
 |
Writing in Coffee Shops: Confessions of a Playwright |
Ryan Craig |
|
| 32 |
 |
Chinese Coffee - Acting Edition [Paperback ed.] |
Ira Lewis |
|
| 33 |
 |
Theatricality and the Arts: Film, Theatre, Art |
Andrew Quick, Richard Rushton |
|
| 34 |
 |
Touching at a Distance: Shakespeare's Theatre |
Johannes Ungelenk |
|
| 35 |
 |
The Edinburgh Companion to Modernism in Contemporary Theatre |
Adrian Curtin (editor), Nicholas Johnson (editor), Naomi Paxton (editor), Claire Warden (editor) |
|
| 36 |
 |
On the Threshold: Hospitality in Shakespeare's Drama |
Sophie Battell |
|
| 37 |
 |
Shakespeare’s Virtuous Theatre: Power, Capacity and the Good |
Kent Lehnhof, Julia Reinhard Lupton, Carolyn Sale (editors) |
|
| 38 |
 |
Harold Hobson: The Complete Catalogue |
Dominic Shellard |
|
| 39 |
 |
Sensation Drama, 1860–1880: An Anthology |
Joanna Hofer-Robinson, Beth Palmer |
|
| 40 |
 |
Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas |
Gale,Cengage Learning |
|
| 41 |
 |
Voice and Speech in the Theatre (6th Edition) [6th ed.] |
J. Clifford Turner, edited by Jane Boston |
6 |
| 42 |
 |
Encyclopedia of Latin American Theater |
Eladio Cortes, Mirta Barrea-Marlys |
|
| 43 |
 |
South African Theatre As/and Intervention |
Marcia Shirley Blumberg, Dennis Walder |
|
| 44 |
 |
The Iceman Cometh [Critical Edition] |
Eugene O'Neill (editor), William Davies King (editor) |
|
| 45 |
 |
Hamlet: Fold on Fold |
Gabriel Josipovici |
|
| 46 |
 |
Celia, a Slave |
Barbara Seyda, Nicholas Wright |
|
| 47 |
 |
Bach's Major Vocal Works: Music, Drama, Liturgy |
Markus Rathey |
|
| 48 |
 |
The Opera Lover's Companion |
Charles Osborne |
|
| 49 |
 |
The Adventure of Merlin's Tomb |
Dramatized by Frank J. Morlock |
|
| 50 |
 |
THE COURIER FROM MILAN. A PARADE |
Translated &, adapted by Frank J. Morlock C 2002 |
|
| 51 |
 |
WAYWARD WENCHES BY JEAN-FRANCOIS REGNARD |
Translated &, Adapted by Frank J. Morlock C 2002 |
|
| 52 |
 |
ATYS By Quinault |
Translated &, Adapted by Frank J. Morlock C 2002-2003 |
|
| 53 |
 |
AMADIS By QUINAULT |
Translated &, adapted by Frank J. Morlock C 2003 |
|
| 54 |
 |
ARMIDA By Quinault 1686 |
Translated &, adapted By Frank J. Morlock C 2003 |
|
| 55 |
 |
CADMUS AND HERMIONE By Quinault |
Translated &, adapted by Frank J. Morlock C 2003 |
|
| 56 |
 |
IRENE By VOLTAIRE |
VOLTAIRE |
|
| 57 |
 |
ISIS By Quinault |
Translated &, adapted by Frank J. Morlock C 2003 |
|
| 58 |
 |
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India |
Seizer, Susan |
|
| 59 |
 |
Dance and Dance Drama in Education |
V. Bruce and P. Sebastian (Auth.) |
|
| 60 |
 |
Racine’s Roman Tragedies: Essays on Britannicus and Bérénice [Bilingual ed.] |
Nicholas Hammond, Paul Hammond |
|
| 61 |
 |
Une Femme Puissante: L’oeuvre De Marie NDiaye (Francopolyphonies, 13) |
Daniel Bengsch (editor), Cornelia Ruhe (editor) |
|
| 62 |
 |
Unimaginable Bodies: Intellectual Disability, Performance and Becomings [51, 1 ed.] |
Anna Catherine Hickey-Moody |
1 |
| 63 |
 |
Unphenomenal Shakespeare: Pending Critical Quarrels (Costerus New, 232) |
Julin Jimnez Heffernan |
|
| 64 |
 |
Vexierbilder: Autor:inneninszenierung vom 19. Jahrhundert bis zur Gegenwart |
Alina Boy, Vanessa Höving, Katja Holweck (eds.) |
|
| 65 |
 |
Victorian Detectives in Contemporary Culture: Beyond Sherlock Holmes [1 ed.] |
Lucyna Krawczyk-Żywko (eds.) |
1 |
| 66 |
 |
Vladimir Nabokov's Lectures on Literature: Portraits of the Artist As Reader and Teacher [1 ed.] |
Ben Dhooge, Jürgen Pieters |
1 |
| 67 |
 |
Vulgar Beauty: Acting Chinese in the Global Sensorium |
Mila Zuo |
|
| 68 |
 |
Wallowing in Sex: The New Sexual Culture of 1970s American Television |
Elana Levine (editor), Lynn Spigel (editor) |
|
| 69 |
 |
Wat nyeus verfraeyt dat herteende verlicht den sin. Studien zum Schauspiel des Mittelalters und der Frühen Neuzeit: Festschrift für Carla Dauven-van Knippenberg zum 65. Geburtstag |
Elke Huwiler, Elisabeth Meyer, Arend Quak |
|